#and a lot of their background lore has changed.

[ryin-silverfish]

Sorry for the very late reply: I stayed off Tumblr for like, a month or so. But this is a long reblog with a lot of interesting points I wanna respond to.

Honestly, the most common form of JCT doesn't stem from A Chinese Odyssey. It's inspired by the webnovel that's kinda a fanfiction to said movie, Biography of Wukong.

The predecessor to BMW, Asura Online, takes a lot more inspiration from the webnovel than its spiritual successor, and even tho BMW isn't trying to be a direct continuation of AO, I would argue that some of its themes and worldbuilding still slipped into BMW.

You mentioned not seeing JCT in the game according to my definition, and I feel like it's a matter of exposure. For someone who has Chinese as their first language, they are gonna to be 1) exposed to a shit ton of JTTW media, and 2) see a lot of interpretation about the novel proliferate that an English audience is completely unaware of.

BMW is not the most extreme or common form of JCT, but the general ideas are still recognizable. Like, just because it doesn't make all the gods evil, or all the yaoguais innocent victims, doesn't change the fact that the main narrative is still one of Oppressive, Conspiring Pantheon vs. Oppressed Yaoguais.

(Example: the lore entries' implication about Lingji and the Yellow Wind storyline is that Lingji is creating the weird stone Buddha heads and the Fuban yaoguai to 1) collect Lingyun, the "soul" equivalent, and 2) artificially create a threat so that he can rescue the Flowing Sands kingdom from it and convert them to Buddhism.)

(Instead, the Yellow Wind Demon became the rescuer and the kingdom started worshipping rats, which was why its people were all turned into rats.)

(Or, the most obvious one: the Western Heaven's genocide of the Yakshas in the Bull King family backstory.)

(As for Erlang: why do you think you find him inside a painting, which, according to the lore entries, is implied to be the result of him asking Maitreya for refuge from the Celestial Realm?)

And it's made even more jarring by the fact that the game wants to create a facsimile of the original novel through quoting its poetry and imitating the vernacular novel dialogue style, and make allusions to SWK's role as the Mind Monkey, without realizing how it conflicts with the Biography of Wukong-style interpretation.

You mention the lore entries, and that's actually my favorite part! Both the Ming-print style illustrations, and their simulation of the Zhiguai short story style.

But, again, there is a dissonance. The funny and strange Zhiguai-style entries are noticeably different in tone compared to the "main storyline" entries about major characters and backgrounds, which is written like modern short stories instead of a classical Chinese text translated into Mandarin.

And my problem is not that the adaptation is different, that it may want to change the allegory or reinterpret the themes for a modern audience.

It's the feeling that they want to have it both ways——be faithful to the novel (or at least create a facsimile of faithfulness), yet also stick to the Bio of Wukong style popular reading that proliferates in modern JTTW media for mass appeal.

And to me, the dissonance in the two narratives weakened the thematic coherence. Frankly, if it sticks to one or the other, I wouldn't have been writing these critiques: if it's a proper exploration of the original novel's allegorical themes, I'd be praising and loving it, and if it's JCT thorough and thorough, I'm just going to be like "Yeah, not for me" and leave it at that.

But it's this mixture of things I love and things that frustrate me that drives me to write and get down to the bottom of those conflicting feelings, which has little to do with JTTWR's original posts and his attitude towards adaptations.

Lastly: I'm very much coming from the perspective of a native speaker complaining about Chinese JTTW media and popular interpretations. My own opinions are not mainstream in the Chinese JTTW fandom either——JCT is so popular precisely bc it has mass appeal.

Just a thing to keep in mind.

I'm a Theravada Buddhist. I saw many people interpreting the story and meaning behind Black Myth Wukong, differently. But I hope the devs team didn't intend to insult Buddha Dhamma by recreating this new story and distort the meaning of Buddhahood or Enlightenment itself..

I don't know if they intended to insult Buddhism, but I can say that their presentation of Buddhism in the game is disrespectful.

@ryin-silverfish recently posted a wonderful essay on what's known as the "JTTW Conspiracy Theory," which is a method of interpreting the story by twisting details, making the heavenly hierarchy look evil. The game follows this method. I recommend that you read the essay:

I unknowingly ran into the JTTW Conspiracy Theory a couple of years ago. A Chinese article claimed that the Buddha lies in the novel. This is my rebuttal.

[serpentface]

Palo and Tigran standing casually in place to provide an outfit reference.

They are wearing the most typical day to day clothing for Galenii monks. This consists of three main parts:

-A simple, ankle-length sleeveless robe (white in initiate monks and black in the fully initiated). -A dark woolen cloak, which doubles as a blanket. This cloak is the foundational item of clothing throughout much of Imperial Wardin as a whole, and worn by all social classes. They tend to be cut shorter and highly decorative in the upper classes, serving only the practical purpose of shielding the arms from the sun. Poor laborers may wear only the cloak and a loincloth and nothing else. In the case of Galenii monks, it is standardized, simple, and dark blue-gray. -The sash. This is a very long scarf that is the primary visual signifier of a Galenii monk. Its open ends drape down the front side of the body and are tied at the chest. It is slung over the shoulders and hangs in a loop around the back. These sashes are dyed an expensive royal blue, indicating the significance and relative esteemed status of this religious order.

Additional elements:

-The sign of the horns: a small iron pin used to fasten the cloak. This is the symbol of the Lunar Face Of God (the specific aspect to which the Galenii are devoted, which is primarily associated with fertility and the cycles of sacrifice and rebirth). This is very common among monks but not standardized wear. Galenii priests wear the sign of the triple horns (though more commonly as an amulet).

-Ear piercings: Galenii monks and priests wear thick earrings of dark meteoric iron and stretch their earlobes. One is added to each ear for each year of the initiatory process. Palo is a year in, and Tigran is fully initiated and has five bands per ear. Body modification is exceptionally rare in Imperial Wardi culture, largely in relation to taboos surrounding body integrity. The exception here is done with great significance and care- these earrings can be made only with true meteoric iron, considered to be the blood of God Itself. Permanently marking their bodies with this metal signifies this priesthood's integral connection to maintaining the continual cycle of sacrifice/rebirth that is believed to keep God's domain stable, and binds them to this role.

-Sandals: usually very simple in construction. Monks are often expected to go barefoot, but the cities are quite dirty so most prefer to avoid this if possible.

-Ceremonial dagger: a sign of a fully initiated monk. It is curved and its sheath is decorated with a tuft of lion's mane (a signal of the Galenii order's close connection to the Odonii order). Most of its uses are ceremonial, but it will be periodically used to perform animal sacrifices. A smaller razor blade is kept in the home for personal bloodletting.

-Hair: Fully initiated monks shave their heads, while those in the process of initiation have relative freedom with hair dressing. Palo is wearing his hair in a single braid tucked around the front. Broadly speaking, braiding the hair is associated with female beauty standards throughout much of Imperial Wardin (though generally in two braids). There is no cultural convention Against men doing so, but it is regarded as mildly effeminate (particularly in the south and southeast).

-Lore Friendly Sunglasses: Palo has photosensitive epilepsy. No effective treatments for epilepsy exist in the setting (most 'treatments' in Imperial Wardin are alchemical in nature, ie: ambiguously helpful at best or literal poison at worst), but understanding of the Nature of epilepsy as a neurological disorder is relatively accurate, and the concept of photosensitivity is loosely understood (though not with great accuracy, it's assumed to be caused by light in General). Palo had this pair of (VERY expensive) sunglasses commissioned as a youth, which Do slightly reduce the frequency of his seizures. Devastatingly stylish as they may be, his glasses do not offer much visual clarity so he only wears them in bright conditions.

[unanchored-ship]

Pedraza's Bunny

[aha-chuu]

I love the absolute disparity in star rail's approach to aventio's canonical power levels

This comes up because I was thinking about Ratio, who despite being a good DPS is not actually intended to be a strong fighter in the lore at all. Like, he has no weapons training to speak of, no inherent powers as far as I can tell. He's physically stronger than an average person in our universe, but he should lose most fights we throw him into in game on account of trying to hit mechs with chalk or, at best, a book.

His ultimate move - the one with the Latin voice line where he drops a tower on the enemy - the translation of that is about perception changing reality. Basically, when he tips his hand from far away, it looks like he could crush the enemy under his finger. He's not actually summoning a tower here.

And then you have Aventurine, who (despite not being as buff) is a good fighter in every sense. He has actually got more legitimate hand to hand combat experience for one, but with the cornerstone he does have actual magical abilities that let him stand against the trailblazer squad before Acheron stepped in.

In the meta, Aventurine is the support and Ratio is the main fighter. But in the lore - both ability wise and in story content - Ratio is absolutely the support. He's moving around in the background to help with Aventurine's plan, he's not directly getting involved in the fighting, and he's the one trying to protect Aventurine with that final Doctor's note about the dormancy.

And like. You're not supposed to take either of their combat abilities too seriously. Like Ratio throws the chalk for a follow up because it's funny, unlike when svarog shoots missiles to protect Clara, or Blade slashes the whole field. Even Topaz throwing Numby is a more realistic reflection of what she'd actually do in a fight. Meanwhile, Aventurine's abilities are not funny, really, but they're all so thematic that it's hard to imagine he has the genuine capacity to summon a giant roulette wheel to stick the opponent inside.

And a lot of the characters have abilities that do make more sense for their in game capabilities. Like, Seele and Jing Yuan and Acheron are canonically fighters, so of course they can beat up the enemies as main DPS. Bailu and Natasha are doctors so they heal.

(Ratio is also literally a medical doctor and does not heal.)

And anyway I find this objectively very funny. My guy was involved in Aventurine's insanely dangerous plan in close quarters with Sunday, the main problem, and realistically his only means of self defense was jumping behind aventurine or trying to concuss Sunday with an encyclopedia. Even though we know Ratio is great at designing weapons, there is not one lick of evidence that he a) uses them himself, or b) would be any good at putting them into practice.

