#robert davi imagine

[bobbie-robron]

Look, thank you. Really, I mean… I could never, ever afford clothes like this.

Sadie gives Katie the 90 quid top she wore for Robert which gets Jimmy in a huff since she only wore it once. As Katie whirls around in the new top for Robert, he sees Sadie temporarily (and wonders wtf Sadie is playing at).

22-Nov-2004

[pollsnatural]

Imagine that a Supernatural sequel and its showrunner have been announced. Spin the wheel, find out which writer is the showrunner, and answer the question:

If you want to know/remember which episodes your writer wrote, you can follow the links below.

Eric Kripke

Sera Gamble

Jeremy Carver

Andrew Dabb

Ben Edlund

Cathryn Humphris

John Shiban

Raelle Tucker

Robert Berens

Buckleming - Brad Buckner and Eugenie Ross-Leming

Adam Glass

Robbie Thompson

Charmelo&Snyder - Eric Charmelo and Nicole Snyder

Steve Yockey

Davy Perez

Meredith Glynn

Jenny Klein

Ryan Murphy - he's the creator/writer of Glee, 9-1-1, American Horror Story, etc. He's never written anything for spn, he's just here for the joke (and for me to see if there are people who would watch Supernatural, written by the creator of Glee).

[castiellesbian]

this isn't really about who the best writer is but rather whose version of Sam you like the best

also not including Edlund or Kripke for any of these because that's too easy sorry

[wc-confessions]

Here's a rapid fire list of non-Warriors xenofiction novels WC fans can read. Will say I haven't read all of these, and in that case, I will not leave a comment. Obligatory Wings of Fire, Guardians of Ga'hoole, Redwall, and Watership Down recommendation. Honorable mentions go to other Erin Hunter series - Seekers, Survivors, Bravelands, and Bamboo Kingdom. Varjak Paw series by S.F. Said. Two books. Geared toward a younger audience like Warriors. I can vouch this as one of my favorites. I can see it being an acquired taste, especially for someone older, though. Tailchaser's Song by Tad Williams. One book. Personally, I'd only recommend this book if you're super interested in learning about the inspiration for Warriors. Otherwise, its themes have aged like milk and the story isn't all too special. I will say the plot gets pretty decent and horrifying at the halfway point. The Deadlands series by Skye Melki-Wegner. Three books. I have completed the first and a read a little of the second. Geared towards a younger audience like Warriors. You can tell that the audience is younger due to the dialogue and characters. Descriptions are good and I'd imagine thrilling for the target demographic. In fact, I'd describe the books, that I've read so far, as thrilling in general. However, the "Jurassic Park meets Wings of Fire" comparison is a lie. Wings of Fire is accurate but this series has nothing to do with the Jurassic Park movies or books besides dinosaurs. It'd be closer to say "The Land Before Time meets Wings of Fire." I would definitely recommend it if you're looking for Warriors with dinosaurs. Silverwing series by Kenneth Oppel. I've only read a little of the first book, so I don't have much to talk about. I will tell you that a graphic novel has recently released! Fire Bringer by David Clement-Davies. One book. About deer. No comment. Black Beauty by Anna Sewell. One book. Horses. No comment. Raptor Red by Robert T. Bakker. One book. Utahraptors. No comment. A Black Fox Running by Brian Carter. One book. Foxes. No comment. Mrs. Frisby and the Rats of NIMH by Robert C. O'Brien. One book. Mice. No comment. Foxcraft series by Inbali Iserles. Three books. Foxes. No comment. The Tygrine Cat series by Inbali Iserles. Two books. Cats. No comment. The Books of the Named series by Clare Bell, more commonly known as Ratha's Creature or the Ratha series. Five books. Prehistoric Dinaelurus nimravids. No comment. I think I've listed enough in this ask, but I'll drop this xenofiction list https://www.tumblr.com/the-owl-tree/745956715298799616/xenofiction-reading-recommendation-list?source=share in case anyone wants more.

.

