#sci fi box set
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Mutant Chronicles - Warzone Starter Set Box Art by Paul Bonner
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weekdaysend · 20 days ago
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WIP of my character line-up for my robot ocs and their resistance group "DISPATCH". I'm soo close to finishing it I just have to figure out their color palettes really. I still have two other members to completely design but they can be added later.
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thorarms · 1 year ago
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"youre a man of action, i take a more cerebral approach" im killing the mcu writers with hammers
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tvshowsdvdset · 1 year ago
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Best DVD Box Sets
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Why TV-show is so interesting and fascinating? Expand your home video library from a huge online selection of movies at TVShowDVDSet.com. Get great deals and offers on Best DVD box set. Click here to shop now!
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graham--folger · 1 year ago
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*rattling the bars of my enclosure* i want to write
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deadpoolsmom · 8 months ago
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was gonna make an oh haha that one guy was my dad joke but based on some of the notes tumblr/social media fan exposure has given some of y’all a probably warped view
like it premiered on cable in 2005, and it averaged something like ~5 million viewers an episode. If you were introduced to it through its popularity online or like queer discourse, that was a very specific subset of viewers. Large in comparison to others on tumblr maybe but participating in fandom is not the norm and a lot of people will just tune in for an hour each week and then keep tuning in
also spn specific writing choices aside, middle-aged dudes love b-tier sci-fi/supernatural/fantasy shows
Anyways shoutout to all our dads with bad taste out there (mine owns the boxsets for at least the first few seasons lmao):
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still amazes me that by season 45 or whatever, Supernatural was being exclusively watched by delusionally hopeful women with flamingo-salinity tolerance for bad writing and the creators still couldn’t pander to them because maybe there was 1 straight guy out there still accidentally watching it
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savage-kult-of-gorthaur · 2 months ago
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GENETIC ENGINEERING GONE HORRIBLY WRONG -- THE MOST TERRIFYING SUPER-SOLDIER IMAGINABLE.
PIC(S) INFO: Mega spotlight on The Creech CI.001, released by McFarlane Toys in February 2004, a deluxe boxed set based on the artwork of "The Creech: Out for Blood" issue #1 (published by Image Comics in September 2001), part of Spawn Series 25.
Brand: SPAWN
Genre: Comics
Product Type: Action Figure
Product Type: Deluxe Box
Series: SPAWN Series 25
Sources: https://mcfarlane.com/toys/creech-ci-001, Pinterest, eBay, various, etc...
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uupiic · 4 months ago
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youtube
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featherymainffins · 5 months ago
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The secret problem is that... Chatterbird Corporations didn't actually start as like...a self-contained sci-fi, it operates in the framework of an already established world because...it originally started as a creepypasta. So. That's why it's like that.
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it's my birthday 🎉🎊🎈🎁🎂🍰🪄🪄👸👸👑
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shizunitis · 6 months ago
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transmigrator! luo binghe and system! shen yuan au:
shen yuan refuses to take binghe’s b-points away as punishment—instead, he turns off his voice box until binghe apologises, which happens the moment the “audio off” toggle appears.
binghe calls shen yuan ‘a-yuan’ when he’s being cheeky and ‘yuan-ge’ when he wants more b-points to enable his shopaholic tendencies. shen yuan tried to shut down the system shopping function once but binghe just refused to do anything in the story until he got it back up.
(“i’m on strike,” he said, and listened as his adorable companion ranted for hours at him about the importance of maintaining the narrative and avoiding landmines. it all concluded with shen yuan believing he’s won by teaching his host about responsibility and luo binghe agreeing while browsing the new additions to the store)
whenever they end up in a sci-fi setting shen yuan has to drag binghe away from the android shops/factories. “i don’t need a body. it wouldn’t work. binghe, be good, you have a multiuniverse to save.”
they don’t talk about the tentacle monster. shen yuan has wiped it from the mission logs. luo binghe gets a -5 b-points notification whenever he utters the word ‘slime’ regardless of context.
there’s more i’ve thought up for this but i’m considering actually writing it so i’ll stop here for now. i just wanted all of you to consider the possibility. ponder with me. meditate on it, for those of such inclinations.
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rambling-at-midnight · 4 months ago
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omg a part 2????
i loved it so much!!!
Ahh I'm so glad you liked it!!! It's my first Jason x reader fic :) Here's a part 2!
Pros and Cons of Midnight Snacks (Part 2)
Pairing: Jason Todd x Gender Neutral Civilian!Reader
Summary: Now it’s time for a meet-ugly-ish with some dude named Jason. Also, you see the Red Hood again.
Word count: 6.3k (holy shit)
You’re not crazy, right? It’s weird that the library is completely empty because it closes in two hours and the weather is actually nice outside for once, and some random dude wanders in and sets up two seats down from you. He’s not even here to study; he pulled out a sci-fi novel as soon as he sat down.
Who comes to a GCU campus library to read recreationally? The seats are uncomfortable and plastic. And the sun is shining. Everyone else is outside soaking up the Vitamin D.
Honestly, you’re mostly surprised the chair he’s on didn’t snap as soon as he sat. The dude is huge. Football player huge. Shouldn’t he be at practice, instead of forcing the chair to make the most irritating squeaking noises known to man every time he moves an inch?
