#rich white guys

[honeysucklepink]

Man, I know the Masters at Augusta National goes against everything Tumblr believes in, but dammit there’s just some thing about having it on in the background as ambient noise, hearing the birds tweeting, the dulcet tones of a commentator, all while eating a pimento cheese sandwich.

[egophiliac]

bring your son to work day

[evergreantrees]

[maimreddwhite]

what does this mean

[kittykatninja321]

The Gotham Knights social worker arc is a perfect example of what I mean when I say that I enjoy poc Jason headcanons but adding a racial dynamic to his and Bruce’s relationship makes me want to scream and cry and throw up

[littlefankingdom]

The Fandom: Try to force traditional family roles and the nuclear family's format on the found family that is the Batfam. Cannot accept Barbara and Steph as Batfam's members because "they're not Bruce's daughters!". Cannot accept that characters that aren't Bruce's children wear bat symbols (pls have you ever consume any Batman media??? The bat is a symbol, it's not about Bruce!!!) See Damian and Dick having a deep relationship and it must be a father/son relationship!

The source material: Bruce LITERALLY telling Damian that the bats living in the Batcave (and Gotham as a whole?!) aren't his pets, they are his family. His nuclear family got killed in an alley, wild animals are family too now.

[grimmcheems]

Idk lmao. This was originally a drawing of Kaiba wearing the skull of a blue eyes like a medieval au or something, very much was inspired by Cubone but it didn’t look right with the proportions and was ugly lmao. So then I used the same canvas and made this instead, which I somewhat like better, but I still got to include my og idea as a lil doodle with him in an outfit instead. Also meatball Yugi who👁️😂

Also I added those nails in last minute bc I thought it’d be funny but like they actually slay?!!?!😔🩵💙or maybe I’m delusional.

[therebelcaptain]

diego luna not getting nominated for andor is my villain origin story

[beesechurgerzz]

favorite loser guy <3

[marshcap]

*casually reappears on this platform after years*

[leclercskiesahead]

Okay husbands

[overleftdown]

saltburn and privilege; an investigative tangent

god, where to begin.

i've seen a lot of people discussing this moving and specifically using the word "privilege," along with power, dominance, desire, control, greed, etc. me included. these are all very essential aspects of this movie. what i want to focus on is emerald fennell's nuanced portrayal of how different types of privilege interact. which one trumps the other? which types of privilege are more visible, while others are more subtle? what differentiates different levels and layers of privilege?

when emerald fennell describes the core of this movie, her inspiration for this script, she talks about desire versus untouchability. she chose the most absurd type of wealth to represent untouchability: the british aristocracy. old wealth, generational wealth, so far removed from the majority of their ancestors' sins that they can arguably ignore that the money they're standing on is dirty. and they live in fucking castles. this is one of the most unbelievable, gaudy, visible types of privilege you can imagine. everyone is entirely aware and feels entirely justified to call attention to this type of privilege.

oliver, being the main character, might be considered the least privileged within this movie. i'd like to take a critical look at this. this movie is not a straightforward class commentary; there is no traditional "the poor eat the rich" dynamic. because although some people perceive oliver as the least privileged character in this movie, he is incredibly privileged. oliver comes from a comfortable upper-middle-class home in the suburbs. oliver has two loving parents and two sisters. oliver is white. oliver is a man. interestingly, from oliver's perspective, he's not privileged at all. he hates the cattons because they are more wealthy, more comfortable, more untouchable. this extends to venetia and farleigh, even though oliver has applicable layers of privilege stacked above even them. he knows he has a certain type of power over them... yet he still hates them because they have one type of power he doesn't have.

that brings me to my next point. the existence of one type of privilege does not negate the effects of another, entirely different, type of privilege (or marginalization) [quote]. this is what venetia and farleigh's characters draw attention to. venetia experiences some of the same struggles as many women; she is ignored in her own household, perpetually existing within her brother's shadow (rosamund pike once lovingly pointed out that venetia does not have a single conversation with elspeth in this movie). she's insecure about her body and her worth, so she takes what little opportunity she has to use felix's friends as a form of self-fulfillment. farleigh is not only half black, but he's also queer, non-immediate family, and unaccustomed to english culture (specifically this type of english culture). farleigh is, in some ways, more financially unstable than oliver's family because his mom was too sheltered to understand money and his dad is, apparently, "a lunatic." (that's not to say farleigh isn't economically privileged because oh boy, he absolutely is).

