#rip to you but i'm different <3< /div> Explore tagged Tumblr posts

[poorly-drawn-mdzs]

Why would you—That's not—I just wanted to ask for help, why did you have to go and make it awkward???

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[wyvernity]

wip posting just to get something out there, and it's def a mixed bag!! the only thing more inconsistent than my posting schedule is my art style RIP

[vocallywritten]

You don't understand. I don't need this show to be GOOD or WELL WRITTEN. I have fanfic and overanalyzing every scene to fill that void. When I watch Bridgerton, I am a drama girlie first and an intellectual fifth.

[the-physicality]

https://thehockeynews.com/womens/pwhl/watch-montreals-full-pwhl-free-agent-signing-press-conference

i hope this is as new and wonderful to you as it was to me :)

[sillyfudgemonkeys]

Yangchen and Aang: *trying to hold onto what Air Nation qualities they have while still performing their duties* Disha, to Roku: You are a spirit of NO Nation. Me: ??????

[applesandbannas747]

There's so much I love about Kyle's flashback and the insight it gives on his character. We see him falling in love with fencing and looking up to his uncle and wanting so badly to be part of that world.

But with Jesse Coste for a cousin, not only does he always fall short, but it's more personal because of that relationship--he'll always be compared to Jesse by virtue of being related to him. And he's aware of it--he's heard it before and probably hears it pretty regularly even now. It would be easy to resent Jesse for always being better--for being the ideal Kyle's always being measured against.

But instead of calling Jesse names or being angry at this boy for approaching him to talk about Jesse, he answers honestly and proudly that Jesse's unbeatable--even before realizing that being related to Jesse labels him as cool too. He genuinely admires Jesse and is proud of him and to be his cousin.

And then we see too the way Kyle's identity gets wrapped up in Jesse. Kids are flocking to him excitedly calling him cool for being related to Jesse, and we all know very well how often Kyle talks about Jesse and being related to him from then on. It's clear that Kyle's feelings about Jesse are genuine, but he mentions it too much to be purely gushing--he mentions it because he's learned that people like him better for his relationship to Jesse. There's got to be some self-worth issues all tangled up in there, and I think we see the roots of it all here.

[alivegirlmari]

soooo interesting to me that misty is like. so shameless / guiltfree / nonchalant about the cannibalism & cult & poisoning & murder of it all like she is NOT haunted by those 19 months the way literally every other girl is bc she did what she did and she had fun doing it! and yet she literally also cannot listen to stayin' alive for five seconds bc it reminds her of crystal, who she technically didn't even kill. lol. 🔨

[aromanticasterisms]

i'm cheating [don't have arlecchino yet and am looking at her lines abt the harbingers through hoyowiki] and thank god the harbinger "i hate my coworkers" trend continues + yaay sandrone and columbina crumbs + her line about signora has me in shambles

[copia]

I just realised you posted a gif set a few days ago which is almost exactly the same as one I posted yesterday, like even the description is the exact same?? HOW DID I NOT NOTICE THIS BEFORE?? Anyway, just wanted to say I didn’t mean to copy you, if you’d like me to edit or delete it, I’m willing to do so!

no omg you're all good!! just saw the post i think u mean and literally everyone with photoshop was using that clip lmao. it's very gif-able and i enjoy seeing it everywhere on the dash (i wasn't the first person to use it and i'm glad i'm not the last, papa is killing it)

the only time i'd ever have an issue with something like this is if an edit (with something more than the standard gif post) got blatantly copied or reposted. but afaik that's never happened thankfully

[sortanonymous]

I've watched and adored Encanto, Wolfwalkers, Across the Spider-Verse, Puss in Boots: The Last Wish, and Guillermo del Toro's Pinocchio. All absolutely incredible animated films that I'm sure will be held up as classics even 20 years from now.

With that said, Nimona is frankly a good step above all of them and my choice for animated film of the decade so far (at least for what I've heard of). An absolutely stellar film on every level. Do yourself a favor and watch it all on YouTube these next few days!

Does it stand a chance at the Oscars? Absolutely not, especially since even the Annies were dominated by Spider-Man. But it would absolutely deserve to. (And again, I adore Spider-Verse and still think it's 100% worthy of the Oscar on its own. It's basically the reverse of the Puss in Boots vs. Pinocchio situation last year. They're both masterpieces, only this time the slightly better masterpiece is almost certainly gonna get left in the cold.)

[junonreactor]

yaay

[mashmouths]

florence welch shouldn't be allowed to write songs bc what if i listen to one and it punches a hole in my chest. no for real what do i do i'm bleeding out in my kitchen.

[marshmallowgoop]

going and back and rereading your kill la kill meta, I should definitely rewatch kill la kill

I'm so flattered that there's still interest in my old meta all these years later! And that they encourage looking back at the series? 🥺

Thank you for revisiting them! Hope you enjoy the rewatch!

[thebongcloudopening]

literally nothing is funnier to me than my own obsession with the emperor

[stillresolved]

It's symbolic, whenever he and Ballister narrowly meet each other from these two different fronts they've taken on in a battle he'd never dreamed of seeing, not even in his worst nightmares, to be anything but at eye-level.