You grit your teeth and put on your headphones, but you can still hear the poor chair’s dying lamentations, so you turn on an instrumental playlist that hopefully won’t distract you too much from studying.
You let yourself stew over the annoyance until your stomach growls so loud you hear it over the soft music. He has the good grace not to look at you, but you definitely see him pause.
Okay, you’ll call it even. This is what you get for running to the library right after six hours of classes. You need to cement the knowledge in your mind while it’s still fresh, and if that means you have to forego lunch…
He’s still there two hours later when the closing time alarm goes off. It’s a shrill old-school bell, the kind no one can ignore, and he jumps like he’s never heard it in his life. The poor chair finally gives up. He tumbles to the ground.
You look over in case he needs any help, but he’s scrambling for the book, face bright red.
If he is a football player, you wouldn’t be surprised that he’s never heard the bell before. That sort rarely stays this late at the library—if they enter at all.
He rushes out. You pack up a little more methodically. All that’s left for you to look forward to tonight is trying to study in your apartment, but you never have much luck.
He’s outside the library on his phone when you walk out. Maybe waiting for a ride? You’re a little on edge from the events of two days ago, so you watch him out of the corner of your eye as you walk away.
Thankfully, he doesn’t follow you.
At least the library closes earlier on Wednesdays, 6 pm instead of 9:30. You don’t know why. It’s still a weekday. But it forces you out while the sun’s still shining, which is probably a good thing.
Within two minutes of the twenty-minute walk home, your hip hurts. By the ten-minute mark, you’re trying not to limp.
Despite your better judgment, you keep your gaze turned to the rooftops, even though you know the vigilantes are nocturnal. It’s stupid to want to see a flash of red helmet, anyway. The Red Hood probably saves hundreds of people every week; there’s no way he would remember you.
Of course, when you finally get back, there are the stairs to contend with.
Your cat, that ungrateful little beast, beeps at you furiously for being gone so long. Never mind that your roommate works nights, so at most the cat’s been alone for an hour. He makes a break for the hallway, and you box the doorway with your legs and slam the door closed against your hip as you slip through.
Your injury explodes with pain, but at least the cat doesn’t get out. Ungrateful little beast. As if he isn’t fed and loved enough.
You finish slipping through the doorway and just stand for a moment listening to the blood rushing through your ears. Damn, but that hurt.
In the bathroom mirror, you hike up the hem of your shirt and check the state of your injury.
All in all, it could have been much worse. The bullet scooped out a fair chunk of skin, but it was just a surface wound. There’s no fresh blood on the gauze, and when you change the wrappings, the skin is pink and raw but starting to scab. It scooped out a chunk and left a trail of bruising, but you got off fairly lightly, all things considered.
The GCPD released the robber’s mugshot yesterday morning. In the picture, the man’s eyes were so swollen from your pepper spray he could hardly open them.
You preferred the bullet, honestly.
You try in vain to study a bit more, but even after you take more painkillers, you’re not in the mood. You feed your cat, then curl up on the couch to watch a couple episodes of the show you’re currently in the middle of.
That was the first time you see the huge guy, but it’s certainly not the last.
You wouldn’t notice him so much if he wasn’t the size of a damn refrigerator. He’s gotta be a linebacker for the Knights, but he’s not on their roster. You looked it up after the third time he wandered into the library just a couple minutes after you. It’s probably not updated yet, but you see him so often, you’d like to know his name.
Also, he’d bleached a patch of hair right at the front of his head—was that a trend now, or something?—so it wasn’t hard to spot him.
On Saturday, your feelings shift from mild annoyance and curiosity to a sinking sort of dread when you notice him at the coffeeshop you always visit on the weekends. The employees know you by name and use it to call out your order, so now he knows it, as long as he’s paying attention.
You think he might be.
You don’t want to be that person. Not everything in the world revolves around you, obviously. But you might still be shaken from what happened on Monday, because the thought wiggles in the back of your brain: what if you have a stalker?
You try to tell yourself that it’s just paranoia. GCU isn’t that big a campus, after all, and there are only so many places in the city that are: A. close to campus, B. reasonably priced, and C. comfortable to work in. You’ve run into classmates here before, and you don’t have a monopoly on the library or this coffeeshop. Just because he shows up at the same time you do doesn’t necessarily mean anything. He might be establishing a schedule that just so happens to line up with yours.
But, you have to admit, it is easier for stalkers to stalk people when they know their regular schedule.
You keep a watchful eye out and are pretty good about keeping off the streets after dark, but a week and a half later finds you stranded an hour’s walk from your apartment. The buses worked for two days, then shut down again, and you foolishly believed that following the detour that said would get you home would actually get you home. You don’t want to call an Uber because traffic would make the ride longer than the walk and bankrupt you in the process. Same reason you can’t call anyone to pick you up unless you waited the two hours until rush hour dies down.
Walking is, unfortunately, the best option.
So you clutch your trusty pepper spray and prepare yourself for a long night of looking over your shoulder and ignoring the pain in your side. The wound has mostly closed, although the bruising has gotten worse.
Three minutes later, you hear the roar of a motorcycle followed by angry car honks. You barely pay it any mind until the motorcycle pulls up next to you and doesn't pass.
You keep walking, avoiding eye contact. Maybe ignoring them will dissuade the rider from catcalling you.
