#rie yoshino

[michiiilada]

them c. 15 yrs ago (yes they’ve been dating for that long)

[no1-heroandlitterateur]

Hiding a relationship with the #1 hero from the press seems hard… did you ever have any close calls?

a year ago…

“Toshi got really good at hiding in small spaces, it’s kinda crazy how good he is at it. He even did it before his accident!”

“This whole blog thing was a mistake…”

[genevieveetguy]

The Boy and the Heron (Kimitachi wa dô ikiru ka), Hayao Miyazaki (2023)

[lucario765g]

Digimon Adventure 02: The Beginning × Jujutsu Kaisen: Characters who share the same Japanese voice actors (seiyuu)

V-mon & Nagi Yoshino CV: Junko Noda

Iori Hida & Junpei Yoshino CV: Yoshitaka Yamaya

Takeru Takaishi & Yuji Itadori CV: Junya Enoki

Lui Ohwada & Yuta Okkotsu CV: Megumi Ogata

Ukkomon & Momo Nishimiya CV: Rie Kugimiya

I have been noticing this for a very long time now.

There are more Digimon VAs in Jujutsu Kaisen. I might create a Digimon x Jujutsu Kaisen same VAs list one day.

[karinta-agogobell-unified]

Five underappreciated anime that I would recommend!

1. Canaan (2009)

This is, from what I understand, an adaptation of a side-story chapter for the visual novel series 428: Shibuya Scramble, guest-written by Nasu Kinoko and guest-illustrated by Takeuchi Takashi. That is to say, the Type-Moon guys — the creators of Tsukihime, Kara no Kyoukai, and the now-legendary Fate/Stay Night. However, Canaan doesn’t take place in the Type-Moon shared universe(s), since it’s for another company’s property.

That being said, the anime adaptation is quite comprehensible on its own terms, likely due to the adaptation being written by the prolific and highly skilled screenwriter Okada Mari (Hanasaku Iroha, O Maidens In Your Savage Season, Mobile Suit Gundam: Iron-Blooded Orphans, Maquia). Her writing imbues the narrative with enough emotional intensity to make up for the occasionally-convoluted nature of the plot, and the backstories of the characters are hinted at just enough so that the viewer can understand their relevance, without taking up too much precious screen time. It can be a little hard to follow at points, but I ended up understanding it decently well anyway.

The production values are very high indeed, due to the anime being produced by P.A. Works, and directed by Andoh Masahiro (Sword of the Stranger, Hanasaku Iroha, O Maidens In Your Savage Season). The action animation is consistently stunning, the characters are beautifully expressive, and the overall look of the show is fantastic.

And the voice acting is an absolute treat, with the lead role of Canaan herself taken by Sawashiro Miyuki, the antagonist role of Alphard taken by Sakamoto Maaya, and Nanjou Yoshino in the role of Oosawa Maria, the POV character for a lot of the story. The supporting voice cast is packed with talent too — Hamada Kenji, Tanaka Rie, Nakata Jouji, Tomatsu Haruka, Hirata Hiroaki, Noto Mamiko, and even Ootsuka Akio in a minor role!

The premise is sort of a science fiction type of thing, but set in the (quasi-)contemporary location of 2000s China, where outside of the sci-fi conceit, the setting is largely realistic. The tone and mood is mostly that of an action thriller, with some nail-biting suspense here and there, but there are some beautifully soft and tender moments as well — often involving Canaan and Maria. Yes, folks, this has yuri in it, although it’s (strongly) subtextual.

Anyway, I would recommend this to people who love Ghost in the Shell: Stand Alone Complex, Kara no Kyoukai, Fate/Zero, and probably also Cowboy Bebop.

2. Tetsuwan Birdy OVAs (1996)

This is distinct from the later adaptation of the original Tetsuwan Birdy (Birdy the Mighty) manga, called Tetsuwan Birdy Decode, which came out in the late 2000s — this one came out in 1996 and was produced by Studio Madhouse in their prime.

The main characters are Senkawa Tsutomu (voiced by Iwanaga Tetsuya), a hapless teenager who gets accidentally killed(!) by an alien spaceship on his way to school one day, and Birdy Cephon Altirra (voiced by Mitsuishi Kotono), a human-looking alien and an intergalactic government agent who saves Tsutomu by merging her body with his. Effectively, they become two people in one body, which can shift between the forms of Birdy and Tsutomu…. except Birdy still needs to deal with all the rogue aliens who threaten the safety of the galaxy, while Tsutomu needs to study for his high school entrance exams. From what I’ve been told, the premise is fairly reminiscent of Ultraman and other classic tokusatsu series.

