#s1 missing scene

[nenoname]

hunting down a specific image but finding miscellaneous storyboards/some cut panels from the stan comic story instead

[arcanegifs]

Arcane Gif Requests: @alfreyes ARCANE TIDDIES OF PROGRESS: Vi's 🧁🧁

[lokimobius]

lokius + elevators

[cinematicnomad]

i think???? i've finally finished giffing the terror.

[iiheartarc]

MY TAKE ON THE CAITVI DISCOURSE

total wordcount: 1591

I will say that I've briefly commented on their dynamic in the past, but it was worded really badly so I feel like I need to defend my writing skills a little bit as well with this, but that's just a sidenote. 💀

I think what a lot of people are missing when people do criticise CaitVi is that they aren't necessarily hating on the ship, it's what writing choices have done to it.

I'm not even going to even say I'm a CaitVi hater, I'm not (S1 CaitVi my beloved, you deserved better), but I do think the choices that writers made this season heavily effected how audiences portrayed the ship, even including myself.

Idk I hope this insight might give some people more perspective on why CaitVi became so hated in this season, people rlly need to start looking at both sides and not taking criticism as a personal attack. It really could've been avoided too if the writers had added more time or extended the series onto a third season, but that's another issue on its own.

1. Caitlyn hits Vi

I really don't get why people are so quick to defend Caitlyn on this one, especially considering the amount of hate Vi got when she hit Powder. Are both inexcusable? Yes. But I do think that the situation is a little different when it's a fifteen year old child who had just witnessed the death of her entire family and a twenty something year old woman who took out her anger and grief on the woman she loved because she blocked her shot.

I do think that people also do ignore the immense amount of trauma that Caitlyn suffered at the hand of Jinx, but unlike when Vi 'abandoned' Powder, (again, that's a whole other conversation, we know she was not abandoned), Vi was not that direct source of anguish to Caitlyn the way Powder was to Vi. (Pls lmk if you want me to expand further on this)

Again, not excusing Vi hitting Powder, I'm pointing out the differences.

It's then also incredibly tone deaf when Caitlyn hits her on two more occasions with the same gun, the third time being played off as a joke. It really doesn't come off well, especially when Vi had been a victim of police-brutality even before the abuse she faced at the hands of the enforcers in Stillwater.

And then, even after all this, it's never addressed. It's brushed over, like Vi's entire trauma in the show, the most we get is Caitlyn brushing her hand over Vi's abdomen in the cell scene. Again, can be taken as an apology, but I think that for some very specific things (like hitting your romantic partner), verbal apologies do need to be made in order to communicate healthily and somewhat build a healthier relationship.

I don't really want to talk about the abusive implications of this, because I don't think I'm someone who can talk about it with a full understanding because that's something I've fortunately never been through, but the blatant disregard and shunning of abuse survivors when they pull up the red flags raised because of this is disgusting. In real life, or if it had even been someone else in the show, if the ship had been a heterosexual relationship, people would call Caitlyn an abuser and would be outraged that Vi had been paired with her in the end. But I digress.

1. The cell sex scene

Initially I hadn't been too bothered about this when I had first watched the episode, but when you really think about it, it shouldn't have happened. Hell, they could've had sex in Caitlyn's office and half of the criticism wouldn't have happened, the ship wouldn't be so hated and the fandom wouldn't be half as divided as it is now (from what I've seen).

First and foremost, the cell.

All I can say is wtf. It was such a poor choice it's actually unfathomable to me now. I don't know why the writers thought that it'd be a good idea for Caitlyn and Vi to have their first time in a jail cell, not only the one Jinx had been locked in, but the one Vi had herself been locked in for what we can assume to be hours. The place of her abuse should not be somewhere where the writers could possibly think would be a suitable for a victim to have such an intimate moment with her partner.

Then there's the fact that Vi had looked to have had some sort of breakdown, we see she's sh and there are literal crates in the wall from where she punched it as well as her knuckles bleeding. As soon as she sees Caitlyn, there's a parallel to when they first met, to when Vi is quite literally caged. She's clearly not in the right state of mind, and so when the scene eventually happens it inevitably comes off as wrong because Vi is incredibly emotionally vulnerable in that moment.

