#rocker!jefferson

[navybrat817]

I remember how excited I was for this and discussing this with you lovelies and nonnies and I just failed. 😭

Question: in the Rocker!Au, who would be in the bands of Rocker!Bucky, Rocker!Jefferson and Rocker!Hal? And what would be the names of the bands?

Hi, nonnie! Meet our rockers! Rocker!Hal - Lead Guitar and Vocals. Solo artist The band is not really in the spotlight or public eye, but Hal sees them as just as important as he is. He respects them, thanks them after every show and doesn't tolerate disrespect toward them in any fashion. Hal's Nickname and Reader - Beau and Sunshine

Rocker!Jefferson - Nonsense Nation Jefferson - Bass Guitar and Vocals Emma - Rhythm Guitar and Vocals Graham - Lead Guitar Killian- Drums Jefferson's Nickname and Reader - Mad Hatter and Alice

Rocker!Bucky - The Howling Commandos* Bucky - Drums Nat - Bass Guitar Sam - Rhythm Guitar Steve - Lead Guitar and Vocals Torres - Keyboard * Bucky and Steve originally formed the band with Dum Dum, Jim and Gabe, who left to pursue college and other careers. They were replaced by Nat, Sam and Torres. Each band member occasionally provides background vocals. Bucky's Nickname and Reader - White Wolf and Luna

Love and thanks! ❤️

[abardnamedreginald]

im a wolf-demon-salamander-grey treefrog-katydid-cricket-luna moth-klingon-trad vampire-cat-romulan-harry potter wizard-gnome-drow-orc-wood elf-high elf-werewolf-twilight vampire-chihuahua-android-bard-druid-sorcerer-d&d wizard-lotr wizard-mind flayer-kraken-owlbear-genetically modified human-andes mint-harry potter merperson-h20 mermaid-great white shark-raven named nevermore-amontillado-sewer clown-animatronic-ink person-reality bender-ringwraith-chicken-fairy-telescreen-multibear-manic pixie dream girl-d class-horcrux-dragon-unicorn-pegasus-among us crewmate-among us imposter-game master-sharpie king size marker-dwarf-dragonborn-toothbrush-rock-paper-scissors-lizard-vulcan-politician-god-phone guy-icebreakers ice cubes pineapple-a doctor not a miracle worker-troll-ent-poodle-rabbit-Bear.-orange zombie-purple zombie-green zombie-professor plum-col. mustard-in the library-with a knife-hoola dancer-fish-villager-pelecan-defense against the dark arts professer-mafia boss-peep rabbit-peep chicken-gymnast-hairbrush-philosopher-music freak-school teacher-kidnapper-police lieutenant-farmer-trash can-dumpster out back-turtle-tribble-my little pony-kratt brother-high diver-pearl diver, dive, dive, deeper-chef-fire-earth-water-wind-wasp-bee-hornet-yellowjacket-mud dabber-grasshopper-rattlesnake-armadillo-cowboy-flashlight-starfleet science officer-harlet-elephant-gater-muppet-emo-goth-preppy-teabag-loser-sucker-mouse-rat-a puppet-a pauper-a pirate-a poet-a pawn-and a king-father albert-the pope-a nun-pastor jeff-gambler-metalhead-death rocker-the grim reaper-angel-lighthouse-paw patrol dog-hobbit-starfish-sponge-crab-squid-shrimp-jellyfish-chipmunk-hammerhead shark-nurse shark-humpback whale-blue whale-orca-sexual harrassment panda-south park character-jakoffasaurus-scrabble board-ouija board-pillow-toilet paper-period pad-tampon-baby diaper-elderly diaper-martian-touch tone telephone-starfleet operations-starfleet command-kirk-spock-bones-sulu-chekov-uhura-scotty-yeoman rand-KHAN!!!-mudd-the uss enterprise-the uss reliant-botany bay-v'ger-valeris-saavik-sybok-surak-sarek-the abbreviation 'idk'-sheldon-leonard-penny-howard-raj-amy-bernadette-mary cooper-george sr-george jr-missy cooper-meemaw-tam-dr sturgis-dr linkletter-dr jack bright-dr clef-dr gears-dr kondraki-dr mann-dr iceberg-dr crow-dr rights-dr sherman-scp 049-scp 3008-scp 4231-scp 166-scp 682-scp 2521-scp 590-O5 6-bill cipher-stanley pines-stanford pines-dipper-mabel-wendy-soos-schmebulok-gideon-mcgucket-dipper goes to taco bell-sheriff blubs-deputy durland-tad strange-andy taylor-william afton-michael afton-elizabeth afton-crying child-henry emily-charlotte emily-dave miller-jack kennedy-dee kennedy-peter kennedy-steven stevenson-aragorn-sam-frodo-merry-pippin-boromir-legolas-gimli-gandalf-faramir-denethor-sauron-elrond-thranduil-harry-hermione-ron-voldemort-pettigrew.-moony-padfoot-prongs-snape-edward-bella-alice!!-carlisle-charlie-cthulhu-greg heffley-pennywise-bendy-sammy-norman-jack-alice (susie)-allison-henry stien-joey drew-bruenor battlehammer-raskolnikov-heather-heather-heather-veronica-jd-kurt-ram-martha-kurt cobain-david bowie-freddie mercury-hozier-mitski-lemon demon-jack stauber-tally hall-hamilton-burr-jefferson-madison-washington-phillip-angelica-eliza-peggy-king george iii-king henry viii-ben franklin-catherine of aragon-anne boleyn-jane seymour-anne of cleves-katherine howard-catherine parr-dracula-𝓯𝓻𝓮𝓪𝓴𝔂-evan hansen-conner murphey-john adams-raymond barron-fred randall-jane doe-ocean-noel-mischa-constance-ricky-karnak-vergil-alternate-thatcher davis-ruth-dave-cesar-mark-adam-sarah-jonah-evelyn-gabriel-trump-biden-sunny-basil-kel-aubrey-hero-mari-vanessa (the mean girl that kinda likes u)-tux the linux penguin-perry the platypus hybrid princess...dont fw me

[ilikereadingthisiswhatilike]

Cyberpunk Characters

*not my art

(X) = Smut

Yandere @poisonousroxstar Summary: Someone likes you a little to much. Warnings: Kidnaping Special Tag: Headcon Meredith Stout

Jealousy @smuttyfang Summary: Judy is pissed/jealous when a client hires reader just to seduce her Warnings: Jealousy Special Tag: None Judy Alvarez

Day In @judgementdaysunshine Summary: You and Judy have a lazy morning and day together Warnings: None Special Tag: None Judy Alvarez

