#season 2 just genuinely sucked but season 3 did a LOT better!

[eztilsolar]

earthspark season 3 is like rid15, just don't take it too seriously and you'll have fun

not much below here just some rambling. no spoilers for the show.

but i was personally watching it with my brother because we wanted to get earthspark over with before moving to a show we knew would be good (jurassic world: chaos theory). however, we were a lot more engaged and entertained than we though we would be!! my brother, who usually plays games in the background during shows, was actually paying attention during, like, the second half of the season.

maybe its just because we were watching it together or something but it was fun! i've stopped being annoyed by the animation and just started enjoying the characters instead, which i would say are doing pretty good (ignoring starscream, he's just gone back to being a wet weasel). we liked the dynamics of new relations and old ones.

sure, some things were bad, some things were iffy, but it was fun. its funny to look at twitter and tumblr and just seeing all this hate about it, which im not blaming you for not liking it, i understand, however i personally enjoyed it.

[bengiyo]

Ben's Big BL Blurb 3: Blue Canvas of Youthful Days Blew It, But I Still Recommend It

I finished Blue Canvas of Youthful Days today, and I don’t like where we left off with this show. Let’s get into that, and then check in on some of the other shows I’m watching.

Blue Canvas of Youthful Days Didn’t Give the Audience Catharsis

I don’t begrudge the show going for a happy ending, given how so many other BLs from their home country end with sudden traumatic turns. However, I don’t feel like we got catharsis from the ending at all. I struggle to full articulate my frustration here, but I think I just really wanted an ending akin to Weekend (2011) or Gameboys 2 (2022).

I think these two were in a position where they were unable to be together now, and I think they should have ended on a separation. When Cairo and Gav had to separate at the end of Gameboys, it was the correct choice. They were still building their lives, and Gav wasn’t doing well on his on. Similarly, Blue Canvas established a scenario whereby Qi Lu did not have the power to stop his father from harming Qin Xiao. Likewise, Qin Xiao couldn’t keep the local gang from beating Qi Lu.

I would have preferred they have the boys confront that they were hiding things from each other, and how they both failed to protect each other from the horrors. I am disappointed that we didn’t get a poignant goodbye from them as they accept that they can’t be together right now. I wouldn’t have minded so much a blurb at the end of the show with the pitch for a season 2 that they didn’t get to film (though @thisonelikesaliens commentary makes even what they wrote dour). We didn’t confront the issue with the dad at all, and we didn’t deal with Qin Xiao losing all he’d worked for.

Genuinely, I would have been okay with them getting a tag at the end of the show with them seeing each other on the street again and sharing a meaningful look. However, we never saw them face the music of their double noble idiocy, and that sucks. It especially sucks because we had Let Free The Curse of Taekwondo this year, and so we saw the consequences of this. We could have had these two railing against the world and promising to see each other again. The tag at the end of the reuse of the fantasy sequence feels tacked on and unearned. That kinda sucks more.

Final Verdict: 8, Recommended With Reservations. I really liked most of this show, and I think they wrote some phenomenal characters until the finale here. Like @lurkingshan I ended up not pleased with this ending. I am disappointed in the lack of resolution about the withholding, and I think they needed to face the separation and goodbye. However, I really liked the cast, and I respect the team that worked so hard to get this to us.

On to the rest of the show, presented in no particular order…starting with the worst. I’ll put in parentheses what episode number I’m on as of this post.

Haunted Hearts is Boring (5/7)

Magic, mah friend! Your show is boring. I do not know why these boys won’t kiss, and at this point I feel like I don’t care anymore. They’re introducing yet another ghost next week and I just am so disinvested. I try so hard every time to support Oxin Films and Regal Entertainment, but they make it so fucking hard. Holy shit. There’s only so far the boys being cute can carry a thin concept like this.

City of Stars is Better Than I Expected (2/12)

I am catching up on this show. The acting isn’t great, but I’m really enjoying a lot of what’s happening here. I will report back when I finish.

See Your Love is Fun But Kinda Weird (7/13)

The visuals are great in this show, and the leads are filling in the aesthetic gap left behind by Jimmy and Tommy in a way that really works for me. There’s been way too many pratfalls in the last two episodes. We are at 1.5 pratfalls per episode at this point. The side couple is absolutely ridiculous. I’m having fun.

Caged Again is Becoming a Favorite (4/10)

Junior is the best protagonist of the year. I’m obsessed with this penguin boy. I love the way this show uses its supernatural elements to drive its storytelling forward, even if I think the plot got a little silly in episode 4. The friend group dynamics are so fun, and I haven’t enjoyed a group of Thai boys this much since Knock Knock, Boys! (no surprise, two of them are in this show, too).

Your Sky is a Weekly Delight (3/12)

The 2gether rewrite show is great, and I will be reading no commentary to the contrary. These boys are so great, and they are one of the best couples of the year. This show is doing fake dating in a way that’s just so excellent, because it’s real dating! The boys are genuinely trying to get know each other so they can pretend to be a better fake couple. This is so close to being excellent meta commentary about dating in the digital age, and how so much of dating for the current generation is about how others perceive the validity of your relationship. It’s actually so fun to watch a show where the characters are doing all the things you’re supposed to do when you’re trying to build something with someone, but one of them doesn’t fully understand what they’ve gotten into. This show is great, and I love it.

Love in the Air: Koi no Yokan is so Slick (5/10)

If there’s one thing a Japanese drama is going to get right it’s trauma! This show delivered on Kai’s horrors in a way that was so visceral that I needed to pause and catch a breath. I remain obsessed with the casting of Nagatsuma Reo as Kai, because he’s taller than Suzuki Asahi sometimes. I really love that they didn’t give us the BL height difference trope, and I like that they didn’t style Kai in a way to make him look more feminine. There’s a egalitarian physical balance between Fuma and Kai that I find extremely refreshing, considering the massive class, wealth, and suffering gap between the two characters. It’s no surprise that we’ve had a dearth of gifs of their sex scene, considering it doesn’t play to the kind of asymmetric aesthetics that folks seem enjoy in their pairings.

As always, the Rei and Kai friendship remains one of the best parts of this story, and I like the way this version of Sky talks to this version of Rain about the queer stuff. He feels like he’s being careful with his friend, and not just ghosting him on important conversations about his friend’s sexual awakening (one of my major gripes with the original Thai adaptation).

Our Youth is Taking Over My Brain (4/11)

I have not moved on from the “Infect me” line, and I am still obsessed with the plausible deniability of the “no homo” that Hirukawa relies upon as he continues to pursue Minase. Now that Minase has reached his breaking point, I’m so looking forward to seeing where we go next. We’re due for a major separation, and I’m ready for a Japanese BL to not fuck up a second chance romance attempt this time. Perhaps adapting Korean work could the solution?

Spare Me Your Mercy is a Welcome Return to the Sammon Feeling I Enjoy (1/10)

I just really love when Sammon shows feel like the mystery matters more than the romance, and this feels like it’s in the correct space. I loved the initial setup, and the potential for there to be multiple murderers. I really hope that they start killing younger people in this show, because they said there were only 40 palliative care patients, and we downed three of them in the first episode. I’m so happy to see JJ again, and Tor looks great. I am looking forward to the weekly watch and theorizing with this show. Most importantly, I’m looking forward to the complex meditation on euthanasia, which this story feels like it’s taking seriously.

Love is Like a Poison Finally has Given Us a BL Battle Couple Again (11/12)

We haven’t had a BL battle couple in what feels like forever. I love that this show continues to reward us for believing in Haruto and Shiba. Haruto’s dad is the absolute worst, and I really want him to lose. I love Shiba, and I love that the show continues to give him some of the visual tropes of a legal drama (like the pan up near the end). I’m in love with this show, and it’s going to be one of my favorites of the year, I’m sure.

Fragrance You Inherit Hurts Me Because Everyone is Doing The Right Thing (4/8)

This show is actually so painful sometimes, because no one is doing anything wrong. Everyone is being as emotionally honest as they can be with everyone they speak to about all of the things that are going on. There’s absolutely nothing wrong with Sakura choosing to let go of her lingering crush on Mone now that they’re both moms and their kids are dating. Besides, we presume that Mone is still married! The conversation with On-chan makes me think that Mone misunderstood the relationship Sakura had with him in college (My man is ace but not aro! We love to see it).

I just really love that everyone is trying to do right by everyone around them, and I think all of the things that remain unspoken in this show have been withheld for completely valid reasons. There are no villains in this story, and that makes it even harder to watch really kind people treat each other politely in every scene. I’m just feeling a quiet scream in me the entire time I watch a good son by a thoughtful gift for his loving mother with the help of his supportive and lovely girlfriend, as he prepares a surprise from the old friend who clearly still cares about her friend and the unrequited/unexpressed feelings between them. This show is incredible. Go watch it right now. Thank you again to @isaksbestpillow.