"But Vi initiated it!" That still doesn't make it okay. I do think that this also came with an issue of timing, but then again, as I mentioned earlier, it literally could've been in the office as they argued and it would've been recieved so much better then the cell scene was. Vi wasn't breaking down, she wasn't locked in a reminder of the abuse she faced and her sister hadn't just ran off to do goodness knows what (in Vi's POV, us as the audience know exactly what she's about to do). They could've even have it fade to black and cut to the next scene tangled in bed doing whatever they would've been doing in the cell, Vi would assumably have had time to calm down, would be having sex in a warm and safe environment, and guess what? The audience would've been even happier.

Sure there would've been criticism, but Vi could literally save a thousand babies and adopt them all and still face hate, because a lot of the hate is being directed to Vi too because of the situation with Jinx. That, again, is a whole other situation.

3. "Dirt Under Your Nails"

Again, for the love of god, there can be so many takeaways from this sentence but do not be surprised that people didn't like it. I didn't, it made me cringe horribly.

And before people throw 'media literacy is dead', this whole post (practically essay), is analysing a piece of media that I love. To be literate, you can draw different interpretations and conclusions and that's exactly what I'm doing. It's like saying literacy is dead if two people were to disagree on what the meaning of Macbeth's quote 'I am in blood' meant.

I digress.

I think the main issue here is the class difference between Vi and Cait. Caitlyn is from the aristocracy, a direct heir to a position of power in Piltover, while Vi is lower class, effected indefinitely by growing up in poverty. Even though she grew up as Vander's kid, they were still 'scraping for scraps'. The wealth margin between the two is almost immeasurable, and with the difference in money comes a difference in experiences, as we - the audiences - know.

It especially comes off wrong considering the class tensions and political themes heavily focussed on within the first season. The conflict between Piltover and Zaun, the abuse of power and exploitation of Zaunites by both topside and the chembarons, the prevalence of police brutality on the streets of the Undercity. Again, Vi is someone who is directly effected by this, while Caitlyn came into this blissfully naïve. She did learn yes, and in s1 she was so determined to help, but when then this progress reverts into her calling zaunites 'animals' and using the grey as a weapon, it again makes Vi's words feel uncomfortable.

Again, I think this was a massive timing issue, I would've love to see Caitlyn succumb fully to a villain arc. It would've been so interesting to delve into.

I think Vi has always had the image of herself that she'll always be viewed as less by Piltover, that she herself views herself as less. She says it herself to Vander in s1 ep2 while they're on the bridge, "I grew up knowing I'm less than them." So when she then says as her final words in the show, "I'm the dirt under your nails" obviously, that's going to come across as tacky.

People are free to think of romantic connotations for this, I won't stop you, but when you think about how the show was so focussed on class tensions, police brutality, oppression and exploitation, it doesn't come off right. Idk, that's what got me so interested with the show in the first place, the way these themes were explored so deeply but subtly in a way that didn't feel forced, so Vi's words really rubbed me the wrong way.

Conclusion

So I hope everyone that read somewhat gets where I'm coming from, this was my attempt to try and explain what I think needed to be, badly. Again, you can like the ship, I'm not saying I don't, but it also needs to be acknowledged that there is so many things that could've been worked on properly, done properly or addressed properly, and ignoring criticism won't help these issues to be fixed in the future.

Feel free to ask any questions and thanks for reading this long ass rant :)

[carolperkinsexgirlfriend]

Steddie Upside-Down AU Part 77

Part 1 Part 76

He’s growing – Steve can feel it eating away at the pathways in his brain. He can almost feel the way the connections drop, making way from something else, something more. It’s like he wants Steve to be able to see the paths he’s carving out of his brain so he can.

They’re dark, and winding, and there’s nothing in there at all. Steve’s being hollowed out, for a holy purpose he can’t quite grasp, but he can feel it, coiled cold and hard in the back of his skull, waiting to give him his own divine prophecy. When the time’s right. 

But the time’s not right, and he’s lost in the tunnels of his mind, winding fast, fast, fast through corridors he doesn’t recognize. 

It’s like, double vision. He’s looking at Eddie sitting beside him, twirling his frizzy hair in front of his mouth, but it’s dark, too, and the tunnels are winding. Winding, and empty until they’re not.

It’s not until he sees the man that Steve wonders if he’s looking at something internal at all. Because there’s a man he doesn’t recognize walking inside them. He watches him stumble, he watches him fall. 

Steve doesn’t recognize the man. But, still. Something twists inside as he watches him collapse, He’s supposed to collapse. Steve knows, he can feel it.

But there’s still something pulling in his sternum. He can feel it, sometimes, when Eddie’s looking at him with big, sad eyes. He wants to wring the sadness straight out of him but can’t – he doesn’t know what’s wrong. 

