#roa comic

[adragonsoulcomics]

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[hotboysx]

🐴

[royboyfanpage]

Hello I really like your page. It's nice to see so much great Roy content and thoughts!

I was wondering your thoughts and opinions on Roy's relationship with Mia.

!! You're too sweet, tysm!

As for the ask:

Short answer? That's his little sister.

Long answer?

I'll be honest, I haven't seen all that many interactions between them in canon. I do have my own thoughts and feelings about them but, upon looking through some comics I've read, I haven't found many where they're actually talking. I have managed to find panels which show they *have* talked and have a good relationship in canon, but I've only seen them actually interact a few times and have definitely read more content with her and Connor, so if you have any reading recs I'd appreciate that :)

Because of this, my point is gonna be a lot more based on symbols and my own interpretation than actual sources, so some of my opinions may be disputed by canon content.

To start with, Roy's fiercely protective of Mia. Even from the beginning, he expressed his dislike of the thought of Mia becoming Speedy-

-because he knows first-hand just how detrimental that role can be to a child's mental health. Speedy, to him, meant a lot of bad things. I have a whole lotta thoughts on how the original sidekicks, particularly Roy and Dick, view becoming sidekicks, but I'll try and summarise. To Roy, Speedy meant losing any chance of a normal life. Keep in mind Roy was 13 when he became Speedy- he absolutely was not old enough to decide what he wanted to do with the rest of his life, and yet once you're *in* the hero business it's extremely difficult to leave.

And when Ollie first tells Roy that he's gonna make Mia Speedy, Roy's reaction is essentially that.

He's angry at Ollie for making Mia become Speedy, not because of "It's my name", it's not, Roy hasn't been Speedy in years at this point. He's angry because that is a seventeen year old who Ollie wants to throw in there, a seventeen year old who'll be making the choice to, in his eyes, throw away the rest of her life before she can even vote. And Roy's absolutely right about the world being different- Roy's teen years were spent in the gold and silver ages which were definitely a lot less dangerous than the 00s. And I think there's definitely an element in that fear of "look what being Speedy did to me" in Roy's fears. While it's likely Roy was an adult by the time Snowbirds happened, considering the amount of drugs he had experience with and the different connections he'd built it's safe to say that Roy was already an addict by the time he was Mia's age. But what I don't think Roy understands is that Speedy isn't that for her. She's already gone through the shit Roy's scared of her going through and more, having been a child prostitute and meth user by the time she was fifteen. To Mia, Roy isn't a cautionary tale but rather an inspiration- someone who'd gone through a similar situation to her and come out the other end.

After this, their relationship definitely progressed. Roy comes to trust Mia and her identity as Speedy, as well as letting her have things (that he kinda shouldn't have had in the first place, but all vigilantes are criminals it came free with the independent delivery of justice) that could help her as Speedy-

-and trusting her with Lian who he's always been fiercly protective over

And their relationship in the few times I have seen them together is incredibly sweet, with Mia reassuring Roy that he's a good dad and that it's not his fault that life gets in the way of his time with Lian.

So yeah. I really hope that they get to interact in the ongoing series because the Speedys should absolutely talk more. I think that Roy naturally has a great instinct with younger heroes, and he's absolutely someone Mia respects and looks up to.

Anyway I think Roy should take Mia and Connor to a theme park for sibling bonding time <3

[mimimiafanpage]

Hey um dc comics please don't erase Mia again and also stop shoving her in the background (but also don't do the "so you are just green arrow now?")

I mean Mia hasn't even spoken enough for me to tell if she's in character or not and that sucks major balls. Maybe. Don't.

Please let her be a main character again.

[entre-image-blog]

Léo Roa, Juan Gimenez

[sassyduckqueen]

Hey peeps!!

So for the last few months, I've been MIA and there has been a reason! I went to a comic con and properly cosplayed for the first time. Here's the photos!!

So I went as Scaramouche from Genshin Impact on Day one and halloween town sora on day 2. I'm very tired and ready to head home and relax but I had fun. My next con isn't til next year so I'll finally be able to focus back on ROA and the Fox and the Fae xD

Fun fact about the big group photo. It was taken by Batman

[the-gershomite]

Heavy Metal Magazine -March 1989

Leo Roa by Juan Gimenez

(45-52 of 52)

[kaibutsushidousha]

Thoughts on SHIKI Tohno?

The central arrangement of Far Side is that the Toono family is always at risk of losing their human heart and involuntarily committing uncontrolled acts of violence, and the only way to prevent that is by casting away their human heart and voluntarily committing controlled acts of violence. Its tragedy is derived from how no one benefits from this arrangement and no one has the key to escape it. The biggest acting hands are also the biggest victims. The graph for that is a perfect diagonal upward.