Last Voice Mail @smuttyfang Summary: Reader chooses suicide in the end and leaves a really heartbreaking voicemail for Judy Warnings: Suicide Special Tag: Angst Judy Alvarez

Idol Worship @yns-world Summary: You’re a hyper feminine idol with a cutesy, girlie concept. As a Night City celebrity, these are some headcanons of your life with the men. Warnings: None Special Tag: Head con Cyber Punk Men

NSFW @ma1dmer (X) Summary: You find out what it like to be with a power couple Warnings: None Special Tag: Head con Elizabeth and Jefferson Peralez

you're not a ghost, you're in my head @vampireloverz (X) Summary: The voice in your head helps you get off. Warnings: None Special Tag: None Johnny Silverhand

THE EROS CLUB @buryustogether (X) Summary: You and Jackie receive a job to infiltrate a popular new club and retrieve a sample of a drug making its rounds through customers. unfortunately, it takes being dosed to realize the drug is an aphrodisiac.Warnings: drinking alcohol, drugs, being drugged unknowingly Special Tag: None Jackie Welles

Happier Endings @tfone4one (X) Summary: You’ve been cured of your terminal disease. Johnny Silverhand no longer lives in your brain. It’s left you in a coma for two years, and when you wake up, everyone you’ve ever cared for has either moved on or no longer wants to see you, even your boyfriend, River Ward. Warnings: None Special Tag: None River Ward

the sun @lotties-ashwagandha (X) Summary: it’s always been a rule in your profession never to get too close to the arasakas, to stay silent in the pursuit of duty over sentiment ��� but after your promotion to being assigned the personal bodyguard to hanako, love takes priority over your safety. Warnings: None Special Tag: None Hanako Arasaka

Short Imagine @poisonousroxstar Summary: Rita Wheeler headcanons Warnings: None Special Tag: headcanons Rita Wheeler

<333 @kaeuhhh Summary: Judy headcanons Warnings: None Special Tag: headcanons Judy Alvarez

Judy Alvarez Headcanons @2kverrr Summary: Life with Judy Warnings: None Special Tag: Headcanons

Neon Lights and Neon Dreams @vampiresbloodx Summary: A young lawman who just got his badge. A mysterious merc with a blackout past. A rocker with everything to prove. All of you, trying to survive in Night City. City of Dreams. A City where there are no happy endings. Warnings: None Special Tag: None Leon, Ada

Beneath the Iron Veil @vampiresbloodx Summary: None Warnings: None Special Tag: None Rosaline

silver heart; clouded judgement—. @zevrra Summary: after the heist mission, upon hearing the bad news about how their life is going to go; V is comforted by Vik who wishes he could do more. Warnings: None Special Tag: None viktor

FORTUNE @lotties-ashwagandha Summary: None Warnings: None Specials Tags: Head canon Rogue Amendiares

Jealous @hanako-arasakas-twink Summary: None Warnings: None Specials Tags: Head canons Panam Palmer

PRIVACY @lotties-ashwagandha (X) Summary: None Warnings: None Specials Tags: None Panam Palmer

[osiiiris]

Papa’s playlists - music headcanons

Sometimes when I listen to music I mentally associate what I’m listening to the Papas, so I thought it would have been fun to imagine a 10 songs playlist for/of each Papa. I have chosen the songs by their personalities, the kind of music they have done and the general vibes I get when I listen to the songs.

Primo:

I see him sitting on his couch by the fire, immersed in his voluminous, rich vestments. He can listen to the heaviest doom metal tune without moving an inch of his body, fully immersed in understanding the lyrics, but 70s rock always brings back his old memories of when he used to throw small parties in his chamber whenever the Beatles or his favorite bands released a new LP.

The Beatles - Come together 

Black Sabbath - Iron Man

Mayhem - Freezing moon

The Rolling Stones - Start me up

Candlemass - Bewitched

Bathory - A fine day to die 

Mercyful fate - Evil

The animals - House of the rising sun

Slayer - Seasons in the Abyss

Diamond Head - Am I Evil?

Secondo:

He has two sides: the old-school metalhead and the devoted enthusiast of good old symphonic music. He prepares himself a cigar and settles at his desk, embracing the darkness like the nocturnal creature he is, to work on papers or perhaps write some lyrics inspired by his favorite arias. In his playlist, you can always find something classy followed by something extremely heavy.

Led Zeppelin - Kashmir

Slayer - South of Heaven

Venom - Don’t burn the witch

Giuseppe Verdi - Dies Irae/Tuba Mirum

Deep Purple - Perfect Strangers

King Diamond - The family ghost

The Doors - Riders on the storm

Guns and Roses - Coma

Bobby Vinton - Blue velvet 

Antonio Vivaldi - Four Seasons

Terzo:

Ah, Terzo. Whether he's completing his nighttime skincare routine, getting dressed for a mass, preparing for a date, or simply relaxing in his chambers with a good wine, he always has a record playing in the background. He's not a headbanger, but he likes to keep the tempo with his hands. He taps his fingers on his thigh to match the drum tempo of most rhythmic songs or moves his hands softly to the sound of the mellower ones, like when he listens to "Barcelona," adjusting his hand movements based on the virtuosity of the voices.

Candlemass - Well of Souls

The struts - Kiss this

Metallica - Until it sleeps

Metallica - For whom the bell tolls

Kreator - People of the lie

Freddie Mercury feat Montserrat Caballe - Barcelona

David Bowie - Starman

Pentagram - Sign of the wolf

Sepoltura - Dead embryonic cells

Mercyful fate - Witches dance 

Copia:

I can totally picture Copia putting on something groovy like "Stuck In The Middle With You" while attempting to cook something, swaying his hips to the rhythm and inevitably either burning whatever is in the pan or creating a mess on the counter by dropping bottles and food.

Alice Cooper - Poison

Iron Maiden - Run to the hills

Steppenwolf - Born to be wild

Dead or Alive - You spin me round 

Black Sabbath - Paranoid

Judas Priest - Painkiller

The Rolling Stones - Sympathy for the devil

Stealers wheel - Stuck in the middle with you 

The Darkness - Love is only a feeling

Bon Jovi - You give love a bad name

Nihil:

An old-school rocker. He would pick you up in his car with Led Zeppelin playing at full volume, take you to a bar where he puts on your favorite song in the jukebox, and by the time you come back from the toilet, he's kissing some random girl right at the bar counter. He would later apologize, claiming he was just drunk and thought that was you… a red flag you'll ignore.

