#rodeo dr | Explore Tumblr posts and blogs

billieshrry · 1 month ago

Text

Only Angel • B.E.

Summary: you meet a girl at a party, you smoke a joint with her, and you let her fuck you like crazy.

Warnings: smut, gxg, degradation, shes high, dom!billie, sub!reader, one night stand, strap!billie, i did not proof this

You don’t know why you let Abby drag you to this party.

She claimed you needed to “go out more” and “not be so shy” now that you graduated college. Living in L. A. Was threatening to you, though. Too many people, too many drugs, too much drama.

So when your roommate first asked you to join her, you laughed in her face. When she begged you (for days, actually) you finally gave in.

“What’s the harm in it?” She asked. It was a “small” function, one of her friends from her college invited her to a party in the Hills. He told her to bring as many people as she knew. And well, Abby only really knew you. You didn’t want to disappoint her.

Plus, it’d probably be nice to get out of the house for a night, especially after moving all of your shit across the country 2 weeks ago.

And so, now you’re here, silently motivating yourself to walk through the huge doors of the mansion just 2 streets over from Rodeo Dr. That is, until Abby drags you inside by your wrist before you’re done manifesting a good night.

You immediately go to the kitchen to get a drink.

The entire house was packed, the music was loud, and you’re honestly surprised nobody has made any complaints about it to the police. The speakers were rattling and you just wondered who the hell owned this nice of a place and also listens to Drake.

3 shots later and you’re ready to wonder around the house. You look outside the back patio first, watching stupid, drunken idiots jump off the roof into the huge pool. Internally rolling your eyes, you keep looking around until you spot a girl on the couch, manspreading in cargo pants at least 4 sizes too big on her, smoking a joint while a blonde kisses down her neck.

And she spots you too.

All Billie is thinking in this moment is how innocent you look: a cute pink mini skirt with your black lace thong barely peeking through, probably by mistake, and a small sheer top with a matching bra also vaguely showing. You looked like an angel.

Your eye contact with the mysterious black-haired girl doesn’t waver, even while the blonde, practically on top of her at this point, sucks marks into her neck that will probably be there for days.

The girl blows smoke out towards you, then curls her finger to beckon you over.

You oblige.

She shoos off the other girl, who doesn’t seem phased but instead runs outside to probably find her friends. The girl on the couch pats her lap, looking you up and down, silently telling you to sit there. Instead you sit next to her, take the joint out from between her fingers, and take a long drag.

“I’m y/n” you say, not daring to look her in the eyes as you give back her joint. She takes it, and you see from the corner of your eyes as she puffs once more before putting it out on the tray in front of you.

She adjusts her backwards fitted cap before licking her lips and slouching down a little more.

“Billie. You come alone?”

You tell her Abby’s somewhere probably hooking up with a dude before Billie puts her hand on your thigh, sending chills up your spine. She leans in to your neck, her lips barely grazing your ear, and whispers just loud enough for you, and you alone, to hear.

“Wanna follow me upstairs, baby?”

So obviously, you go.

She walks behind you, staring at your ass shake each time you take a step. You silently thank God that Abby made you wear a tiny mini skirt and just a lace thong underneath. You remind yourself to thank her later.

Billie puts her hand on the small of your back as she leads you to a bedroom down the hallway, then slams the door shut and locks it. Immediately, she slams your body against the door, kissing down your neck and squeezing your hips simultaneously.

“Coming out looking like this was dangerous, you know.” Billie groans into your ear as her hands travel around your waist.

She makes her way up to your tits, gently squeezing them and then moving her hands around to take your bra off. You lift your hands up so she can rip your shirt and bra off together, your legs shaking with anticipation. After haphazardly tossing your top across the room, she grabs you and pushes you on to the bed, face down. As you moan, she smacks your ass and grabs the handprint after, soothing your fiery skin.

“You gotta hush, baby. Can’t let your friend know who you’re having fun with.” Billie tells you seductively before kissing down your spine, then propping your ass up so she can get a good view.

“So fuckin’ wet already, hm? Can’t wait to taste this pretty little thing.” Billie said quietly, to herself most likely, before grabbing your cheeks and attaching her mouth to your pussy.

She moves her tongue around expertly, making you fall apart under her touch.

“F- fuck Billie!” You exclaim, feeling your legs get even shakier and that pit grow in your lower stomach. You reach your arms out, grasping for the sheets, the pillows, anything to grab onto. You struggle to keep your moans in, not wanting to know what her punishment would be if you got too loud.

“Don’t stop, pl- ah!” You’re cut off by Billie sliding her middle finger inside of you, curling it to hit that soft, spongey spot. Your body weakens and your eyes roll into the back of your head as you shake and beg for more.

Although, all she does is stop.

As she removes her finger, she gets up and pulls your hair so hard your back arches, your back now flush against her chest. As you pant for air, she shoves her finger down your throat, watching you through hooded eyes. You taste yourself on her finger, gagging and keeping your eyes locked with hers.

She pulls your hair tighter, sliding her hand out of your mouth and grasping onto your neck instead, aggressively making out with you. Although Billie mumbled through the kisses, you heard her loud and clear;

“I’m gonna fuck you so fucking hard, angel.”

“I’m gonna turn you into a little devil in these sheets, hm? You want that?”

You nod and she releases the grip on your throat, which forces you to flop back over onto your stomach. However, this isn’t the position she wants you in.

Billie swiftly grasps the back of your legs and flips you around so you’re lying on your back as she leans over you, her knees on either side of your legs at the end of the bed. She quickly (and with one hand) takes her belt off, and then pulls her pants down revealing a strap she had been wearing this whole night. You look up into her eyes, a glimmer of fear not going unnoticed by the woman above you. She just smirks and spits down onto the fake cock, rubbing it around before running the tip up and down your folds.

She leans over you, moving your legs onto her shoulders before sliding the very end of the dick into your entrance. You gasp loudly but she shuts you up, shoving two fingers into your mouth.

