#rév

[vincentreproches]

[filmaticbby]

The Idol (2023)

[livegifs]

Vintage by Moses Sumney

Directed by Moses Sumney

Director of Photography: Marcell Rév

[shattereddteacup]

Fingernails (2023)

Dir. Christos Nikou

Language: English

[se7enpixels]

Fingernails (2023) dir. Christos Nikou

[konyvboritok]

[transmutationisms]

okay sorry still thinking about hbo euphoria. i think levinson is kind of insane (complimentary) for this because if you look at any interview with him he'll talk about how the aesthetic on euphoria is this kind of heightened emotional realism ie expressionism, ie it's projecting how (he thinks) teenagers see themselves onto the sets and settings, which is why you get stuff like non-diegetic lighting and all of those stylised tableaux and even stuff like the camera placement and shot length are meant to convey the characters' self-perception. but then at the same time he and marcel rév also talk about stylising euphoria to capture teenagerhood with nostalgia, esp in season 2. and this is a show that opens with a monologue very heavy-handedly placing the characters with reference to 9/11 lol, because this type of nostalgia is something the characters themselves are engaging in and riffing on as part of their self-conscious self-presentation. you see these two artistic goals in assassination nation as well, where similarly they're not actually in tension at all because the entire design and the scripts and cinematography are all basically mining teenagers' auto-exploitation, which is a different use of narrative pov than most teen shows and movies. and this is also why the chaser dad period piece episode is shot so differently and why the square shots in assassination nation are both annoying and effective And it's why these very silly pieces of media are actually way more morally judgmental than most people think they are lol. like it's literally about [debord voice] the spectacle

i'm kind of obsessed with sam levinson for being a 38-year-old with the generational malaise of a highschool zoomer and also for using the career his daddy gave him to repeatedly write fathers as loci of repressed cultural villainy to the tune of like 90 million dollars. i wish all nepo babies had half of what he has

[badela]

Malcolm & Marie (2021)

~

Director: Sam Levinson

~

Cinematography: Marcell Rév

~

“Your lack of curiosity is merely an extension of your narcissism, your megalomania, your egotistical view of the world."

~

[miley-cyrus-news]

@guccibeauty: Transforming imagination into reality.

The iconic Hollywood backdrop welcomes Miley Cyrus into a dream world for the latest campaign for the new Gucci Flora Gorgeous Orchid Eau de Parfum by Sabato De Sarno.

Creative Director: Sabato De Sarno

Artistic Director: Riccardo Zanola

Art Direction: Lolita Jacobs & Jean-Baptiste Talbourdet-Napoleone

Directors: Jacob Bixenman and Marcell Rév

Music: ‘Flowers’ by Miley Cyrus

Written by Miley Cyrus, Michael Pollack, Gregory Aldae Hein

Publishing administered by Concord Music Publishing, Warner Chappell Music France,

Sony Music Publishing France

Courtesy of Columbia Records

#GucciBeauty #GucciFlora #MileyCyrus

[fablecore]

With all the new OPLA hype, have you ever thought about a LA cast for MNP? 👀👀

i have! there's a faceclaim post floating around my blog somewhere. but here are some sophies and laws:

"if mnp was a tv adaptation" - jasmine sanders (model) & avan jogia. way too gorgeous, but generally they have the physicality and features i imagine sophie and law to have

"if mnp was an indie action-comedy-drama a24 film" - tessa thompson in the film "sorry to bother you" & a young riz ahmed. directed by the daniels (eeaao), with cinematography by marcell rév (euphoria) shot on kodak film

"my wild card pick" - ms. biljana electronica as sophie & critically acclaimed award-winning veteran actor dev patel as law. do you understand my vision

[kamikazepizza]

Rév Marcell reklámfilmje.

[filmaticbby]

The Idol (2023)

[voguecovers]

• Vogue France, June - July 2024

Super model, Gigi Hadid is the protagonist of this edition of Vogue France, that is preparing for the great fashion event, Vogue World in Paris where it will be held on June 23 ❛ directed by Bardia Zeinali and photography director, Marcell Rév

styling Vanessa Reid, head of content Eugenie Trochu, global creative director Raúl Martinez ❛ Gigi wears a Balmain and a Nike top and Jacquemus shoes

/

[spice-honey]

shout out to Marcell Rév, cinematographer of Euphoria.

Your vibes are UNMATCHED

[katallure]

1. A gógai révház a Sióval

2. Emberek komppal kelnek át a Dunán a Gógai (Kutyatanyai) révnél.  1958. augusztus 17.

Még a legelején érdemes tisztázni, hogy a képen nem a Duna látható. Hanem a Sió. Vagy a Sárvíz. Attól függően, hogy mikori térképet nézünk. A fénykép készítése idején már valószínűleg Siónak h��vták. Régen persze ez is Duna volt, de a taplósi kanyarulat árvágása, majd a Doromlásnál ásott vezérárok alaposan átrendezte a tájat és egy dunai révből sárvízi révet csinált. Vagy sióit. Mindez nem hangzik túl egyszerűen, de hát a Gemenc vízrajza alapból bonyolult téma, amire még jött az emberi beavatkozás hatása is. Kissé rombolja az idilli képet az a tény, hogy a gógai rév létesítése is annak a következménye, hogy az ember drasztikusan belenyúlt a tájba. 

(x)

[chuckyeager]

„A Nemzeti Filmintézet lett az új Magyar Labdarúgó Szövetség. Hétfőn kezdődik az első munkahét az évben, tökéletes alkalom beadni a lemondásokat”, írja vasárnapi, nyilvános Facebook-posztjában Rév Marcell Emmy-díjas operatőr. Rév hétfőn azzal pontosította a bejegyzést, hogy a filmügyi kormánybiztosra (Káel Csabára) és a döntőbizottság tagjaira gondolt, nem a Filmlabor vagy az Archívum munkatársaira.