this movie doesn't intend to incite pity from the viewers for any of these characters, and it generally doesn't. oliver is pathetically greedy, ungrateful, and desperate for a chance to lick the boots (or bathtubs) of those above him. venetia is pathetically bored of the privilege she does have yet is still so entrenched in emotional turmoil due to other areas in which she is marginalized. farleigh is pathetically attached to uninterrupted comfort and arbitrary white-centric expectations, constantly running from or attacking any threat of struggle. none of these people understand, comparatively, what the less fortunate experience. they are so ignorant to the bubble they exist in and just how grateful they should be for what monumental privileges they do have. but... felix.

felix is the epitome of privilege. oliver is specifically obsessed with felix. just like oliver, felix is a white man. but felix is more wealthy, more comfortable, more untouchable than oliver. oliver isn't as infatuated with farleigh and venetia because he's fully aware of the privilege they lack. he's fully aware of the privilege he holds above them, and he enthusiastically uses this power he has against them. to be in the position of oliver is to be consumed by jealousy and greed so bottomless that you will assert your dominance over any group that you're able to. felix doesn't need to do this. he's been handed every privilege under the sun and therefor welcomes the less fortunate with childlike interest and an equally childlike attention span. there's an aspect of farleigh and venetia's marginalization that is so invisible, so quiet and unassuming, that felix doesn't even notice it. he can't possibly be confronted by it. to be in the position of oliver is to understand what power you hold over others, because there is always more power to have.

racism, sexism, wealth, power, control, desire. there are so many facets of this movie that come into play. it may seem overwhelming, but this is... how things work. commentary on wealth is, and should be, equally a commentary on other areas of privilege. to be black and wealthy means different things than to be white and wealthy. to be a wealthy woman means different things than to be a wealthy man. to be rich to some also means you're much less rich than others, unless you're the richest person in the world. and, as this movie so beautifully portrays, to be richer than most doesn't make you less messy. the catton family is an ugly one, but also a complexly human one. each catton (or start) is jealous of someone else for another reason. each catton is emotionally damaged or incompetent for another reason. each catton has a different layer of privilege over the other. and each catton loves everyone in saltburn, because this is still a family, albeit a terrible one.

[oldbutchdaniel]

i think some people (especially on this web site) interpret succession the same way that people would interpret, like. glee. or bbc sherlock. or any media in the past decade-ish before queer characters and couples were more common in media. in the way that essentially boils down to “popular entertainment is so heteronormative, i need to hunt for clues that show the creators know gay people Exist beyond homophobic stereotypes” because that validates the queer person watching and any potential queer readings of the characters. and that period of time is still SO fresh, and queer representation in media is still not what it could or should be. 

but it’s just interesting and i think kind of unfruitful when people interpret the scenes of this show as clues or proof that greg is gay irl or something.

not only is that just patently Not The Point Of The Show, it’s also like. we don’t need to see a scene where greg comes out as gay. his dad who abandoned him was gay. logan calls every one of his family members a faggot if they do something he just slightly doesn’t like. tom asked greg the first day they met if greg would kiss him as a power play or plea for affection or a sign of his latent sexuality. etc etc etc. and all of these connect inextricably to the show’s actual themes and message. what exists in the show already is so much more meaningful and complex than any cumulative “proof” could be, and i think interpreting it as such undervalues the show’s thoughtful writing. 

[sv5sam]

Can't move past the shit lando said tbh cuz wdym it's an honour to meet a racist islamophobic xenophobic misogynistic bigot with multiple criminal cases against him ??

Also what happened to "keep politics out of sport" or is it only okay when it's a white man

Anyways fuck Donald trump fuck Zac brown fuck Mohammed Ben Sulayem and fuck lando

[darthpastry]

So like… why didn’t Ricky help any earlier? He would’ve been the first person to hear the screams and he didn’t know it was the Dot and Bubble, and everyone was following him, why didn’t he just toss it up and warn people? How come the only time he helped someone was when they were right in front of his face?

[hadesknockedupintheunderworld]

"We need more messy/awful/cringefail female characters!"

You guys couldn't even handle Wanda Whipple...