Billie thrusts her hips all the way into you, watching your back arch like an exorcism.

She was gonna fuck that only angel right outta you.

As her pace sped up, your moans increased in number and volume, and she moved her fingers away from your mouth, now toying with your nipples. As she pinched and squeezed at you, she watched your jaw slack and your eyes flutter shut, appreciating the effect she had on you.

“I’m gonna cum, Billi- fuck!” You yelp, her fingers finding their way to your clit. As she rubbed tight circles, she could tell you were getting close. She watched with a low gaze as you came apart right underneath her, soaking her cock and fingers.

She fucked you all through your orgasm, hers following soon after, the pressure of the strap hitting her spot too much to handle. She slowed her pace but not her hardness, eyes rolling back and her hair falling into your face as she bent over you, cumming.

Her sighs in your ear sounded like heaven, and she lightly licked your ear before sucking on the lobe.

“God, you’re so fucking good, I wanna die tonight in your sweet little pussy.”

Idk how to write smut I’m just bored sry

#billie eilish smut #billie eilish imagine #billie eilish x reader #billie eilish fanfiction #billie eilish x fem!reader #dom!billie #billie eilish #billie x reader #eilishfanfic #billieshrry #billie smut

602 notes · View notes

starcurtain · 2 months ago

Text

A Look at Ratio and Aventurine... and Ratio/Aventurine

I was morally obligated to use this picture.

Anyway, I got an ask about my understanding of Ratio and Aventurine's relationship both in canon and as a ship that I have been holding on to for a while now because... phew, there's like... a lot to talk about there... But I felt I should at least give it a try, so here is my attempt to comment on the intersection of two of Star Rail's most complicated personalities. Long post is longgggg; you have been warned.

First, Aventurine's canon relationship to Ratio:

In the interest of not hitting tumblr's image limit, let's just throw out some of the information we have in one go:

It's pretty complimentary. (Yet somehow...)

The implication of the infamous "Keeping Up with Star Rail" video is that Ratio understands Aventurine better than anyone else, and Aventurine knows this. At the very least, putting all shipping aside, Ratio is the person who can explain Aventurine's behaviors best. He's the person Aventurine chooses do so. This suggests significantly more knowledge of each other's lives than the game first led us to believe.

Other people (read as: my GOAT Owlbert) perceive respect from Aventurine to Ratio, and although I read them as a bit sarcastic, the 2.1 mission logs not only repeatedly confirm that Aventurine views Ratio as smart and reliable, but that Ratio is reliable "as always," again indicating a longer and closer history of collaboration than we get to actively see in game. The devs were working hard to tell us "Penacony isn't Ratiorine's first rodeo," which is interesting--given Topaz's voiceline recommending the Trailblazer avoid working with Aventurine whenever possible, we're led to believe through 2.0 and 2.1 that not many people will willingly work with Aventurine more than once, let alone many times.

While going through psychological scrutiny from the Ghost of Christmas Yet to Come his Harmony-infused self, the "Future" Aventurine suggests that Ratio and Aventurine are quite similar, and that Aventurine puts a surprising amount of trust in Ratio, to be willing to hinge such a dangerous plan on something as untested as Ratio's ability to act. At the very least, Aventurine's own psyche is pondering on Ratio and whether or not their connection has any emotional meaning.

But despite all this evidence suggesting Ratio and Aventurine spend significantly more time with each other than we get to see in game, Aventurine's own thoughts cast strong doubt on whether he and Ratio are actually close.

Aventurine's "About Dr. Ratio" voice line suggests that Aventurine believes Ratio does not particularly like him. He seems to think that Ratio would prefer to stay away from IPC operations where possible, and it's "unfortunate" for Ratio to be stuck with Aventurine as a conversation partner. He's tolerated, rather than enjoyed. His overall impression seems to be that Ratio mostly views them as distant coworkers.

When the "Future" Aventurine suggests Ratio did not betray Aventurine willingly, actual Aventurine immediately pushes back:

(Personally I'm on the fence about whether this was real doubt or just a ploy to continue sussing out Sunday; see my other post about this scene for some more thoughts.)

But if we take this statement to be played straight, it implies that Aventurine doesn't fully believe Ratio will side with him, even (maybe especially) in dire circumstances. If this statement is real doubt, then despite considering Ratio the person who best understands him, despite building an entire life or death gamble around Ratio's loyalty... Aventurine still doesn't think Ratio even likes him.

Aventurine's not stupid or blind, so theoretically he should be able to read the situation better than that. But actually, there's plenty of evidence both in the game and outside it to suggest that Aventurine is not the most accurate judge of his own relationships to others and is a down-right terrible judge of his own worth as a person.

"Future" Aventurine suggests that one of Aventurine's deep inner flaws--the truths that he rejects about himself--is a massive inferiority complex. This is backed up well by the mission text, where Aventurine's thoughts about himself spiral into self-harm, and the scene in the maze, where "Future" Aventurine taunts our Aventurine with the unforgettable fact that his entire life was only worth pennies:

There's also pretty consistent self-deprecation, with both "Future" and real Aventurine noting several times that he's a pathetic mess of a person that other people don't trust or like.

The overall impression 2.0-2.1 left me with is that Aventurine is perfectly capable of respecting and caring for others, but virtually incapable of accepting other people genuinely respecting and caring for him.

Part of this seems to stem from the directly-stated sense that he's a failure whose only worth is in transactional exchanges, using and being used by others (there's so many layers to this--internalized racism even), but I also suspect that much of his inability to accept genuine connection from others is defensive behavior.

Aventurine's true self, Kakavasha, is deeply hidden away, like the ghost of the child that manifests from his Harmony delusion in the Dreamscape. Although Aventurine clings to that person, claiming that he has "never changed," he actively coats over his beliefs, his kindness, and his authenticity with the mask of a "cavalier gambler," with glitz and glamor and showy distractions. No one gets to see Kakavasha. No one gets to know him, because being buried deep in the dirt is the only way to remain untouchable, and fiercely keeping one's distance is the only safe bet. (For both Kakavasha and any fools who would doom themselves by daring to care for him.)