[disneytva]

Variety Interviews Ayo Davis, Meredith Roberts And Emily Hart On Disney Television Animation's 40th Anniversary And What To Expect On From The Past, Present And Future

40 years ago, Disney TVA was founded on the heels of challenging outcomes with features “The Fox and the Hound” and “The Black Cauldron.”

Initially, Disney TVA was restricted from using established Disney legacy characters, but nevertheless had huge successes with new shows like “The Wuzzles” and “Adventures of the Gummi Bears,” both of which became popular in syndication. As time went on, DTVA was able to use its limited rights to create shows like “DuckTales” and “TaleSpin,” which featured Disney characters. Today, the slate has evolved to include shows that travel across Disney’s streaming, linear and digital platforms, including Disney+, Disney Channel, Disney Junior and the Disney Parks

Over the 40 years of the studio has collaborated with Walt Disney Imagineering to bring beloved Disney Afternoon characters to the parks as well Mickey And Minnie's Runaway Railway and AquaMouse for the Disney Wish and Disney Treasure cruises from the Disney Cruise & Ships Line as well collaborating with Disney Yellow Two Shoes Team to redesing some heritage characters for the WDW Passholder Magnets.

Disney TVA characters also have gone to the realm of live action. In 2019 Disney Channel brought Kim Possible to the live action world as a Disney Channel Original Movie in 2019. In Spring 2022, Walt Disney Studios brought Chip 'n Dale: Rescue Rangers to a new generation of fans trought a meta-driven live action/animated hybrid film which won an Primetime Emmy Award for Best Feature Film.

In April 2024, it was announced that Kiara from The Lion King II: Simba's Pride created at Disney TVA will make her live action debut on the motion capture/computer animated film "Mufasa The Lion King" with the character being voiced by Blue Ivy Carter. In Fall 2023, it was announced that Blumhouse Television and Atomic Monster where developing a live action reboot of Gargoyles for Disney+.

The future of the studio looks bright as the studio is slated to debut it's 100th show overall "StuGo" in 2025, as well new interations of beloved classics like The Proud Family, Phineas And Ferb, Sofia The First and Darkwing Duck trought revivals,reboots and spin-offs in the coming years with early talks of new interations of TaleSpin, Kim Possible and Recess since Early 2023.

“We have a wildly diverse development slate because we don’t have a house style,” says Meredith Roberts, executive vice president, television animation, Disney Branded Television and CEO of Disney Television Animation “Our styles are creator-driven, so that allows for real support of the artist or creator to fulfill his or her vision. Anything is possible, whether it's CGI. (“Monsters at Work”), hand-drawn 2D (“Big City Greens”,"Primos","Hailey's On It!"), rig-based 2D (“Moon Girl and Devil Dinosaur”,"Kiff") and stop-motion (“Mickey Saves Christmas”,"Rhona Who Lives By The River".). Roberts continues, “We really try and solve all the problems and develop it. We look at the scripts and the story arcs. Every project has to have a strategy behind it that will complement the slate and separate it from other things. Each project has a distinct swim lane to attract an audience. And we’ve learned to meet the kids where they are, in terms of streaming and YouTube.”

Co-viewing, the viewership that happens when adults sit down to watch a DTVA show with the kids in their lives, is part of the studio’s secret sauce and long-term strategy. Many of the shows are written with jokes and plot points for both audiences so both groups will return.

“We double down on the kids and family space,” says Roberts. “We’re not just dipping a toe in the water. We’re diving in. I think we’ve seen a lot of churn with the competition, who just don’t have the patience to develop and are for this audience, which is a very specialized kid audience and co-view audience.” ("The Witchverse", "Rhona Who Lives By The River","InterCats","Fantasy Sports") Roberts reflects: “I think one of the things I’m most proud of is how stable Disney TVA has been for the last 40 years despite a lot of outside churn of the animation industry. Many of our crews feel that Disney is their forever home. I think the excitement they have to illustrate and create with this brand has been terrific because it’s harder to be funny and clean. And nowhere are we tearing down people to get that laugh. I think that’s the beauty of a Disney animated show.”

