#sam you are so important to me

[pikaflute]

for bingo: what about sam !!

first bisexual transgender autistic dog whos also a milf

never ask a woman her age, a man his salary, and tumblr user pikaflute on what her opinions are on men (dogs) who wear suits. it will always end like this.

i like sam. hes funny and cutie. i liked max at first because self recognition through the other but sam is really fucking funny. he's an asshole too but he's also a sweetheart. i know he wants to be a cool noir detective and he practices his one liners in the mirror before he has breakfast. he's infodumping to max about something that he made up and max is like "is that true?" and sam is like "sure is little buddy (lying)!"

he's really good in season 3. skunkape im gonna need that remaster so my switch can have no storage space after i take 500 pictures of sam in 303. this image specifically has made me sick.

i do think someone needs to be punished for putting my pookie booboo bear through season 3 though. no reason why he had to be through those events and to make him suffer. what if he was loved, by me. what if he got to take a nap or something. maybe a kiss or two. he deserved to go more angry too. he was being hurt all season and deserve to like beat more people up. #TRUTH!

anyway fat guys RULE! i have selfshipped with him. its how i roll. love wins and all that. babygirls in suits 4eva.

[theactualsunshinechild]

[cute-brainz]

in honor of the Sam BA 🫡📣 idk what to do with myself

[finalgirlsamwinchester]

guy who so desperately tries to find god. who wants to have faith in a higher authority to guide him out of the hole he's in. from the weight of guilt from simply existing, as the person he is. but every time he thinks he's answered his higher calling it turns out he's made the Morally Incorrect choice and his path to goodness and holiness was the road to the devil all along

[gaycrittercentral]

HELLO DEAR if you're still taking prompts i would love to see the gremlins and "kisses to shut them up" LMAO..... i imagine they both do this quite a lot they're idiots supréme ahsgskfgh <33

EEEEEE HI MOON sorry for the long wait for this one!! Now that all the holidays and birthdays at my house are pretty much over I finally have time to sketch up some answers for some asks that have been waiting way too long and I’m so happy to get yours out there first!!! :Dc here it is myehehheeeh this was an extremely fitting prompt

Sam knows exactly what tf he’s doing lmaooooo. Probably it just backfires on Max bc Sam decides to sing something even sappier hhflzjgkhsjdhssbjffhbd

[1taemin]

[suncaptor]

Thousands are Sailing (The Pogues) // Supernatural (video w/ lyrics)

cultural fusion / liminality / home / psychic

video without lyrics

two years ago I found this post by @tiarnanabhfainni which became one of my favourite ever due to how it draws on the themes of home & liminality while fusing supernatural / emigration. this is one of my favourite songs of all time as well, and I hope even if you don't know it you're willing to give it a try! lyrics included.

[doctorsiren]

gonna finish my re-watch of Gravity Falls (almost got through the entirety of it all just yesterday, but I have like 1/4 of s2 left bc I got tired) so uhh hey how about you send in some gravity falls asks/doodle requests that I’ll get to either while I watch or after I finish 🥺

[ghost-bard]

I've had this theory for a while now, and me n my friend (@nightshadetq ) have talked about it a bit as The Magnus Protocol continues, but I really don't think Alice's indifference to the paranormal/statements/cases ect ect is proof that she like. Has no idea what's going on, or will be in for a rude awakening.

[Note: this post is not free from spoilers up to episode 18]

I think she knows a decent amount of what's actually going on, and is trying to protect Sam (or her uninformed coworkers in general) from getting in too deep.

Other than Lena, who I assume has been the boss since Alice arrived, Alice has worked at the OIAR the longest, "nearly a decade" and has consistently told Sam not to look into anything, to not be curious, and to just do his job, and those moments are when she is the most serious, an odd departure from her typical attitude, very likely a coping or defense mechanism (or survival tactic) on her part.

We also have how she and Colin interact, and her conversation with Teddy in the most recent episode (18 as of writing). While yes, her and Colin's unlikely duo could be in part simply a fun dynamic, grumpy/sunshine, whatever, but we also don't really know what has happened within the last near decade of Alice working at the OIAR. The only person Colin likes is Alice, perhaps because she's the only one he trusts, or maybe they went through something together, that's mostly speculation on my part I'll admit.