So: Canon is telling us that Ratio is one of, if not the, closest people in the world to Aventurine. But canon is also telling us that that still means absolutely nothing at all, because Aventurine won't let himself be close to anyone living.

Aventurine's senses of self-worth, trust, attachment, and safety have been warped so badly by ongoing and untreated trauma and mental health issues that, at least until the end of 2.1, I just don't think he was capable of even accepting genuine friendship from Ratio, let alone anything more.

(Interesting side note here: Ratio is actually one of the people Aventurine calls "my friend" the least. He only says it directly to Ratio a single time in all of their lines of dialogue across 2.0 and 2.1, and even then, does so only when right outside Sunday's door, while almost certainly being spied upon by the Family. Anyone who knows how often "my friend" is peppered into Aventurine's dialogue otherwise should know that the absence of the phrase is actually pretty telling. It almost feels like canon Aventurine's not even sure he can call Ratio his friend, at least to Ratio's face.)

Which makes Ratio's canon relationship to Aventurine quite sad and ironic:

From start to finish, Ratio canonically esteems Aventurine more highly than almost any other character in the game. I'm not even talking about shipping when I say that there is no character Ratio is closer to in the entire game.

At present, Ratio has only four voice lines about other characters, and of those four, Aventurine's is the only one that isn't someone from the Genius Society. The only one. Ratio's voice lines are also notably, uh, not very complimentary. Herta is "talented but not helpful to others" and "sees no one as her equal" (read as: she's self-absorbed). Screwllum is a "monarch, rather than a genius" (with the vague implications of being a tyrant), and Ruan Mei is overly ambitious and "fooling everyone."

Meanwhile, Aventurine is "our man" (who is "our" Ratio? who?) whose success "can't all be chalked up to luck," implying that part of Aventurine's success must come from skill. Ratio notes that Aventurine questions his own ability... but as far as Ratio's evaluation goes, he seems to doubt that Aventurine will ever experience a downfall. For someone who thinks 99% of the people he meets are mediocre failures scrambling around in the filth of existence, to be recognized as skilled and unlikely to fail is quite obviously glowing praise.

Then, of course, there are numerous moments that echo Aventurine's hints, implying that Ratio spends significantly more time with Aventurine than we see on-screen, that he knows Aventurine extremely well, and, although he tries (vainly) to pretend he isn't, he's clearly quite concerned with what Aventurine thinks of him.

Especially this last one. "No wonder that gambler likes you so much" is pretty intentional on the devs' part, confirming that Ratio and Aventurine are having off-screen conversations we players are not privy to, which obviously would indicate a closer relationship than the in-game cutscenes could cover.

Then, Trailblazer has the option to flat out ask Ratio to "rate" Aventurine. (Star Rail ship bait is not even subtle.)

At first, this line might read as all over the place:

"The bosses say we're partners but I wouldn't say that" -> Read as: Ratio wants people to know how their relationship is classified but doesn't want to admit to being actually invested.

"I see myself as the teacher to everyone I meet" -> Read as: Ratio at least pretends that he doesn't view anyone as his equal; everyone is either above him--geniuses--or below him--students.

"Aventurine is not that bad of a student" -> High praise; even Ratio can't pretend Aventurine's untalented.

"Actually, Aventurine's probably in metaphysical danger" -> Read as: Ratio is aware of the "void" Aventurine is experiencing and his mental struggles.

The ultimate takeaway of Ratio's "rating" actually says more about Ratio than Aventurine. When it comes down to it, Ratio's choice to answer this question for the Trailblazer instead of dismiss it tells us that Ratio has spent time quantifying and trying to define his relationship with Aventurine, is willing to at least discuss that relationship with other people (when we have no evidence he ever discusses any other personal/non-academic matters with anyone), and that Ratio pays attention to Aventurine's mental states.

Canon Ratio is not beating the allegations, I'm afraid.

But actually, I think the biggest tell about Ratio's canon relationship to Aventurine is that Ratio's behavior completely changes the moment Aventurine appears in the game.

In every single one of Ratio's other appearances, two facts are hammered home again and again:

First, Ratio hates interacting with fools and "noisy" people. He wears his plaster bust so that he doesn't even have to see them. Canonically, we're informed by both March 7th and Argenti that Ratio brought and was wearing his headpiece in Penacony. Curiously though...

The players never see it throughout 2.X--probably because 90% of Ratio's scenes are with Aventurine, and Ratio is never shown wearing his bust on screen with Aventurine--even in their very first meeting in the Final Victor lightcone. Aventurine clearly knows of the bust, but despite Ratio verbally going on and on about how Aventurine is the most "flashy" and "devoid of logic" person Ratio knows... the devs deliberately send their message: Ratio has chosen not to cut himself off from Aventurine.

Aventurine can be more "clamorous" than a screaming peacock, but Ratio will still not put up walls against him. This isn't accidental. The devs had every opportunity in the world to go the opposite route and make jokes about Ratio refusing to take the bust off in Aventurine's obnoxious presence; instead they decided that Ratio apparently has a glaring, Aventurine-shaped exception to his "I don't want to perceive you fools or be perceived by you" life rule.

This "willing to tolerate shenanigans only if Aventurine is involved" behavior continues basically throughout all of Penacony's plot. In 2.3 for example, if you turn around and talk to Ratio again on the Radiant Feldspar, he flat out says:

But there's no actual explanation for why he's there in the first place. He mentions he was assigned to watch over "the IPC's ambassadors," which theoretically should apply to Jade and Topaz, yet we never see him interacting with them in any capacity. He's never even shown in the same room as Jade or Topaz, and he's not shown doing any other form of business for the IPC on the Feldspar either. Theoretically, he could have been on the Feldspar to meet regarding the Divergent Universe... except Screwllum wasn't there yet, and Ratio doesn't mention a single word about the Divergent Universe to the Trailblazer.