It doesn't work. "Hey," the rider says, and it's only because the voice is mechanically distorted, recognizable only because of how many videos of him that you won't admit to looking up the last week, that you look at him. "What are you doing?" asks the Red Hood.
"What are you doing?" you counter. He's blocking the flow of traffic talking to you.
The Red Hood looks over his shoulder, flips off the person honking behind him, and steers his motorcycle onto the sidewalk. He drives fast, and you flinch in case he tries to run you over, but he screeches to a halt at the last second.
"Haven't seen you in a couple of weeks," he says casually, like you two meet up often.
"I've been staying out of trouble," you say.
"Not tonight?"
"No. That wasn't my fault, though. I took the Southwest bus because it was supposed to connect with the L line, but all the signs they posted were a lie, apparently, because—" You cut yourself off. "Never mind, I'm sure you don't care. Point is, I'm walking home. It's not too far."
"It's about an hour," he points out. "How's your bullet wound? Will it object to that walk?"
"I'll be fine."
He pats the back of his motorcycle seat. "Hop on. I'll drive you."
You take a couple hasty steps back. It may not be a white van, but you know better than to follow candy into someone's vehicle. "Oh, no, thanks. Traffic's pretty bad right now."
You get the sense he's smiling when he says, "I bet I can get you back faster than walking." If only he wasn't wearing the stupid shiny helmet, you would be able to read his expressions better.
"Really, I'm okay. I'm sure you have better things to do than drive me home."
"Helping people is literally my job," is his response. "I have to make sure you get home safely. So either you get on the back of my bike, or I follow you the whole walk back to your apartment."
You know a losing battle when you see it. As a general rule of thumb, it's usually smart not to argue with the dude carrying at least two guns. "Don't kidnap me," you order before slinging your leg over the seat.
He chuckles. It's the first time you've ever heard him laugh, and it makes him sound so much younger. "You can't ride like that."
"Like what?"
He cranes his neck to look back at you. There's at least six inches between both your bodies. You clutch the sides of the seat with both your hands, hoping he doesn't take off with such a lurch that you topple off the back. "I drive fast. You'll have to hold on."
"I am holding on."
"To me."
You've only met the man twice. You're pretty sure clinging to someone's back is at least a third-meeting type of touch, but he reaches back. The Red Hood snakes a hand nearly twice the size of yours into the crook of your knee, then yanks you to him. You shoot forward with a strangled yelp and catch yourself on his back.
You've never before understood the phrase 'wall of muscle,' but you get it now.
He is huge. And strong. You gingerly put your hands on his shoulders. That's not an inappropriate touch, you think.
He has to live at the gym, right?
"You're still not holding on," he chides. "I don't have a helmet for you, so you really shouldn't fall off."
You swallow and move your hands, but he's too thick for you to link your hands around his front. So you fist both of them into his jacket. It presses your bodies tight against each other from shoulder to thighs. Through the layers his body radiates heat, but you shiver.
"Going," is all the warning you get.
Then you're gone; the bike shudders beneath you, then takes off like a jet.
You can't catch your breath. This must be what riding a dragon feels like, is your first nonsensical thought, a side effect of your roommate's obsession with Game of Thrones.
The bike roars beneath you, but you can hardly hear it over the rush of wind and the pound of blood in your ears. You can't see much with the wind drying out your eyes, so you press your head against the Red Hood's back and squint to one side. Cars and street lamps blur together into a stream of mismatched lights and colors.
The Red Hood drives fast. He weaves between lanes, runs through red lights, cuts onto the sidewalk. A couple bikers shake their fists at him when he passes them in the bike lane. A lot of cars honk at the two of you.
Judging by the way his shoulders shake with laughter, he likes pissing them off. You have to admit, the feeling is a little intoxicating.
You can't hear the sound, but your front is plastered to his back. Even with the layers of his suit and leather jacket, you can feel the vibrations of sound deep within his chest. He has a fairly deep voice, after all, unless the helmet changes that.
No less than ten minutes later, he parks abruptly. You lift your head, blinking moisture back into your eyes, and stare dumbly at your apartment building.
He'd actually brought you back.
Maybe he really was reformed.
You stumble off the bike onto unsteady legs. The Red Hood kicks his stand into place and rests against the bike, leaning with elbows on his handlebars. Like he expects a Midwest goodbye. And you find yourself dawdling.
Maybe you want one, too.
"Thanks for the ride," you finally say awkwardly.
"Anytime," he says, and you laugh, thinking it's a joke, but he doesn't. After a brief awkward pause, the Red Hood tries, "So how have you been?" as if you're old pals meeting up for brunch, and the question is so ridiculous coming from a sort-of-reformed crime lord slash serial killer that you respond without thinking.
"Pretty good, except I think I may have a stalker."
His helmet doesn't do a great job translating whatever sound he makes in response to that. It comes out as a crackle. "What?"
"I've noticed this dude recently showing up wherever I go," you say. "But I think it's just a coincidence. Sorry. That was a bad joke." It wasn't, but you don't want to accuse someone without proof of stalking you. If he's not, you'll seem self-obsessed. If he is, then he knows that you know, and it's not like the GCPD will do anything. One of your friends from your hometown had a stalker for literal years, and the police never did anything, even after he sent her death threats. They said there wasn't enough proof to make an arrest then, so someone showing up at the same places you are definitely isn't enough proof now.
