#marcell rev

[livegifs]

Vintage by Moses Sumney

Directed by Moses Sumney

Director of Photography: Marcell Rév

[starfall-xo]

Euphoria (2022)

DP - Marcell Rév

[redacted-metallum]

I isolated this Marcelle for discord. I release her to the world.

[actnatural-ly]

Euphoria is full of sex scenes. But how would you like a s3 fexi sex scene to be shot?

i think most people have answered this better than i can at this point but what i would like to see are just little details in a dreamy montage:

soft lighting, stuttering breaths, close ups of hands scrunching up clothes, lexi's head tilting back, her eyelashes fluttering and her mouth dropping open, either slow and sweet or urgent i missed you so much i need to touch every inch of you right now or one melting into the other, lexi's naked back arching, fez's hands tangled in her hair

[xyca]

[transmutationisms]

not that other person (lol) but interested in your euphoria thoughts and don't see a tag for them in your archive - i couldn't really get into it myself, and from what i've heard it kind of goes off the rails in the second season, but what was your experience like?

i think sam levinson is a hack in a similar way to like sofia coppola and i would compare euphoria's sensibilities to the bling ring: lurid, shallow, pitying but also fearful of the teenage subjectivities it tries to depict. levinson's work is consistently motivated by an obsession with self-obsession and image; often his direction & marcell rev's cinematography use the camera to present the characters presenting themselves to each other, which allows him to double-dip insofar as he can condemn as shallow and self-centred the same visual language that gives his shows and films their appeal. he's bad at character writing but also flagrantly self-interested, which occasionally results in some flash of genuine intrigue like nate's subconscious fear of his father's sexual interest, and his subsequent interest in and abuse of jules and maddy. ultimately euphoria is at its least fun when it's an anti-drug psa or bemoaning the effect of the internet on teen sexuality (see also assassination nation) but these types of moralisation are pretty par for the course in the genre of "nominally teen drama" and having hbo money means it has some genuinely delightful cinematography, lighting, camera tricks, &c. everyone responsible for these aspects should probably get work with a director who's not a dipshit and levinson should probably be directing music videos or like pitching the daddy masculinity plot in the next paul thomas anderson film. in the meantime i do think euphoria hits highs sometimes: the carnival shots, the extremely self-indulgent conceit of lexie's play, the sequence of nate's dream about his father raping him, &c. like, sometimes tv being bad just rules you either see it or you don't

[lesser-known-composers]

Rudolf Escher (1912-1980) - Nostalgies : for tenor and small orchestra, Op. 21 (1951, rev. 1961/1977) text: four poems by Henry J.-M. Levet

1. Possession Française - 00:00 2. Côte d'Azur - Nice - 03:49 3. République Argentine - La Plata - 06:45 4. Outwards - 09:59

Marcel Reijans, tenor

Orchestra: Radio Kamerorkest, Conductor: Ed Spanjaard

[destinyc1020]

I think

Hunter-Zs bff

RdJ-toms mentorish

Jacob-spiderman alum

Timmy- all the back n forth if he n Z r friends during the dune press that im rooting that he gets an invite lol leave kylie at home, bring her cute kids

Ima count him as a celeb bt Euphorias cinematographer Marcell Rev- cute that his family n Z hung out during Dune 2 filming and Z seems to really like/respect him.

Maybes:

Lewis Hamilton n Toms friendship is so cute

Robert Pattinson/Tom used to (or mayb still does) hang out, i remember them vaping/smoking lol

Miss Tina/Beyonce-wuld b so cool to hav Zs idol there lol or least Miss tina who seems to love Z

Serena-i remember in a interview Z said that she wanted to meet up with her. I hope she did!

Amy Pascal aka Rachel Dolezal

I like your list Anon. 😊😊

[mdemagazine]

Miley Cyrus se convirtió en el rostro de la campaña de la nueva fragancia Gucci Gorgeous Orchid, el primer perfume floral ozono de la línea Flora. En el vídeo promocional, la cantante corre por un jardín de flores con las colinas de Hollywood de fondo mientras escucha el éxito Flowers. escribieron en la cuenta de la marca.