What's more interesting is Alice and Teddy's conversation, the weight of Alice calling Teddy a liar, her saying to herself for Teddy to "watch himself" because she's worried. I would point out we have no idea how long Teddy worked at the OIAR, though in episode one there's a mention of "another four years" which implies he's worked there about that amount of time, and so Alice had still worked there the longest.

Honestly it would be weird if Alice hadn't seen weird shit pre-canon given how long she's been there, and that despite the jobs turnover rate hasn't quit despite everything, almost like she's obligated, to the job perhaps not, but maybe to the other people working, given we know that people can and have quit. Of course it could also just be the getting a new job is difficult and she has a younger brother to help out occasionally, but truthfully I find it a bit difficult to believe that being the only reason she wouldn't have quit by now.

Also interesting that the only thing Alice said in response to Gwen talking about Mr. Bonzo, where Sam laughs and thinks she's joking, is after she leaves saying "Curiosity will get you killed, best try and ignore it" wherein Alice clowning on Gwen is what I, at the least, would expect in response. Yes, she questions Gwen interacting with monsters, but she doesn't push her to talk about it, and in fact, gave her an out on what the Externals are.

Considering both Gwen and Sam didn't know about them until 1. Gwen asking Lena to let her "in" and getting work about/for the Externals, and 2. Sam just now being informed. Meanwhile Alice has a fake explanation on what they are, providing Sam with said explanation, therefore shielding him from the truth of the matter, and letting Gwen not have to talk about it, only for Gwen to then say what they actually are. So either Alice already knew what an External was, and lives by the "if you don't know about the real goings on nothing will happen to you" deal and tries to act the part herself, or someone who no longer works at the OIAR AND worked with Externals told her that that was what they were, which I'll admit is also a possibility.

There is also her seeing the drowning victim and her reaction to them. Her primary issue as I remember it was the dead body, given how she implies she hadn't seen a dead body since her parents passed. However, her having a negative reaction to a dead body doesn't mean she hasn't seen other freak shit. There is also the option that she lied about not having seen a dead body since her parents, and she (rightfully) still has an averse reaction to them, though I don't necessarily believe this myself, I am presenting it as an option.

Maybe I'm talking out my ass, but I really don't think Alice has completely avoided everything up until now, especially given how weirdly cagey she is about anyone (mainly Sam, but they have a history so maybe she feels responsible for him in some way) getting curious about what they do, or wanting to look into the cases they receive. If she didn't know anything at all, I don't know why she'd care about someone getting curious about their cases, or at least care as much as she seems to.

[millionsghosts]

thinking about the comparisons of Sam to John and the revenge shit is what really gets me because like. John raised his kids as hunters because he lost himself in his grief over Mary dying and obsession with revenge. Sam almost lost himself to it too at the end of season 1 (he would have if he shot John), but he stops himself because his alive family is more important to him than revenge for Jessica (the big difference between him and john!).

In contrast, when Dean dies in season 3 Sam doesn't have anything left but the revenge. His brother is dead and there's nothing he can do. That's when he loses himself and lets the want to kill Lilith take over. The powerlessness he felt when Dean was going to hell and confirmation that he could do nothing was what Ruby needed to get him hooked on that demon blood, too. This is similar to how John became hooked on hunting Azazel, but is also a more literal addiction (demon blood addiction as a metaphor for Sam's revenge quest, anyone?). Just like in season 1, Sam is paralleling his father here.

However! I believe it's at least a little bit of an unfair comparison to make. Sam's circumstances were a lot worse than John's with Ruby spurring him on (and the actual addiction to the blood). Plus, he didn't have a responsibility to his family like John did until after Dean got back. When that happened he did continue what he was doing, but at that point he was already hooked on demon blood/in too deep with Ruby anyways. He was also convinced he was already unclean! At most he thought he could use it to kill Lilith, right?

Also, Sam's obsession was much further along than John's when the opportunity came to put revenge over family (since Dean had once again. Been dead.). I'm not saying he didn't fuck it up, he 100% did! He betrayed Dean's trust and made a HUGE error in judgement, no matter how sympathetic I am towards him

(Not denying this is a Sam defense post! But I also have enough media literacy to understand that even when I love and am defending a character, that doesn't mean they did nothing wrong. I'm saying Sam is a better person than John was, not that)

Anyways, this betrayal still isn't comparable to John, who started out with two very young children to take care of from the beginning! He doesn't have the excuse of his obsession developing or getting in too deep while his family wasn't around like Sam does. Also, for all the shit Sam's addiction causes, he at least doesn't force Dean into it. This is as opposed to John, who raised his kids to be hunters too!