The Red Hood tilts his head. "Does he make you uncomfortable?"
"You don't need to beat him up or anything on my behalf," you say. "I mean, you've seen me with a bottle of pepper spray. I'm pretty sure I can handle myself."
"I know you can," he says. You can hear the smile in his voice, like he finds something about the situation funny. "And I'm pretty sure that you know that I'm going to check this out anyway."
"No," you say, surprising yourself with your firmness. You can't rely on vigilantes to solve all your problems for you. "Seriously, it's okay. Thanks for the ride. Maybe I'll see you around."
"I'm counting on it," he calls as you walk away.
And he's right. Two days later finds you at the gas station at ten-thirty at night. You don't want to see him, per se. You're definitely not looking over your shoulder at the slightest sound. You definitely didn't check the parking lot for a notorious red motorcycle on your way in, and you certainly aren't taking peeks out the window every time headlights pass by on the street.
You're just... curious.
Maybe.
But you have absolutely no warning, not even a suspicion that someone is behind you, when you reach for a box of Cheez-Its. Someone else's hand gets there first and you nearly jump out of your socks.
"Hey," the Red Hood wheezes. He's clutching his side like he has a cramp. "Question: if I buy these for you, will you patch me up?"
"What?"
"I may have been cut," he admits. Judging by the angle of his hunch, it's a little more serious than just a 'cut'. "So: do we have a deal?"
The thought occurs to you, as you help him up five flights of stairs to your apartment, that you're escorting a strange man into your place of residence. You haven't even given your roommate a heads-up, though you're pretty sure tomorrow's his night off.
Sure enough, the only person there to greet you when you walk in is your cat. As per usual, he tries to escape. The Red Hood gently but firmly ushers him inside with his foot with such ease he must have one of his own. "It's cute," he says, still clutching his side.
"Thanks," you say. "He always tries to get out, but if he actually escapes then he just freezes in the hallway until I bring him back inside." Then you realize that you're discussing your cat, of all things, with the Red Hood. You clear your throat and say, "Let me take a look at you."
The crime lord and cat trail after you into the bathroom. It gets a little cramped because the Red Hood's about as small as a fridge is small, but you two figure out a passable system: he's too tall, even while sitting down, and you don't want to bend in half while you stitch him. So you sit on the toilet, he stands in front of you, and your cat jumps on top of his leather jacket on the counter to observe and judge. Luckily, the suture kit is still in the bathroom from when you thought you would have to stitch yourself up, so it's not long before you're instructing him to lift up the hem of his shirt so you can see the damage.
You hiss between your teeth at the sight. Someone grazed his side with a knife, by the looks of it, but the wound is deep. It might go all the way to his subcutaneous tissue.
After you clean it off, you're sure that it does. "You call this a cut?"
"I've had worse," he says gruffly.
"And you're still alive?" You squint at him.
He huffs like that's funny.
"They basically cut you in two! I don't know if I can fix this. I've never stitched someone up before!"
"What do you mean?" He tilts his head. "You stitched yourself up, remember? You told me you would."
Shit. Of all the ways to stick your foot in your mouth—
"It wasn't that bad," you say weakly.
“It looked pretty bad.”
“It just looked bad because I was wearing a light colored shirt. Don’t worry; I’ve learned my lesson.”
The Red Hood scratches under your cat’s chin. “About wearing light colored clothing, or about getting shot?”
You’re trying to thread the suture needle, but the stupid thread won’t cooperate. “Hmm?”
“Which lesson did you learn?”
“The former, mostly. Believe it or not, ‘try not to get shot’ is something most people, including me, know intuitively.”
"Let me see."
"Yeah, right," you say, "my apartment's basically a strip club, isn't it? First your shirt's coming up, then mine. Absolutely—" You slap his hand away— "Not. I'm fine. Now hold still while I stab you."
The process goes by quickly. He stands like a statue the whole time, like he's used to the pain of getting stitches. Considering his profession, he probably is.
Actually, you can see a couple healed-over scars on his torso just from the small bit of skin he's revealed by pulling up his shirt. And, you're pretty sure, a perfectly defined six-pack, but that's none of your business.
"I don't have the fancy dissolving sutures, unfortunately," you say while you tie off the thread. "These should come out in about a week."
"Yeah, I know," he grunts, letting his shirt fall back down. And you're not disappointed. At all. "Same time next week, then?"
"What?"
"To get them out."
"Uh." Your brain stalls out. You'd been operating under the assumption that this was just another freak coincidental run-in.
Is it just you, or is the Red Hood looking to make a friend out of you? Or maybe just a free pseudo-surgeon?
"Sure," you say. It's not like you can stop him, really.
"Thanks," he says, stroking your cat one more time. Then he nudges the pest off his jacket and shrugs it on, even though there's not really a need for it. The weather's been pretty mild the last week.
You walk him out the door. He pauses in the hallway, turns, and says, "By the way, what's your name?"
You tilt your head and tell it to him.
"Nice to meet you," he says. Then he walks away.
You watch him walk down the hallway until your cat escapes, and then you have to chase him. You're pretty sure the Red Hood sees it, because low-pitched laughter hits your ears as you gather the little bastard up, but when you look, the vigilante's gone.
"God, I hope he's up to date on his tetanus shot."