Conclusion

That’s more shows than I’ve been watching in a while. It’s nice to have some Thai shows back in my rotation that I’m actually enjoying. I really want the Chinese to now fuck up their endings, but it seems like 2024 will not be that year. I’ll try to check in with the end of Love is Like a Poison when the Netflix release schedule completes so folks can binge it then. In the mean time, let me know what you’re enjoying, and what else I should consider picking up.

[ollycohens]

oh no you guys. i’m going to spew things i’ve realized while rewatching umbrella academy. I’m realizing were all being too sucked into fanon things after being stuck without canon content for so long. We have convinced ourselves Five acts like a mean mean dude to everyone but rewatching, i’ve realized he’s only stressed and is saying things out of panicked anger, especially in s1 with the apocalypse dooming over them. he acts soft to his siblings multiple times, he’s really not as mean as we write him in fanfiction. he is a little crap though, that’s for sure, and i love him for that <3

also realizing that the siblings don’t hate five. they just literally don’t know him at all. he came back a completely different person after 17 years for the siblings, they don’t know five, he’s a stranger so of course they’re gonna be cold to him. it’s like, “i don’t know you well, but you’re always going to be my brother in the end”.

ALSO. for those who ship some of the siblings, uhm… i’ve seen a lot of you guys try to prove that they don’t see eachother as siblings and more like academy students, but they very much say in just about every episode that they see eachother as siblings. they don’t actually SAY that word by word but they say things like “she’s our sister”, or “our dad”. if they say OUR dad… bro. i’m not even going to continue, you can put it together yourself. But, i do realize why people ship the siblings. I am not defending incest shippers but with umbrella academy i can see why people have resorted to it. only 3 of the characters in the main sibling cast has romantic partners. people like shipping people, people love writing romantic relationships, but with only diego/lila, dave/klaus, and sissy/viktor, (i’m not going to count five/dolores for now) people are desperate with the need to ship the rest of the siblings with someone, and since there are only a few actual canon characters in the show that interact with our main 7, people start shipping them together… yikes. anywho, that’s all for that peice. i blame the show writers as well for shipping luther/allison, they did not have to do that, but i’m hoping it was only to convey the severity of what childhood trauma does to people.

ALSO THIS HERE SHOOK ME. I actually think Reginald cares for the siblings. i hate to say it, but it’s true. caring for them does not mean being good, though. he was a horrible father, and person, but he genuinely did care for the siblings, in a like, “being the best is the best thing for you, i will make you better, for your sake, even if you don’t know it now, you will see that i am right” kind of way.

also why has NOBODY MENTIONED THIS. in season 2 when diego first reunites with five in the asylum, while he’s walking into the visitors room, he’s staring at five with this heartfelt, soft look, and then says “five…” in the most soft spoken voice ever 😭 your honor i love them

ALSO UGHHH THIS. IM GOING TO FREAK OUT ABOUT CAMERAWORK AND METAPHORS HERE SO BARE WITH ME. we as a fandom complain about the lack of flashbacks five has due to his ptsd. we’ve seen his first flashback since getting back to his family in s1 during the van scene when he gets triggered by those kids playing and starts thinking about his own childhood, i’m guessing. i ate that scene up, and was sad to see that be one of the only deeply vulnerable scenes he has in the season, and during my first watch i thought they’d never bring it back up. but they do!! i may be stupid for not realizing but whatever. in season 2, when five is trying to explain at elliot’s with all his siblings around that another apocalypse is coming, everyone starts talking about each other. as someone who studies film and camerawork, i love this scene. we see the camera focus on five as it slowly zooms in. it doesn’t switch scenes at all as the siblings voices overlap and echo over eachother. this whole scene conveys him getting overwhelmed and he starts to zone out, starting to think of the nuclear war he saw his siblings in. the scenes of the war start quickly switching through, showing many different scenes of it before it switches back to five, who says “guys, you all die. i want to forget it but i can’t” which just UGH its so well done there. if you think about it, he was starting to slip into another flashback. he was triggered by talking about their deaths in the war but was handling it well until the siblings started fighting, where we see the overlapping voices happen. it portrays him losing control and being unable to pull it back together with too much going on for him to focus on grounding himself. we DO however, see that five was able to pull himself out before he fell too deep into the flashback. i love how they show this through them still having the scene showing the war, but then fives voice starts talking over the scene which is still focusing on the war as if he was pushing it back and forcing himself to come back to the present.

thank you for reading if you’ve made it this far, i will continue to freak out another time <3

[tuliptiger]

Bro I hate Silco so much. Bro. And don't get it twisted right. He's a good character, he's well written or in THE VERY LEAST incredibly interesting and compelling. To me I guess. I still can't stand him, I hate him and I think he embodies every human flaw a person can have. And every bad decision we make at our lowest points.

And for that I can't stand him in the purest way and I think that's kind of awesome. Get him out of my face though lol fuck that guy. Great presentation of what I feel a lot of people in the world are like or have the potential to be like rn.

For what he was meant to be, having just found out the original plan for him which I really shouldn't consider. Or maybe I should in favor of him, as a little grace for him. I guess Jinx and him were supposed to be like romantic. If that's your thing go for it I guess but I'm not going to talk nicely about it and it disgusts me as a heads up. Fair warning.

I'm forever grateful they didn't pull a Joker/Harley Quinn but because jesus christ I think I actually would've hated Arcane for that. For all you people complaining about Arcane, sure that's your right and it's all personal tastes anyway but it could've been actually, sincerely awful. It would've ruined Jinx as a character and undercut all of her nuance, her autonomy as a real, deeply thought out character. Her struggles, her mental health, her trauma, it would've fucking sucked.

I hate Silco for even the possibility of that and unfortunately i think it explains a little bit about some things. But anyway, back to hating Silco.

1.) He betrayed every single thing he's ever cared about in his life. He betrayed Felicia by trying to and knowingly kill her children. He betrayed the promise he made to not JUST Vander but to Felicia and himself.

Because what? Vander betrayed him first? Because he tried to kill him? Because he probably does feel genuine regret about maybe enacting the event that got Felicia killed? We never get the story but I think it's implied. Either that or Vander really was just deep in grief and rage and put that on Silco. I think they both fucked up for the record but Vander didn't CONTINUE that for the rest of his life.

What did any of that have to do with Vi and Powder/Jinx though? He's the reason everything bad happened, maybe you could blame Viktor since he went back to give Jayce the rune but every bad moment after that is almost exclusively Silco.

2.) He bribed Marcus contributing to the corruption in Piltover and Zaun. He fed drugs to Zaun for the point of nothing in my opinion. Because he couldn't come to terms with his grief, he couldn't make Piltover pay the way he wanted them too? He justified his own terrible actions for some idea of an independent Zaun for what? For who? Piltover may have taken from him but he actively chose to burn whatever he had left by trying to kill Powder and Vi.

3.) He's the reason Vi and her crew lost their loot, and their lives NOT Powder. He's the reason or at least the means for Singed to create more fucked up abominations and shimmer.

4.) He IS A HUGE SOFTIE he's soft as fuck. He loves and he loves deeply but he could never get over himself to do better. And this is possibly the main reason I hate him, he sincerely loved Vander and Jinx and Felicia and Zaun. People get hurt all the time, and it isn't the same as the trauma he faced but I DON'T think a reasonable series of decisions is to betray everything you are and have worked for to fuck over literally everyone around you. He is the scorched earth method, he wanted to hurt everyone and everything for what he felt and experienced. He's so incredibly selfish I cannot stand him.

5. A close contender, maybe even tied because I love Jinx so much. I hate that he is directly related to all of the hurt Vi and Jinx have experienced. I hate, I loath, I detest what he did to Powder and to Jinx. I feel so fed with season 2 episode 7, we DIRECTLY see what happens when Silco doesn't decide every day to hurt the world around him and hurt everyone in it. What happens to Powder without his fucked up influence.

I never thought anyone made Jinx specifically, like there isn't someone to blame because it felt diminishing to Jinx herself. But I'm rethinking it, I would say with certainty Jinx wouldn't have existed without Silco. I don't give him full credit, not in the creation of her and not her herself but the REASON she was reborn into a different person. Powder and Jinx created Jinx, but she created her because she had to, because Silco brought her into a fucked up world where she had to be different to survive.

Silco didn't support her, he enabled her, made her fear the world, fed her insecurities and projected himself into her. And because he does love, he really really did love her I think, that was what she felt she needed as a TWELVE year old girl. She needed a guardian who had her best interest at heart and not just love. Whatever support she had before, he ripped it from her and shredded it, and from that pile of rubble and ash Jinx had to find herself and emerge. But she picked herself up and chiseled herself into who she is in the series not Silco.