Ambrosius stares up at a shape he hates to call villainous, the menacing silhouette, the distance Ambrosius is himself participant in creating, and feels the squeeze of it in his chest.

"Bal!" he shouts, because as much as Bal doesn't seem able to stop whatever crazy crusade he's set himself on, Ambrosius can't let him go on it.

"Can't we talk? Can't we try to talk? Just once?" a pause, a harsh breath under widened, pleading eyes, shortness he can't justify, because he doesn't feel physically exerted... as much as he feels always on that precipice his heart is hanging from.

"Here," he throws his sword to the ground, symbolic and idiotic, and a reminder of what he did with it. He grimaces. "Let's talk."

((ONE FOR THE KNIGHT EXES!!!!!!!!! for some bizarre reason I feel like I've written something similar already SO FORGIB ME IF IT'S REPETITIVE OF SOMETHING OF THE PAST 🥺 also hope it makes sense, wasn't so sure about the writing here, MWAH ♥ ALSO HOPE IT'S NOT GOD-MODDY? to yknow idk i had this visual of Ballister 'having the high ground' Obi-wan style so hope it's okay~?))

@mythvoiced / so he picked violence today....

Oh Ambrosius. 

Bright-eyed, righteous, level-headed Ambrosius. Sweet, loving, hopeful Ambrosius.

That’s why Ballister was drawn to him, all those years ago, wasn’t it? Because Ambrosius, heir to the heroine herself, beloved child of the Kingdom, always saw the best in people and Ballister only knew the worst of people. Lived as if he only expected the worst of people.

Loving Ambrosius was an exercise in faith. Faith that against all odds, things would turn out okay. Even if the nay-sayers said Ballister would one day end up in the very prison cells they used to lock away the criminals threatening the good of the kingdom. Even if the nay-sayers said Ballister was only using Ambrosius for extra points with the queen. Ambrosius always told him to ignore those voices. Words said out of love, out of encouragement, Ballister knows, but how could he say such callous words when Ambrosius has always lived his life, knowing who he is, knowing what his destiny would always be?

( And to some degree, Ballister will only admit when he is alone, it came true. The faith that Ambrosius believed so fervently in did bare fruit. Or at least, it should've, if not for– )  

How? Ballister has always wanted to ask him- how did it feel to step forward in life, always knowing the summit would be the inevitable destination? What was it like, knowing that even if he did stray from the path a little, his destiny would still be there waiting for him, like an armor waiting for its knight to slip into the shell?

The ground shakes beneath them. Ballister keeps his feet planted on the ground as part the wall begins to crumble. Lower, at its foundation, a pink dragon metaphorizes itself into a rhinoceros. A speedier steed as the knights of the kingdom charge at her. Nimona will be able handle them by herself for the time being, but soon, Ballister will join her. The mastermind, hand in hand with the heart of the crusade. 

For now, there is another matter, one in the shape of his beloved a hero of the realm to contend with. A knight, it seems, who foolishly approaches Ballister, not as an enemy, but as a lover. Ballister tries not to let it show: the way his fingers twitch around his sword. When was the last time someone had called him Bal?

It doesn’t help that Ambrosius is looking upon him, pleadingly, like he knows, believes that Ballister will be a better man. Ambrosius, the hero of the realm, the champion of justice, light, and most of all peace. Ambrosius, who looks at Ballister like he is still that man from three years ago, a man who is better than the crude means of plundering and vandalism and violence he has sunken to.

Ambrosius is a man who sees the best in people. Sees and believes in the best of everyone. That is why he is considered the HOPE of the Kingdom, one who speaks and believes in the potential for peace and serenity in the realm for both humans and monsters alike. 

Ballister watches Ambrosius throw his sword to the side. Gloreth’s blade clangs against the ground– what scandal, what blasphemy, how far will the golden child fall now– the metal echoing against the cobblestones. Ballister keeps his grip steady around his sword with no intention of mirroring his love. Nor of sheathing said blade either.

However.

However much of a hero Ambrosius may be, he is still but one person in a system of thousands. And a system that keeps the walls of the Kingdom up, a system that declares monsters savages to be destroyed, a system that casts outliers like Ballister as no better than monsters themselves, is a system, which keeps the Kingdom at the top, that is inherently violent. 

“Talking won’t change anything. The Kingdom will never change unless something is done. You know that as well as I do– try speaking to the Director about the monsters as anything but vermin. She’s already closed her ears to any alternatives.”

Ambrosius can speak of peace and compromise all he wants, but the only thing that such a system will respond to, the only action that will bring about change is violence itself. 

Ballister points his blade at him, the man he once loved. “You’ve chosen your grave where you stand now, Goldenloin. Prepare yourself.”

[death-rebirth-senshi]

Funniest part of Bayonetta 3 I think is the fact that their plan for dealing with singularity was just "when our Bayonetta gets to him she will simply win and beat him in 1-v-1 combat" and that was like. It. Viola's whole plan was to find the only Bayonetta in the multiverse that was simply built different apparently