You find yourself at the coffee shop the next morning, determined not to let a buff bookworm change your routine. You're the first customer, and they have your order ready by the time you finish setting up your stuff on a small table in the corner of the shop, far from where the line will build up when more people trickle in.
Like clockwork, the bookworm wanders in just a couple minutes after you do, orders two coffees, and settles down across the room with his front to you.
Every time you glance up, he's utterly focused on his book. He's probably not watching you. Right?
Fifteen minutes later, the coffees untouched, he stands up. You watch out of the corner of your eye as he picks one up, approaches the counter, and...
Walks right past it.
Walks in your direction.
You stare blatantly, and he holds your gaze with a set jaw and something a little challenging in his gaze.
He's walking to you.
The coffee cup slams on the table, splashing a little over the edge, and you jump to move your laptop away from the liquid.
"Shit, sorry," the bookworm says. He runs away.
You stare until you realize he's grabbing napkins and hurrying back. At least ten, even though the spill's pretty small, and he piles them all onto the table.
His face gets redder the longer you watch without saying anything.
Once he's absolutely sure your laptop is safe from the couple drops he spilled, he balls them all into one large fist and rushes out, "I'm sorry—I was supposed to meet my brother here, but he canceled, and your drink cup's empty, so I was just wondering if you wanted this one? It's a little warm, but..."
"But free is good," you say, deciding to put him out his misery. And he certainly looks miserable rambling in front of you. Like he's mortified for some reason. "Um, thanks. What..."
"Just an iced coffee. Probably watered down."
You take a sip, just to be polite. It is watered down, but he didn't add any milk to it, so that's probably a good thing. "Thanks..." You tilt the cup to look at the name written on the side. "Jason?"
"Yep." He nods. He's still standing in front of you, like he wants to be invited to sit, but you have a lot of work to do, and he's a complete stranger, and all his stuff is still on his table across the room.
Something clatters behind the counter. You both turn in time to see the two baristas duck out of sight, whispering furiously. Probably about the spectacle you two are making.
"You go to GCU's campus library a lot, right?" Jason asks suddenly.
"Yeah, I do. So do you." You don't phrase it like a question.
"Yeah," he says. "It's peaceful to read in there. Quieter than my apartment."
"Okay," you say slowly. You're really not interested in this conversation, but you don't want to be rude.
He must understand you, though, because he rubs the back of his head and steps backwards, mumbling something about getting back to his book.
Jason's brother never does end up meeting him. You tell yourself that's why you keep glancing at him. Once or twice, you two peek at each other at the same time, and you always look away first, face hot like he's caught you doing something wrong.
The next time you go to the library, it's packed. The weather has turned, so students have nothing better to do than prepare for their finals. You head to the quiet floor, slowly losing hope that you'll find a seat.
A head snaps up the moment you walk in, dark-haired with a striking streak of white at his forehead. Jason.
Something like relief passes over his face, and he waves you over.
"I saved your seat," he whispers, dragging his bag off of the chair.
"Thanks," you say, actually touched. "You didn't have to."
He shrugs. "You're my reading buddy."
The next day, he's sitting at the library's entrance when you walk in. Jason shakes his head. "All the seats were already taken when I got here."
"Ugh." Strictly speaking, you don't need to study tonight. You're pretty confident about the next test's material, and you're also pretty burnt out.
"We could check out the Student Center?" he suggests. As if it's a given that the two of you are going to spend the afternoon together. And, you realize, after two straight weeks of studying in his proximity, you don't mind the presumption. That's how you made your closest friend in undergrad, anyway.
In fact, you think you might want to get to know Jason. Maybe ask about his white streak; you've been growing more and more curious about it. And why he's about seven feet tall and two hundred fifty pounds of muscle but has a passion for romance novels.
"I don't think I've studied in there before."
"It's not too bad, but it's a little louder than the library."
So you two head to the Student Center, but he doesn't open his book, and you open your laptop but don't turn it on. He buys you coffee, though you insist that you can pay for it yourself, and a simple query into what book he's reading currently turns into a two-hour conversation.
Jason likes to read every genre, but he likes classics and romance best. He doesn't just have one brother, he has four, and a sister. He's not on the football team like you'd assumed; he just likes to work out. He's finishing up his sophomore year of undergrad studying English Lit—he sees how your smile freezes at those words, and you're asking how old he is, and he's laughing when he tells you he took a couple gap years. He's your age, actually, and that's relieving for reasons you can't quite put to words.
When you check your watch and curse at the time—it's almost time for your cat's dinner—he asks for your number, and you put it into his phone.
You feel good on your walk home. You haven't made a new friend since the first semester of vet school; the course load is too demanding for you to participate in any GCU clubs. Your roommate asks why you're smiling and you wave him off. Of course, your cat doesn't care that you're in a good mood. He only cares about getting fed.
You see Jason a couple more times over the week, and soon you're too embarrassed to admit that you thought he was stalking you. He's almost as bad a texter as you are, responding at such hours you're half-convinced he doesn't sleep, so you're less self-conscious about taking hours to respond.
You've just gotten around to answering his last text when something knocks against your window.
You drop the phone on your face.