The only person Ratio talks about in his dialogue on the Feldspar is Aventurine, and the only non-Trailblazer he talks to in 2.3 at all is also Aventurine, replying to him and only him in the group chat.

He looked like he might give it a shot to try to befriend Boothill and Argenti at the end of 2.3... but immediately changes his mind and leaves without saying a word to them.

It's not really a stretch to suggest that the only reasonable excuse for Ratio to attend the party on the Feldspar was if he was there for Aventurine, a behavior that he himself notes is out of character. ("A waste of time" he says, as he stands there anyway.)

But, second and even more importantly: Ratio's single most defining character trait is that he believes people need to pick themselves up. The entire point of his debut appearance in the game was to present his philosophy that if the powerful or privileged intervene to continually "save" the mediocre, ordinary people will never learn for themselves or get the chance to grow. It is in times of desperation, he says, that fools exceed their limits and reach greatness.

This is why, in 1.6, he insisted on Asta and the Trailblazer being the ones to solve the attacks happening on the space station, without relying on Screwllum or the other geniuses. Although Ratio did actively intervene a little (using the phase flame to save the researchers from death), he did so only from behind the scenes, where his actual help would not be noticed by those affected and where it had no impact on their decision-making or their struggles to solve the mystery.

He let Asta and the Trailblazer panic. He let them flounder. He even deliberately misled them at points, claiming that Duke Inferno must have kidnapped the researchers (when it was actually Ratio himself who re-routed them).

Ultimately, Ratio let Asta and the Trailblazer grow from their experiences.

This is also why he lets the Trailblazer go blazing in to fight Ruan Mei's faux emanator of the propagation, despite knowing that Trailblazer was not actually strong enough to win. Ratio watched and was ready to intervene... but in the end he did not, because it was the Trailblazer's fight to lose.

Ratio's most defining character trait is that he believes standing back and observing is the true kindness, rather than inserting oneself and denying people their autonomy or opportunities to grow.

Buttttt... then there's Aventurine, and suddenly the story is completely different.

Suddenly, Ratio isn't an observer but becomes essential to the plan. He's even walking around making big claims about being the manager of the task, flexing all of his C+ acting ability to actively carry out their mutual ploy.

In 2.3, he claims he was just there to watch, and his Penacony sticker asserts he's only "a supporting character"--yet we have never seen Ratio take a more active role in the entire game. Unlike with the Trailblazer in 1.6, he's not primarily watching events unfold from shadowy corners. He's in Penacony as Aventurine's active partner in crime.

And, even more telling--he later jeopardizes their entire mission just to ask if Aventurine needs help.

What? Huh? The character who is famous for the voice line "You look distressed. Is something troubling you? If so, you can figure it out for yourself" is suddenly offering his assistance entirely unprompted?

The guy whose motto might as well be:

Is suddenly out here throwing his own core philosophy out the window to solve Penacony's mystery for Aventurine and save him from himself in Aventurine's hour of greatest need?

A lot of people get hung up on the second half of Ratio's letter, the part about staying alive, which of course is very sweet. But I think the second half causes people to forget that the first part of Ratio's letter is, quite literally, the answer to Penacony's mystery.

Ratio gave Aventurine the answer.

This is like if your professor just gave you and you alone the score key to the final exam and then turned around to insist he "doesn't play favorites."

Of course, Aventurine is brilliant and didn't need Ratio's answer about dormancy, which makes the fact that Ratio went out of the way to give it to him even more odd. Ratio despises unnecessary repetition. If he wasn't dead worried, he would never have given Aventurine an answer that Aventurine had the power to find on his own.

And, as far as canon tells us, Ratio has never done this for anyone else.

The difference is night and day. It's literally the Gordon Ramsay meme, with everyone else in the entire game being the "fucking donkeys" to Aventurine's "Oh dear. Gorgeous."

So: Even if we entirely put aside shipping, if we look strictly at what we're given in canon:

Ratio treats Aventurine with more respect than he treats most other characters in the game.

He involves himself in Aventurine's struggles in a way that he flat out refuses to do for anyone else.

He compromises his own beliefs purely out of concern for Aventurine.

So, at least as far as we've been shown in canon, it is accurate to state that Aventurine is the closest character to Ratio--and unlike Aventurine (king of self-gaslighting), Ratio isn't even good at acting like he doesn't care.

Frankly, the whole thing is a little sad. Ratio's behavior is so blatantly out of character that a smart person like Aventurine should easily be able to determine it is genuine, but Aventurine's personal hang-ups and ongoing trauma make it difficult for him to even see that authenticity, let alone put faith in it. Even in canon, Ratio is mostly unable to help himself when it comes to Aventurine, which is especially unfortunate given how badly skewed Aventurine's perception of himself and others is by the start of Penacony's story.

PHEW! I finally made it through canon content!

Now there's just... everything else... 🫠

Well, to be honest, I don't think I could ever manage to put all my thoughts about this ship into one post. Probably not even fifty posts.

So rather than trying to say everything there is to say about Ratiorine, what I want to focus on is how fantastically these two characters just fit together. Like puzzle pieces that need to be mirror opposites in order to link, these two characters parallel each other while also perfectly filling in each other's voids. It's some of the best character pair writing I've seen in a long time (though I'm still sort of convinced it was at least 50% sheer luck on Hoyo's part), and my perspective on their ship can really be tied to my underlying perception of Ratio and Aventurine's characters as remarkably similar individuals:

It's obvious that Aventurine is not a healthy or well-adjusted adult man, but like... neither is Ratio.

Both of these characters are "not quite right" marginalized people who, at least in my interpretation, have essentially given up on even faking normality and are now just vaguely play acting their way through being functioning members of a universe that is entirely unequipped to accept them for who they are. In a world full of cyborg cowboys and people with wings growing from their heads, the game still manages to somehow convince us that Aventurine and Ratio are odd ones out.

