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#sad tragic father guys
wolfythewitch · 2 years
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Pls don't go on my animatics and tell me they look like characters from a different fandom mwuah thank you
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suckdickforcoin · 10 months
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criticalrolo · 2 years
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folks i have put in the legwork to try to understand the jgy apologist side of the fandom since that seems to be So Many People... I thought that maybe the tv show elevated his crimes to make it a more black and white villain situation but then I read what he does in the novels and it is WAY WORSE... i literally feel like it's 2012 and people are writing loki-style apologism for "his childhood was very sad (extremely true it was horrible) and that's why the crimes are okay (the crimes are so so many murders and SA because his feelings and desires are more important than People's Lives)"
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sammydem0n64 · 1 year
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The whole plot of Crumbled! (at least the main plot since several characters aren’t. Involved in that. Funny side plots and characters baby!) is how organized crime affects people, inside of it and out. It’s how members of the mob don’t have anything else they can do in life aside from the life of crime, it’s how the general public are harmed by organized crime even if they aren’t being targeted personally, it’s how being a member of this lifestyle can destroy or build your relationships, it’s how no one is pure evil or pure good, it’s the complexity of people while also being about The Horrors.
No one here faces “traditional consequences” to their actions, aside from a few. Hershey doesn’t go to jail, Donna doesn’t die, etc etc. This is a story that doesn’t need those consequences. From day 1 you know these characters are doing horrible things, and at the same time these characters learn and fully comprehend they’re doing bad things. The most they get as “traditional retribution” is how some of their personal relationships are affected. Aside from that, these fuckers dont NEED what the masses would deem a traditional consequence because the entire fucking plot is them going through the horrors because of their actions! Being in the mafia and seeing and doing horrible things while having to just live with it is a pretty damn good “consequence” to me! Melphis doesn’t need to go to jail because “he needs to suffer the consequences of his actions” when every single damn day he suffers‼️
Even if Cheon’s family isn’t destroyed, even if the Oreona family doesn’t ostracize it’s members that are criminals, even if the extremes aren’t reached in these “consequences” there’s still a damn effect!!! But at the end of the day like I said these guys suffer the consequences of their actions constantly so they don’t need jail time or death or anything like that oh my god. And if you think that’s wrong and makes me romanticize, endorse or fucking glorify the mafia because Melphis doesn’t get locked up and only two members of the Oreo Gang die in the end then OHHHHHH GROW UP‼️ GROW UP‼️‼️
#like I said I’m feeling mean .#NOT like anyone has ever explicitly done this to me I haven’t been hit with the glorifying accusations#but walk with me. walk with me guys... sometimes the narrative is about bad people and they don’t need to get torn apart for their actions.#sometimes stories can have bad people and just because you aren’t told up right ‘This is bad!’ means the thing is being glorified#Melphis is not a perfect person he has done wrong. but his ass does not need to face time for his crime for the narrative to be complete#like I said Bro suffers every single day.#and he’s the most sympathetic in this group! But Everyone else follows a similar philosophy#Guo doesn’t need to die because he does wrong Phoenix doesn’t need to die no one here deserves death#The two that do die are even tragic.#You can argue one of them needs to die so everyone can go free and Cheon can get his full revenge but shit man.#She was raised to be a monster. She never had a chance to be a better person because she was raised to take over the mafia and only had that#Her mom feared what would happen if she tried to take her with her when she fled. So she had no other exposure to a normal life#And no one dared try to take her away from her father. They feared the consequences. they all feared what’d happen#and then it was too late. She never had the chance to be a regular person and she died a monster since she had nothing else to her name#that doesn’t excuse her actions obviously but damn. how sad!#and the other one that dies just fucks up Cheon. Because it’s salt in the wound over his whole revenge plot#It’s the final emphasis on how his drive to avenge his parents’ deaths led to more tragic than needed. how even in the end his perfect kill#-(in quotes) was tainted by the blood of someone no one wanted to kill. someone who was flawed and wrong yeah#but people love to see him and his brother as more sympathetic than Cherry. so rip.#shit is just fuck and I don’t need to make them go to jail not every narrative like that needs it#and like I said if you treat my ocs like them not dying brutal deaths or other ‘traditional consequence’ by god eat a lime.#Phew. anyways#demon’s ocs#crumbled!#Look into my twisted mind boy /J
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marsbotz · 2 years
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Omg spider man I love spider man so fucking much like he is the best super hero cause they don’t make him sauve or Mr morally superior. He’s just some dude tm and he does whacky stuff a teen-young adult does. He makes puns and punches people in the freakin face and has genuine reactions a guy his age and experience should. I agree that spectacular spider man is one of the best spidey shows but I have to point out that he’s one of the best peters. I could go on but web slinger make brain go brrrrrr
YOURE SO RIGHT FOR THIS yeah spectacular is SO GOOD. best spidey best peter best storyline EVER. im crying forever that it got cancelled
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cutiekaijumuseum · 3 months
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A little trivia for those that just got introduced to Ultraman thanks to Ultraman Rising
You know that part where baby kaiju Emi is shown a kids cartoon with an earworm of a song?
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That cartoon is real!! It's called Kaiju Step Wandabada and it stars cute kid versions of different monsters from different Ultraman series (mostly the original from 1966 wich Rising is also based on). The opening shown in the movie is in stop-motion while the cartoon itself is in 2D.
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The Ultraman heroes don't appear in person, but bizarrely enough they seem to exist as fictional superheroes in-universe, with the kaiju kids having toys and dolls of them. It's no surprise Emi liked it so much! She would be right at home in this show!
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The episodes are 5 minutes long, there are two seasons of 26 episodes each for a total of 52. The official Tsurubaya channel has the first episodes of both seasons uploaded...
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...but the rest were sadly only up for a limited time cuz gotta sell the dvds. What is officially available online right now is a series of educational shorts.