I get Aventurine had other things to worry about that whole time, but Ratio is not a good liar (he breaks character like three times in the quest 😭) and really realistically could have gotten them both murdered. I guess we were relying on the aventurine magic luck for that one.

Also if we're being lore accurate, every aventio bodyguard au is doomed if Ratio is the bodyguard.

[luvinescent]

Entangled Fates

Pairing: Robb Stark x fem!Targaryen!Reader

Summary: The Targaryen name has brought nothing but misery to Y/N— her half-blood placing a curse upon her. She's observed the toll her presence takes on the people she loves; no longer wanting to form a close tie with anyone. Nevertheless, her heart steered its own course. And it steered towards a certain man.

Warnings: angst. allusion to r*pe and death, nothing descriptive. a steamy make-out scene but nothing crazy. not really book or show accurate but f it we ball. also fluff. also reader has dark hair so just pretend u do if u don't xoxo.

Word count: 10.1K (beginning just has lots of background lore pls bear w/ me)

In life, there are those destined for lavish living and those made to struggle to see their next day. From a young age, Dorea knew she fell into the second category. She grew up orphaned; never knowing the love of a mother or a father. Despite the fact, Dorea was strong willed; she found her own kind of love. Love for herself, love for her friends, and love for her life. She knows that she did not have the best life; her dresses had holes in them, she had to work from dawn to dusk, and she often would need to go days without eating. That ultimately changed the day a close friend of hers had come to her with a new line of work.

“One of the castles maids was executed, so her position is open to take”.

Looking back, she should’ve said no from the way a chill went up her spine. She had heard the rumors of the king having gone mad; but at the time, that was not her problem. Being a castle maid sounded a lot better than being a candle maker. All she had to do was clean the chambers and mind her business and pay would be given to her. The task sounded easy— it should’ve been easy. Dorea had ways of not drawing attention to herself. That is how she has made it this far in her life; from hiding. The peace of obscurity brought her comfort; being anonymous was a safe refuge that protected her from prying eyes and the entanglements of wicked connections. The girl was pure and innocent.

Yet, fate, with its twisted sense of irony, had other plans.

She truly had done all she could to stay out of the eyes of the royal family. She should’ve been more careful, more attentive, more aware of the eyes that followed her unknowingly when she walked the halls. Her foolishness had caught up to her one day when a guard had dragged her to the throne room; thrown to the ground to kneel in front of the king, Aerys II Targaryen. Dorea was ready to open her mouth and beg for forgiveness on whatever crimes she had committed but was silenced in fear. “You will meet me in my chambers tonight”, he said. Dorea could do nothing but nod as she could not go against the kings’ words. The only thing she could do was look to the Hand of the King for some form of help, but they stood muted. Moments later, she was whisked away by some female servants— some of them her own friends— and was prepared for the event. She was washed and dressed properly; never have been so physically clean yet so dirty internally.

Later that night, her virtue and gaiety of life was destroyed when the king came and took her. She had prayed to the Gods that it was only a one-time thing. But the Gods seemed to find her plea a joke. The king would request her presence many more times and many more nights afterwards. Her position as a maid in the castle vanished overnight. Now, she stood as something different; still, she did not know exactly what. All Dorea knew was she felt shame as those working in the castle started to treat her different, with more respect and caution. She dreamt every night for this nightmare to end, but it only continued.

“The girl is pregnant, your grace”. The maestar told the king. Both fear and relief spread through her body. Fear in the sense that the king would have her eliminated to hide such sin, and relief that he might just send her away forever. It had to be one or the other; from what she has seen, the queen is currently pregnant as well and due in a few moons. Furthermore, he already had two children born, why would he need her? Her thoughts were interrupted by the third alternative she had feared the most, “You will continue to stay here. You will have the child”. Later that night, Dorea prayed once more for all this suffering to end. Finally, her prayer had been answered in the worst way possible.

She had heard the talks of the rebellion, but she never thought it would come to where she resigned. The king’s heir was now dead, along with his wife and children. The queen was now dead; dying from childbirth. The middle child and newest member of the royal family had been sent to exile. And the Mad King was now dead as well; stabbed by a member of his own Kingsguard.

Death and misery surrounded Dorea everywhere.

For her own safety, and her chance once again at freedom, she did what she knew she had to do. She ran away.

Dorea took refuge in a small village that resided in the Reach. Selling all the gifts and jewelry the king had bestowed upon her; she and her unborn child were set for life. A few moons later, Dorea gave birth during a warm summer night. As she held the newborn in her arms, she thought the Gods had finally decided to take pity on her and grant her some kindness. For starters, she had given birth to a girl. Dorea was thankful in the sense that the child would not be seen as a threat to the line of succession of the Iron throne. Additionally, the babe had no features of a Targaryen. Caressing the small amount of hair on her daughter’s hair, she was given hair as dark as night instead of the silvery-gold feature of her biological father. Dorea let out a sigh of relief once the girl opened her eyes— no violet eyes either. Pulling the babe closer to her chest, she gave a quick prayer and smiled down at the sleeping babe.

Dorea named her Y/N.

As time passed, Y/N quickly grew before her mothers’ eyes. Both her and her mother were beloved by the village folks— Dorea giving money to those who were in need, and her daughter who was tenderhearted and befriended all. No one in the village had known about Doreas’ past or Y/N true linage. And Dorea wanted to keep it that way. She, however, knew that one day it would all come back to bite her. Despite having run away, she knew that there were some people who knew of their existence. It did not help her case more when Y/N had begun to show a great fascination with fire; something the mothers of the village made jokes about, but Dorea knew the truth.

“You have dragon blood within you”, Dorea had whispered to her daughter one quiet night. “You are part Targaryen, but you must keep this a secret. I am only telling you this for your own safety. There are people in this world who will want to hurt you, to take you away from me. Do you understand darling?”. At just the age of eight, Y/N was smarter and brighter than her peers. Hearing such solemness in her mothers’ voice, she nodded, “Yes mother”.

Such a topic was dropped and never brought up again— that was until Y/N turned ten. Since Dorea had the funds, she had hired a tutor for the young girl. Y/N’s instructor was a retired tutor who had taught many kids from noble homes before moving to their village. The old man was just supposed to teach her simple things like language, arts, music, and maths.  Without her mothers’ knowledge, Y/N brought up the topic of history to her teacher, particularly the history of the Targaryen household. And that’s where everything started.

It was one calm afternoon in their shared bedroom when Y/N had asked the question. “Mother, am I cursed?”. Dorea, puzzled, stopped brushing her daughter’s hair and turned towards her, “What kind of question is that?”. Y/N looked sheepishly to the side and confessed everything, “I have been learning history with my tutor. Targaryen history”. Before Dorea could respond, the young girl continued, “You say I am half Targaryen, and based upon their history, I must be cursed”. Dorea questioned what she meant and then let out a loud laugh at her daughters’ answer: “I have black hair mother”.

Dorea caressed her daughters face, smiling and shaking her head, “Darling, your hair color does not mean anyth- “.

“But its true mother!” Y/N exclaimed, “It is shown all over their history. Rhaenyra Targaryen’s eldest sons were born with dark hair, and they all died before they could reach adulthood. Rhaenys Targaryen was known as the “Queen Who Never Was” and saw the death of her two children in her lifetime. Rhaegar Targaryen’s daughter was killed in the sack of Kings Landing. Valarr Targaryen was- “.

“What does any of that have to do with you?!”, Dorea shouted out, startling Y/N. The young girl felt tears come to her eyes as she hid herself in her mothers’ embrace, muffling her words, “They were not pure Targaryen. I am not a pure Targaryen, mother. I do not wish to fall to such misfortunes”. Dorea felt her heart break at the sound and thoughts of her daughters’ troubles. Shaking her head, Dorea raised Y/Ns’ head and looked straight into her eyes, “You are not cursed. Their misfortunes are not yours. Do you hear me girl? This is your life, and you control it”. Y/N could do nothing but continue to cry. "It's okay, sweetheart," her mother whispered, her voice a tender melody that carried reassurance. Dorea cradled the young girl, whose sobs softened but still lingered, the remnants of a storm that had raged within her fragile heart. “I will protect you no matter what”, she declared.

Y/N would forever remember that loving moment, amongst the many others she shared with her mother. While Dorea had said she would do anything to protect her, Y/N should’ve said the same thing back. Yet, fate, with its twisted sense of irony, had other plans for the daughter. Not even a month later, Y/Ns’ mother died, succumbing to a mysterious illness that took her in a matter of days. It felt as though the moment she acknowledged the said “curse”, her world only came to be filled with hurt.

Being only ten years old and now orphaned, the people in the village were kind enough to take the girl in. Specifically, it was a family of three that consisted of a father and mother and a son her age who took her into their home. The boy, named Tomas, had always been a close friend of Y/N. The two would spend many days together, playing and running around in the meadows. He would pick flowers for her and in return she would do the same. There was even one early morning when the two stood by their village’s lake and shared a kiss with each other. Despite still being a child, Y/N felt as though she was feeling the love that was described in the fairytale stories her mother used to read to her.

Sadly, that love was taken from her as well. At the young age of one and three, Tomas had somehow fallen and drowned in that same lake. Y/N had never heard such a devasting scream as Edith, Tomas’s mother, held her dead son in her arms. The village was both in mourning and in query; Tomas had been taught to swim at the age of four, how could this have happened? No explanations were thought of, but Y/N had her own belief.

I’m cursed, she would toss in turn in her bed at night, I am cursed.