It’s four tight episodes of classic ‘90s OVA goodness, with a fun and slightly silly sci-fi concept that is nonetheless wrung for some surprisingly effective drama at times. The main thrust of it, though, is action comedy — and it definitely delivers on that front. The fight scenes are superbly animated, including some early-career work from now-legendary animator Suzuki Norimitsu, and the character designs by Takahashi Kumiko (Witch Hunter Robin, Snow White with the Red Hair, Cardcaptor Sakura) are amazingly expressive. Birdy’s striking asymmetrical design is a particular favourite of mine. The direction by Kawajiri Yoshiaki (Cyber City Oedo 808, Ninja Scroll, Vampire Hunter D) is solid, and the writing is quite serviceable despite the brevity and premise.

Overall, I wouldn’t say it’s much of an intellectual watch, but if you just want a fun action-comedy ride with an extremely charismatic female protagonist and stunning animation quality, Tetsuwan Birdy is likely to be your jam. I’d recommend it to people who enjoy classic tokusatsu series, the original ‘90s Sailor Moon anime, and the less-depressing parts of Neon Genesis Evangelion.

3. Noir (2001)

This anime series is perhaps not as underappreciated as the others on this list, but I do still feel that not enough people have seen it. It was made by the studio Bee Train, and it’s the first entry in their so-called “Girls with Guns” trilogy (which isn’t actually a coherent trilogy, since they’re three different stories). The series was made right at the end of the cel-anime era, before the transition to digital colouring and compositing, so the masters were shot on film, but it was also made at the beginning of the slow transition to widescreen TV broadcasts, so it’s one of the very rare cel anime that’s in 16:9. This allows for a beautifully detailed look that, IMO, serves to offset the occasionally-limited animation and the frequent re-use of footage.

The premise is basically “secret assassins in France are caught up in weird intrigue and conspiracies”; as such, there’s a lot of very fun gunplay and kickass fight scenes, but also a lot of suspense and mystery. The writing is a little bit slipshod at times, but it ends up holding together, and the characters and (especially) the fantastically moody vibe make the show worth watching.

The characters are imbued with a lot of life and colour, both by their extremely attractive designs and by their voice actors’ wonderful performances. Mireille Bouquet, a young Corsican assassin and one of the two protagonists, is voiced by Mitsuishi Kotono; Yuumura Kirika, the other main protagonist who is a Japanese schoolgirl who has seemingly lost all her memories (but not her exceptional assassin skills), is voiced by Kuwashima Houko; and the mysterious Chloe, who shows up partway through the show, is voiced by Hisakawa Aya. There are definite yuri vibes between Mireille and Kirika, but as with Canaan, it’s all subtextual.

The main draw of the show, though, is its phenomenal soundtrack, courtesy of Kajiura Yuki (.hack//Sign, Kara no Kyoukai, Fate/Zero, Sword Art Online, Demon Slayer) in her very first anime scoring gig. It’s at times propulsive, at times dark and moody, at times beautifully serene, at times melancholy and nostalgic — and it’s utterly memorable.

I would recommend Noir to anyone who likes Canaan, Witch Hunter Robin, Ghost in the Shell, or anyone who just wishes that James Bond were a woman.

4. Flip Flappers (2016)

This anime was produced at Studio 3Hz and directed by Oshiyama Kiyotaka, in a dazzling yet underappreciated directorial debut that was presaged by his impressive animation work on Dennou Coil, Space Dandy, A Letter to Momo, The Secret World of Arietty, and The Wind Rises. Owing to this extremely solid animation background, Oshiyama was able to recruit a lot of prime animation talent for Flip Flappers, and it definitely shows in the stunning sakuga of the wild action sequences that pepper the show’s narrative.

While the fantastic animation is a key draw of this show, the sheer creativity in the worldbuilding, conceptual, and visual design spheres also contribute to its inimitably psychedelic look and feel. The landscapes of the worlds contained in Pure Illusion — the dream-realm that the protagonists enter each episode at the behest of a mysterious scientific organisation — and of the “real” world are whimsical, storybook-like, and slightly “off” in a slightly unsettling but compelling way.

The dreamlike atmosphere pervades the narrative as well — very little about the mechanics of the world is specified out loud, relying heavily on symbolism and visual storytelling to do the heavy lifting for the audience’s understanding. This might be a turn-off for audiences who prefer to have things spelled out for them clearly, but the point of this story is not always to make perfect logical sense, but rather to work on an emotional and metaphorical level. And work, it certainly does.