DTVA also sought to meet kids where they are by making their audience — which is made up of the most diverse generation in history — feel seen, with series such as “Elena of Avalor,” which featured Disney’s first Latina princess, and “The Proud Family,” franchise focused on the life of a teenage Black girl.

“We do have an amazing insights team that are constantly in the field, giving us general information about how kids are watching content, what they’re into,” Emily Hart (VP of Current and Development - Disney Junior) says. “Some of those things are evolving, as we know the ways kids consume content is changing. But there are some universal truths about kids, and it’s great to have that reinforced. Kids still like a lot of the same things that we like. So, there’s a combination that we’re always tracking with every new idea, and we do pilot testing. We get to sit down and talk about the content, and we invite our creators in so they can see the kids talking about it because they’re the audience and they’re the truest test of if the story is going to work.”

Ayo Davis, president of the Disney Branded Television and VP of Current and Development at Disney Television Animation says the division is a “driving force” for memorable kids and family entertainment.

“All of us at Disney Branded Television are so proud of the studio’s 40-year legacy as it continues to entertain future generations with shows like ‘Kiff,’ ‘Big City Greens’ and ‘Mickey Mouse Clubhouse 2.0" --- Davis says.

Those creators who come to DTVA often stay for a long time, partnering with the studio on a variety of different projects or expanding on a hit and reimagining it for the next generation of viewers. “The Proud Family” was a standout in 2001 on Disney Channel. Creator and executive producer Bruce W. Smith is now working on the Emmy-winning “The Proud Family: Louder and Prouder,” which is based on the original series. The show follows Penny Proud as she navigates family life and her own childhood.

“Being at Disney TVA has allowed me to realize all my artistic dreams,” says Bruce W. Smith. “As a kid, you always have hopes, thoughts, dreams, ideas and characters that can help lay out those ideas in your head. Disney has allowed me to really tap into my creative instinct, at the end of the day, you have to learn how to trust yourself. Meredith Roberts has been a true shepherd for me in all of this, allowing me to stretch my wings. Because of her belief in me and my ideas, she’s really allowed me to blossom as an artist. All that happened at DTVA.”

“They really seem to be a place that welcomes your ideas,” Dan Povenmire says of Disney TVA. “They want to find people with real strong ideas of the stories they want to tell, and then they let them tell those stories for the most part. They seem to put storytelling and characters over anything. With [‘Phineas and Ferb’], we would write jokes for the kids and the adults in the room because we knew the adults would be there too. We were just careful not to do any double entendres.”

[fishklok]

I wonder how old Mashed Potato Johnson is supposed to be

He's described as the "world's oldest living blues guitarist" and I assume they meant the original Delta Blues guys (because there still are living blues guitarists--Buddy Guy is on tour right now) and his deal with the Blues Devil is keeping him alive. This would make him born around the early 1910s (1911 if we use Robert Johnson's birth year)

I imagine this part in the comic takes place in the 70s, not just because of the fashion but because the other guitarist he's playing with (cropped out of this screenshot) looks a lot like Johnny Winter.

If MPJ was born in 1911, that would put him in his 60s in this panel. He's aging very well.

His album, Death of the Cool, is clearly an homage to Miles Davis', Birth of the Cool, which was released in 1957.

I think it's easier to say that The Blues Devil is just extending his life and no one questioned it.

[gimmeshelter]

sorry. repost i forgot to put 1 week duration

imagine how they were in the 1960s specifically so no ziggy stardust or tour of the americas '75 mick

[outofmemory]

My suggestions for your Five/Lila soundtrack:

Beautiful Lies- Tanner Usrey & Ella Langley (the live performance is beautiful). For when they’re coming back to the house.

Forever- The Little Dippers. For the bracelet greenhouse scene.

The End of the World- Skeeter Davis. OR: The Night We Met- Lord Huron. When Five is reminiscing on the train and as he is first going to the deli.

I’ve Got You Under My Skin- Frank Sinatra. For when he hides the cypher.