Two more years would pass by, and no other unfortunate incidents would have occurred. But there is always calm before the storm. One day, something within Y/N had made her go explore the small forest that was near her village. It was nothing out of the ordinary; she had done it many times before. Yet, she stayed exploring for hours before that same voice within her told her to return. Upon seeing her village within the distance, Y/N should’ve never listened to that voice. She wishes she could’ve stayed back and continue being ignorant of everything. Her village— the homes, the crops, the trees, everything, was up in flames. Running down the dirt paths, Y/N did not have time (nor did she want to) to acknowledge all slaughtered men, women, and children that laid on the grounds. A small amount of hope had sparked within her when she saw that her home was not ablaze. That hope died upon entering the residence— Y/N crying out in distress at the sight of Edith, the women she had come to see as her second mother, dead on the ground. Her sadness was turned to fear when she spotted a large man in the corner, angry and hungry for blood. Before the crazed man could run at her, he was tackled to the ground by Lance— Edith’s husband and her adopted father. He was clearly injured; covered in blood from head to toe but still had the strength in him to scream at Y/N, desperation laced in his voice, “Run girl! Run and do not look back!”. Y/N, not wanting to witness his clear end, quickly listened to his order and ran out the door, trying her best to stay out of sight of all the other savage men as she made her way out the village.

She must’ve ran for hours before she knew she was no longer in danger. A day or two of traveling passed by before she took residence in a small city. That same night, under a dirty bridge, she finally acknowledged all hell that had occurred to her within the past forty-eight hours. The dams broke as she cried and screamed out in sorrow and pain. She cried, and cried, and cried until she had no more tears to let out; now consumed by numbness. Her mother, her first love, her caretakers, her childhood friends, her home; had all been taken from her. What had she done to deserve this? With her heart broken into millions of pieces, Y/N decided that she wouldn’t live like this. Never would she fall in love and never would she form a deep connection with anyone again. She wasn’t going to let herself be tied to the Targaryen name, to its blood, nor its curse. She wasn’t going to let this curse win and see her suffer again.

And so, she did; well, she tried her best at least. With the little money she had on her, Y/N jumped from village to village, city to city, and made sure not to socialize with anyone. There were some instances of people trying to get to know her, boys trying to court her, but she wouldn’t stay very long and would be gone the next day. It was a lonely life, a life she despised but knew she had to endure. That changed a bit when she came face to face with a woman with a fair complexion and silver hair.

Daenerys Targaryen. The “Mother of Dragons”. Her older half-sister.

Daenerys had always known about her half-sister’s existence; her older brother one day rambling that the throne belongs to a true Targaryen and not the current usurper, nor the “Targaryen-bastard filth” their father left behind. At first, Y/N was wary of the girl but soon found herself becoming fond of her presence. Daenerys felt the same way; with no family left on either girl’s end, they quickly found solace in each other— treating one another as the sisters they are. It was strange at first for Y/N; getting used to now having family once again and the companionship of dragons that came with it. Initially, she was terrified at the sight of the foreign creatures but quickly came to love them and their beautiful nature. She became quite close with the one called Rhaegal, favoring the dragon over the overs. Rhaegal doted and protected the girl the same; but still recognized Daenerys as its’ rightful mother. Y/N could say she just held the title of “favorite aunt” now amongst the creatures.

The thought of the curse still weighed heavy in the back of her mind, but Y/N hypothesized that whatever superstition was out to get her would not harm her sister; a true (and last) Targaryen. Y/N immediately recognized Daenerys as her queen and vowed to help her reclaim her throne. For some time, Y/N felt happiness once again entering her life as she spent more time with her sister and her allies. That bliss, however, turned out to be false hope.

“When the time comes and I reclaim my throne, I will legitimize you as a Targaryen”, Daenerys spoke to her one night. Y/N wanted to decline right away; she was content with not having a household name and did not want to be associated with the Targaryen name. Before Y/N could speak, Daenerys looked shamefully down while holding her sister’s hand, “There is a reason why I came looking for...”. Y/N felt a chill run up her spine and quickly encouraged the Mother of Dragons to continue. “I am unable to have my own children. When the time is right, I will need you to find a man, any man of your choosing..”, Daenerys sternly said as she looked into Y/N eyes, “I will need an heir to inherit the throne and continue my family name. Do you understand sister?”. Daenerys felt guilt creep up inside her as she finally confessed her true intentions from the start of meeting Y/N. She was asking too much of Y/N but, she, however, was on a mission to reclaim her birthright no matter what. Y/N stared agape at her, no words coming from her mouth. She wanted to decline even more— but, looking into Daenerys eyes, she saw the graveness within them and the true tone behind her words. She was not asking this of her as her sister. She was commanding this of her as her queen. And Y/N would do anything for her rightful queen.

“Yes, sister. I understand”. Y/N now found herself tied to the Targaryen name. Something she vowed never to be but couldn’t escape.

As time passed by, Y/N kept her promise and stood by Daenerys side as she continued her conquest; now finding herself at Dragonstone, her sister’s ancestral home. The preparations and campaign for Daenerys claim to the Iron Throne was in full effect but was interrupted momentarily.

“The King in the North?”, Daenerys questioned one of her advisors who came bearing news. “Yes my Queen. He sent a raven— detailing that he wishes to speak with you”. Y/N, standing off to the side, expressed her thoughts and question, “I had heard that the King in the North was dead”.

“As did I”, Daenerys said sharply. The man before them nodded his head, “Yes. There was an incident that had occurred that made everyone believe he was dead. But he is very much alive”. Daenerys raised her eyebrows up, skeptical about this so called “King in the North”— “And he trusts me with the information of his false death?”

“Well, according to his letter, yes.”

Y/N and Daenerys turned, staring into each other’s eyes, speaking with them. Not much emotion was shown behind Y/N eyes, but she was able to express with them, “What harm is there in seeing what he wants”. Sighing, Daenerys nodded her head and agreed with her sister.

“Send a message back. Invite him here and let him know I agree to speak with him”.

A few days later, Y/N stood on the shores, waiting to welcome her guests on the request of Daenerys. Once she saw the boats pull up on the beach, she made her way but stopped in amazement. Out from one of the boats came a large, thick furred animal— a dire wolf. She had only ever heard about the mythical creatures and now she was in close distance with one. Dragons and now dire wolves; she held a small smile on her face at the uniqueness that was the world. Clearing their throats, the two guards behind her had snapped her out of her daydream, reminding her of the task. Standing tall, Y/N put on her best welcoming smile and stood in front of the party, “Welcome to Dragonstone. I have been sent by our rightful Queen to give our greetings”.

Y/N voice had started loud and clear, but slightly quieted down towards the end as she made eye contact with a man. A very handsome man to be exact, she thought to herself. He stood tall and strong, a lean build with dark curls and blue eyes as blue as the water behind them. He smiled at her and before he could open his mouth, the older man next to him spoke up. “I present Robb Stark. Heir to the Stark household and King of the North”. Y/N raised her eyebrows at the discovery of the handsome stranger being the King in the North. Turning to him, she held a sort of mischief but harsh attitude in her voice, “Is the King in the North unable to speak for himself?”

The men in front of her were clearly taken back. Except for Robb Stark who let out a small laugh. “Forgive me, my lady, I am very capable of speaking. I am Robb Stark”. He held out his hand and was charmed when she firmly grasped it and shook it; opting out of giving her his hand to kiss.  

“I am not a lady. Please, call me Y/N”. Robb was preparing himself to compliment her name but was cut off by the same man next to him. “She’s the Targaryen bastard, your grace”. Though it was meant to be a whisper for only Robb to hear, Y/N was in close enough proximity to have heard it as well. Robb swiftly turned to his advisor next to him, giving him a crude look before turning back to the girl, “Forgive the rudeness of- “

“No, it is quite alright” she waved her hand, “It is all true anyway. I am THAT Targaryen bastard”. Robb nodded, gulping as he tried to ease the tension, “I have heard a lot about you...and your sister too, of course”. Y/N wanted to let out a chuckle at the sight before her; a gorgeous man trying his best not to insult her. “And I have heard very little about you,” Y/N voiced, “Other than the fact that you were supposedly dead, which I can see you are very much alive”, looking him up and down with her eyes. Robb smiled sheepishly, scratching the back of his head, “It is a long story”. Y/N let out a “hmm” sound, looking off towards the side to the dire wolf. “Is he yours?”

“Yes. His name is Grey Wind. I’ve had him since he was a pup”. Y/N nodded once more, noticing just how well behaved the wolf was, “He’s very beautiful”. Robb thanked her for the compliment, grinning widely, “I can see you are fond of animals. Do you have any of your own?”

Y/N laughed softly, shaking her head, “No. I have children.”

Robb was clearly taken back by her words, a stuttering mess as he questioned her statement. “O-oh? You have children?”. Y/N could sense some disappointment in his voice towards the end as it cracked. Smiling, she shook her head. “No. But I do consider them children. Just not mine. I am just an aunt”. All the guests in front of her were puzzled by her words but ducked down in fear at the sound of a roar from above. Looking up, she smiled at the sight of Rhaegal and Drogon patrolling the skies.

“Seven hells!” she heard one of Robbs’ men yell out. Turning back, she playfully spoke “My children. Beautiful, aren’t they?”. None of Robbs’ men were able to agree or speak; still in shock. Robb, still looking up to the sky, laughed earnestly, “Well, they sure are an eccentric sight to see”. Y/N smiled more at his honesty, clapping her hands together, turning and speaking to the entire party, “Well. I believe that is a sufficient way to welcome you all here. Now, I must welcome you into the castle. Please come, the Queen is curious to known what it is you wish to speak about”.

Upon greeting the Queen, Robb Starks’ words and terms were clear to her. He wishes to ally with her in her conquest to take the throne and create a fairer and just realm. “We both have a clear enemy,” he spoke, “I want the Lannisters dead for what they have done to my family, and you want them off the throne entirely”. Every so often, Robb would cast his eyes off to the side to look at Y/N; something she tried her best to hide her reddening face from. “My men, though small numbers, will be yours to use. We ask that in return, once you take your rule, you allow the North to maintain a degree of self-rule. We will recognize you as the rightful Queen, but we wish to keep the North the way it is”. Daenerys nodded her head, asking her advisors for their views on the matter, and taking Y/N by surprise when she asked her as well. “As I perceive it, the North is biggest land piece in Westeros. It would be better to keep them as allies instead of fighting them off. They recognize you as Queen, and the Stark household keeps the North in check for you, sister”. Daenerys responded with another nod, showing to be clear in thought at all the opinions given to her. The Queen stood up, still not fully convinced, but could not deny all the positives of the compromise, “Very well. I will continue to think about the matter. I will let you know that my thoughts are leaning more toward yes than it is no. For now, your men must be tired. Allow my people to escort them to rest”.