Some years ago Marvel Comics got the rights to make Ultraman comics and made a mini-series called "The Rise of Ultraman" (no relation), and these Kaiju Step designs got to appear as part of in-universe instructional videos about dealing with monsters and aliens:
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So let's have a quick rundow on the little monsters and where each comes from:
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Pigmon or Pig-chan is the main protagonist and new kid in town (forest). This coral-looking guy is one of the most iconic and recurring ultra monsters and the go-to kid-friendly one, as he stood out among the original set of kaiju for being friendly and heroic (as well as human-sized). He has the bad habit of dying in many of his apperences but fortunately that's not the case here.
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Kanegon or Kane-chan is the second member of the protagonist trio, and the most energic and simple-minded. A coin purse monster that eats money, and usually a human kid under a curse. He actually pre-dates Ultraman, appearing in the black-and-white anthology series Ultra Q wich had monsters but not superheroes. Fortunately this one doesn't need to eat money and was born a kaiju.
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Alien Dada or Dada-chan is the reliable but temperamental inventor of the trio, he dreams of building a rocket ship. One of the most iconic villains from the original 1966 Ultraman (and that's saying a lot), it's a weird alien with weird powers looking for human subjects for his weird experiments, like testing his shrinking ray. He really earns the name of a weird art movement.
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Gomora or Gomo-chan is probably the most iconic ultra kaiju of all. Remember how in Ultraman Rising there is this whole sequence where the dad omniously talks about fighting him? There is a good reason for that. Gomora had the only two-parter in the original 1966 series, and was able to actually defeat Ultraman in their first figh. He's essentially Godzilla if he lived underground rather than underwater (He's even been a good guy and had a robot counterpart). Here, however, Gomora is a chill guy who's passionate about agriculture. (btw, you can also spot Gomora in Rising on a screen around an hour and eight minutes into the movie).
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Red King or just Red is another iconic ultra dino, that looks like corn. In the show he's brute but well-meaning, and has a friendly sport rivalry with Kemur-chan. But in the Ultraman series he's a sadistic and murderous bully who beats up weaker monsters but gets his butt kicked rather easily by Ultraman (although more recent incarnations have have been more positive, both in his fighting ability and sometimes even becoming a loving father). (and yes, you are right, he's not red).
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Jamira or Jami-chan is a passionate archeologist and fossil collector in the show, whereas in the original Ultraman he was a human astronaut that got infected by a virus. He hasn't appeared much beyond his debut... but doesn't need to, as his episode was very memorable in how sad and tragic it was. I can't imagine the target audience's whiplash seeing this cute creature one moment collecting fossils and the next having a horrible sad death. I guess one could say the same for most of the characters, but this one takes the cake.
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Miclas or Mic-chan is the youngest character, a baby, and loves bugs. He was one of the "capsule monsters" from the second ultra series, Ultra Seven. Sometimes the titular ultra wouldn't be able to fight himself so he would summon up to three very loyal monsters from little capsules to do the fighting instead (or at least buy some time, they weren't very strong). One was a triceratops, another was a robot bird, but the most iconic had to be Miclas because really, what even is he? Some kind of bull toad hybrid? (By the way, fun fact, the capsule monsters were one of the inspirations for Pokemon).
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King Joe (yes, that's his name) or Joe-chan is a robot controlled by alien invaders and is to Ultra Seven what Gomora is to the original Ultraman: he's the subject of a two-parter and was able to beat the hero to a pulp at first, made harder to fight by his ability to divide into three flying parts. Fortunately this Joe is very shy and very friendly.
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Eleking or Ele-chan from Ultra Seven is another of the "mascot" ultra kaiju. If two ultra kaiju have to appear in anything, chances are they will be Gomora and Eleking. In fact, in Ultraman Rising you can see Eleking in a monitor right next to Gomora (around an hour and eight minutes in). It's a dinosaur-like eel monster with (of course) electric powers, and the enforcer of an all-female bug-like alien species set to conquer the earth, that are nonetheless very affectionate towards their pet-weapon dino-eel. The fact that Eleking's masters are always women may explain why the Kaiju Step one is a very femenine and elegant girl despite having King in the name, though no less dangerously electric.
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Alien Guts or Guts-chan here is a very little alien bird child who can multiply into three separate individuals to cause all the destruction in their sincere attempts to help out. The original duo from Ultra Seven meanwhile are ruthless alien invaders that are infamous for freaking crucifying the aforementioned hero, leading to decades of japanese media having christian imagery for the sake of looking cool, most notably Neon Genesis Evangelion, because these birds did it first and it looked so cool.
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Alien Kemur or Kemu-chan is a very agile alien that comes from the distant future of 2020 to consume humans and extend his lifespan. Here he's a friendly but competitive ninja from the present, and has a rivalry with Red King being the speed to his strenght. Like Kanegon, he pre-dates Ultraman, being from Ultra Q.
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Motokureron or Kureron-chan originates from the whimsical, fairy-tale like Ultraman Taro. A kid found him as a baby and fed him until he grew to giant size, but when the kid couldn't feed him anymore he turned destructive; fortunately he was easy to pacify with food, including the kind that made him shrink. He retains his glutonny and clumsiness in Kaiju Step, often doing the bad thing (tm) so the others can teach the kids in the audience why you shouldn't do the bad thing (tm).
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Nova or No-chan originates from the surprisingly dark Ultraman Leo. This creepy and bizarre ghost-like alien created a red mist that made people go crazy, and manipulated a kid with illusions of his deceased family, and under his cloth there are lots of tentacles and a scythe. So of course, in Kaiju Step she's a happy and energic little girl that loves to sing.
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Mugera or Muge-chan is by far the most obscure kaiju of the cast. She's from the 2001 series Ultraman Cosmos, the one where the titular hero protects monsters instead of fighting them. Mugera is an ET-like cryptid that lives in an amusement park that only kids can see, with the ability to fix toys and heal wounds with her magic. After the amusement park closes down she phones home and the protagonists have to protect her from the goverment wich is a little too eager to shoot down the UFO that came to pick her up. In Kaiju Step she likes reading and plants.
And that was your daily dose of kaiju sugar, that may be overdose because you probably already met Emi. Cheers!