The Red Hood is laughing at you when you open the window to let him in. You'd forgotten he was coming, but you don't say so. He tumbles in, moving a little stiffly, but a lot better than he'd been last week. Your cat, the little traitor, runs to greet him and rubs against his ankles, purring like an engine. The Red Hood bends to pet him. "Hey, kitty." The red helmet tips up and those unnerving white lenses fix on you. "Hey, doc. Here to get my stitches out."
"How have you been feeling?" you ask.
"Good," he says, almost defensively.
It makes you suspect that something is wrong, but when you all pile into the bathroom again like it's a clown car and he pulls up his shirt, the wound is healing nicely. No pink or heat that signals infection, no puffy skin. You remove the stitches quickly, and again he hesitates, like he wants to stay longer.
You find yourself thinking about Jason. You're pretty sure you wish he was here.
"Well, thanks."
"Anytime."
He pauses. "Really?"
You shrug. "I mean, not if you need a hospital. Then I'd expect you to head straight to a hospital. But stuff like this—no worse than this, ideally—I guess I can help you with."
"You're pretty cool for a vet," the Red Hood says. "The last one I visited kept freaking out on me for stealing codeine."
"Well, that's a restricted—wait, you were stealing codeine? What for?"
He shrugs.
"What were you using it for," you repeat sternly.
"Okay!" he says loudly. "Well, thanks for patching me up, doc. I'll see you later, yeah?"
"Wait," you call out uselessly, but he vaults out the window. You gasp and rush to the sill, but there's no Red Hood-shaped puddle on the ground. Instead, his rapidly shrinking form disappears in the distance, swinging between the buildings that make up the Gotham skyline.
You don't see the Red Hood for a while after that, but you hear whispers of him wearing a new costume. You get caught up with finals and Jason, who asks you out after the semester ends.
Your vehement 'yes' takes you by surprise. Him, too, judging by his wide eyes and wider smile. You wonder why he asked if he thought you would say no. You wonder why you didn't realize earlier how desperately you wanted him to.
Now that you're out of school, you pick up shifts at the vet clinic. By some unhappy circumstance, they can only schedule you for the evening shifts. Jason works nights, too, and you've never fully squirreled out where he works, but at least you can spend some days together.
It's when you're walking back from your first shift that you see the Red Hood again after almost three weeks of radio silence. He pulls up next to you on the motorcycle. It's so late that there's no one on the road, so he stays on the asphalt and idles along at your walking pace until you break and say, "Long time no see, Hood."
"Did you miss me?" he teases.
You stop walking, because.
Most of his costume changed. Because it's summer, and even the nights are hot and muggy, you assume.
The pants are the same. So are the boots. But his jacket is red and sleeveless and has a hood that goes down to his eyebrows, the armor beneath short-sleeved, which means most of his arms are bare.
And...
Your mouth is dry. You swallow.
You're pretty sure not even Batman is that ripped. He looks like he's chiseled out of marble.
The longer you're speechless, the more amused he gets. You don't know how you know that, but something about his posture seems smug.
"You're taking 'red hood' seriously now, are you?" is all you manage to say. Because what else are you supposed to comment on? His bare forearms? His veins are so beautifully pronounced, they would be a dream to take blood from, but you have a boyfriend of a whole one and a half weeks, and you may be many things, but you're not a cheater.
He laughs, then pulls his hood low when it slips back a bit. His voice is still modulated, although it's not through a red helmet anymore. This is more like a muzzle. You can't tell if the eye covering is part of it, or like the domino masks that Batman and Robin wear, but the lenses are red now instead of white.
He's really leaning into the theme.
"You want a ride?"
"We're two blocks from my apartment."
He shrugs. "I'm heading there anyway."
What the hell. You've already hopped on the back of his bike before. It's easier to do so the second time. You wrap your arms around his torso again, and when his arms settle over your own, they're warm with his body heat, but not hard, even though the muscles look sharp enough to cut glass. He's firm all over, but his skin is soft, apart from the raised, bumpy scars that seem to cover him from head-to-toe. It makes you worry about him, just a little.
He doesn't drive fast this time. He drives slow enough to hold a conversation and tosses over his shoulder, "So what's new with you?"
"Not much," you say into his ear. Is it just you, or does he shiver? "I finished another semester of vet school."
"Top grades, I'm sure. Did you get extra credit for patching me up?"
"I wish." No, your grades are good, but not exceptional. But exceptional is what got you into vet school. As long as you graduate with a DVM, even if you're the lowest in your class, you're a licensed doctor. There's some relief in that. "The dude I thought was stalking me asked me out, actually."
"Really?" he asks, interested and alert. "Was he really stalking you? Do you need me to scare him off for you?"
"No," you say, smiling at the thought of the Red Hood trying to scare off Jason. They're about the same build, now that you think about it, which you're sure the vigilante isn't used to. And Jason's never been anything but gentle and polite, but you saw an undercurrent of something strong, something like titanium, under that gentle spirit the one time he stood up for one of the baristas at the coffee shop that you first spoke to each other. He hadn't needed to do much apart from stand up and glare at the beleaguered corporate guy angry that there wasn't enough sugar in his coffee, and the dude shut up and scurried out as fast as he could.
It was probably the hottest thing you've ever seen him do, except for that one time you pushed your laptop a little too close to the edge of your desk while studying, it tipped over, and he caught it one-handed without looking up from his book. What can you say? Saving you a couple hundred dollars in getting that fixed was hot.