The episodic structure involving the various worlds of Pure Illusion explores the concept of the Umwelt (the individual sensory “world” of a person or organism), as well as some Jungian concepts and archetypes, in order to express the strange and sometimes-scary developmental stage of adolescence. The characters of Cocona (voiced by Takahashi Minami) and Papika (voiced by Ichimichi Mao) undergo a metaphorical and literal puberty, a coming-of-age similar in some ways to that experienced by the protagonist of FLCL, but with significantly more yuri. In fact, this show has the most outright yuri of any of the anime on this list. But that isn’t very strange for what is essentially a psychedelic magical-girl show: lots of magical-girl anime seem to include homoerotic vibes in some form or another, from Sailor Moon to Nanoha to Madoka.

There are some minor flaws in the storytelling towards the end, IMO, but overall it’s a wonderfully impactful emotional journey to watch Flip Flappers. Plus, the OP and ED are both extraordinarily catchy tunes that I’ve found myself humming on many an occasion.

I’d recommend this anime to anyone who loves weird magical-girl stuff, weird yuri, and/or amazing action animation.

5. Claymore (2007)

An adaptation of the manga by Yagi Norihiro, this anime is considered by many to simply be “basic”, or at least simply “inferior to the manga”. Now. I haven’t read the original Claymore manga (yet! I plan to eventually), but I found this anime to be compelling nonetheless. And if it really is the case that the manga is better, then I definitely look forward to diving in.

Having been produced by Studio Madhouse in the mid-2000s, it’s unsurprising that the vast majority of this anime was outsourced to Korean animation studio DR Movie, a longtime powerhouse subcontractor for both Japanese and American animation alike. That said, the direction of Tanaka Hiroyuki (director of a portion of Hellsing Ultimate and frequent close collaborator of Attack on Titan director Araki Tetsurou) remains sharp, compensating for the sometimes-limited animation with good storyboarding and a strong sense of mood and atmosphere.

Another aspect of Claymore which helps make up for the occasional visual shortcomings is the soundtrack by Takumi Masanori. The compositions are a mix of harder rock and electronic elements with a strong orchestral backbone, as befits a dark-fantasy setting and mood — the faster pieces are edgy and propulsive, very appropriate for the bloody action scenes, and the calmer pieces have a melancholic beauty to them that sticks in one’s memory. I wish the soundtrack were on Spotify, but alas, it is not.

The other sonic element that helps this anime out immensely is its absolutely STACKED voice cast. The main character, Clare, is voiced by Kuwashima Houko, in a fantastic yet understated performance. The other main character, Raki, is voiced by the less-well-known Takagi Motoki, but nearly all the other roles — including many bit parts — are filled with industry legends. Teresa is voiced by Park Romi, Miria is voiced by Inoue Kikuko, Irene is voiced by Takayama Minami, Rubel is voiced by Hirata Hiroaki, Priscilla is voiced by Hisakawa Aya, Ophelia is voiced by Shinohara Emi, and Jean (whom I cannot help but ship with Clare: there’s so much homoerotic tension there!) is voiced by none other than Mitsuishi Kotono. Yes, they got three of the original Sailor Senshi VAs — and I don’t know why that’s funny to me, but it is. And all of the voice actors deliver killer performances.

The premise of the show, before I completely forget to explain it, is that of a dark fantasy world where demons called youma ravage human settlements, with only the titular Claymores to protect humanity. They are a guild of platinum-haired and silver-eyed warrior women who possess superhuman fighting abilities, due to the fact that they’ve been fused with youma essence, and wield the massive broadswords that give them their name. Basically, (s)he who fights monsters must become (partly) a monster to do so.

I’ve heard the vibe of Claymore compared to manga like Berserk, and I don’t know how true that is (not having read the latter for myself), but there’s certainly a lot of bleakness and monstrosity in this fantasy tale. However, the Claymore manga was published in none other than Weekly Shounen Jump, so it’s perhaps unsurprising that the story remains resolutely forward-looking, the protagonists’ arcs focussing on the power of grit, determination, true friendship and loyalty, and protection of the weak and downtrodden. It’s never cynical or sarcastic — always straightforward and sincere despite the frequent darkness of the story.