Foto: Tyler Mitchell Vídeo: Jacob Bixenman y Marcel Rev #gucci #mdemag #miley mileycryus @gucci @mileycyrus #flowers

https://www.instagram.com/reel/C86B2EPOiOX/?igsh=bDN4Zm52aHU5bTEy

@popnowculture @lovely-2cu

[lila-rae]

How has no one commented that she’s walking funny outside of Target today 🙃 …just like she was in Budapest (when they were with Marcel Rev’s family) and outside the Louvre in Paris …there’s only one common denominator …

Is this the real LA conspiracy?

[psalm22-6]

The Exhibitors Herald, June 1926

The first of the deluxe presentations was at the Forrest theatre, Philadelphia, Thursday evening. The audience was composed largely of members of the Advertising Clubs of the World, which was holding an international convention in the Quaker City, and the members of the Poor Richard Club. There were also present a large turnout of society, official and judicial life of Philadelphia. The other audience, which included Mrs. Coolidge, members of the diplomatic corps and Washington newspapermen, as guests of the National Press club, viewed the picture at a special screening Friday night at Poli’s theatre in Washington. General W. W. Atterbury; Senator-elect [and notorious political boss] Wm. S. Vare; Senator [and law professor] George W. Pepper; Lieut. Commander Geo. B. Wilson, U. S. Navy [not to be confused with the character from the Great Gatsby] ; Mrs. Barclay Warburton [civil rights supporter and journalist] ; Major Norman MacLeod; E. T. Stottsbury; Paul Thompson; Alexander Van Rensselaer; Mrs. Charlemagne Tower; Dr. H. J. Tily [department story owner, mason] ; Mr. and Mrs. Theodore W. Reath; Frank Smith; Mr. and Mrs. Jos. N. Snellenburg [merchant in clothing trade] ; Mr. and Mrs. Arthur Block; Mr. and Mrs. Jules E. Mastbaum [movie theater and department store magnates] ; George Nitsche [possibly an affiliate of U. Penn]; Josiah H. Penniman [Provost of U. Penn] ; J. Willis Martin [a judge]; H. S. McDevitt; John J. Monaghan. Judge Buffington, of Pittsburgh; Thos Finletter [could be one of a a number of lawyers with this name]; Mr. and Mrs. A. L. Einstein; Maurice Paillard, French consul; Robt. Von Moschzisker [justice of the Supreme Court of Pennsylvania]; Mayor W. Freeland Kendrick; Geo. H. Elliott, director of public safety; Chas. B. Hall, president of City Council; Dr. Charles Hart; Rev. Wm. H. Fineschriber; Chas Fox, district attorney [could be a coincidence but Charles Fox III and IV are both currently lawyers in Pennsylvania]; John Fisler, president Manufacturers Club [golf afficianado]; Albert M. Greenfield [real estate broker and developer]; Jos. P. Gaffney; Mr. and Mrs. Ellis Gimbel [department store owner]; Daniel Gimbel [brother and co-owner along with Ellis]; J. D. Lit; Richard Gimbel [son of Ellis Gimble]; Benedict Gimbel [brother of Ellis and Daniel]; Colonel Robert Glendinning [banker]; Benjamin Golder [member of the Pennsylvania State House of Representatives], Agnew T. Dice [President of Reading Railroad]. Dr. Leon Elmaleh [founder of the Levantine Jews Society of Philadelphia]; H. Gilbert Cassidy [a judge]; Utley E. Crane [author of Business Law for Business Men]; Cyrus H. K. Curtis [magazine publisher]; Chas. S. Caldwell; G. W. Cole; Hampton L. Carson [lawyer, professor, state Attorney general]; A. Lincoln Acker [Philidelphia port collector]; Max Aron [lawyer]; Eugene C. Bonniwell [a judge]; Chas. L. Brown; Edward Groome; Chas. L. Bartlett; Edward Bok [editor of the Ladies Home Journal]; Mr. and Mrs. Geo. H. Lorimer [editor of the Saturday Evening Post]; Edw. Bacon; Chas. Curtis Harrison [a judge]; Samuel S. Eels, Rev. J. J. O’Hara [future Archbishop of Philadelphia], and Bishop Thos. J. Garland, D. D. [Episcopalian bishop]

There were a bunch of Universal employees in attendance too but that's less interesting to me. Let's see who went to the Washington show