The Doors - Touch me

Led Zeppelin - Whole lotta love

Elton John - Tiny dancer

Ozzy Osburne - Crazy train

Deep Purple - Child in time 

Deep Purple - Hush

Jefferson airplane - White rabbit

Elvis Presley - Suspicious minds

The Rolling Stones -  Paint it black

The Beatles - Helter Skelter

[hammill-goes-fogwalking]

The top 30 of my favourite artists -22. May '23-

Little not even necessary disclaimer first; I don't own any of these photos; only thing I did is some editing that's all. By the way it's just for fun and I'm only a random amateur.

Inspiration from Sea of Tranquility on YT

Why these artists? It doesn't mean I listened deep into EVERY single album of them but they're all here for a reason. People whose history and music has a pretty -lets say remarkable place in my life and that's it.

Part 1/4

At first - honourable mentions

(Category 1) Bands I absolutely enjoyed some years ago but now they don't fit it into the 30 anymore :/ who knows if a revival will come

Mamas & the Papas // Beach Boys // Jefferson Airplane

(Category 2) Bands I discovered not long ago so I'm still at the beginning to get into them

^ Eloy [prog, German art rock]

^ Quatermass [prog rock, art rock]

^ Various Italian prog rockers, also here, there's constantly more

^ Beggars Opera [prog rock w/ different elements of other musical directions]

^ Captain Beyond [supergroup, especially prog w/ hard rock]

^ okay. Don't judge. They have to be here. As well as the photo.

(Category 3) They don't deserve to be in the 30. As well as they don't deserve to be excluded.

^ Black Sabbath especially the '83 lineup

[tisthenightofthewitch]

Ghost and Def Leppard’s Joe Elliott on ‘Spillways’ collab: “It was this big love-in”

Ghost frontman Tobias Forge and Def Leppard vocalist Joe Elliott have spoken to NME about working together on their collaboration ‘Spillways’, as well as their morning spent together in an Irish pub and why Måneskin are proof that the rock revival is real.

‘Spillways’ originally featured on Ghost’s 2022 album ‘Impera’ but earlier this year the theatrical rockers released a reworked version featuring the Def Leppard icon. Speaking to NME, Elliott described it as “this big love-in.”

He has been a fan of Ghost since the release of 2015’s ‘Meliora’ after being introduced to them by band Phil Collen and really loved ‘Impera’. “I played the shit out of Ghost’s music on my [Planet Rock] radio show, and then we saw that they had been bigging us up in the press,” said Elliott.

Forge then revealed that a lot of ‘Impera’ was actually inspired by Def Leppard.

“I’ve always been a fan but with this album, I really looked at their songwriting,” he said. “I have always been in awe of several Def Leppard records, but especially the big ones like ‘Pyromania’ and ‘Hysteria’. Not only are they great, but they achieved such commercial success that they’ve become a great example of how a lot of arguments in the pop world are wrong.”

Forge continued: “We’re constantly told we need to get to the chorus quickly, that songs need to be short and to the point but Def Leppard songs are often the complete opposite of that. I wanted to do something similar with ‘Impera’.”

With a lot of very public, very mutual respect, Ghost and Def Leppard’s respective teams started talking about possible collabs. “Out of nowhere, I got word Joe would love to collaborate,” said Forge.

However, those conversations were happening while Ghost were in the middle of an ambitious headline tour and while Def Leppard were playing sold-out stadiums with Mötley Crüe.

“I heard that it was on, but we kept missing each other because of how busy we both were,” said Elliott. “So I grabbed the bull by the horns and just went and sang the fucking thing. By the time we finally got to speak, I had already recorded ‘Spillways’ because I was chomping at the bit.”

Elliott continued: “I love that song so much. The keyboard intro blew me away the first time I heard it – with a band like Ghost having the balls to do something so unexpected like recording a hybrid of ‘Jane’ by Jefferson Starship and ‘Hold The Line’ by Toto. I really took a shine to it. It was the flagship moment for me, on what is a fantastic album. As soon as I knew a collab was probably going to happen, I just got on with it.”

Forge described to NME how he was “blown away” he first heard Elliott’s vocal on the reworked track.

“I instantly thought it was amazing and Joe’s vocals really add another layer to the song,” he said. “What he put on it was so different from what I had, but it still gelled. I was surprised by how similar we sounded though.”

Elliott agreed: “I think we do sound similar. I’m from Yorkshire but I don’t sound like it because [singing in that accent] wasn’t cool until Arctic Monkeys came along. Certain people have said they can’t tell Tobias and I apart – but I take that as a compliment. ’Spillways’ was never broken to begin with, so I wasn’t going to come in and change what he had originally done.

“If I was going to sing ‘Blackbird’ by The Beatles, I wouldn’t be changing the melody because it’s already perfect. Same with ‘Spillways’. It didn’t need fixing.”

The recording was done, but the first phone call between Forge and Elliott still lasted nearly three hours. “We realised we had a lot of common ground,” explained Elliott. “So when Tobias pitched the idea of making a video, of course I said yes but I couldn’t actually go anywhere because I was looking after my kids. So he compromised, bless him.

Elliott added: “He came over to Dublin and we went to my local which is about a mile and a half from my house. Luckily the landlord knows me, so they were more than happy to accommodate, and Tobais directed it like Steven fucking Spielberg.”

The result replaces Ghost’s typically numbered webisodes with ‘Meanwhile In Dublin’.

“The fact we’ve got this great song and then we ham it up with a bit of karaoke was just hilarious,” said Elliott of the video. “We were there for about four hours but we were only filming for maybe an hour. The rest of the time, we were just hanging out and talking.”

“Everything for me is about vibing,” continued Forge. “You cannot just point at one beautiful boy and one beautiful girl and say, ‘You two should totally fuck’ to create a love child. It’s about meeting and hanging out. What happened with this is luck.”

Elliott agreed that the move to work with Ghost was “never a career thing”.

“It wasn’t about either of our bands needing a lift because there’s certainly nothing wrong with either of our careers right now,” he said. “This was two fans getting together and working on a song for the love of it. That’s always been my favourite kind of project.”

So, can fans expect more collaborations between Tobias Forge and Joe Elliott?

“It has come up in the last while, and I’d be more than happy to,” replied Elliott. “Next time though, when we’ve both got some time off, I want us to actually find some neutral place where we can get together in a room with a little recorder, a couple of guitars, pen, paper, our brains, a bottle of wine and see what we come up with.”

He went on: “I would love to sit down and write a song with the guy because it would be fun. That’s our morning word, ‘Fun’. I don’t want to do it for a job, I just want to write together to see what we’d get. I want to play around and see where it goes.”

Later this year, Ghost are set to head out on a mammoth US headline tour after a high-profile slot at Download festival while Def Leppard’s Stadium Tour finally arrives in the UK. At the same time, bands like Metallica and Bring Me The Horizon are blowing up on TikTok while newer acts like Spiritbox, Code Orange and Nova Twins are speaking to a fresh generation of fans. How do the pair feel about a so-called rock resurgence?