Later that night, Y/N made her way down the dark halls to the one place in the castle that brought her peace. She almost let out a small scream at the tall shadow that appeared around the corner, “My lady?”. Placing her hand to her chest to control her tachycardic heart, she saw that the dark shadow was Robb Stark. “Your grace. You almost scared me to death”, Y/N laughed, “And please, I am not a lady of noble birth. Call me by my first name”. Robb returned her laugh with his own, apologizing for scaring her. “Forgive me, my lad- Y/N. I was just curious as to why you are out so late”. She nodded her head in the direction she was originally heading in, “I can not sleep so I was heading to the library to bore myself with some reading” she joked, “Is it not late for you to be awake as well?”. Robb gave a similar answer; unable to sleep and practically full of energy. Y/N looked down at the ground for a mere second before glancing into his eyes, “Would you like to join me?”. He agreed to her invite, thankful for the darkness of the night hiding his blushed face.

Dimly lit by flickering candlelight, the shelves towered, laid with books that held centuries of knowledge and wisdom. Robb made himself comfortable at one of the chairs available while Y/N opted for the window nook. “Do you come in here often?” Robb asked. Y/n offered a silent yes, trailing her fingers against the rim of the book she had chosen, “I have not been here that long, but yes. I come here every night; I tend to have trouble sleeping”.

“Why is that?” Robb questioned.

“Nightmares”, Y/N replied. Her dreams were always filled with visions of her dead loved ones.

After a pause, Robb gave a “hmm”; silently admiring the girl for not being afraid to show vulnerability. “That’s something we both have in common” he gave a warm smile. Another quiet pause passed by until Y/N looked up at him, “You say that you being alive is a long story— can I listen to it?”. Robb gave a slight nod, standing up to sit next to her in a close but comfortable proximity.

“I was to marry the daughter of someone who I thought was my ally. I agreed initially but something within me told me not to carry out my word”. He slowly reached over for the book that was in her hands, both hands brushing slightly as he took it out of her grasp, now distracting himself with it. “The wedding still went on; I supplied another man in my place. But, there was bloodshed, and I was betrayed. I barely made it out alive, along with a few other men of mine”. Inhaling sharply, he continued with his outpour, “And I’m thankful I did. I have sources that tell me that even if I went along with the wedding, I was to be killed no matter what. The Lannisters long ago forming allies with the people I thought I could trust”. Coming close to a finish, he looked into Y/N eyes, softly smiling, “I guess it was fate that saved me somehow”.

Breaking eye contact, Y/N scoffed at his words. “Fate” she said with repugnance. Her reply caught him off guard, raising his eyebrows in surprise, “You do not believe in fate?”.

Y/N took in a long sigh, shaking her head, “No I believe in it”, she gently whispered the last part, “We just never have seen eye to eye. My fate only brings me bad luck”. Robb took in her words, trying to calculate what he should say next. “I believe fate can bring both good and bad luck”, he began with, “One can say it was my fathers’ fate to have been killed, or my sisters’ fates to be held captive”, Robb swallowed thickly before continuing, “But, it is my fate to avenge and save them. It is fate that has brought me this far; that has brought me here and to you”, he slowly spoke while staring deep into Y/N eyes. She quickly looked away, hoping her face wasn’t red and was successful in controlling her facial expression. Clearing her throat, she spoke firmly, “You must be confused; I believe you are trying to woo the wrong sister, Stark. Is it not my sister who you need as your ally?”.

Robb let out a low laugh, grinning widely, “That may be true, but”, he slowly scanned the room in a playful manner, “I believe that I don’t see your sister in here at all. So, no, I am not confused. I am speaking to the right sister”. A third pause passed by as the two continued staring, wating for one of them to speak or do something. Y/N was the first— standing abruptly, she moved her hair behind her ear and let out an awkward ahem. “I believe I must retire for the night. It was nice speaking to you Stark”. Before she could make her way out the door, he called out to her.

“It’s Robb”. Turning, she questioned what he meant. Smiling, he spoke, “You can call me Robb. You say you come here every night?”. Y/N nodded her head. “Would you allow me to see you here again tomorrow? Or even spend some time with you come morning?”.

Y/N wanted to say no. She needed to stop whatever friendship (or relationship) was forming between the two before she got too close. Before her curse got to him. He had already suffered enough. Despite the fact, deep down, her own selfish desires won over. She hadn’t felt like this in forever— she wanted this feeling to last forever.

“Yes. Of course, Robb”.

Come morning, they spent the entire day together, including the night. The next day was the same. Daenerys had granted Robb and his men a longer stay as there was much to discuss. It was late in the morning that he and Y/N were walking along the shores, discussing the most random of topics. Both were making a great effort to make the other one laugh: sprouting different jokes and funny stories. They both loved hearing the sound of laughter coming out of each another’s mouths. A gentle breeze roamed the air, blowing through Y/Ns’ dark hair. Robb stood silently still, stuck in a daze and awestruck by her appearance. Swiftly, he removed his fur cloak and placed it upon her exposed shoulders. Robb gestured to the area around them as Y/N looked at him in confusion, “I thought you might be cold”. She let out a small chuckle, shaking her head but not returning his cloak back. It provided her with a sense of ease. “No,” she confessed, “I don’t run cold that easily”. Resuming their walk, Robb gave her a look of admiration, “You would do great in the North then. Have you ever been there?”.

She answered with a clear no, stopping in her path to match Robb’s sudden cease of movement. Slowly, he placed his hands upon the cloak, further wrapping it securely around her. “I believe you would love it there. Maybe one day, you can come with me to Winterfell. I would love to give you a tour and introduce you to my mother, and hopefully my sisters too. I’m sure they would love you”. No further sounds were made; the distant sound of crashing waves serving as the only soundtrack to their wordless communion. Y/N leaned slightly into him — his closeness felt like a forbidden sanctuary, a place where she found solace and belonging but knew she shouldn’t enter. Y/N only response was a gentle nod and smile.

Many heart-fluttering moments continued to happen between the two. Stolen glances from across the table, hands brushing as they took their walks, laughter and smiles shared in the dark of night. There was an occurrence in the library when Robb had urged the girl to go to bed; taking notice of her eyebags forming from their long night of talking. “I can’t go to sleep that easily. And even if I can, I just have bad dreams I can’t wake up from”, she disclosed. They sat intimately close, sharing an intense gaze, both their features illuminated by the light of the candles in the room. Y/N could see every detail, every pore, every small scar that graced his beautiful face. She was caught by surprise, her breath hitching when he gently grabbed her hand, drawing small patterns into it.

“You can sleep here if you wish. I will watch over you and wake you at any sign of discomfort”. She wanted to decline, but there was something in his eyes that was persuading her. Y/N then found herself in his warm embrace, laying her head gently on his chest. She could hear every breath he took, every beat his heart made. Sealing her eyelids, he was the sole occupant of her dreams. She had never slept better.

Daenerys was no fool to what was happening before her very eyes. Sharing a private dinner with her sister, she brought up the topic.

“So, you and the Northern have been spending some time together”. Y/N nodded; not being able to lie since there was clear evidence in front of Daenerys. “He is a good man,” she smiled, “Very kind to his men, to his wolf”, she smiled even further at the memory of Robb introducing her properly to Grey Wind. She could still hear his laughter and the concern that replaced it when Grey Wind had tackled her to the ground with wet kisses. “We don’t want to get that pretty face all slobbered up now, do we?” fondness had colored his expression as he helped her back up. The smile upon her face slipped away, a frown and more serious look taking over.

“He’s very kind to me…I don’t think I will be spending much time with him anymore though”, she held her fork tightly in her hand. Daenerys questioned what she meant by her words. “Personal reasons”, Y/N said in a somber tone, “He will be leaving soon, and I plan to stay by your side”. Daenerys nodded her head, a part of her knowing that Y/Ns’ excuse was not the full truth. It’s not an exaggeration— Daenerys wasn’t a fool. She was well aware of Y/N’s standoffish attitude; practically a hermit as she kept to herself, or Daenerys. She saw the reasoning behind it— having an understanding of her past hardships. Additionally, Daenerys once tried to comfort Y/N during a nightmare of hers, hearing the word “curse” coming out of her mouth every few seconds. She badly wanted to comfort her sister, let her know that she was not cursed— life was just not fair to everyone. Daenerys, however, said nothing. Y/N was the only family she had left, and she did not want to lose her so soon, especially to some man. Forcing a smile upon her face, Daenerys tried to hide the distaste she felt towards her own selfishness. “That is good. Family must stick together”.

As the hours slipped away, Y/N and Robb were spending their last night together in the library. Robb and his men were set to leave tomorrow— all discussions and plans made with Daenerys were finalized. Robb, sitting across the room, was enamored as Y/N read to him out loud. It was a couple nights ago that they created this little routine; Y/N would read to him, and he would give his input at certain scenes. Right now, however, he was not paying attention to what was happening in the story. He was trying to memorize her gentle sweet voice, the way her lips moved with each syllable she said. Finishing a passage, Y/N put the book down to ask Robb his view.

“I can not lie to you. I was not paying attention”. Mouth agape, she pretended to be upset, throwing the small pillow she had next to her. Robb caught the cushion, letting out a hearty laugh that rumbled deep within his chest. Standing up, he walked across the room to her, placing the pillow behind her back. He knew she liked to read in comfort. Y/Ns’ smile was warm, spreading even more across her face at the words Robb spoke next, “You have a pretty voice”. Shyly looking down, she quietly thanked him. Robb’s compliments towards her only continued, “And a beautiful face”.