She's smart as a whip, she's so incredibly clever. She knew to some extent the reality of what was happening. But reality didn't have any real gravity anymore for her without something to hold her to it. Silco, at any time, could have stopped what he was doing. He could've seen her hurting and said, this isn't it. This isn't worth it. But he didn't, and she didn't need a reason to change because she had someone who fed her love when she had no one. When she thought it was all her fault and where Silco tried to convince her Vander and Vi weren't good people and that they didn't love her, won't love her.

I could go on, I fucking hate Silco. Once again, I think he's the weakest character emotionally and mentally but certainly not writing wise. He's spineless, he can kill sure, but in the main universe he couldn't get over his own feelings of guilt and hurt to do better. Nobody is satisfied with the slow progression of equity, of freedoms and peace. Silco wanted to take it all violently, take it all and take everything around it down with him.

In another universe, he's better. He makes better decisions because a different set of events led to reconciliation between Vander and him. Because Piltover made the first move of peace after Vi had to be sacrificed. Because Marcus saw a dead Zaun child in the arms of her younger sister. Because a lot of things, Silco is a better man and I think he's stronger for it.

The main universe Silco was wrong about everything he did, he made every possible bad decision on purpose over and over and over again.

The fact that I just wrote what feels like an essay on this bastard should at least show how I hate him, in the way I don't like hate hate him. I hate him in the way good art makes you hate it in just the right way. I think he's interesting enough to think about. I don't hate the alt universe Silco, I just hate the main one. He's multifaceted, he's a villain, he just kind of sucks, he moved the story in permanent ways. He forever changed the world by facilitating the events that led to Jinx as a person in Runeterra.

Anyway Yeah I really really hate Silco. Thanks for reading lol If you have some good points or different interpretations of events with Silco I would genuinely love to read them especially if they are different. I'm the first to admit I don't fully understand all the subtleties in Arcane and I love it for that, but I miss things. Changing my view on what actually happened in scenes is one of my favorite things to do right now. I crave the richer and fuller offering of a closely inspected Arcane provides tbh.

[renthony]

🏳️‍🌈 (queer media rec please !)

(Drop a 🏳️‍🌈 in my inbox and I’ll respond with a queer media recommendation!)

I've been sticking to indie or less-popular works for these recommendations, but the most recent Interview With the Vampire episode destroyed me and I need to get more people in on this sweet, sweet suffering.

AMC's television adaptation of Anne Rice's Interview With the Vampire is phenomenal. The season 2 finale airs next week, and I'm hoping very much for more. It's officially available via AMC+, and if you're at all into queer gothic horror, you have to check it out.

The basic premise is that an immortal Vampire named Louis tells his tragic story to a human reporter named Daniel. We learn all about Louis' life as a human, how he was turned into a vampire by his vampire lover Lestat, and how the two created a child vampire named Claudia to be their daughter. It's a messy domestic drama where every single narrator is unreliable, it's a horror show, it's tragic, it's queer as hell, and it's perfect for people who want to see mean, petty, mentally unwell, horny queer characters waging psychological warfare on each other.

Here's the trailer for season 1:

I was very, very nervous when the adaptation was first announced. I'm a huge Vampire Chronicles fan, I was absolutely obsessed with Lestat as a teenager (...and also now...), and I was pretty firmly on the side of folks who were thinking, "we did this already, Queen of the Damned was a horrible (albeit still pretty fun) movie, we can just let the books stand on their own after that one."

When the casting announcements for Lestat (Sam Reid) and Louis (Jacob Anderson) were made, I got even more nervous. In the book, Louis is a white slave owner born in the late 1700s, and I was worried that the showrunners would just make Louis a Black character without examining or unpacking any of the anti-Blackness in the source material. I'd enjoyed Jacob Anderson's performance in Game of Thrones, and I didn't have any ill will against him, but I was genuinely worried a Black Louis was going to be in poor taste at best.

Instead of presenting Louis as a Black slave owner, though, the show reworked his backstory to make him a Black businessman in 1910s New Orleans. We get to know his family and his situation, and the dynamics of a queer interracial romance in turn-of-the-Century New Orleans add quite a lot of new depth to the story. Jacob Anderson deserves basically every award ever, because his performance as Louis is just...goddamn. He is the definitive Louis for me.

The show feels like a love letter to both the book series and the 1994 film. In the show, the interview takes place in 2022, and is framed as a second, "do-over" interview. It makes meta-commentary on the film and the books, and it's a real treat as a fan of the prior works. The constant little book references and hints for future plots are fantastic. The show loves the source material just as much as the audience does, and it never tries to say, "the old version sucks, we're doing it better." It's a loving tribute to my favorite messy queer vampires, and I need everybody to go lavish attention on it so it gets more seasons.

Edit 6/27/24:

Season 3 has been confirmed, babes!!!

[m3nt4llyr4v3d]

Miraculous and Redemption

You know, I think I understand what my issue is with this show’s stance on redemption. It’s not specifically who gets the redemption, even the hypocrisy of who does or doesn’t get redemption/forgiven is only one part of the issue.

It’s specifically how they treat the characters who don’t get redemption.

I have seen, in media, where terrible characters who’ve done terrible things get a redemption, and the mean characters, who are just mean, don’t change at all. That’s fine! People are complex, some change and some don’t, some have done horrible things and some are just school yard bullies. It’s fine to showcase this, I mean hell, in the Owl House, Boscha was still an asshole in season 2, and this was past the point that characters like Lilith were forgiven (Lilith isn’t really terrible in Season 1, she just has done a lot worse than Boscha)

Miraculous’s massive issue with this, however, is that the narrative/the authors treats those mean characters as worse than those characters who’ve done horrible things.

I mean, what other media has one of the creators say that some high school bully is comparable to Trump when her literal rich, corrupt, politician father is right fucking there?

Usually the media where a terrible person is redeemed and the mean character isn’t doesn’t treat it as a moral issue. It’s not “oh well this person can’t change” or “oh this person is even worse!” It’s usually “they’re mean, and that’s annoying, but oh well”. That media never treats the character like Satan incarnate, or treats their meanness compared to actual villainy as a moral issue. When characters are around them, they aren’t treating that mean character as literal scum compared to the former villain, the narrative doesn’t treat them as more than an annoyance or, for lack of better words, “small fry”. I mean, while Owl House acknowledged that Boscha was still a prick in season 2, they didn’t act like she was worse than Belos.

Miraculous treats Chloe and Lila, some petty, mean teenagers, as the literal devil compared to other characters. Lila is a master manipulator who somehow convinced 3 people she’s their daughter and has a trillion disguises! It doesn’t matter that that twist came out of nowhere, and it makes it a little weird that this teenager has multiple disguises that she uses around the city apparently, one where she looks like a 20 year old, making people theorize she’s an adult because how on earth is she smart enough or resourceful enough to do this. Chloe is a villain comparable to Gabe, even when she was a hero! Her backstory doesn’t justify any of her actions, but for literally everyone else, we are going to justify their actions! If they don’t do that, they’ll just sweep their actions under the rug completely! It doesn’t matter that she’s consistently being manipulated by the fully grown adults around her, she’s terrible don’t think about it! She neglected her father somehow (???????????????????) so it’s fully justified to send her off with her abusive mother! We aren’t even going to acknowledge that Andre literally had a part in raising her and her turning out this way, because somehow he did no wrong! And what sucks is that it’s succeeding at making those characters appear that way, because some fans are completely genuine when they say that Gabriel is more sympathetic than them. I mean, if you frequent the Reddit (which you absolutely shouldn’t, one way or another it will melt your brain), you’ll consistently see character rankings with Gabriel, Lila, Tomoe, and Chloe in the same category. Somehow the show put the bullies in the same categories as the literal abusive terrorist and his helper in these people’s eyes. You will constantly see these literal teenagers be put on the same category as adults who have done infinitely worse. Even Andre, who is a corrupt politician and terrible role model and literally RAISED CHLOE… is “woobified” by some fans, even going as far to say that Chloe abused him! Nevermind how that would even be possible when she was like, 5-7 when her mom left! I can’t point my fingers at the fans for this though, because the show goes out of its way to place all of its sympathy on the adults, even when they don’t deserve it, EVEN WHEN THE PAST WRITING LITERALLY PAINTS THEIR ACTIONS AS BAD

(It also doesn’t help that the fully grown adult’s actions are all forgiven but god forbid you’re terrible as a teenager, then you’ll get sent off to live with your verbally abusive mother while your basically deadbeat father adopts your half sister literally right after wiping his hands of you)

I will talk about the hypocrisy in redemption at some point, and how bias and forgiveness is handled, but godDAMN, this sucks

[ploppythespaceship]

So I have sworn up and down that I can't stand Star Trek: Lower Decks. I gave up on it after Season 1 and have stubbornly refused to watch the rest. But it's just in my blood to want to see all things Star Trek, and I know so many people who love it that I decided to binge it now that the whole thing is done.