Birds of a Feather- Billie Eilish. For their fight.

Sad Eyes- Robert John. Every time Lila looks at Five while Diego hugs her.

Make It With You- Bread. Whilst lost on the subway.

Cold- Chris Stapleton. For when Lila says it’s over.

The Lonely- Christina Perri. For Lila’s overwhelmed feeling when she goes to get the soda at Grace’s party.

Saturn- Sleeping at Last. The ending scene.

No scenes, but I like these songs &/or lyrics for them as well:

Bewitched- Laufev

Somethin’ Stupid- Frank and Nancy Sinatra

Until I Found You- Stephen Sanchez & Em Beihild

Happier- Marshmello & Bastille

Ain’t No Sunshine- Bill Withers

Die With A Smile- Bruno Mars & Lady Gaga

Loving You is a Losing Game- Duncan Laurence

This Thing Called Love- Stephen Sanchez

I Found- Amber Run

I Was Made for Loving You- KISS or Yungblud cover

Just the Two of Us- Grover Washington

Time in a Bottle- Jim Croce (I feel like this might have been in the show? Or it’s just triggering memories of TUA in general for me too…)

If they had gotten to live and we could see Lila choose Five, I would imagine: Think I’m in Love with You- Chris Stapleton & Duo Lipa version.

Also: How Long- Ace. For Diego’s POV when he’s following Lila at the cafe.

Hi,

Thank you for giving me so much new music to check out <3

You put so much work and thought into it!

Yesterday I was thinking about doing a list of my fav songs that fit Five and Lila, to be honest I just was too tired to actually think about it and work through my playlists, maybe this weekend :) Looking foward to listen to all your suggestions.

Thanks so much again for that <3

[deadpresidents]

Watched “Oppenheimer” last night, and I keep thinking about the scene with Gary Oldman as Truman. While I absolutely believe that Truman would have claimed all the credit & blame of dropping the bombs for himself, and also that Truman would have called Oppenheimer a cry baby and an s.o.b., I am struggling to think of Truman as being so naive that he thought that Russia would “never” develop their own bomb. I checked the reference — Ray Monk’s “Robert Oppenheimer” (2013) is the source for the scene, but I can’t get at his sources to see what he’s drawing from. McCullough’s “Truman” corroborates the cry baby comment and the blood-on-my-hands but not the “never” quote.

Do you have anything to hand about Truman’s belief in the Russian’s ability to build the bomb? How could anyone think that the Russians would “never” create a bomb?

In American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer (BOOK | KINDLE | AUDIO), which I believe was one of Christopher Nolan's major inspirations for the film, Kai Bird and Martin J. Sherwin go into detail about that meeting between Truman and Oppenheimer and the scene in the film takes almost word-for-word what is written in the book. Truman is actually quoted in the book as saying "Never" after asking Oppenheimer when he thought the Russians would develop their own atomic bomb and not getting a response.

The sources that Bird and Sherwin list for that meeting and the "Never" comment are Nuel Pharr Davis in the 1968 book Lawrence and Oppenheimer, and Murray Kempton, who wrote about the meeting and the comment in the December 1983 issue of Esquire Magazine and his book Rebellions, Perversities, and Main Events. I haven't read either of those books, but I did read Kempton's Esquire article and he also directly quotes Truman as saying "Never".

I agree that it seems really naive of President Truman to not think the Soviets would ever develop their own nuclear weapons. The only possible explanation that I can imagine for that mindset was that the meeting between Truman and Oppenheimer that is portrayed in the film took place in real-life on October 25, 1945. (In Kempton's Esquire article, he says it took place in 1946, but he was mistaken because Bird and Sherwin researched Truman's Presidential appointment calendar and were able to pinpoint the correct date.) The U.S. dropped the atomic bombs on Hiroshima and Nagasaki on August 6 and August 9, 1945, respectively. Japan surrendered on August 15 and the war officially ended when Japan signed the instrument of surrender on the USS Missouri on September 2, 1945. So, the meeting between Truman and Oppenheimer took place less than two months after the war finally ended. I can only imagine that Truman had still not fully shifted towards what the next conflict might be and was focused on trying to stabilize what was left of the world and mobilize the government in a different direction than it had been after 15 years of Depression, economic recovery, defense preparations, and fighting the war.