Both showings were under the auspices of Ambassador Henri Beragner of France and Marcel Knecht, French publisher and trade representative. Dr. Ferdnand Heurteur, leader of the orchestra of the Paris Opera House, came to the United States to conduct the orchestras at these two showings. Among the distinguished guests at the Washington showing were: Don Juan Riano, Spanish ambassador; Senor and Senora de Mathieu, Chilan ambassador; Raoul Tilmont, secretary, Belgium embassy; G. H. Thompson, second secretary, British embassy; A. J. Pack, British embassy; Eduardo Racedo and Madame Racedo, first secretary, Argentine embassy; Conrado Traverso, Argentine embassy; Dr. and Senora Velarde, Peruvian ambassador; Dr. and Madame Santiago F. Bedoya, secretary, Peruvian embassy; Senor and Senora Tellez, Mexican ambassador; Senor and Senora Castro, secretary, Mexican embassy; Ambassador de Martino, Italy; Colonel Augusto Villa, miltary attache, Italian embassy; Count and Countess Sommati di Mombello, Italian embassy; Signor Leonardo Vitetti, Italian embassy. Baron and Baroness Ago Maltzan, German embassy; Mr. and Madame Matsuidaira, Japanese embassy; Mr. and Madame Gurgel de Amaral, Brazilian embassy; Senor and Senora de Sanchez Aballi, Cuban embassy; Senor Don Jose T. Baron, secretary, Cuban embassy; Brigadier General Georges A. L. Dumont, military attache, French embassy; Mr. Jules Henry, first secretary, French embassy; Major and Madame Georges Thenault, French embassy; Captain and Madame Willm, French embassy; Mr. A. Konow Bojsen, secretary, Danish legation; Mr. and Madame Marc Peter, Swiss ambassador; Mr. Andor de Hertelendy, Hungarian embassay; Senor and Senora Ricardo Jaimes Freyre, Bolivian embassy. Mr. and Mrs. Timothy A. Smiddy, minister, Irish Free State; Mr. and Madame Simoposilis, Minister from Greece; Mr. and Madame Prochnik, Austrian ambassador; Mr. and Madame Charles L. Seya, Latvian embassy; Mahmoud Samy Pasha and Madame Samy Pasha, Egyptian embassy; Mr. Zdenek Fierlinger, Minister from Czechoslovakia; Mr. Simeon Radeff, Bulgarian embassy; Mr. and Madame Jan Ciechanowski, Polish minister; Senor don Manuel Zavala, Nicaragua embassy, and Mr. and Madame Bostrom, Swedish ambassador.

[flowers-for-em]

im back 💋

5

 Amaryllis

I make myself comfortable in the passenger seat of Maximilien’s black McLaren. He starts the ignition and revs out of the parking lot smoothly. 

“So,” I start. 

He doesn’t react, waiting for me to properly start the conversation.

In a joking tone, I ask, “This isn’t a kidnapping, right?” 

“You’re not someone I would wish to kidnap,” he replied drily.

“Thank you? Is that meant to be a compliment? I’ll take it as one. But seriously though, where’re we going?” 

“Another studio. I’ve got some pieces I need to see fitted onto a live model.”

“And why me?”

“You’re convenient.” 

“Ouch,” I place a hand over my chest. “And I’m pretty?”

He doesn’t reply. “And my father doesn’t want to see these pieces.”

“Now I’m scared of whatever monstrosity you’re going to put me in.”

“You have no reason to worry your pretty little head over that kind of thing.”

I give him a smile. “You said I’m pretty.” 

“You don’t need me to tell you that. I’m sure you’re already well aware.” Our eyes meet in the rearview mirror and I hold his gaze until he turns it back to the road. He scrunches his nose. 

I purse my lips and look out of the window. “Why doesn’t Marcel wanna see these pieces?”

Maximilien’s silent for a while. Then he replies, “I suppose he just doesn’t like them. He’s stubbornly opposed to my designs for Pierre Rousseau. I’m supposed to take over as creative director for Pierre Rousseau after he resigns, but I doubt he’s going to resign at all if he’s so against my designs.”

“Woah, okay, firstly? I think that’s the most I’ve ever heard you say in one go-”

“Only because you didn’t interrupt me.” 

I raise an eyebrow. “Secondly, your designs are either that bad or that different from the brand.”

