#screenshots are mine but like... if not you

[bonezone44]

hello, my dearest Rad 💛

with this ask I challenge you to write a ficlet (or anything bigger if you want) inspired by this screenshot:

may the writing muses be with you,

kissing you on your forehead (if you allow it not then just waving you from the distance!)

a/n: please forgive me, lol! Idk why I wrote Reader like this. thank you for this prompt @iamasaddie from like... last month, lol!

tags: brat tamer!Jack, step-dad!Jack, unprotected p-in-v, spanking, overuse of the word "whore"

!!This story is for ages 21+!!

-----One look from your Uncle Jack could send anyone to their knees. The man had an effortless smolder that weakened even the strongest of bulls.

But you weren't as easily influenced by his wily expressions. Not to say that you weren't weak for the man--you certainly were. But it took more than a stern eye to make you surrender to his whims.

It was spring time and your mother was hosting a garden party. It was any excuse to round up your mother's colleagues and show off her skills (paying people with real skills to do all the work). And while she was parading around the manicured lawn in a tailored linen dress that accentuated her petite hourglass figure, you wandered out the back door half-asleep in cut-off jeans and flip flops, aching for a cold can of brewski.

"Oh my heavens!" Your mother exclaimed with a weary breath, her hand pressed delicately to her chest. She hurried gracefully to her new beau, the man you called Uncle Jack "Jackie!" She cried out in a hushed whisper, tugging him away from his socializing.

Jack did his best not to wince at the sound of your mother's affectionate nickname for him, and just follow along. He learned it was best to do whatever the woman said. "Whats wrong, darlin?"

"Why is she doing this to me?" Your mother cried.

"Who?"

"My daughter!" She pointed one long dainty finger in your direction.

You scratched your belly beneath the crop top loosely covering your chest. You nudged a few party-goers out of the way so you could dig through the cooler that was reserved for the more masculine revelers. You pulled out a silver can, popped it open, and started chugging.

Jack took one look at ya and sighed. 'There ain't no rest for the wicked, is there?'

"Alleged daughter, anyway," your mother huffed and shook the hair from her face. "That child must have been switched at the hospital," she murmured. "No daughter of mine would ever disgrace her mother like that. No, sir!"

Jack rested his hand on your mother's trembling shoulders. "Want me to go talk to her for ya, darlin'?"

"Of course I want you to go talk to her, you imbecile!" your mother strained to keep her voice low. "Take her upstairs and put some decent clothes on her!" She paused, rolled her shoulders back, and plastered a poised smile on her face. She turned about-face and rejoined the party.

Jack sighed again, jaw twisting. With a flurry of conflicting thoughts racing through his mind, he stomped resolutely in your direction.

---

You didn't know what the hell was going on. You had been out all night with your friends and suddenly you wake up and there's a bunch of people at your house. Once you made it downstairs, you figured your mom was having one of those little shindigs she likes to have sometimes and you figured you'd stay out of the way like you usually do.

But hey, if they were all gonna day-drink, you might as well join 'em. So you went and grabbed a Coors from the cooler next to the barbecue and suddenly Jack's got his big hand wrapped around your arm and he's tugging you back inside.

"Ow! What the hell, man?"

"What the hell is right," he growls in your ear, but nods quite politely to the people he passes by in the kitchen with you in tow. He yanks you all the way up the stairs while you desperately try to keep the beer in your hand from spilling on the carpet. He shoves you into your bedroom and slams the door behind you. "What is goin' on in that silly li'l head o' yours, sweetheart?" He points toward your window. "Your mother is entertaining guests and you show up lookin' like you just got ran through by some good for nothin' in the back of his pick-up truck."

You smirk. "Well, I see where your head is at, Uncle Jack." You giggle. "Picturin' me gettin' ran through." you flick your hips back and forth.

"I don't know what you're talkin' 'bout, li'l missy, but you better hurry up and get changed before comin' back down to this party." He stands there, between your bed and the door, with his hands on his hips. He doesn't move. He doesn't turn around. He's not leaving the room to let you change your clothes. He plans on watching you do it.

And you decide to let him. You've been teasing him for long enough. The poor man deserves it after all he's been through (putting up with your momma for the past 2 years).

You release an exaggerated sigh. "If it'll make you happy, Uncle Jack--"

"Oh it will," he spits. his nostrils flaring.