Anyways Sam, when in his right mind (not an addict being manipulated!), knows to choose his family over the revenge. When he doesn't, it's because he's a victim of severe, completely different circumstances. John Winchester left his normal life for the sake of revenge while he had two kids in the backseat. For all the similarities between John and Sam, despite the many many parallels and connections of their stories, that's the big, important difference between them. That's what matters

[serendipity0930]

What's your opinion on the take that Sam is always running away?

ooh oh my goodness this is. complicated.

I think before even getting into the actual canon events, the real issue that I personally have with it is that, when people say it (including dean), it's usually predicated on the idea that sam did not grow up in an abusive environment / did not experience as much abuse as dean which has little-to-no canonical proof. this directly relates to both flagstaff (he's trying to escape an abusive environment where he doesn't feel taken care of) and stanford (he's literally just going to college !), where people think he had ""no reason"" to want to leave or that he ""abandoned"" dean

in terms of on-screen events I think "always" is untrue and honestly unfair. the only two times I can think of that can be actually defined as "running away" would be flagstaff, since that's the legal definition what happened, even if I don't blame him for it at all, and post-s7/pre-s8 when sam himself says that he just "ran" from real-life and the memories of dean. I don't think that constitutes saying that he factually "always runs away." to me, any other examples that people like to use don't really hold up - in 04x21, he's not running away, just killing lilith without dean (who could be considered an active threat to sam after the panic room) and in 05x03, they mutually decided it would be better for sam (a recovering addict) to step away (additionally, sam immediately calling dean when he finds out that he's lucifer's vessel seems to show the opposite of running away imo and a willingness to do what needs to be done)

I think it really comes down to the fact that leaving dean or leaving a dangerous situation does not equal running away, even if dean thinks that. and the popularization of this take seems to stem from the narrative bias in dean's favor and how the audience is mostly restricted to dean's narratively justified despair/anger while sam's emotions aren't explained (see: 05x16 when dean gets a whole long moment about flagstaff and why he's upset about it, but sam doesn't get to explain why he left in the first place.)

anyways. overall, I understand where it comes from, since dean does use that language in relation to sam, but I dislike it and I think it's a very limited take that vilifies sam for simply having autonomy / the desire to make his own choices, even if they don't involve his family and/or dean

[incesthemes]

there's a somewhat subtle but notable development i've noticed in sam between seasons 1 and 2, in that he becomes much more willing to lie to the people he's trying to help—he starts finding lies a practical necessity and the truth about the supernatural as something to avoid in polite society.

in bugs, sam urges matt to tell his father about the curse, make him understand the severity, while dean instructs him to lie his ass off so his father will get the hell out of the house. this episode favors dean here: larry obviously doesn't buy the curse story, and it's proven to sam that the truth can in fact be more harmful than a lie.

then by salvation, sam seems to have integrated into himself that lying is necessary: when he proposes that they tell monica and her husband the truth, that a demon is coming for their baby, it's a joke. dean registers this joke with a sardonic grin and sam instantly agrees this is a Bad Idea. he's learned from his mistakes.

the development across season 1 is, here, that lying is necessary for them to do their job. people don't believe in supernatural phenomena, at least not insofar as it pertains to themselves, and they'd sooner get arrested than do any actual saving of the day.

case in point.

all this to say i think roadkill is an interesting episode. much of the conflict between sam and dean centers around what information to disseminate to molly, what she should know and what she shouldn't. they go back and forth trying to figure this out, often unprepared for her questions and hiding the truth in obfuscations and white lies. neither of them are so cruel as to tell her anything blatantly false, but neither of them are willing to tell her the full, unadorned truth.

sam has learned his lesson: he keeps everything he tells her in the realm of plausible deniability, refracted through layers of half-truths that don't actually tell molly anything about her situation. even though he is the one who outright proposes that they tell her the truth, he is the one who, surprisingly, ends up telling her the least.