"It was a misunderstanding," you say. "We just ended up in the same places at the same times."
A gust of wind pushes back the Red Hood's hood, exposing a head of thick, dark hair, the same shade of black as Jason's. The motorcycle swerves in his haste to pull his hood back up, and when you reach your apartment and hop off the bike, he's pushing his hair back, back, beneath the hood.
What's the point of ditching the helmet if he's just going to be fussing with the hood all the time?
"What's new with you?" you ask, scuffing your toe against the sidewalk. Your shoes are falling apart; the sole is peeling away.
"Same old, same old," he says. His voice sounds rougher, but that might just be the new modulator.
"How's your side?"
"How's yours?" he counters. "You still haven't let me see it. I bet it scarred because you were too stubborn to take my advice and patch it up."
You will never admit that he's right. You challenge, "Let's compare scars, then," knowing full well his armor dips below his pants. It's a little silly to picture the Red Hood wearing an armored one-piece, but that's all you can imagine.
He clucks his tongue and shakes his head. It dislodges the hood. A patch of hair falls down to his forehead, and it's white.
But the back of his hair is black.
White and black—
Your stomach flips.
"I thought you had a boyfriend, honey. Why're you asking me to strip?"
So that's what all the teasing's been about. He hasn't been flirting—or he has, his own weird version of flirting, because he's a dumbass.
For a moment all you can hear is the rush of blood in your ears, then you flex your fingers to regain feeling in them. You roll your eyes and say, "I think we've established that my apartment is basically a strip club. Why don't you come up and show me, Jason?"
"Well, I'm flattered, but—what?" He splutters like he's choking on his own tongue. Serves him right. "I'm not—why do you think that—I mean, I could be anyone—"
Yeah, he can have his little crisis on the street. You tug on your own fringe, then swipe into the building.
You hear his muffled cursing as the door closes.
You look forward to him catching up.
(My requests are open, so let me know if you want me to write anything in particular! Also let me know if you want to be added to a taglist.)
Forever tag list:
@lemirabitur @annymcervantes @queenmissfit @quiet-because-it-is-a-secret @iksey @thehyperactiveteen @luxmoonlight @andreasworlsboring101
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aphrogeneias · 2 months ago
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it's been seven hours and fifteen days —
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pairing: eddie munson x fem!reader (soulmate!au)
summary: an inventory of the things you kept hidden over the years.
word count: ~1k.
warnings: just your usual angst, stream of consciousness.
author's note: a little something before the big update 🤍
series masterlist
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There was nothing special about it at first glance.
Just an old shoebox, weathered with time. The shoes that came with it no longer fit, not since you were in middle school — the “good ones” your mother made you wear on special occasions. The cardboard had loosened up at the edges, ripped a little bit at the seams, the bottom giving out under the weight of its contents.
You didn't really like touching it, opening it. That's why, ever since you found a purpose for it, the box lies under your bed, undisturbed until a new thing — small and precious, meant for you to protect — finds its way to you.
You would be lying, however, if you said you didn't touch it once in a while. When homesickness held your heart hostage, not letting up until you held a part of him in your hands. Late at night, when the gaping hole in your chest where Eddie was supposed to fill aches more than the dull pain you'd grown numb to.
At the very bottom, that edition of The Fellowship of the Ring. Pages yellowed over time, the gold details on the cover faded and chipped, the red cover that was once bright now pale. It was once a well loved book, read to your soulmate by his mother before he went to bed, cherished like the little boy he once was. Hiding it was your way of cherishing it, keeping her memory alive for him.
You'd never told Eddie, but you'd read the entire Lord of the Rings trilogy after you left home. Picked them up from the local bookshop and devoured Tolkien’s words in a way to feed the longing that made a home inside of you. It only made it worse, though, when each word on the page translated itself to his voice in your mind.
You re-read them every year.
A plastic Star Wars mug, also yellowed with time. You were pretty sure it came with a matching bowl, remember seeing it at the Munson��s trailer. You wonder if Wayne ever noticed it was missing among all the other mugs he proudly displayed on his wall.
You also often wondered if Wayne knew about your secret. Ever observant, but never one for many words, Eddie's uncle must have known something was off between you, especially in the last years of your friendship.
His uncle who lost his soulmate suddenly, a girl he used to exchange letters with. Eddie told you that, one day, when they were both young, she'd simply stopped responding. He speculated she must have been married off to another man, but Wayne didn't want to talk about it.
She, whoever she was, was on your mind when you'd cut contact with Eddie. Wayne too, his tired blue eyes and weathered expression. Had you cursed his nephew to a similar fate?
That question kept you up at night.
A mesh bag, dotted with tiny silver stars, held a simple set of black dice in it. Eddie's first set, purchased at a game store near Hawkins. You remember how excited he was about it, and how distraught he was to lose it, even though he's bought many others after that one.
An assortment of jewelry, all silver. Silver rings, a woven leather bracelet — the most recent item in this melancholic collection — a wallet chain, an upside down cross necklace from what you liked to call Eddie's Ozzy years. You thought about wearing them sometimes, but the guitar pick necklace already sat heavy between your collarbones, sometimes too heavy to bear.
A Hawkins Public Library card, the last book recorded in 1987 — a sci-fi you recognized — a year after you left. A handwritten note addressed to Gareth. A black pilot pen. A cassette tape, empty, still new. A green scrunchie, much unlike anything else Eddie owned, and it equally intrigued and hurt you to think about where it might have come from.
