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pair-annoyed · 4 years ago

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Anime I Watched This Fall

My first semester of college is officially over and the December holidays are upon us! I hoped to make one of these posts sooner, but I have been incredibly busy with schoolwork. Now that things have slowed down, let’s take sometime to reflect on things I’ve watched.

These anime are listed in chronological order and encompass everything I’ve watched from 9/1/2020 - 12/15/2020

Like always, they will be rated on a 1-10 scale; 1 meaning complete garbage, 10 meaning masterpiece. I will offer my thoughts on what I did/didn’t like about each show!

1. The God of High School - 6/10

Despite the stellar animation from MAPPA and my high expectations, I was really disappointed by how this series was treated. Most of the story’s crucial elements were handled poorly. I finished this series feeling more confused about the plot than when I first began. The power system is really cool, but poorly explained. More time should have been spent on exposition and world building for this series, instead the fights were given the most screen time.

2. Doukyuusei - 7/10

I really liked the style of Doukyuusei. Granted, this was another movie I chose to watch primarily because of the hype surrounding it. The dynamic between Kusakabe and Sajou is an interesting one, and I also enjoy how the movies different acts were separated by the seasons. However, there's nothing that really sets Doukyuusei apart from other romance movies, its a little generic. Still, I enjoyed it nonetheless.

3. Re:Zero kara Hajimeru Isekai Seikatsu 2nd Season - 8/10

My opinions on Re:Zero’s second season are biased. This was, by far, the sequel I was most hyped for during the summer/fall anime season. I was so happy to see the story’s continuation and I’m looking forward to the season’s second part coming sometime in January. Re:Zero is one of my all time favorite series because of the way it handles it characters and power dynamics. I also really enjoy the show’s psychological aspects. If you haven’t already, give Re:Zero a try!

4. Saint☆Oniisan (Movie + OVA) - 8/10

This was a wonderful comedy. I wasn’t sure how the subject of Jesus and Buddha living together would be tackled, but it was handled wonderfully. I was laughing for pretty much the entire movie. I love the art style and little references to both Buddhism and Christianity, plus the incorporation of Japanese culture. Saint Oniisan is a bright comedy, with two eccentric main characters. If you like a show that doesn’t take itself too seriously, and need a good laugh, I can’t recommend this more.

5. Clannad: After Story - 10/10

Never, while watching anime, did I cry as much as I did while watching Clannad: After Story. I didn’t realize how much I related to Okazaki until I saw him grow up in After Story. I was left sobbing, especially after episode 18. I still, to this day, cannot listen to the Dango song without tearing up. The original Clannad is nothing special, but the continuation of its story its something heartfelt, emotional, and down-to-earth. I love Kyoto Animation with all my heart, and Clannad made me appreciate everything the studio has done just a little bit more. Thank you Clannad, for reminding me about the kind of person I strive to be.

6. Nakitai Watashi wa Neko wo Kaburu - 5.5/10

The art in A Whisker Away was beautiful. The story itself, however, is nothing too enjoyable. I found it difficult to like our protagonist or her love interest. Nothing about this movie is inherently memorable. The emotional climax came far too early which made the second half of the film seem long and drawn out. All in all, the movie has a wonderful concept, I just believe it could have been so much more emotional than it was. When I watch a move, I like to empathize with the characters. It’s difficult to do when the characters aren’t given the proper exposition to be empathized with.

7. Shikioriori - 6/10

This is less of a movie and more of a collection of short stories. Flavors of Youth is something you shouldn’t watch on an empty stomach, all of the food looks incredible. The same cannot beside for the rest of this feature. The stories themselves seems heavily clichéd. Much like A Whisker Away, the initial premise is intriguing, but the execution results in something that comes across as trying too hard and carries no emotional weight with the viewer. If you plan on watching, pay more attention to the artwork and animation than the actual plot. You won’t be missing anything.

8. Vinland Saga - 7/10

Vinland Saga helped me get out of the rut that Clannad: After Story. Not only does this show have a great story, its action packed with lots of interesting fights. I especially enjoyed all the Nordic history embedded within the show. Its really unlike any of the other historical anime I’ve watched. I will say, it’s gory. But, compared to all the other things I watched this time around, I finished this series the quickest. Its good, its graphic, its fast paced!

9. Mononoke Hime - 7/10

It’s ironic considering how much anime I’ve watched that I have yet to watch all of the most classic Studio Ghibli films. Princess Mononoke is grittier than most other Ghibli films I’ve seen, but it’s message is positive and its characters are wonderful. I can’t really speak ill towards classics like these. I guess maybe my one complaint is that this movie could’ve been a faster pace. Other than that... I really enjoyed everything Princess Mononoke offered! I understand why it’s so popular.

10. Howl no Ugoku Shiro - 8.5/10

Can you believe it took me this long to finally watch Howl’s Moving Castle? Me neither!! This movie is so endearingly beautiful. I loved every second of it, from the characters to the soundtrack. So many iconic things come from just this one movie. I would like to take this time to thank my best friend for reminding me that Studio Ghibli films are wonderful! Thank you for watching this with me, I loved it! All in all, I regret not watching this sooner!

11. Toradora! - 6.5/10

Toradora took me a while to finish, just because I lost interest about halfway through. But, I powered through it, and ended up really enjoying the show! I’m not the biggest fan of the ending, but that’s just a personal preference. Somehow, this show also made me cry? I’m not entirely sure why because Toradora! is probably the thing farthest from sad. Apart from the show’s dull slice of life moments, it was super cute! A much needed light-hearted romance.

12. New Initial D Movie: Legend 1 - 5/10

Full disclosure, this is the only thing related to Initial D that I’ve ever watched. My band and I watched this expecting to hear some of that iconic Initial D music, itself all we got was a mildly confusing story about different types of cars. It was cliché and frankly a little boring. Although, I am still considering watching the original Initial D just so I can hear the music in the way it was original intended. I’ve got no other opinions on this movie. It’s best not to watch these movies without the context from the rest of the franchise.

13. Uchuu Patrol Luluco - 7.5/10

I didn’t really understand why people enjoy studio Trigger so much until I watched Space Patrol Luluco. I loved all the fun references to other studio Trigger works. I loved the humor, and I loved all the bright colors. The animation was extremely high energy, and the art style fits the show’s premise. Each episode was only 12 minutes long so it was a super quick binge. If you’re looking for something quick, light-hearted and comical, this is the perfect show to watch.

14. Orange - 7/10

I owe a big thanks to a tumblr mutual for recommending this show to me! This holds the honor of making me cry by episode 3! I honestly did not expect the subject matter of this show to be as dark as it was. Usually when I see the genre ‘shoujo’ I do not associate it with a love story like that of Orange. The heavy subject matter made it a little too close to home for me, but I still really enjoyed this series. It reminds me off all the good times I had with my friends in high school, and of all the regrets I carry with myself to this day.

15. 3-gatsu no Lion - 7.5/10

March Comes in Like a Lion is another show that was a bit of a slow burn for me. Each episode left me feeling emotionally drained, so I had to take a lot of breaks while I was working on watching this series. Shaft, the studio behind this anime, holds a special place in my heart because I loved their work on the Monogatari Series. March Comes in Like a Lion is a little different. It’s driving force it is characters, and it was cathartic to watch our main character transform through the entire duration of the first season. I know the show’s second season is much better, so I’ll be starting that soon!

16. Yojouhan Shinwa Taikei - 8/10

I loved how artsy and smart The Tatami Galaxy is, but honestly I couldn’t watch too much at once cause it would hurt my head. I also couldn’t watch this show while I was tired because the speaking rate is much faster than typical anime. The Tatami Galaxy is so unique for its medium. I loved the different time loops and the crazy animation. The characters were fascinating. The dialogue, although very fast, it also fantastic. There’s an element of humor to this unique story telling, and I enjoyed ever minute of it!

Currently Watching:

Hunter x Hunter - 6.5/10 (As of Episode 30)

I pride myself in having watched a lot of shounen anime, but I was reluctant to start Hunter x Hunter for years because I thought I would find it boring. I was oh so very wrong. Considering great shows like Naruto and Fairy Tail that fall under the same category, I expected Hunter x Hunter to be subpar in comparison. It gets a low score for two reasons. One, the power system was introduced a little too late and now I’m wondering if all the fights post episode 30 will involved nen in some way, shape, or form. Two, its still on hiatus.

Two Cursed Additions For This List

Please to do not let these be representative of my anime taste.

1. Yarichin☆B*tch-bu - 4/10

I am a CLOWN for not knowing this was 18+. The only reason I watched this was to see why everyone was talking about the pink-haired boy with the glasses and tongue piecing. I know why now, and I regret it. This was a massive mistake on my part. But hey, at the least the art and ending song kinda slap?

2. Euphoria (Dropped After 1 Episode) - 2/10

If you know what I’m talking about when I say Euphoria, I am so sorry. And no, I am not talking about the HBO series. Seriously, don’t google this. Don’t watch this. Don’t interact with anything related to this. You’re probably wondering, “Then why did you watch it?” I did not watch this willingly. You see, I have a very bad habit of starting anime and then taking months to finish them. I made an ultimatum with a friend, lost, and then was forced to watch this a punishment. Not a fun experience. I’m very glad there are no GIFs of this on tumblr...

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dutchforstrangers · 3 years ago

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Digimon Astrology Journey - 'Head first' buddies: Koushiro & Taichi

So I’m back with some headcanon Digimon Astrology and I’m diving into it head first! Something fierce leader Taichi would do, however he needs his loyal ‘brains’ there with him and that will be Koushiro. Where Koushiro is a thinker, analytical in every way due to his pragmatic Sun and Rising, Taichi is one of action due to his Moon and Rising (and Mars!). However don’t underestimate them, they have some serious airy energy going on, making them vocal, diplomatic and charming in their own individual ways.

These boys are so different, yet work together very well. They just have a hard time… talking to others or each other about… the complicated, personal specific stuff feelings. Must be the stars, right?

It’s been a while, but you can read back all things Astrology (basics, background, etc.) in previous posts Part 1 | Part 2. Furthermore, exploring Taichi and Koushiro’s birth charts is part 2 of this series, you can read the exploration of Sora and Mimi’s birth charts here.

The important stuff

Koushiro Izumi, August 26th 1989 (around 05.30AM)

Sun: Virgo (earth-mutable)

Moon: Gemini (air-mutable)

Rising: Virgo (earth-mutable)

Taichi Yagami, October 15th 1988 (around 5PM)

Sun: Libra (air-cardinal)

Moon: Sagittarius (fire-mutable)

Rising: Aries (fire-cardinal)

Warning: IT’S VERY LONG! I’m sorry in advance…

A little disclaimer before I start rambling: These are headcanons! Their given birthdays are not canon at all, but just me having fun combining my love for Digimon and my love for Astrology. It can be highly self-indulging, but maybe you can find some truth in it as well! If you want to know how I calculated their birthdays, read my previous posts as stated above. I use these birthdays in my own fanfiction, but feel free to use them as well. Some credit in the form of a reblog, like or mention of these posts and/or my Tumblr would be highly appreciated! See something you want to discuss? I love to learn and talk! As said these are my headcanons, but I’m not afraid to change my mind or to defend what I have if necessary.

Everything charts and the why under read more!

Koushiro Izumi - August 26th 1989

Assigning the Virgo Sun to this boy was the first thing I did, because I myself am convinced Koushiro Izumi is the embodiment of a true Virgo. I could be wrong, as I did not study Astrology and am a simple hobbyist, but everything I read about Virgos always lead me back to this particular maroon headed anime dork for years now. Hence why I gave him the same Sun and Rising sign, because Koushiro is who he is. Anyway, let me try to convince you.

For starters, here are a few (or actually all the) things about Virgos in general, for both Sun and Rising. Virgos are bright, practical, pragmatic, orderly, respectful, critical, perfectionists, security driven, communicative, tidy, nervous, detail-oriented… Can I stop already? Okay, now pick one of the above and tell me it’s not fitting for Koushiro.

…

Hm, I know. It’s hard, isn’t it?

Maybe his tidiness is questionable depending on the situation… But the guy is orderly and the chaos only exists in times when his perfectionism takes over. The nervous part from the Virgo can be seen in shyness or even being obedient. All of that makes Koushiro a dedicated friend who would do anything in his power to make everything work for you. Danger is that he will efface himself, thinking he’s not worth as much as the others. This is what happens in Adventure episode 28 right after he solved the card riddle. On the top left corner either the Agumon or the Gomamon is right, but he doesn’t know which one and he apologizes, which is not necessary at all, with: “I’m sorry I couldn’t live up to your expectations,” which is such a Virgo Sun/Rising thing to say..! The Virgo dynamic is alive and kicking.

It’s even more alive and kicking in his other strong Virgo placements: Mercury and Mars. With Mercury in Virgo, Mercury is in it’s sign of its rulership, making it a strong placement. And precisely that planet is the planet of thoughts and knowledge! The combination of his Sun, Rising, Mercury and Mars in Virgo makes him be, engage, think and act like a true Virgo. Detail-oriented, thoughtful, respectful, orderly, practical and curious!

The hardest part for his birthday calculation was his Moon placement. The Moon is all about emotions, needs, wants, behavior, responds, et cetera. I first gave him a Capricorn Moon, but my boyfriend is such a Cap Moon and it didn’t fit the bill for Koushiro in my opinion. So I read and searched and eventually came to the conclusion it had to be an Air sign Moon, simply for the fact that our boy Koushiro is the bearer of the crest of Knowledge and Air signs can be seen as the intellectual ones of the Zodiac! Eventually I went for the Gemini Moon and I’m going to explain why exactly.