Plus, it's worth remembering that Truman didn't know anything about the existence of the American nuclear program until after President Roosevelt's sudden death thrust him into the White House and the military realized, "Oh shit, we should probably tell the new President that we're very close to building the most powerful weapon in the history of history!"

I don't think it was necessarily naivety on President Truman's part. I think, as Kempton suggests in the Esquire article, that is was just a fundamental lack of understanding by Truman that the Soviet Union didn't need Oppenheimer to build the bomb, especially since the war was now over and they wouldn't be under the time constraints or immediate pressures that made the work of the Manhattan Project so much more difficult. The knowledge was out there and the very fact that it had been proven by the Americans made it clear to the Russians and everyone else that it could be done. Harry S. Truman was a provincial politician from the outskirts of Kansas City who had a healthy dose of American Exceptionalism in him even before becoming a national figure, so the realities of nuclear physics were probably not easy for him to decipher.

[fran-kubelik]

If I could time travel or whatever, one thing I would absolutely try to do is get Old Hollywood actors to do Hot Ones interviews. Imagine people like Bette Davis or Robert Mitchum on that show... iconic.

[bobbie-robron]

Look… we need to take control of the situation.

Robert and Katie continue to fret over Victoria and how to handle the situation. Robert’s take is making it seem Victoria is making it all up because ‘she’s always making stuff up.’ Yeah, like Daz did, did he? Apparently, Zoe is not budging about Andy buying the farm. Andy talking about owning the farm in 20-25 years’ time and they’d still be in their 40s 🙄. Jack once again loses his temper toward Victoria yelling at her for her continued silence. Jack is put off by Robert’s blasé attitude about Victoria.

13-Apr-2004

[allgarbo]

"To me the most beautiful man ever born was Robert Taylor. And the woman would be Garbo.

Gaylord Hauser, who was this nutritionist, fabulous man who was a great friend of my mother's, brought Garbo to dinner when we [Ellen and her husband] were living in a house in Beverly Hills. I was told "never discuss her film career" and to never tell her I was a photographer. She was about 76 at the time. 

 She comes with him, loves the house, she's crazy about my husband and he gives her a few drinks. And then she says, "I want to see the rest of the house." And she heads right for this room where I have every photograph I've ever taken of anybody famous. She looks at the pictures and she says "Who are these people?" And it was people like Sammy Davis Jr. and Liza Minnelli. I didn't answer. And she says "Are they your friends?" And I said yes. 

 So can you imagine? She doesn't know that I'm a photographer and she sees all these pictures of all those people, what the hell are those pictures doing there. So she says "Who took the pictures?" I said "I did." So she goes around the room and the first picture she picks up is the one of Valentina Schlee who she's not speaking to. 

 She spends ten, fifteen minutes walking around the room. She looks at me as she walks out and she says "First class." She stayed for dinner, she helped me with the dishes, she was smoking, drinking like a fiend.

 She had a great sense of humor. She wanted to know what mascara I used and I gave it to her. We once went to dinner at Jean Howard's house … we have dinner and she was reciting poetry in German. Then it was time to leave so I go to where the car is parked and she walks me out like a parking attendant. She opens the door for me on the right side.

 But the steering wheel is on the left. So I get in and she looks at me and says "Where is the steering wheel?" I said, "It's on the other side." And she said "Well, why are you sitting here?" I said "Because you opened the door for me …" and she started to laugh like a Ninotchka, you know … and that was the last time I ever saw her." 