The writing is consistently solid, even through the controversial anime-original ending (the manga continues long past the point where the anime cut things off), so I’m not sure who to point to for that: Yagi Norihiro for writing the original material, or Kobayashi Yuuko (JoJo’s Bizarre Adventure, Attack on Titan s1-3, Kakegurui, Casshern Sins) for adapting it cleanly for the screen? Either way, it made me want to read the manga to experience more of these compelling characters and their travails.

I would recommend this anime to those who enjoy Kill La Kill or RWBY, or just to those who enjoy powerful women hacking at monsters with massive weapons and making lots of blood spray out.

[rpking99]

Digimon Humans

Adventure

Tae Kamiya

Sora Takenouchi

Sora is the DigiDestined of Love from the original Adventure. Her partner was Biyomon. A sporty tomboy, Sora is passionate and a girl full of love. Caring about every single one of her friends, she isn't afraid to throw hands if you hurt one of them

Mimi Tachikawa

Mimi is the DigiDestined of Purity (Sincerity in the Dub) and partner of Palmon from Digimon Adventure. A party girl who moved to the US for a few years, she does not hide her thoughts of her feelings. No filter.

Adventure 02

Kari Kamiya

Kari is the little sister of Tai, and is the DigiDestined of Light. She is partners with Gatomon. She was in the Original Adventure as well as the sequel, Adventure 02. A fan of photography she is very focused girl, playfully and cheerful

Yolei Inoue

Yolei is from Adventure 02, and she inherited the powers of both the Crest of Love and Crest of Purity, partnered with Hawkmon. She is rather smart, but is short tempered and has no filter. But beyond that she is rather mellow

Tamers

Rika Nonaka

Rika is a tomgirl from Digimon Tamers, partnered with Renamon. At first she saw Digimon as just things, she grew to care about others. Even though she can still be a bit cold, she tries her best to care for others. Those she cares about, she protects with her life and can be very affectionate with

Jeri Katou

Frontier

Zoe Orimoto

Fairymon

Level: Champion

Zoe is part of the DigiDestined, or rather the Legendary Warriors, from the fourth season of the show, Digimon Frontiers. They had the ability to turn into Digimon, Zoe turning into the Warrior of Wind. So, like Ranamon, she is a minor elemental god, one of Wind. She is a spunky and opinionated girl, the kind of person who doesn't go with the crowd, preferring to stick to her ideals. She is an open person who always speaks her mind, sometimes to the point of unintentionally insulting and alienating others. And she spent two years living in Italy beore returning to Japan

Also, because she is from Frontier, she can Digivolve! Yeah, reason why she was first...

Zoe's Digivolutions

Savers

Yoshino

Xross Wars

Nene

Adventure Tri

Meiko Mochizuki

Meiko was the new DigiDestined added in Digimon Adventure Tri. Her partner was Meicoomon and... not getting into any of that continuity stuff. Basically, her partner is dead. She is a very shy and reserved girl, seeing Mimi as her best friend. She ius a cute nerdy girl who can be very fun

Digimon Games

Ami Aiba

Nokia Shiramine

Kyoko Kuremi

Yuuko Kamishiro

Rina Shinomiya

Erika Mishima

Mirei Mikagura

Rie Kishibe

Total Muses: 19

[shocotate]

Two Brothers (ふたりの兄弟): Tracks 5 + 6

Music: Akira Senju, Miho Fukuhara Track 5: Trisha’s Lullaby ~A Reminiscence~, Main Theme ~The Fullmetal Alchemist~ Track 6: Lurking, LET IT OUT (TV Size)

Two Brothers Drama CD | Tracks 1 + 2 | 3 + 4 | 5 + 6

[agendaculturaldelima]

#ProyeccionDeVida

🎬 “EL CIRCULO” [The Ring / Ringu]

🔎 Género: Terror / Intriga / Tecnológico / Sobrenatural / Fantasmas / Película de Culto / J-Horror

⌛️ Duración: 91 minutos

✍️ Guión: Hiroshi Takahashi

📓 Novela: Kôji Suzuki

♫ Música: Kenji Kawai

📷 Fotografía: Junichirô Hayashi

🗯 Argumento: En una pequeña y apacible localidad japonesa, entre los estudiantes circula una leyenda en torno a unos videos malditos cuya visión provoca la muerte. Tras la muerte de su sobrina Tomoko, una periodista, Reiko, investigará el origen de dichos videos.

 👥 Reparto: Nanako Matsushima (Reiko Asakawa), Hiroyuki Sanada (Ryuji Takayama), Rie Inō (Sadako Yamamura), Miki Nakatani (Mai Takano), Yūko Takeuchi (Tomoko Oishi), Rikiya Ōtaka (Yoichi Asakawa), Hitomi Satō (Masami), Takashi Takayama (Takehiko Nomi) y Yutaka Matsushige (Yoshino).