One could say Gemini is the bearer of Knowledge just as much as Koushiro is. Gemini LOVE to know things! They are naturally curious and are great communicators, when it comes to knowledge (pun warning if you’ve seen the reboot: they love to bring joy to their knowledge). Gemini tend to be a bit superficial when it comes to having and sharing knowledge and of course we know that’s not the case with our Koushiro here, due to his many Virgo placements, making him more observant and inward. What the Gemini Moon DOES to him is making this boy very talkative! He likes to spill what’s on his mind, he likes to share what he thinks, he likes to ramble and rant. It’s something we see him doing in Tri a lot, especially that one scene in Reunion part 3 (episode 3) where he keeps on rambling about all the strange events and he misses the first part of the conversation between the other DigiDestineds (about the news and Jyou’s ‘girlfriend’ poor guy no one believes him). Koushiro misses the conversation because a) his Gemini Moon likes to ramble and keep rambling, and b) because his Virgo placements can make him a bit unaware of his surroundings quite the time…

That’s not a bad thing per se, Koushiro is just very much focused on his work and d e t a i l s, which is a VERY Virgo-ish trait. But lets not forget that his priority is to help others with that knowledge and that the combination of his Virgo placements with his Gemini Moon makes him a great mentor. Brings me to his role throughout the entirety of Adventure 02: The Mentor. You’re welcome.

Another Gemini Moon thingy is rudeness. Now we know Koushiro is the most polite person out of ALL DD’s, always using honorifics, even saying Hikari-san instead of Hikari-chan, because Koushiro IS respect. But Koushiro is not afraid to tell you what’s at stake in times of ‘danger’, he’s not afraid to tell the truth. There are a few examples for that in Adventure, Adventure 02 and in Tri, but I’d like to refer to one of my favorite moments in whole Digimon Adventure history. Because Koushiro x rudeness brings me back to Diaboromon strikes back when he’s obviously so done with everyone, then Mimi enters the scene and he doesn’t even care. In the English dub she literally says “How rude”. Ooooohhh Koushiro, you little rude demon… It’s not the biggest proof it’s a simple one and my personal favorite.

All of the talkativeness and rudeness is something we mostly see Koushiro doing when he’s most comfortable. So we won’t see him being all talkative all the time -sharing more than just plain, superficial knowledge and instead more personal helpful knowledge- with everyone, but we do see him being talkative and speaking up to certain characters he’s most comfortable with. Now name one boy he’s very talkative to compared with literally all the other characters�� You know what? Scroll down.

Last thing and then I’ll stop rambling about this beautiful and lovely nerd. His Venus, planet of values (and love…) is in Libra. What does that mean? Well, I’ve seen quite some fans type Koushiro as a bi-sexual, or something in that direction. Or even better a ‘disaster bi-sexual’. I already agreed on that, but when I saw this birth chart… IT’S (HEAD)CANON! Seriously, Libra is the zodiac sign of doubt, decision making (or actually no decision making, but I’ll get there with the next boy) and relationships and if you have your Venus placed in Libra you’re doomed to be a disaster when it comes to making decisions in your love life both romantically and platonically! Venus in Libra creates the desire for a good and loving relationships, but Koushiro’s Virgo Sun/Rising makes him more shy, his Virgo Mars makes him hold back. Once again, the Virgo Sun/Rising-Libra Venus dynamic lets him efface himself in relationships, thinking they have nothing to offer, but they have!! And so Koushiro gets left behind with his unresolved feelings… the boy has a hard time in love, let’s give him all a hug!

Taichi Yagami - October 15th 1988

The protagonist. Okay, let me compare this goggle headed protagonist to another goggle headed protagonist outside the Digimon franchise: Naruto. This is probably more interesting to people who have watched and know Naruto, so you can skip the part. To me Naruto is the classical protagonist type; bold, adventurous, playful, (a little) obnoxious at some times, hot headed… These are traits we easily assign to fire signs in the zodiac, especially Aries. So I would immediately give Naruto the Aries Sun placement. However, when we see Naruto grow up, his behavior and the way he speaks and leads grows up with him as well. That’s only natural. And based on those changes I wouldn’t necessarily give Naruto the Aries Sun placements, although the Aries placement or another fire placement is very likely to be present in his chart.

Now I could go even further, explain the development from child to adult through Jung’s theory about cognitive functions, but that’s incredibly complicated and a looooong stretch I won’t be making here today. In short, Jung’s development theory is interesting, because it shows how we first see the obvious traits in a child which are the traits the child engages (Rising sign) the world with before it develops the other functions showing the person’s true identity (Sun sign). So we could say we first see someone’s Rising sign more clearly before the Sun comes shining through. Like with Naruto. And the same could be for Taichi in the case of this headcanon.

To tackle his birth chart and big three, I’ll be starting with explaining his Rising Sign before his Sun sign. And the Rising sign I assigned him is Aries Rising.

Like I said above, Aries is bold, adventurous, playful and above all: courageous. Especially the Aries Rising placement which is more courageous than its Aries Sun counterpart. Aries are born leaders, can be extremely competitive, are somewhat restless and desperately need to move. In Taichi’s case with the above birth chart, that urge to move is magnified by his Aries Mars placement. The dynamic of his Aries Rising and Aries Mars makes Taichi a mover, an adventurer, and incredibly determined. This could be both positively, always wanting the best (especially for yourself, as Aries is a pretty selfish sign), and a tad negatively, always going and going and going. In the Adventure series this could be the reason why he makes Greymon dark-evolve, because he wants things too bad and too fast. Aries are hot headed and can grow impatient if things don’t go the way they want. And the Aries Rising and Mars dynamic makes Taichi a very physical guy. Mix that with the impatience and he is not afraid to pick fights and use his fists.

All of this can make Taichi a very stormy and reckless boy (boundaries? What’s that?), but also a fearless leader. The exuberance, the impatience and restlessness comes back in his Sagittarius Moon placement as well. This Sag Moon in combination with his strong Aries placements in Rising and Mars makes Taichi a sportive, physical, optimistic and forward leader that is incredibly courageous and adventurous, which could make him a bit ‘superficial’ as a protagonist. But the Sag Moon also deepens and strengthens his leader skills.

Sagittarius is a sign pictured by a centaur with an arrow and bow. The centaur’s horse legs make the Sag want to move and be free, but the arrow aims in a clear direction and aiming takes knowledge and focus. Sagittarius thus is an adventurous fella, but also a philosopher. Taichi’s Sag Moon placement makes him a pro in seeing the bigger picture and connecting dots next to his never ending energy. He will make sure we’re going in the right direction by overlooking the whole situation. So we absolutely shouldn’t forget Taichi is a true strategist! He sees, understands what’s at stake in a situation, connects the dots, comes with a strategy and like a true leader knows his team and can place everyone in his right spot to get through the toughest of situations (once again referring to Taichi asking Koushiro to pick the cards in Adventure episode 28). Speaking about a great leader, gosh, Taichi, you’re truly amazing! <3

However, it’s his Aries Rising and Mars that often make him act before he thinks, preferably alone (Taichi is a teamplayer, but the selfish and reckless Aries in him makes him act alone. And the sum of teamplayer + acting alone = self-sacrifice mode… which happens ALL THE DAMN TIME). Or actually makes him act while thinking without doing a short reflection beforehand. Seriously, I’m convinced that this reflection in advance could have saved him a lot of trouble throughout Digimon Adventure. Let’s blame it on (t)his (headcanon) birth chart…

Also, all of the above vouches for Taichi having an amazing intellect, but the guys needs to be challenged… Hence why he’s always staring out of the window during classes in Tri, daydreaming away to where the adventure is. He feels trapped, needs to be outside and should use his intelligence for things he finds important (like saving the digital world, soccer and saving friends and the world). The daydreaming could also be his Libra Mercury who can make Taichi lose his focus and could make him lazy. Luckily Taichi has a very active Aries Mars in opposite aspect from his Libra Mercury that neutralizes that lazy and dreamy Libra Mercury.

Okay, back to topic. Now you maybe think: But if Taichi is good in knowing where to go, being the fearless leader, also an intellect who has the knowledge to aim straight and shoot… then WHY is he so lost, down and in doubt in Tri and so unknowing of his future in Kizuna…??!! I have an answer to that. And that answer is his Libra Sun.

I know I know, this is a very VERY unpopular Sun sign to give this goggle leader, but please hear me out. For starters, Libra is the sign of diplomacy and if we believe the 02’s epilogue what’s Taichi’s job? Right, a diplomat. We also know he studies something like political sciences in Kizuna (which I think is AMAZING and vouches even more for Taichi’s intellect! Politics is a tough study…) and to make it in the political field you really do need diplomacy and charms.

Taichi is an absolute charmer, in my eyes at least. I mean, look at his 02 self! He’s such a smooth charmer in every way… The way he sends off Sora to Yamato while acting all cool and collected, phew, that requires some serious smoothness. And still we often see Taichi depicted as a down and broody boy besides his energetic and bold (sometimes indifferent…) character, especially after Tri. That too could be due to a Libra Sun placement.

Like Sagittarius is depicted by a centaur, Libra is depicted by scales and those scales are all about harmony, balance and justice. Libra is the opposite of Aries in the zodiac, but also about weighing opposites in the sigh itself. When we look at the Aries/Libra opposite placement: where Aries can be quite selfish, Libra as an opposite is the people’s pleaser. Where Aries is reckless and impatient, Libra is thoughtful and patient and one could say that an Aries acts where a Libra waits. Where Aries makes the impulsive decisions, Libra keeps deliberating leading into constant doubt and confusion. And how do we see Taichi in Tri? Ah yes, in doubt and confused.

A Libra Sun desperately wants to bring peace and harmony, driven by justice, in a diplomatic way. Libra Suns are deep thinkers which can make them very doubtful, making them spiraling down into a hole of overthinking and doubts. The Libra Sun-Sag Moon dynamic makes this all even more deep and almost philosophical in a way there will always be more and more questions, but never answers because Libra simply can’t make choices. All while being solution-oriented!

As Taichi grows up from a middle schooler to a high schooler, it’s that doubt coming from the Libra Sun that kicks Taichi hard. It conflicts with his carefree and bold Aries Rising nature and as that Libra Sun comes shining through, we see Taichi becoming more cautious and reserved compared to his younger self. The guy has a strong inner dialogue always looking for the best solutions to please everyone and bring harmony (I wanted to say ‘balance to the world’, yes to all the avatar the last airbender cameos) to the people and world(s in case of the digital world) around him he so desperately wants to protect. This is what we see happening in Tri, where he can’t choose what’s the right thing… Most of the time that inner dialogue is hidden behind his Aries Rising (and Aries Mars and Sag Moon).

So under that tough and courageous Aries Rising demeanor (remember that a Rising sign is all about engaging and how you come across to others) is a very soft, sweet, friendly and overall smart Libra Sun boy who has troubles expressing himself because the boy is in conflict with himself (which we see in the Dark Master’s arc in Adventure where he expresses his concerns towards his sister to Koushiro… it’s so hard for Taichi to let it all out, even when he needs it badly). It’s so sad, he’s such a complicated character, but that’s also one of the most beautiful things about Taichi. He’s layered af. He could be the best listener (Koushiro’s feels this, that’s why Koushiro can talk so open and freely to Taichi, because Taichi lets him thank you Libra Sun) if it weren’t for his strong fire placements opposite from his airy Sun sign. But give the boy time and space and he can show you his charms in a way no one else owns those charms.

So Taichi’s Libra Sun is hidden away most of the time due to his strong Aries placements. Usually his Rising and Sun sign being in opposite aspect from each other, should neutralize the placements, but Taichi’s Aries Mars placement makes the Aries Rising overrule the Libra Sun. Still, we shouldn’t forget Taichi is a softy with a big heart. He just needs the right people around him to get his charm on and Taichi definitely has some great people collected in his life who can help him think and make decisions.

A few things I want to point out before I stop rambling, because this analysis is already WAY too long.

Taichi’s midheaven in Capricorn in combination with his Libra Sun and Aries Rising makes him very ambitious on the intellectual side! Directly aiming for the UN and quickly climbing up the promotion ladder (and being successful like a true Cap, let’s not forget that).

His Mars was in transition from Pisces to Aries during his birth. Which means his Aries Mars is highly influenced by Pisces which could also explain why he spirals down as Pisces Mars has a lot of stormy energy on the emotional side (whereas Aries Mars has stormy energy on the physical side). When this emotional energy comes out negative, it can lead to mental health problems (!!! TRI DEPRESSED!TAICHI), especially when close friends and family (can you feel it coming? The whole Hikari-trauma is a thing) are involved.

His Libra Sun makes him in need of a group of friends and he loves being surrounded by them! Though he doesn’t like to admit that due to his Aries Rising. Taichi is such a conflicted boy…

An end note on these two boys: A heart to heart/hard friendship with a lot of mutual understanding and support <3

#DFS Digimon Astrology Journey #head-first buddies #Koushiro Izumi #Taichi Yagami #Digimon #Koushiro #Taichi #Izzy Izumi #Tai Kamiya #Izzy #Tai #Astrology #Reference post #Digimon adventure #Digimon tri #Digimon kizuna #Digimon adventure: 2020 #LONG POST.#Digimon headcanons

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just-reylo-thoughts · 5 years ago

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!We Got (Almost) Everything!

Guys. I’ve seen it twice, I’ve had time to think it over, and my husband put it best when he said Reylo fans have “an embarrassment of riches” coming out of TROS. No matter what else happened, these things happened. I’m beyond sure this is not the first such post, but allow me to list them for your and my appreciation:

The Force Bond Connection still exists and happened multiple times.

Kylo/Ben did not want to kill Rey for one second of the film and instead spent the entire thing chasing her obsessively to win her hand.