You shrug. "Then okay." You lock eyes with him and grab the hem of your crop top. He still doesn't move. You slowly bring the shirt over your head and toss it to the floor.

His chest puffs up. "You were down there around all those people in half a t-shirt and you weren't even wearing a bra?" He snarls.

You cup each breast and pinch at your nipples. "What? A grown man like you has never seen titties before?"

He stomps closer to you. His breaths start heaving. You think he might strangle you with how wild his eyes get. It's kinda cute when he gets all mad at you. "Get. Dressed."

"Well, I'm guessin' Momma doesn't like my shorts, so I gotta take these off, too." Your eyes never leave Jack's. Your gaze is tethered to one another. It keeps you both from looking elsewhere. You know he's hard. You can see it out the corner of your vision. You wonder how far you can push him before he does something about it. You undo your shorts and shimmy them down below your hips--enough that they fall to your feet and allow you to step out of them.

Jack's eyes finally shift down. He turns livid. "And what the hell is this?" He grabs the red strap of your underwear and snaps his against your skin. "What is wrong with you walkin' around like some two-cent whore?"

"Uncle Jack!" you roll your eyes and laugh. "I only wear 'em 'cause of how good they make my ass look." You turn around and bend over onto the bed, sticking your rear in the air. You look at him over your shoulder. "See?"

Next thing you know, your yelping and falling forward from the powerful smacks of Jack's hand against your ass--slapping you again and again. "WHAT. IS. WRONG. WITH. YOU." His fingers grapple your g-string and he rips it off your body. "After all your momma's done for you?" He growls in your ear, his warm body heavy on top of you. You feel his hard cock pressed against your leg. "This is how you treat her?"

You try to shove him off, but he's too heavy. Your ass stings and all you can do is turn your head to the side and growl at him back. "You have NO IDEA what my momma's done to me!" You cry, tears prickling out.

He yanks you by the hair so he can look you in the eyes again. "I know there ain't no mother on God's green earth that deserves an ungrateful whore of a daughter like you."

Your tears turn into outright sobbing.

He shoves your face into the mattress and gets off of you. "Cryin' don't work on me, little girl. Not no more." You hear his belt buckle jingle and turn over on your back. Your soft sheets feel rough on your sore bottom. "You need some goddamn discipline fucked into you." His zipper is loud as he undoes his pants and pulls out his raging cock. He strokes it above you and your pussy drools. You go to touch yourself and he slaps your hand away. "Goddamnit!" he spits. "Turn over! I can't even stand to fuckin' look at ya right now." You do as your told and he wastes no time spearing himself into you. "Jesus fuckin' Christ," he curses and sets a relentless pace. "Your cunt's wetter than a goddamn slice of tres leches. All that spankin' just turned you on? Huh?" You moan and whimper into the thick of the bed beneath you. He stops thrusting and pulls you up again by the hair. "Hey! I'm talkin to you, girl! You better answer if you know what's good for ya!" You nod fervently, scared by the crazed look in his eyes. "No, no. I need to hear it, li'l missy!"

"Yes, Uncle Jack," you blubber through your tears.

"Yes, what?" he grits his teeth. his cock pulses as it sits inside of you. your insides burning deliciously as they accomodate his girth.

"Yes, I--" you swallow your spit. "Yes, a-all that spankin turned me on."

He shakes his head and huffs. "Nothin' but a two-cent whore," he mutters and goes back to fucking you. "Fuckin filthy," he says as one of his hands wraps around your chest, groping and pinching your breasts with imprecision. "Let Uncle Jack's big cock get you right, darlin'." He grunts, his cock stroking your walls and waves of pleasure coursing through your body. "I'll give this tight little cunt what it needs." He groans and leans back. His hands grip your hips and you can feel his balls slapping against you. You wanna reach back and hold them in your hands, lick up the seam of skin in the middle and glide your tongue along his dick. "Goddamn. That cunt's got me lassoed up real tight." His fingers dig deep into your flesh as he hammers into you. "'M 'bout to shoot. Nnnggh--"

"Yeah?" you whimper, excitedly.