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Gaara is truly the Character of All Time
-Introduced as main antagonist in a tournament arc, the terrifying bloodthirsty ninja from a strange desert village who kills without remorse and has survived every mission without getting a scratch on him
-He's 12
-Character design 10/10 he has bright fucking brick red hair, literal raccoon eyes, a face tattoo that says "Love" and carries that weird ass gourd; between the fun elements and the interesting tie-ins to Tanuki Lore, I have never seen a more charming design in my life tbqh
-Immediately more emo and chuuni than Noted Emo Heartthrob Sasuke Uchiha by virtue of reciting weird poetry after killing a guy in cold blood
-We get his tragic backstory and by fucking GOD is it sad. I cry just thinking about it. Literally everything about it is just horrible and devastating.
-Talk No Jutsu at end of the tournament arc, Gaara realizes that he should, in fact, go to therapy and immediately decides to turn his life around
-The first thing he decides to do is apologize to his siblings <3
-Shows up a handful of arcs later with a cool new outfit and becomes friends with the kid he literally tried to murder and nearly permanently crippled in one of the best fights of the entire series
-Liam O Brian's English dub of Gaara is Stellar ya know what. The raspiness of the original appearance morphing into the Deepest Voice That Any Kid Has Ever Had Ever was a genuinely hilarious choice
-Has the only good filler arcs in the old show; he's such a good character that the entire show molds itself and rises to meet him
-Post timeskip he is Desert Ninja President at the ripe old age of 15 and is extremely good at it because he's the weirdest little nerd with no social skills (on account of his tragic backstory) and diligently applies himself to doing paperwork and going to meetings
-Has a fanclub in the village mostly of girls his own age that he never seems to talk to?? Or realize have crushes on him?? Oblivious king we love him.
-Dies in one of the most genuinely moving scenes. Comes back like 20 episodes of fighting later because where would we be without him honestly?
-Becomes Super General Ninja President of the Grand Army of whatever where he accomplishes such feats as forgiving his asshole father and emotionally healing from his childhood trauma, stopping a meteor, and nearly dying a second time.
-Collects cacti as a hobby
-Has the only good sequel series arc where it's revealed that in addition to continuing to serve as Desert Ninja President, he's decided to adopt a couple of orphan ninja kids so that he can break the cycle of parental neglect and stupidity that created his tragic backstory in the first place.
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On David Tennant and Aging
So, I’ve seen a lot of posts in response to Tumblr users’ habit of affectionately calling their favorite middle aged dudes “old men”, David Tennant in particular, saying things like “clearly you’ve never met an actual old person”, “omg you talk about these guys like they’re 80”, “please be normal about people aging”, etc. And on one hand, all of these statements are objectively right and true! But as someone who’s always been really fascinated by and found a lot of beauty in getting older (which I’ve explored in some of my writing on A03 because nobody else is going to do it for me), I’d like to provide a bit more nuance on how I think this label applies to David in particular.
David, obviously, in literal terms, is not “old”, at least not to me- I don’t personally consider people old until they get past 60. 52 is middle aged, simple as that. And yet, when I see David stuck with the “old man” label, it still somehow feels weirdly right, for a number of reasons.
It annoys me so much when people say David “hasn’t aged a day since Doctor Who”, because, well…
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He clearly has. A lot. He’s got forehead creases, deep crows’ feet and eyebags, and I think that post-Fourteen we’re gonna see him rocking the grey temples a LOT more. He also has the voice of an older man now, his upper range is still there but the default is much more deep and rich, with a gravelly, rumbling quality that just goes straight through you. I personally think Broadchurch was when David finally started to embrace looking his age- Alec Hardy just wouldn’t have been served by Ten’s fresh-faced boyishness.
Obviously, these are the kinds of changes you’d expect any 52-year-old man to have, but something about David just makes it all seem a bit more… intense? The expressiveness of his face combined with his almost gaunt frame makes his wrinkles very prominent, and when he works his voice to its emotional extremes, his lower register can sound positively ancient, to devastating effect.
David, I think, is someone with an old soul- I don’t think he could be as good as he is at playing ancient characters like Crowley and The Doctor if he weren’t. He has lived so many lives, given so much of himself to so many characters, often incredibly tragic ones, and I think it wears on him. David also has five kids. FIVE. Do you know how exhausting it is to be one of the hardest working actors alive and be a present, loving father to even ONE child? But David somehow does it anyway! Nowadays I see him and my heart breaks because he looks so tired, so weary and fragile. But he’s all the more beautiful for it to me because I know that that is because he is kind. He’s a deeply empathetic person who feels and lives to the absolute fullest, and that story is written so clearly on his face, along with every other story he has ever been a part of.
There’s other things about David that make the label endearingly fitting- his utter hopelessness when it comes to technology, for instance. And he’s just got that warm, wise, grandpa energy too sometimes- look at that above Fourteen picture and tell me I’m wrong!
I once showed my friend who’d only seen David in Doctor Who and Harry Potter a picture of David from Around The World in 80 Days. It was a particularly emotional scene, and his face had just the most beautiful expression of compassion and sadness, every wrinkle on full display. And she said, in a less than complimentary fashion, “he looks so old!” Which, of course, offended me quite a bit at first. But to me, referring to David as old almost feels like a badge of honor, something he’s earned by living fully and selflessly, working hard and being wise and compassionate beyond his years. I think David himself is secretly more than a little insecure about the fact that he’s getting older. There’s sadness behind every jovially self-depreciating remark he’s made about his age in the past year, particularly in comparing himself to Ncuti Gatwa. I know how much David struggles with his impostor syndrome and how people perceive him, and I can clearly see in his eyes the fear of being discarded, the anxiety he feels about if he’ll still be as loved as he was back in 2007 now that he’s closer in age to King Lear than he is to Romeo. So I hope David knows it’s a privilege to watch him grow older, to watch his soul and talents deepen with the crinkles around his eyes. If I, in my silly goofy tumblr girl-ness, call David Tennant an old man, it’s because it’s a label that suits him beautifully- even if it isn’t TECHNICALLY an accurate one yet.