The previous attempt to win her hand was discussed at length. Yes, I know “at length” is a relative term given the pacing of this film, but there is now no longer any question of interpretation of that scene in TLJ and the GA/antis/whomever can shut up about “KyLO rEn just wanted her P0w3R” and “ReY don’t need no mAN” forever.

Ben Solo was a victim and this was finally spelled out for the GA and we have been vindicated for believing this.

Ben Solo managed to get closure not only with his mother but also with his father, in a beautiful beat-for-beat inversion of his greatest sin.

Bendemption happened and he threw away the red saber and we literally heard the words “Kylo Ren is dead. My son [Ben Solo] is alive.”

Ben and Rey are literal soulmates. Say that again with me. A plot device was created to convey beyond any doubt that these two characters are cosmic-level soulmates.

Rey gave what must have been a not-insignifcant part of her own life force to heal Kylo/Ben after realizing the mistake she’d made.

Ben ran like a bat out of hell and then finally fought with raw confidence and poise the way he always deserved to in order to come to her aid when she needed it most.

Ben crawled out of a pit with all the strength he had left so he could come to her aid when she needed it most, again.

He held her tenderly, held her ACHINGLY close, trembled with a perfect puppy-dog look in his eyes, swiftly comprehending that she was all he needed now and then that maybe there was something he could do about it.

He. Gave. Her. All. His. Remaining. Life. Energy. So. She. Could. Live. This was the ultimate selfless act. You’ve seen it in movies before; you’ve seen it in books, in plays, in songs, in sonnets, but there’s a reason it’s an age-old trope and an unambiguous ultimate declaration of pure love. Yeah, the price was high, and yeah, it’s gonna hurt for awhile, but narratively speaking, this bolstered the credibility of his love more than anything else could have. It may be raw as hell right now, but I have a feeling it will age well, not least because:

Reverse Anidala happened. C’mon fam. Just let it sink in. “Grandfather, I will finish what you started.” Don’t make me gesture at empty air, folks. In the context of the films that came before, and in the context of Kylo/Ben’s stated goal throughout this trilogy, this is poetry and the ultimate Triumph of Love and also a fitting conclusion to the Skywalker saga and to Ben Solo’s personal arc.

The. Smiles. THE. PURE. SMILES. WITH. THEIR. ENTIRE. GODDAMN. FACES. AND. THEIR. WHOLE. SOULS.

The. Kiss. IT HAPPENED. No more “will-they-won’t-they”, no more doubt among the GA, no plausible deniability for anyone who wants to try to claim that they were not canonically in love. Also, Rey initiated the kiss and it was a kiss with Ben Solo, so the word “toxic” can be buried in the sand (deeper than those lightsabers - push it to the core of Tatooine and let it melt!). This was a kiss for the ages and I believe it will go down among the greatest moments in the Star Wars saga. This was the kiss we’ve all deserved since the Prequels tried and failed to make us feel romantic chemistry. This kiss wins everything.

It has already been well established in this universe and reinforced in this very film that ghosts can appear and speak to the living. Earlier in this same film, Luke Skywalker pushed the envelope further than ever, interacting with physical objects both with his hands and with the Force. In this universe, not only can ghosts appear and speak to the living, they can also touch and interact with the living world. We have a built-in obvious “out” here, folks. It could not be more apparent that they will be able to see each other (and perhaps much more) again in the future, whether that occurs on-screen or not. And there are still yet other possibilities for where his “soul” ended up after we last saw him. Compare this luxury to other franchises that have no such mechanism at hand in their universes. Really, how much more fortunate could we be in this situation?

#reylo #reylo fam #tros positivity #tros spoilers #rise of skywalker #tros #sw spoilers #star wars the rise of skywalker

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the-blue-fairie · 4 years ago

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A while back, I made a post about how there are at least three different interpretations of Frozen 2′s ending and how they can ALL be justified by the text of the film to some degree. I’m bringing that up again because I saw a post with people who have different opinions on the ending discussing the matter, one who considers the ending a separation and dislikes it and one who considers that there is no separation.

The thing is... I think both sides are right, if that makes any sense at all? Because they’re both looking at different aspects of the text. In the same way, I think that the people who consider the ending a separation” and feel that separation is a good thing are also pulling from aspects that are in the text.

Everyone’s interpretation is rooted in the text to some degree, but also colored by their own feelings and the way they approach the text.

Now, I realize when I made my post about there being different interpretations of the ending, I was trying to be as neutral as I possibly could be and I didn’t bring up my full opinion on the matter. That was because I was striving for neutrality in that post, but since I’m bringing this up again, I might as well share my opinion so that others understand what my take is and don’t start speculating that I’m trying to play all sides or something.

As I said in my first post, I feel that “the sisters did this together and are still bound by love even if they are moving forward on individual paths” is closest to what the film wanted to say. I believe the filmmakers wanted to establish that there is no separation and that the sisters compliment each other and can still work and enjoy life together why being on individual paths. I feel that this was the film’s intent and I value and appreciate that intent.

But here’s the thing. I also feel that isn’t what the filmmakers actually wrote. I know that was what the filmmakers were trying to build towards, but I feel there are loose ends in F2′s narrative that make those other interpretations possible. And I’m NOT saying that to bash Frozen 2. I recognize that crafting a film is a difficult process where you have to keep countless pieces and plot threads in mind, as well as keeping your target audience in mind and the studio heads above you in mind. And I have great respect for the filmmakers and the effort they put into creating this piece of art. The fact there are going to be loose ends is inevitable and I don’t want to sleight the filmmakers and their craftsmanship. But for me personally - I can’t simply judge a film based on its intent when some of the loose ends bother me.

When some fans (either fans who criticize the film for dividing the sisters and don’t like “separation” or who celebrate the film for dividing the sisters and do like “separation”) point out that “Elsa and Anna didn’t really do this together - acting in common cause, yes, but not working together or approaching the situation from the same wavelength and talking things out together,” I kind of feel that.

When some fans talk about how Anna didn’t get the chance to air her anger at Elsa, I also feel that. Keep in mind, I’m not anti-Elsa or “Elsa-critical.” I love Elsa as a character dearly. But I find it clumsy on a storytelling level to introduce a conflict between the sisters (and a moment where even Olaf becomes angry, highlighting its seriousness) and then not resolve that conflict. I know, I’ve read people’s explanations saying that Anna is too overwhelmed by emotions to feel anger and that the sisters can talk things out at a later date easily enough because the torn fabric is already mending with their reunion (and I agree with that, actually)... but that doesn’t change the fact that a plot thread is left kind of up in the air, to be resolved at a later date. Saying that something makes sense in-universe does not address the structure of the film.

So I sympathize with people who have issues with the ending. I’ve seen Anna fans say she got the fuzzy end of the lollipop by not being able to express her anger, regardless of how much sense people might argue it would make sense in the moment. And their feelings are valid because the film introduces a plot thread and then doesn’t tie it together by the end - or, if we feel it tries to tie it together by having Elsa say, “You saved me,” and validate Anna, does it in an abrupt and rather rushed way. The film would have worked much better, I feel, if they included the deleted scene of Elsa showing Anna their parents, which would have been a clearer gesture of healing and also given Anna some much needed emotional closure. (At the same time, I personally disagree with certain folks who have an overly negative take on Elsa or try to paint her as a “bad sister” across the franchise. Making such an argument doesn’t hold water when you look at all the different films and shorts of the franchise.) And I’ve seen Elsa fans express frustration because they see Elsa’s behavior as unearned. And, while I wholeheartedly reject individuals who degrade the Northuldra or go outside the text of the franchise to make their points, I feel it is valid for some people to feel that the conclusion comes across as somewhat unearned. By that point in the film, we are racing towards the credits because the filmmakers only have an animated film’s runtime to work with. So things don’t get the proper time to breathe. And while again, I recognize that is all part of working within the constraints of an animated film and laud the filmmakers for doing the best they could in their circumstances, I also feel that abruptness ended up being detrimental to the finished project.

In my personal opinion, the sisters still have a lot they need to talk through together and process - and that’s what rubs me the wrong way about the ending. The film frames its ending as a resolution to the conflicts it introduces. And on one level, it works - Elsa and Anna are both able to come into their own in some distinct and beautiful ways. But on other emotional levels, certain things are left hanging. We don’t get to see the sisters process together the conflicts that have arisen between them. You could argue that their stepping into their own gives them personal senses of closure... but that’s not the same as being able to talk out and address together the emotional conflicts that F2 introduces to further its plot. And even though you’re right if you argue, “But in their new positions, Elsa and Anna both have the time and opportunity to address those issues together!”, that’s not the same as the film addressing the issues that it sets up. That rests resolution on a hypothetical Frozen 3 which as of this writing doesn’t exist.

Although the film’s ending frames itself as a resolution to the conflicts it introduces, it does not resolve all of those conflicts, particularly the emotional ones between the sisters. And even if we consider the ending of the film as a new beginning, the film doesn’t really do much to foreshadow the future resolution of those conflicts.

So F2′s ending leaves me kind of cold. I don’t dislike the ending on principle the way some people do. I KNOW what the filmmakers were going for. (I even really like what the filmmakers were going for. That’s why I love delving into the new status quo in fanfiction.) I just don’t think they fully achieved that.

And so I feel the film’s conclusion isn’t earned - or at least, isn’t as well-earned as it could have been. Again, I respect the filmmakers for what they were trying to do. I just don’t think they succeeded.

And I feel that people are within their rights to critique the film’s flaws - as long as they are not being hostile to others about it. And, of course, people are within their rights to love the film and celebrate the things it does beautifully.

I hope I manage to do both, critique and celebrate.

#frozen #frozen 2 #discussion

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ja-khajay · 4 years ago

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2020-2021 Animation Watch(ed)list

I haven’t posted about animation in a while that I remember, and I know a lot of my followers are into it as much as me so I decided to make a list of the animated movies and series I watched on the past year or so, coupled with my short, spoilerless take on them. Enjoy!

Organized by

Things I saw for the first time

Things I rewatched

Under a cut for the sake of your dashboards! PS: I have not added any images yet. If you are interested in knowing more about the visuals of these movies, I might make an old fashion ask-prompted imageset list.

Part One: Things I saw for the first time

The Bear’s Famous Invasion of Sicily

Movie, 2019, Italian/French

9/10, a delightful little movie with amazing visuals. It feels like an animated picture book.

One of those “plot is in the title” media! I had never heard of this before but was heavily recommended it by my family members, who all loved it! It’s a sweet story, nothing groundbreaking but the unique colorful visual style alone makes it worth it.

The Castle of Cagliostro

Movie, 1979, Japanese

10/10. Reminded me of all the books i loved reading as a child

I assume its because it’s so old and the art style and themes are so different that it gets little to no love compared to other Ghibli movies, which is a shame! It’s fun with an endearing cast and as always, great animation and music

Mushishi

Series, 2006, Japanese

10/10 three episodes in I knew it was going to be my favorite series ever

One of the few things I’ve seen I’ll describe as life-changing. It’s absolutely lovely but never toots its own horn about it. Humble, calming, emotional and surprisingly mature. It’s pretty impossible to binge due to how intense the experience is. I just want to walk in the forest now...

FMA: Brotherhood

Series, 2009, Japanese

6/10 Dissapointing adaptation of a classic story

I read the manga for this when I was in middle school and remembered loving it. The animated version does an ok job of presenting the characters and worldbuilding and has some nice action scenes but overall looks really damn cheap and just. Not very good. Seeing I already knew most of the plot I did not have the element of discovery that made me marvel so much reading the original. It’s still a nice series but I really recommend reading it instead.

Code Lyoko (s1+2)

Series, 2003, french

3/10. 1.5 being for the opening song alone

This show sucks ass if I hadn’t been watching this with my bestie I would have dropped it two episodes in. The art style is ugly the stories are always the same and the first season has a (later removed thank fucking god) LITERAL “erase any consequences” button as a plot device in every episode. If you watch it for one thing let it be the nostalgia factor of early 00s Vidya Game Plot

The Legend of Hei

Movie, 2019, Chinese

7/10. Impressive visuals and a poor story

I finally watched this, peer pressured by the load of gifsets on my dashboard! It’s a sweet movie with really impressive animation, sometimes a bit too flashy for my taste (the action sequences go so ham they become not very readable...) but the story was just ok? The setting is barely explained and you are instead bombarded with vague epicspeech about powers and stuff that made me fondly remember Kingdom Hearts lol but that asides it’s a really good time! I need to watch more Chinese movies the few I know are just delightfully off the shits in how they approach action and I love that

Hunter x Hunter

Series, 1999, Japanese

9/10. Superior to the recent one!

I first got introduced to the series via the 2011 one. Comparatively, the 99 series focuses way less on action and way more on the characters, which I love because that fits my personal preferences! Despite mediocre filler episodes and some weird slight pointless plot changes, what it changes from the original manga doesn’t have much of an impact on the characters. The animation quality isn’t always consistent including a huge art style change for an arc (???) but it’s overall pretty nice. The series really shines in the last arc it adapts.

Oban Star-racers

Series, 2006, Japanese/french

9/10 a lovely surprise

This series is completly obscure despite having been created by people famous for their other series (Cowboy Bebop, Code Lyoko that i can name) and it’s a crime! It’s a kids show but without being stupid about it who tells the story of an inter-planetary race. If you liked that one scene in the star wars prequels you know what I mean. It’s got surprisingly nice animation for a TV series, and some truly great character design. The art style is a bit unique in a not for everyone sense, but I didn’t mind it much. It’s also THE most offensively 2000s series i’ve seen in terms of visuals. y2k kids assemble

The Little Prince and the Eight-Headed Dragon

Movie, 1963, japanese

8/10. Classic fairytale format with incredible visuals

Watched this for the art style because I know it inspired Samurai Jack, and it delievered! I dont’ have much to say about this one, it’s a very simply film but it’s sweet. For my pirates out there if you want to find it in good quality with english subtitles it’s VERY hard to find. If you just want to see the looks of it, it’s on Youtube with portugese subs.