“I’m in Mexico City where Def Leppard just played to 56,000 people,” said Elliott. “Ghost are playing to huge crowds as well. Metal, pop rock, soft rock, hard rock, whatever-the-fuck-rock has never really gone away in the eyes of the fans. It comes and goes though. It wasn’t big in the ‘80s until us and Bon Jovi came along and kicked it up the arse. Then it went underground again, before it turned into grunge, then emo. Who knows what’s coming next.”

Comparing it the film world, Forge explained how “hard rock has always been similar to horror, but especially nowadays”.

“You have these blockbuster horror films that would never, ever be considered for an Oscar because it’s a horror film, so it’s automatically seen as not that good,” he said. “That might change in time, but that is the stigma that metal and rock still has. It’s seen as not being as sophisticated as other things. You can’t have an argument against that, but you can still sell records, you can become big on streaming, you can sell tickets. You don’t have to be on daytime radio to be successful.”

Forge continued: “Look at a band like Måneskin. That’s a sign people don’t shy away from organic music. When we speak about the well-being of rock, there’s a common misunderstanding that if there’s going to be a resurgence, the classic bands are going to come back around. I’m counting on bands we don’t know leading the way.”

“In the early 2000s, I was completely estranged from a lot of popular music until bands like Franz Ferdinand, The Strokes and The Hives made it feel interesting again. That’s what we have ahead of us I think – a whole slew of 18-year-olds listening to [‘Spillways’] and feeling like they should go out and play music.”

Def Leppard and Mötley Crüe’s 2023 UK and Ireland tour kicks off in May. Visit here for tickets and information. Ghost meanwhile, perform alongside the likes of Slipknot, Bring Me The Horizon, Metallica, Placebo, Disturbed and Architects at Download 2023 this June. Visit here for tickets and more information.

NME

[doomandgloomfromthetomb]

Sonic Youth - The Mudd Club, New York City, December 7, 1982

What's next in our #SonicSummer trip? Confusion, of course. There's some disagreement over when this gig actually took place, but I'm going with the flyer — December 7, 1982! One of the "special guests" mentioned above was none other than the Gun Club's Jeffrey Lee Pierce, who joins Sonic Youth for a scary, slow-burn cover of "I Wanna Be Your Dog." "A special medication version," Pierce says. Kim appears to dedicate it to Thomas Jefferson?

"When Sonic Youth were awful, they were pretty fucking awful," Lydia Lunch said of the band's early daze. "But at that point, almost all their shows were amazing. It was about letting your soul leak out of your fingers. Something was leaking out of them, and that's what was most moving to me. They were doing something that went beyond words, trying to get beyond something, even beyond themselves."

More confusion. This SY era is technically the Bob Bert era ... but Bob Bert is nowhere to be heard here. He was in and out of the band, it seems, and at the Mudd Club, he's been replaced by Tom Recchion of of the Los Angeles Free Music Society. He wouldn't be around long, but Tom sounds good, driving everyone relentlessly through such tasty tunes as "The World Looks Red," "Burning Spear" and an appropriately harrowing "Shaking Hell." Sonic Youth are more recognizably a "rock" band than in 1981, but not by much.

The Lee/Thurston guitar interplay already sounds terrific and singular, all weirdo harmonics and thrashing strings. And we get some choice banter from Thurston in support of New York Rocker: "We need a paper about New York bands! You know, like, pumping energy into New York." The publication wouldn't last, but Sonic Youth would definitely be supplying that energy in the years to come.

Sonic Youth Bandcamp | Merch | Concert Chronology

[themaresnest-dumblr]

Stranger Things Thoughts

The other half won’t approve, but as your humble narrator has access to binge watching the entirity of ‘Stranger Things’ from start to finish, decided to see what the fuss was all about.

First impressions?

It’s kind of a crossover between the video game Half Life and Goosebumps, and get the suspicion it was aimed at the Buffy The Vampire Slayer and Stephen King fans type target market.

It’s definitely a ‘binge watch’ series - just don’t see how it would have survived as a traditional one hour and one episode a week to hold people’s attention span, as some of the cliffhangers are weaker than train station cafe tea.

Will is really Fiver from the film version of Watership Down. Or Harry Potter’s scar. Just the scar.

Finn Wolfhard and Noah Schnapp were definitely recruited for reasons other than their acting abilities (ie. appealing to Jimmie Savile/Mrs Robinson types), because both are incredibly piss poor. It becomes quiet frightening as the show progresses how often Caleb McLaughlin’s over-the-top angry guy stuff appears to be to overcompensate for both being so insipid. Finn Wolfhard in particular seems to have the acting abilities of a blobfish.

By contrast, Gaten Matarazzo may have a face only a mother could love, but he carries a frighteningly large number of scenes without anyone really noticing it. He’s the Cartman of the gang, but all in a good way. Aside from being the originator of some of their most ‘cunning plans’, he’s the only one who appears to have learned good real life lessons from playing D&D: that is, to succeed against adversity, you need to stick together as a team, each playing to their strengths to compensate for other’s weaknesses.

Millie Bobbie Brown’s acting chops are formidable, but her constant use as a Deus Ex Machina becomes a little wearing after a while. On the other hand, her transformation into David Vanian of the Damned in Season 2 was hilarious.

Natalia Dyer’s jawbone is made from tungsten. There can be no other explanation.

Charlie Heaton is the reincarnation of Déagol from The Lord Of The Rings movies.

That Billy character had the worst case of being closet gay and aggressively in denial about it since Vaas Montenegro in Far Cry 3.

When Will suddened declares that the Big Bad is back in Season 3, right after his fall out with his buds not wanting to be stuck in his D&D timewarp, isn’t it jarring that no one questions it? After all, mega-convenient way of getting the gang back together on his terms, yes?

David Harbour’s Angry Dad routine gets wearing REALLY quickly in season 3.

Why does Winona Ryder’s character give the constant appearence of being a recovering alcoholic?

Steve Harrington’s reaction to Robin admitting she was a lesbian (while turning him down) is ludicrously out of context with what would actually have happened to any woman admitting as much in the 1980s, especially slap bang in the very year the AIDS panic took off in the U.S. (largely after haemophiliac teen Ryan White contracted it via a dodgy blood transfusion, bringing out into the open American’s utterly f**ked up pay-for-blood donation system into question).

Why are none of the kids playing computer games? At all?

The music is meant to be 80s, but they have some real issues with it as much as the supposed 80s clothes and haircuts.

(Here comes the Madame Lee bit, concentrate!)

Season One - It’s Meant To Be 1983, but ....