instead dean is the one who offers up the most blatant truths throughout most of the episode. in this sequence, sam even resists the truth, still convinced that obfuscation is what will further their goals most. the truth will make people think they're crazy, it'll get in the way of doing their job. he's not wrong, either:

and until the end of the episode, he continues to bury the full truth and speaks in roundabout ways to keep it from her.

many such examples.

anyway, what i also find interesting about this is that while sam commits to this lesson he learned in season 1, dean is rather forthcoming about the truth. clearly he doesn't like the idea of telling molly what's going on, but he's still quite often the one to offer up a plain, truthful explanation over sam's much nicer obfuscations. which is a little strange, considering he is the one who typically pressures sam into lying and constantly reminds him of the value in lies. not that dean has never cut the crap and offered up the truth—there are plenty of episodes where he does just that—but since a major conflict of this episode centers around this point of contention and since dean has already expressed his unwillingness to tell molly the truth, i can't help but raise an eyebrow.

what this episode also does, however, is parallel molly and sam. similar to maggie in playthings, molly is a monster by circumstance, lonely and afraid. she functions as an allegory for sam as his destiny develops and his fears about his impending doom heighten, and when sam speaks to her he is also speaking to himself, about himself.

ultimately, i think this indicates a development on dean's part, as well. after croatoan and hunted, dean has no more secrets to keep from sam, and he's chosen him as his codependent life partner. more or less, he's "taking responsibility for himself" by abandoning his duty and devoting himself entirely to sam. and sam values the truth: he's resistant to lying to civilians about the supernatural and only reluctantly gives up after a full season of grappling with it, and when it comes to his brother one of the first demands he makes of dean in season 2 is that they no longer keep secrets from each other (it's their major point of conflict between 2x02 and 2x04, after all). it's easily deduced that this stems from his life of exclusion, and it's understandable that sam wouldn't want dean to keep secrets from him now that they've evolved their relationship into codependency. and now that dean has abandoned his duty for sam, dean can eschew the life of secrets and exclusion he's been both knowingly and unknowingly implicit in up until now.

so if molly is sam, then dean telling molly the truth seems to indicate an olive branch of sorts. it's an indication that even if he doesn't want to, dean will tell sam the truth—he's fully committed to the relationship, especially after born under a bad sign where he reasserts his commitment to sam above all else. i think it's a nice symbolic gesture to indicate his character growth. the honeymoon phase that takes place between hunted and what is and what should never be do a lot to explore how their relationship can grow in weirdly positive ways that we really don't see again until like—god, like season 10, and their only barrier to bliss for this stretch of time is sam's all-encompassing existential angst trying to pull them apart (unsuccessfully so, until all hell breaks loose).

but all that said, i think the way truths and lies are explored in roadkill are indicators not only of their own personal developments, but also their developments with each other. molly functions as the conduit through which sam is explored—both dean's relationship to sam and sam's relationship to himself. she reveals what sam fears and what sam values, and she showcases how time has passed for sam and dean and what that time has done for them. sam has learned the necessity of a lie, but he keeps his lies as close to the truth as possible, laced in obfuscation and omission. dean has learned the value of the truth, at least when it comes to his brother, and even if he knows it's dangerous and stupid to tell the truth he will put himself out there anyway, for sam's sake.

i don't know. i think it's interesting.

[brekwrites]

Sun and Solar smoke weed?!?! IN VR CHAT

(CW for marijuana and recreational drug use!)

Finished the weed fic that was up in the 100 follower poll I posted. Rated M bc of recreational drug use. You'll never guess what happens next, guys!

[redysetdare]

Tbh I don't find other forms of attraction important enough for me to identify them myself. That doesn't mean that others who do are stupid for doing so. It doesn't mean people identifying their inability to feel those attractions are stupid for doing so.

I don't see a reason to say if I feel platonic attraction or not, but aplatonic ppl do and should be able to label that without pushback or ppl saying it doesn't matter. It matters to them and that's the point of these labels. We should support them instead of silencing them.

[starheirxero]

I've been thinking a lot about Lunar's different designs, and would love to ramble about them a bit, if you don't mind!

All of this is, of course, completely self-indulgent, and my own interpretation!

Now, Lunar has three official VR models. There's the most iconic one, with the crescent moon, the cuter version of moon, and of course his current one! For simplicity, I will refer to them as "Crescent", "CutieMoony", and will call his current one "Pastel".

