#rotating rotating

[meistoshi]

for both dnd reasons & thread purposes revamping some sheet things for satoshi & very loudly rattling this variant

[vvhiskeyuncle]

my beautiful children who are the same age as me

[dr-rato]

GET ROTATED

[zytes]

this manatee looks like it’s in a skyrim loading screen

[cheddar-baby]

heres my advice to any followers i have who are young. Don't delete things when you think you've outgrown them or they're cringy. If you make youtube videos just private them don't delete them. Save your files, you can bury them in multiple sub-folders if you think they're cringe now but DON'T DELETE THEM! It doesn't feel like it now but years in the future you will look back fondly at who you were and wish you still had those things.

[valtsv]

abandonment issues are sooooo funny. "i'm scared people will leave me so i push them away and leave them first to avoid being hurt" girl the prophecy is self fulfilling!!! the sabotage is coming from within!!! you forgot about the cycle!!!!!!!!!

[igotthisaccountunderduress]

listen having a favourite character is just embarrassing sometimes. yeah that’s my specialest little blorbo. yeah I’ve read every word of their stuff. yeah I think about them 24/7. yeah I project all my issues onto them and write fanfiction about them and have multiple playlists dedicated to them. And I’m here on your dash to once again tell you that I am still thinking about them bc I thought you needed to know that. you can just shoot me now.

[agentperezbian]

I'm curious. Tag this with your sexuality and what your favorite M/F ship is.

[runawaymarbles]

Reading Mockingjay as an adult is extra devastating because. Of course the plucky teenager and her ragtag friends aren't going to sneak into a government building to kill the president with a bow and arrow. That's absolutely ridiculous. It's the kind of thing that's only possible in the kind of propaganda that Coin developed. But she's so good at it that in some ways she tricks the reader into thinking that's the kind of story this is, too--even after 3 books reminding us that pretty much everything that Katniss does the second she volunteers is manipulated by adults pulling strings to make propaganda in some form or another.

[shoukohime]

babygirl the way you forsake your happiness on your relentless quest to vengeance, your complicated relationship with gender and the way you're covered in blood have bewitched me body and soul

[kiarathefox]

Reblog to rotate the person you reblogged from 90°

[ambrosiagourmet]

Every time I revisit chapter 86 and the events right after the group talks Marcille down, I'm always struck by this bit here:

In particular, how similar it is to this:

The Winged Lion ate the same desire in both of them, more or less (I'm sure there are some nuances in both flavor and intent, but they are clearly similar things here). The Lion basically used this technique to kill Thistle, and for Marcille it was... not insignificant, but something she and her friends overcame without even fully realizing it was an obstacle.

I feel like this is another small piece of the story that shows how important support and love are - in navigating mental illness, in dealing with abuse or addiction, or in working through any other similar struggle that can be read into the Lion and his eating of desires.

It almost feels like Marcille was able to borrow the desires of her friends. She loves them and she trusts them, so even when she didn't have a desire to free herself from the Lion, the care they had for her well being still mattered to her.

It's the same thing later, with her hair.

She isn't able to notice the way her messy hair is making things harder, let alone do anything about it. But when Chilchuck points it out and then braids it back for her...

It's better. She likes it, things are easier now. Even though it isn't a desire she can feel for herself, it's not something that doesn't effect her. And because her friends care - because they know her well enough to notice the difference - she is given the chance to have a preference and to ask for their help.

We can obviously see some parallel ideas here with Mithrun and Kabru as well, but I'd also like to point out that Thistle gets this grace, too. Thistle, who had no one to help him up once he lost his will to resist, or to encourage him to find new desires once the Lion ate them all.

Thistle says he doesn't need anything, anymore...

But he is given an apology anyways.

It is not a kindness he desires. It is not a kindness he is able to ask for.

But it is a kindness that helps. It is a kindness that matters.

[questionartbox]

his highness, the queen 👑 art tumblr | art twt | everything-twt

[mmhue]

So. How about this season so far

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.