Kakavasha can't even exist in the dystopian capitalist hellscape of the IPC's machinations. "Aventurine" isn't even a real person, just a never-ending performance, a slick, devil-may-care persona without a single ounce of substance.

Ratio, meanwhile, is a world of one, rejected from the only place he thought he could find validation and acceptance but unable to lower himself to fit in anywhere else.

Aventurine is so bad at making genuine connections that he turns everyday conversations into gambles because he doesn't believe people will care enough to keep talking to him without tangible incentive.

Ratio's insistence on treating everyone as students, not as equals, also means he has an excuse to never emotionally engage with anyone he meets. (This is not at all a textbook method of intentional avoidance to prevent any chance of social rejection. Not at all.)

At the end of the day, Aventurine and Ratio both come across as desperately lonely, and so caught up in their own situations that they really don't have the ability to climb out of that hole on their own.

Preventing them from even being able to maintain any form of relationship is also the fact that neither one of them can even find justification. Neither one of them has a reasonable answer to the question "Why am I alive?" anymore, because Aventurine's reason died on Sigonia and Ratio's reason died with an IPC invitation instead of a Genius Society letter. Though their differing perspectives have led them on opposite paths pursuing their own answers to that ultimate question of "Why should I keep living?" (Aventurine was headed toward giving up before the end of Penacony, while Ratio has invented an immeasurable, impossible goal to distract himself from feeling purposeless), both of them are pretty much miserably unfulfilled in their current lives.

They're also both violently allergic to emotional vulnerability and to having any of their flaws or true desires actually be perceived. Both of them put up insanely high walls. Aventurine pushes boundaries with everyone he meets to provoke their hatred in advance, before they can come to disdain him for his "real" flaws. He acts out harmful racist stereotypes to use others' preconceptions for advantage, manipulating every situation he's in--incidentally affirming the stereotypes against his people by doing so.

Ratio puts a physical wall of plaster between himself and others, but the plaster bust actually doesn't have anything on the mental and emotional gymnastics he's engaged in to justify his isolation from the world, doing everything in his power to convince himself that he's isolated by choice, that it's perfectly logical for Veritas Ratio to have nowhere to truly belong, no one to truly belong with. He's so mundane after all. Of course the geniuses don't want him, that's just commonsense. But everyone else is so... different, so foolish, so illogical... It just wouldn't be reasonable of him to try to become one of them either, to be their friend instead of their distant educator. (You know, if you never try to integrate with others, then they can't reject you. Ratio has learned his lesson.)

Somehow, Aventurine and Ratio are two of the most competent and successful people in Star Rail's entire universe and simultaneously also two of the most misfit, reject, dysfunctional messes in the game. Like... Blade has a better support network than Aventurine and Ratio combined. The 7000-pound murderous mech with a disabled, genetically-modified war veteran who never got to live a normal human life hiding inside it is more capable of making friends than Aventurine and Dr. Ratio.

Which is why I love that the devs decided to make their canon backstory: "Some absolute treasures in the IPC and the Intelligentsia Guild had the galaxy-brained idea of pairing Ratio and Aventurine as strategic partners." The game's writing really said: "These two characters are so socially stunted, they have to be assigned a relationship like it's homework."

They may not have it all figured out yet, but the fans see the design: Now that Ratio and Aventurine have each other, they're not alone anymore. I have never seen two characters better fit the "Is anyone going to match my freak?" meme only for the actual answer to be "Yes."

Ratio is "plays chess with himself" levels of loner weird? No problem--Aventurine is "Wanna take bets on who's going to die today?" weirder. Ratio wears a plaster bust to ward off idiots? Aventurine transforms into a monster on command, which is pretty much guaranteed to achieve the same effect.

Ratio wasn't chosen by Nous? That's fine, Aventurine's one job as a "chosen one" was to save his people and now they're all dead. Nobody can keep up with Ratio in conversation? Watch a single comment from Aventurine turn him into a fumbling mess on live television.

Ratio's inability to relate to the experiences and development of any peers his own age have left him extremely isolated and with a permanently scarred sense of self-worth? Wow, I wonder if Aventurine knows exactly what that feels like.

They just... fit.

And, changing focus a little here at the end: While I personally think that recovery from trauma requires internal motivation and self-kindness foremost, I also think that Ratio and Aventurine's relationship should be considered from the perspective of how they help to fill each other's gaps.

Unlike any connection at the Genius Society who will always evoke unpleasant memories of Nous's rejection, Aventurine isn't going to make Ratio feel intellectually inferior. Aventurine has nothing but good things to say about Ratio's intelligence, and it's even apparent that Ratio felt comfortable enough to at least mention his Genius Society woes to Aventurine, something he explicitly does not do with anyone else.

Even when it comes to social interactions, Aventurine isn't going to make Ratio feel inadequate, because honestly? Aventurine's almost as bad at them as Ratio. Aventurine is much better at faking it socially, but when it actually counts? When he's trying to be real with others? A solid 70% of the people who meet Aventurine still end up wanting to strangle him. The guy tried to apologize for threatening to detonate the Trailblazer like a bomb by buying them a model train...

Then there's this:

Aventurine is the only character explicitly called Ratio's equal in game, and more than just treating him respectfully as an equal, Aventurine also exhibits one extreme appeal that no one else in game has ever shown to Ratio: Aventurine makes Ratio feel needed. For Aventurine, Ratio is not a forgettable after-thought as he is to Herta and most of the other geniuses. He's not just "some weird guy who scolds me about school" like he is to the Trailblazer. Ratio's intellect and skill were integral to Aventurine's plan from step one to the very end. Ratio has a place in Aventurine's plots. For a character who directly assesses worth by how beneficial a person can be to others, the fact that Aventurine can make Ratio feel wanted and valued probably produced some of the strongest personal fulfillment Ratio has had in years.

