#root's crew

[hypnogogyc]

[bumblingbabooshka]

I know the most common fanon for Tuvok post Voyager is that he's mostly fine and one of more stable ones but I personally think it'd be funny if he cracked like a goddamn egg and went off the deep end for a few years before finding his way back to semi-normalcy. Janeway's like "Where's Tuvok?" and the answer is that he quit Starfleet, joined a temple, left the temple in the middle of the night to go wander around the desert, almost died but was taken in by a kindly old woman, lived with her for two months before she died, left the desert hut to alert her family and upon completing that task hopped on the first freighter off Vulcan, got stranded on a deserted asteroid after being the sole survivor of the crash, was rescued, mind melded with an alien who can see the future but died in the process and can't remember anything about it except for the vague feeling that he spoke with Kes, was brought back to life by Chakotay who told him that Janeway was looking for him [at which point he pointed out that Chakotay is also not in contact with Janeway and then ran away again], returned to Vulcan but only to find and climb to the top of a holy mountain which took several months and upon reaching the top he feels a sense of enlightenment which permeates his familial bonds as the first sign in almost a year that he's alive at all. Upon finishing his climb down the mountain he stays in a nearby village and serves in their temple for several more months until it's attacked by aliens because of some artifact hidden deep within the temple walls and he puts his tactical strategy to good use, fending off the attack. Harry Kim [with Starfleet] appears and is like "You need to go home, man. People think you're dead." Then he goes home and joins Starfleet again and he's literally only allowed back in because of Janeway and Janeway accepts him out of her love for her crew and also because she's kind of worried that he'll join an ice fishing expedition or cult if she doesn't. This only adds to the lore of Voyager as a cursed ship and her Crew as all-in-the-family maniacs.

[shima-draws]

Luffy spent 80+ episodes trying to get his boyfriend back only to watch his boyfriend get blown up by a dragon who’s had WAY too many drinks. Yeah I’d be super fucking pissed too

[saltpepperbeard]

Hugo’s still at it 😭😭🤡🤡💜💜

[farminglesbian]

oh we did.

[utilitycaster]

perhaps unpopular but while I do agree the EXU interlude likely killed some of the momentum, I also...don't mind that the party didn't talk much this episode? I feel like the start of the episode created an opening that not everyone took, though we did have some good moments, but also, for all I adore episode 2x30 and 1x69 re: wake of a character's death, and i do think 3x92's first half was very strong, it feels very right and in-character that Ashton isn't ready to talk about it (and that Dorian isn't really talking yet either).

[spop-romanticizes-abuse]

atla: creates a fantasy world with groups of people and cultures that were heavily inspired by real-world cultures and ethnicities; with proper research done so that there are no harmful stereotypes

spop: uhhh fuck it this cat-human hybrid is latina despite not even having a proper origin. also we have poc characters who just have poc features for the sake of representation, and have no culture surrounding their ethnicity.

[filmnoirsbian]

I don't believe in venerating celebrities because even putting aside the dehumanization that goes hand in hand with parasocializing I simply Do Not Know Those People, and it's weird to assume or act otherwise, just as it would be weird to project impossible intimate knowledge upon a cashier at my local Food Lion whom I have heard and seen as they do their job but never actually spoken to. The closest I come to that is having some celebrities I would gladly get a cup of coffee with either because I have questions about their work or because I think it would be fun, but tbh I would also gladly get a cup of coffee with the cashier at Food Lion because I love coffee and making conversation.

[theholmwoodfoundation]

THE HOLMWOOD FOUNDATION PILOT EPISODE CAST/CREW - PART ONE

REBECCA ROOT - MADDIE TOWNSEND/MINA HARKER

Rebecca trained at Mountview Academy of Theatre Arts. Theatre credits include A Midsummer Night’s Dream at Shakespeare’s Globe, The Curious Incident of the Dog in the Night-Time for the National Theatre (UK and Ireland tour); Rathmines Road for Fishamble at the Abbey Theatre, Dublin; Trans Scripts at the Edinburgh Festival Fringe and American Repertory Theater in Cambridge, Massachusetts; The Bear / The Proposal at the Young Vic; and Hamlet at the Gielgud Theatre and Athens International Festival. TV, Film and Video Game credits include Monsieur Spade, This Is Christmas, Irvine Welsh’s Crime, Hogwarts Legacy, Horizon Forbidden West, Heartstopper, Annika, The Rising, Sex Education, The Gallery, The Queen’s Gambit, Finding Alice, Creation Stories, Last Christmas, The Sisters Brothers, Colette, The Danish Girl, Flack, The Romanoffs, Moominvalley, Hank Zipzer, Boy Meets Girl, Doctors, Casualty, The Detectives, and Keeping Up Appearances.  Radio credits include Clare In The Community, Life Lines, The Hotel, and 1977 for BBC Radio 4. Guest appearances include Woman’s Hour, Front Row, Loose Ends, Saturday Live, and A Good Read.  She plays Tania Bell in the award-winning Doctor Who: Stranded audio dramas. Rebecca has also recorded numerous documentary narrations, audiobooks, and voice-overs. Rebecca is also a voice and speech coach, holding the MA in Voice Studies from Royal Central School of Speech and Drama.