Jefferson Airplane - 'She Has Funny Cars' and 'White Rabbit'

By the 1980s, Jefferson Airplane were Jefferson Starship, and the drugged out hippies like so many psychedelics and prog rockers had gone down the AOR/Cock Rock route.

By the timeline of 'Stranger Things' the band was falling apart as their brief period of late 70s success burned out - ironically they were to score their biggest hits as plain old post-court case Starship were forced to go even more commercial, with global No.1's with 1985's 'We Build This City (On Rock 'n' Roll)' and 1987's 'Nothing's Gonna Stop Us Now' (the latter the theme song to the hit movie 'Mannaquin') - after which they all but vanished. Jefferson Airplane's back catalogue meanwhile was virtually unsellable at this time.

The inclusion of 'White Rabbit' may have been a scriptwriter's brick joke - as during Eleven's brief runaway in season two, she changes her look to one resembling to a remarkable degree David Vanian of the Damned during the period when, in sheer desperation for a hit outside of the UK, the band did a cover of Jefferson Airplane's most famous track (it flopped, as all covers of this song tend to do).

Toto - Africa

The song which has become an internet meme was released in 1984 ... a year after the events of season one.

The Clash - Should I Stay Or Should I Go?

The other 'theme song' for Season One, played umpteen times during the series. A hit in the summer of 1982, rush released in panic by CBS after the original taster single flopped.

Contrary to historical revision, The Clash were never a major band in the punk era and largely enjoyed only a few minor hits: the major exception was this Mick Jones written track and drummer Topper Headon's 'Rock The Casbah', both for 1982's 'Combat Rock' - when the band had been told by CBS to write a commercially sellable album or have their contract terminated (contrary to the name, it sounds more like a funk record

But by 1983, The Clash were effectively no more: band 'leader' Joe Strummer's ego couldn't handle 'his bass player' and 'his drummer' getting the band's first two truly global selling singles (the two Strummer singles from the album, 'Straight To Hell' and 'Know Your Rights' flopped), and sacked Jones in a fit of pique, after which Headon resigned.

Brotherhood Of Man - Tie A Yellow Ribbon Round The Old Oak Tree

This one is positively embarrassing. Brotherhood Of Man never recorded this song until 2002.

To be fair, a lot of people do get this Brit band (punk's most famous victims: a former Eurovision song contest winner dropped by their record company abruptly after scoring their final No.1 'Figaro' because they were 'old hat') mixed up with Tony Orlando's Dawn, who did the original global hit.

The Bangles - Hazy Shade Of Winter

The Bangles may have covered it in concert, but it was never released on record until 1987.

Foreigner - Waiting For A Girl Like You

From 1981, two years earlier.

Peter Gabriel - Heroes

Oh FFS! Gabriel's murdering of the late David Bowie classic only happened in 2010 for his cover versions album 'Scratch My Back' aka 'Utterly Out Of Ideas'.

Joy Division - Atmosphere

Four years too late, or five years too early, depending on your point of view.

By the timeline of this, nazi bigot Ian Curtis had done the world a favour and hanged himself four years prior (this song was released as a post-suicide cash in, but flopped), and Joy Division had changed name to New Order precisely to cleanse its association with him (ironically they had a mammoth global hit with 'Blue Monday', one of the songs of the 1980s, in 1983, but it never made the show.

A remixed and cleaned up version of 'Atmosphere' was released as a successful standalone single in 1988, as Joy Division's back-catalogue became more critically reappaised with the success of New Order and the moribund far-right no longer being considered a matter of wide scale concern.

Season Two - It's meant to be 1984, but ...

Devo - Whip It

From 1980. Even more ironically, by 1984 the band were virtual pariahs in the United States having 'sold out' their sound for the sake of their New Zealand fanbase (the only place they were ever truly successful). New Zealand wasn't long in following suit ...

Duran Duran - Girls On Film

Arguable. Three years too late - but the song did very heavy rotation in 1983 and 1984 on MTV, bringing them to mass attention, but never became a U.S. hit - it was the follow up, 'Hungry Like The Wolf' which broke the U.S. for them.

The Clash - This Is Radio Clash

Flop single from 1981, except in Sweden where it reached No.9 - a year later.

Shock Therepy - Can Do What I Want

One year too early.

Fad Gadget - Back To Nature

Again, one year too early.

John Carpenter - The Bank Robbery

One of the most infamous show howlers. The song comes from the 1981 movie 'Escape From New York' ... except it never made it to the soundtrack and indeed remained unknown to the general public until making it on a collection of 21st century 'lost' soundtrack tunes.

The best known example of the show's producers self-indulging rather than keeping things on theme.

Season Three -  It's meant to be 1985, but ...

Stray Cats - Rock This Town

Not only was it four years too late, but the band had split two years earlier and were by that time in the zeitgeist regarded as something of a joke - an attempted reunion in 1986 ended in near empty halls and humiliation all round, as by this time more visually appealing bands like King Kurt and The Cramps had taken up whatever rockabilly audience remained.

Cutting Crew - (I Just) Died In Your Arms Tonight

This walking abortion of a song from a walking abortion of a band encapsulated everything bland and faux about the 1980s, but it wasn't until the summer of 1986 it appeared.

Go-Go's - Get Up And Go

From 1984 - by which time the Go-Go's had messily folded and were already forgotten. By the following year, the success of Belinda Carlisle further hastened their erasure from the zeitgeist, and it’s only in recent years their ‘legacy’ has been reappraised.

Foreigner - Cold As Ice

Those involved in the show seem to have a major hard on for Foreigner, but putting this song, which sound dated enough upon its release in 1977 - never mind 1985 - was beyond belief.

Trevor Jones - The Pod Dance

Taken from 1983's 'The Dark Crystal' soundtrack - just about the only time having a tune vastly out of place song worked, during the painful to watch sequence where Will attempts to get two of his friends to play a session of Dungeons & Dragons, unable to accept that their interests have moved on to girls - Will's timing being especially poor as both are suffering crises in their respective puppy love lives.

Will - already silly looking enough with his pudding bowl haircut - appears utterly ludicrous to the point of disturbing in a purple wizard outfit complete with hat and starry cloak (he looks like the sort of children's entertainer that gets arrested on child molestation charges), trying aggressively to get his friends to care less.

You'd have to go back to the film 'Ghostworld' for a better sequence of watching childhood friends drifting apart, and 'Stranger Things' succeeded in five minutes what it took a whole film to do, and the choice of music was perfect.

By contrast ...

Dame Vera Lynn - We'll Meet Again One of the songs of World War Two, especially to armed forces personnel being sent across the world with the very real prospect of never seeing their loved ones again, it's often been used ironically (eg. the multiple nuclear bomb ending of the film 'Dr Strangelove'), it was also the first single to feature a synthesiser (yes, really!)