We now enter the Gobelins Shorts Zone....!

My Friend Who Glows In The Dark

10/10 makes me cry each time

Pure delight...great animation writing everything. A little short about death and friendship but not in the way you imagine!

Colza

9/10

Visual treat...homely and nice :) not far from a 10 but a 9 because nothing about it is that groundbreaking

Sundown

9/10

If you’ve ever been ten minutes from failing a group project because of a single dude you will REALLY enjoy this. Loved the colors and personality

T’as vendu mes rollers?

10/10

It’s SUCH a sweet little short I loved that one so much

Dix-huit kilomètres trois

10/10

Surprisingly well written dialog. Visuals are great but the humanity of the characters carries this to another level

Un diable dans la poche

9/10

Amazing visuals and the most tense/creepy of Gobelin shorts i’ve ever seen. Chilling

La bestia

8/10

I had some issues with the pacing. Interesting story and visuals choices but I was not fond of the art style

Goodbye Robin

5/10

Confusing but predictable. Both at once??? Yes!

Le retour des vagues

6/10

Cool animation stuff but felt pretty pointless

***

Part Two: Things I rewatched

Ruben Brandt: Collector

Movie, 2018, Hungarian

10/10. Underrated as hell

Watched this fully blind for the first time in an animated festival and rewatched it with friends. It’s a crime I never see anyone talking about it given the amount of whining I see about the lack of both adult animation and 2D movies? This film is a unique love letter to art in the form of a weird mix of charming crime story and psychological horror with amazing visuals. I recommend watching it blind and also buying it to show appreciation for how nice it is!!! WATCH THIS MOVIE...

Mononoke

Series, 2007, Japanese

10/10 Visual/storytelling masterpiece in the weird shit departement

If you can stomach intense stuff watch this. The visuals are incredibly unique and beautiful and under the jewel tones and art direction high takes it’s a really cool horror series. My only obstacle to enjoying it the first time I saw it was how dense it is - simply put, it’s so...culturally Japanese it’s not very accessible to me who doesn’t know anything about the culture? Watching it for the second time helped understanding the stories more!

Corto Maltese in Siberia

Movie, 2002, french

9/10 but really close to ten. A great adaptation!

I’m a huge fan of the original comic so I entered this a biiiittttt suspicious it would suck but it was a really pleasant surprise! It has all the wonder and charm of the original and the animation was surprisingly good for the little budget. If you’re not familiar with the series, it’s a sort of geopolitical action/adventure movie but with it’s own really poetic vibe to it. It’s almost impossible to find online but happens to be fully on YouTube so go ham I guess?

Redline

Movie, 2009, Japanese

10/10 cinema was invented for this, actually

Every review of this movie i’ve seen gives it five stars and starts by talking about how immensly stupid it is. I’m no different. It’s a masterpiece of escalating energy with the depth of a puddle and it fucking rules. It’s free on YouTube too so there really is no excuse to not watch it. Watched it for the first time on a huge cinema screen and despite this my second rewatch on my small laptop was as/even more enjoyable. If you watch this stoned with friends you might travel to another dimension

Spirited Away

Movie, 2001, Japan

10/10 deserves the love it gets

I watched this a single time as a kid and had little memory of it! I mean it’s Ghibli you know it’s going to be good as hell but this one rly shines in how colorful and detailed it is and in it’s world! It made me remember I had a huge crush on the dragonboy as a kid. I’m gay now

Kung-fu Panda (1&2)

Movie, Usa

10/10. KFP fucking rules

Honestly my favorite franchise of the whole disney/dreamworks/pixar hydra. It’s fun as hell, doesn’t skip a single beat and has amazing animation and character designs. If something is a good time I will not care if it’s deep or not and boy I fucking love these movies

Sinbad, Legend of the Seven Seas

Movie, 2003, Usa

5/10 Some great some really bad and overall generic

I tend to hate american cinema and this includes that era of animation I have no nostalgia for. Sinbad is in a weird place because I love adventure stories and the visuals of the movie absolutely deliver but it’s very predictable and TANKED by the addition of the female character, pushed in your face as ��look we have woman!!!” despite her writing being misogynistic as hell lol. The evil goddess rules tho. This movie would have been a solid 9 if instead of the girl the two dudes had kissed

#j #animation #if you want links to these ill provide but not for the indie ones that arent free #i have no remorse p*rating disney or a movie thats over 50 but if its recent and underrated just legally get it!!!

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itsmyregularcat · 4 years ago

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Influenced by @white-cat-of-doom, and his Cats dream cast (please check it out), I have made my own.

This is going to be a tough one to figure out, but here is my Cats dream team, as of today.

I wish to see more productions to be better informed in my choices, so I need to get on some bootlegs I guess! (Some choices are actually going to be based off of assumptions of how the actors portray them).

I already know a bunch of my choices are going to be from the Broadway Revival (because I really like that production), and almost all are going to be from newer productions because I am way more familiar with them.

In alphabetical order:

Admetus / Macavity: Thomas Inge (Asia Tour 2017/2020 and UK International Tour 2018/9)

I quite like the Macavity redesign for Vienna 2019 and Asia 2020, so he gets the nod just for this. Otherwise, he is an established Admetus and seems to have fun with it.

Alonzo / Rumpus Cat: Fletcher Dobinson (Asia Tour 2020)

I have never seen him perform as Alonzo, but he has this energy about him I cannot really describe. From short videos I have seen, he seems to have a 'snarky' side, and just has a hell of a time flirting about with everyone during curtain calls. He has the moves.

Bill Bailey / Tumblebrutus: Kolton Krouse (Broadway Revival 2016 / Cats 2019)

They can fly with the best of them. Their flip in with the ball during the end of the Old Gumbie Cat is a cool addition. No strong feelings for this character though.

Bombalurina: Rosemarie Ford (Cats 1998)

If anyone exemplifies what it means to be Bombalurina, I think Rosemarie wins. The duality of caring attitude and scornful nature, combined with her moves and her voice all make her a top pick. Also, slightly older Bombas I feel are better?

Honourable mentions: Christine Cornish Smith (Broadway Revival 2016) for sure, Suzie Melloy (Asia 2017/2020), and Tanya Valenzuela (Mexico 2018).

Carbucketty / Pouncival: Joel Morris (South Africa 2008 / UK Tour 2013 / Palladium 2014 / International Tour 2016)

He does a relatively good job being juvenile, but not annoying in his role. Him screwing around during Tugger's song, Moments Of Happiness, and Skimbleshanks is actually endearing to a point. No strong feelings for this character though.

Cassandra: Mariah Reives (US Tour 6)

Another pick I have never seen during performances, but she looks like a good Cassandra. She is really pretty and appropriately tall, so ¯\_( ツ)_/¯. Bonus points for her lighting up during Misto's song.

Honourable mentions: Jessica Buckby (2013 UK Tour), Danielle Cato (International Tour 2019), and Emily Pynenberg (2016 Broadway Revival)

Coricopat: Corey John Snide (2016 Broadway Revival)

He pairs up very well with my top Tantomile pick, and cannot realistically be separated. This legend was also a dance captain, involved with Cats 2019, and did a split track cover of Coricopat and Jennyanydots during his run.

Demeter: Zizi Strallen (London Revival / Palladium 2014)

Real talk, I love her as Tantomile in Cats 2019, and her singing voice is beautiful and distinct. Her as Demeter is a good bet, and she gives off a happy vibe during less serious points of the show. That happiness she puts in 2019 Tanto is what she did with 2014 Demeter.

Honourable mention: Lisette Pagler (Gothenburg 2006 / Stockholm 2009). The OG grey Demeter. She is absolutely beautiful, and her non-rep portrayal design is neat. She is also an actual singer in Sweden, so her voice is top notch. I really like her as Demeter. Also, Ella Nonini (International Tour / Asia 2020).

Electra: Leah Sue Morland (Cats 1998) or Lili Froehlich (2016 Broadway Revival)

I cannot reasonably pick one over the other, I have disproportionately strong feelings for both. Lili made me fall in love with Electra as a character (and I mean, look who my icon is!), and Leah cemented it before and after me seeing the Broadway Revival. They both make a modest ensemble cat seem so much more important. One of my favourite Cats across any production.

Etcetera: Jo Bingham (Cats 1998)

Boundless energy and happiness rolled into one bouncy cat. No one had a better time during Cats 1998, and for a cat that does not appear in many production afterwards, Jo just said f*ck it and did whatever seemingly came to mind to forge a legacy. Biting Coricopat’s ass remains a landmark moment in cinema. One of my favourite cats in the film without a doubt.

George: Frank Thompson (Cats 1998)

He is sort of always there, enjoying himself. If I would cut a cast member, George would be it. Sorry George.

Gus / Bustopher Jones / Growltiger: Rory Campbell (UK Tour / Zurich / London)

Dignified Busto. A good Gus that does not play off too much about being old and decrepit. If done properly, Growltiger (for the sake of Griddlebone) should make a return to more productions. Remove the total racism and the open misogyny inherent to many portrayals of Growltiger, and make it strictly about the lovers.

Grizabella: Jennifer Hudson (for real) (Cats 2019)

I know this one will ruffle feathers, but her sad sap performance is quite unrivaled in Cats. She brought the gloom and the dejection of being casted out to life. Her singing Memory is powerful as all hell, and filled with emotion. She wins the screaming match.

Jellylorum / Griddlebone: Freya Rowley (Cats 2019)

At this point you are probably thinking, ‘my lord, what the hell is this person on about?’. Freya does not sing in the movie, and is just a background cat, but my god is she the best cat there! During her time with actual stage productions, she was a principle Tantomile, and covered Demeter, Jelly, Jenny, and Cassandra as swing. I know she can sing (even though I have never heard it), and I want to hear / see her as the most novel Griddlebone around. Big orange energy - get with it.

Honourable mention: Sarah Jean Ford (2016 Broadway Revival)

Jemima: Veerle Casteleyn (Cats 1998 / London / Dutch Tour)

The most vanilla choice, but she was the face of Jemima / Sillabub and the Cats ‘franchise’ when the 98 film first came out, and rocketed her character to great importance and notoriety. They used her for promo shots after the movie came out realizing how popular her character had become. Veerle is the innocence of youth personified. By the way, I am taking her without the overdub.

Honourable mention: Arianna Rosario (2016 Broadway Revival / US Tour 6) and Dawn Williams (UK Tour 2013)

Jennyanydots: Eloise Kropp (2016 Broadway Revival)

A younger Jenny still as wild as any other. Her greater involvement during the show is also cool to see. The changes they made to the Broadway Revival may irk some, but the Gumbie Cat scene with the choreography change is my favourite I have seen so far. Eloise does a really good job, and has a chaotic energy that draws me to her.

Mistoffelees: Laurie Davidson (Cats 2019)

On my pursuit of pissing off the purists, here is another controversial choice. He provides a character development that I think would work out well on stage. Imagine it for a second, with Tugger or Munk hyping him up. No Mistoria though.

Honourable mention: Joseph Poulton (UK Tour 2013 / Palladium 2014)

Munkustrap: Jack Rebaldi (London / Madrid / Paris / Dusseldorf / German Tours)

The man is a serious Munk, who is versatile with his portrayals. He gets so into playing the character, and seems to be having a great time doing it. Plus, how the hell can someone do Munk in English, Spanish, French, and German in the course of three years? Madness.

Honourable mentions: Robbie Fairchild (Cats 2019) and friend-shaped Michael Gruber (Broadway / Cats 1998)

Mungojerrie: Drew Varley (Australia 1993 / London / Cats 1998)

One half of the chaotic duo present in Cats 1998, with an oustanding level of dumbassery and foolishness that encompasses Jerrie. He encapsulates that attitude very well, and pairs perfectly with my top Rumpleteazer.

Honourable mention: Dante Hernandez (Mexico 2013 / 2018)

Old Deuteronomy: Nicholas Pound (London / UK Tours / Palladium 2014 / International Tour)

A bit of a different choice, considering most people would likely pick Ken Page (and for good reason). Mr. Pound has a great voice, and welcoming vibe. Behind the scenes, he is a chaotic Old D. Plus, his name is Dick Pound.

Rum Tum Tugger: John Partridge (UK Tour / London / Cats 1998 / Berlin / Dusseldorf)

Velvety smooth voice, swagger coming out the hip thrust, and a playfulness suitable for the rockstar cat. No contest with this choice. He also does not play of RTT as being childish or over the top (*cough 2016 Broadway Revival / US Tour 6*), which is appreciated. Sorry Tyler Hanes, your vlogs were delightful, but your Tugger was a bit too much.

Rumpleteazer: Jo Gibb (London / Cats 1998)

Jo Gibb is the reason I became super obsessed with Cats, and probably why my favourite character is Rumple. Having initially seen the 2019 movie before the 1998 film, seeing her smiling face and adorable portrayal made me sort of fall in love with her. She is a perfectly mischievous Rumple, and I feel is the benchmark for most others. Her engagements with other characters is awesome, and she is just the ideal actor. Also, Cockney accent Rumple is best Rumple I do not make the rules.

Honourable mentions: Every other Teazer. All of them. There is no bad one. They all have my heart.

Skimbleshanks: Steven McCrae (Cats 2019)

Big daddy Skimble, with the red pants and the moustache. Tap dancing and ballet powerhouse. WOO WOO. Enough said.

Tantomile: Emily Tate (2016 Broadway Revival)

Given all Tantos do not really have an opportunity to set themselves apart because they are more of an ensemble Cat, I liked Emily from the beginning I saw her, and I think she is really cute. Her, paired with CJS, make a pretty ideal Cori and Tanto. Maybe I am swayed by the amount of lifts and spins they do together during the show? They have a beautiful synchronization and grace with their movements.