Jack's quick to react. His body falls on top of you, wrapping a hand around your mouth, the other around your waist. His thrusts grow deep and erratic. "You shut your goddamn mouth, little whore. This ain't about makin' you feel good. This is about makin' you shut up and do as your fuckin' told, alright?" He doesn't wait for your answer. He's got you wrapped up so tight you can't even move if you wanted to. He stops speaking and all you can hear is him hissing and his teeth clacking together every so often. Then with a loud, deep groan, his hot spend begins pumping inside of you and coating your walls. His grip on you loosens and before you know it, he's gone. Your body is cold. All the goodness you had been feeling has disappeared.

You turn over and see Jack tucking himself back inside his jeans. You both watch as his sticky white cum leaks out of your hole and soaks into the bed sheets. He buckles his belt and asks, "Now what do you say, huh? For makin' Uncle Jack put you right?"

He won't look you in the eyes, still staring between your legs. So you reach down with two fingers and scoop his cum back inside of you. "Thank you, Uncle Jack."

He clears his throat. "That's right." He turns around and before leaving your room he says, "Next time you need to get put right you come find me." He looks over his shoulder. "You don't wanna find out what's gonna happen if I gotta find you first, li'l missy. Now, get dressed." He adjusts his t-shirt in your doorway and the next thing you hear are his bootsteps echoing through the hall and down the stairs.

-------------------

additional tags: @xdaddysprincessxx

[hlfzetsf]

Hi (⁠ㆁ⁠ω⁠ㆁ⁠)!!! Shares and reposts are much much appreciated!

- if you're familiar with art commission terms, this is like a "pay what you want" in exchange for a digital drawing 🙈✨

I'll draw for you if you donate **ANY AMOUNT** to a Palestinian/Sudanese/Congolese family/organisations! The more you donate, the more I'll draw for you 😱✨

HOW TO SUPPORT

1. DM me if interested!

2. We can talk about what you want drawn and if I can do it,

3. I will then send you a link to donate to, and once you send me a screenshot of proof of donation I'll start drawing :)

This offer will be open INDEFINITELY so message me anytime! (Discord: hlfzetsf)

The reason why I can only offer drawings (cleaned up sketches) is so I can be sure I can deliver them to you in a timely manner. The longest you'll have to wait is, in theory, 3 days LOL but for most drawings, I can finish them up in a day (⁠ ⁠ꈍ⁠ᴗ⁠ꈍ⁠)

What I have drawn/prefer drawing:

- fictional characters

- real people (i can draw u and ur partner ;3)

- evangelions (THAT kind of mecha)

- i can draw a decent cat, i think

[ofc feel free to discuss further what you'd like drawn in the DMs]

All art in this post are mine!

Thank you!

[gatheredfates]

FROST YOU'RE A GEM FOR INCLUDING THE SCREENSHOTS OF TRP. I would have done it in my post but I don't have game time as of this current moment (though I am highly considering it since I miss my elves). The WIP screenshot made me laugh because mine was something like this for the longest time: "You mean I need to WRITE my TRP? I'm throwing my phone on the floor."

I think what I missed in trying to articulate my thoughts is that TRP relies on the calibre of your writing first with aesthetic coming in at a hard second place. You can dress up your TRP as much as you like with the included visuals (aka, the moon/vine in Frost's are assets. If you're a WoW roleplayer, you know pet battle weather statuses got you), but it is down to how much or little you want to include to entice people to walk up to you/message you. Everyone has access to the same tools; the only difference is your style as far as roleplay/writing and how you utilise it.

With the way the mod scene is at the moment, it feels like the opposite. Unless you have taken the time to install a dozen different plugins and mods (assuming you're even playing via pc), a lot of spaces won't give you a look in or assume you're there to troll. Trolls have existed since the dawn of time on any platform, and it can be difficult to know who is approaching with good intentions... but this barrier around requiring mods as the standard to differentiate legitimate roleplayers/creatives from non is extremely detrimental and excludes players from what is already an tiny subset of a fandom.

And don't get me started on the decentralization of mods because I'll complain for at least two hours on how the decentralization of rp communities in general has fractured the community and why the hell is it so hard to find x community when you know it's out there?

It's because it's on Discord and only advertised on bsky where a grand total of four people might repost the advertisement because people are worried about looking too earnest and/or potentially contributing to something nefarious... so it doesn't go anywhere because what if someone else's reaction to it is negative. Or people are burnt out of their things not getting any traction so they don't extend the kindness to others—something, something ouroboros. I'd argue it's the same for gposes. People don't want to look 'weird' so they don't do anything at all. It's incredibly sad.