And... yeah, I was wrong about this one. This show is actually pretty solid. Whoops.

I'll still go on record and say that Season 1 is not very good. It is constantly at 150%. Everything is loud and in your face and refuses to slow down for a single moment. Mariner is completely insufferable, and takes up so much attention that the rest of the cast winds up underwritten. The plots aren't funny or engaging, and many of them rely on the crew being wildly incompetent and/or mean. The gross-out humor is way too much. And the non-stop references feel grating and forced.

But Season 2 is noticeably better, and around the start of Season 3, I suddenly realized that I was falling into the show's groove. The characters are engaging and have a simple, solid chemistry. The plots are more interesting. It's still fast-paced, but it's not constantly loudness anymore. And it's no longer just characters rattling off references to other Trek shows -- it's using the framework of the wider Trek universe to have some fun.

I suppose not figuring things out til Season 3 is very Star Trek.

There's still plenty of things I don't care for. While Mariner is mellowed out slightly, more well-rounded, and better balanced by the rest of the cast, she still kinda sucks. It's also not quite my style of humor -- it's still a bit too gross out, and I just prefer my Trek without constant swearing. And I find it jarring whenever they include someone from the legacy shows, because it's often hard to reconcile the more serious and grounded characters we know in this style.

But there's a lot of good stuff here, too. Jack Quaid is hilarious as Boimler, and his character arc is so satisfying. Tendi and Rutherford are adorable both individually and together. T'Lyn is great. Shaxs is great. Ransom is great. Some of the plots are genuinely creative. When they do nail a joke, I'm practically on the floor. Most of all, they absolutely nail that found family vibe that I love so much about the classic Treks.

So I have a newfound respect for this show now. It's risen from firmly at the bottom of my Trek ranking to comfortably near the middle -- which I did not expect.

[lastoneout]

As someone who's curious about star trek: where would you recommend I start? It's a lil overwhelming, but yall seem to be having fun!

Oh lord that is the question isn't it. Honestly the real answer is anywhere, while all of the shows take place in the same universe aside from Picard and Lower Decks they don't really require a huge amount of knowledge about any other series(and hell if you don't mind not getting some references and enjoy raunchy comedy with a heart of gold shining within it Lower Decks is a really fun time), they really do all stand on their own and even ones that are prequels or continuations like Prodigy and Strange New Worlds are pretty self contained.

Personally though(and people will likely kill me for this but whatever) I started with the 2009 Star Trek film and I legit do think it does a really good job of getting a new audience the info they need on how the universe works and who some of the big characters in The Original Series are while also being fun and accessible and, crucially, not a huge time sink. I think a LOT of people get intimidated out of Trek because most of the shows are long as fuck and while I say this with love...not all of them hit the ground running. So yeah, it's snappy, it's exciting, it preserves whats important, and it's basically designed as an entry point, so it's worth a watch. And I'm just a huge sucker for Chris Pine, his Kirk is a bit more openly feral than the original and I honestly love that for him <3

However!! I would NOT recommend watching the other two films, Into Darkness and Beyond, right away. Star Trek '09 is essentially an AU of the Original Series so the story is unique, but Into Darkness is just a remix of The Wrath of Khan and NOT A GOOD ONE at that! Plus it's just...kinda dark and miserable and deviates heavily from the established feel of Star Trek that every other show managed to hold onto, which sucks. If you really wanna watch Beyond you can, and you genuinely should at some point regardless, it also is an original story that stands on it's own and to be honest is the best film of the trilogy and one of my favorite Star Trek anythings ever. It's got all the good Trek energy from the original shows while still keeping it's own identity and that's a joy to watch. So yeah, if you start with '09 I would recommend diving into a show before continuing. And maybe just not watching Into Darkness at all. It's bad.

Now, if you are a fan of animated shows for older kids like Avatar The Last Airbender, Star Trek Prodigy is genuinely a GREAT entry point. It is technically a sequel to Voyager but it is also it's own story with new main characters and it's legit meant as a way to get kids into Star Trek for the first time so it's very accessible while still being engaging and unique, and they explain stuff very clearly in a way that never feels patronizing or like it's talking down to the viewers. I legit got tear-y eyed watching the scene where they explain Starfleet just because I'm so glad it exists to welcom people in to a world I love so dearly. That and it's also SO good like I cannot stress enough this show fucking rules. It even has a nonbinary character in the main cast who I adore!! I love the animation and the whole cast and the story and just ough 100/10 for sure. I would even say for people who prefer ATLA style shows over big sci-fi/action films this is the better start than '09, so it's up to you.

Moving on, as much as I love it I'm not entirely sure if I'd recommend The Next Generation as a starting point, if only because the first two seasons are REALLY rough. Like they def have some good episodes, one of my faves of the whole series is in season 2, but it's clear the show needed a couple of seasons to figure itself out before it really took off. I personally did watch TNG after Star Trek '09, but I have a very high threshold for...weird and kinda bad sci-fi so idk, take that as you will. I was willing to buckle down and get through the weird because I knew how good it was going to get, but that's just me. However, I will say once TNG gets it's legs under it there is no looking back, it gets SO good that basically all Trek shows that came after it up until very recently have been living in it's shadow for better or worse. It does ofc have some issues with racism and misogyny and other isms that are clearly due to it coming out in the 80s, but it's also incredibly progressive for not only it's time but often times ours, and overall it's a phenomenal show that is absolutely worth watching and was a lot of people's introductions to Star Trek, so it's a decent start if you don't mind dealing with some weird energy at the start.

As for Voyager, I won't lie, I fucking love it! It's also fairly self-contained, it doesn't even take place in the same part of the universe as the rest of the shows aside from Prodigy and so you don't need a lot of series knowledge to follow it. It is one of the...campier shows, def gets weird as hell at some points but it's got this wonderful spirit at the core of it that imo it always seems to find it's way back to. It is sadly a product of it's time, however, and the first officer Chakotay, while certainly not the worst Native American rep I've seen, certainly isn't the best either. I've heard Prodigy does a very good job at correcting this, but Prodigy came out like 25 years after Voyager so yeah, it is something to keep in mind if that's gonna be a deal-breaker for you. The show does at least let him be a person outside of The Problematic Bit and I appreciate that, it gives him room to shine without the baggage of writers who have no clue what they're doing weighing him down and thus he's genuinely a really great character and probably one of the best first officers in all of Trek, and again I have seen FAR worse bad rep.

Aside from that while it does get weird in it's own bad sci-fi way, all of Trek is weird in that way sometimes, and anyone who says otherwise has no clue what they're talking about. I really enjoyed Voyager, I like it more than The Next Generation for sure and is a better jumping on point than it as well. It does reference a lot of stuff from TNG though and some characters do make a reappearance, but again it's really not that hard to get the gist as the show is more than willing to explain itself. Also it had the first female captain and truly Janeway is peak I would die for her, and the opening theme makes me feel shrimp emotions.

As much as I love Lower Decks I would not recommend it as a starter show, it's very referential and it has some Pretty Bad Episodes, the end of season 2 is dead to me, and it's also an adult comedy so if that's not your vibe you won't enjoy it. I do think it's a wonderful show but yeah, def targeted at adult fans who like some vulgarity(Trek isn't exactly a kids show but it does try to stay away from swearing and sex jokes and the like) and already enjoy Star Trek. Great show, got some rocky bits for sure, and maybe not the best start for someone new. Interestingly tho I do think out of the shows I've seen it does have the BEST first season of any Trek show. It really hits the ground running and the finale is like up there with Holes in terms of a perfectly tied together narrative. Def great to see!

As for the other shows....I sadly can't say because I haven't watched them yet. I know Deep Space Nine is regarded as one of the best Trek shows overall for too many reasons to list, The Original Series has been one of the longest lasting active fandoms in all of history and is beloved by most fans(I'm really excited to watch it) for both it's depth and it's campy nonsense as well as the insane gay energy going on between Kirk and Spock and you should watch it at some point, I hear Discovery had it's own rocky start but has had fans going to bat for it for years, and Enterprise has a rep for being mid but also to this day has fans who swear more people would love it if they were willing to give it a fair shot(plus Beyond pulls from it heavily which is awesome!), and while I've heard mixed things about Strange New Worlds it also seems to be a pretty well regarded entry point and a lot of people genuinely adore it, and it's nice to see some attention get paid to TOS inspired stuff rather than everything being oops all TNG for so long.

And Picard exists. For better or worse. Maybe worse I've heard. Im not interested in watching it because I genuinely do think Trek needs to get OUT of the shadow of TNG for it's own good at this point but that's just me. Def one that should be watched AFTER The Next Generation though as it's a direct sequel and you probably won't get anything that's going on without that context.