Weaponize your Tantomiles, helicopter her above your Coricopats and take over. Kill Macavity. Become the Everlasting Cat.

Honourable mention: Kaye Brown (London / UK Tour / Cats 1998), Melody Rose (US Tour 6), Helen Gulston (RCCL Cruise). Realistically, all Tantos are good. I like Tantomile.

Victoria: Georgina Pazcogiun (2016 Broadway Revival)

A prominent soloist with the New York ballet, renowned for her distinctive style, and you can appreciate that if you watched a 2016 bootleg show. She has also pushed out against ballet norms by being "The Rogue Ballerina" as a means of embracing the qualities that make her unique as a dancer, such as her 'bigger' (in terms of ballet) body type. Her unique style as Victoria makes her my choice. Plus, she be sneaky.

Honourable mentions: Hannah Kenna Thomas (UK Tour 2013 / Palladium 2014 / International Tour / Vienna Revival), Tyler Lotzof (Asia Tour 2020), Alicia Beck (UK Tour 2013), Phyllida Crowley Smith (London / Cats 1998). Realistically, all Vics are good.

Any way, there is my shitshow of a production.

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jaytopmodelrankings · 5 years ago

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Hi...

Hi everyone. I wasn’t expecting a lot of things to happen so abruptly, that would leave me MIA for quite some time on everything, including Tumblr. I was initially not even going to give any notice about what was going on, until I decided to open my email app on a whim and saw a notification from Tumblr from a torrent of asks in my inbox as to my welbeing.

Firstly, I want to apologise for ever leaving and choosing not to update anyone about it because I felt so weak and helpless at the time. I wasn’t going to share this initially but I thought maybe sharing my story would shed some light as to why this blog became so important to me.

I have always struggled with the spectrum of identity and gender, and while I identify as being gender non-binary, I was born what is biologically referred to as female. The concept of it was subtle enough for my realisation to go unnoticed, and I never really “came out” about so to speak of. That is until I realised that I looked more at girls than I did boys, and not just because we shared changing rooms and whatnot.

Out of pure bad luck, my father discovered my preferences when my brother let it slip one time in the middle of a pronounced family argument. Since then, he watched me like a hawk, because to him, having a “lesbo daughter” was a shame that needed correction. While never so aggressive that I would fear for my life, his mental abuse was terrible and he wasn’t above a slap or two if I ever mispoke.

I started this blog, not only out of inspiration from other rankers online, but also because watching all the beautiful women on this franchise objectively, it almost made me realise how I should not have to keep the fact that I was attracted to women like a dirty little secret. This community of not just rankers but Top Model fans built each other up, agreeing to respectfully disagree whenever conflicts occurred, and hyping all the strong, incredible bad-arse women (and some terrific men of course) that made this modelling clusterfuck a guilty pleasure for us all. Unfortunately, my father recently discovered this blog too, and it provoked one of the most painful and cruel arguments I have ever had.

I’m currently staying at a close friend’s house, and have been slowly trying to heal and just process everything. I can’t go back, but I don’t know what to do moving forward. I’m hurt and saddened, and most of the time i just want to hide in the guest room I’ve been so kindly given and never come out again to the world.

I know it sounds bleak and dramatic, and I honestly know that I have to grow stronger and move past this terrible ordeal, which is why after reading through all the asks, I decided to post this.

I’m coming back, guys. Just not right now. I hope you can understand I just need some time away from everything to work on me and being happy being just me. Abandoning this ranking blog and all my other endeavours would hurt more than continuing them, so rest assured this is not the last of me. I’ll come back stronger, happier, and with all my commentaries intact and ready for all of you.

This is probably such a rambled mess, but what I’m trying to say is that despite being disowned and ostracised from my relatives, I know that there is much better out there for me and a lot of good in store. And I am no longer willing to bow down to prejudices and hate. I hope maybe my story encourages a lot of you to start your own ranking blogs because it can become almost therapeutic sharing your opinions, even on a silly reality show.

Some of you may choose to unfollow, since I can’t pinpoint an official return, and i respect that, and bid you farewell with all the gratefulness of a young person who has received so much support and love from this amazing ANTM community. Thank you so much everyone. Special thanks to @antmrankingskd who has always been an inspiration, and whose recent ask really gave me an incredible boost after weeks of wallowing in self-pity (and whose blog I urge you to binge if you need some content), and @amateursmizer who has been constantly in my DMs hoping to reach out because they were deeply concerned for my absence when i expressed my love and passion for this blog and community.

Sorry if this has been too jumbled and incomprehensible, I’m probably rambling so much- I just hope you get i appreciate all the support, and hope you are willing to wait for me just a little while longer for my health.

JJ will be back, my lovelies. Soon. I love you all dearly, be kind to one another and be brave enough to be bold. I’ll see you soon, hopefully bigger and better.

JJ xxx

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missmudpie · 4 years ago

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Name Ten Films That Have, For Whatever Reason, Stuck With You

@millennialfangirl tagged me, and this was harder than I thought and I might have gone over the ten. Also, tumblr is being tumblr and not cooperating with gifs, so only the first film has one. Here they are, in chronological order:

Casablanca, 1942

Look, Casablanca is the best film ever made. Is it my favorite? No, but it’s the best, much better than Citizen Kane, which is often heralded as the pinnacle of cinema but is about a rich old white guy who loves his sled.

Here’s looking at you, kid. Of all the Gin joints. Round up the usual suspects! I’m shocked - shocked!- to find that gambling is going on in here (Your winnings, sir.). This is the beginning of a beautiful friendship. As Time Goes By. Humphrey Bogart and Ingrid Bergman and a supporting cast to die for. Renault throwing away the bottle of Vichy water.

I could go on, but here’s why Casablanca has stuck with me: It’s one of my Dad’s favorite movies, too. When I think of Casablanca, I think of him. One Christmas (I can’t remember if I was in high school or college), the old timey theater in town played Casablanca. I got us tickets as his Christmas present. It is one of my favorite movie-going experiences (more on that below).

Star Wars, 1977

When I was little, we used to go to my maternal grandparents’ house every Tuesday, and I would watch Star Wars. I was probably waaaaay too young - there’s audio of me playing out Star Wars with my My Little Ponies and I was like, three. On my college essay, I wrote about how Return of the Jedi was my first movie (true story, I was six months old and slept through the whole thing, because apparently taking your sleeping infant to the movies is something parents did in the ‘80s).

Star Wars is where I learned about the Hero’s Journey. About princesses and rebellions and wizards and flying spaceships. I devoured the Timothy Zahn books and Young Jedi Knights series. And yes, I’m a little down on it all after Episode IX - but I still love it. It has impacted me in so many ways. I know my life would be the poorer for not having seen it.

Raiders of the Lost Ark, 1981

If Princess Leia was the first damsel I saw who get herself out of distress, Marian Ravenwood was the one who solidified the idea that women were perfectly capable of getting into and out of trouble themselves, thank you very much. Then there’s Harrison Ford in being Peak Harrison Ford as Indiana Jones - Intelligent, clever, brave-bordering-on-reckless. Who wouldn’t want to go on far-flung adventures to find hidden treasure, and maybe punch some Nazis while you’re at it?

The Goonies, 1985

Speaking of far-flung adventures, how about going on one in your hometown? Booby-traps, pirates, Italian gangsters, Sloth, hidden treasure - it’s every kid’s playtime fantasy come magically to life. I still want to go down those tunnel slides and shoot out into a hidden lagoon. They just don’t make movies like this any more - fun, family movies that don’t dumb down the action or characterization for kids, that’s a ride for both kids and parents alike. This was the first movie I showed my kids during quarantine.

The Princess Bride, 1987

Inconceivable. The Six Fingered Man. Death cannot stop truly love. Only mostly dead. Have fun storming the castle! Hello, my name is Inigo Montoya. You killed my father. Prepare to die. ROUSes.

This is a perfect movie. It is. It is lightning in a bottle and it should never, ever be remade (those were just rumors, right?). This is romance and humor and suspense and two of the best swordfights in cinematic history (fight me on this. No, really, fight me. I took fencing in college because of this movie), all wrapped up in the sweetest Happily Ever After. I love it so much.

Jurassic Park, 1993

I’ve told this story before, but here it is again. In the summer of 1993, I was 10 and my sisters were 8 and just turned 6, and we convinced our parents that we were for sure old enough to see Jurassic Park - a book my mother had read and thus knew what level of horror to expect. It did not go well. I ended up burying my head in my dad’s chest; my youngest sister was in my mom’s lap; and my middle sister, with no where left to go, ended up under the seat in front of her.

Now, it’s the movie we quote (Hold on to your butts). When my youngest had jello recently, I told him to hold it up and look scared, then texted the picture around. We all knew immediately what I meant. The DVDs are given as gifts and then immediately stolen. My youngest sister can recite the entire movie. I can’t wait to scare my sons with it.

The Shawshank Redemption, 1994

I don’t remember this movie when it came out; I remember it was this movie I hadn’t really heard of at the Oscars, where it won none. Not until I was much older did I realize what a travesty that was. I first watched this on a pep band bus trip in college - not the time or place to truly appreciate it. Months later, I rented it (remember renting movies?) and fell in love with it.

This is a beautiful movie about friendship and hope and finding light in the darkness. It’s always on TV, and I will always stop and watch at least a few minutes of it. The ending - the last half hour, really - is pure cinematic poetry, but noting beats Red’s monologue as he travels to find Andy on that Mexican beach.

That Thing You Do!, 1996

This movie is Capital-D-Delightful. Just thinking about it makes me smile. This is the movie that tipped me from Tom Hanks Fan to I Love Tom Hanks and Need Him to Be My Best Friend. He WROTE and DIRECTED this gem of a movie. The talent. The song is legitimately catchy, the characters are Wonder-ful (see what I did there?), and it’s all in Day-Glo ‘60s color. I love this movie and make no apologies.

Toy Story 2, 1999

Speaking of Tom Hanks, this is my favorite Toy Story. Look, the first is a technological marvel, but Woody is an ass throughout most of the film. The fourth is it’s own thing, and the third is really, really good and I ugly sob at the end, but it’s also got a lot going on there. But the second - oh the second is beautiful in its simplicity. In addition to all of Andy’s toys, we get Jesse and Bullseye and even Stinky Pete. It’s an ode to friendship and love and the realization that life, for toys and people, eventually ends, and we have to appreciate every moment we have now. It is my favorite Toy Story.

Finding Nemo, 2003

I don’t know if it’s my favorite Pixar film, though. It depends on the day, but most of the time that distinction goes to Finding Nemo. I first saw it when I was twenty, a decade before my first kid was born, but it has greatly influenced how I parent. The conversation between Dory and Marlin in the whale, the idea that keeping anything from happening to your kid cuts both ways, the leap of faith, the mantra of “just keep swimming,” the notion that your kids don’t just want, but need to have independence - it’s all there, in Pixar’s stunning ocean animation. I get choked up just thinking about it. “Now go have an adventure!”

Honorable Mentions:

Forrest Gump, 1994

I loved this movie. I love Tom Hanks in this movie. I would watch it in snippets during college, while I ate dinner or lunch or just needed a quick study break. But it’s been years since I last saw it, and I wonder if it still holds up. It’s a Boomer movie made when the Boomers were - basically, just a little older than we old Millennials are now. It’s American history in the last half of the twentieth century, but the big events - Vietnam, Civil Rights, even AIDS - are filtered through the lens of a straight white man who kinda wanders into history but doesn’t really get why the moments are historic. I feel like it’s a film I appreciated at a certain time, but wouldn’t love as much now.

Avengers: Endgame, 2019

There just hasn’t been enough time for this movie to make the list. Ask about it again in ten years. Although, to be honest, I haven’t seen the whole thing since I saw it in theaters, and I fear it won’t live up. It was the best movie-going experience I’ve ever had. The crowd was so into it, and the last battle had everyone, me included, screaming at the screen. Part of what makes Endgame so special to me is that, among the three big franchises that ended last year (Avengers, Star Wars, Game of Thrones), this one actually stuck the landing. And yes, I could argue that Steve Rogers’ end doesn’t actual make any sense and deprives Peggy Carter of her agency - but in the emotional moment of the film, it worked. That portal scene is the culmination of twenty-plus films, and I still can’t believe it works as well as it does.

Thanks again for this! I second tagging @lerayon for this. I feel like I’m kinda cold-calling mutuals from our Arrow days, so no pressure. But I’d love to hear what @machawicket @dust2dust34 @dettiot @theshipsfirstmate have on their lists.

#Miss Mudpie watches too many movies #Fandom Friends

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subvertingyourexpectations · 5 years ago

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Top Ten Films of 2019

2019 was… I’m gonna be honest, not a very great year for cinema. Aside from a handful of standouts, I have seen very few things that completely blew me away. Especially given the past few years, we haven’t gotten a Roma, or a Phantom Thread, or a Denis Villeneuve movie. Anyway, this is my top ten favorite films of 2019.

But first…

Films That Would Make It But Didn’t “Technically” Come Out in 2019

Long Day’s Journey into Night

I already talked at length about this film, but I love it to pieces. It has twisted the visual language of cinema into its own beautiful and bizarre version, crafting a puzzle box of a movie that I absolutely adored. But, it technically came out at the end of 2018, so it can’t be on the list.

Tigers Are Not Afraid

If you like foreign films, this is a must-see. If you like tragic dramas anchored by some terrific child actor performances, this is a must-see. If you like horror movies, well, it’s not really a horror movie but people keep describing it as one, so you should probably see it. It’s a beautiful little imaginative tale about the effects of the drug war on orphaned kids, and if you can catch it on streaming I would definitely check it out. But, even though it came out in limited release in August, it came out in Mexico in 2017, so I can’t include it.

