#richard ayoade imagines

[politedemon]

watching soul and this guy just seeing his entire life and it's him sat alone at a diner. uncomfortable look at the future afterlife for me.

[colinfirth]

Sometimes, I wish there was a film crew following my every move. I imagine the camera craning up as I walk away. But, unless things improve, the biopic of my life will only have the budget for a zoom-out. SUBMARINE 2010 — dir. Richard Ayoade

[noelsfielding]

I am so sorry to come to you with this but I am honestly lost and you are the closest reference I have about Noel Fielding, I am a BIG fan of Noel, have been for years, and with the Russell stuff comming up I have started getting a bunch of Tik Toks and some post about Noel also being a predator and dating minors, this is hugelly distressing for me as I have a deep an fixated Interest (I am hoping you undestand how that is) Do you know anything about this? Do any of the acusations hold water? I am so scared and worried, he has been a confort for me in very hard times and I must admit I am finding all of this very difficult to navegante

I have had to take a few days to digest all this information myself and I can't and won't tell anyone the right or wrong way to feel about this but I will say, here is where I am at...

I believe the victims of assault, whomever they accuse.

I have not seen any accusations of misconduct against Noel specifically, I have only seen his questionable relationship with Peaches Geldof resurface. This transpired over a decade ago.

I believe that people are capable of change and growth.

I believe that people who make mistakes should be held accountable for their mistakes.

I believe that Noel has had more than one friend who was and still is inappropriate with women, I am not under the impression Noel is that person any longer. I have no idea the extent of his knowledge of the inappropriate behaviour of the others.

Some might try to say OF COURSE he knew, but I had a friend in a band with a VERY BAD person and the whole band had ZERO idea because MOST people like that go to extensive lengths to hide their bad behaviour.

I can't comment on Russell at this time, I have not watched the expose myself but again, my instinct is to believe the victims first. I am disappointed to say the bare minimum.

I have also been recently disappointed with Richard Ayoade throwing his support for someone who is anti-trans. I understand some feel they can separate a person from their morality, but I struggle with that the older I get.

I want everyone to know that their complex feelings on this matter are valid. I am not a big subscriber to the concept of cancel culture, but I am a big proponent of accepting and owning responsibility and accountability and knowing that it is possible to love someone while also recognizing and not excusing their lesser behaviours.

We can talk more on this as things unfold, everyone is welcome to come into this post or inbox and share how they feel, all the feelings are valid and I don't want to see a single person attacking another for feeling differently. Everyone is going to have a myriad of feelings regarding this no matter what happens from this point on and even if we disagree, we should RESPECT.

At this time, the time of me penning this reply, I believe that Noel is a decent person. I think he's a grown man, partner and father and has moved away from a lot of the debauchery of his past, including his times with Russell. I think it's possible that as a 'friend' he turned a blind eye to things and may have even engaged in some inappropriate relationships in the past, but I don't believe that is who he is now. While I am of course disappointed in those things, I can also say there are many things from my life 10+ years ago I am disappointed in too, so I don't feel like I have the right to judge too harshly. I also know that what the press reports and what happens behind closed doors are not always the same and things can easily be blown out of proportion. But at the same time I also know if it walks and talks like a duck....

Feelings are complex, opinions as well. I hold many in my head at a time and I feel like, ultimately what I am trying to say is... I want to believe in the Noel I have come to adore over all these years. The one with great imagination, compassion for the underdogs, and the childlike spirit that makes us all feel so comfortable and safe.

I am very interested to see if he makes any comments in the coming weeks and I hope that I can stand by this statement as time passes. I love all my fieldmice and am here for you while you navigate your own feelings at this time.

[thesillygiggleman]

hey monsters at work tumblr, self indulgent headcanon for declan that does not add to the plot at all but exists entirely for me.