Biting her lip, she was readying herself to change the topic, but he only continued more. “I remember when I saw you for the first time”, he sat down beside her, sharing body warmth now, “I truly thought I had never seen a more beautiful woman before in my life”. Y/N chuckled, rolling her eyes softly and replying in a joking matter “And then you saw my sister and I was the second most beautiful woman you had seen in your life”. Her heart quickened up when she looked up at him, no humor present on his face, only showing seriousness. “No”, he whispered, “you were still the most captivating and breathtaking beauty I’d seen”. Silence filled the room. Without a word, he reached out, his fingers interlacing with hers. “I leave tomorrow”, he spoke of the one thing they both had refused to acknowledge. “That you are”, Y/N said, her main focus placed upon their hands. Drawing small comforting circles into her skin, he asked her what she had planned for her future.

“My future is a mystery”, Y/N sighed heavily, “Regardless, I will continue to stand by Daenerys and be with her when she retakes the throne. She told me that she was going to bestow the Targaryen name upon me, but I’m not sure that is what I want”. Confusion etched Robbs’ features, questioning her meaning. Her face gave away a gloomy look, “I have never really been fond of my Targaryen blood. Daenerys is the only good thing that has come out of it”, she said truthfully, “I’ve gone long enough without a household name, so I don’t see the point in having one”. A smile graced her lips as she looked at him, “I won’t lie, it is a small yearn of mine. To belong somewhere and become a part of something special”.

A pregnant pause filled the room. The only sound being heard was the burning of the fireplace. Y/Ns’ laughter echoed through the room; Robbs’ next statement finding humor within her.

“You can become a Stark”.

Shaking her head, almost wanting to wipe the imaginary tears in her eyes, she continued her fits of giggles. “And how can I do that- “

Robbs’ next sentence caused all laughter within her to cease, her breath getting stuck in her chest. “By marrying me”, he said.

Another pregnant pause. Y/N stared at him in shock, becoming a stuttering mess, “R-Robb, I…”. Before she could finish, he cut her off, taking both her hands into his now, “I plead that you allow me to speak first”, he smiled but looked ready to cry, “I have never felt the way I have when I am with you. You truly have stolen my heart, and I don’t plan on asking for it back. Come with me to Winterfell— become my wife, my queen”. With affection, he raised her hand and placed a gentle, lingering kiss on it, “Grant me the wish to spend the rest of my life with you”. Robb had poured his emotions out into his speech, mistakenly only imagining what he wanted her reply to be. He was not prepared for what Y/N said next.

“No.”

Furrowing his eyes, he dropped one of her hands but still held the other. Shaking his head, he began to apologize profoundly, “I-I’m sorry. I thought maybe there was something between us. Did I ask too soon?”, he looked desperate in front of her, “I can take back the proposal. I can court you properly if that is what you wish – “

“No. No, Robb”, Y/N let her hand drop from his, both now becoming colder by the second, “I can’t marry you”.

The tension crackled in the air as Y/N words hung between them, heavy and unresolved. The room felt suffocating, each second stretching into an eternity. Robb’s jaw clenched, his gaze fixed on the ground, struggling to contain his emotions and appear unaffected, “Can I ask why?”. Y/N bit her lip, her own emotions consuming her, never wanting more than to cry. “Robb,” she sobbed, “marrying me— being with me would only bring you hell”. Shaking his head, Robb grabbed ahold of her face, staring into her eyes, “What nonsense do you speak of? That can be far from the truth”. Y/N wanted to push his hands off her but was brought warmth by his touch, “But it’s the truth. My presence alone carries a curse. All those I have cherished have been harmed and taken from me”, he delicately removed the tears that were dropping from her eyes, “I’m not supposed to fall in love with you”.

Robb didn’t know what to say, how exactly to comfort her. His only reply being, “there is no such thing as a curse”, which angered her to some extent. Standing abruptly, she screamed out in sorrow, “Yes there is! My mother, my first love, my home— everyone suffered because of me!”, she started hyperventilating, burying her face in her hands, sobs echoing through the room, “You have suffered enough Robb. I do not wish to cause you more misery”. Robb sprang up quickly and encircled her with an arm, drawing her in for a reassuring embrace. As she cried, he felt her body quiver against his chest. He rubbed her back in gentle circles, giving her a feeling of comfort and safety. “Shhh…”, he tried soothing her, “Even if there is a curse, I won’t let it get to me, or you. I will protect you with entire life; you will never be subjected to such pain”, he leaned down and placed a tender kiss on her head, “I can’t let you go— living out the rest of my life thinking “what if?”.

Shaking her head, she gently pushed him away, “No, Robb”. Y/N stared at him, her eyes reflecting her inner sadness, “This is for my protection and yours. I would not have the strength in me to live if something happened to you”. Walking swiftly towards the door, she ceased her movements when Robb called out to her.

“Y/N. You deserve better”, he spoke truthfully and with sorrow, “You can’t live like this. Someone as extraordinary as you deserves to be happy. To be loved”.

She gripped the door handle, almost hurting her own hand from the pressure. Turning her head, she offered him a pained smile, “Maybe you��re right”, she opened the door, “But such fine things were not made for me in this lifetime”. And she was gone.

Y/N was unable to sleep the rest of the night, tossing and turning in her bed. Come morning, she mentally prepared herself for a conversation she knew she had to make. Standing in front of the chamber rooms Robb occupied, she knocked. A few seconds later, he opened the door, clear surprise on his face at her presence.

“Hi”, she spoke softly. Robb did not verbally reply to her greeting; opting to nod to her instead. “May I come in?”, she asked, and Robb moved to the side to allow her to enter. Looking at him, his tunic was unlaced— a clear indication she had interrupted him in the middle of dressing up. Y/N was informed that Robb and his men were to leave early morning; all they had to do was suit up and prepare their ships, and then he would be gone.

Facing him entirely, she gestured to his packed supplies in the corner, “I came to wish you a safe journey. I enjoyed our time together”. Robb registered her words, taking a deep breath, “Thank you, my lady”. She didn’t have the strength to correct him. All the while, Robb was struggling to tie up the last laces of his tunic. His hands were shaking. Walking slowly to him, she reached for his hands, moving them away to replace them with hers, “Allow me”.  Robb felt a fire ignite inside him as her gentle touch sent a chill down his spine. Focused on her work, Y/N laced up the complex pattern, her breath quickening as her fingertips touched his bare chest. Finishing up the last lace, she patted his chest and smiled up at him, “There. All done”. She only took one step back before Robb wrapped his arm around her waist, pushing her back to him. Y/N gaze softened, a silent acknowledgement passing between them. Slowly and hesitantly, she placed her hand upon his cheek, caressing him. Stretching her neck, she placed a small kiss on his lips, pulling away in mere seconds before either of them could comprehend it. Robb did the same; the two now sharing their second kiss.

For a while, they stood in each other’s embrace in silence. Robb took the next step, closing the small distance and cupping her face in his hands. With a mixture of yearning and desire, she leaned into his touch, gazing up at him as her heart ached. Reaching down, he kissed her with longing and tenderness. Y/N reciprocated right away, moving her mouth with his to match his rhythm. This kiss was longer, both wanting to savor the moment a bit more. The kiss had started off slowly but quickly came alive as they both deepened it. Robb fingers wove into her hair, pulling her closer to him; despite being as physically close as possible. Y/Ns’ body felt on fire; Robb’s touch both gentle yet firm as he traced her body with his other hand. Gasping into his mouth, she was taken by surprise (but did not fight off) at Robb picking her up by the thighs— walking to the small table in his room and dropping her on it. Opening her legs widely, he stood between them, both breathing heavily as they’re lips continued pressing together. Y/N did not know what to do with her hands, moving them all across his body and landing upon his hair, tugging slightly at his roots. Robb was the same; still opting to trace his hands across her thighs and up her breasts— igniting a moan out of her moth that he swallowed with his. Both their lips parted slightly, allowing them to slip their tongues into each other’s.

The room was heating up by the second. The only sounds that could be heard were their muffled groans and heavy breathing. Parting away, Y/N went to work to unlace his tunic— undoing her work. There was some urgency in the way her hands moved, Robb staring at her, intoxicated by her face contoured in rapture. He went straight for her dress, moving the fabric down to expose her shoulders, planting kisses on her. Y/N let out a loud whimper; the feeling of Robb biting into her neck sending a jolt of pleasure and goosebumps over her body. Grabbing his jaw, she returned her attack on his lips; their kiss now getting sloppier by the second, teeth almost clashing against. Y/N was readying herself to further pull her dress down but was interfered by Robb pulling away. Almost desperate like, she chased his lips but was denied.

“No,” Robb spoke, almost sounding to be in pain. His breath was ragged, chest moving up and down and fist clenched to his side, “Not like this”. Y/Ns’ common sense returned, slightly embarrassed that her hunger for him had taken over her completely. She was thankful that Robb had the strength and respect to keep her virtue safe. A few moments passed and their breathing became stable once again. Y/N watched as Robb gazed down at her, his lips red and bruised. Taking a hold of her face in his hand, Robb placed his forehead against her, “I love you”. Y/N could do nothing but nod, wrapping her arms around his torso, “I know”.

He smiled sheepishly at her, caressing her cheek, “Write to me at least. Please. Write to me about anything…even if you have nothing to talk about. I will always send a reply back. I promise”.  She gave him a tight-lipped smile, kissing his hand lightly, “I’ll try”. Robb knew she was lying. As they held each other’s gaze, time appeared to stop and the outside world became less significant. With one last kiss to her temple, Robb picked up his belongings and went out the door.

Y/N waited a decent number of minutes to pass before she exited the room— making sure there were no prying eyes around. She was hurrying towards her own chambers; wanting to be alone and allowed let all her tears fall free. She didn’t make it far, stopping in her movements at the sound of someone calling her name.

“Y/N”, Daenerys called out at the end of the hallway. Approaching her, she offered her sister a happy smile, “I was looking all over for you. I came to see if you wanted to bid the North men a goodbye- “, Daenerys stopped talking momentarily. Her eyes taking in Y/N disheveled appearance, and the obvious love mark on her neck. “But I can see you must’ve already given your farewell to the King in the North”, she teased.