“Something’s wrong.” he says, but he’s not sure if he means the man or the look in Eddie’s eyes, or the way he’s not sure where he is right now.

“What is it, honey?” 

The woman who says it looks frazzled from where she’s kneeling in front of him. He doesn’t know her, but she’s holding Will’s hand. He looks at Will, and his eyes match hers – both wide and worried and trained on him.

“There’s a man,” he says. There are vines circling the man’s wrists, legs, trailing up his neck. Steve rubs his own throat, esophagus convulsing in sympathy pain. And just for a second, there’s a flicker of that same man smiling down at him, settling something over his face, letting him breathe. 

“Where?” the woman asks, at the same moment Eddie asks, “who?” and reaches out his burning palm to clutch Steve’s knee. 

He turns back to Eddie. Eddie who’s touch burns straight through him, who he can feel pulling pulling pulling him in like he wants to incinerate him whole. Steve would let him. 

So, he ignores the woman’s question and focuses on the man. “I don’t know him,” Steve whispers. He’s not sure it’s true, he can still feel the way his warm hand had cradled Steve’s jaw as he breathed life back into him.

Eddie’s boring his gaze into him, like maybe he can scoop out the images and muddle through them on his own. “But he’s in trouble?” 

Steve nods.

The woman stands up with a grunt, hands braced on knees as hauls herself up. “I’ll try Hop again.”

The name twinges. “Hop, Hop, Hopper,” Steve murmurs, looking back down at Eddie’s hand on his knee like it’ll tell him what he’s thinking. Like it’ll make his brain work better.

“What about him?” Will asks quietly. He’s watching the woman pick up the phone, turning the numbers by rote. 

Steve doesn’t know Hopper, but there’s a man with a dirty name plate attached to his dirty chest that reads the same name. “The vines,” he starts, before stalling out, unsure of what to say. “They’ve– they’ve got him.”

Eddie sits up, squeezing Steve’s knee tight, the bite of his fingernails into burnt flesh aching. “Hopper’s who’s in trouble?”

He nods, and sits, watching Hopper struggle, watching Will and Eddie trade looks around him, watching the woman hang up the phone with a sigh.

“Where?” Eddie asks.

Steve doesn’t know. He doesn’t know, but it’s Eddie who’s asking, so he closes his eyes. He closes his eyes and focuses. “There’s dirt,” he says, “and vines, and—” 

There’s nothing else. No discernable features of the landscape he both can and cannot see, but he’s squinting into his own mind hard enough that the back of his skull starts aching like it’s splitting open and that’s when he feels it: a pull.

It’s coming from the back of his head, like a migraine, aching at the join between his neck and skull. He lets his head sway with it, then points with the sway.

He closes his eyes, focuses on the man, and lets the pull take him. 

It’s like walking through purgatory – following the lines in his mind. He’s going the right way, can feel it just as surely as he can feel Eddie’s burning hand on his elbow and Will’s burning fingers on his ankles.  

He doesn’t open his eyes, just walks, and walks, until there’s nowhere to walk anymore.

It’s not until he stops that the implications of the pull yanking him down sink in. He wants to drop to his knees and scrabble at the ground with his nails. But he’s down too deep, and time’s running out. 

He opens his eyes and looks down. There’s a rotten pumpkin under his shoe, foot turning it to mush. Beneath that, there’s dirt. Dirt and vines. Steve points down to it, and looks up to meet Eddie’s worried eyes.

“He’s running out of time,” Steve says, watching both Eddie’s eyebrows furrow, and the way the man’s fingers are still flexing on the vine around his throat, keeping it at bay. 

“He’s down there?” the woman asks, unhelpful in her hysteria. 

Steve watches the reality unfurl in Eddie’s eyes and then looks down at the dirt beneath his feet and watches the man struggle.

People flit around him like ants. He doesn’t pay it any mind. Will and Eddie are here, and everything else is just killing time.

