#scared of my nightmares

[chloesimaginationthings]

HAHAHA, THIS EXPRESSION IS GREAT.

HELP IM GLAD YALL LIKED IT!!

[kacievvbbbb]

Sabo really got that serial killer rizz about him

Like look at those eyes. Those are the eyes of a man that has several things wrong with him and he's about to make each and every one of them and this rusty pipe, your problem.

Fucking two steps away from "you wanna know how i got these scars", ass look.

He goes from so adorable, bending so koala can put on his hat, to I have not a single polite gene in my body and I will destroy you mentally before I destroy you physically to Just straight beating people's asses with a pipe like a thug

I'm obsessed with him.

[hadrassians]

blood in the water

[littlefankingdom]

I knew that Bruce was full of anger as a young teen, always starting fights at school, but I learnt today that he also:

Burnt his teacher's front yard after being asked a question that triggered him.

Was obsessed with toy guns and wanted to go gun down criminals, which led to Gordon taking him on a trip to Arkham (not as a prisoner, but as a "Wanna finish like this???")

Poisoned a classmate and locked him in the boiler room to die (he didn't and Bruce was expelled) after Alfred told him to be less physical and more smart at stopping bullying.

And this was before he was 15. People must have thought he was going to become a serial killer.

Anyway, I need fics where his kids learn this OR have to deal with "violence is not the question, it's the answer" small Bruce.

[queen0fm0nsterz]

I really like how Little Nightmares explores masculinity and femininity.

The experience of a female presenting LN protagonist (and even character, if you want to extend to the antagonists, notably the Pretender) is generally one of survival induced solitude, where companionship can be sought but ultimately denied due to circumstance - especially among each other. Six, Noone, Alone and Raincoat Girl all display different degrees of longing for someone to understand them - Six being an extreme on the side of isolation with the occasional source of comfort (the Nomes), Alone being a comfortable middle where she is indipendent and curious while also having a companion, and Raincoat Girl being the other end, an helpful force who seems to desire companionship. In Little Nightmares 1 especially femininity is displayed as the painful experience it can be. It's raw, visceral, and worst of all it's isolating both when you conform to it until it destroys you, like the Lady does, and when you reject the standard of what is expected of someone like you, like Six.

The pain you feel, physical and emotional, doesn't seem to be as important no matter how deep it cuts you. Noone's tumor being hidden and neglected, her headaches being dismissed... and of course Six's hunger, unforgettable in how much it hinders her, but I could also point to her monster form and the physical and mental toll the entire ordeal in the Tower has left on her.

The conflict between Six and the Lady becomes especially poignant under the lens of this argument because it is a confrontation of the two opposing sides of the spectrum, metaphorically. It's a little girl who has yet to experience the devastation of conformity performed as a means of survival facing a woman who lived all her life so set on following these rules that anything outside of them is perceived as a threat.

(One can't ignore the more obvious point of the class difference with Six being at the very bottom of the chain and the Lady being at the top, which certainly influences the dynamic, but I digress.)

Femininity is hyperindependance in the Little Nightmares world. It's the desire to be left alone while also longing for understanding. It's ambition and curiosity, but it's also the loss of identity both in the pursuit of it and in defiance of it. You end up being alienated either way; you can't really win.

On the other hand, I find that generally, masculine Little Nights protagonists tend to be driven by sentimentalisms and emotion. They are often defined by what community surrounds them, be it a single friend, family member or group; the most lampant example of this are, of course, Mono and the Thin Man, but the same argument can be made for the Runaway, whose story ends up leading him into finding a genuine community with the Nomes, something that no female protagonist experiences. You could argue it was clever foreshadowing, and it was! But does it make the observation any less valid? Personally I don't think so. Low also seems to be pretty set on keeping Alone by his side, although it might be too early to tell; however we do know he's a dreamer who dreams of a future where he and Alone can escape the Nowhere. You could call him a romantic.

Masculinity in this world can be care and fortitude, but it's also singlemindedness. It's the ability to find companionship and meaning while also letting one's own hubris destroy it.

Otto himself is an incredibly interesting example of this because we can hear how his desires, his emotions, are eventually what ends up driving Noone into the arms of the Ferryman. It's a prime example of how masculinity and femininity clash with one another -how his emotional wounds and eventual loss of clarity caused a little girl to fall prey to that hyperindependance where she refuses to be helped by him even when he does mean it.

(Along with his vaguely misogynistic remarks, but again, I digress...)