And SHIKI is the perfect victim. Loss of agency is the thing everyone fears the most in Far Side Tsukihime. His oni blood inverted, he was invaded by Roa, and he was drugged by Kohaku. Three layers of loss of agency that he needs to fight off. Narrator Protag Shiki also has his struggles with multiple layers but never at the same time like him. It's thematic overkill, with a risk of Red Garden adding a fourth or fifth thing also wrestling for control of his mind.

All we see of SHIKI as himself is him as an 8-year-old telling his childhood friend to immediately kill him if he ever falls into a third of the state we see him at in the present day. The real human SHIKI was quiet, somber, mature, and self-aware, just like the ghost we see in Drinking Dreaming Moon. In contrast, the main personality trait he demonstrates in Tsukihime's main story is his inability to shut up. All he has is mad ramblings about Shiki's identity theft, Akiha's affections, and the morality of murder. It all feels like he's trying too hard to rationalize his irrational actions because he can't live with himself otherwise, and to say everything he feels he has to say because he doesn't know when or if he'll ever get a next opportunity to talk.

His plot part is essential and he executes it masterfully. Nasu could easily have made him cool, but he went for the wiser route of making SHIKI exactly as sad and pathetic as he needed to be. A delightfully pitiful monster almost veering on comic relief. Incoherent in a way that hurts because you need to empathize with him. Everything that can go wrong in Tsukihime went wrong for him.

[aalghul]

Nice post about Roy I like how kind your response was. But yeah as a Roy fan I find the idea that he would hate anyone but the man who killed his daughter to be silly. Cause like thing is Roy has a line till he doesn’t. Like you said Roy draws a line for himself with Cheshire but he never ever 100 percent commits. Even after the bombing and her holding a gun to Lian and threatening to shoot her while trying to escape prison, in his time with the League he still is hinted to love her and still lets Lian visit her. Flash forward to now they are still on again off again lovers/enemies. The old Titans ‘Roy breaks up with Cheshire’ story was written like it was the full end of their relationship but DC loves that concept and in comics they will always come back.

With Mia or people hurting his family Roy would not care at the end of the day unless that family member died sorry. Roy forgave a woman who babysat Lian and helped terrorists kidnap her and then broke his leg in an attempt to kill Cheshire. No he didn’t just forgive her he offered to let her keep babysitting Lian saying he didn’t think he had the right to judge anyone.

People other than Roy say he belongs in the light but Roy kind of hates that about himself and actively denies and resists it because he thinks the dirty work is the real important work. He worked in fantasy superhero CIA for years and even killed for them, left and made the Outsiders, initially didn’t want to leave and basically stayed till the last second till his mental health gave in, joined the League and didn’t actually have a great time with the group or ever really believe he belonged, had a horrible ending with that group and became a straight up villain after the ROA fiasco and worked on a team of villains all of whom except Slade he expressed some sort of sympathy for.

Roy just doesn’t give up on people and kind of really wants to do antihero work and tries to again and again. The age/maturity thing kind of gets it but that only matters where you connect Roy and Jason, they are peers and work together in some fashion off screen for a year in Outsiders, put a ROA recovering villain Roy with really any post UTRH Jason save Morrison Jason and you could write an intergenerational friendship arc easy.

People forget but before 52 first started a lot of people wanted a Jason Roy book. It was floated around as an idea for ages and rumor was even Winick made a pitch but can’t confirm. When 52 was first announced a lot of people thought not only that RHATO made sense and only Kory didn’t belong but thought the comic had real potential. And really it might have since Roy and Cheshire at one point would not have made sense for either character and notably everything about their relationship happened off screen. We give things a pass because of how well the stories are written. I think most issues with comics are people moralizing about the characters and saying they would never do this or that when 9 times out of 10 the writer just shat over the execution of a concept and the writing as is was shit.

-- i’m just going to include my thoughts down here --

I agree with everything you said about Roy just not being the person who holds a lot of hatred for people. He comes off as strict and even angry sometimes, but at heart, he’s one of the most understanding characters.

I always took Roy’s failed attempts at being an anti-hero as proof that it’s not what he’s meant to do. He keeps trying because he sees his sympathy and desire to do more as a sign that he needs to get his hands dirtier, but each time leaves him with the realization that he can’t be doing that type of work. He was reluctant to leave the Outsiders because he didn’t want to abandon them, that’s why he does leave as soon as Ollie provides funding for them (which he also does specifically because he knows Roy wouldn’t leave, no matter how much he wanted to, otherwise). The Outsiders did end in Roy himself realizing he couldn’t stay there.

I think Roy has always worked best in the various Titans teams he’s been part of. Unfortunately, Teen Titans (2003) set a new status quo with enough of the original Titans leaving and the team working under the leadership of younger members even when more experienced Titans were present. So we could never really go back to the titans as they were in any of the iterations prior to that.