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uravitsy · 8 months
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‘YOUNG AND BEAUTIFUL’ SATORU GOJO
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ACT ONE.
summary. gojo visits your grave once a year, reflecting on the limited time he had with you while going through the stages of grief. ☆
warnings. angst, sad!gojo, fem!reader! gojo x you, grief, established relationship, some smut if you squint, bittersweet ending
a/n. this is a short story i wrote over the summer, i wanted to dabble into the idea of gojo not being able to fully process his grief without the help of his students. it is a bit sad though.
ACT TWO : ̗̀➛ ACT THREE : ̗̀➛ FINALE
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𓆩ᥫ᭡𓆪
"Does Gojo-sensei seem…different today?" Itadori asked absentmindedly, leaning back in his chair while balancing a pencil on his nose. He was doing everything else but the work he was supposed to finish before class ended. His two close friends, Megumi and Nobara, spared him a quick glance, as if debating whether to answer his ridiculous question.
"When is that nutjob ever okay?" Nobara bounced back another question, making Itadori stop balancing himself on his chair to think for once. The pencil he had on his face clattered onto the ground. "If anything, he's more extra than he was yesterday."
"Exactly," Itadori frowned, the invisible lightbulb above his head continuing to flicker as he thought long and hard about what Gojo could be upset about. He knew it was a stretch, and he himself wasn't too good at reading emotions, but he was sure something was off—from the way Gojo's smile seemed wider to the way his laughs went on for a second too long. "What do you think, Megumi?"
The black-haired boy stopped moving his pencil across the paper. His face remained stoic as the two beside him turned to look in his direction, anticipating an answer from him.
In short, Megumi did know why Gojo seemed off today, and it was all because of his vague memory of you.
He was a clueless child back then, but he felt it. He felt the love you and Gojo shared, something he had seen before between his own mother and father. It was strong, beautiful, like a song that only you and Gojo knew the lyrics to. It was a dance—a slow burn into the spotlight of a world you two created.
He admired it. He admired you and the person you helped Gojo become.
And though your memory was beautiful, it was also tragic. Megumi did mourn you since he remembered bits and pieces of you, but he was sure Gojo mourned you the most. Especially since today was the anniversary of your death. For as long as he's known Gojo, he knew that this one day out of the year was the time when he'd crack more jokes, tease him more, and laugh the loudest—all to mask his pain.
And he couldn't help but think it's because Gojo never properly grieved for you.
"He's the same as usual," Megumi lied. It wasn't their place to know, nor was it his. Everyone had their secrets and the stuff they keep to themselves. Who were they to pry into his business? "You guys should just drop it."
And with that, he went back to his assignment, ignoring the gawking stares from both of his friends.
"Well, now I'm even more curious," Itadori pouted, resting his chin on his hand as he looked out the window just in time to see Gojo's back as he skipped off campus. "He's literally leaving in the middle of the day!"
"Itadori—" Megumi started but got interrupted by his friends' loud voices.
"What?!" Nobara pushed Itadori away from the window so she could look. A sudden spark of curiosity consumed her as she cracked a mischievous grin. "You thinking what I'm thinking?"
"We should follow him!" they both said at the same time as they rushed out of the classroom with such speed they left papers flying behind them.
Megumi could only sigh. His peers were likely to get in trouble and drag him into their mess somehow. It never fails. He thought for a moment about how he would benefit from following them to make sure they didn't get caught leaving school grounds without a teacher, but he came up with nothing. He figured he should take his own advice and mind his own business, let those two knuckleheads do whatever they want and suffer the consequences for it.
They could potentially run into dangerous curses, dangerous people, or dangerous people controlling dangerous curses… and then suffer grave injuries. You know what? Maybe he should follow them from a distance.
Meanwhile, the door to the flower shop gave a soft ding as Gojo opened it. His tall frame took up the space in the small shop. Gojo ducked his head as he came in, careful not to knock over the potted plants that rested on the floor and shelves in no particular order. The air was stale with an earthy smell that was oddly comforting. It was good to know that the place remained the same after a year—the only thing that stayed the same in his chaotic life.
"Satoru!" an elderly woman looked up from her newspaper at the sound of the doorbell, thick circle glasses making her eyes appear large and almost fish-like. "Good to see you! How have you been?"
"Mrs. Yamada," Gojo bowed respectfully to the elder, to which the lady playfully pinched and pulled his cheeks. "Missed you too!"
"You silly boy, you know you can visit anytime and not just once a year, you know (Y/N) would've loved that, hm?" Mrs. Yamada made her way behind the counter, already grabbing and wrapping up a single flower. A flower that was your favorite, the same kind you'd always get whenever you would come into this small flower shop.
Gojo never understood why you didn't let him buy a whole bouquet of the flowers you loved. "Then I'd have to take care of all of them," you'd say, your laugh like a sweet melody in his ears that he constantly wanted to replay. "When it's just one, I feel like it lasts longer, you know? I seem to appreciate it more."
The memory made him frown slightly. If you allowed it, he would've bought the whole damn store for you, and you wouldn't just be stuck with a single flower. He didn't get it. He didn't get you. Even after all these years, he was still trying to figure you out.
"Ah, she used to come in every Sunday morning to say hello," Mrs. Yamada smiled warmly. "Always ready to hound me for something sweet to eat. (Y/N) had a nose like a hound and a stomach like a sumo wrestler." The brown wrapping paper crinkled against the elder's fingertips as she folded it around the flower. "Oh, how I miss her."
"Come now, Mrs. Yamada," Gojo leaned against the counter, tapping the wood with excitement. "She'd want us to smile, to celebrate her life, right?! Then that's exactly what we'll do."
"Satoru…"
Gojo waved his hands dismissively. "The usual price for the flowers, right?"
"Yes," Mrs. Yamada rang him up at the cash register before sliding the flower across the counter toward him. But before Gojo could grab it, she pulled it away. "I wanted to tell you before I closed up shop for the day, but… I will be retiring next month."
Gojo's smile fell then.
"I am getting too old, and ever since my husband's passing, I find it quite hard to manage this all on my own, no matter how much I love to do so," she patted the counter lightly, eyes glazed over in a daze as if recalling a memory. "I will be closing the shop and moving to America to stay with my daughter."
"Then are you going to sell the building?"
Gojo found himself asking before he could even think about what to say.
"I'll buy it."