Y/N nodding, staring down at the ground with her hands picking at the skin around her nails, “Yes, I have. So, I have no need to bid them a further goodbye. If you excuse me, I will retire for the day”. She was barley able to turn her body around before Daenerys grabbed hold of her forearm. “Hold on”, Daenerys said letting out a low chuckle, “It is still early morning. Why would you retire so soon- “. Her amusement dwindled into silence, fully grasping the emotions displayed on her little sisters’ face. “What’s wrong? What happened?”, she inquired anxiously and hastily, “Did that Stark boy do something to you?”, now anger appearing in her voice. Y/N was quick to deny her accusations, “No. He did nothing. It’s what I’ve done to him”. The queen placed a comforting embrace around her sisters’ figure, soothing her hair. “He offered me a marriage proposal, Dany” she sobbed into her shoulders, “And I told him no. I broke his heart”. Daenerys said nothing to the information given to her.  A short interval of silence ensured; disrupted by Daenerys taking in a deep breath.

“Do you love him?”.

She hadn’t expected such a direct question from Daenerys, especially about something she had been trying to conceal. Y/N hesitated for a moment— deciding there was no use in denying it, “I do”.

The older sister pulled away, smiling down lovingly at her, “Then why not go be with him?”. Y/N furrowed her eyebrows, stumbling over her words, “Because I promised to stick by your side. To help you,” she defended. Staring back at the floor, Y/N inhaled deeply, “Because I am cursed- “

“That is a load of shit”, Daenerys cut in. Y/N gaped at her older sister in disbelief for her vulgar language directed at her. Daenerys persisted with her speech, “You are not cursed, Y/N. Our history might show that our ancestors without the inherited Targaryen traits suffered greatly, but that does not mean all of them will”. Putting both hands on her shoulder, she reassured Y/N, “I know that in their lives they were still able to experience contentment and love. And you should too”.

Whispering softly, Daenerys hold on her sister tightened, “You've gone through a lot, and life has made it difficult to look past your own suffering, I won't deny that. But you need not forget the positive impact that you have on others around you. You undoubtedly brought happiness and love into the lives of your mother as well as those from your pas, and me toot. I'm even more positive that you introduced that into Robb Starks' life as well”.

Daenerys took a moment to recover after her extended address; watching Y/N register every world she spoke. Placing a gentle hand on her face, Daenerys gave her final say, “So, why not go be with him?”.

Y/N expression mirrored her surprise at what she heard. Shaking her head, she repudiated, “B-But what about you? My promise to you- “. She was cut off once again. “I’ve been thinking it over”, Daenerys began, “And I’ve asked too much from you. You are my only family and I wish to keep you by me, but your life is not mine. You control it”. Y/N held her breath, a small tear forming in her eyes. A sense of déjà vu had come to her— those were similar words her own mother had told her. Daenerys smiled widely at her, taking both her hands into her own, “If I am to be a good queen and rule with fairness”, she gave her hand a gentle squeeze, “I should let you live your life. As your queen, I give you the order to go live a life of happiness with the man you love”. She sustained the cheerful curve of her lips, “Go to him— go be with him in the North. A change of scenery can be good, don’t you think?”.

Y/N didn’t answer her question; instead, she sprang and encircled her sister in a warm hug. “Thank you, Dany,”, she expressed her heartfelt thanks. Daenerys words had opened her eyes; Y/N was not brought into this world to fear it— she was brought in it to appreciate its gifts. The gifts being family, happiness, and love. Daenerys suppressed a laugh that wanted to escape her lips. Pushing the girl slightly, she encouraged her further, “Now go and tell him. Rhaegal will be sad but he’ll live”. Y/N was quick to turn and follow after Robb, but stopped abruptly at Daenerys calling out to her.

“Don’t marry him too soon”. Panic coiled in the pit of her stomach at the thought that Daenerys was taking back what she said. The older sister waved her hand, shooing the girl away, “I just meant that I wish to be present at the wedding. Now, go”.

Robb stood beside a couple of his men and advisor at Dragonstone’s port. He watched his men load up the ships, trying to listen to what his advisor was saying but his mind was elsewhere. He came here to acquire the Dragon Queen as his ally— and now he leaves with that success and a broken heart. He traced back the memory of their times together, the warmth of her hands completely enclosing his, the way her eyes sparkled with every grin. A longing buried deep in his chest arose with every thought of Y/N. It was a bittersweet anguish. His advisor next to him cleared his throat, grabbing his attention when he nudged Robbs’ side, “Your grace”. Following the direction of his advisor’s eyesight, his own landed on Y/N— clearly out of breath and showing urgency.

“Y/N”, he called out. Robb was quick to grab ahold of her forearms, inspecting her body for any signs of injury, “Are you okay? Is there something wrong?” he asked, concern shown deep in his eyes. Y/N nodded her head, calming down her breathing as she watched his men leave to give them privacy. Staring up at him, she confessed, “I will not write to you”. Robbs’ brows drew together in a frown, feeling as though she was taking a jab at his sorrows. A normal reaction would be to spit fire back, but he was too in love with her.

Swallowing thickly, he responded, “I figured that already- “

“No, let me finish” she interrupted him, “I will not write to you…because I am coming with you”. His eyes widened in disbelief at the statement— not given time to properly respond once again. Swallowing the lump in her throat, her palms grw clammy, “Robb…I love you”. At last, he managed to respond, "You do?" with a tone that hinted at both surprise and joy. Y/N nodded, vulnerability showing in the blush of her cheeks and grabbing a hold of his hand, “Yes. I should’ve told you from the start and I should’ve said yes to your proposal- “, she sucked in a trembling breath, “I care about you deeply and I’ve never felt this much love for anyone”. Y/Ns’ heart raced as her words lingered in the crisp morning air. With a subtle shake of her head, she redirected the conversation. “Though I’ve come to see the foolishness in it; I still don’t know if my curse is real or not. All I know is that I wish to spend every minute— every second of my life with you”. Biting her lip gently, she broke eye contact with him, “It is a big risk, I kno- “.

“A risk I am willing to take”, Robb finally cut her off, “I would do anything for you.” In their moment of confession, they wrapped each other in a tight embrace. With their foreheads resting against each other's, a warm yet hesitant smile spread across Y/N face. “So,” she spoke shyly, “is that tour of Winterfell still up for grabs?”

Robb reciprocated her smile with his own, gently lifting his hands to touch her bottom lip. “Yes. It still is” he breathed out, “And my proposal too”. With a gentle tilt of her head, Y/N moved in closer, “Then I say you take me to Winterfell and make me your wife”. Their lips meet in a tender and heartfelt kiss— all their troubles now resolved. A quiet vow of eternity was spoken as their lips moved in rhythm. A familiar roar was heard; Y/N breaking the kiss and laughing as she took notice of Rhaegal in the sky. Robb found himself smiling even more at the sight of her joy; pulling her closer to him.

A cheeky grin formed across her face, “I think Lady of Winterfell has a nice ring to it, don’t you?”

Robb chuckled, caressing her face, “I think Queen of Winterfell sounds nicer. I also think the title of “Robb Starks’ Wife” suits you even more”. Y/N jokingly jabbed her elbow into his side, slightly squeaking as Robb reclaimed her lips in his. They both were filled with excitement and anticipation for what their future together awaited.

[forsworned]

It’s said canonically that simon riley has trauma around intimacy from torture 😔 If you feel comfortable writing it, can I please ask for a short fic of an Afab reader body worshipping/lovingly pleasuring Simon after they both work through his trauma and he’s getting all soft and emotional and babbling about how good reader is making him feel and how much he loves them and can’t believe someone cares about him this much? I always liked the idea of Simon being portrayed as vulnerable and soft and not this dom sex god a lot of people portray him to be. I really love your work and would love to see your take on this request :)

Soft ft. Simon 'Ghost' Riley

Author's Note: So I do recall someone making a post about this and I have to say I do not agree with everything. Men definitely process trauma, specifically sexual trauma a lot differently than women do. While women experience guilt, men experience anger. And maybe it's not all men who experience it that way, but after reading the comic and making my own assessment, I can say that Simon does have lingering anger. Of course, he is hell-bent on avenging his dead family, but all that pent-up energy could be going toward trying to even the score. He is pretty level-headed and able to compartmentalize. He has support from his comrades as well as undergoes mandatory rigorous mental health assessments because that's military protocol. He needs to be able to perform his duties on the field without putting himself or others at risk. He also most certainly gets mandatory counseling. Although he may be reluctant, his superiors are very much aware of the possible impact that it has on his mental health. So all that to say that Simon is not without help. He is not as "damaged" as people may perceive him to be. He's not a broken individual. As seen in the remastered MW's, albeit reluctant he can clearly put his trust in others. He develops relationships with the people who he works closely with meaning he is capable of change. SIGH. I just wish people would break this down a little more, but I do get what you're saying. His masculinity, trust issues, and the type of secret operations he goes on can lessen the effectiveness of the therapy. He's definitely a very complex character with layers to him, but I just don't think he's as weak as you may think he is. It's also important to note that it hasn't been confirmed that this current Simon went through the same thing. He could have a completely different background. Honestly, Activision is so fucking inconsistent but ANYWAYSSSSSSSSSSSSSSSSSSSSSSSS I hope you enjoy this. Also if you read this all the way through, I applaud you. But thank you for enjoying my work, I didn't mean to critique you and your request, but I just couldn't let it slide LOL

Warnings: PnV sex, AFAB!Reader, Some Canon Simon Lore, Sexual Content, Mentions of Sexual Trauma

"Si—Simon..."

You sigh out in pleasure with every roll of your hips as you grind down on him. Your clit grazes against his lower abdomen, and his cock stretches you out pliant. Fingers dig into his shoulders, marking half crescents into his pale, scarred skin. But something feels off.

His hands loosen their grip on your hips, and upon opening your eyes you find him his half-lidded gaze distant in a familiar haze. He isn't present.