Anyway sorry for the essay it is now 3am and I am an idiot I just LOVE Star Trek more than I could possibly ever say and overall aside from Lower Decks and Picard(and Into Darkness I am sorry I truly hate that film to an perhaps unhealthy degree) you really cannot go wrong with your starter. Also I fully welcome anyone who has seen the other shows to chime in here! I wish I could speak to them but there really is so much Star Trek and only so many hours in a day. I hope this helped though, and I wish you luck!!

(Also sorry if I dissed on anyone's faves this is my opinion ofc everyone is going to like different things and I know plenty of people enjoy the stuff I can't stand. There's a show for everyone in here and we won't always agree, but overall I think it's best to just live and let live, especially given the rare but vocal assholes who swear anything made after DS9 is bad. They are idiots and I will attack them on sight.)

[tapwater118]

The Post-Split Rant, part 3

a.k.a.: Grown Woman really should have finished this like 3 weeks ago give me a break

Part 1 | Part 2

yes i did just section the parts out like this just for the visual gag shut up

BFB Post-Split is my least favorite season, so now I’m gonna wrap up my whinging about it and move on with my life. These are my opinions, you’re free to disagree, bluh bluh bluh let’s just get on with it already.

BFB 28

Okay, I said I would talk about the eliminated contestants here, but I remember them doing more in this episode than they actually did for some reason. I guess I’ll get to them in BFB 29 I suppose.

Anyway the Announcer is back! Announcer’s actually my favorite host out of all the seasons (sorry Four), so when I watched this the first time I remember being really stoked to see him again. And I am glad to say they did him very nicely! He still has his slightly snarky demeanor (in spite of his monotone TTS voice), and is overall used in a very interesting way here. I’ll get more into it later, but it is very clear they didn’t just bring him back for nostalgia points, which I appreciate.

For an “all-in-one” challenge, this episode did it a lot better than BFDI 23, dare I say. Instead of spending a bit too long on the first few challenges and speeding by the rest, they spend time just on the challenges that they can get good bits out of and briskly walk past the others. I feel this approach works a lot better than BFDI 23.

Honestly, pretty nice episode. No real issues here. Not as good as BFB 20 or 26 I’d say, but a good deal better than BFB 22. Moving on.

BFB 29

They said it was impossible. They said it couldn’t be done. Post-Split actually has a second good Taco and Blocky interaction. They’re having an actual conversation! With witty banter and such!What is this wizardry? Why couldn’t we have more like this?

Not related to anything else really but I have to get this out. I find the over abundance of nicknames in Post-Split to be kind of grating at times but NOTHING grinds my gears as much as the stupid “blank”-ster nicknames. “Tacster” “Blockster” “Teadster” SHUT UUUUUUUPPPPPP. They’re just fine in isolation but they use them SO FREQUENTLY I HATE IT. Gelatin uses these the most and I honestly think it’s lessened my opinion of him to a non-negligible degree. Leafster is the only one that gets a past the rest suck so much shit.

Ok sub-rant over. Back on topic.

The whole, well not really backstory… interstory(?) they give Announcer here is very neat, I like it. Really adds a lot of depth to his character. Whoa, Post-Split just had compelling character development. I think I need to sit down. I guess I’ll also add here that it’s nice Taco has something to do other than whinge at Blocky. I mean, there’s a handful of other characters just kinda sitting around that they could also have investigating the Announcer, but I feel Taco fits this role the best (out of the characters available to do so).

The quality-downgrading bit near the end is also fun too- okay enough beating around the bush. I’ll talk about it here because I already have enough to say about BFB 30 on its own; they pretty obviously set Flower up to win. Having her be repeatedly ignored and tortured for those sympathy points, and then having her be the one to save the show to cap it all off.

I voted for Flower to win, and even if they didn’t set her up like this I still would have. She’s one of the few characters in all of BFDI that actually has a serious degree of character-growth throughout the series, from being the prototypical “mean for the sake of it” character in season 1 to having genuine compassion for those she cares about by the end of BFB. Gelatin doesn’t have any of this, and if I can be candid, I have no clue how he got so far in the season.

BFB 29 is good overall, but let’s not dwell on it any longer. The real meat and potatoes of this part of the rant is going to deal with the final episode, one I have so many thoughts on I have to split it into multiple segments. Let’s talk about BFB 30.

Smaller Thoughts on BFB 30

The scenes with the fake seasons add a lot to Four’s character, and are a nice lead in to the fact that he’s actually a huge BFDI fan who really just wanted to be in that show he really loves. Judging by his actions in the early days of BFB it’s obvious this was a rather late addition to his character, but his cruelty to the objects could likely be interpreted as just a culture difference between Algebraliens and objects. I could make a whole separate analysis about this, but right now I’ll just leave it that these aspects of Four’s character are rather interesting.

This is going to be really nitpicky, but I have no clue why Bubble would want Gelatin to win. He’s been nothing but horrible to her the entirety of Post-Split. Maybe you could say the same for Flower’s behavior towards her both here and in season 1, but in that case have her indecisive over her vote, not overly enthusiastic. This choice makes no sense. (Can you tell that Bubble is one of those characters I care way too much over how they’re written?)

Gotta say, very nice how they have Firey reflecting on his actions without outside prompting here, good sign of character development. Now if only they could have had him say something to this effect eight episodes ago… sigh…

From here the episode splits into two plots that it jumps between repeatedly. Going through every scene in the order they happen would start to get confusing, so I’ve given them their own sections. Gonna be honest, not really a fan of how either of these went. Let’s start with the better of the two.

Flower and the Battle for the BFDI

So, Flower and the Announcer start fighting over who should get the BFDI, and Purple Face comes out of nowhere to steal it for himself. They get in the bus, a bunch of other people give some silly reasons why they should have the BFDI, and then the bus is dangling off a cliff. Everyone hops out except those still fighting over the BFDI: Flower, the Announcer, and Purple Face.

Purple Face does not need to be here.

Flower wants the BFDI because she won, it’s her rightful prize, very valid. Announcer wants the BFDI because it’s his life’s work and, as he reveals here, the only remaining copy of that work, very valid.

Purple Face wants the BFDI just because he thinks he deserves it. His reason for wanting it is just as stupid as all the reasons the other characters (who aren’t Flower or the Announcer) gave for wanting it, and those were all treated as jokes. Hell, Firey (and by extension Leafy) DEFINITELY had a better reason for wanting the damn thing.

Why are we supposed to be taking this seriously? Purple Face has been nothing but a joke character the entire season, and now they suddenly want people to feel bad for him. So much of this scene is dedicated to him over Flower and the Announcer, the two this scene should have been focused on.

Time to get to the much weaker of the two plots.

Gelatin Helps Four Find Out His Value

Okay, I’m about to be way too overly negative, so let’s have something positive for a breather. “Choo Choo! Think again, Balloon Buddy!” is one of the best jokes in the entire series. I will not elaborate.

So, Four starts to run away, and all the characters who didn’t go after Purple Face (except Profily) chase after him. After a bit, they all end up on the sun, and a character gives a speech about how they’re all mad at Four, how he’s hurt them and been mean to them throughout the entire season, and he still expects them to all stick around for him?

Pretty nice speech, I wonder which character gives it?

Maybe Bubble? She’s constantly going under ire and has had to take a lot of shit this season.

Or maybe Flower! Maybe she could reflect on when she was a bad person, and how she turned around to better herself, and try to impart the things she learned onto Four.

Perhaps X! They’re Four’s best friend, and have certainly been hurt by him throughout this season. Maybe he could show Four sympathy for the objects? This is probably the best option, because of how close these characters are.

But no, none of these characters make this speech.

Gelatin makes this speech.

Gelatin.

Motherfucking Gelatin.

MOTHERFUCKING. FORK-FLINGING. PEOPLE-PUSHING. BOMBY-EXPLODING. GELATIN.

Gelatin is the last character who should be giving a speech about how being mean to people is bad. HE IS A GODDAMN MENACE! HAVING HIM SAY THIS MAKES HIM INTO A GIANT HYPOCRITE!

And then they play a montage on the BFB to show how fun this season actually was, and convince Four that they all really do like him. Am I the only one that thinks Four got off a little scot-free for the whole murdering and tormenting his contestants thing?

Whatever, let’s take a look at the supposedly “fun” moments of BFB that they want to give Four credit for:

Flower getting excited for like a second that she didn’t get eliminated, before running off in embarrassment because she tried to celebrate with the contestant who actually did get eliminated

A scene mere moments before Four despawns X again

A bunch of people playing with the popper toys, something that had no involvement from Four and likely would have happened regardless of his presence

A scene mere moments before Leafy painfully burns to death

Gelatin’s fork stack, which definitely didn’t involve Four because it happened before they showed up

The boring-ass train ride from BFB 21

Four’s almost-four-way-tie song, which I guess gets a pass

Aside from the last one maybe, how is ANY of this meant so show how much fun the cast has had with Four? And to top it all off the most unfitting piano music plays over the whole thing. Absolute dumpster fire of a montage.