One Cut of the Dead

Maybe the most original film I’ve seen in years? The first half is a terrific little zombie flick all in one camera shot, and somehow the second half expands on this and is ten times better. Watching this in a packed house was one of my favorite moviegoing experiences of the year. It’s one of the most funny and, again, original movies I’ve seen in years.

Shadow

UGH ALL THE GREAT FOREIGN FILMS DIDN’T COME OUT IN 2019. Anyway this movie is incredible and is maybe the best use of grayscale I’ve seen in any film.

Movies That Might’ve Made the List But I Sadly Have Not Seen Them Yet

Portrait of a Lady on Fire

Pain and Glory

1917

Bad Education

Little Women

The Souvenir

Okay, now onto the actual list…

10. Ad Astra

Brad Pitt and James Gray’s remake of Apocalypse Now in space is maybe the weirdest premise for a movie, and yet I really enjoyed Ad Astra. There’s clearly some touches of studio interference that make this movie worse (read: Brad Pitt’s narration), but the underlying themes of anxiety and depression are some of the best I’ve seen on screen. Couple that with Brad Pitt’s best performance of the year (yes), the visual splendor on display, and this movie is an easy inclusion in my top ten of the year.

9. Uncut Gems

I need to go lie down. After really enjoying the Safdie Brothers’ previous films (Good Time and Heaven Knows What), I was really excited for this movie, and I was not let down. The frenetic, dare-I-say crackhead energy that the Safdies are able to convey in their films is immensely satisfying to watch, and the way Adam Sandler channels it is one of my favorite performances of the year. The last twenty minutes of this movie is just pure panic attack.

8. The Irishman

Somehow Scorsese’s 209-minute long epic is one of the most watchable films of the year. This is just a terrific example of everyone firing on all cylinders; the performances are great, the script is great, the editing is unbelievable (this movie feels like it is two hours long), and the directing and thematic development towards the third act is some of Scorsese’s best.

7. The Farewell

A calling card for director Lulu Wang as much as it is for Awkwafina in dramatic roles, The Farewell is an absolute delight. The family dynamics throughout all feel refreshingly authentic, and the film masterfully weaves between its comedic moments and tragic undertones. If it wasn’t for some choices made at the ending, this would probably rank higher on my list.

6. El Camino

How bad was 2019 for film? A Breaking Bad movie is my sixth favorite film of the year. It doesn’t matter if we “needed” this movie or not, El Camino is just so incredibly well-made and enjoyable. It’s always a pleasure seeing something new in the Breaking Bad universe, but more than that I think this film is a genuinely beautiful swan song for one of the greatest characters in television.

5. Waves

This movie is meandering, aimless, pretentious, and completely style over substance. And yet, the last half hour of this movie hit me harder than almost anything this year. Regardless of how you feel about the characters, I feel like Waves has an overwhelmingly positive message in the end, which is to grow away from your hatred and learn to forgive and love. I’m sure many people will find the way this movie gets to that message to be kind of pointless and wandering, but to me it just turned a pretty good film into one of my favorites of the year.

4. The Mustang

My local 3-screen art house closed in April of this year. I went there as often as I could, because they were the only theater in town that would play a lot of independent and foreign films. It was the first place I saw Roma, and the first (and, let’s face it, last) time I saw Stalker on the big screen. The last night they were open, I went and saw The Mustang, not based on anything to do with the movie, just because I wanted to be there one last time. It was completely sold out, far busier than I’d ever seen them. In the past I’d always had free roam of where to sit, but that last night I was in the third row from the front.

If Ad Astra is about depression, then The Mustang is about anger, and learning to overcome your anger and grow as a person. It’s about a prison in Nevada that has a rehabilitation program where violent convicts train wild Mustangs, which are later sold to local ranches and farms. Roman (a terrific performance from Matthias Schoenaerts) is one such convict, and his personal struggle to overcome his anger is beautifully realized against the backdrop of having to fight a wild animal. (Seriously, he goes in swinging and it does not end well for him.) It’s a great story, and it’s a must-watch if you haven’t seen it. The emotional ending coupled with the fact that my favorite theater was closing left me a complete wreck when the credits rolled. (I’m starting to realize my top five films all just boil down to “the ending wrecked me”.)

3. The LEGO Movie 2: The Second Part

This is like The Mustang but for kids.

Okay okay, hear me out, I only saw this movie once when it first came out 11 months ago, and I’m not ever watching it again because I thought it was perfection. I feel like on a repeat visit the songs will become grating, the plot will feel ridiculous, and the themes of toxic masculinity that I appreciated so dearly will seem like faint whispers instead of clear subtext. And yet in the theater, I absolutely adored the songs and the plot and the clear subtext about being a better brother/man. The real-world parallels that were a surprise twist at the end of the first film are used beautifully in The Second Part, because the plot is simply just one big metaphor for a little sister who wants to play with her older brother. It’s touching, it’s funny, and it gets stuck inside your heart. It’s such a shame that the LEGO film franchise is all but dead, because if we had kept getting films like this, children’s movies would definitely be better for it.

2. Parasite

Everything fantastic about this film has already been said about it by people far smarter than me, so I’ll just say this: it is every bit as amazing as people hyped it up to be. This movie is a biting satire, a laugh-out-loud comedy, and an edge of your seat thriller. It has left an imprint on my brain since I first saw it back in October, to the point where as much as I have tried to analyze and dissect, this film, I don’t know if there’s a single flaw with it, there’s genuinely nothing I would change about this movie. If you see one movie this year, it should be Parasite.

1. The Last Black Man in San Francisco

In July of 2019, I had to make probably the biggest decision of my (brief) career thus far. I was going to leave my management position at a 24-screen theater I’d loved dearly to go work in an office. I loved everything about the movie theater, I’d worked there for almost four years, but at a certain point it just had diminishing returns. Newer upper management and constant changes coming down from the big-whigs had turned my favorite building into a place I started to resent, a place I didn’t recognize. I tried to fight the change, and re-institute everything I loved about this building that I practically grew up in, but you can’t fight change, and you shouldn’t romanticize the past.

I’ve never seen these themes more realized in film than in The Last Black Man in San Francisco. It tells the story of Jimmie Fails, a native San Franciscan who has to watch the city he’s loved his whole life descend into a rapidly gentrified hellscape that leaves many homeless and helpless. He often visits his childhood home, a beautiful three-story house with a “witch hat” on top, now owned by an older white couple. This doesn’t stop him from romanticizing the house, romanticizing the past, as he constantly visits and attempts to fix up the house, oftentimes clashing with the current inhabitants.

This disdain from the couple is an all-too-real parallel message that he’s getting from the city itself: You’re not welcome here anymore. Much as Jimmie has tied his identity to this home, and this city, he is hardly welcome in either. But for one brief instant, he gets to live his dream. The house gets stuck in a familial dispute, causing the older couple to move out. Leaving behind a big empty house that no one is occupying, Jimmie and his best friend Montgomery decide to just move right in, and have their way. They bring in all the old furniture from Jimmie’s childhood, they paint the walls, repair the original woodworking, all in service of Jimmie’s dream to simply exist in this space, and preserve something sacred.

Eventually though, reality comes crashing down, and try as he might, Jimmie can’t stay in the house, and he has to learn a hard truth: you cannot tie yourself emotionally to a physical space. Whether it’s a house, a city, a job, you simply cannot love something that doesn’t love you back. You will get hurt every time.

But it’s so easy to love. It’s so easy to play the piano in the entranceway of your childhood home. It’s so easy to relax in the sauna upstairs, or smoke on the balcony, or just lay on the floor and admire the witch hat. The Last Black Man in San Francisco makes you fall in love with this house, and with Jimmie and Montgomery, and as much as we see ourselves in them, we too have to learn the same lessons. As much as we want to inhabit a space, and get the fullest potential out of it, you cannot ever stop change, and you cannot stand in the way of it without going insane.

And maybe it was just because I was going through this personal development the first time I saw this movie, but it hit me like a ton of bricks. It stuck in my brain so much that by the time I saw it a second time, I was a complete mess; I cried four times. I cried for Jimmie, I cried for the house, and I cried for myself. I cried for the things we all lost, the things that would never be the same, and because we would have to learn to accept that. This is what’s so beautiful about The Last Black Man in San Francisco, and on top of the phenomenal acting, emotional script, and gorgeous visuals, it’s what made it my favorite film of the year.

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chimbu617 · 5 years ago

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A HTTYD Micro Memoir of the Past Ten Years

It was 2010. I was 8. I just moved to a new town and as someone who was bad at trying to talk to people, I spent all my free time in my imagination and/or with my brother. He was my best friend and we did everything together. My parents weren't big on going to theaters especially with an 8 and 12-year-old. So whenever we watched the newest, latest movie it was always through Red Box, they somehow always got for free. They rented two movies. I don't remember how they picked them out, if it was their or mine and my brother's choice. One night, after dinner, they popped in a disc and played the movie for us. I vividly remember how I felt sitting in our faux leather couch, cuddled up with a blanket in a dark room, focused on the movie. The camera swoops in over a vast ocean in the dead of night. Pillers of stone carvings extruded out of the water with fire burning inside the mouths. In the distance, a beautiful island inhabited with wooden shacks. Small specs of fire can be seen in the village. Over this is a voice-over by the lead character, "This is Berk." A line that will follow me throughout the next 10 years of my life. I spent the rest of that year dreaming of owning a terrible terror and have a friend to explore my world with. Of course, that was virtually impossible. Jump to 2012. I was 11. The first episode of Dragons: Riders of Berk aired. My brother and I begged our parents to record the series and we watched it religiously. We jumped into my bed turned on my tv and grew immensely excited for this world we both developed a love for. I remember how I watched Heather first be introduced and immediately hating her character from the moment she was on screen. I created a self insert character where "I" washed up onto berk after a shipwreck with amnesia. I always thought that Heather stole my premise and then ruined it by betraying the main characters. I now enjoy her character and look back on my childish foolishness. I guess my mom at some point stopped recording the show after my brother moved out and I grew out of the show, but not the fandom. 2013, I was 12 and just started 7th grade. The teaser trailer of the second movie came out and I watched it with awe. I was conflicted by the redesign of Hiccup yet I probably watched that trailer more times than I could count. I met my best friend and we both spent our time in science class drawing. She convinced me to start drawing actually. I spent that time drawing and watching crack compilations for Rise of the Brave Tangled Dragons. I never stopped my love for the world despite not having a lot of content to fill in the void in my heart. I ended up teaching myself Viking/Celtic runes, so I could read the text in the movie and show. It was 2014 when I taught one of my friends in my 8th grade English class the runes so we could pass notes in class. We wrote notes that absolutely made no sense but had so much fun knowing that we were the only ones who understood it. Our teacher caught us passing the note and took it from us. The look on her face was priceless. She looked frustrated and confused. She gave us a baffled look and continued on with class without a word. I wasn't able to watch the second movie in the theater either. I ended up pirating it off some streaming site. I laughed and cried. At his death, my parents came in to ask if I was ok. Several weeks after my 14th birthday in 2015, Race to the Edge's first season was released onto Netflix. I ended up binging all of Riders of Berk and Defenders of Berks in a few nights. I cried when I saw Stoick alive again and revived my undying love for this franchise. January of 2016, my brother called me and asked if I had seen the new season of Race to the Edge. I ended up watching only a few episodes before falling out of interest in the series. In December of 2017, I decided to catch up with the show. I would wake up, go to school, go home, did homework, binge as many episodes as I could and repeat. Soon after I finished it was 2018 and the new and last season was released. I had my friend come over to spend the night and I straight up said "Sorry, but I want to watch this" and she had to sit there and watch the show without any context of prior seasons. For Halloween that year that same friend and I ended up dressing up as Hiccup and Jack Frost. My mom gave me a stuffed toothless she was holding for Christmas for my costume. Some older lady told me she liked my plush cat. When I found out about The Hidden World coming out my friend group and I decided to go see it in theaters. I accidentally overslept that day and rushed to the theaters where my friends were waiting. One of them ended up buying a ticket for me, refusing to accept my money when I offered to pay him back. There aren't words to describe my emotions in those few seconds the Dreamworks logo played. I was excited at being able to finally see one of the movies in the franchise in theaters. Although I started to feel my heart being pulled apart by tiny strings attached to the muscle. I then realized in that small amount of time that, this was it. This was the end. No more. That everything I watched, learned, waited for was for this moment. The dragon classes and types I learned, the runes I used, the music I would close my eyes to and imagine I was in a different world, and the reality in front of me ever since I was a child that I could never live in this world. It was all in front of me. The movie played, and sure I laughed at Tuff, watched in awe at the beautiful plant and sand animation, cried at their parting, and rejoiced at their reunion. As I left the theaters though I couldn't help but think, "It was better than expected but not as good as I hoped". Whenever someone asked me my thoughts of the movie I would tell them those exact words. Looking back now, I don't know what I hoped for it to be. A happier ending? No, I came into this expecting the loss of dragons. A more interesting villain? I can't think of any better villain for the context of the scenario. I left it as such. I hoped for better yet knew not of what I hoped for. It was winter break in 2019 and I left my dorm to go home and visit my family. The first night I was back my mom said she recorded something for me. I sat in the recliner as my cat snuggled into my lap and my mom started up Homecoming. I appreciated the fact that my parents haven't seen the second or third movie, yet sat through Homecoming with no context for me. This last Thursday, the 19th of March, I was working on my theater assignment mid-quarantine and randomly had the desire to watch Ratatouille. As I finished the film it reminded me of How to Train Your Dragon. With the whole human and animal bond that overcomes the differences between the two species to work together. I ended up wanting to watch the film again. As I watched it, I thought to myself, just the first movie, right? As I started The Hidden World, I thought to myself, just the movies, right? As I started Riders of Berk, I thought to myself, just the pre-time skip series, right? As I started Race to the Edge, I thought to myself, I need to drop my Biology course since I'm gonna fail. When I rewatched the third movie all my original doubts on the film vanished. At the end when Hiccup decided to let Toothless go, I didn't cry. But, when Hiccup tells us, the viewer, that dragons were waiting for us to get along, I sobbed, more than I did any other time watching the entire series in the last 10 years. I realized two completely separate things. We as humans will never earn the right to have dragons, as we will never get our crap together. We are filled with corrupted morals and mindsets and will ruin everything and anything we get ahold of. The second thing was something I experienced earlier. Though I was afraid of the end I was so used to things claiming to be over and then the creators ending up making more for a cash grab. In that moment of watching 30-year-old Hiccup throw his son into the air, I realized that this was it. This was the end. The end of the movie, the end of the story, and the end of a large part of my childhood. When I graduated high school I cried in my car after our practice run. I was growing up and I would have to be leaving everything I had known until then behind. It was Troll Hunters a series I started before I moved into my dorm that helped me calm down and move into a new place. It helped me understand that I can't just change and leave what I love behind. I can take it with me beyond this line I drew myself. The past few days changed that though. I couldn't take my beloved world across the line with me. It will forever be chained into my past as something I can look back on yet have no expectations for any future with it. I cried because there was nothing in my hands that I could do to keep what I loved with me. But, with Stoick's words "With love comes loss, that's part of the deal. Sometimes it hurts, but in the end, it's all worth it." Thank you How to Train Your Dragon. You have given me so much. More than I could say. More than I know. We have grown up together, but now it's time for both of us to move on. Time for me to let you go.