"Simon." You halt the rutting of your hips, cupping his stubbly cheeks. "Are you alright?"

His onyx hues fixate on you. He is clearly readjusting his withdrawn eyes to refocus on you. You didn't want to say it yet, but you had felt him go a little soft a few seconds prior. "We can stop."

"No, no." His fingers squeeze your middle as he sits up a bit. You shake your head, but he's not letting up. "Why stop?"

You firmly grasp his face and his blonde lashes flutter up at you with a seemingly unreadable expression, but you're no stranger to Simon's detachment. Although he loathes to admit it, it happens. The relearning of being intimate is tumultuous for him.

"Because you're not mentally here, my love."

He frowns. "But I want y'to finish."

You exhale sharply. He doesn't even deny it. "No, Simon. I'd feel disgusted with myself if I finished while you weren't here with me."

He struggles to reply. In all honesty, he doesn't know what to say. It's not exactly a common occurrence, but he's not too keen on having a conversation about it. You never pry though. His therapy sessions are his own, unless, of course, you join him if he so desires.

Couples counseling is mandatory. A rule you established when you first decided to tie the knot. If you had problems that were beyond just a sit-down talk, a professional would have to intervene. And Simon agreed. No fuss, no muss. To preserve the sacredness of your relationship, he'd do anything.

He sighs. "'m sorry, dovie." He caresses your sides, feeling the gooseberries on your skin rise. A small smile adorns his lips and you giggle at his smugness.

"Stop it." You begin to get off of him, but Simon holds you firmly. You feel his dick harden inside of you, now kissing your cervix. A little gasp escapes your chest as you readjust yourself.

"Y'like tha'?" Simon's grinning now. It's his confidence gleaming through the abysmal darkness of his mind. The life in his eyes feels revitalized, and you now feel his vigor—literally.

"Yes, but..."

"'m here, love." He reaffirms, squeezing your waist again. "'m here. Please, 'm achin' for you."

He groans a bit and bucks his hips when he feels you pulsate around him. You return your own moan, leaning forward but his fingers thread through your hair and he brings you into a sloppy, heated kiss. His hips thrust into you slowly and deeply, earning a guttural moan from him.

For a moment as you withdrew from the kiss, your gazes meet and Simon's eyes soften and become glossy with tears that brim over his oculars and spill over the corners of his eyes.

"Oh, baby." You coo, holding him close as you kiss his face. His sadness is silent, yet palpable. You're now babbling sweet, sweet words to him as you pepper him with kisses, and Simon holds you as if you're going to slip away. You gently guide him through the double inhale technique you learned from your therapist, and with the sweetness of your voice, the kindness in your eyes, and the tenderness of your touch, he feels at ease.

"I dunno how y'put up with me."

You grin, kissing the corner of his lip. "It ain't easy."

"Oh?" He flips you over on your back, pressing you firmly against the mattress and you giggle into the nape of his neck. "Wanna say that again, love?"

You thread your fingers through his sandy blonde hair and kiss the tip of his nose. "You're not hard to love, Simon."

His eyes soften once more and he kisses you deeply. Simon has never cherished anyone more in his life. You were always so patient and kind from the jump. You were truly the "greater woman" behind the "great man".

He rests his forehead against yours and closes his eyes as you gently card your fingers in his hair.

"Thank you, lovie."

[flamingpudding]

I'm back with a part 4 if you want to do it it's kind of more of a crack write I just need Klarion trying to explain the family tree

But not explaining how he was made at all So Young Justice and the Justice League are now convinced that a the Ghost King was a teenage parent who is now 27 years old and just passed college with a degree in astronomy and machinery

Klarion's other parent is a a crazy fruit loop 64 year old millionaire who went to college with Klarion's Mom parents who had an emotionally unhealthy obsession with his mom's mother and then it passed on to his mom.

And he has an older sister who is technicality a clone of his mom but also has the bastards DNA so fundamentally making Ellie Vlad Master and Mom's first born kid but there's six other siblings that Klarion had that died back a while back but Mom got granddad who's apparently the time lord AKA Cronos which is a whole another long story to go back in time and save those kids get them fixed up and now Klarion technicality has seven older siblings which all do their own things

And then he starts mentioning his uncle who is a 9 ft yeti his technicality auntie who is a medieval ghost princess who can turn into a dragon his auntie Pandora and his his grandfather cronos

My names for the six other clone children are Donald (he/him), Cecelia (they/she), Bartholomew(Them/They), Kyle AKA Bite(He/It), Brutus(He/They), and then there's Danna (She/Her) who actually really like the name Dan and asked Klarion if could have it when Klarion changed his name

Sorry if this is a little bit too much I've just really been thinking about au for this after the last part you made I hope this helps you with your writing or at least makes you laugh but I really love the idea of Danny's AKA somewhat clone children and finding their own personalities and and fighting themselves out of just being failed clone of their mom also I love the idea of Danny going back in time to save the rest of the clone kids cuz now he's a mature adult who wants to save their lives and wants them to grow into their own people.

(⁠≧⁠▽⁠≦⁠)

I probably did way to much research into all the fandoms I am in to see what I could tie into this... And yet this feels shorter than it should but I also currently lack the time to add more. But for now I hope this will be satisfactorily.

Also this family tree idea especially the part of saving the melted clones. LOVE IT!

So even though it took me a while! here is Part 4 you inspired! Thanks so much for the ask!

------------------

"Dude, you are making us only curious!" Impulse spoke up as he sat down next to Klarion who had his head in his hands. "Like you and your mom can't just drop your family lore like that!"

The witch boy on the other hand looked up with narrowed eyes at the speedster. "What lore?"

"Let's see, the part that apparently a Vlad tried to kill your Grandpa to make friends several time. That your mom is 'ghost' adopted by the lord of time Cronos and Pandora, which makes us family too by the way, and that you have a sister that apparently is even crazier than what we got to know of your family so far." Wonder Girl counted off her fingers next to him grinning as she mentioned the part of probably being a part of his 'crazy' family too. Which hell yea, that sounded like a lot of fun to be explored she would have to talk with Wonder Woman about that as soon as possible.

"Also..." Red Robin added as he flipped through the photo album that apparently no one remembered he had. He was turning it around and pointed at a particular photo with a wild bunch of people in it that varied between more human and well... less humanoid people. One of them definitely was a Yeti and there was also what looked like living armor as well as Teekly (they knew that demon cat at least), a giant green dog and for some reasons there was a green aggressive looking Octopus in the background too. "...how are you related to a Yeti?"

"Hey that man there and those other teens in the picture actually have some resembles with you! Do you have older brothers too?" Superboy additionally asked as he moved around Red Robin to see the photo better pointing at a man that appeared to be in this late twenties, blue eyed, black haired and a little on the buffer side. If he didn't know any better and the fact that he should keep his mouth shut about their actual identities he would have jokingly asked Red Robin if his family would like to add more kids considering Klarions family apparently had a bunch of black haired blue eyed members too, judging by the photo at least.

"What are you talking about. That man is my mom and yes the others are actually my older brothers and that Yeti is uncle Frostbite who also happens to be the best medic in the Infinite Realms" The four teen heroes looked stunned at the picture and then back at the Ghost King that was smiling at them, still seated by the dinner table with their mentors. Who by the way were now perking up at the change of topic and the information they could gain with it, well Wonder Woman was more interested in the apparently extended family she had.

"Oh I remember we took this photo last year, it was such a hassle to get everyone into one place with them all being busy doing their own things." Danny mused for a moment, remembering fondly how he had to literally drag some of the kids home through a portal.

"It was more annoying than anything too since I was declared to be the youngest...." Klarion muttered also remembering that day not as fondly as his mother.

"Wait, wait, wait! That is a picture of your family? I need an explanation buddy!" Impulse cut in without shame, quickly removing the picture from the photo album to get a better look at it before holding it out to Klarion so he could explain all the individuals. "Plus why does your mom look soooo.... human?"

The witch boy on the other hand stared at him for a couple of seconds before looking over towards his mother as if waiting for something. After a moment the teen heroes as well as their mentors saw Danny nod with a little smile. "This dimension doesn't have the GIW so its fine, the Justice League Dark won't be a problem either, right?." Constantine flinched at the smile the Ghost King was giving him, muttering something under his breath as he had hoped his presence had been forgotten.

"Since mom is giving his okay...." Klarion mutter sitting crosslegged on the ground as he snatched the photo album from Red Robin and flipped through it. "Lets start with the easiest stuff to explain."

Danny chuckled noticing that not only the teen heroes but their mentors as well showed an interest. He choose to stay quiet letting the adults listen in on the kids, and if things went bad he would just ask Clockwork if they could revert time back to this moment and he would change his nod of permission to a shake of denial.

"Okay first of, this is my mom and his sister Jasmine, this is Danielle my older sister and that hulk with flaming white hair and blueish skin is me. That was before I got deaged because of destabilising." Klarion explained flipping to a photo of him, Danny, Jazz and Danielle. "Mom was around fifteen, Aunt Jazz about seventeen and Ellie should have been about a year old but she was aged up to twelve. They look human in this one because well they are. Mom was originally human and became what you call in this dimension a Meta through an accident."

"Wait... that would mean your mom... How could he have two kids at that age of fourteen? You look like an adult and your sister was aged up?" Wonder Girl couldn't help but ask as she looked from the photo and back to Danny at the dinner table again.

"That's cause Vlad was a fu-"

"Language Klarion!"

"Vlad was a fruitloop. That photo was taken shortly after Vlad and I sort of redeemed our selfs. Plus, mom didn't really have my sister and me willingly.... we were kind of forced upon him in a way." Klarion explained shrugging. "Old Man Vlad had an obsession with his mom that then turned on mom, which resulted in my oldest sister Danielle first. Actually, a lot of my elder siblings resulted from that, but they didn't survive it the first time, Mom got Old Man Clocks help to save them once he got used to being the Ghost King. I got added to the mix shortly after my sister, but... i wasn't in the best state of mind at first, kind of went through a redemption phase in which mom had to fix the timeline of our original home dimension, too."