📢 Dirección: Hideo Nakata

© Productoras: Kadokawa Shoten & Omega Project

🌎 País: Japón

📅 Año: 1998

📽 Proyección:

📆 Martes 22 de Octubre

🕗 8:00pm.

🎦 Cine Caleta (calle Aurelio de Souza 225 - Barranco)

🚶‍♀️🚶‍♂️ Ingreso libre

🙂 A tener en cuenta: Prohibido el ingreso de bebidas y comidas. 🌳💚🌻🌛

[fromidol-es]

Princess letter(s) [Personajes]

~Yoshino Kariya~ (CV. Rie Takahashi)

"Mi sonrisa, espero poder hacerlo bien♪."

Una chica transparente que entró en la escuela con el objetivo de convertirse en un ídolo capaz de arrancar una sonrisa a "alguien" como un día hizo ella. Solía tener una expresión sombría en la cara, pero a través de un intercambio de cartas, llegó a conocer el sentimiento de sonreír. Tiene una personalidad muy honesta y se esfuerza de verdad cada día para conseguir el "carácter" que suelen necesitar los ídolos.

Perfil

Afiliación: Escuela Secundaria, 2º año Cumpleaños: 27 de marzo Signo del zodiaco: Aries Tipo de sangre: Tipo AB Altura: 157 cm Gustos: Pictogramas, Yuru-kyara (Personajes mascota)

Carta de Yoshino

¡Yoo-hoo! ¡Soy Yoshino!♡

Vaya, qué nervios, ¿verdad? Ha sido un día frío ¿has estado bien? > _ <

Es repentino pero…. ¡Los ídolos son geniales!¿No? Digo… Eso es lo que yo más pienso. ¡Por eso voy a dar lo mejor de mí para que mucha gente piense que ser un idol es genial!

¡Ah, sí! No he escrito una carta en mucho tiempo… Por eso estoy un poco nerviosa. (Pero sólo un poco, en serio)

Espero escribir muchas, muchas cartas A partir de ahora, así que por favor, Dadme mucho, mucho cariño ♡.

No dejes que el frío te afecte, Abrígate bien, ¿vale?

Estaré esperando su respuesta, tan ansiosa como tu. :)

¡Hasta pronto! ♡

Kariya Yoshino

[avislux]

Lets talk about Bocchi the Rock!

Well it's been a long time since I've found something to absolutely love.

But first a shout out to Lycoris Recoil for also being a pretty good original anime. Good mix of action and slice of life. I liked it enough such that while I was on a trip to Japan I looked for the book that was coming out during the trip. I managed to get it. Still haven't read much of it though. Then I found the book in a local Kinokuniya in December. I also bought a manga, thinking it was new original content. No they actually adapted a manga from the anime. It's usually the other way around. Oh well. Merch.

Bocchi the Rock just connects with me on a way no other show has. I have never seen social anxiety depicted in a way that is so relatable and funny. They were not afraid to use a variety of different animation styles. From live action shots, to random 3D renders to crayon drawings that may have been drawn by actual children. Some of the animators even commented on twitter on some random scenes they did. (There's another tweet about the black hole simulation I can't at the moment)

I lived that life growing up without having close friends. Could barely say hi to people. Mostly kept to myself instead of socializing. Well I didn't exactly have 0 friends. But even now, I'm not sure if I can call anyone close. Never hung out much outside of school. No one ever invited me to any parties. Never celebrated any birthdays. I remember looking at the top right of Facebook hoping there was a new message. Didn't really occur to me to reach out to anyone.

I really connect to all the monologuing Bocchi does. I don't think any show has done it as much as Bocchi has. Many of the feelings she shows I've experienced myself.

Then there's the music, which is just really good. It's honestly way too good for typical high schoolers to compose, but we can let that slide. Each band member gets their own character song. Although Bocchi's (Loneliness, Guitar and Blue Planet) is sung by Kita. Bocchi gets to sing the AKFG cover at the end. And I absolutely adore it. It connects to me in particular since I have a deep connection with music having a dozen instruments in my room.

They released an entire album on Spotify consisting of all the music in the anime and then some more songs. And it won't surprise me if at the end of the year, Spotify Wrapped tells me they're my number one listened to.