(also to make this make more sense, i have a self insert character for the monsters inc universe who works in IT for monsters inc! so for this headcanon to work imagine there is an IT department at monsters inc)

headcanon that declan used to work in IT at monsters inc. (yes this is only because he’s voiced by richard ayoade and i think it would be a funny IT crowd reference.) also, duncan didn’t know declan existed because no one knows or cares about the IT department (like in the IT crowd). just think it would be funny. declan seems to work good with electronics in the show, so it’d make sense. also could help make him more of a parallel to duncan.

my idea with this is that he used to work for monsters inc, but he disagreed with switching to laugh power so he left. then he somehow ended up at fear co.

i may add more onto this headcanon, but i wanted to share this for now!!

[ocoloc]

These are the people I imagine in my head when listening to red valley

Gordon- Richard ayoade

Bryony- Flo from this years season of The Apprentice

Clive- Alex j newall ( voice of martin blackwood)

Aubrey- Siobhan Thompson

[acompleteunknown2024]

keep making myself chuckle imagining a world where richard ayoade is very famous and has to do like a circuit of interviews and appearances that would make him hate his life so bad. for example: richard ayoade on hot ones. richard ayoade on james corden. richard ayoade on that thing where they make celebrities look at the questions people google about them. richard ayoade architectural digest house tour. richard ayoade hosting snl. i could go on.

[kingmaxstatic]

Fuck it, I'm curious.

[oddygaul]

Plane Movie Roundup #1 - Henry Sugar, Spaceman, Enter the Dragon

Initially it felt a little weird to group things as Plane Movies, but then I thought about it some more, and… well, have I really watched something if I've only watched it on a plane? Yes, but also no. I think it’s helpful context to remember I watched something tired, distracted, and with the constant rumble of a jet engine blaring in my ear.

The Wonderful Story of Henry Sugar

I actually watched all of this series of shorts except this one last year (The Rat Catcher was my fav), but just now got around to Henry Sugar. So, this applies to all of them, but - I absolutely love the style these shorts are done in. The rapid, feverish monologues while the actors stare the audience down complements Wes Anderson’s style to a T, and the constant shuffle of the sets and stagecraft is enthralling. The actors all swapping between multiple roles adds a very odd drama to the proceedings, and the casting was great as well - I can’t imagine someone I’d rather have locking eyes with me and calmly reciting narration than Richard Ayoade.

Anyway, Henry Sugar in particular was alright. The slow unveiling of the mystery in the first half kept my attention, but when all was said and done it felt a little saccharine. I thought it started to broach a genuinely interesting discussion about the class disparity of skill mastery: for all that we romanticize the idea of the starving artist, isn’t an independently wealthy person, who doesn’t have to spend time worrying or doing anything about their bills, plans or obligations*, able to have a fast track to bettering any skill they want? Doesn’t it feel particularly frustrating that despite creative arts typically being seen as a pure expression of emotion and feeling, due to the massive time investment required to excel, they're tied up in social status just like everything else? The example here was even particularly salient to examining that idea, given the inherent spirituality often suggested by meditation which Sugar clearly lacks.

*Not to mention the cost of equipment and the networking / connections required to actually make a career out of something creative, even if you’ve already gained the skill to do it

And yet, in a twist even more unrealistic than being able to see through solid objects with one’s eyes closed, the laughably wealthy man decides to use his new wealth-gaining technique to better the world and help those around him. What a fairy tale.

Part of me wishes it followed the hinted-at horror tangent of Sugar being unable to see anything beyond the base organic makeup of all the bodies around him… but we have Luther Strode for that, I guess.

Spaceman

Wasn’t really impressed by this movie… I think what the creators found interesting about the premise and what I found interesting about the premise were drastically different. If you came here for Space Madness – Is This Man Really Hanging Out With a Giant Spider or Not??, well, that sucks, because Spaceman is largely disinterested in questioning Jakub’s sanity and is content to accept Hanuš as his giant space therapist with very little fuss. If you’re here for Loneliness in Space – Can One Even Begin to Fathom the Ultimate Desolation of the Void??, again, not so much.