A pin, a black eye pencil, a train ticket, a song lyric on ripped notebook paper, still unfinished.
They were reminders of him. That Eddie was real, that he was, despite your distance, still living his life as normal. Recording tapes, reading, rehearsing, working… bound by a red thread that led his every move back to you.
Sometimes you thought of anonymously mailing it all back, getting rid of the guilt. It felt wrong, for all this to be one-sided. It felt like stalking, like stealing, even though these were meant to be yours, in the same way Eddie himself was supposed to be yours.
Supposed to. Intended, alleged. Not really, at the end of the day — not in this lifetime, anyway.
When you put these things back, regretful as if you'd been caught touching something you shouldn't even though you were alone in your room, back in the box, back under your bed, you couldn't help but wonder if Eddie had one of these too.
Looking up at the mold stains on your ceiling, you asked yourself if he did this too with the few and far between belongings you let yourself lose along the years. Does he wonder about you? Has he ever longingly touched an earring missing its pair, a tube of half-finished lip gloss, a post-it note, and thought about who you were?
Tossing and turning, you shrugged to yourself. It didn't matter. It shouldn't matter. Knowing him, they probably ended up in a dumpster, or given away. That's what you told yourself to quiet down that voice that made you grow hopeful.
You stomped it down, yanked away at the thread that connected you to him, violently, like a rebellious child in a rage. It never loosened, never faltered.
It only grows stronger. The box remains untouched until the next sleepless night.
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somerandomdudelmao · 8 months ago
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Compared to Oscar Ward is extremely cautious and unwilling to trust aliens but like on his own Ward got vivisected and then was still willing to cautiously touch an alien again. In most other sci-fi settings Ward would be seen as the too trusting one
Yeah fair. But~ Think about it from the Ward's point of view. He's trapped in a box with one of the predatory aliens who is bigger and surely stronger than him. Then. The alien asked him for a favor. What's to stop this alien from just ignoring his "no" like Sculptor did? Or take a bite out of him? What are the chances that if the alien isn't given what he wants, he'll ....uh...stop playing polite?
Of course the alien wasn't really one of the predators, but Ward didn't know that yet when he agreed to hold hands with him haha
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tvshowsdvdset · 1 year ago
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deconstructthesoup · 1 year ago
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I think the reason that Dimension 20 really scratches all those itches in my brain is that it really shows what you can do with D&D---and TTRPGs as a whole.
Fantasy High, by itself, is an incredibly compelling concept. What would D&D look like in a semi-modern setting? What would a high school that's all about teaching teens how to be adventurers look like? And the way it's done is beyond inventive, especially if you look at all the encounters in the first season---we've got a literal food fight, a high-speed road chase with tiefling greasers, a nightclub brawl with zombies, vampires, and werewolves, a skating match with a bunch of dwarven middle schoolers and a concrete golem, a high-stakes game of football (ish) with undead jocks that give off major teen slasher vibes, a fight done in an arcade where characters can get trapped in the consoles, and the final battle is done at prom. PROM! How cool is that?
And then we get to the Unsleeping City, which takes the urban fantasy elements that Fantasy High already had and elevates it. The way the D&D lore and magic is interpreted in a modern New York setting is excellent, as is the whole take on the "American Dream," magic literally coming from dreams, ideas, and the imagination. I know that I need to actually finish the UC saga, but from what I've seen and experienced, it is truly fantastic.
And the same energy carries through to the other seasons---my personal favorite outside of Fantasy High being A Court of Fey and Flowers, just because I'm a sucker for any Fey Realm content and I've been raised on Jane Austen---where the genre mashups shine through in the best way possible. I'll admit, I haven't seen A Crown of Candy, purely because I know how heartbreaking and devastating it is and I don't think I can physically handle it, but the concept of Candyland Game of Thrones is so beautifully bizarre that I totally get why people love it so much. Escape from the Bloodkeep hitting that workplace comedy vibe that we love to see in villains. Misfits & Magic being a love letter to the "magical boarding school" genre while also calling out all the weird contradictions inherent in it. A Starstruck Odyssey literally being an homage to Brennan's mom and exactly the kind of madcap and unhinged energy I need from my sci-fi. Neverafter perfectly encapsulating the true horror of fairy tales. Mentopolis hitting my noir-loving heart and personifying hyperfixation in the best way possible.
I'm not even kidding when I say that, if it weren't for Dimension 20... I probably wouldn't have even started my own campaign. I'd had snippets and ideas ever since officially getting into D&D and joining a game with some old friends (and getting back in touch with them in the process), but after I saw the Mentopolis trailer, I realized just how much variety TTRGPs had to offer. I could do a time-blending, history-meets-future campaign. I could go out-of-the-box. I could have endless amounts of options available to my friends and still tell the story that I wanted to tell. And when I sat down and watched Fantasy High---and when I got that Dropout subscription so I could consume whatever I wanted---it felt like the show was actually giving me advice. It's fantastic.
Also it helps that the episodes are usually only roughly a couple hours instead of being, like, an entire afternoon long. And that each season is 20 episodes, tops. No offense to Critical Role, but the sheer amount of content literally makes it impossible for me to get into it.
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