“Or my father just dislikes me a lot. None of my ideas were even considered when curating this coming season’s collection. If he doesn’t want to even listen to a small tweak I want to make to a skirt, what makes you think he wants to see an entire collection of my designs?” Maximilien pauses to sneeze into his elbow. “Excuse me.”

“You sneeze a lot.”

“…Summer allergies.”

“Right.” I return my gaze to the window, watching New York pass by in the slow pace of the traffic. 

When he said studio, I expected an atelier in another skyscraper. Instead, we pull up to an apartment. 

“You live here?” I ask as we take the lift up. 

“No, this is just my studio.”

He unlocks the door. Inside the apartment is exactly like the atelier, except that it’s a bit messier. But all the equipment and furniture is white as well, with splashes of color from the materials. 

I gasp when I see the mannequins dressed in bold numbers against an entire wall. Another wall is covered completely in clothing racks. Sure, it may be a very different approach from Pierre Rousseau, but they have an outstanding quality and style  altogether. 

Tracing a light finger over the detailed edge of a bustier, I turn to Maximilien. “These are amazing.” 

“You’re just saying that.” He takes off his blazer jacket and drapes it over a chair, loosening his tie and undoing the top two buttons. I try my best not to notice the way the fabric of his shirt clings to his toned biceps. 

“You think I would compliment you just like that?” I scoff, “Please.”

“You’re hilarious.”

Despite his sarcastic tone, I smile sweetly at him. “I know.” 

“Okay, well.” He pinches the bridge of his nose. “You’re not here to provide me with your painful lack of comedic skills, you’re here to model designs, and you can’t do that fully clothed.”

Maximilien

Amaryllis blushes. Sparkly eyed and pink cheeked like some sort of cartoon character. 

“Aren’t you at least going to turn around?” she questions, stepping out of her heels. 

“Fine.” I walk over to the open kitchen, stepping out of the range of her perfume. I swear I still have a headache from sitting in the car next to her strong scent for almost half an hour. “Would you like a glass of water?”

“As long as it isn’t poisoned.” 

“I don’t see what use a dead model would be to me.” 

There’s the sound of clothes rustling, and when I turn around to place her glass of water on the counter, she’s almost completely naked with her long arms crossed over her chest. While she downs the glass of water, I let my eyes wander appreciatively over her. She’s a pretty canvas. 

She trails her hands from the side of her ribs down to her hips, doe eyed innocence as she smiles at me. I know better than to be fooled, pulling my gaze away and walking over to the racks of clothing. I can’t keep her here for too long, so I’ll only be able to get here to wear a few of the designs. 

I pick out a dress that turns into different shades of blue under different lighting, unhooking it from the hanger and handing it to her. Amaryllis unzips the dress and steps into it, and I zip her into it from the back. 

She turns to face the mirror positioned in the corner of the room, gasping and smoothing her hands over the bodice. “Ooh, I love!”

“Yeah? It looks great on you. Walk for me.” 

She tosses her hair as she walks from one end of the house to the other, and I watch as the dress shimmers under the sunlight streaming through the windows. Making a dress and wearing it on a stationary mannequin is one thing, but seeing it in motion is a whole other. 

“What’s it made of? I’ve never seen a dress like this before,” she muses, returning to the mirror. 

“Photochromic dyescreate. It was such a tough material to source and use.” 

She does a little spin in the dress, and I watch as the light reflects off the dress and makes it look like the ocean. “Is there any way I can buy this off you?”

“Nope,” I shake my head once. “None of these are for sale.” 

I can hear the sharp breath she takes in and see the way her already good posture straightens even more when my fingers brush over her back and I unzip the dress. 

I’ve worked with so many different models before, dammit, I’ve even seen some of them completely nude, but something about Amaryllis is different. Honestly, I never really saw female bodies as anything more than moving mannequins before. But her, with her loud, cocky, show-off attitude, demands attention. 

I hand her the next number, sneezing when she gets too close to me. That damn vanilla perfume. I don’t get how anyone stands it. 

The dress is a gauzy, pink piece that looks like it’s just been draped over the body, when it’s actually held together by a thin layer of skin colored tulle. She steps into the dress, her eyebrows raising when she catches her reflection in the mirror. 

I frown. “Let me get some pins.”