Ending Thoughts on BFB 30

Everyone gets together to have a party and all is well in the world. Except for those 50000 dead Davids in Davidland. A shame, really. (that was a joke)

Wow, this best friends line sure aged well, didn’t it, Teardrop? (Actually thinking about it now they probably planned for Teardrop to join TPOT by this point. So why include this line when they already knew one of his best friends ditched him?)

This line is really corny. But also kinda charming? Weird. I guess all she really wanted in the end was friends, and now she has them! Good for her.

And you know, if I ignore how much I dislike how Post-Split reconciled Firey and Leafy, this scene is really cute. Very nice note to end on.

For the episode, that is. We still have stuff to talk about here.

So, about BFB 30 as a whole. Do I think it’s a good BFDI episode? Yeah, I guess. I have my problems with it (as I have more than made clear), but it still has a lot of laughs, and things conclude in a halfway decent way. So yeah, it’s a good episode.

But is it a good finale? I don’t think so. This is supposed to be BFB’s last hurrah, its final impact on the viewers. It should be putting its best foot forward here, but it drops the ball on so many things I can’t in good conscience say it was a satisfying conclusion to the season.

I just hope TPOT handles its finale a lot better.

Post-Split as a Whole

Welp, that certainly was a ride. Time for some closing thoughts.

While it might seem like I dislike characters like Gelatin from what I’ve said in this rant, I really don’t. I like these characters in the other seasons they’re in! Post-Split just kinda doesn’t do all that great with them.

Additionally, I don’t hate Post-Split either. I don’t love it, though. It’s just okay. It has some high highs, and some pretty deep lows. It has a lot of little things (and some major ones) that all together keep me from loving it like I do all the other seasons.

I’ve seen some people say the Split was the nail in the coffin for BFB, that there was no way Post-Split could have lived up to what came before. I don’t share this opinion. Episodes like BFB 20 and 26 (and to a lesser extent, 28 and 29, and to an even lesser extent, 22) show to me that Post-Split could have been something special.

So what happened? Why did Post-Split turn out the way it did?

I don’t know. I’m not here to do any meta-analysis or anything.

I’m just here to rant.

And rant I have.

[aliusfrater]

how would you rank sams deaths???

ranked from favourite to least-liked:

2.21 the absolute shock and following uncertainty is so yummy. it's the only death that i had ever felt any 'absolute' feeling for and it gives it so much weight. i also really like how quietly sam goes and how he slips into how dean babies him following his ressurection despite not initially knowing that he died, but knowing that something did go wrong in terms of his stabbing. the implications re: the cycle of abuse and a lot of dean's lines in his monologue when it comes to sam and dean's relationship are incredibly intriguing.

13.21 i LOVE how messy it is, how vulnerable sam is the entire time. it's very erotic in a similar way to every other time he was metaphorically raped through physical violence, but i'm making specific mirroring reference to 4.19. i like how that eroticism leads into lucifer's ressurection, and i mean, it thematically tracks for what their relationship is. also the make-up and jared's performance absolutely rules. i also really, really enjoy the palpable feeling of dean's grief and how the sudden nature of sam's death just strips him clean of his facade in a way that makes it feel like he's flayed raw in front of you. sam screaming for dean despite knowing dean can't do anything; he can't help but call for him regardless etc etc. UGH. i almost put this one over 2.21 because it's genuinely fantastic to me and it's such a pivotal moment for the implications of his and lucifer's as well as his and jack's relationship but as usual the later seasons don't give much credit to sam's character, and the implied scene that involves some level of recognition between sam and his literal death (re: his change of clothes) isn't seen by the audience.

5.22 the scene speaks for itself. the acting, the montage, the writing etc etc are all fantastic. it's only ranked this lowly because 1) the special effects of sam falling and burning in hell sucked ass and ruined my immersion, 2) the fandom made the aftermath of the scene into a dstiel thing which also ruined the longevity of the scene's impact on me, 3) the episode feels very rushed and tried to fit in so freakin' much, and 4) the fact that it isn't a permanent death also lessens its impact; i generally think season five is the first indication of some kind of lessening in the show's quality and i think they could have done much better if they knew they'd be getting a sixth season earlier on. i would have honestly ranked it lower if it didn't have that huge emotional impact.

14.17 the implicationsssss !! re: nick's resentment for sam, sam's last words, dean's reaction to his death and resurrection. to me, this episode is feels really well done and the drama is so well paced that your throat closes up about it, even after so many deaths. it feels reminiscent of the moment that sam dies in 2.21, where logically you know he'll be fine, but there's just a weight to it. jared is really good at dying.

5.13 because 1) i'm a pervert for the way sam's blood leaks out of that tube of metal as he goes pale, and 2) "first...we talk. then i fix your darling little Sammy." capital S.

15.20 underwhelming in a healing way. i have a lot of thoughts about the execution of the episode but i've generally come around to enjoying picking it apart and connecting certain dots as it is. the same goes for sam's death. it's just pretty uneventful in a way i can't be a pervert about, which is why it's so low, but the only reason it isn't lower is because it did make me emotional (positive). also, fun fact: it's one of the very few natural deaths on supernatural and it's the only natural death to occur withinin the winchester family that we see on screen.

5.16 not played up/emphasised/voyeuristic in any satisfying way that sets it apart because it's essentially the teaser and set-up for the episode. i did like seeing sam get shot point-blank though :3

4.08 comedic to a point where it almost annoys me but the fact that it annoys me makes it kind of camp, which cancels out the fact that i feel annoyed. it does make sam a victim-to-be-saved of the supernatural Thing of the week, which does subtly place him within the damsel in distress role. which is something i greatly enjoy.

12.09 almost indifferent about it. it serves a purpose. i like that sam and dean die at the same time in a situation where the audience watches people behold the unfolding of events. i could also generate commentary about sam and dean vs the military personnel's place within the structures of hunting vs the military much like the dean-cole narrative dynamic.

aaand:

non-canonical deaths this refers to sam being blown up in ava's vision in 2.10 as well as sam's season fifteen's godbullet wound au visions. i LOVED sam's 2.10 death scene. it's technically the most graphic one and i fucking loved that we got to see him blow up, then see bits of him scatter around the room. he should have had more death scenes like it. i haven't seen season fifteen in its entirety since my first watch of the show in late april/early may but from what i do remember, i remember being annoyed that 1) it was all happening in the bunker, and 2) the scenes as they played out weren't nearly as dramatic as they could've been. it was really obvious that they were being torn at the seams in every aspect of the show; no one was being given the opportunity to stretch their legs.

[eastgaysian]

Hey, as you are the resident Tom expert: why do think Naomi and Stewy seem to pick up on the fact that logan is abusive or at least damaging, but Tom remains almost willfully oblivious / genuinely oblivious the whole show? Do you think he was playing dumb? Or is it out of his desire to *be* powerful, be wealthy, be like Logan? just really interested in your thoughts if you’re still up for analyzing that insane slimy man clown <3

it's been fully a month since i got this ask i was on a trip with my friends and then went into lemming lockdown. but i have been thinking about it and i do still have thoughts on succession i prommy

this is kind of a complicated knot to untangle - i'll say first off that the way logan treats kendall vs shiv is markedly different, and kendall and shiv respond very differently. naomi and stewy also come from wealthy backgrounds and have some amount of disillusionment with Wealth and Power as a result while tom is, obviously, fixated on social climbing and caught up in the allure of money being a superpower.

with stewy, the biggest thing is that he's been a part of kendall's life since they were kids. while cut script canonicity is always iffy wrt things like 'dinner for winners' etc he's known kendall for, what, 30+ years? the fact is he's been around long enough and closely enough to see a lot more of the roys than most people do - he's also not going to turn a blind eye and enable or excuse like members of the old guard. he doesn't work for logan, he's kendall's best friend. while this doesn't necessarily mean he has always kendall's best interests in mind or that he encourages him towards what we'd consider 'healthy' behaviors, he's had a front row seat to the Kendall Show for decades. he knows first-hand how damaging it is for kendall to remain in logan's proximity/under his control

naomi obviously picks up on How Bad It Is much more quickly, which i would say is a combination of her seeing a lot of herself in kendall, not only with regards to addiction but also wanting to get the money and get out from the family company and all its baggage. in season 2 kendall is also at his absolute lowest, completely under logan's thumb, and everyone's aware of this.