Part 78

Taglist: @deany-baby @estrellami-1 @altocumulustranslucidus @evillittleguy @carlprocastinator1000 @1-8oo-wtfbro @hallucinatedjosten @goodolefashionedloverboi @newtstabber @lunabyrd @cinnamon-mushroomabomination @manda-panda-monium @disrespectedgoatman @finntheehumaneater @ive-been-bamboozled @harringrieve @grimmfitzz @is-emily-real @dontstealmycake @angeldreamsoffanfic @a-couchpotato @5ammi90 @mac-attack19 @genderless-spoon @kas-eddie-munson @louismeds @imhereforthelolzdontyellatme @pansexuality-activated @ellietheasexylibrarian @nebulainajar @mightbeasleep @neonfruitbowl @beth--b @silenzioperso @best-selling-show @v3lv3tf0x @bookworm0690 @paintsplatteredandimperfect @wonderland-girl143-blog @nerdsconquerall @sharingisntkaren

[perseruna]

i’m crying at them recreating geralt scenes from s3 and s2 they said “um ACTUALLY we can do one better let’s redo that ☝️🤓↩️”

[demadogs]

stranger things season one 2016 was so fucking incredible. it exists as an entirely different entity to me than the rest of the show. you literally just had to be there. to this day nothing has ever come close to the amount of universal love for a fictional story that stranger things first received. ive been chasing this high for eight years.

[lemongogo]

viktor prev 🤖

[gingerteaonthetardis]

The X-Files | S01E05 The Jersey Devil

What are you doing? Going with you to the Smithsonian.

[funnyscienceman]

look s2 was ass and i hate ori in a pod and dictator cait shouldve been explored more and so much and so much theres so much wrong with it, the writers were ass, i fucking hate riot, never trust that company for anything ever, AND ALSO jayvik makes me fucking cry man. i was so deadfaced for most of act 3 (aside from bursting into laughter when it got so absurd i felt like i was losing my sanity) but then they started throwing the fucking flashbacks to s1 at you and there was viktor being himself again, happy and funny and him and jayce nerding out over science magic whateverthefuck, and jayce said "all i want is my partner back," and externally i was like slack-jawed, blinking, shocked. like wait really? we're getting a fucking she-ra ending? this couldve been built up to so much better this is coming from fucking nowhere but really?? jayvik is back it's fucking back it's real??!?!??

and it was so overwhelming. internally i couldve been bursting into fucking tears. im still reeling over it more than a week later, like. is this what it felt like when tfgraves finally got to have their thing in pride 2022? people are saying jayce and viktor died in that explosion and maybe, maybe not, but that didn't feel sad to me. i guess it could be, it's impossible for me to take s2 seriously from a storytelling standpoint, but this isn't about that. like. two guys choosing each other over everything and everyone else. the sheer fucking devotion between them that toed the line of text and subtext since season fucking one. it's right there, on full display, center stage, and this is the actual culmination of the story i guess. wasnt set up at all this cast was way too bloated for its own good, but the fact that it exists. the fact that it's been brought to the forefront, they are FORCING YOU to talk about it. that one showrunner fucking lost his marbles on twitter because it was so hard to ignore, because the love there was just so unabashed and shameless and visible

I'm. I dunno. This is dredging up a lot of old feelings of loneliness being a trans gay man feeling like an outsider looking in to the queer community. It's a lot. And it's like conflicting so much with how ass arcane handled both its queers and poc, like as much as i love jayvik i also haaaate how mel and sky got fucking shafted, like did you have to do it like that??? and idk how much of the jayvik ending itself is queerbaiting or crumbs or whatever — if it is at all, idk, im not a philosopher or analyst in that regard — but. i just dont know if i've ever felt so seen. is that even the word for it??? maybe my feelings are just all over the place because it's so fresh? my feelings could change, i dunno. i still dont feel like rewatching s2 in full, all the way through, because it was such a slog and it disrespected 99% of the characters so hard, viktor included (singed got out mostly unscathed and i still consider that a christmas miracle) the most i can handle are individual clips and thinking about jayce and viktor doing like a reverse Weathering With You in that magic space stuff was… what the fuck man. i'm breaking. i'm falling apart.

(throwback to this one thing i doodled aaages and ages ago hdmdhdndnc)

idk. i dunno if any of this made any sense. im like rambling into the void rn. um. sorry this is a mess 👍

[tomwambsgans]

tomgreg color pallettes | season 1

[arcanegifs]

[greyedian]

MAN I'm seriously so sad about season 2. Bc I wish act 2 had the same emotional impact on me as it appears to have on so many others. But rn I'm just somewhere between unable to care and actively annoyed by some of those writing decisions. Seriously the more I think about it the less I like it.

[miyakuli]

Arcane is one of the best animated show I watched, that's it, I said it

[a-shade-of-green]

yeah so that scene where mike kicks down the fort in his basement in s1 is definitely supposed to be paralleled by will taking down castle byers in s3. just if anyone cares about when mike turned his back on being a kid.