I really can't think of any premise that can top this. Like I had a thing for Takagi when I discovered that. Somehow any other show that does a male and female pair romcom doesn't come close to it. Maybe it's due to the song covers and having additional content by Rie Takahashi to watch. But also no other anime is as pure is Takagi. Closest is probably Kubo-san.

Like what if a you took the same premise of Bocchi the Rock but made it all male characters? Would it be as popular? Don't think it will ever happen though.

Also all of the instruments and equipment in the show are based off real equipment. All the performances are animated accurately to what's being played. The drums are animated beautifully. Non-musicians wouldn't even notice it.

On Youtube, Aniplex has a series of Bocchi's voice actor Aoyama Yoshino learning guitar to play Seishun Complex, the OP. Bocchi's guitar is based off a Gibson Les Paul Custom. it's 7 grand. Epiphone gave her voice actor an Epiphone Les Paul Custom Ebony (around $730), which looks pretty close to Bocchi's except the edge around the body is white. I went around looking at Les Pauls for a bit, then found the exact model Epiphone. After sitting on it for a bit, I bought it. The sales guy even gave me a deal setting me up with a service plan. Funnily enough after I didn't like how it felt after getting it set up the first time, I learned guitar set-up myself. It's not that bad. Although good tools cost money.

I did a search for the Epiphone Les Paul Custom Ebony while the show was airing and saw a couple on Sweetwater. The next week they were gone.

Then I wanted Bocchi's new guitar, a Pacifica PAC611VFM. Not sure I really needed it since I already had enough guitars. I tried to mod my Squier Strat to look more like it. Unfortunately Squier pickups don't match Fender's. I managed to replace the pick guard and knobs although one of the pick guard screws was misaligned with the body. Probably bad manufacturing, but it mostly fits just without the one screw.

Pacificas in general have been on back order in Japan due to the anime. The PAC611VFM is surprisingly hard to find. The black color in particular. All the other finishes look kind of ugly. It showed up on Ebay one day and I got it. I love it. Hoping to mod it as well. This anime has made me spend more money than any other show has. I even bought a new pedal and might get some more.

I also bought all the Bocchi manga.

Still trying to learn all of the Bocchi songs. Haven't had as much time as I'd like.

Alright I think that's enough writing for now.

[michiiilada]

future kiddos! (they were grown in a lab!! 🤭)

sora has type 1 diabetes which is why he's getting his glucose monitor put in

they're both twins and fight over who is oldest

[no1-heroandlitterateur]

“Are you sure this is a good idea…?”

“Why not? Besides, you’ve decided to forget to tell the world about me for the 15 years we’ve been dating so I think this would be a great way to break the ice!!”

“You sure this isn’t another ploy to get a headline…?”

“….”

“It’s like 37% that.”

//HI EVERYONE!! welcome to this ask blog! as mentioned in the description, this WILL be canon x oc content. i have only caught up to season 6 of mha anime wise and have read a little past that in the manga but have not seen much else, so please try not to ask me anything that’s happened too recently!! (aside from all mights mom i do know abt her and i love her)

this account may occasionally contain serious topics which will be adequately tagged above, any posts being suggestive will also be tagged but i will not answer anything blatantly NSFW

other than that, please feel free to ask away ^^ HEARTTT

[otakutale]

Shokugeki no Souma Season 4 Slated for 25 Episodes

https://wp.me/p4jiOt-cfc

Chinese streaming service iQiyi has revealed that the fourth season of the anime adaptation of Yuuto Tsukuda and Shun Saeki’s Shokugeki no Souma (Food…

[sonnaiikanjisubs]

5th day in a row of uploads, I hope you enjoy this short clip!

Thank you @raku-fansubs for your help!

[leenaevilin]

[Announcement] 舞台「魔法先生ネギま! ~お子ちゃま先生は修行中!~」(butai mahou sensei negi ma! okochama sensei wa shuugyouchuu!)

the show will be running from July 12th, 2018 to July 16th, 2018 (Tokyo) @ AiiA 2.5 Theater

Cast:

Ikoma Rina Matsuoka Rie Ai Wanabi Utada Hatsuka Kitagawa Yoshino Nishigata Marina Kojina Yui Takatsuki Miyuu Kadota Nana Sakaki Miyu Kawakami Akari Onozawa Hotaru Mori Keito Hayasaka Yuuki Tanigawa Airi Takeuchi Yume Naka Miumi Toyoshima Miyu Kihara Miyu Oogo Manae Saitou Ami

nelke natalie spice enterstage theater guide

[berrychanx]

The ending had the following directors

kinuko izumi 

rie nishino 

shinichi yoshino