Even in death, you were expensive. How was that possible? Gojo found himself using his savings to buy a whole flower shop that you weren't even here to see. But did that matter to him? Of course not. You were worth every penny—and the shop, to him, was nothing more than a shiny penny that he could buy for your sake. All because you loved it and would visit it often. Gojo couldn't let it close down; it was too valuable for the sake of the memories it held.
So now he owned a flower shop. What the hell was he going to do with a flower shop? He didn't know a damn thing about flowers.
"(Y/N)…" Gojo whispered your name as he pushed open the metal graveyard gate, the bolt making a loud creaking noise that echoed into the summer breeze.
It didn't take Gojo long to find your headstone. After all these years, he knew this cemetery like the back of his hand; at this point, it was like a second home to him. The only place where he could truly let the mask fall as he mourned for you.
In the years you've been gone, he had a long time to think—to wonder why you of all people had to be taken away from him. It made him question, curse, and cry to a higher power above if there was one. Would they be listening? Did they hear him? Did they understand the pain he was put through? And if everything was a part of the higher power's plan, then why was (Y/N) written in with such a tragic story? Why did her life become a song of such somber music?
It wasn't fair. And to Gojo, he would never make sense of it, no matter how hard he tried.
"Ah, it's a beautiful day, (Y/N)." Gojo smiled warmly at your headstone before sitting on the smooth tile, rummaging through his bag to pull out a rag so he could wipe the dust that was on top of your engraved name. "Though I bet you're complaining about how hot it is. I know, it is a little toasty, but a beautiful day nonetheless."
Wiping the concrete clean, Gojo made sure it was spotless with all the cleaning supplies he brought. He had to make up for the year he was away; that's why he always deep-cleaned your headstone since he knew he wouldn't be back until next year. He wanted you to watch the seasons go by with a pretty headstone, one that sparkled whenever the sun cast its rays on it.
"Hm?" Gojo tilted his head as if to hear your unspoken question again. "Oh! I'm doing good. Still teaching. You'd love these lot of kids, though. They have such great potential and are such a reckless bunch who enjoy escaping off campus to follow me here."
"Crap! He's onto us." Gojo heard Nobara's voice from the bushes behind him.
"Do you think he knows?" Itadori asked in his typically clueless fashion.
"He knows, dumbass." Megumi sighed before emerging from the bushes with twiddledee and twiddledumb trailing behind him. Their bantering stopped once they saw Gojo sitting by your headstone, the air suddenly becoming still as they made their way closer.
"Gojo-sensei, we can explain—!"
"Don't even," the white-haired man laughed before gesturing toward the headstone. "(Y/N), meet my students. Students, meet (Y/N)!"
"Ah! Nice to meet you!" Itadori bowed in respect, and so did Megumi.
"Why are we bowing to a dead—" Grabbing ahold of Nobara's hand, Itadori forcibly pulled her down so she could bow as well.
"Oh, you kids are in so much trouble," Gojo said with a gleeful smile. "I'm already thinking of all the ways to punish you."
"In my defense," Megumi started, "I tried to stop them."
"Yetttttt you're still here." Tilting his head, Gojo looked at his students playfully. "I hope you all enjoyed this field trip, but let's head back to campus, yeah? And get ice cream along the way!"
"Oh! Ice cream!" Itadori and Nobara spun around in a dance as they made their way toward the entrance of the cemetery, the pair just finding it best not to question who you were or what you were to Gojo. They could finally sense what Itadori was talking about that morning. He was different today, and it was clear he was sad. "La la la la la!"
"Let's go, Megumi. Do you still prefer chocolate?" Gojo turned to walk away but stopped in his tracks when he noticed Megumi staring at your grave with an expression he couldn't read. "Megumi?"
"Gojo-sensei…" His student turned to look at him. "I just want you to know that it's okay to be sad, to grieve for her."
Gojo chuckled, tucking his hand in his pocket as a breeze cut through the air, its chilled warmth wrapping around the pair. "Who's to say I don't? I grieve her every day."
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URAVITSY 2024
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earlgodwin · 6 months
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The tragic disconnection between Lucrezia Borgia and Juan Borgia::
What I find sad and compelling about Juan and Lucrezia's relationship is that every time he genuinely makes a gesture to make her happy, it inevitably ends up being misguided, resulting in her getting hurt in some way. Like the debauched play he had prepared for her as a surprise at her wedding to make her smile, not realizing that it would anger her husband and cause him to hate her and her family even more. The Paolo situation is where their dynamic changed forever. Juan, as someone who was assigned as the protector of the family by his father and is already feeling inadequate and incompetent in his position, already saw Paolo as a threat. A guy who could expose his sister, calling himself the father of her child, making demands to see her? Had Juan known what Sforza did to her, the hell she was living, and how she found solace in Paolo, most probably, he would've let Paolo live. He legitimately believed getting rid of him (and he was motivated by jealousy as he has incestuous feelings for Lucrezia)—was the right thing to do—and expected applause for his misguided notions of protecting his family's honor. He didn't realize how much he hurt Lucrezia and tried to make her understand that he did it to protect her honor and didn't mean to hurt her. When he realized that she tried to avenge Paolo and kill him, he made a speech about how their family triumphed because they weren't dysfunctional when they came to Rome, that they should always stick together, and that he's motivated by wanting safety for all of them. After he came back from Spain a changed man, he gifted his sister something that positively represented her—a stunning rare panther in a gilded cage—a genuine gesture to reconcile with her and earn her respect. However, it bites her, and they're unable to make peace. And after Cesare betrayed him at Forli, he spiraled once again, and he realized that no matter what he did, he would never earn his siblings' respect, specifically Lucrezia's. This realization hurt him and made him act on his impulsive as by lashing out at her and dangling her baby from the balcony, which also gave Cesare the motivation to do what he always wanted and justify his jealousy by murdering him.
