#screw it I'm tagging it

[boo-hoo-hooligan]

So a new person in my brain appeared and I don't know how to feel about this? I'm?? Sorta confused????

His name is Liam, and he's a little british kid. So far, he likes carnivorous dinosaurs and Bluey.

Is this OSDD or something?? 'Cause my symptoms aren't that severe to be considered full-on DID, but i have seen other instances of people in my brain or appearing in my thoughts or whatever when i'm doing stuff.

I've also always thought of myself as more of a 'we' than an 'I' since childhood... is this something??

Someone help please I don't know what to do and i'm not seeing my therapist until next next week =D (smile of pain)

[luciusdaskele-art]

I made a shit post based off of a tumblr post I saw

The original

[wispurring-moss]

no thoughts just These TwoTM touch-starved losers gradually evolving into the epitome of casual touching/cuddling for absolutely no reason and they probably don't even realize they're doing it lol <'3

[starsisstars]

I love and cherish all of these and wow a lot of them are gay now that I'm looking at it idk if that's coincidence or not

[babacontainsmultitudes]

RIP Will Campos the only person who was murdered this episode.

[blackfliesinbluesugar]

The absolute best ship dynamic of all time is 'Normal ass man, just your everyday Walmart shopper, has as much charisma as a wet paper bag' x 'Incredibly interesting psychotic manic twink with homicidal impulses and a god complex' and somehow the latter is the one who thinks the former is the most attractive fascinating sexy person on Earth.

[golyadkin]

it's probably fine. it's probably happened before.

[thatscrooge]

Esther Fallick & Bryce Charles as Cole & Bethanne

This Could Be On Broadway by the Tin Can Bros. watch on Youtube until 21 October

[carouselunique]

Cinch had three charges in her care once, Celestia entrusted her with the day-to-day care of Prince Blueblood, the new Princess Cadence and her student Sunset Shimmer - running a kingdom is difficult enough alone without three young ponies to look after - so when Celestia is absent (often) that means Cinch was in charge of these three ponies. And while the matron of the castle was always rigid about rules and wanted her three charges to uphold her reputation and to build their own budding reputations high, she cared about them very much. You'd have to, spending your time with the same three young ponies for so long, guiding and teaching them to be their best...

By the time Ditzy came into the picture, Cinch was down to two charges. She refused to fail them the way she failed...

Well, with one down, there were two left and she cared so much she wouldn't let anyone ruin them, especially not themselves. Surely they would come to realize Cinch was only helping.

[fried-trash]

other scribbles from my discord art streams

[phosphorus-noodles]

After roughly a month of hard work, my Empires Joel and Lizzie dolls are done!!

Look at them oh my goodness they're perfect aghh,, <33

Here's just Joel-

And just Lizzie!

+ a bonus Sir Strawberry and Lady Marceline :D

(rbs are greatly appreciated! I put a ton of work into these guys <;3)

lmk if you want a "detailed" explanation of my scuffed design process! (Or if you want the axolotl tutorial since I made it up myself and kinda like how it turned out lol-) I had so much fun with these ^^

[i3utterflyeffect]

It would be funny if MT asks tsc for an explanation after seeing the powers and tsc is like "I don't know ToT"

YEAH. ABSOLUTELY. i think he kind of had a hunch after seeing SC's reaction but like, honestly SC's like 'I DON'T KNOW?? CHOSEN DIDN'T TELL ME THIS????'

of course this means that King asks Chosen next. and uh.

well. it suddenly becomes very obvious why chosen dragged a child into this. and king has to give chosen a momentary crisis

as for why SC doesn't know about their powers:

...you can't exactly fault the animator for not really thinking to tell SC their full name; I mean, it's pretty easy to assume they already know it, right? After all, he certainly didn't name SC.

Probably never really even thought about the fact that SC doesn't even know about the Chosen One.

reblogs > likes

[ayy-lmao0]

So uhm. Lord Peepers, am I right?

Edit: fanart and generally using this design is VERY VERY MUCH APPRECIATED I will melt and die out of happiness if you do so, just credit me! ^^

[loveletterworm]

Minecraft skin I made as a commission for my friend @microwave-kid the prompt was "Generic minecraft girl skin but the head is a minecraft dispenser". There were some tribulations fitting the dispenser face onto a square the size of a minecraft skin's head but we got there

[tardxsblues]

This is-it's amazing. I've never actually met a proper ghost! Moran was our friend.

[antiquery]

been thinking about Medea lately, and I think I’ve finally figured out why the attitude of “wow Medea was right, go off queen” (e.g. this post) really gets on my nerves: I think it’s sexist!

like, let’s be absolutely clear: Medea’s actions at the end of the Euripides play are deeply, deeply evil. Jason and Kreon treat her horribly, and there’s no excuse for their behavior, but like...Medea slaughters two innocent children and an innocent woman in cold blood, not to protect herself or someone else, but to ensure Jason’s suffering. that’s evil.

the idea that Medea could possibly be justified in such an action fundamentally requires us to hold her to a lower moral standard than a man in her same position. the implication is that Medea’s experience as a woman in Greek society entitles her to revenge at any cost: she has been wronged, so punishment is hers to exact. we don’t consider this acceptable when Achilles is asserting that his grief over Patroclus entitles him to the emotional torture of Priam, and in fact the great human moment of the Iliad is Priam’s plea to Achilles to return Hector’s corpse. same moral standard applies to Medea. her rage over her mistreatment is not the problem: her violence against innocent people in an attempt to drag Jason down with her is.

which is not to say that I think Medea is a one-dimensional character! I think Euripides was really onto something with the way Medea agonizes over what to do during the play, by turns committing to this great evil and shrinking back in horror at what she’s contemplating. I also like the emphasis he places on Medea’s divine origins, her connection to the world of the gods via both her bloodline and her practice of magic. it creates this sort of dualism in her character: there’s Medea the human woman, who’s deeply in love with Jason and in agony at his betrayal, who loves her children and is terrified of what will become of them, and of her, once she’s forced to leave Corinth. this Medea is angry and scared, helpless to save herself or her children, helpless to make Jason understand how badly he’s hurting her.

and then there’s Medea daughter of the sun, Medea the hero, whose response to Jason’s betrayal is to make his life a living hell. except Medea-daughter-of-the-sun and Medea-the-human don’t exactly share the same value set: the former is the latter with all of her humanity stripped away, whose purpose is wholly aligned towards divine justice. but divine-Medea is powerful, and if human Medea only lets her, she can make damn sure that neither of them ever feel helpless again.

honestly my ideal version of the play is a tragedy about Medea’s fall, whose central tension is whether the human part of her will give in to the divine part of her under the stress of betrayal and rejection. at the end of the play, Medea gets everything she ever wanted (power, glory, fear, vengeance)-- all it costs is her humanity. but I think that only works if you frame Medea’s actions at the end of the play as horrific, rather than a triumph; if you take the morality of her actions seriously, as opposed to justifying them prima facie because she’s been through hell.