I don’t think Jason and Roy worked together for a whole year; it was just Jason reaching out to Dick, and then subsequently teaming up with him and Roy to give them information of Black Lightning. Which definitely worked to let Roy know the type of person that Jason is (i.e. not a villain), but it was also very much through Dick, so it would again be a reminder of the time that Jason, as a child, teamed up with Roy and the others. Roy’s affinity to taking a guiding role when he works with team members significantly younger than him is just such an important part of who he is that I can’t get past it. I don’t mean to say that Roy’s going to treat Jason like a child, but that there’s going to be a significant gap between their friendship as compared to the friendship that post-flashpoint gave them. Roy is just at a completely different stage from Jason, who is essentially just beginning to catch up on life as a teenager. That difference can’t be ignored easily.

I didn’t read comics back then (and was also a very little kid lol) so I didn’t know about that being something people wanted back then! It must be disappointing to see how it’s turned out.

At the end of the day, I personally think that Roy and Jason could work together very well short-term, and then it would have to end in them walking their separate ways because Roy can never stay in the dark too long, whether he admits it or not. I get what you��re saying about good execution making all the difference, though! I just want to stay as consistent to Roy’s character as possible, so Jason and Roy as best friends/a long-term anti-hero duo never quite works out.

[funnybido]

Life Responsibilities have kept me from regular comic posting and for this i apologize. take shirtless roa as compensation

[dairogo]

For the fic title ask game:

No Room for Martyrs

The Calm Before Crescendo

The Ghost of Best-Laid Plans

Ooh, okay, so I've been going so canon for the previous asks that I'm going to try to branch out here and cover either

No Room for Martyrs:

A comedy about Marta and her time in the Devil's Nest gang. Poor puppy Dolcetto saw Greed leave and doesn't know when he'll ever come home, so he's basically whining at the door waiting and Marta tells him there's no room for martyrs here at the Devil's Nest. Dolcetto is confused, but Roa gets it and just points to her. "Marta." The guys all laugh at her and make her the butt of the joke. Over the next week they all take turns momentarily excluding her (but it's like a one-moment and then they relent kind of thing, like snatching her drink away when she tries to sit down and telling her, "no room for Martas" but then giving it back two seconds later). The story finishes when they do it the fiftieth time for the week and she snaps and says she'll make martyrs of them all and see how they like it, right as Greed walks through the door. This must be a comic, not a fic, because it ends with Greed with question marks over his head as he imagines his whole team dressed in Marta's combat pants and singlet, doing pouty-mouths like her. Everyone else is having a great time but he's just confused.

The Calm Before the Crescendo

There is a breath in the calm before the crescendo of music - that tender lull that an audience can feel and the performer lingers over - an absence of tension for now. For now. Roy Mustang - the Buble of his time - can hold a crescendo aloft with the fluttering hearts of so many middle-aged women beguiled by that deep, smooth voice, but the until that crescendo arrives, one critic says, he's got nothing to offer the audience. They're there for his highest heights of emotion and passion, and he's been thrust into a musical corner with no way out but up, so crescendo he must. Riza Hawkeye doesn't play to packed audiences, but there is something beguiling in her quiet songs, lyrics that twist and play with a steady dynamic that lilting notes. There is tension there of its own, without the crescendo, and Roy sits in a bar, listening to her play her set, knowing that there is something real and naked to her act that he just cannot match on his own with passion and fury put on like a mask.

The Ghost of Best-Laid Plans

Roy and Riza return to the Hawkeye estate and confronting the memory of Berthold Hawkeye with how much they'd betrayed him. He was right about the military - he was wrong about keeping alchemy from others - he was everything and more (and less than he should have been).

[adragonsoulcomics]

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[cleromancy]

dc comics characters who could fit in rhe mgs universe.

roy harper. like extremely. ex-cbi agent, his baby mama nuked a country and its a big character point that he never stopped loving her, cfj/roa isnt real and it cant hurt me but i mean. gestures at the using scifi drugs and nanobots or whatever to control your super soldiers. and also like skullface made a point of roping in diné fighters to control code talker so--

all the wilsons. especially poor dead grant but slade and/or rose could easily be mgs minibosses without changing a damn thing about them

amanda waller. kzzt incoming call from base its the fucking wall.

hal jordan. just thematically military pilot drafted into something grander then himself and then getting consumed with revenge and like becoming this crazy powerful supernatural entity and then the spectre plotline with the guilt. yeah

[royboyfanpage]

oooh ok i have a roy question for you! you mentioned in your 'favorite thing about roy' post that him killing electrocutioner was in character for him (i think i agree), could you expand on that? also, regarding rise of arsenal*, is there anything else from it that you think has bits of good characterization, or at least could have if actually done well?