Its use at the end of the episode where evil Billy has escaped back to the spider monster thing's lair, knowing now Eleven and the rest of the meddling kids are onto them, is jarring.

Possum River - Stand Up and Meet Your Brother

From 1971 - complete self indulgence. Didn't even go with the carnival sequence.

Yello - Goldrush

A full year too early.

Hmmmmm, onward to Season Four, which is all about The Ginger One, well it will need to have a bloody amazing script to pull it off, as she was someone only stomachable in small doses at the best of times ...

[mediaacestar]

Wah-Wah -- "You Made Me Such A Big Star"

The “wah-wah” pedal – a small piece of guitarist gear – created a wild stir when it hit its commercial stride back in 1968, as Jimi Hendrix’s “Voodoo Child” first burst through the world’s transistor radios. But how did it come about and how did a project that began in an effort to make one four dollar switch into a thirty cent part go on to weave itself into almost every corner of rock music for decades?

Often referred to as the cry pedal for it’s almost human sound the “wah-wah” effect was first heard in recorded music in the late 50s when country artist Chet Atkins was using a self designed device. 

In the sixties, the British Amp maker Vox was looking for ways to capitalize on ‘Beatlemania’ and on the cusp of the psychedelic era in 1965 was looking for something new. In a crazy accidental “mash-up” of the Vox Organ and the Vox Super Beatle Guitar Amp a “once in a lifetime moment” occurred. Warwick Electronics – who also owned the Thomas Organ Company – were in the throes of knocking out a new product line, the Vox Amplifonic Orchestra.  Vox assigned Brad Plunket – who was a junior electronics engineer there at the time – to replace an expensive –four-dollar – “mid-range boost” switch somehow.

Well Plunket came up with a “sweepable” EQ switch – that cost 30 cents – which variably cut or boosted the base and the treble.   Plunket had guitarist John Glennan plug it in to his guitar as a test.  It sounded “sweet” but a guitarist would need three hands to work it and the guitar.  So then Plunket grabbed a volume control pedal from a nearby Vox Organ.  The resulting sound and ease of use produced a “eureka” moment…with some swear words that Plunket chooses to not repeat. This unique ‘Cry Baby’ sound was something that guitarists the world over would want a piece of… 

The “wah-wah” pedal has been used to wondrous effect by many of our most loved rockers and bands; Cream, Frank Zappa, David Bowie, Stevie Ray Vaughn, Led Zeppelin, Living Colour and of course through base guitar Metallica’s Cliff Burton. 

Here’s some homework you’ll hopefully enjoy…check out “White Room” by Cream, “Theme from Shaft” by Issac Hayes, “25 or 6 to 4” by Chicago, “Somebody to Love” by Jefferson Airplane, “Enter Sandman” by Metallica, “Sweet Child o’ Mine” by Gun ‘n’ Roses and of course “Wah-Wah” and “Voodoo Child” by George Harrison and Jimi Hendrix respectively.   What’s your favorite “wah-wah” song? 

[news4dzhozhar]

‘Rogues: True Stories of Grifters, Killers, Rebels and Crooks’ by Patrick Radden Keefe

Patrick Radden Keefe tells us in the preface to in his new book, Rogues: True Stories of Grifters, Killers, Rebels and Crooks, that the 12 long-form essays “reflect some of my abiding preoccupations: crime and corruption, secrets and lies, the permeable membrane separating licit and illicit worlds, the bonds of family, the power of denial.” In this, of course, the stories are similar to the concerns in his previous two books: Say Nothing: A True Story of Murder and Memory in Northern Ireland and Empire of Pain: The Secret History of the Sackler Dynasty. It’s a muddied world he covers, where just about everyone is tainted, though even the most sinister rogues have some mediating human qualities.

Among the more menacing group of transgressors Keefe writes about is Boston Marathon bomber Dzhokhar Tsarnaev, whose pre-terrorist college life displayed “a painfully American banality: cinder-block dorm rooms, big-screen TVs, mammoth boxes of Cheez-Its.” Wim Holleeder, the Dutch gangster who allegedly has a hit out for his own sister, comes across as wily and even quirky during his trial — “shifting in his chair, shaking his head, taking his eyeglasses off and twirling them like a propeller” — though Keefe makes no bones about the man’s overall brutality; and drug kingpin Joaquín Guzmán Loera, “El Chapo” — at one point one of the most feared criminals in the world — “distinguished himself as a trafficker who brought an unusual sense of imagination and play to the trade.”

Then there’s Amy Bishop, a neurobiologist denied tenure at the University of Alabama, Huntsville, who, during the last department meeting of the semester, blocked the conference room door and shot six of her colleagues, killing three. Bishop grew up in a Boston suburb where she had shot and killed her brother, and Keefe thoroughly investigates this act, and its ultimate lack of consequence (the killing was ruled accidental), as a possible precursor to the later crime. Discussing whether or not the murder was intentional, Keefe writes, “When violence suddenly ruptures the course of our lives, we tend to tell ourselves stories in order to make it explicable. Confronted with scrambled pieces of evidence, we arrange them into a narrative.” Keefe concludes that “neither story” about the killing “was especially convincing,” and this willingness to live with ambiguity and irresolution is a hallmark of his journalism.

While the profiles of people who might rightly be considered villains is riveting, I found myself drawn more to the stories about genteel rogues. There is German wine forger Hardy Rodenstock, whose hustle was to convince wealthy people that the bottles he was selling were originally from the cellar of Thomas Jefferson. When uber-conservative and wine connoisseur Bill Koch, brother of Charles and David, goes mercilessly after Rodenstock, it’s hard not to side with the “bad guy” of the story. Similarly, HSBC computer technician Hervé Falciani may have broken the law when he disclosed which wealthy bank customers were laundering money and evading taxes, but our sympathies are generally with the whistleblower, whatever his motives might have been.

The book ends with a chapter on Anthony Bourdain, who is perhaps less of a rogue than the other scoundrels in the book. Though he periodically raises a cynical eyebrow over Bourdain’s antics, Keefe is clearly drawn to the celebrity chef’s star power, this man with the magnetism of “an aging rocker,” who “transformed himself into a well-heeled nomad who wanders the planet meeting fascinating people and eating delicious food,” fully enjoying his “fantasy profession.” The story was published in The New Yorker (where all these pieces first appeared) before Bourdain’s suicide, and it ends on an upbeat note, which is undercut by the tragedy that will follow. It’s an irony one can imagine that Keefe, whose profiles display a boundless interest in other people, feels deeply.

[sunshine-munson]

Tagged by the lovely @keerysquinn to post 10 songs I like with names in the title!