Instead, the movie is essentially Toxic Man Who Was Shitty to His Wife and Spends Way Too Much Time at Work Realizes That’s Bad While in Orbit of Jupiter which… didn’t do much for me. Feels real easy to have an epiphany about how you were wrong when you’re half a solar system away and can’t actually work on that problem in any meaningful way… and then the way he tries reaching out is by sending a generic, manipulative message to his wife and then immediately flinging himself out of his ship on a suicidal one-way spacewalk? Doesn’t really feel like you meaningfully learned your lesson, my guy.

The ridiculousness of the spider did result in some great moments, though. Hanuš rollin out of the pantry eating nutella while saying “Hey, tough break bud, that sounds really rough” like he’s Adam Sandler’s fuckin college roommate was pretty choice.

Enter the Dragon 

Initial thoughts: god damn Bruce Lee is hot as fuck Latter thoughts: god damn Bruce Lee is scary

This was my first Bruce Lee movie… and what a trip it was. From the jump, I felt like I was out of my depth in a weird way when he started talking about ‘emotional content’, but still, I enjoyed this from an aesthetic standpoint if nothing else.

Mostly, Enter the Dragon was one of those movies where upon watching it, dozens of other things clicked into place in my head - media that was inspired by it, media that has parodied it, media that’s reverent towards it. And here, unlike many other times where I’ve first experienced older, hugely influential works, I was immensely entertained. The music is groovin start to finish, it has some of the best funny cheese moments (Bruce throwing the snake into the guardroom, the facility guards walking around with nunchuks like that’s a thing that anyone does), and the fight choreo is killer. Lee absolutely schooling O’Hara in their duel with that move like water shit… mmm. Give me more of that.

Okay, so the other thing that really struck me is how fucking scary Bruce Lee is in this movie. Now, maybe I just think of kung fu movies as lighthearted due to their constant parody in pop culture, or because the ones I actually grew up with, like Kung Fu Hustle, are decidedly comedic - but even putting that aside, I think Enter the Dragon genuinely is intentionally tongue-in-cheek much of the time. It even plays into the nonviolent, “don’t worry, they’re just sleeping” trope with Bruce only knocking out the guards on his nighttime excursion. So it came as a real shock every time Bruce Lee just straight up fucking brutally murdered a dude. Look, with O’Hara it makes sense, he absolutely had it coming, but it’s still wild to watch the camera slowly pan into Bruce Lee’s face, fully focusing on his thousand-yard-stare, theremins going wild in the background. Not a man to fuck with.

[umbiedecoder]

since i started bloodborne recently ive been working on my ocs for it, mainly how i imagine them sounding

this is laverne, she’s supposed to be steampunk adjacent, and if i had to give her a voice it would be richard ayoade

[themovieblogonline]