 Photographer Ellen Graham on meeting Garbo in 1981. x

[therecordchanger62279]

THE BEST WRITTEN SONGS OF ALL-TIME

     Because I have zero innate musical ability, the idea that someone can sit down with a musical instrument, and create an original song out of thin air is magic to me. Songwriting is a craft, but it’s inspiration that makes a good song into a great one. There are songwriters who seem able to turn out high quality songs in perpetuity. There are others who write maybe one or two great songs, and are never heard from again. So, I made a list of what I think are the 50 best written songs I’ve ever heard. These are in no particular order. I’ve listed the title followed by the songwriter or songwriters, and in parentheses is the performer I most enjoy hearing do the song – although most of these songs have been recorded countless times by a variety of artists. You can probably find all of these on YouTube or any of the streaming services. Most have lyrics, but some do not. But, it’s hard for me to imagine any of these songs being recorded by anyone with talent, and not retaining the brilliance with which the song was written.

Claire de Lune by Claude Debussy (Eugene Ormandy & The Philadelphia Orchestra)

Rhapsody in Blue by George Gershwin (Zubin Mehta & The New York Philharmonic, Gary Graffman, piano)

A Change Is Gonna Come by Sam Cooke (Sam Cooke)

Coal Miner’s Daughter by Loretta Lynn (Loretta Lynn)

Hello Walls by Willie Nelson (Faron Young)

I Left My Heart In San Francisco by George Cory and Douglass Cross (Tony Bennett)

God Bless The Child by Arthur Herzog, Jr. and Billie Holiday (Billie Holiday)

Eleanor Rigby by Paul McCartney and John Lennon (The Beatles)

Blind Willie McTell by Bob Dylan (Bob Dylan)

A Remark You Made by Wayne Shorter (Weather Report)

She’s Always a Woman by Billy Joel (Billy Joel)

Roll Me Away by Bob Seger (Bob Seger)

Margie’s At the Lincoln Park Inn by Tom T. Hall (Bobby Bare)

Angel From Montgomery by John Prine (Bonnie Raitt and John Prine)

Rainy Night in Georgia by Tony Joe White (Brook Benton)

You Never Can Tell by Chuck Berry (Chuck Berry)

Where or When by Richard Rodgers and Lorenz Hart (Dion and The Belmonts)

American Pie by Don McLean (Don McLean)

It Was a Very Good Year by Ervin Drake (Frank Sinatra)

Gentle On My Mind by John Hartford (Glen Campbell)

Early Morning Rain by Gordon Lightfoot (Gordon Lightfoot)

Book of Rules by Harry Johnson and Barry Llewellyn (The Heptones)

Highwayman by Jimmy Webb (The Highwaymen)

American Music by Ian Hunter (Ian Hunter & Mick Ronson)

That’s Entertainment by Paul Weller (The Jam)

Song of Bernadette by Leonard Cohen (Jennifer Warnes)

Jazzman by Carole King and David Palmer (Carole King)

Talking Back to The Night by Steve Winwood and Will Jennings (Steve Winwood)

My Favorite Things by Richard Rodgers and Oscar Hammerstein II (John Coltrane)

Don’t It Make You Want to Go Home by Joe South (Joe South)

Sunday Mornin’ Comin’ Down by Kris Kristofferson (Kris Kristofferson)

Heart Like a Wheel by Anna McGarrigle (Linda Ronstadt)

I Am a Town by Mary-Chapin Carpenter (Mary-Chapin Carpenter)

Footprints by Wayne Shorter (Miles Davis Quintet)

Pleasant Valley Sunday by Gerry Goffin and Carole King (The Monkees)

This Old Town by Jon Vezner and Janis Ian (Nanci Griffith)

Brooklyn Roads by Neil Diamond (Neil Diamond)

Thrasher by Neil Young (Neil Young & Crazy Horse)

Box of Rain by Robert Hunter and Phil Lesh (Grateful Dead)

Is That All There Is? By Jerry Leiber and Mike Stoller (Peggy Lee)

Louisiana 1927 by Randy Newman (Randy Newman)

King of the Road by Roger Miller (Roger Miller)

America by Paul Simon (Simon & Garfunkel)

The Sound of Silence by Paul Simon (Simon & Garfunkel)

Children’s Crusade by Sting (Sting)

My Girl by Smokey Robinson and Ronald White (The Temptations)