on the whole it's just much more immediately obvious that kendall's fucked and that logan plays a huge role in this. compared to shiv generally being understood as logan's 'favorite,' trying to distance herself from logan/royness at the beginning of the show, and presenting a Cool and Composed front to everyone while kendall walks around with his big brown doe eyes and injured baby bird swagger. neither of them are fully willing to acknowledge just how much damage logan has done, but shiv is much better at hiding the extent of it from other people than kendall is

which is not to say that tom doesn't have some serious cognitive dissonance/conflicts of interest going on, like him asking shiv at the beginning of austerlitz if it's cool to speak to logan 'in a bridge-building way' despite the fact logan accused shiv of knowing about kendall's coup and blew up at her as a result. tom's not totally, willfully blind of what's going on - he saw logan hit iverson at thanksgiving, he got boar on the floor'ed. he correctly assesses in vaulter that 'you saw what your dad did to kendall. there's gotta be the chance he'll do the same to you? get bored of you, once he's got you?' which is again not totally separate from his own self-interest. he needs (or 'needs') to be in logan's proximity and in his good graces in a way stewy or naomi don't, which means smoothing over the fact he's abusive and awful

but i also don't think tom would be able to justify sucking up to logan to himself if shiv didn't okay tom talking to logan in austerlitz, then take logan up on his offer in the summer palace/fixate on the idea of becoming ceo. in an objective sense it's still awful for him to do, of course, but logan has kind of always been between tom and shiv. from his perspective shiv's chosen logan over him before and hasn't stopped him from choosing logan over her in small ways. shiv is chronically unwilling/unable to admit when she's been hurt and tom is unwilling/unable to look past that and recognize when he does something terrible, especially when everyone else is doing the same terrible things

[genesisgijinka]

Hiya, did you miss me? Because I have returned to suck out more world building from your brain.

Question 1: Egg.

I am almost certain about what the answer will be, but I'm gonna ask it anyways.

Where do the pokébabies come from? Do they follow the same rules as our world?

Question 2: What's Arceus' IQ (the answer is "yes")

This is kind of a follow up to my Pokéspeak question. In its answer, you spoke about Red's Alakazam, Pythagoras, being able to use sign language. I'm gonna go out on a limb here and say that that was inspired by Washoe the Chimpanzee. WIth most of Red's mons knowing some sign language.

Relevant Exposition: Pokemon in the anime are mostly at a level of intelligence/demeanor where you could genuinely model swap them with a human and have there be no difference and vice versa (like what you did with your April Fool's post) the prime example is this one [IMAGE-ID: A snapshot from the first season of the pokemon anime. In the scene, an Eevee is seen holding a cup of what looks like juice.]

The question: Is this level of pokemon intelligence/demeanor still present in your world, and if so, where would the line be drawn between human/gijinka-replaceable and actual animal.

Question 3: Programing.

This one is a simple question with a less than simple answer.

How do Game mechanics like Base Power, PP, EV's, IV's, Base stats, Accuracy, and Most importantly: Stat Boosts work in genesis?

Question 1: Eggs Yeah, the whole egg thing I'm throwing out the window as a game mechanic designed to avoid having to explain the birds and the bees in a video game that's marketed at children. If it lays an egg in our world, it still lays an egg. But if there's live birth here, then it's live birth in the world of Genesis.

this now brings to mind, do the people in pokemon games have eggs suddenly appear too?

Question 2: Pokemon Intelligence and Language It varies a little bit on the pokemon individual, tbh. Some are better at picking certain things up than others.

I've heard of several instances of not just our great ape cousins learning to speak sign language, but also some species birds and I think there was a whale that figured out human speech? But that last one might have been more mimicry than actual language comprehension and also brings in the physical capabilities of each pokemon species and their ability to transcend the pokemon/human language barriers. I've also seen several videos of people with big mats covered in buttons for their pets to convey wants and needs to their owners, which the pets do use!

As for swapping out pokemon for people level of swap, the answer is not quite. The April Fool's joke page was just that; a joke. I mostly ignore the anime bc I was not allowed to watch it growing up, plus there's a lot of weird things that don't follow the game rules. But for a long time, as we've underestimated the intelligence of animals in our world, so too have people underestimated the intelligence of pokemon and it's a widely studied subject nowadays.

Question 3: Programming I'm going to be honest, the most I understood about things like EVs and IVs is that number go and number go up when level up. I'm a competitive player's nightmare in that no matter how many times I've tried to learn what these things do, it will not stick in my brain so I'm just, ignoring it in Genesis :'D

As for some of the other stuff, I've actually shown PP running out in comic before:

and Aiden running out of PP is also why he passed out during the battle with the champion squad, ending that fight (iirc I did run him out of moves in-game and he was using Struggle)

For stat boosts, it kind of depends on what I narratively need to happen. We've seen 2 kinds of Barrier; the glowing sheets that Aiden uses, and the blue bubbles that Prime uses (the differences are mostly personal preference). They're physical barriers that block attacks.

Some other instances of stat boosts we've seen are

Light screen

String shot

Will-o-wisp

Me First

Calm mind

and a few others scattered throughout the comic. I mostly go with the in-game text that explains what the move does and find a way to translate it into a visual representation, to show the readers that something happened.

[sky-kenobye]

⛵️ Five Fandoms, Five Ships ⛵

Get to know the blogger, via five different ships from five different fandoms!

Thanks for the tag @underacalicosky !!

Putting it under the cut because this is LONG, sorry.

I love them your honor. Doesn't even have to be romantic, I just want to see them being obsessed about each other. I'm also a pretty big obianidala fan, hence why I added her too. (I'm a multishipper really. I have my otp but there's a lot of ships that I enjoy)

1. Obi-Wan Kenobi/Anakin Skywalker(/Padmé Amidala) (Star Wars)

When I first watched star wars (not that long ago, I only watched it because I wanted to see the sequels in theater lmao) I wasn't a big fan of the prequels so I mostly ignored them, but then a couple years ago I randomly rewatched them in the middle of the night and suddenly I was obsessed. I'm not even sure how I ended up on AO3 (did I go look for obikin? Did I stumble on it? Idk) but eventually I started reading Pining in Preschool, then realised that @palfriendpatine66 was on tumblr, I started interacting with more people around here, and now I'm (slowly) writing fics, and I'm having the time of my life here, so thanks Pal!

I don't think any if my past fandom brainrots reached my current level so I'm pretty sure I'm here for the long haul (at least it's not stopping anytime soon).

It's not super obvious here but I'm actually a huge Marvel fan (well, the MCU, I've never read a comic), and especially Captain America. Stucky is just, 🤌 so tasty (a lot of similarities with obikin actually imo). I'd like to talk to whoever thought "I'm with you 'til the end of the line" was a straight sentence to repeatedly say to your bro throughout an entire century though. Like?? I'm all for relationships that defy the boundaries of platonic and romantic, but still, that's kinda gay.

2. Steve Rogers/James "Bucky" Barnes(/Peggy Carter) (Marvel Cinematic Universe)

The first MCU movie I saw was actually captain america 2 (and not the first one lol) in theater, and I was instantly hooked, though since Endgame I've been less into it, since my fav is gone (and I have to agree with tumblr on that one: they're making too many movies and shows, I can't keep up 😩)

(And I'm still super salty about what they did to steve in canon, they should have killed him off instead of whatever the fuck that was, honestly)

I also added Peggy because she's great, and polyamory is so much better than love triangles or shipping wars. (I'm not polyamorous but I believe in their beliefs. I think it's because of the aromanticism)

Same as with obikin (and stucky too tbh) I don't really care how they love each other, I just care that they do. They're the most important person to each other, be it romantic, platonic, familial, idc.

3. John Watson/Sherlock Holmes (mostly BBC Sherlock, but from the RDJ movies and the books too)

I've obsessed over (non-existent) clues during the last season, and deluded myself into thinking they'd become canon, alas, it didn't happen.

I've translated a couple of fics in french for that ship, but I've never written for it (I thought about it tho), and I've read a lot. That's the fandom where I've read some of the best queerplatonic fics, and that's my favorite interpretation of the ship, especially sherlock being some flavor of aroace.

4. Aziraphale/Crowley (Good Omens)

I love them as a queerplatonic relationship, and I genuinely think that's what they are in canon, the haters can suck it, that's not queerbaiting even if they dont become a canon couple.

Okay, I'm starting to see a patern here. Am I really that predictable? You can just copy-past what I said above.

(I'm fully on board with them being a couple though)

Hey, a straight ship! With a woman not added as a second thought!

5. Elizabeth Bennet/Mr Darcy (Pride and Prejudice)

Not quite the same vibe as the others, but I've read sooo many fics and books (straight up published fics lol), I've watched a bunch of different adaptations (even the one with zombies)... The worst part is that I think I've only read the og book once, oops.

I actually inherited that fandom from the women in my family lmao. My mom, sister and sister-in-law are all obsessed with it, so I read it to see what all the fuss was about and, yeah, I get it.

And that's it! There are other fandoms I'm into, and other ships in those fandoms, but that's pretty much it (the main one that's missing is Dinluke, the others are mostly smaller ones).