The Wonderful Story of Henry Sugar Review: A Splendid Delight

Director Wes Anderson's adaptation of Roald Dahl's The Wonderful Story of Henry Sugar is a whimsical and visually stunning short film that masterfully captures the essence of Dahl's storytelling while infusing it with Anderson's signature style. This film, following Anderson's successful adaptation of Fantastic Mr. Fox in 2009, continues to explore Dahl's imaginative world on the big screen. The Wonderful Story of Henry Sugar is the first installment in a four-part series of shorts based on Dahl's short stories, and it sets a high bar for what's to come. https://www.youtube.com/watch?v=4RdncisZ_QA The Good: The film revolves around the character of Henry Sugar, portrayed with charismatic finesse by Benedict Cumberbatch. Henry Sugar is a wealthy man leading a shallow and unfulfilled life, desperately seeking meaning. When he stumbles upon a story about a guru who possesses the extraordinary ability to see without using his eyes, his curiosity is piqued, and he embarks on a transformative journey. Cumberbatch's performance is captivating, as he transitions from a jaded, morally ambiguous character to a man genuinely yearning for spiritual enlightenment. Ralph Fiennes, who plays the role of Roald Dahl and also doubles as The Policeman, adds depth and nuance to the narrative. His portrayal of Dahl is reminiscent of the author himself, and his presence in the film serves as a meta-narrative touch that connects the audience to the source material. The Policeman, a key character in the story, is portrayed with a delightful blend of sternness and curiosity. Dev Patel shines as Dr. Chatterjee, Henry's trusted friend and confidant. His role as a guide and mentor to Henry on his quest for self-discovery is both heartwarming and inspiring. Patel brings an earnestness to the character, making the audience root for Henry's transformation and growth. Ben Kingsley's portrayal of Imdad Khan, The Dealer, is another highlight of the film. Kingsley embodies the character with an air of mystery and wisdom. His interactions with Henry Sugar are riveting, as they engage in high-stakes gambling where more than just money is at stake. Kingsley's presence adds an element of tension and intrigue to the story. Rupert Friend's Claud provides comic relief and serves as a contrast to the serious themes of the film. Friend's quirky and eccentric performance injects humor into the narrative, offering moments of levity amidst the philosophical exploration of Henry's journey. Richard Ayoade takes on the role of Dr. Marshall, The Great Yogi, whose teachings and practices guide Henry Sugar on his quest for spiritual enlightenment. Ayoade's enigmatic and tranquil portrayal of Dr. Marshall exudes an aura of mysticism, drawing viewers into the mystical world of yogic practices and meditation. Visually, The Wonderful Story of Henry Sugar is a feast for the eyes, a hallmark of Wes Anderson's filmmaking style. The film's vibrant color palette, meticulously crafted set designs, and whimsical costumes create a world that is both nostalgic and surreal. Anderson's penchant for symmetry and meticulous framing is evident in every scene, making each frame a work of art in itself. The attention to detail, from the intricate props to the carefully choreographed sequences, is a testament to Anderson's dedication to his craft. One of the film's strengths lies in its exploration of themes such as self-discovery, spirituality, and the pursuit of inner happiness. Through Henry Sugar's journey, the audience is encouraged to reflect on their own lives and question the values they hold dear. The film's message is both thought-provoking and heartwarming, reminding us that true wealth lies not in material possessions but in the richness of one's soul. The Bad: The Wonderful Story of Henry Sugar is not without its flaws, however. Some viewers may find the pacing to be slightly uneven, particularly in the middle portion of the film, where the narrative delves deep into Henry's life. While this section is crucial to the character's development, it may test the patience of those seeking a faster-paced story. Overall: The Wonderful Story of Henry Sugar is a delightful and visually captivating adaptation of Roald Dahl's work. Wes Anderson's unique directorial style, combined with a stellar cast and a whimsical visual aesthetic, makes this short film a standout in the realm of literary adaptations. It successfully captures the essence of Dahl's storytelling while adding Anderson's own artistic flair. With its exploration of profound themes and memorable performances, this film is a must-watch for fans of both Dahl and Anderson. As the first installment in a promising four-part series, it leaves audiences eager to see what other Dahl tales Anderson will bring to life. Read the full article

[theoneandonlywonton]

Headcanon: Garth Marenghi and Gordy Lasure exist in the same universe.

I love the idea of these meta pieces of media that are basically linked through Richard Ayoade being part of the same universe.

Also imagine Garth and Gordy talking to each other, or Gordy critiquing the new 'Darkplace' film. They would spar with each other so aggressively.