Whoever stuck around until the end, thank you. I felt I had to write this as my fingers were itching for it. This is just a first draft but I doubt I’m ever coming back to this. I wanted to do something for the anniversary but like I said I didnt start getting back into httyd until the last 2 weeks and I just found out. I wrote this in like 2-3 hours, and I’m suprised at myself for powering through it. I’m still working on writing personal memoir pieces so excuse my skills. Anyways thank you again and Happy Ten Year Anniversary HTTYD!

#how to train your dragon #httyd #happy anniversary #micro memoir #first draft #draft

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precuredaily · 5 years ago

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Precure Day 148

Episode: Futari wa Precure Splash Star 49 - “In Top Form! Forever Friends Under the Starry Sky!” Date watched: 29 July 2019 Original air date: 28 January 2007 Screenshots: https://imgur.com/a/LingrF5? Project info and master list of posts: http://tinyurl.com/PCDabout

words don’t do this justice

note: I may revise this later if i look back and think of more to say. I probably will, bit i wanted to push this out now for personal reasons.

This is it. The finale. We finally made it! From November to now, Splash Star has been a long road plagued by personal difficulties and stubbornness and some lost sleep along the way, but I made it! And boy do we have a lot to discuss!

The Plot

When we left off, Saki, Mai, Michiru, and Kaoru, were infused with the power of spirits and transformed into Cures Bloom, Egret, Bright, and Windy. Gohyaan mocks their resolve and points out how all life is gone and there’s no light, no wind, nothing. It’s a world of ruin, except for the four of them, and he’s about to fix that. They battle, and as the girls again try to explain why they consider life so valuable, Gohyaan explains his backstory. He is an existence predating the universe, and he doesn’t like the commotion of life, so he wants to go back to the quiet. The girls won’t let that happen, because they have so much to live for. Gohyaan destroys the entire Earth, and thinks this is the end for them, but no! Saki explains how she needs to lead the softball team to victory. Michiru wants to try baking bread, because Saki’s is so delicious. Kaoru wants to draw with Minori and Mai, Choppi wants to live in the Land of Fountains, Flappi wants to confess his feelings, and Mai wants to keep drawing everyone’s smiles. They stand up, gather their power, and all together they perform a brand new four-person finishing attack: Precure Spiral Heart Splash Star!

This is too much for Gohyaan to handle and as the girls proclaim the strength of their hopes and futures, he is blown away.

The spirits of the various fountains and the Fairy Carafe reappear, and they restore everything to its original, beautiful state. We see all six fountains one final time, as the girls stand in front of the Sky Tree as they realize that it’s connected to the World Tree in the Land of Fountains. Princess Filia is fully restored to power, and Korone returns to being a normal, non-talking cat. However, Michiru and Kaoru have exhausted the last of their remaining energy, and they begin to fade away. Saki, Mai, Flaapi, Choppi, Moop, and Foop all cry deeply, not wanting to let their friends go, and even Filia seems sad but unable to do anything. However, a miracle occurs as the spirits of the Land of Greenery flow into the two, and Filia deduces that the spirits themselves want to live with the Michiru and Kaoru. They’re restored to life, and Princess Filia finally returns to her place in the Tree of Life.

At this point the first ending theme begins to play as we get a montage of events: All four girls visiting the Fountain of the Sky at long last, fulfilling that promise. Waving a tearful goodbye to their fairies. Mai and Kaoru drawing in school. The girls sitting on Gourd Rock in the spring. Saki and Michiru baking. And then, the softball tournament. Kaoru and Minori have drawn a picture to support Saki, while Michiru baked some bread in the shape of Saki’s head. Kaya, Miyasako, Kenta, Hitomi, Yuuko, and Mai are all in the stands anticipating the game. Saki looks into the stands and sees Izumida, the former captain, and suddenly gets nervous. She walks out of sight, and Mai walks up to her. They hold hands and Saki comments about how holding hands lets Mai’s energy flow through her, a callback to an earlier episode.

Then Saki walks out onto the field. Next thing we know, we’re treated to a few of Mai’s drawings: Saki holding the championship trophy, indicating they won. Everybody gathered together with Saki: Mai, Michiru, Kaoru, Kenta, Miyasako, Kaya, Hitomi, Yuuko, Izumida, Ms. Shinohara, Saki’s parents, Mai’s parents, Minori, Kazuyua, Korone, and all the fairies. Basically, every major character in the series. How nobody saw the fairies is not answered, and I have to assume it’s actually a photograph that Mai copied but details aside, it’s a great picture.

We zoom out to see Saki and Mai sitting beneath the Sky Tree, closing the sketchbook, and the real credits roll.

The Analysis

I absolutely love every minute of this. Even with the powers of all four spirits, Gohyaan is a formidable opponent, but the girls hold their own and manage to overcome him in the end. What is the power of destruction next to an indestructible will? He underestimates the power, the value, of life, and that is his ultimate undoing. He gets the peace and quiet he wants.... at the cost of his existence. And, indeed, this explains the Uzainaa’s name. It’s derived from “Urusai na”, which means “it’s annoying”. Gohyaan is an existence that predates the universe, and he doesn’t like the commotion created by life. It’s a darkly mundane reason to want to try to destroy everything, and frankly he should find a new hobby, but maybe in the end he learned that life is precious. Doesn’t seem like it, though. Honestly I don’t have much to say about the battle itself. There’s some good scenes, like this part where the cures all flip Gohyaan, but it’s more of an exchange of wills than a physical fight. Both are important aspects, as I’ve commented many times, I just want to note that the physical stuff was done last episode.

Let’s talk Michiru and Kaoru. Officially, they don’t get new designations even with the powers of Moon and Wind, because the idea at the time was still that Precures were only ordinary girls, but I think they deserve to be called Cure Bright and Cure Windy. Their journey is heartbreaking, even if their death was an inevitability and they were given a new lease on life very quickly. They never deserved what they got, but their tragedy is a part of this show I honestly forgot about, and I think it makes it more powerful. I knew Splash Star was an underrated gem but I had forgotten the depths of tragedy the Kiryuus were in, I kind of thought everything was pretty hunky-dory when they got back. Their journey escalates this show to a higher tier in my view, and I’ll have to remember that when making recommendations.

Obviously, they already had powers from being Dark Fall denizens, and getting Cure abilities doesn’t make them innately better, but it’s a great next step for them, epitomizing the journey they’ve undergone from mindless servants of Akudaikaan to friends and sisters who have a network of people who care about and support them, discovering their own interests, and getting to live life. They are every inch heroes in the way that Saki and Mai are and they have been done dirty by the franchise writ large.

The epilogue gives us a lot of things I really wanted. Michiru and Kaoru finally get some casual clothes, and they are really stylish.

Also, we fast forward to spring and see them in spring outfits and Michiru’s outfit is extremely similar to Nagisa’s spring clothes.

I’m happy to see them living normal lives, practicing baking and art and getting to experience life, finally. They seem so happy and I’m sure they have a bright future ahead of them and GOD DAMN IT TOEI WHY DO YOU IGNORE THEM. They were lucky to get Figuarts.

The softball championship game is something else I honestly forgot happened. I commented back in the last softball episode (35 I think) that we would never see Saki lead the team to victory the next year, because the show didn’t get a second season. Well, they took care of that here, and Saki did live up to her promise to Izumida by winning the championship.

In general it’s a lot of tying up loose ends that I really appreciate. Flappi finally confessed his feelings to Choppi and they’re a couple now, Kenta and Miyasako are still going strong as a manzai duo, Yuuko feels inspired by his encouragement even if they don’t seem to be a couple, and... well, the last closure we got on Saki and Kazuya was in the Christmas episode, but that’s just as well because Saki’s only love is Mai. For real though I love that the episode closes out on them being close, and you can choose to interpret their friendship any way you choose. It’s just perfect for this show.

Oh and there’s a little epilogue after the ending theme. On the TV broadcast it was probably a preview for Yes! 5, but we don’t get that here. Instead we get , some stills of Saki and Mai thanking everybody for watching, and saying that Precure will continue for a long time! And boy, truer words were never spoken.

Next time on precure Daily, I’m going to revisit a little Splash Star something that I forgot to do sooner. After that, I’m going to try to push out a retrospective on the entire Futari wa era, before we change up the formula big time with Yes 5. My goal is to finish Yes 5 by the end of 2019, but if I’m really good I might even be able to start GoGo this year. I don’t want to drag another show out for 8 months, so we’ll see where we end up. I hope to see all of you again soon!

Pink Precure Catchphrase Count: 1 Zekkouchou Nari!, in the title of the episode.

#Precure #Pretty Cure #Futari wa Precure Splash Star #FWPCSS49 #PCD148

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ginnyzero · 5 years ago

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Retelling Old Stories

I've written a book based on old fairy tales and legends and am currently reviewing the Shrek movies in Action Movie Friday. (Shrek 2 post coming next, I hope.) I thought I'd talk about retelling fairy tales, myths and legends.

Myths, fairytales, legends, these are the stories that are near and dear to our hearts. And let's face it, they're familiar, comforting and popular. Fairy tales such as The Sleeping Princess, The Little Mermaid and Beauty and the Beast have been told over and over to young children for generations. These stories are oral traditions passed down from generation to generation and have strayed quite a bit from their horrific and sexist roots. So much, that outside of a few key points their original creators may not recognize them anymore.

These oral traditions form the basis of the hero's journey which can be found in high fantasy stories such as Lord of the Rings and Science Fiction stories, such as Star Wars. They've been satirized (Ella Enchanted, the movie), parodied (Shrek) and outright made fun of (Mirror, Mirror) and also taken far too seriously (Snow White & The Huntsman.) Just as much as they've been played straight (see the Elemental Master Series of Mercedes Lackey.) And they've been mixed together until almost unrecognizable. (The Princess & The Frog, Frozen, Once Upon a Time, the 500 Kingdoms also by Mercedes Lackey.)

The great thing about fairy tales and myths and legends is that they have a very low risk level. People are far more likely to pick up something to read of watch that is relatively familiar to them and that they know they already enjoy rather than a brand new concept they don't understand and aren't sure they'll like. Fairy tales are comfort food. People know they like them. And given a choice between a concept they aren't sure of and a fairy tale based media, they're more than likely to choose a fairy tale based media.

So, how do you go about retelling these fairy tales and making them fresh and new for your audience? This was a question I (sort of) asked myself when I started to write the Dawn Warrior. (Available in Ebook & Paperback.) How do I take Sleeping Beauty and make her different without relying on, say, what we know of her through Disney or from Grimm, not the TV Show. (Which honestly, isn't much in either case.) And make them partly relevant without losing making a good story?

Change the Roles:

What if the Princess really isn't the Princess? What if she's the bodyguard in disguise that's protecting the real princess from assassins? (The Decoy Princess, Dawn Cook) What if the Princess is also a spy? (The Princess Series Jim C. Hines) Maybe Prince Charming is actually an actor!

I mean, come on, in real life unless your Prince William and Harry and work for the British Royal Navy, royals don't really have adventures. (I wouldn't want to get on the bad side of Queen Elizabeth either.)

Or, maybe the Princess and Prince aren't really the good guys after all. Maybe it's the Big Bad Wolf or the evil stepmother or even the sea witch. (Confessions of an Ugly Stepsister, Gregory Maguire) Or, to borrow from Hoodwinked, the Big Bad Wolf is really an investigative reporter trying to do an expose on Red Riding Hood. (I mean, she can't be all that sweet and innocent.)

A good example of this was a recent Sleeping Beauty movie that was in the horror genre. (Unfortunately I heard it was a really bad horror movie.) The Sleeping Beauty in the movie was supposed to be the damsel in distress and ended up being both the trap and the villain.

https://www.youtube.com/watch?v=xdEo_t-iVbM

(I'll just leave this here.)