*which imo is pretty awful and poorly executed (and i hate the idea of antihero/villain roy SO much). dead cat panel my beloathed.

Hi, thanks for the ask!

I'm gonna preface this and say I totally agree with you on hating Rise of Arsenal. I know some people really like it, and I can respect that, but personally I really didn't like it. It did it's job of making me cry (every time I have to collect panels from it I tear up), but other than that it was very much just shock value and didn't show much care for any of the characters portrayed in it imo. I also didn't like the way that Roy killed the electrocutioner, I said in my original post that it felt like a villain origin story and I stand by that, it reminds me a little of the Joker movie in some ways which isn't a positive.

That being said, I do think that Roy killing the electrocutioner was in character. I don't think Roy's a killer, which is what RoA seemed to imply (very "one bad day"-esque), but I do think that Lian's death would be the one instance he'd make the conscious decision to take a life. I'm a little tipsy tonight so I can't think of any other examples and I don't have the energy to go searching through comics so take this all with a pinch of salt, but the one example that comes to mind is in his Arsenal mini, where he teams up with Vandal in order to save Lian. Sure, he ends up switching sides mid-fight, but Lian's alive and there's a very real chance that he can find another option to save her (which he does). But I think that comic demonstrates that Roy is willing to bend his moral code when it comes to Lian. I mean, in that same mini it shows something similar, him taking a life in order to protect someone else in the Checkmate flashback in issue 2.

I'm not saying that Roy's an anti-hero, in fact I think he's actually a really good symbol of what a hero should be most of the time, he's a genuinely good man who gets back up when he gets knocked down, and while he does have a reputation of being I guess 'sleazy' he's actually closer to being a boyscout. I can't remember where but it's like that issue in Outsiders where Grace says that Roy doesn't belong in the Outsiders, he's too much of a 'conventional hero' I guess.

But I also don't think his moral code is as strict as, say, Batman's. I know that Bruce did initially want to kill Joker after death in the family, but that whole comic was kinda a mess (Joker being an ambassador for Iran will always confuse the shit out of me), and the main conflict of UtRH was Bruce not killing the Joker, so I'm focusing more on what happened than intent. Although, that is actually another good comparison point for UtRH and RoA. Bruce had Clark there to stop him, whereas throughout RoA one of the biggest points (which I hate) is Roy's isolation. Dinah, who's consistently been one of Roy's biggest supporters, is barely present, and most of the people in his life either dismiss his grief or actively make things worse for him, which really made it easy to kill the electrocutioner. Anyway, I realise I've digressed a lot from the original ask.

Yeah, I do think that killing the electrocutioner was in character for Roy. Again with the Bat comparisons, excluding whatever the hell was going on after Jason died in Death in the Family, Bruce has to be Batman first. Bruce can't kill the Joker, because Batman can't kill the Joker. Roy? He's always been Roy first, at least in my opinion. A lot of the time his identity's at least somewhat public knowledge (Istg there's a panel where he says that, maybe in Titans '99, but either way he literally just wore sunglasses as his disguise for a big part of his hero career so I mean. Who's he hiding from.) Ever since Lian was born, he's been a father first hero second a lot of the time. It reminds me of that video of "would you kill for your kid", and I think Roy would. I think that without the fear of 'what'll Lian think', Roy would be pushed past that point needed to take a life. I don't think he'd become an anti-hero because of it, I hate pretty much everything post-RoA in the New Earth continuity in relation to Roy, but do I think he'd avenge his baby? Yeah.

And for the second half of your ask, the thing is I don't per se think Roy's characterisation was the issue. I think it was mostly the characterisation of everyone else around him. Roy should not have been that isolated during RoA. Plus the writing was all shit, it was just an excuse to have Roy relapse. I'm not saying that Roy relapsing was unrealistic after what happened to Lian, but it's clear that the writers genuinely didn't care about telling a story of grief and addiction when writing it, they just wanted something was maximum shock value.

So yeah. In conclusion, I hate RoA, it makes me cry and IMO it was really shitty writing, Roy would've killed the electrocutioner but not Like That, and where the fuck was his support system.

[jakexneytiri]

Wanna say or wasit just me that Ardmore was getting annoyed with Quaritch as he kept bringing up Jake, and her saying 'he's dead for all we know' Also I know he sucks but he also did look away when scoresby killed Roa's baby, didn't stop it but he turned away

ardmore and jake have BEEF in the comics and i better see it translated to the big screen!!!! the sullys have so much going against them in the 3rd film im so excited yet NERVOUS

ro’a :(((( her and her baby deserved better

[entre-image-blog]

Sérigraphie The Warrior, Juan Gimenez, signée, disponible sur entre-image.com