On the opposite side, Ratio's in a unique position. Out of every relevant character in Aventurine's story, Ratio is the only one who has nothing to lose by choosing Kakavasha over "Aventurine." Ratio doesn't profit off Aventurine or take any expensive gifts from him, like the Trailblazer does. He doesn't need Aventurine's luck for anything at all. He'd be able to work for the IPC even if Aventurine wasn't in it. Ratio certainly doesn't want the glitz and glamour of a shallow gambling hustler persona. His work doesn't require Aventurine's continued involvement like Topaz's and Jade's does. He'd probably prefer not to know any Stonehearts at all, thank you for asking.

Outside of deliberate-acting insults about Sigonians for Sunday's sake, we're not told that Ratio has any connections to--and therefore has no preconceived biases against--Sigonians. Being a person who values self-determination and a refusal to live in mediocrity above all else, he would have nothing but esteem for how far Aventurine has managed to come despite the harsh circumstances of his life. Ratio probably wouldn't even think Aventurine's belief in Gaiathra is that strange; one of Ratio's doctorates is actually in theology.

Unlike literally everyone else in the universe who needs "Aventurine," we have every indication that Ratio's respect and admiration will only grow when he finally gets to meet "Kakavasha."

Loneliness, rejection, betrayal, a lack of understanding from others--all of these can leave wounds that only genuine, deep bonds with others can heal.

On death's doorway, in the darkest shadow, when Aventurine had to make the choice between passing on to be with the family that loved him and choosing to return to a reality without them... Ratio's letter was there, telling Aventurine the exact thing he needed to hear to choose life: Someone is waiting for you to come home.

If the resounding rejection of Star Rail's Nihility is belief in humanity's power to make meaning in our own lives through our connections to others, then the ultimate message of Ratio and Aventurine's arc in Penacony is that no one needs to be alone. The world is not as empty as you fear.

And that is a message that Ratio and Aventurine can learn best through each other.

(I just... love them so much...)

732 notes · View notes

lad-boyo · 2 years ago

Text

#just had such a HUGE adrenaline rush #scheduling this influencer for an appointment at a spa in LA #and I totally forgot her manager said she could make it today bc she got back to me so late on friday like after i was off bc she's in LA #and so this morning after our team meeting #I suddenly remembered the appt was TODAY #and its not even booked #GOD #luckily it all worked out #except i have no bloody clue what parking is like on Rodeo dr #i imagine its insane #and everything is Valet #so I had to call the spa and the building and be like what is parking like??#not me ALWAYS having to call people in LA bc everything I do there is so panicked and last minute #I've literally never even been to LA but I have facilitated so many things there in a total PANIC #LA is so cursed frfr

0 notes

bignaz8 · 2 months ago

Text

Peter Sellers was originally going to ride the atom bomb in "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb" (1964). Slim Pickens (born Louis Burton Lindley Jr.) got a phone call late one evening from Stanley Kubrick: "Peter has fallen and broken his hip, I need you for a day's shoot--I need you bad and I need you now. How soon can you get on a plane and make it to London?". Slim obliged and in his haste forgot that he didn't have a passport because he had never traveled outside the US before. His entrance was delayed while he had to go through the process of getting one before he was allowed to leave the airport. When Pickens showed up on the set of "Dr. Strangelove" fully dressed as a cowboy and speaking in a thick Southern accent, the British crew thought he was "Method" acting, not knowing that this was how he always dressed and acted. He explained how he got into the rodeo business: "Well, there was this big, lanky, 15-year-old California ranch kid, and he went into the rodeo manager's office and said, 'Mister, I want to sign up for the calf-roping but my paw says I ain't allowed to. So I can't use my right name'. And the manager said, 'Son, no matter what name you use, it'll be slim pickin's out there today'. So the boy said, 'That's as good a name as any, I reckon-put me down as Slim Pickin's'. The manager spelled it 'Pickens' and the boy won $400 that afternoon."

#dr strangelove #slim pickens

351 notes · View notes

p0orbaby · 21 days ago

Text

It’s Called Free Fall

summary: therapy makes you realise a lot of things

warnings: none

a/n: there’s not actually any alexia in this, but she is mentioned

word count: 2.7k

The therapist’s office feels like it’s been curated for someone far more refined than you—someone who actually takes their therapy seriously, rather than as an ironic lifestyle choice. The walls are a pale, flat grey that veers perilously close to lifeless, and there’s this overwhelming sense of emptiness, like everything here exists for display rather than use. The chairs, two narrow-backed leather things angled just slightly towards each other, appear less like furniture and more like sculptures. You imagine some recent graduate from a New York art school positioned them just so, meticulously arranging each one to make sure it induced the precise mix of discomfort and luxury.

The table between you and Dr. Vargas is another matter entirely—a sleek slab of polished mahogany, thick enough that you could lean your entire weight on it without even a squeak of protest. Its surface is bare except for a single leather-bound notebook, a fountain pen and a ceramic dish, all aligned to a degree that feels almost militaristic. There’s not a single loose thread in the rug, not a fingerprint on the glass of the one window facing out onto a garden view that’s suspiciously verdant for the middle of winter.

Even the fern, perched in the corner like it’s waiting for its close-up, seems too green, too lush. It’s ridiculous, but it’s all part of the aesthetic, this carefully curated minimalism, the kind of cultivated restraint that says, “We don’t need embellishments. We’re here for the truth.” You’re here, supposedly, for honesty and revelation. But to you, it all feels a bit too staged, like a hotel that boasts a “homely charm” but is actually cold and sterile beneath the surface. You suspect Dr. Vargas might even mist the plant herself in some sacred ritual of maintenance, a sort of last-minute grounding exercise to fill the silence between clients.

You settle back in the chair, draping one leg over the other, and make a mental note to mention it next time you’re in some magazine interview. “Austere,” you’d say, “but in a chic way. I once caught my therapist hand-polishing the leaves of a houseplant.” You let yourself savour the image for a moment, glancing at the fern, which seems to return your gaze with silent judgement.