Thanks for the tag Anna 💕

Sheena Is a Punk Rocker - The Ramones

Boogie with Stu - Led Zeppelin

Put Your Dukes Up John - Arctic Monkeys

Me and Bobby McGee - Janis Joplin

Eddie - Red Hot Chili Peppers

Whole Lotta Rosie - AC/DC

Florence - Loyle Carner

Daniel - Elton John

Joey - Concrete Blonde

Jane - Jefferson Starship

No pressure tags:

@cityybound @strangemangos @zestychili @wynnyfryd

[parkerbombshell]

The Flower Power Hour with Ken and MJ

We are pleased to announce NEW SHOW joining our Bombshell Radio airwaves! Mondays 9pm-12am EST Tuesdays,Wednesdays,Thursdays 5pm-6pm EST   The Flower Power Hour with Ken and MJ   The Flower Power Hour with Ken and MJ is an internationally syndicated and intricately produced radio show which began broadcasting in September of 2021. The Flower Power Hour is currently heard on over 190 radio stations in 20countries, as well as on Dash Radio Network, Pacifica Network,and many NPR and PRX stations. It's a flashback to the Golden Age of Flower Power, with music primarily from the ‘60s ,’70s and early ‘80s, and it’s dedicated to the vibe of that era – peace, love, and rock and roll.  We include at least one song or quote about peace in every show. While the focus is on music, we also mix in artist liners, interview snippets, and period comedy for an intricately-produced, theater-of-the-mind experience. The Flower Power Hour with Ken and MJ is already endorsed by artists such as Donovan, Ian Anderson of Jethro Tull, Jorma Kaukonen of Jefferson Airplane and Hot Tuna, Roger McGuinn of the Byrds, Richie Furay of Poco and Buffalo Springfield, Nancy Wilson of Heart, Jim McCarty of the Yardbirds, Rick Wakeman of Yes, Edgar Winter, Judy Collins, Jon Anderson of Yes and dozens of others. Their liners and interviews in our show give it a level of credibility not heard on other shows of this type. Ken Rundel’s extensive radio experience included early stays at WCMU, WVIC, and w-4 in Michigan. Next up was the legendary album-rocker, “The Zoo” in Dallas, where he was program director and had the #1 rated midday show. Other stops included Q-102, KZPS, KOAI, KRBE and KXCC in Texas, and the ABC Radio Classic Rock Network, where he was the top-rated jock in listener surveys. Ken’s also been an attorney, actor, and improv comedy performer and instructor. MJ grew up in St. Louis and her extensive knowledge of rock and roll as well as her talent as an artist gave her incredible backstage access to all the early icons of album rock, including Cat Stevens, Alvin Lee, Jon Anderson, Donovan, Randy California, Elton John, and Ian Anderson. She handled promotion and booking for internationally known folk singerMelanie for several years. Her broadcasting career began in 2006 as co-host of the Ken and MJ Show on Radio Free Phoenix. The Flower Power Hour: Peace, Love, and Rock and Roll

Read the full article

[back-and-totheleft]

"Strong peyote"

Oliver Stone, 74, is seated for a Zoom interview at his home office in Los Angeles. He’s just finished reading an email proposing he direct a film about Led Zeppelin. “I don’t know much about them, frankly,” Stone admits. “They were never really my band.” The Doors were his band. On March 1, 1991, the universe got its first look at The Doors — Stone’s beautifully irrational biopic about the late ’60s rock group led by Jim Morrison (played by Val Kilmer, then 31, amid a Method-acting spectacle). The result is an R-rated feast that acts as an extravagant rejection of puritanism and “Just Say No.” It is campy, erotic, deeply disturbing and smoldering like a pagan bonfire.

The cinematography in this film produces some astonishing eye candy.

We used a lot of filters. We had to go back into the past. We had everyone dressed in period, which was very expensive. We were also taking chances that we normally wouldn’t. We were growing in our boldness. We wanted to challenge all the ideas. We had no rules, no limits, no laws.

At least for my generation, the film has come to symbolize a darkly funny and dizzying parody of the “cock rocker.”

That was never my intention. I’m a little square, perhaps, for your taste, but I worshipped Morrison. I thought he was a great force breaking through to the other side. He was saying things that needed to be said. It was being said by others: Jefferson Airplane, The Beatles, and so on. But he was the only one that was really going into the erotica as much as he was. Of course, he talked about Indians, shamanism, but back then, we were coming out of the ’50s. It was a very different time. He was liberated. He was sexy as a man. He felt at ease with himself. And he carried on as if he were a free man. I worshipped a free man. I’m actually one of the people who really likes his lyrics. Some people make fun of them.

The Doors feels like a rebuke of the Bush era and “Just Say No.” Was Morrison acting as your mouthpiece when he was screaming at us that we were all “a bunch of slaves?”

Yes. The things I say sometimes don’t go down so well. But I don’t agree with so much of what’s going down. I still don’t. I haven’t changed. If anything, I’m worse. His timing may have been off when he said, “You’re all a bunch of slaves.” He was a philosopher.

Critics focused on the lack of historical realism in this film. But it’s a fantasy. Morrison himself was a kind of myth-maker. What do you think is rooted in the obsession for realism in a film about Jim Morrison?

By this time, I had been taking so much flak. I don’t mean to self-pity, but my God, I had just done Born on the Fourth of July, Talk Radio and Wall Street. I was exhausted by trying to be realistic. This was freedom. It was like tearing your clothes off and breathing. It was about going out and having fucking fun making a movie. After JFK and Heaven & Earth, I did Natural Born Killers. Again, I wanted to be free. I get off on those films.

I first discovered this film as a teenager. It somehow captured rock ‘n’ roll at its purest.

Thank you. I didn’t really have the connection to music that other people had. A lot of filmmakers study music. I didn’t. I just followed a god that I liked. You see, I heard him in Vietnam for the first time. I was doing LSD on R&R [rest and recuperation] — not in the field — but we were discovering LSD and realizing you really had to pay attention. Morrison had done enough LSD to really understand it. It’s a powerful consciousness journey. I never stopped. I kept going in that direction with all kinds of drugs.

Did you experiment with any psychedelics while you were making this film?

I was high, in a sense, by osmosis, but I had the attitude to just free your ass and your mind will follow. I think people would say I was pretty wild as a director. But I was not getting high on the set. Yeah, the occasional grass here and there, but I wouldn’t do anything on the set. Off the set, I had some fun. I had a friend, Richard [Rutowski], who played Death in the film. I wanted to go back to South Dakota, with the Sioux, and do this peyote ceremony with a very powerful shaman. And we did it. We got to this place on the reservation and got fucking high beyond belief. It was a big trip. A lot of Indians were involved. Strong peyote. And then we flew back. I was dead on Monday morning when we shot the peyote scene. I had no energy as a director.