[jacobbyart]

not sure if anybody has any info on this but does anyone remember the old fanmade trailer for wtnv with radioactive by imagine dragons in the background? i think it had richard ayoade as cecil and edgar ramirez as carlos???? PLEASE i still think about it a lot so much actually but i cant find it

[hectormcfilm]

Wes Anderson/ Roald Dahl short film reviews- The Rat Catcher, Poison, The Swan and The Wonderful Story of Henry Sugar

Recently Wes Anderson released 4 short films on Netflix all based off Roald Dahl short stories. I have been planning on doing a series of reviews on my blog for one filmmakers and these short films have given me the perfect excuse to catch up on all the Wes Anderson films I haven't seen- which includes 5 films, nearly half his filmography: Bottle Rocket, The French Dispatch, Life aquatic, Darjeeling limited and Asteroid city. I will review all 5 of these films on my blog over the next few weeks. From the Wes Anderson films I have seen however I can say I am mixed on his filmography, I think he has one masterpiece with Fantastic Mr Fox, something I am very nostalgic for and think is gorgeous from an animation and directing standpoint with by far his best characters. But besides this masterclass I find most of his films just decent, I find his fun colourful style is visually pleasing but wares off after a while and can be overdone, taking away from the story or limiting what eh could do technically. I will see though if my binge of his filmography changes my mind and gives me a greater appreciation for his style.

THE RAT CATCHER

The Rat Catcher was fun with some issues. My favourite part of this whole short film was the skyline being a beautiful painting and the overall yellow and orange colour palette quite reminiscent of Fantastic Mr Fox. I thought Ralph Fiennes was great in this, his costume and prosthetics make him nearly unrecognisable and I enjoy the parallels between the rat catchers and the rats themselves but wish the narration didn't so obviously point this out and discuss it. I am mixed on Richard Ayoade, I love him as a comic and I always enjoy his deadpan almost emotionless delivery but in this his narration became almost overwhelming to me and unnecessary in certain moments, I understand it is a short story and Wes wants to keep the idea of this being a story book but it felt like too much dialogue distracting from the visuals at times. I really enjoyed the use of stop motion for the rat and having the rat catchers voice come out of it as a neat detail. The directing is stellar, keeping Wes' usual style but having some more interesting moments like the dramatic lighting towards the end in the final confrontation, having extreme close ups and Dutch angles to heighten the tension as well was unique for his style which I appreciate. I wasn't a fan however of the use of imagination as it seemed like it was used randomly and for no good reason, relying too much on the constant narration and I am not a huge fan of the cut away to Ralph Fiennes looking normal, it is only for two lines and very unexplained. Overall a fun little short film.

THE SWAN

The second short film I watched was the Swan and this was definitely my least favourite. I will start off by saying the use of theatre elements like the set being shown and having characters open doors onto set, having stage hands walk on to help adjust things was all genius and definitely the best part of this film, adding a distinct feel. I thought the camera work was technically impressive, usually tracking the character or moving from left to right in long shots, very well done. However my main issues are with the narrative, I didn't find myself that invested as with the little time and use of narration no character was memorable or had much personality besides the two antagonists being evil and mean. There isn't the charm and fun of rat catcher and I thought the subject matter and ending was maybe too serious and dark for the more fun tone the rest of the film attempted, felt quite muddled tonally. The lead performance had a good use of voices, playing all the characters but his body language and facial expressions were limited. However, I did really enjoy the use of stop motion again and the shot looking through binoculars and between his feet. Still technically impressive but personally I found this quite unengaging and dull.

POISON

I thought this one was a lot of fun with only a few issues. Similar to The Rat Catcher this one had a distinct colour palette of mainly green with some yellow, reflecting usual symbolism of green being poisonous. I thought the acting in this was the best yet, Dev Patel bringing the most charismatic and entertaining narration so far, keeping it engaging and not making it feel overwhelming but more like natural dialogue. Ben Kingsley appearing was a big shock, as such a highly acclaimed job he had a great performance even in his little screentime. I loved the self awareness this was on a set, the camera moving from room to room where walls should be and having more stage hands appear to hand out props. One small detail heightened by watching this with headphones was the audio in the telephone scene between Patel and Kingsley, when Patel spoke the audio only worked in the left ear whilst when Kingsley spoke it was in the right, a neat little detail. I liked the use of split screen, extreme close ups on Benedict Cumberbatch and split screen, all added a lot of personality. My few problems are the lack of proper characterisation and the ending being in my opinion very random and too ambiguous, making everything feel pointless. Pretty good overall but I do think the lack of depth or personality to characters in all of these is a hinderance and shows like Love death and Robots have proved you can have great in depth interesting characters within a short runtime.