I don't know how you fix it. I think it's just tiresome. It's weird to have left WoW because I feel like XIV was offering more, only to genuinely consider going back casually because the latter has regressed despite being the game I'd much prefer to be playing. (Though, don't get me wrong, I still love WoW. I think The War Within has helped cure a lot of my ick around the game, provided Blizz can keep up with that kind of value.) I could write a whole other essay on the state of Horde-side roleplay and how being anything other than human adjacent comes with it's own battles in the community—but that's for another day. It's just to say that no space is a utopia.

For me, it's why I sink time into the Compendium and work really hard on my spaces because they're the most centralised and earnest I can make them. At the same time, however, it's exhausting to feel like you're clawing up hill against the rest.

Playerscope, modding and the hunt for aesthetic: why you should be more upset about mods and community expectations than you already are.

I love that this sounds like an academic paper but HONESTLYYYY. I need to put my thoughts to paper in regards to my burnout with xiv, otherwise I think I'll go insane. This is a controversial yet brave post. I am well aware that I partake in some of the things I'm going to be critiquing; aka, "thank you, dinklebottom, we live in a society." I'm also not critiquing mods from a space of offering more accessibility to people and/or facilitating representation not currently offered within the context of the game. There is nuance to every discussion and I'm coming at this from an overarching view around mods and community expectations/standards rather than player joy. I hope this makes sense. I'm also predominately writing from a roleplay perspective, though I'm sure a lot of what I end up saying can reflect in the art party/social space. Just know if I haven't mentioned the latter it's because that's not my scene and I don't pretend to know otherwise.

Anyway. For those who don't know, there's a new mod that's causing some strife in the xiv community called Playerscope. Here is the reddit thread about it. I'm not going to be talking too much about the mod in general because that's not the point of this post, but seeing discussion around it today just made me feel more exhausted than I already am when it comes to modding and the xiv community around it. It made me realise... I'm actually really sick to death of mods. I'm sick to death of what they're doing to the community when it comes to gatekeeping, policing and in general the interactions we have with each other in the community.

Let me explain: I wrote a post about the roleplay mod on bsky that kind of articulates at a surface level what I mean.

I think what makes me sad, which I'm sure is echoed by a lot of people, is that mods feel like the standard now rather than an option and that there's a certain expectation for people to have them if they want to engage with facets of the community—whether intentional or not.

Unlike XIV, WoW has a supported mod scene (within reason) and TRP 2 and the like have been accepted for years now. In a space where people can't slap on an RP tag, having that tool readily identifies you as a writer/roleplayer and you can include as much or as little of your character as you like. The general idea is if you have one of these tools enabled, you're a roleplayer to some capacity. You can dress up the profile to a certain degree, you can add links and supported pictures, but you're mostly reliant on what you put to paper in regards to your character. Even then, I find filling out what my character is doing currently and marking the rest as a WIP doesn't necessarily exclude me from roleplay if I want to find it. A lot of people will do that and a super simple description to incite interest around their oc.

These days in XIV... I don't know. I do think communities have gotten more insular—it's why I'm so pedantic about trying to find them for the Compendium—but I also think mods and, to a certain extent, the 'nightclub' scene have gotten in the way of it as well. My argument is such.

I want to go to an event (for example sake, I'll call it Seascape). In order to fully participate, I may need:

Their discord.

A roleplay addon.

A carrd/google site/etc.

Their synchshell (including mods, mare and everything else)

Potentially a mod of some description so people know I can see theirs (and vice versa).

Also that your mod isn't made by a shitty person.

Appropriate understanding of the scene/social space.

Some luck and a prayer that it's an inclusive space and not a closed rp group advertising as being open and/or a mod showcase advertising itself as something different.

Like??? Holy shit you guys. If you are someone who doesn't want to mod because you're worried about repercussions it really just feels like a big 'fuck you, good luck'.

And let me be clear, not every community is like this. I'm incredibly lucky to have found fantastic roleplay within my own rp event/community, I have great friends who run awesome, inclusive events for people of any skill (writing or otherwise) and I do fully believe you can just enable the rp tag and find fun, fulfilling roleplay. But I've also found the above a lot of times, too. I've had people point-blank get mad at my partner because he won't install mods and try to exclude and/or circumvent him in spaces. It's weird. I've been to events where the only time I felt like I got proper interaction(s) was when I joined the aforementioned, even if I have my character's profile linked in my about. It's weird.