SEAN CARLSEN - JEREMY LARKIN/ JONATHAN HARKER

Born in South Wales, Seán trained at the Royal Welsh College of Music & Drama. He has worked extensively in audio drama, television, theatre and film.  Seán is perhaps best known to Doctor Who fans as Narvin in the Doctor Who audio series Gallifrey and has appeared on TV in Doctor Who - The Christmas Invasion and Torchwood. Recent TV credits include Mudtown (BBCiplayer/S4C), Dal y Mellt (Netflix), His Dark Materials (BBC1), All Creatures Great and Small (Channel 5), A Mother's Love (Channel 4) and Series 5 of Stella (Sky1).  Films include supporting leads in Boudica - Rise of the Warrior Queen, cult horror The Cleansing,  the lead in Forgotten Journeys and John Sheedy’s forthcoming film ‘Never Never Never’

SAM CLEMENS - ARTHUR JONES

Samuel Clemens trained at the Drama Centre London and is an award-winning director with over twenty years’ experience. Samuel has recently written and directed his debut feature film ‘The Waterhouse’ with Take The Shot Films & Featuristic Films and represented by Raven Banner Entertainment, which is due for release this coming year.  In addition, he has directed fourteen short films, winning awards all over the world including shorts ‘Surgery (multi-award winning), A Bad Day To Propose (Straight 8 winner 2021), Say No & Dress Rehearsal’. Samuel also directs critically acclaimed number one UK stage tours and fringe shows (Rose Theatre Kingston, Swansea Grand, Eastbourne, Yvonne Arnaud, Waterloo East Theatre) and commercials include clients JD Sports, Shell and Space NK. Samuel is also a regular producer and director for Big Finish Productions & Anderson Entertainment. He has cast, directed, produced and post supervised numerous productions of ‘Doctor Who – (BBC), The Avengers (Studio Canal), Thunderbirds, Stingray (Anderson Entertainment), Callan, Missy, Gallifrey’& Shilling & Sixpence Investigate’ and many more. Samuel has directed world class talent such as, Sir Roger Moore, Ben Miles, Tom Baker, Sylvester McCoy, Alex Kingston, Frank Skinner, Rita Ora, Rosie Huntingdon-Whiteley, Rufus Hound, David Warner, Celia Imrie, Samuel West, Youssef Kerkour, Sophie Aldred, Ian McNiece, Colin Baker, Olivia Poulet, Stephen Wight, Jade Anouka, Mimi Ndwendi, Michelle Gomez, Peter Davidson, Paul O’Grady and many more. Samuel is one of the founding members and directors at Take The Shot Films Ltd and is Head of Artistic Creation and Direction. Lastly, Samuel is a regular tutor at The London Film Academy, The Giles Foreman Centre for Acting & The Rose Youth Theatre and is a member of The Directors Guild UK. As for upcoming projects, Sam is currently in pre-production on his next feature film “On The Edge of Darkness”, which is based on his dad’s stage play “Strictly Murder”.

ATTILA PUSKAS - DRACULA

Attila Puskás is a native Hungarian Voice Actor born in Transylvania – Romania, so Romanian is in his bag of tricks too, but most of his work is done in English, in a Transatlantic Eastern European Accent, but is quite capable of Hungarian, Romanian and International Eastern European accents, plus Standard American. His voice range is Adult to Middle Aged (30-40+) due to his deep voice. Vocal styles can range from authoritive, brooding to calming and reassuring and much more. He’s most experienced in character work, like Animations and Games, but his skills encompass Commercials to Narration as well. He’s received training through classes and workshops, pushing him to the next level to achieve higher standards. Now on a journey to perfect these skills and put them to good use!

PART TWO: HERE

PART THREE: HERE

[francie-froo]

it’s always “i love you” and never

[hypnogogyc]

Mike but he got better

[ryansjane]

no, actually my least favorite thing about watching thai dramas while speaking & understanding thai... is that the dialects never match up 😭😭😭 if a character is from a non-central province, they'll have their whole family speak in northern/southern/isaan dialect while the main character, who's played by an actor from bangkok, will unexplainably not have any remnants of his native dialect when he speaks even though he was born & raised in the area and often time never even left... that shit breaks the fourth wall to me, like... why even hire an actor who doesn't fit the role fully, I don't get it 😭

[bumblingbabooshka]

One of the best Voyager scenes to indicate Tuvok & Neelix's dynamic and how I think Tuvok is just as if not more 'annoying'(positive) than Neelix is when Neelix pours Tuvok a fresh squeezed glass of a fruit juice blend and Tuvok's like (paraphrased) "I don't want to drink this." and Neelix is like "Can you please try it?" and Tuvok's like "I don't want to, you're really bad at this sort of thing. It's going to taste bad." and Neelix says that Ensign XYZ said she LOVED it, she even had a second glass! And Tuvok says Ensign XYZ could drink poison without a second thought and Neelix is like "Tuvok could you please just TRY it? Just try a little SIP of it PLEASE??" and Tuvok sighs and rolls his eyes and sniffs it before taking a sip and it turns out he loves it. Turns out it tasted good actually. And then after all that Neelix tries to talk to him over eggs (which he's again cooking fresh for him) and Tuvok tells him he doesn't wanna hear "the life history of his breakfast." Absolutely insufferable this man I would have burned his eggs on PURPOSE!!!!

[psychicism]

started mass effect the other day and i wish you could trans the gener of your imported shep between games...... this is lucrezia "luz" shepard and she loves her fishies. her favorite video game is katamari

[dramarants]

i only want love triangles if it's whatever fucked up polygon junmo kicheol and euijeong have going on

[twitterdotcom]

I know it's been said before, but I think my biggest gripe with Izzy's death is that it felt like it was written and finished before S1 was even done, and then S2 was written like "ok Izzy dies this season so we have to make sure the audience feels sad about it." So they developed Izzy but never went back to the original script for the death scene and instead just went with the original draft despite literally all of S2 (and some of S1) contradicting what was supposed to be the emotional core of it