“On this material? You’ll ruin it.”

“I made it, I know what would ruin it. I just want to see it fit nicely.” I find a box of pins under scraps of fabric. Standing behind her, I pinch up a little section of the dress until it hugs her slim waist the way it’s supposed to. 

“Ow!” she winces when I slide the pin in. “You poked me.”

“Don’t be so dramatic,” I scold with a shake of my head. She’s obnoxious. 

“You stabbed me with a safety pin.” 

“I did not stab you, and it was an accident.” I secure the pin on the small of her back, tightening the material. 

She rolls her eyes. “Come on.”

“Come on what? Walk.”

“Say sorry first, Maximilien.” 

My brows crease at her. She places her hands on her hips, looking at me through the mirror. I sigh. “I’m sorry for poking you with the pin, but if you keep this up, I won’t apologize the next time I purposely stab you with one.” 

“You were the one who wanted me here. If you’re getting annoyed, it’s all on you.” 

She struts down the little space of the apartment, the dress making her look like a princess. It’s like Cinderella’s ruined dress, but pretty. 

“The craftsmanship is incredible. Your dad must be crazy not wanting this in the collection. See, maybe add some flowers here”—she gestures to the side of her hip—“boom. Spring collection finale. Okay, maybe not finale, but you get the point.” 

“You talk too much.” I grab her by the waist, pulling her in front of me before fussing with the loose material around her hips. 

“I’m just trying to compliment you! Plus, you have too many opinions on me that I didn’t ask for,” she retorts, a hand on my shoulder to steady herself.

“You have too many opinions on everything. Instead of sewing dresses maybe I should sew your mouth shut.”

That earns me a teasing swat on the side of my head, only making me chuckle. 

“You are the most ass guy I’ve ever met. And I’ve met a lot of guys,” she huffs. 

I stand back, still frowning at the dress. “Whatever. Take that off.”

With another stubborn little huff, she carefully steps out of the dress. 

OMG OMG AHHHHHHHHH

IM IN LOVE ITS SO GOOD!!!

[camillerowep]

Camille Rowe for Gucci’s spring/ summer ‘Gucci Lido Collection’ 2024 💦

Creative Director: Sabato De Sarno | Artistic Director: Ricardo Zanola | Director: Marcell Rev | Photographer: Anthony Seklaoui | Stylist: Alastair McKimm

[jules-has-notes]

2017 Napa Valley A Cappella Extravaganza — VoicePlay live performances

VoicePlay on stage in Napa — photo by Haley Olson

Three years after their previous appearance, VoicePlay returned to northern California as the professional headliners for the annual high school and collegiate vocal festival in Yountville.

.

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J.None was excited to hit the road with the guys after performing with them at Disney World for the previous two months.

.

When you're singing for other a cappella singers, it's hard to go wrong with a little musical theater. VoicePlay has plenty of Broadway material in their repertoire, and this was the most recent addition at the time.

Details:

title: Seasons of Love

original performers: cast of Rent (1996)

written by: Jonathan Larson

arranged by: VoicePlay & AJ Rafael

performance date: 28 January 2017

My favorite bits:

J.None's smooth timbre on the opening lines

the way they seamlessly pass the lead vocals around (But why doesn't Layne get a turn? 😞)

that momentary silence before they start the first chorus

when the rhythm section really kicks in 🥁🎸

Earl's crystal clear high tone on the second verse

that jazzy harmonized riff from Eli, J, and Earl

the layers of sound in the final chorus

such a lovely ending chord

Trivia:

As Geoff mentions in the intro, the guys had recorded this song as a collaboration with AJ Rafael in October, and the video premiered on his YouTube channel a couple weeks before this performance.

.

VoicePlay refuse to be confined to any one genre of music. They've tackled everything from barbershop to hard rock, country to sea shanties, pop ballads to orchestral pieces. So why not revisit the rap hits of their youth?