I'm not super actively in those fandoms (apart from Star Wars obviously) but i come back to them now and then. Usually I re-watch it then binge-read a bunch of fics (while my main fandom stays in the main spot in my brain) then I let it go again until it comes back (while obikin still stays in the main spot).

Also Harry Potter used to be my main obsession but JKR kinda ruined that for me so I'm not really into it anymore (hence why I didn't list it even though I have written fics for it).

Anyway that was way too long, if you've read all of this then props to you!

I'm tagging: @cottonraincoat @fem-anakin-skywalker @kingdomvel @ineffable-snowman @arobiwan (and whoever else wants to do it because I'm nosy and I want to know stuff about people)

[upper-eepy-sleepy-girl]

TOH PILOT FOUND & REVIEWED

I found this pilot for the The Owl House

and honestly, I feel like this version would have been better for the show. Although there are some things the final show ended up doing better for the long run (like Eda being the only person to be able to go to the human realm), I feel like there are a few things this pilot did so much better, that changes so much

rant below (most of this copied from a rant on discord)

here are the three things in this pilot that are handled so much better, that I think makes all the difference:

1) the first thing is how Eda and Luz meet, the final show feels a lot more awkward, and the reveal that Eda is a witch feels so over the top that it feels like a parody of itself, whereas in the pilot, it's a lot smaller and feels much more natural because of that. Them just bumping into each other, and Eda just trying to swindle her feels a lot less forced.

2) The handling of magic schools in the final show bugs me. When they're first introduced in ep. 3 it is basically just there to make fun of Harry Potter (which tbh, hp deserves to be made fun of; fuck jkr), but that just ruins the whole plot line from that point on. I can't take Hexside seriously when I know it's intentionally trying to be a Hogwarts knock-off. And although that issue gets better in season 2, it still just sucks. In this pilot, magical schools are just there; no fan-fare. It feels less like it's trying to make fun of something else, and makes it feel like something new. And because of that, it can pull a lot funnier jokes because it isn't all "Ha ha, harry potter reference." It instead feels like a natural part of the world of the show. It feels like it is actually trying to comment on what it's like to be in school

3) They got rid of Warden Wrath, which I like because I am a Warden Wrath hater. Also the framing the first episode made him out to be tyrannical overlord. When I watched the show for the first time, Wrath confused the fuck out of me. I thought he like like a ruler, or some type of overlord, and ep 2's lack of explanation didn't help. But he just ended up being Belos' prison warden; which yeah, it's in his name but it just felt so clumsy. The way he was introduced, it felt like he was going to be a bigger threat than he was.

Honestly, I could rant about how they handled Hexside in the final show a lot; I'd be repeating the same points over and over but idc. The way they handled Hexside feels so out of place and underutilized. For a show that is typically very genuine and passionate about being a fantasy show, the way it treats Hexside so ironically, with the same type of "well that just happened" humor that every other "cool" show is doing irritates me. And yeah, toh does sometimes poke fun at the fantasy genre (just look at the whole Boiling Isles), but it does it in a unique and fun way, but Hexside just feels so out of place. It bothers me so much because it had a lot of potential, and should've been more than just a Hogwarts knock-off

[jeanmoreausautismstickers]

hello I absolutely adore Imogen as a character and I'd like to talk about her a bit.

CW: Heartstopper spoilers for seasons 1 and 2

okay so Imogen's character's really interesting to me in the way that she sort of parallels Nick (mostly in season 2 but a bit in season 1 also).

in season 1, she's shown to be more popular. she's good friends with Nick and most of the rugby players and I'd assume probably has many friends at Higgs also. I see her depicted as a 'bad' person (more before season 2 was released than after) simply because she's one of Nick's love interests and it's odd to me?? it isn't like she really did anything wrong, excluding lying about being with Nick to Tara, Darcy and Elle. like yes sure she's friends with Harry, his lot, and later on Ben, but she's honestly not that bad. when she tells Tara and Darcy she's an ally (this is one of my favourite bits) she genuinely believes that she's doing the right thing. I'm not saying they have to be grateful or anything, but she doesn't know any better and she really is an ally.

sure, she can be a bit annoying, maybe a little overbearing but keep in mind she is sixteen years old. she has a crush, or at least she feels like she's supposed to, on a guy she's friends with. she asked HIM out, HE said yes. she didn't ambush him or anything, in fact I believe she didn't really want Harry and the rest of the group there when she asked Nick out. it wasn't her fault he felt pressured to say yes.

when Nick tells her he doesn't feel that way about her, she doesn't get angry with him or try and convince him to be. she accepts it, regardless of how much that has to hurt, and moves on. she doesn't even tell their friendship group that it's Nick's fault it didn't work out, she says SHE can do better. and she can. I love Nick, but she fully deserves someone who genuinely loves and is attracted to her as a person.

in season 2, it's shown that she's still good friends with Nick! she's moved on, she doesn't try and pressure or force him or anything. granted, the guy she develops a crush on isn't great, but she doesn't know that. when Nick tries to tell her, she (understandably) gets upset and I do not blame her. she believes Ben, the same way Charlie believed him when they started kissing and stuff, and that's not her fault. Ben is shown to be really good at manipulation.

when she ends up realising Ben sucks and hanging out with the 'Paris Squad' it's shown that she's much happier. I think my favourite part of this, however, is how close she grows with Sahar.

her breaking up with Ben was my FAVOURITE thing she's ever done it was such a good scene. it also shows how much she's grown as a person to be able to recognise she really does deserve better and needs to turn her focus back on herself.

her and Sahar help me circle back to when I said she parallels Nick because the situation is a bit similar. she and Sahar start off as friends. she believed Sahar was straight, and when she said so and Sahar got upset, you can see the confusion and panic on her face because she really does feel guilty for assuming and feeling like she's hurt Sahar, and it's shown that she follows her offscreen (showing she HAS been working on herself, btw). it's after that initial realisation that she starts looking at Sahar a bit differently.

the biggest one though is when she sees Sahar on stage (sort of like Nick with Charlie and his drums in the orchestra) and the bi flag coloured lights flash across her.

I think it just parallels nicely with Nick and Charlie's relationship because of the similarities (l cba to list them) in how their relationship began and how her's and Sahar's MIGHT begin (if we get a season 3 and thats a storyline Alice wants to pick up)

overall I think she and Nick are very similar (she also is very golden retriever ish) and she's such a good character and I'm glad she's in the show. she creates conflict (like the date in season 1 and Nick being anxious about telling her in season 2) but not so much that she can't be redeemed or loved as a person/character.

also!! I love that she did the ally to (potentially) queer person pipeline because that's a very realistic queer experience and it brings me a lot of joy to see that depicted onscreen.

dunno I've rambled enough and this honestly probably doesn't make much sense considering I've not slept but I hope you enjoyed this 🫶

[youngpettyqueen]

9, 10, 20, 21!

9: worst part of canon

me 2 seconds ago: im not gonna go on about the anti-military stance of MASH softening

me seeing this: SO THE ANTI-MILITARY STANCE OF MASH SOFTENING-

for real though. as much as I love the show as a whole, I wish they kept the anti-military stance of seasons 1 - 3. I hate that it got lax and slowly got softer and softer as the show went on. yes the anti-war themes remain but its such a weird stance they take where they try to go "well not all army people are bad" with the introduction of Potter that ultimately just doesnt work

also the way Klinger gets treated often being shoved under the rug. my man deserved BETTER

10: worst part of fanon

I did answer this one but ill focus on a specific character here and say I really dont like a lot of fanon Klinger stuff I used to see when I was in the tags more. people make him out to be really dumb which is a large issue in the show itself, even though he's like. really fucking smart. but there's also a general issue ive seen of him being made out to be this, like, flamboyant slutty character which doesnt match him at all?? he's a romantic! he wants to get married! he's a sweetheart with the ladies- and close friends with the nurses, too. it doesnt surprise me this happens, fandoms in general are just. incapable of being normal about characters of colour, but I still hate to see it

20: part of canon you found tedious or boring

answered this one!

21: part of canon you think is overhyped

I love to joke around about queer subtext but I really really get nervous when I see people act like MASH was somehow deliberately queer. I think you can make a case for queerness as an anti-military device in the early seasons! but thats about it, I dont genuinely think any of these characters were meant to be read as queer themselves, and I think its important to remember that

like I love to call them all queer and say "what was the heterosexual reason for this" but at the end of the day. im well aware they weren't meant to be read that way. the heterosexual explanation is that these characters were written by heterosexual writers and queer jokes have always been a thing. MASH has fortunately aged fairly well in some of these and its easy to relate to the humour, but when people act like characters being queer is like, deliberate and canon subtext... I get nervous. ive been in a lot of fandoms over the years where this happens and it never ends well, it always ends up in queer baiting discourse and ship wars and it just. sucks

thats the long way of saying I think the fandom way overhypes what is considered queer subtext