Green, Green Grass of Home by Claude “Curly” Putnam, Jr. (Tom Jones)

Downtown Train by Tom Waits (Tom Waits)

The Whole of The Moon by Mike Scott (The Waterboys)

My Heroes Have Always Been Cowboys by Sharon Vaughn (Willie Nelson)

[tina-aumont]

Arabian Nights

Arabian Nights is a 1942 adventure film directed by John Rawlins and starring Jon Hall, Maria Montez, Sabu and Leif Erikson. The film is derived from The Book of One Thousand and One Nights but owes more to the imagination of Universal Pictures than the original Arabian stories. Unlike other films in the genre (The Thief of Bagdad), it features no monsters or supernatural elements.

This is the first feature film that Universal made using the three-strip Technicolor film process, although producer Walter Wanger had worked on two earlier Technicolor films for other studios: The Trail of the Lonesome Pine (1936) at Paramount and the 1937 Walter Wanger's Vogues of 1938 for United Artists.

Plot (it may contain spoilers)

In ancient Persia, the young women of a royal harem read the story of Sherazade, unfolding the film's story. Sherazade, a dancer in a wandering circus, captures the attention of Kamar, the brother of the caliph, Haroun al-Rashid. Kamar's infatuation influences his attempts to seize the throne from Haroun and make Sherazade his queen. His revolt fails, and he is sentenced to slow death by exposure, but Kamar's men storm the palace and free their leader. Wounded and forced to flee, Haroun chances upon Sherazade's circus and is spotted by the young acrobat Ali Ben Ali. Aware of Haroun's identity, Ali hides him in the circus. Later, upon awakening from his injuries, Haroun beholds Sherazade and falls in love with her.

Meanwhile, Kamar assumes the throne, but Sherazade is not to be found. He orders the captain of his guard to find her, but a scheming grand vizier, Nadan, approaches the captain with the order to make Sherazade 'disappear.' After finding them, the captain sells the troupe into slavery. When the captain is found out, Nadan murders him in order to conceal his treachery. Haroun, Sherazade, and the acrobats escape the slave pens, but are found by Kamar's army and taken to a tent city in the desert. Kamar reunites with Sherazade and proposes, but she has fallen in love with Haroun instead. Nadan, recognizing the caliph, uses this knowledge to blackmail Sherazade into helping him remove Kamar from the throne, in return for safe conduct for Haroun out of the caliphate. In secret, however, he plans to have Haroun killed once he has crossed the border.

Upon learning of this insidious scheme, Ali and his fellow performers rescue Haroun, who then decides to free Sherazade with the help of the acrobats. But Haroun and the others are quickly captured, and Sherazade finally learns his true identity. Kamar engages Haroun in a swordfight, while the acrobats set fire to the tents; and the arrival of the caliph's loyal troops, summoned by Ali, triggers a massive battle. In the end, as Kamar prepares to deliver the deathstroke to Haroun, Nadan assassinates Kamar. But as he prepares to do in Haroun, Ahmad and Ali interfere, forcing him to flee. Nadan is stopped by a thrown spear and dies inside a burning tent, leaving Haroun, Sherazade, and their loyal friends to celebrate victory.

Cast

Jon Hall – Haroun-Al-Raschid

Maria Montez – Sherazade

Sabu – Ali Ben Ali

Leif Erikson – Kamar

Billy Gilbert – Ahmad

Edgar Barrier – Nadan

Richard Lane – Corporal

Turhan Bey – Captain of the Guard

John Qualen – Aladdin

Shemp Howard – Sinbad

William 'Wee Willie' Davis – Valda

Thomas Gomez – Hakim

Jeni Le Gon – Dresser / Dancer's Maid

Robert Greig – Eunuch

Charles Coleman – Eunuch

Emory Parnell – Harem Sentry

Harry Cording – Blacksmith

Robin Raymond – Slave Girl

Carmen D'Antonio – Harem Girl

The film was released on 25th December 1942.

Photos from ebay and text from wikipedia.