"I had an amazing personal journey to go on with that character and hopefully I presented it with a sense and reality and hopefully you will feel a bit sorry for the guy. I don’t think he’s useless. Everyone says he’s a useless coward. He’s just placed in some shit situations. He’s not afraid of dying in that sense, he’s afraid of not being liked or loved and being left by his family. Whether they know it or not, they have been ganging up on him from the very beginning of the first season. What’s the problem with him? I think he’s lovely. I think he’s really kind and compassionate and cuddly." — DAVID OAKES
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animentality · 1 year
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Can't believe it's canon that the Dark Urge felt the need to beg his father for forgiveness for liking Gortash.
Doesn't matter if they were friends or lovers either, it's kind of funny, but mostly sad.
Like yes, funny because omg dad I'm so sorry, I like this ONE GUY, but tragic because the last people Durge loved, he was forced to kill.
Of course he's begging for forgiveness. All he has is his father, a god whose only intention is to use him and then destroy him.
He had a lifetime of loneliness and violence, and I don't doubt for a second that he never bothered to get close to someone, not because he's incapable of love or connection, but because he knew his urge would kill them eventually.
Him being like, well...I like gortash.
I'm so sorry. I think I like someone.
Divinely comedic on the surface level, profoundly tragic when you consider its depths.
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My thoughts on the lives and deaths of the House of Usher
Prospero - I almost feel sorry for Perry. His ideas weren't bad and unlike his siblings he was doing them himself. I also found it hilarious when he tried to fuck his brother wife. If nothing else that kid had confidence. Fredrick was dick to both of them anyway and she deserved to have fun. If you remove the blackmail and acid rain and that would have been one hell of a party.If Perry hadn't been planning to blackmail everyone he wouldn't have deserved his death. But his death was EXQUISITE. Everything about that scene was so perfect I can't find words to describe it. Everyone involved in creating that scene deserves an award
Camille - We actually got to know very little about her. Her whole story was about finding dirty on the others and managing crisis for the family. Even her death isn't shown. I think the point was that she never got to just be. She lived and died for others but never connected with anyone.
Napoleon - Leo was to me the closest to likable of any of the siblings. He clearly loved them and that may have been the only love he way capable of. He certainly didn't love his boyfriend or anyone he had/was having sex with. He treated people like objects. His death is tricky to categorize. On one side what he did to Pluto was horrifying and anyone who treats animals that way deserves the same fate. But he never actually did any of those things. It was all hallucinations and illusions first from drugs then Verna. He was stressed and grieving and kept finding dead animals everywhere. I would be ready to smash walls in that situation too. He definitely didn't need to be a pet owner but I think his death should have been less torturous
Victorine - I wrote this one last because it was my favorite Poe story growing up and she played it beautifully. That slow steady decent into madness I should have hated this character most of all. Those poor chimps and who knows what other innocent creatures she killed with experiments she knew wouldn't work. Even with her father constantly pushing for progress she should have stopped. Verna gave her so many chances, she wasn't even there when Vic killed her girlfriend or herself. She could have stopped at any point. Yes she still would have died but it could have been painless and less tragic. T'Nia Miller's performance was so good that I actually felt sad for her in that final scene. At least until I thought of the chimps again.
Tamerlane - Knock off Madeleine. Where her sisters hid and guarded their personalities she never had one. Her entire existence was for appearances (hence the ridiculous amount of mirrors). Even when she tries to show emotion she couldn't look at the person she was talking to. Her death might have seemed the most passive but it was shoot beautifully. It was also the only thing she actively accomplished on her own.
Fredrick - Fuck you Frodrick. When his siblings said he was just like their father they didn't even realize how right they were. He might have been worse. His poor wife deserved so much better. I genuinely enjoyed watching the pendulum swinging towards him as he was paralyzed beneath it. I only wish there was more than one so he could feel more pain. He was so much a piece of shit Verna enjoyed killing him. Everyone else got warnings, chances to walk away and have peaceful deaths But this asshole, she knew he didn't deserve one. He got exactly what he deserved. Lying in a puddle of his own piss waiting to die. Seriously fuck that guy
Lenore - This sweet brave girl was the only good the Ushers ever brought into the world. So pure and good even Verna mourned having to take her. I loved that she got to know how much good she put into the world and how many lives she saved. Even knowing from the beginning she would die, it was still heartbreaking to see. At least it was painless and instant
Madeleine - She was cold and selfish but she was also usually right. I respect that even when making a deal with the devil she still had standards. She at least made sure not to have children incase. There is a bit of irony in the fact she didn't want to spend her life serving a man then chaining her destiny to her brother. Gave of serious twincest vibes that I am glad where not explored. Her death seemed a fair balance for her past and mirroring her mother's death brought everything full circle. She fell with the house of Usher. Also sapphire is a good color for her.
Roderick - Without doubt the worst of them all. He knowingly killed millions with his drug. He destroyed any shred of humanity in his children. Possibly worst of all, he knew the damage he was causing and who would have to pay for it but he didn't even blink. Being mentally tortured by his dead children was not enough. He deserved the worst death of all. I understand the poetry of him dying the same way his father did but I wish he suffered more.
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titikookieslyth · 9 months
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Everytime someone says that Ace's death was not that sad and only Luffy's tears and reaction were, I am shaking 'cause they don't understand Ace like I do. This Guy Always thought his life was meaningless. He thought he should have never been born. His mother died birthing him. Every person he encountered had something vile and cruel to Say about his own existence. He thought he had no right to live at all. And it resulted in him downplaying his own will to live. And only during the war in Marineford, he realised he wanted to live. Because he was so loved and has so Many people who loves him. And he wants to be with them. And then, his father figure is about to sacrifice himself and some dude still insults him. It is so normal to fall for Akainu's provocations in this situation. And he died in the arms of his brother, while protecting his brother. And he's still happy to be able to give his life that he FINALLY love and wants to live, for his brother. All of this situation is tragic. For Luffy of course, but also for Ace. And I am so sad for the two (three including Sabo) brothers.
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rose-pearls · 9 months
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Percy Jackson (series) Masterlist
Welcome to my Percy Jackson Masterlist, requests are open and if you want to have a look at other fandoms you can go right here: Main Masterlist
Luke Castellan
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Oneshot:
Early Morning
A secret early morning rendez-vous is crashed by a sleepy Percy.