Dr. Vargas has her pen poised in that infuriatingly neutral way, a half-smile that somehow manages to be both welcoming and utterly unreadable. She’s mastered this look; the expression that says, I’m here for you while also suggesting she’s already a step ahead, already written your entire profile out in her head, neatly categorised into sub-headings like “Avoidant Tendencies” and “Control Issues.”

You begin with a sigh, throwing a glance at the ceiling in mock contemplation. “I’ve been thinking about another place. A chalet, maybe. Something in the mountains this time.” You pause, letting the idea sit, feigning like it’s just occurred to you. “Somewhere remote, where people can’t just… get to me”

You’re fully aware that she sees right through it. This isn’t her first rodeo; you’re sure she’s dealt with hundreds like you before, masters of diversion who fill sessions with banalities rather than facing anything real. But Dr. Vargas, in all her maddening professionalism, gives nothing away. She just tilts her head, the soft scratch of her pen against her notebook barely there as she writes something down.

“A place to escape,” she offers back to you in that maddeningly placid tone.

“Yes. Escape,” you echo, knowing full well the word holds no weight here. Escape from what, exactly? You let your leg bounce a little, as if the rhythm might lend some gravity to your words. “And there’s this new project I’m in talks with—A24, actually. They want me to do something… serious. A proper rebrand. Gritty. Artistic.” You drawl out “artistic” with the faintest of smirks, like you’re amused at the thought of it all. A lifetime of playing these games, and you’re practically a pro by now.

Dr. Vargas’s face betrays not a flicker of interest or amusement. She simply nods, that little encouraging tilt of her head again, like she’s waiting for you to get to the real point, the heart of the matter. But you’re not giving in so easily.

“It could be big, you know,” you continue, lifting your chin a fraction. “And I’ve got Alexia, of course.” The name slips out, deliberately nonchalant, though you feel its weight instantly, like it’s left a mark on the air between you.

Dr. Vargas raises her eyebrows, ever so slightly. “Alexia,” she repeats, not quite a question, not quite a statement. Just… acknowledgment, and yet it still feels as if she’s plucked something out of you without you realising. You don’t like it, the way she turns your own words against you.

“Yeah,” you say, shrugging. “She’s… brilliant. On the field, off it. You know, she’s—” You trail off, allowing a smirk to play on your lips. “Not bad to look at, either”

She gives no reaction, doesn’t even break eye contact. You imagine her poker face would rival that of any seasoned card shark. But it’s her silence that presses at you, coaxing out more than you intend to reveal. It’s a trick she’s used before, and yet here you are, willingly falling into it.

“Honestly,” you continue, almost laughing as if sharing some private joke, “you should see her after a match. There’s this… intensity, this rawness. Shirt off, sweat-drenched, eyes still blazing from the game. It’s… invigorating.” You roll the word around like a fine wine, savouring it as you go. “It’s like the universe threw me a bone, just when I was getting bored”

Dr. Vargas finally moves, a slight shift of her head, her mouth curving up in a near-smile. “And yet, you’re here”

Her words drop between you like a carefully placed stone. You scoff, rolling your eyes, but there’s something in her expression—an almost imperceptible softness that somehow feels like an accusation. “Therapy’s a hobby,” you shrug, leaning back, as if the very idea of anything deeper is laughable. “I’m always in therapy, Doc. News flash”

“Yes,” she agrees smoothly, not missing a beat, “but you don’t usually bring her up”

“Come on,” you counter, with a smirk that’s designed to look careless, “I bring her up all the time”

“Not like this”

Her voice is calm, almost gentle, but her gaze sharpens, pinning you in place. You feel a spike of irritation, or maybe it’s something else. You cast a look towards the fern, now faintly silhouetted by the afternoon sun, its shadow long and narrow across the wall, an unasked-for third party in this strange little dance. The absurdity of the whole scene hits you, but before you can fully detach, she’s speaking again.

“You’re talking about her differently. More… openly.” There’s no edge to her tone, no overt judgment, yet it feels like she’s peeled back a layer, glimpsed a part of you you hadn’t meant to reveal.

In the moments that follow, you stub out your cigarette on the pristine ceramic dish Vargas keeps on the table, the one she’s claimed is “not for smoking” but never actually moved after that one session. You’ve taken it as tacit permission, though you know damn well it irritates her—just another way to test the boundaries in a room that prides itself on having none. That’s half the point of these sessions: see how far you can stretch them. How much she’ll let you say, or not say. And you’ve mastered the art of saying absolutely nothing, all while filling the space with empty words.

Dr. Vargas doesn’t speak, doesn’t press, which is almost worse than if she did. There’s just the persistent softness in her eyes, the quiet implication that she understands more than you’d prefer. You remember Alexia’s eyes looking at you like that once, right after you’d tried to make some grand point about the nature of relationships—one of those pseudo-philosophical tangents you like to go on. She’d just looked at you, with a kind of bemused patience that felt a little too genuine, a little too close to knowing you.

You roll your shoulders, shake off the memory. But it clings.

“Alright,” you say, letting the smoke spill out as you form the words. “Maybe I don’t do ‘love’ like everyone else. I’m not here for a candlelit dinner and a mortgage. I’m not,” you add with a quick laugh, “one of those people who turn into some sap over a nice couple’s holiday in Santorini”

Dr. Vargas gives a small nod, an acknowledgement rather than agreement, her expression neutral but open, giving you room to continue.

“But, yes. Fine.” You take another drag, a deliberate pause. “Maybe I… care about her. I care about her. She’s different, alright?”

“Different how?” she asks gently, with an infuriatingly patient tone.

You groan, shifting in your seat. “Come on, don’t make me quantify it. That’s your thing, not mine.” You know you’re stalling, using your usual deflections, but there’s an itch underneath it, a part of you that feels raw just acknowledging that Alexia is, in fact, ‘different.’

You can feel her eyes on you, waiting for you to take the bait you’ve laid out for yourself.