Change the Setting:

Fairy tales in SPACE!!! (Lunar Chronicles, Marissa Meyer) Okay, there aren't a lot of fairy tales in space. I think I saw another example on instafreebie the other day. In fact, there aren't many romances in space either. (I was listening to a podcast about an indie author who was doing this and she was the first writing romances set in the backdrops of aliens?) But, this is like Star Wars. Greek Myths in SPACE!!!! (Seriously, Star Wars is built around the classical hero's journey. The franchise even freely admits it in their authorized literature. I've got a book by Bantam called Star Wars: The Magic of Myth that goes through it step by step.)

This is one of the easier ways to make fairy tales seem more relevant and seems to be currently the most popular. Grimm the TV Show, Once Upon a Time (in Wonderland), The Harry Dresden Files, and Fables, all take fairy tales and legends and drop them into the middle of the modern world. I include Harry Dresden, not because he's playing out a fairy tale so to speak, but he's some sort of misguided Prince Charming type on his own hero's journey. The book Charming by James Eliot, takes the character of "Prince Charming" plays it straight, and makes it a bloodline that is involved in some sort of knighthood charged with keeping the mundane world safe from the evil things that go bump in the night set in modern times.

Mercedes Lackey took a slightly different approach with her Elemental Masters series. She took fairy tales, played them straight, but set them in Edwardian times right up through the First World War. By doing so, she was able to show how the beginnings of the modern world like industrialization and rail roads and wars fought with machine guns instead of swords were effecting the world of magic and the magical creatures. (For instance, all the pollution made it easier for evil or nasty type elementals and creatures to thrive and good elementals and creatures that couldn't abide cold iron were dying off or going into hiding.)

Change the Genders:

Let's face it. Fairy tales are pretty sexist, no matter what your gender is. I had in the first draft of the Dawn Princess an entire rant by Roxana, who is a 'Beauty Asleep' about the differences between how a female Princess who is cursed to sleep and a male Prince is cursed to sleep and how neither tale does royalty any justice whatsoever.(Seriously, in the male version, when the Princess who had been sitting by his bedside took a nap, the clock should have reset, the Prince shouldn't still have sneezed and been woken by the maid.)

Maybe it's really Prince Charming asleep in the Castle and well, Beauty has to belt on her sword and gird her courage to get through the hedge and kill the dragon. Or, the tower bound male Rapunzel is intruded upon by a Pirate Princess who is looking for gold, not love. Maybe it isn't a brave little tailor but a brave seamstress! Or it is a male who is captured by a bunch of cannibalistic female bandits.

...

Okay, there is taking some things too far. (That story is terrible no matter what.)

Apply some Common Sense:

In fairy tales, things don't always make sense. I read them and go "why? why would they do that?" A lot of times Princes don't get punished for their ill deeds. Another Prince comes along, "saves" them and they go about their adventures without showing any sort of remorse for what they did in the first place. Princes don't become goose boys or shepherds or kitchen tweenies.(Or at least, not very often, I think Faithful John/Hans is about the only one I can think of.)

No, those punishments are reserved for Princesses who have been tricked into changing places with their maids and end up being goose girls or in the kitchen. (I can think of half a dozen variations of that tale.) And the Princess, instead of finding a nice baker or farmer to settle down with who appreciates her, instead figures out how to reveal her plight to the Prince who actually married her uppity maid/sister and seems happy with the maid/sister and once the maid/sister is out of the way, marries the Prince. (The Prince was tricked, happy to be tricked and the Princess took him anyways? That makes no sense.)

A really good example of this is the original and horrific Beauty Asleep tale. In the original tale, the King comes upon Beauty Asleep in her tower and rapes her, while she's asleep, repeatedly. In fact, he gets her pregnant with twins. The babes are born and he doesn't even take them with him! No. He leaves them with their sleeping mother. One of the babes gets hungry, as babies do! And sucks the thorn out of her finger that was keeping her asleep. Beauty wakes up. The Queen finds out about her existence. Tries to kill her. The King kills the Queen in turn and ends up marrying Beauty and bringing her and his twins to the castle.

Just what the ever loving hell?

It's good to be king?

No, really, the Queen should have taken Beauty's side. They could have killed the King for being an adulterer and ruled the kingdom together setting up the twins as the heirs. Female solidarity. Because the story as written is insane.

There's a post wandering about tumblr about swan maidens and selkies. And how awful the stories are about the men who take the swan maiden's cloaks and the selkies' skins to force these women to be their brides. One of the reblogs adds the caveat that it feels like these stories don't take into account the actual nature of swans and seals. Swans are pretty. They look graceful.

Swans are mean, they hiss, they bite, they're incredibly aggressive and they can break bones. Approach with caution. Don't try to steal from them. Don't try to pet them. Aggressive swan is aggressive. Okay. Anyone who steals a swan maiden's cloak deserves the punch in the face!

And seals, seals aren't all that nice either! Zefrank1 hasn't done a true facts about seals, but maybe he should. Male seals are called bulls for a reason! Elephant Seal bulls charge at each other when they fight. Leopard Seals are considered one of the ocean's more dangerous predators and take on whales and sharks. Seals train well to do tricks. Look, just, don't mess with them because not only are they cute and have sharp teeth and claws, they're smart. Do you really want to mess with the woman who can steal all your nets and drive the fish away and beat you to a bloody pulp? Seal fights involve mud wrestling.

Add some reality to the stories. Give the actions of those involved real consequences. Change the personalities to actually reflect the animals they are sharing their bodies with.

Mash things together:

This is another popular tactic and TV Tropes calls it the "Fractured" Fairy Tale. Think how in Once Upon a Time, (spoiler alert) Rumpelstiltskin is also the Beast of Beauty and the Beast and his father is Peter Pan. And he's the grandfather of the Truest Believer and thus the "father in law" of Emma Swan the daughter of Snow White and Prince Charming. And that barely dips a toe into the confusing of Once Upon a Time Family relationships.

Mercedes Lackey also did a version of mixing up of fairy tales in her 500 Kingdoms. In the 500 Kingdoms, The Tradition is a form of magic that ties to make fairy tales happen no matter what type of tale they are and no matter if all the pieces are actually 100% correct. Fairy Godmothers are there to steer the tradition so that disaster doesn't strike constantly. (Because what if the Prince of the Cinderella tale was actually a Princess or well, a Prince who was too young, too old, or just liked other Princes.)

Fables does this as well. Prince Charming is the same Prince across Snow White, Sleeping Beauty and Cinderella. Sleeping Beauty ends up marrying the Beast in her second marriage. (Prince Charming is good at wooing, not staying.) The Gingerbread witch of Hansel and Gretel ends up being the witch who puts most of the tales in action across the Enchanted Forest. The last arc I read, Rose Red was making her own version of Camelot (and there was much trepidation about how that was going to turn out, probably badly.)

Grab a bunch of different stories that seem to work well together, stitch them together in a way that makes sense or seems fun. It's okay not to always tell the exact same tale.

Add Real People's stories:

Look, if you're going for a more empowered woman in your stories. There are plenty of women in history that were actually pretty awesome. And I'm not just talking about Esther from the Bible or Rahab. (Both pretty awesome ladies.) There were female pirates and female queens who outwitted and beat their male counterparts to be on the throne and to keep themselves out of jail. There are female scientists, female snipers and well, I'm sure if you look hard enough you can find something a woman did in real life that men get praised for more often.

In fact, one person go so fed up with the way fairy tale princesses are praised at places such as Disney, they created a site/book for girls about such heroines at Rejectedprincesses.com.

Youtube has videos labelled things like Top Ten Badass women from History you probably don't know about. (But if you'd read Rejected Princesses you actually might!)

So, don't be afraid to use some real world inspiration to give you ideas about how awesome your female characters can be.

And these are just a few ideas on how to take something old and make it something "new."

In the Dawn Warrior, I took a bunch of these. I applied some common sense. Changed the Princess' role. And really mashed some things together. But, I kept a medieval fairy tale like setting because I wanted to keep this series different from my other series, Heaven's Heathens MC, which is a light science fantasy that could read urban fantasy if you squint at it. (Or maybe it's the other way around.) Two series set in the modern/future world seemed a bit silly to me.

Mostly, my advice is if you want to retell a fairy tale or myth or legend, have fun with it. Take your ingredients, mix them up as needed and don't sacrifice your story for message. (Because really, that gets old very quickly.)

Whelp, now if you like fairy tales there are plenty of pieces of media in this post to check out. Happy reading/watching/researching!

#writblr #wrtblr #writing advice #writing tips #fairy tales #myths

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rankakiu · 6 years ago

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Thoughts of the Droid: Dragon Ball Super: Broly (2019)

Hello, people of Tumblr! How does life treat you? As always, your friend Rankakiu hopes that very well. Finally, I had the opportunity to see "Dragon Ball Super: Broly", this being the first film I see in this 2019 in progress. Without further ado, let's give it.

Warning: NOT FREE SPOILERS. Read it at your own risk.

It's not the first time the iconic character of Broly has been used in the franchise. He had previously appeared in three films in the format of OVA: "Dragon Ball Z: Broly – The Legendary Super Saiyan", "Dragon Ball Z: Broly – Second Coming" and finally "Dragon Ball Z: Bio-Broly", being this third installment the most controversial because of its low quality. With the inclusion of the character in this recent installment, Broly has become part of the canon of the franchise, along with other characters of yesteryear like Bardock, Paragus, and Gogeta, in addition, to also add to the canon recent characters like Gine, the mother of Goku.

Entering already in full in the review, What do I think about the movie? Short answer: Good and entertaining. Now let's go into more details to analyze the movie properly.

Characters: Our favorite characters and we absolutely all know, returns. Along with old acquaintances, arrive new ones that are quite nice and charming, adjectives that describe very well Cheelai and Lemo, two characters that not only serve as comic relief, but also help Broly on several occasions, either teaching the Saiyan naive how the world works (or universe, as you want to see it), or saving it -literally- life. Highlight especially Cheelai. Her design is beautiful and her personality spreads enthusiasm, plus she will surely have a more important role in the future to help Broly control his enormous power. Most likely we will also see a future romance between these two characters.

Of course, I could not leave this review without talking about the main star of the film: Broly. Unlike his previous incarnation in which he was designated as a villain, here in this film he can be interpreted as a victim of circumstances. A being, in essence, innocent, born with the curse of having such an excessive power that is unable to control it. A young man who, given his null contact with other people and with the different worlds, do not know many things about life. It is a character that despite its tremendous power, is fragile in the deep and it helps the viewer sympathize with him. I emphasize this part to describe Paragus as a terrible father since he only saw his son as a powerful weapon to carry out his plans, and not as his son, his own blood. It is clear that Paragus did not change much the background he had in his first and last appearance. And in spite of everything, Broly loved his father and the proof of it is when he finds out about his death, he infuriates in such a way that he becomes a Super Saiyan.

Another striking aspect that I personally liked was that they showed Bardock's relationship with Gine and his son, Goku. Despite being a Saiyan, a being who is combative and ruthless by nature, proved to love his family, even when he has not expressed it so openly. Without a doubt, the farewell of Gine with her son was a very successful and moving scene.

History: Even though it is not perfect, it is quite acceptable. I loved that they showed us more about how the planet Vegeta was, along with some small views of their society, customs, and even their politics and technology. It feels a more complete world, but which still offers the possibility of being further explored thoroughly. The main conflict is presented in a direct and simple way, showing how the situations occurred, one after the other so that in the end the duel of the three Saiyan would end and that it would be justified. Something that I applaud is that in the end, they did not kill Broly and that even Goku is willing to help his new rival so that he controls his powers, which opens up more possibilities that the potential offered by this new reinvention of Broly be explored to fullness. Like I said, the story is not perfect, but it's solid enough to keep you entertained.

Animation: In the first minutes you notice a very sublime and beautifully cared for work, despite being limited animation. In general, the animation manages a very good standard throughout the film, being that the best strokes, drawings, and animation can be seen in many of the natural environments that are shown and specifically in the close-ups of the faces of the characters. However, not everything is honey over flakes, since there are several scenes that are badly drawn and in others, the stroke and animation are simply horrible. In the case that concerns us, the dance of fusion is the one that suffers the most from this problem.

Action: Something that has distinguished the franchise, is undoubtedly the action that manages in the fighting. This movie is not the exception. It is the action that we all know and love, where we see warriors exchange blows with such a huge force that pulverizes great mountains and completely changes the geography of the place of combat. Perhaps a negative point is that there are some sequences where the action goes too fast and does not allow much appreciation of the exchange of blows. It's dynamic and fast, yes; but it would be good to return a little the action of yesteryear, where you could appreciate for seconds how the blows were connected in the opponent, plus you could feel the strength and power of such blows. Another detail that I found negative is that in the final part of the fight, the action is too overwhelming and exaggerated, even by the standards established in the series. There is even the ridicule that by the excessive power of Broly and Gogeta, both fight for seconds in a kind of alternate dimension or fragmented reality. I hope that in future installments do not abuse much of the action in this way.

In conclusion, Dragon Ball Super: Broly, without being a masterpiece, is a good movie to pass the time and remember longing for this franchise. A good addition to the twenty films that exist in this mythical series. If you are a die-hard fan of the franchise and you liked the anime of Dragon Ball Super, you will undoubtedly love this movie. If on the other hand, you are a more demanding fan, the movie may not be to your liking. For my part, I would not hesitate to add it to my catalog of animated films. I give this movie 3 out of 5 Legendary Super Saiyans. A movie that shows that Dragon Ball still has a future ahead.

Greetings

Rankakiu

#dragon ball #dragon ball z #dragon ball super #dragon ball super: broly #movie #anime #son goku #vegeta #broly #legendary super saiyan #now broly is canon #also gogeta paragus bardock and gine #toei animation #thoughts #thoghts of the droid #review #opinion #rankakiu

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