THE WONDERFUL STORY OF HENRY SUGAR

The final short film I watched was the longest and arguably my favourite, this and Poison sit around the same level. I enjoyed how this one opened with Roald Dahl and had the most natural use of him compared to the randomness of the Rat Catcher. I thought this one as usual excelled with the more meta elements like showing the audience clearly everything is a set, having stagehands helping and even having a mistake of a character wearing the wrong moustache and having to change it. These small details add so much personality to all of them besides the Rat catcher which avoided this technique strangely. This definitely had the best story and a bigger focus on character, including a full character arc. Dev Patel proved himself again as a charismatic narrator and needs to be in more of Wes Anderson's work, fitting his style perfectly. I really enjoyed the ending of this, a fun montage of Benedict's different allies he dawned and it ends on a great message about helping others and learning his own selfish ways. My main problem with this arc he goes on is I don’t think the short made Henry Sugar selfish enough in the beginning, he never felt evil or mean.

Overall I think these short stories are all fun and well made, I believe The Swan is the weakest and has a very messy tone with uninteresting narration but besides that they are all quite entertaining and pretty good.

[alexstorm]

Hahah imagine Alex being jealous of Jonny Greenwood, especially considering their relationship with Radiohead 🤭 and If PTA called Alex, he’d faint 🤭 first because he’s a great filmmaker second because Alex has said he was listening to a podcast interview with him so he’s a fan. I wonder what’s his favorite PTA film, probably Boogie Nights lol. Also if he had worked with better “filmmakers”, he definitely would’ve had some connections to the film industry. I mean Richard Ayoade isn’t really considered “Hollywood” so Alex should’ve made some connections through Arielle 😬🤭😂

Ey, don't diss Boogie Nights! That film is awesome!

And that was my point with the TV reference. He only made TV connections through Arielle. Maybe Tom Hanks through his son but he mainly met TV actors in that time.

Richard hasn't done any directing work since 2013. Not sure he even would call himself a director anymore.

[skylarbee]

if you want to find out more about these two here's a super interesting interview with them:

Periscope up: Richard Ayoade and Alex Turner unite their talents in hot new Brit flick Submarine | The Independent | The Independent

also, i can't remember if it's in this that they talked about it or not, but i remember reading somewhere that the cornerstone mv idea came to them in richard's living room, where alex practiced the piruette and all in front of richard, but could never finish the whole song because they were laughing too much. and if you know anything about richard, imagining this scenario is the best thing on earth. i would pay a great sum of money to listen to these two ramble on for hours about nothing in particular and about subjects i don't understand, and i would still be fascinated.

Rewatched Submarine since it’s finally back on Netflix in England. And wow first off I forgot how funny it was but also….

I can’t help but laugh at the idea that Richard Ayoade picked Alex to soundtrack the album because Alex like Oliver Tate is an autistic only child who reads the dictionary and listens to French crooners.

[acompleteunknown2024]

for me, the hard part has been reconciling the image i had of his work - as profound, and unique, and showing a rare depth of outlook - with a now-exposed point of view that is not only hateful and bigoted, but also seems so philosophically empty and pointless and banal. it feel like a very silly thing to take issue with when the actual problem is the profound bigotry on show. but still, i now find myself regarding richard ayoade's work with so much less grace than i used to like. a week ago. and it's been pissing me off, not just that he would see this sort of hate as appropriate, but that he would see an ideology so empty as spiritually viable. and i imagine other vile things he could have done, and this one is just so stale. it's a detached and uninspired endorsement of a pointless ideology. and here are these films i feel in love with the soul of, and now they feel much much flatter. somehow that's the part that's killing me

you nailed it yeah i've been turning over similar thoughts in my mind as well. i honestly don't know what my relationship to his movies will be from now on.