“Fine, you want specifics?” you sigh, feigning annoyance, though you know you’re the one who’s led the conversation here. “She… laughs at my worst jokes. Like, really laughs. Not in a polite way, but genuinely, like she thinks I’m the funniest person alive, even when I’m barely trying. It’s stupid, really, but it gets me”

“And how does that make you feel?” Vargas leans forward, like she’s zeroing in on something significant.

You chuckle, low and dismissive, waving the question off with your cigarette. “How do you think it makes me feel? It’s… fine. Nice. A bit strange, maybe. I’m not used to being seen like that.” You pause, the weight of that admission lingering in the air between you.

She doesn’t react, doesn’t push; she just lets the moment settle, knowing there’s more.

You sigh, smoke curling up around you, as your mind goes back to other little things—the way she has this weird ritual of picking all the green M&Ms out of the bag and tossing them to you, claiming they’re “bad luck.” How she insists on reading the morning news out loud, in that silly, exaggerated announcer voice, just to make you laugh while you pretend to read emails. Or how she makes you tea at exactly the right temperature, handing you the mug with a grin like she’s just given you a priceless gift. These are things that, on the surface, should be forgettable, the kind of mundane moments that fade. But they don’t, do they? Not with her.

Dr. Vargas’s voice interrupts your reverie, soft but insistent. “You’re smiling”

You realise she’s right; you’re smiling without even meaning to, and it’s a small, stupid smile, the kind that feels too open. You try to erase it, but it’s too late. The vulnerability’s already there, a quiet confession written across your face.

You roll your eyes, more at yourself than at her. “Alright, so what? So she’s… alright, she’s fun. She’s got that energy, you know, that lightness. It’s kind of… refreshing”

The words slip out unbidden, and you feel a pang of something resembling regret. Refreshing. A word that implies something else by omission—that most of your life, most people you’ve known, have been exhausting. The irony isn’t lost on you: someone so completely different from your own brand of detached sarcasm, from your carefully cultivated ennui, has managed to slip under the radar and wedge herself into your carefully controlled life.

Dr. Vargas watches, her silence pressing you forward.

“Look, I don’t think about it too much,” you say, trying to inject a casual note into your tone. “I don’t need to psychoanalyse every smile, every inside joke. I’m not here to have my relationship broken down into neat little psych terms”

“Maybe you should think about it,” Vargas says gently. “Maybe that’s why you’re here”

You scoff, but there’s a softness in the sound, a hint of resignation. Because she’s right, isn’t she? You came here because, as much as you don’t want to admit it, this thing with Alexia has started to matter, in a way that’s both terrifying and strangely compelling. You’ve always prided yourself on staying a step removed, on being a spectator in your own life, observing rather than fully engaging. But with her, you’re finding it harder to keep that distance.

“Fine,” you mutter, leaning back, letting your head rest against the chair, staring up at the ceiling as though the answers might be written there. “Maybe she’s… special”

The words feel strange in your mouth, too vulnerable, too open. You don’t say “special” often, especially not in this context. But there it is, a reluctant admission.

“I mean, it’s not like I’m in love with her,” you continue, the words tumbling out before you can stop them. “She’s great—don’t get me wrong. She’s amazing in bed. I can’t remember the last time someone made me cum so much. And she’s got this thing about her, you know? Like this fire, this intensity. It’s like when she looks at me, she’s looking right through me. And yeah, I guess that’s… intoxicating. But that’s all it is. Right?”

Dr. Vargas nods, a small, subtle gesture. “Why does that scare you?”

You don’t answer right away. Instead, you watch the smoke dancing away from your cigarette, dissipating into the air, leaving nothing behind but a faint, lingering scent. You think about what it is you’re so afraid of—because there’s something there, something you can’t quite name, a sense that if you let this thing with Alexia continue, it might change you in ways you’re not ready for.

“Because I don’t do… attachment,” you say finally, the words coming out sharper than intended. “I’ve built a life that doesn’t depend on anyone else. And she’s… she’s a complication”

You can feel Vargas watching you, sensing the weight of what you’re not saying, the unspoken truth that this isn’t just about Alexia, that it’s about something deeper, a fear of vulnerability, of losing control. She doesn’t push, though; she just waits, letting the silence do the work for her.

After a long pause, you take a breath, letting your gaze drift to the fern by the window, its leaves glossy and perfect, so meticulously maintained it almost looks fake. You wonder if it’s ever felt the strain of trying to keep everything together, to present a flawless exterior while something more fragile lurks beneath the surface.

“You know,” you say, almost to yourself, “it’s funny. For the longest time, I thought love was just a distraction, a temporary fix for people who couldn’t handle being alone.” You take another drag from your cigarette, exhaling slowly. “But with her, it’s… it’s different. It’s like she makes everything brighter, sharper, like she’s tuned into some frequency I didn’t know existed”

Dr. Vargas doesn’t respond, just nods, letting you continue.

“And the worst part?” You chuckle, a self-deprecating sound. “The worst part is that she’s getting to me. She’s in my head, even when she’s not there. I find myself thinking about her in the middle of the day, wondering what she’s up to, if she’s thinking about me too”

There’s a fragility in the admission, a crack in the armour you’ve built around yourself. And it terrifies you, this sense of letting someone in, of letting them get close enough to matter.

You stub out your cigarette, watching the last curl of smoke dissipate into the air. It feels like a metaphor for something, though you’re not sure what.

Dr. Vargas gives you a small, knowing smile. “Maybe falling in love isn’t as bad as you think it will be,” she says gently.

You shrug, trying to play it off, but there’s a part of you that knows she’s right. Because for all your detachment, all your carefully cultivated distance, there’s something about Alexia that feels like home, like she’s a part of you you didn’t realise was missing.

“Maybe,” you say, the words soft, barely audible.

Love. The word lingers like an uninvited guest. You try to dismiss it, try to laugh it off, but it keeps creeping back in.

#alexia putellas #alexia putellas x reader #fcb femeni #fcb femeni x reader #espwnt #espwnt x reader #woso #woso x reader #woso imagine #woso community

192 notes · View notes