Honestly, no wonder new roleplayers feel overwhelmed. Not only do they have to learn roleplay etiquette, they have to be a mod expert overnight? It feels less about what someone can bring to the table as far as a story but what mods they can install to either look cool or pass an unspoken social barrier. As much as I'm down bad for aesthetic and looking the part, I hate it being at the cost of accessibility and fun for someone else.

Arguably it's the same for gposing and the like as well, which contributes to my exhaustion alongside all the graphical changes and I just. I'm gnawing at the bars of my cage.

I don't think it's going to change and arguably it's more of a Twitter/X issue than a Tumblr, one but Tumblr lets me write mini essays and Twitter will tell me to kms.

Ergo, I'll go with the essay-writing platform.

Anyway, I guess this is just a reminder that you don't need 4596419651 mods to be in the community and that people should be more vigilant on including people who don't have them for whatever reason, provided they operate in good-faith and want to contribute. I think we're careening to a slippery slope of expectation for something unsupported and I don't like it.

[goldenpinof]

okay, yeah

[ourflagmeansgayrights]

actually can we stop talking about “deserve” when it comes to characters dying in fiction. not everything is a fable with a moral lesson to be learned. romeo and juliet didn’t “deserve” to die. bambi’s mom didn’t “deserve” to die. izzy dying in the finale doesn’t mean ofmd is saying that certain types of queer people “deserve” to die. fictional death can serve more narrative purposes than just punishment for the character doing the dying.

[vynnyal]

I've been having a delightful time stumbling over my emojis being used in random servers, so here's more

[wasyago]

not drawing for others. not drawing for myself either. playing video games. okay? yay

[valentjin]

i just think it's crazy that there wasn't like. a cutscene or something that showed off raphael's cool magical girl transformation sequence cause his ascended fiend form looks sick as hell

[kindred-spirit-93]

thetis and her grandbaby

the second panel originally was going to read "hes mine now" lol.

achilles probably jumped in after his mother (who went to show off to her friends), forgetting that neo is very cant breathe under water XD

look at his tiny lil hand holding onto her robes dfghjk. held my baby cousin last night and shes so light and squishy ahh. very babbly too :')

[icehearts]

-- welcome back.

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.

[moonwoodhollow]

Eternithaus - a cc-free lot for Oasis Springs

When I was working on Baumgarten Estates I looked into other buildings the architect Paul Baumgarten did and found this gem (2), which I accidentally stumbled across during my visit to Berlin last October. Of course, I had to recreate it in the Sims and I am so happy with the result. It certainly looks different from the original, but it's a gorgeous mid-century house that fits quite perfectly into Oasis Springs.

More info + download link under the cut!

Eternithaus is a 30x20 unfurnished lot placed in the Mirage Canyon neighbourhood of Oasis Springs, specifically on the Futures Past museum lot. It is designed as a residential rental lot, but I've uploaded it as a normal residential building to the gallery, in case you're not actively playing with the For Rent pack/gameplay yet.

It has a total of 4 rental units, which are all on the smaller side, perfect for a couple without children or a single sim.

Uses items from the following packs: For Rent, High School Years, Snowy Escape, Eco Lifestyle, Discover University, Island Living, Get Famous, Cats and Dogs, City Living, Get To Work, Werewolves, Strangerville, Jungle Adventure, Dine Out, Spa Day, Tiny Living & Desert Luxe.

Download: simfileshare | or up on the gallery: aeromantica

TOU: please don’t claim as your own or put behind paywalls etc. If you find any issues (wrong files, etc.) please let me know + tag me if you’ll use the house, I’d love to see it in your games.

[ilikedetectives]

[stranger-awakening]

One Piece Episode 102 / Episode 377

"I might not have the same bounty on my head as Luffy at the moment, but I swear to you that I'm destined to become the greatest swordsman the world has ever known. Surely that must be worth something."

[beaulesbian]

some favorite screenshots (mostly locations) from the new Dragon Age Veilguard trailer!

[rk1k-moved]

CONNOR | DETROIT BECOME HUMAN

for the wonderful @detroitbecomeonline!!