This singleminded focus on one's own emotions is what I think makes the Thin Man and Mono as relatable to many as they are. His is an endless cycle of violence caused by his own hand; by his own inability to process his emotions in a way that can allow him to progress and move forward. It's not a justification of Six, whose eventual exhaustion was what caused her to react the way she did, but rather it is an observation through again metaphorical lens.

The Thin Man is stuck in a dark room that gets progressively smaller because his inability to understand his wrongs causes it to shrink. He's locked in a bubble that is not entirely of his own making, but it is his responsibility to burst. But how can you burst it when you have no conscience of the fact that the room has been getting smaller to begin with? How can you care, when all you can think about is the emotional hurt that brings out the worst of you, the part that you don't even realize is the worst of you?

Masculinity can be just as isolating as femininity not because it's visceral but because it's fragile. It's unaware of itself while also being incredibly concentrated on the self. It's based entirely on how one is perceived and treated and thus easily destroyed once one is left alone to their own devices, which is why it requires community. Once that community is taken from you, it shatters, and leaves one without the tools to rebuild it.

I suppose the true difference here is that, at their worst, while one is self aware to the point it is actively damaging to the self and everyone around you, the other is so out of touch with itself that it can cause unintentional hurt to the self and others which can't be processed properly.

At their worst, they're monsters that help make each other, you could say. At their best, they're companions who help each other.

(This is in no way an attempt to diminish one or the other, by the way, nor does this reading apply to every single character. Both social constructs have their good sides and bad sides. The main quartet of Six, Lady, Thin Man and Mono are very strong cases, but I was simply making a general observation.)

[whimzycle]

you wanna know the fun thing that I noticed about Jack when I was rewatching rotg?

On both instances that Pitch was about to attack him, he froze up.

[tofuto-art]

Silly Kill Switch fanart

For @king-candybug-backup !

[No text + some ramblings under cut]

THIS TOOK ME SO LONG (Like almost a week of working little by little) I am so so proud of it. Got this idea almost immediately after reading chapter 9 of Kill Switch I was just waiting for my tests to pass to draw the thing lol. I am thinking about making more less procreate-breaking art about this AU and WiR in general. I already have a WiR OC in my gallery, I’m just refining the lore atm. Hopefully I can gather the courage to post it soon.

Ik the size difference makes 0 sense but if I made Vanellope smaller she literally disappears into the background 😭 so uh yeah unrealistic perspective-

Please go check the fic/AU out if you’re interested! It’s one of the main reasons why I got into WiR and got infected with the King Candy virus…

PLUS it’s a very well-written fic, one of the best I’ve ever seen :D

No text Version for y’all 👇

[zorangezest]

I’ve always wanted to do one of these!

[icedlava1]

I wanted to draw grown men getting scared lol

OG pictures:

[theknucklehead]

Here are scenes featuring Flutterbat.

From the MLP episodes "Bats!" and "The Scare Master"

[t00thpasteface]

friends and i were talking about mash dream/nightmare blunt rotations and i said mulcahy is going fucking comatose in no time. everyone else is still laughing and partying around him but he is no longer on this mortal plane and has finally Relaxed

[valentimmy]

he fell down (again)

[somegrumpynerd]

Random hcs that have been on my mind for the past couple days: now in doodle format!

Text for each drawing written out under the cut in case it's not clear or anyone wants to translate it!

(1) <- Somehow soft?? <-Sometimes makes a comforting hum/rumble <-Holding for support

(2) <-Walks so quietly everywhere he goes <-Is about to meet god

(3) <-Can't see well in the dark (no eyelights) <-Can't help himself

(4) <-Thinks Color will turn Killer against him and convince him to run away

(5) <-Thinks Nightmare is using them all for the negativity and has brainwashed Killer into liking it

(6) <-Thinks if he runs and jumps at Cross as fast as he can Cross will lift him and it'll look so cool

[howlsofbloodhounds]

Killer should have claws. I want him to be able to tear people to shreds with his hands in stage 3 when he’s cornered. I want him to be an absolute menace in stage 3.

I want him to literally bite and tear limbs off. I want him to look at you with his big dumb eyes from his pile of soft, warm things in the darkest corner of his room and then literally attempt to tear your throat out with his teeth.

He deserves it.

[handweavers]

i have this recurring nightmare where i am transported back to my body pre-transition and for a brief moment i'm like oh cool boobs and then the horror sets in as i realize everything feels wrong and bad and i don't look like myself and it's going to take me years to transition to looking like myself again (myself as in the way i look now in real life) and i have a complete mental breakdown. and then i wake up and all i feel is relief. so i'm pretty sure transitioning was the best mental health decision i ever made 👍🏼

[atalkingcrow-likething]