#roman theaters

[whitedogblog]

Roman theater in Amman, Jordan

[tending-the-hearth]

i love when richard armitage plays a character so utterly in love with his partner and who will do anything said partner will ever ask of him and loved the kids around him more than himself and is the biggest bisexual disaster you’ve ever met in your entire life

[sforzesco]

@illegible-scribble said: With the old concept of gods being able to inhabit/see through the eyes of their cult statues, it’s fun to think about Pompey lounging in his in the curia, looking down on Caesar as he bleeds out at/on his feet

screaming this is actually so funny to think about

[thecrankyprofessor]

Really - not discovered until about 2000!

A Temple-theater complex discovered only at the beginning of the 2000s in Monte San Nicola, in Pietravairano of Caserta province. Lying at 410 meters high in the Sannio area, dates back to the late Roman Republican period, 2nd-1st century BCE.

[anobsessedchocolatechip]

no in all seriousness my roman empire is the fact that phantom of the opera actually closed on broadway. like some motherfucker actually did that 😭

[xxxregulusblackxxx]

So I'm obsessing over Hazbin Hotel like all of the internet right now, but I've been a fan since the pilot and am caught up on Helluva Boss. I have a few things to rant about here.

1. ALEX BRIGHAM AND HIS OBSESSION WITH DEMONS. He's Beetlejuice in the broadway musical, he's Fizzorolie or however you spell his name in Helluva boss, he's Sir Pentious and ADAM THEE GOD DAMNED ADAM THE FIRST MAN In Hazbin hotel.

2. Husks voice actor is Keith David aka DR. FACILIER IN THE PRINCESS AND THE FROG!

3. Jack Kelly from Newsies on Broadway, filmed and put on Disney plus, Varian from Tangled the Series is Played by Jeremy Jordan, now if you're a theater kid you know who he is, you'd also be interested in knowing that he's LUCIFER that's right Lucifer Morningstar THE DEVIL HIMSELF

4. HUSKERDUST. I love this ship. Yes they are romantic and Vizzy has confirmed they are a slowburn relationship so if Anyone who interacts with me says they're platonic or found family I will be sending you to hell yourself

5. Alastor, first off he's canonical Aro Ace, just so ya know. Secondly he's such a good manipulator that he's manipulating fans into thinking he's not trying to fuck over the hotel and that he's not a villain. Which he is but he's still lovable. ALSO Alastor is Creole, he may have been white passing when alive but he's Creole and from Louisiana (I love Louisiana born men, my obsession with Leo Knut is proof of that) So just keep that in mind when drawing him. The transatlantic voice is something he would have learned, it's called All American speech and was used in Radio and TV, that's his voice under the radio affect.

6. The V's. Love them and hate them. I absolutely loth Val but at the same time Vox's screen brightens when he's trying to get Valentino's attention and that's really cute

7. Lute's Voice Actress played Elphaba in Wicked and her part in You didn't know is the absolute best part ever.

And Remember they're all in hell for a reason Sir Pentious is the only one who's truly good out of the Sinners

[blueiscoool]

Marble Head of Alexander the Great Uncovered in Turkey

The head of a statue determined by archaeologists to belong to Alexander the Great, was unearthed during excavations in north-western Turkey.

The marble head, dated to the 2nd century AD, was found at the top of a theater in the ancient city of Konuralp, near modern-day Düzce.

While most parts of the ancient theater have been unearthed during the excavations, similar historical remains such as the head of the Apollo statue and the head of Medusa were previously found in the upper part of the structure.

During the excavations carried out in the Konuralp Ancient Theater excavation area, archaeologists identified an artifact in the ground at the top of the theater area. As they kept digging, they removed the artifact, which appeared to be the head of a bust.

As a result of the consultation of history experts, it was determined that the bust head found belonged to the Macedonian King Alexander the Great.

In a statement, Konuralp Museum provided information about why they determined the bust to belong to Alexander the Great.

“The head, measuring 23 centimeters [from head to neck] was found during the excavations in the ancient theater. It is depicted with deep and upward-looking eyes made of marble, drill marks on the pupil and a slightly open mouth that does not show much of its teeth.

“His long curly hairstyle up to his neck and two strands of hair [Anastoli] in the middle of his forehead are like the mane of a lion. This depiction is a hair type typical of Alexander the Great,” the statement said.

The marble head of Alexander the Great delivered to Konuralp Museum

Historical Konuralp is 8 km north of Düzce; first settlements there go back to 3rd century BC. Until 74 BC, it was one of the most important cities belonging to Bithynia, which included Bilecik, Bolu, Sakarya, Kocaeli.

It was conquered by Pontus and then by the Roman Empire. During the Roman period, the city was influenced by Latin culture, and it changed its name to Prusias ad Hypium. Later on Christianity affected the city and after the separation of the Roman Empire in 395, it was controlled by the Eastern Roman Empire (the later Byzantine Empire).

In 1204, the Crusader armies invaded Constantinople, establishing the Latin Empire. Düzce and its surroundings are thought to be under the dominance of the Latin Empire during this period. Düzce was under Byzantine rule again from 1261 to 1323.

The Konuralp Museum has some rare exhibits. A 1st-century sarcophagus, Orpheus mosaic, the mosaic of Achilles and Thetis and the 2nd-century copy of Tyche and Plutus sculpture are among the notable items in the museum. There are 456 ethnographic items.

In the ethnography section clothes, weapons, and daily-usage articles about the late Ottoman era are exhibited. There are also 3837 coins from Hellenistic to Ottoman era.

By Tasos Kokkinidis.