What were some of the political challenges involved in making this film?

I guess I didn’t know the barriers back then. Paul Rothchild [the band’s producer] was a key figure. He was with us all the way. I never got that from the bandmates. They didn’t seem to know him that well. Certainly Ray Manzarek thought he knew him. Ray did not cooperate in any way. In fact, it was a very disagreeable relationship for me. And of course, when the movie came out, boy, he was tearing it down from the beginning.

I found Ray Manzarek accusing you of “assassinating” the character of Jim Morrison to be pretty remarkable. I honestly don’t think anyone knew the real Jim Morrison (not even Manzarek).

Jerry Hopkins, who wrote the book [No One Here Gets Out Alive, 1980] left me 120 documents of interviews he did with people who knew Morrison in the beginning, from grade school to the very end. And if you read these 120 versions of his life, it’s like Citizen Kane. That’s what he was to this person or that person. In the interviews, there were several women, my God, sexually, he was all over the place. He wasn’t necessarily impotent. Perhaps that occurred later, when there were issues — which did bother him. But you saw in the loft scene with Kathleen Quinlan, when he has an orgasm. And that’s the truth of the matter, he had orgasms with intensity that came from intense situations. That was the only way he could get off — dangling from a window may have worked for him.

Morrison seems like the original “cock rocker.” I think he understood that he was a sex symbol.

Well, they made him a sex symbol. Part of the reason he started drinking was to probably run from that. He was not comfortable with publicity. I do believe he was inherently shy. Girls would come at him, and according to Paul [Rothchild], he ended up talking to them all night. He loved women. He talked them to death. But it wasn’t about sex. It was about something in his mind he had to work out. He was running toward death.

He was a sex symbol who was said to have been impotent. He seemed to be struggling with some kind of imposter syndrome. Was he crucifying himself?

I do believe there was a lot of self-hatred. He’s a deep man. If you really want to know him, look at the lyrics. There’s a lot of depth there that people often miss.

JFK (1991) provides a panorama of possibilities regarding the JFK assassination. With this film, you end with Morrison in a bathtub under a kind of amber glow. We don’t know what has happened to him. He’s just beautiful and dead. Were you trying to leave the cause of his death open to interpretation?

It didn’t make any difference to me if he was on heroin or not. In the movie, you have to assume he was. But he was half in love with death all his life. An American Prayer is filled with images of death. I don’t think Morrison made the normal difference between life and death. It was a boundary that he crossed many times. He was ready for death. I found the scene tranquil. Like the ancient Romans cutting their wrists, I didn’t see the fear of death in him. As a shaman, he saw it as a transition to continue life in another form. I would have loved to see him survive Paris. I think he died by accident. I do feel it was an overdose of something. I do feel like he was doing it to accompany somebody he cared about. I think his plan was to come back and be a writer. I think he would have been a really interesting writer and philosopher for American society into the ’80s, ’90s and even today. He got robbed early.

Looking back at his phenomenal performance, do you feel Val Kilmer was snubbed for an Oscar nomination that year?

I do feel he was slighted. It was a once-in-a-lifetime kind of performance. I certainly know the pain and the sweat he put into it. But I kind of knew The Doors was doomed because of the hijinks Morrison was going through. In other words, it was a crossing-the-line kind of movie. It’s become more acceptable now. But this is 1991. You gotta look back. Certainly Val deserved it, but also the sound: There were so many sound breakthroughs and editing breakthroughs in that movie. We were using some new methods. The sound work by Paul Rothchild and that group was unbelievable. The fact that Val was singing about 70 percent of his stuff was pretty significant.

I feel like a lot of today’s rock biopics, like Bohemian Rhapsody, are pretty sterile. They feel more like marketing films.

I don’t want to be negative on that. I wish we had made the money Bohemian Rhapsody had made. Look, every film has to be marketable. The Doors was not. We just made an outlaw film because [producer] Mario Kassar was out of his mind. He was willing to gamble. He didn’t give a shit about all that stuff. He was a pirate. He made films against the grain.

In the final shot at Père Lachaise cemetery, we zoom in to a bust of Jim Morrison placed on his gravestone. It’s a beautiful documentary-style shot scored to “A Feast of Friends.” It really takes us to the end. Wasn’t the bust stolen in 1988?

It was. The bust was our creation. It was based on Kilmer and not on Jim. But what the press never seems to understand when they describe it as a “rise and fall” is that he wasn’t falling. He was moving through life as an explorer. Some of his best work is in [1978’s posthumously released L.P.] An American Prayer and [1971’s] L.A. Woman. I didn’t see the decline. I guess what I’m saying is that you don’t die when you’re Jim Morrison, you just move on.

-Art Tavana, "Oliver Stone Recalls ‘Doors’ Inspiration as Jim Morrison Biopic Turns 30: “Strong Peyote,"" The Hollywood Reporter, March 11 2021

[bifeamericano]

Despedimos a...

DAVID CROSBY

Alto rocker, tuvo una vida complicada, fue un superviviente toda su vida, un groso. Su álbum debut de 1971 If I Could Only Remember My Name, es un discazo, yo lo escucho mucho en la playa, tocan Nash, Young, Joni Mitchell, los Jefferson Airplane, the Grateful Dead, y Santana. Chupala, los conocía a todos de Woodstock.

A partir de ahora Stills, Nash y Young van a estar un poco más solos.

Rest in peace, David Crosby

(August 14, 1941 - January 19, 2023)

[navybrat817]

How would Jefferson react if you dressed up like a playboy bunny?

Jefferson would go feral, nonnie.

*****

You wonder for a moment if you look ridiculous in the outfit, but Luna convinced you it would be fun. It fits you like a glove. You chose purple since you always associate that color with Jefferson. And looking at yourself one more time, you have to admit the costume doesn't look bad at all. In fact, you look good.

"And curious Alice turned into a bunny," you tease yourself, placing the ears on your head.

"And we know what happens to curious bunnies, don't we?"

You spin around, almost losing your balance as you find yourself face-to-face with your Mad Hatter. For a moment you're tempted to grab something to cover yourself with, but the intense look in Jefferson's eyes stop you. You feel the shift in the air as he tilts his head, his tongue darting out to wet his lips. He wants to play. Your abdomen tightens as he grins maniacally and brings his face close to yours, breathing out one word.

"Run."

*****

Might expand on this. What do we think?

Love and thanks! 💜

[slashermary]

dean got jealous of how big a hit cas’ pop girlies playlist was and wanted to make his own gayass 70s and 80s rocker chick version. shhh he’s jamming to barracuda<3