The perils of love
Being in love with Luke seemed to be a bad idea as you realise that he doesn't seem to be interested. But as you get ready to move on from love entirely your father decides to appear and two people fall for you.
Requests:
Jealous Luke
A Luke x reader where the reader makes Luke jealous
Clarisse La Rue
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Oneshot:
Healing one cut at a time
Clarisse first goes to the med bay because she is forced by one of her siblings but the following times are just to see the daughter of Apollo again.
The perils of love
Being in love with Luke seemed to be a bad idea as you realise that he doesn't seem to be interested. But as you get ready to move on from love entirely your father decides to appear and two people fall for you.
Prompts:
Snow on the beach
Cuddling with Clarisse
Requests:
Pride over love
Could I request something for Clarisse x reader? Where reader and Clarisse are cuddling after clarisse get a nightmare and are in a secret relationship. Then the next day word get's out that clarisse was cuddling with someone because of that clarisse breaks up with reader because she doesn't wanna ruin her reputation. You can decided what happens after that! Thank you so much and take your time!
Sweet but deadly
Could request something for clarisse x reader? Where reader is daughter of persphone and she’s sweet and kind but also strong and intimidating and can stand for herself and that’s what clarisse likes abt her
Dare
Basically Clarisse gets dared to get reader to fall in love with her, eventually clarisse wins the dare and get's the money but has caught feeings and doesn't want reader to find out it's all been a bet. someone informs reader of the bet. They fight and break it off. Causing clarisse to get super sad and act ooc. At the end Clarisse finds reader during capture the flag or something and they talk it out.
The daughter of revenge
Clarisse x reader. Where R is daughter of Nemesis? Normally being very quiet and "calm", and, as she is the daughter of the Goddess of Revenge, she helps to take revenge on those who hurt Clarisse, even in games of capture the flag, in a discreet way and they almost never find out it was her. In addition to being extremely good at chess and strategies as well.
Married life
Can I request a clarisse fan fic where she asks you to marry her and what it’s like when you guys are married
Nightmares
Where she get's with reader and her father ends up telling her she's weak in her dream. The next day she trains until she passes out and reader finds her and nurses her back to health. Then just some good ol hurt and comfort!
Stupid crush
Clarisse has a crush on reader but she ends up hurting the reader in previous interactions. It isn't until a game of capture the flag that she is able to explain it all.
Soft Love
Could your possibly write a Clarisse x Hephaestus’s Nb kid reader. Like we’ll make/repair weapons for her, and we weld her flowers with nuts and bolts and cute stuff like that!!
Tragic Love
Clarisse fanfic where the reader is the daughter of Poseidon and there like absolutely in love with eachother like soulmates but then the reader dies during the war and clarisse can’t handle it and dies too like Romeo and Juliet
Mental health
Clarisse x daughter of Athena fic where (tw: sh) the reader has some control issues/is a bit of a control freak and sh to feel in control and clarisse finds out and helps her find some healthier coping mechanisms - Warning: Self-Harm
Percy Jackson
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One shots:
Lost without you
As Luke's sister you had only seen the best in him but as the identity of the lightning thief comes to light your whole world breaks down. (Brother!Luke & Sister!reader, Percy Jackson x reader)
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tamtuliko · 21 days
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I have to mention a few more things about Great and Tyme.
Great said: you were dying for me that night.
But darling, you were dying for him too that night.
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Their eye contact here is so much. You can feel need, lust, want, they are dying for each other. I know Tyme did it for recording, but dude was so into it.
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Look at his face, for revenge my a$$, he was into it as much as Great. Also Greats hand on his ribcage. Oh boy.
The fact that we see both angles is such a masterpiece.
Like in Greats timeline it's mostly his POV, but here we are watching from both side.
We see Tymes POV and we see Greats as well. The camera work for this is so good.
Small details I think about it.
• Time for their $ex in real timeline and making love in Greats 4 minute limbo. I tried to zoom in and screenshot Great's watch, but I can't clearly see it. But I think it is midnight. This show is all details and the fact that Bible is wearing watch every moment and especially during their intimate moments, makes me wonder if the time was the same.
Another tragic thing:
Greats Timeline, they won Real Timeline Tyme left
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Cross road and bridge
Decisions. Hard choices. Encountering a crossroad and not sure which way to go. Why is life so difficult at times? Life is filled with choices, both large and small. Some are minor, but others will be life-changing, one way or the other. We can not avoid them;when you stand in crossroad, you are at a stage in your life when you have to make a very important decision. Turning points & deciding moments. See Tyme leaves Great here, he made choice, not to use him, not to scar this broken boy anymore, because he saw how tragic Great is, and I'm not saying that Tyme is good guy here, or Great is oh so bad guy, they both are red flags, but here we see their characters better. Tyme, who wills to move forward, but refuse to use Great anymore cause he might develop some feelings towards him. Great, who can't go after Tyme because he downs even knows what he wants, just $ex? Hook up and all. Or to be ally and go against his father, let Tyme use him? He does what he can, avoids making choices, and calls his brother to reject him. This kid is all alone.
In Greats 4 minutes limbo, he and Tyme cross the bridge and go somewhere far away.
To dream that you are crossing a bridge signifies an important decision or a critical junction in your life. This decision will prove to be a positive change filled with prosperity and wealth in the horizon. Bridges represent a transitional period in your life where you will be moving on to a new stage, isn't this sad??? Great wanted to have better future with Tyme, to move to new stage not just to fuck up. Bridge could be symbolic of connection, stability, and progress. Often, when bridges appear it could mean you are encountering a new start, travel, different way of life or a change or transition. It is normally a symbol of hope and commitment. Also, it is a symbol of relationships with others, especially those with whom you have strong, lasting, and deep connections, and I believe Tyme and Great have a strong connection. Maybe fucked up one, but still.
Another small things I'm thinking but can't find the conection:
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In Greats Timeline, this ball also fell in a hole when he was calling someone to ask what time it was. And then the time moved.
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They show us time here 11:50 pm. Why?? There is no way they are just giving it to us...
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<still>, I mean you can do research, but what kind of research this dude did, so he knows about Greats fear of dogs??? Suspicious...
We see these minutes in real timeline as well. Why show it us with so big numbers?