Details:

title: Aca Top 10 – Old School Rap

original songs / performers: "La-Di-Da-Di" by Slick Rick & Doug E. Fresh; [0:16] "Going Back to Cali" by LL Cool J; [0:32] "Push It" by Salt-n-Pepa; [0:56] "Parents Just Don’t Understand" by DJ Jazzy Jeff & the Fresh Prince; [1:09] "Bust A Move" by Young MC; [1:32] "It's Tricky" by Run-DMC; [1:49] "Just A Friend" by Biz Markie; [2:12] "Ice Ice Baby" by Vanilla Ice; [2:21] "The Humpty Dance" by Digital Underground; [2:44] "Rapper's Delight" by the Sugarhill Gang; [3:10] "Walk This Way" by Run-DMC & Aerosmith

written by: "La-Di-Da-Di" by Douglas "Doug E. Fresh" Davis & Richard "Slick Rick" Walters; "Going Back to Cali" by Rick Rubin & James "LL Cool J" Smith; "Push It" by Hurby "Luv Bug" Azor & Ray Davies; "Parents Just Don’t Understand" by Pete Harris, Will "Fresh Prince" Smith, Jeffrey "DJ Jazzy Jeff" Townes; "Bust A Move" by Marvin "Young MC" Young, Matt Dike, & Michael Ross; "It's Tricky" by Joseph "Rev. Run" Simmons, Darryl "DMC" McDaniels, Doug Fieger, & Berton Averre; "Just A Friend" by Marcel "Biz Markie" Hall; "Ice Ice Baby" by Robert "Vanilla Ice" Van Winkle, Mario Johnson, Queen, & David Bowie; "The Humpty Dance" by Earl Humphrey, Gregory "Shock G" Jacobs, & George Clinton; "Rapper's Delight" by Bernard Edwards, Nile Rodgers, Sylvia Robinson, Henry "Big Bank Hank" Jackson, Michael "Wonder Mike" Wright, Guy "Master Gee" O'Brien, Curtis "Grandmaster Caz" Brown, & William Hankshaw; "Walk This Way" by Joseph "Rev. Run" Simmons, Darryl "DMC" McDaniels, Steven Tyler, & Joe Perry

arranged by: Geoff Castellucci

performance date: 28 January 2017

My favorite bits:

Layne kicking things off with some old school beatboxing

Earl recreating the breathy part in "Push It"

Eli handling the scratching in the back during "Parents"

the middle three busting some lowkey moves as the lyrics instruct them to do

everybody bouncing to the beat during "Tricky"

Geoff continuing the "Ice Ice Baby" bass line under "The Humpty Dance" after the other guys leave him hanging

Eli showing off some slides in "Rapper's Delight"

J's little wave in response to the "hello" in the lyrics

the record skip effect at the end of "Walk This Way"

Trivia:

The guys originally recorded this countdown live in the studio, where they could do as many takes as they wanted. It's even more impressive seeing them perform it in front of an audience.

.

This video is missing the very beginning because the fan who recorded it got over-excited about them actually performing the song live. But how could they possibly resist singing the theme to one of the most beloved TV shows set in San Francisco when they were just north the city itself?

Details:

title: Everywhere You Look

original performers: Carly Rae Jepsen & Butch Walker for Fuller House (2016)

written by: Jesse Frederick, Bennett Salvay, & Jeff Franklin for Full House (1987)

arranged by: Layne Stein

performance date: 28 January 2017

My favorite bits:

the bouncy descending bass line leading into the chorus

Eli and J grooving along to their own harmonies

Earl's scooping crescendo as a transition into the second verse

the call and response of ♫ "never go away" ♫ "like the Olsen twins" ♫ 👭

that quick crisp diction of the ♫ "how do you know… " ♫ section

hearing a few audience members shout "Hey!" in time with the guys

that big coordinated descending riff at the end

Trivia:

This song was the second entry in VoicePlay's PartWork series, performed entirely by multiple versions of Earl and Layne.

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Additional photos

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Before they flew out of San Francisco the next day, J.None took a side trip to meet up with a friend, see a bit of the city, and get some fresh air.

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[inyourwildestdreams22]

Tbh I liked the first season of Euphoria. But the second season… yikes. He completely lost the plotline of every single character. Marcell Rev is a genius though, the cinematography is unlike anything I’ve ever seen.

Marcell is amazing yeah, The cinematography is the best part of that show cause if you look at only the script it is a whole ass mess and it gets worse with time, Sam does not know how to write any character that is not Rue and if you take away her story and the visuals it’s just cringy porn.

[fullemoon]

Miley Cyrus mv for Flowers, dir Jacob Bixenman dop Marcell Rev