There was one other design, his very first, which was shown in the thumbnail, though in the actual show was just a very pale recoloring of moon, and only shown in reaction videos. Though it was never canon, I do still have my own interpretation to that as well! This one, I will refer to as "Pale".

"Crescent" is most important design, as it brings meaning to the rest. It lays the foundation for everything else, as it is his real design. It's what he automatically glitches into when he's under high stress. Most importantly, it's what he's been shown to look like in every other universe. Lord Lunar, Lunara, swap Lunar, all of them are the same. Crescent is universally shown to be his real self.

"Pale", on the other hand is, simply put, what Eclipse wanted him to be. Something easily pushed into the background, something mild. Something to sit by quietly, to take what is thrown at him. Pale is the opposite of who Lunar actually is. Interestingly enough, his design in the thumbnail changed the day Moon returned, the day Lunar finally decided to cut off his puppet strings and reject Eclipse. That day, he rejected the image Eclipse had crafted for him, and his design, pale and barely there at all, bloomed into something bright, something noticeable. Lunar finally became themself, no longer bound to their purpose.

"CutieMoony", is the opposite of Pale, as it's what he chose to be. This design, to me, truly underlines Lunar's relationship and appreciation for old moon. He already has an actual design, one designed by his brothers, one that's truly him, in this universe and every other, and he can change into everything he wishes to be, yet he chooses to look like old Moon. Old Moon, who knew him best, right after Monty. They have shared the same body, and old Moon has seen the dents and hurt left in Eclipse's wake. He is the one Lunar ran to, when they couldn't bear the abuse anymore, the one they cried their heart out to. And despite what Lunar did, even under the influence of someone else, he met them with nothing but care and concern. He listened to them, and visibly tried to reach out, only to hesitate and hover instead, for his hands were only ever used to hurt before, something Lunar knew. He didn't force them to stay outside, and took their place, didn't even hesitate when Lunar asked him to be his brother. He is the first one who tried so hard to be a loving brother, arguably trying to be what he couldn't be for Sun, at least not in the beginning. He actively supported their interests, remembered what they liked. When Sun scared Lunar in a horror game and made them cry, Sun panicked because Moon would hear, showing just how much of a protective barrier old Moon was for Lunar. By taking his appearance, Lunar truly showed how much they looked up to him, and how safe he made them feel, considering they took this appearance while they were trapped by KC. Another thing to note is the red and yellow accents, very reminiscent of Sun, showing how much their bond has grown since the rocky start.

Last but not least, there is "Pastel". This design definitly has a lot of interpretation to give, but my favorite to focus on is the raw wrongness of it. Because we know what Lunar looks like. He's supposed to be vibrant and blue, yet this body is purple and mellow. Ironically enough, it's very similar to "Pale", the very personification of what Eclipse wanted him to be, showing the permanent mark he has left on them, as well as their mental state. Their energy isn't genuine anymore, it's a distraction and exaggeration to run from the mess left in their head. There is also the divinity inside of them, reflected in their eyes, showing them that now, they are more than just Lunar. They are part of something much bigger than themself. This body, in every sense of the word, is not their own. It's something they might never see as a home either. Another irony is how it once again links them to Eclipse, who himself is in a body not his own.

His body is a literal copy after all, not to forget that his "real self" was universally shown to look like Solar, minus God Eclipse.

This was a rather long ramble, but I really needed to get it out of my system! The brainrot's been growing steadily-

Thank you for reading!

-Stardust

BELOVED STARDUST ANON I'M GOING TO START DOING FLIPS OVER HOW EXCITED I AM ABOUT THIS OH MY GHOD

I don't even know what to say other than these are all a fantastic observations and that I am wholeheartedly accepting these into my soul forever I think

[basilbots]

Aa I love the Blood twins and their relationship, but I also love differentiating them hence Bloody and Harvest. Them being simply two halves of a whole is cool, but I love the idea of them growing into more solid identities while still working together. They are two siblings like Sun n Moon, but contrast them by starting off on the same page and choosing to stick together.

Which makes it all the more interesting when the Blood twins have a real argument for the first time. They’re fighting and to them it’s a big deal and scary because they’ve always gotten along so well! Take that status quo and disrupt it with something that’s normal to everyone else but completely new for them! It’s fun making them different and then having them realize that they’re different!