[wgm-beautiful-world]

Aspendos Roman Theater in TURKEY

[just-an-enby-lemon]

Why is Tumblr, the IDES OF MARCH site, the one place we CELBRATE BRUTUS STAB STAB STABING HIS FRIEND, is not talking about the TikTok woman who is planning a Julius César musical adapting the Shakespeare play with a tiny bit of historical realism (is not historical just more than Shakespeare). The songs are sooo good and so clever. Someone give her the Epic treatment asap because she does want to actually cast people and make this a full concept album and we need it.

Here is a link to her page.

[duxfemina]

*Ides

Damn autocorrect

[howamidrivinginlimbo]

The ancient city of Pompeii, Italy

The first photo shows the Gladiator Barracks with 74 Doric columns, which was used as a place for the visitors of the surrounding theatres to take shelter or eat something.

The last photo shows the Odeon, a small theatre built in 80 BC. It had a roof that was most likely wood.

[i-dreamed-i-had-a-son]

“because he never accepts that it's never been about righteousness--it's about repentance.” except javert killing himself IS repentance.

well, it’s like 12 different things, because bro had gone days without sleeping and very little food and water and he already had low self-worth and kept asking the amis to kill him and just assumed he was going to die AND THEN valjean upended his understanding of the world and morality. he was really going through it & there are a lot of overlapping reasons for why he jumps into the seine.

but javert is like Number One Most Responsible guy in the whole story. taking responsibility is his Thing (forever bitter the musical doesn’t include the punish me monsieur le maire scene). how else, in his derailment, could he atone for his conceived misdeeds other than by handing in his resignation to god? in the brick he had already left a note urging his superiors to treat convicts at toulon better, which is another step in his repentance (and another crime the musical commits by not including it). jumping into the seine was another step.

honestly a lot of ppl who like the book think the musical was dead wrong to exclude him from the big heaven group sing, because it COMPLETELY undermines the themes of forgiveness and compassion threaded throughout les mis. like the musical was simply wrong lol.

This is helpful context! I am still finishing the brick, although I have fully read the abridged version, and that detail about the letter wasn't included, so I didn't know that occurred! (And thank you for the message--this is a long response but I'd love to hear more of your thoughts!)

I agree that Javert is certainly deeply distraught and remorseful; like you mentioned, his worldview is literally falling apart, and his actions reflect his mental state. But his death isn't really repentance--in the sense that it's not what God would have wanted. To me it reads like a Judas situation: a desperate realization of a huge mistake, and doing the only thing you think can make it right, namely, ending it all. That's the just punishment for someone so wrong, isn't it?

But true repentance, meaning the repentance that the Lord desires, is about changing your ways, not "paying a price." Had Javert really understood the beauty of Valjean's mercy (an image of Christ's, just as the bishop's undeserved mercy was to Valjean himself), rather than killing himself, he would have lived to also become "an honest man"--in heart. One who could forgive and understand forgiveness, for himself as well as others. One who could recognize that he is not The Law, that he can fall, but that he can also be "brought to the light." One who could accept that men like Valjean, and men like himself, CAN change, and be changed.

It's tragic to me because so much of "Stars," and his character in the book as well as the musical, is about wanting to be righteous, to rise above his birth and the sinfulness he associates it with. It's about wanting to please the Lord by his actions. But in his end, he shows he never understood what God really wanted from him, and that's where my original phrase comes in: not righteousness, but repentance. To live, and face the man you were, knowing it's no longer the man you are. That it's never been about what you've done or can do, but about what's been done for you. That's the Gospel that he could never fully accept.

To use another example you mentioned, that misunderstanding drives why he asks the Mayor (Valjean) to punish him--in his worldview, mercy is unjust, or at the very least, unfair. Evil must be punished; "those who fall like Lucifer fell" receive "the sword." But "as it is written," God "desires mercy, not sacrifice" (Matthew 9:13). God would have wanted Javert to live, and Javert couldn't see that, and that's why it's devastating to me. In his misunderstanding of the heart of God, he misses what would have set him free from the chains of sin he's always been trying to escape.

That's why he's contrasted with Valjean, who (though he carries guilt about his past till the end of his life) is eventually able to face it and confess what he had done to those he loves. He knew there was mercy to be found, if only it was asked for. Javert was too blinded by pride and shame to realize it, and so, while broken, he never was able to truly repent.

For that, you must go on.

[dk-thrive]

The movie experience for me lies not in the tale, but in blocking out the world and entering a new one.

We liked going to the movies, and since there were no restrictions on late arrivals, we got to the film whenever we could and watched the end before the beginning. I got used to this and even today it never bothers me if someone tells me how a film ends. The movie experience for me lies not in the tale, but in blocking out the world and entering a new one. At the movies, one did not think, did not worry, was entirely sheltered.

— André Aciman, Roman Year: A Memoir (Farrar, Straus and Giroux, October 22, 2024)

[wandering-italy]

Ruins of an Ancient Roman theater in Brescia.

March 28, 2024

[prosymnusfaunus]

"Thee [Dionysus] it becomes to circle thy locks with flowers of the springtime... or thy smooth brow to wreathe with the ivy's clustering berries."

– Seneca, Oedipus (Roman tragedy c. 1st A.D.)

[dazzelmethat]

So sometimes I do historical research for things just for fun..

Extremely rough concepts of Edo era commedia del'arte ideas I've had pickling in my head for a while.

I listened to Moliere play recordings for the first time this past year and while listening to Tartuffe and The Misanthrope and only thought of how much I wanted an edo adaptation.

Anyway while I know some western art history I don't know a lot of theater history (either Japanese or Italian). So this was just me guessing. Pantalone and Dotore could be gender blind roles. I have no idea how I would approach the servant characters though. Maybe Arlecchino can be kitsune themed??

Anyway just putting this here so I don't loose my thoughts.