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Their meeting at bar, can't see clearly is the watch says 11??
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Finally, this Shot is crazy. Tyme you little piece of shit, you did enjoy it 🤣
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2 more days to watch episode 7, hoping we will get more answers this time. Cause I need to focus on my actual life, okay???
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thelordofgifs · 9 months
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Ranking all the Kings of Gondor
Based on what, you may ask? Vibes. Let's go.
Eldacar. Twenty-first King. THE bestest boy in the legendarium. The hero of the Kin-strife, the archetype of immigrant child trauma, the exiled king, the vengeful father... we love him so so so much ok!!
Aragorn. First High King of the Reunited Kingdom. Yes I know your list would put him at the top but this is my list and I do what I want. Anyway he's wise and kind and "the hands of the king are the hands of a healer" and he's brave and clever and has an excellent fairy-tale romance going on and I am very much not immune to Viggo Mortensen covered in blood with unwashed hair.
Elendil. First High King. He's brave he's cool he's wise he DEFEATED SAURON. Love him.
Isildur. Second High King (co-ruler). Justice for my boy the movies did him so so dirty!! Anyway he saved the line of the White Tree and fought so so bravely and he did his best. I will not countenance Isildur slander actually.
Valacar. Twentieth King. Ranks this highly mostly because he's my blorbo Eldacar's father, but Valacar is cool! His father sent him to the Northmen to build an alliance and Valacar promptly fell in love with their chief's daughter instead. And then Vidumavi died long before he ever even became King and you have to wonder if Valacar feared he would outlive his children too :(
Aldamir. Twenty-third King. Also ranking highly mostly because of genetic proximity to my guy, but Aldamir is sooo tragic actually. He's a second son who never should have become King except his older brother was MURDERED and maybe he spent the rest of his life trying to live up to him!! Also he was also killed in battle which I am sad about. This family cannot catch a break.
Eärnur. Thirty-third and last King. This is the idiot who challenged the Witch-king of Angmar to single combat and was never seen again, but I have a soft spot for him on account of. that was really sexy.
Eldarion. Second High King of the Reunited Kingdom. We don't know much about Aragorn and Arwen's son, but movie!Eldarion is very cute which is enough to earn him a high rank.
Rómendacil II. Nineteenth King. An all-round competent guy who ruled as regent for years for first his lazy uncle and then his lazy father. Built the Argonath!! Also he's Eldacar's grandfather which again earns him points.
Eärnil II. Thirty-second King. Ended up with the crown after his predecessor and both his sons were killed in battle (although NOT his daughter. JUSTICE FOR FÍRIEL). Anyway Eärnil strikes me as a decent guy who was doing his best. Props to him for taking pains not to alienate the Dúnedain of Arthedain.
Ondoher. Thirty-first King. The aforementioned predecessor, who is mostly ranked highly because I feel bad that he died :( and he tried to ensure Gondor would still have an heir to the throne if he and his eldest son were killed! But his youngest son joined the battle in disguise and got killed anyway!
Minardil. Twenty-fifth King. Another tragic one, he was Eldacar's great-grandson and was slain in battle by the descendants of Castamir. I am upset about this.
Meneldil. Third King. We don't know much about him, but he was the first solo ruler of Gondor and also the last child born in Númenor before the Downfall, which is cool.
Telumehtar. Twenty-eighth King. Finally got rid of the last descendants of Castamir, excellent work.
Calimehtar. Thirtieth King. Defeated the Wainriders attacking Gondor in a great alliance with the Northmen, which we love to see. Also he built the White Tower of Minas Anor! Good for him.
Anárion. Second High King (co-ruler). He was initally a lot higher on the list because I feel for him always being overshadowed by his father and brother, but then I learned he was killed by a THROWN ROCK which is kind of pathetic ngl. Sorry, Anárion.
Tarondor. Twenty-seventh King. Had the unenviable task of rebuilding the realm after it was ravaged by the Great Plague, but unfortunately he moved out of Osgiliath for good (which makes me unreasonably sad. I love Osgiliath) and also allowed the watch on Mordor to lapse for good.
Eärendil. Fifth King. We don't know much about him, but his name is nice.
Anardil. Sixth King. We don't know much about him, but his name is also nice.
Telemnar. Twenty-sixth King. Died in the Great Plague, sad for him I guess.
Narmacil II. Twenty-ninth King. Slain in battle with Wainriders, made no impression on me at all.
Siriondil. Eleventh King. We know very little about him, but that's a good name.
Cemendur. Fourth King. Boring and doesn't even have a good name.
Turambar. Ninth King. Mainly this low down because THAT'S A TERRIBLE NAME WHAT ARE YOU THINKING.
Hyarmendacil II. Twenty-fourth King. Defeated the Haradrim in battle, good for him I guess.
Atanatar I. Tenth King. No personality. I don't like his name either.
Rómendacil I. Eighth King. Defeated some Easterlings in battle, but apparently not very well because they later killed him. Oh well.
Ciryandil. Fourtheenth King. A Ship-king, and I don't like Ship-kings (mostly because Castamir tried to be a Ship-king).
Ostoher. Seventh King. Didn't do much, although he started the practice of the King spending his summer in Minas Anor. Good for him? I guess?
Eärnil I. Another Ship-king. Died in a great storm, which is one of the perils associated with being a Ship-king!
Calmacil. Eighteenth King. Generally incompetent. Gains a couple of points for being Eldacar's great-grandfather.
Narmacil I. Seventeenth King. Also pretty incompetent. He let his nephew do all the work of ruling for him.
Atanatar II. Sixteenth King. Lived in indolence and splendour, and neglected the watch on Mordor which was not very wise of him!
Hyarmendacil I. Fifteenth King. Ok he actually sucks. The King who defeated the Haradrim and instituted the practice of taking their sons as hostages to live in the court of Gondor.
Tarannon. Twelfth King. The first of the Ship-kings, also known for his loveless marriage to his wife Berúthiel who gets blamed for everything for some reason.
Castamir the Usurper. (Technically) twenty-second King. Should not be on this list and is here purely so that I can say. FUCK. THIS. GUY.
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