Danny chuckled again at the disturbed looks the teens were giving his son as well as the looks their mentors sent him. He probably should correct Klarion's wording... but being one of the gremlins of his family he just smiled on, not commenting. He really understands now why Pops Clockwork liked watching the chaos he used to cause as teen, and still sometimes causes as adult.

"Klarion... how old is this Old Man Vlad?" Red Robin asked grimacing as his eyes under the mask flicked up to the Ghost King and then back to the witch boy both seemingly unbothered by the disturbing information they were sharing.

"In human years... probably around 67? You stop counting age at some point if your a halfa." Klarion shrugged, not noticing the grimaces of the teens around him. "Anyway, Ellie is sort of the first born. I came in after that, with my core being a mix of Mom and Vlad. Not DNA wise though since I came to be because of their ghost cores. That's why I look like that in this photo. Though human DNA wise I am probably now mostly Moms, we never bothered to ask the old man."

Danny muffled another chuckle, coughing as Superman sent him an incredulous look of shook while he felt Batmans burning gaze on him.

"You... mentioned more siblings?" Red Robin asked carefully sharing a look with his team, feeling like there was a whole lot of trauma in Klarions family he wasn't sure they should address or not. So asking after his siblings was probably, hopefully the safest option. They didn't know that while there was trauma in the witch boy's family it was not the kind they were imagining.

"Yea I got a bunch more brothers, Vlad was a evil crazy fuitloop, before he redeemed himself. They all kind of melted in one timeline but mom and Grandpa Clock found a way to save them." Klarion nodded flipping to another photo containing him, as he looked now, and all his siblings.

"So, Ellie you know about already. The one with the sunglasses and died hair is Bartholomew, second oldest. They made themselves a home in other dimension, barely at home cause he has to much fun messing with something called a 'Starstream' by being a 'Constellation' and throwing gold coins at 'Incarnations'. Don't ask me what that means, I barely pay attention when he gushes about his favorit 'Incarnation'. They spent like all their money and pocket money there. Aunt Jazz thinks he might develop a gambling addiction if we don't stop his spendings." The teen heroes eyed the teen that looked like a young adult grinning in the photo as the witch boy pointed at the one next to them. "The one with the vile is my elder brother Bite, most responsible one of this bunch. Mom even allowed him to take care of a couple of dimensions by taking the role of being their God of Death. I think he messed them up more than helped but he is doing a somewhat good job, even if he is sort of obsessed with making some red head his saint or something..."

"One of your sibs is a God?" Impulse gabbed and Klarion just blinked at him with a shrug. "My Grandfather is the ruler of Time, your point is? Wonder Girl is also related to a God of your dimension."

"Never mind him, moving on." A yelp resounded as Superboy pushed Impulse head down leaning in more to see the photo better. "You got one emo looking brother there!"

"Oh that's Yamikumo, he is like a year or two older than me right now, in human years. He barely got any of mom's powers so he choose to try to life a somewhat normal life but weirdly enough he choose a dimension that is ruled by people who have powers and abilities, you know like the Meta Humans of this dimension. Now that I think about it, he is also the only one who actually is studying on how to be a Hero."

"Do you end up fighting with him if he studies to be a hero?" Wonder Girl whisper asked him with a quick glance towards their mentors, to which Klarion shook his head. "As long as we leave the dimensions one of us choose to live in alone we usually don't fight about stuff like that, aside from the usual sibling fights that is. Then again I do have some siblings that like to make bets like who is better at ruling as demon lord, or who can safe a dying timeline quicker."

Danny chuckled again as he watched the kids, Klarion had definitely caused some misunderstandings with his wording. Then again it wasn't like Klarion said anything that wasn't true, but then again his son loved chaos. So there was a suspicion that Klarion intentionally choose the way he worded the explanation about how he and Ellie came to be as well as the rest of siblings.

"So....." Superman slowly started wondering how he should bring up the topic. "...you became a mom at 14?"

"Say Danny is there a way for me to meet this Vlad? You know since we are family." Wonder Woman also asked smiling in a certain way that reminded Danny of Valerie when she was mad but didn't want to show right away how mad she was, to which the Ghost King on reflex could do nothing but gulp for a moment. Not noticing that a green post it note appeared on the table before him.

[comingdownwithme]

I love your creepypasta au and designs and lore. Do you have anything for Nina the killer, Jane the killer and clockwork?

Sure! Sorry for the late response! had school n' stuff, and I had to reread the old original stories of some of the creepypastas and catch up on any newer additions since this is (technically) my first run in the fandom.

Anyways! Here's my take on the girls! Hope these are alright! This was like- my first time reading Jane and Nina's and my 2nd time since I was 12 reading Clockwork's ekdjske

Nina the Killer

Growing up with a love for horror, Nina Dagon was a young girl isolated from her fellow peers from a young age, with no one else but her brother and mother to confide in. As she grew, so did her love for the macabre, and that love soon grew into an avid interest in True crime. There, at a young, impressionable age where she's at her most isolated and vulnerable, was when she found the man who would change the course of her life, whether he knew or wanted to, or not.

Out of the Creepypastas I've drawn so far (as of Sept. 2024), she's the youngest adult at 25-ish! (Though this may be subject to change as with the actual ages of other characters ://)

Bilingual! Spanish is her first language, English is her second. She's not the best at it, but she's trying.

Grew up with unrestricted Internet access lmao. This... severely impacted her development and how she acted around people at a young age, and a small part of that influence is still present in her childish demeanor as an adult.

Found out about the death of Mr. And Mrs. Woods, alongside the murder of three other kids in the family's suburbian town following their deaths and the burning of their home, through true crime channels.

That is also how she found out about Jeff and related a little too much to his background (her blorbo from her shows).

Jeff's copycat killer, down to his iconic smile, (though hers is a lot thinner and cleaner than Jeff's). They say that imitation the highest form of flattery.

She gets a chainsaw. I think it looks cool :))

Learned exclusively through true crime. Though she's less graceful or experienced than Jeff, she still managed to keep the police off of her, especially when the first of her bullies had gone missing.

Follows Jeff's murders closely. Wherever he strikes, she strikes soon after.

Jane the Killer

While the fires of his own grief and rage still burned bright, Jane E. Arkensaw was a woman that came home at the wrong time. Despite the risk of death as she stands before someone who's hands were stained with the blood of many- including her own parents- Jane fought with adrenaline and anger coursing through her veins like a drug.

The rest of the night was a blur. All Jane remembers as she looks up at the golden silhouette of her burning home amidst the dark backdrop of the evening was that disgusting, Glasgow smile and the fact that within the chaos, she had managed to hurt him.

Jane was scarred worse than Jeff was if comparing their burns. This was because amidst the fire, Jane stayed in a vain attempt to save her dying parents.

As she stands outside, injured, confused and alone as the weight of exhaustion slowly settles in, she wonders why exactly Jeffery "Jeff the Killer" Woods dragged her out of that house before she could die in that fire.

Jane's father used to be in the military, so she learned a thing or two from him in terms of holding one's own in a fight.

Stole the mask she now wears from a Halloween sale at some nearby store during October. A lot of the things she wears has also been either stolen or bought at cheap from thrift shops.

She a lesbian :))

Hasn't and will never kill anyone. Her main target is Jeff.

Despite that, due to her inexperience and Jeff's tendency to escape without a trace, she's sometimes caught in the scene of his crimes instead, leading her to be indirectly framed when she had first decided to hunt around for the white-hooded killer. She's gotten better now though.

Has a complex relationship with Jeff. Despite her seething hatred for him and his apparent distaste in turn, the killer had helped her escape the cops on several occassions, even feeding her during her earlier days.

Still, she won't and will never forgive him, and she dare not try to make sense of the mind of a literal serial killer.

She was an avid enjoyer of the occult and the supernatural before the incident. She still is now, though she's often busied with other priorities.

Clockwork

Having been raised in a broken family and knowing nothing but pain for most of her life, Natalie Ouelette, even at a young age, felt as if both time and space were working against her, puppeteering her life to entertain whatever twisted Gods were watching over humanity. As the years went on, the line between pain and the mundane- even enjoyable- had began to blur, which is reflected in her art during her younger years which she had used to cope. After a series of continuously concerning events, leading to her hospitalisation at a mental institution, Natalie "Clockwork" Oulette escaped, leaving a trail of blood in her wake, including her so called "family".

Practically homeless (like most of my interpretation of the creepypastas are tbh) and had never changed out of the scrubs she had to wear during her stay at the mental institution.

The mutilation and replacement of her eye was a desperate attempt to regain some control of her life, and in the end, she felt like she had

Often confuses physical pain with other sensations.

Doesn't like being touched. Even with injuries where it would prove easier with someone's help, she'd much rather do it herself, leaving some injuries to heal for far longer and scar worse.

Her jacket was one of the few things she brought along with her after she had ransacked her family home.

Usually targets families, especially its older members. She then stays in the family home for a short moment before she moves on.

[come-see-our-show]

I saw an early screening of the Mean Girls movie last night, so here is a summary of my thoughts, comparing the movie musical to the Broadway musical, which I was lucky enough to see live in 2018!

Changed that I liked:

The usage of social media in the Broadway show made it very clear that it was written by adults who didn’t know much about Gen-Z. It was probably one of the worst parts of the show in my opinion. But Tina Fey must have done her research since 2018, because the way the movie uses TikTok, memes, vlogging, and FaceTime to push the story forward worked VERY well. I think there were some influencer cameos, but it didn’t feel they were included to show how “young and hip” they were, It actually added authenticity.

The diversity within the cast and changing last names to reflect the characters’ backgrounds (Karen Smith ➡️ Karen Shetty, Janis Sarkisian ➡️ Janis 'Imi'ike)

Cutting down “Meet the Plastics.” It’s a very exposition-heavy song and doesn’t need to be super long, even though the full version is quite catchy and fun.

All of the new jokes landed so well, probably because Tina Fey’s writing style is better suited for the screen as opposed to the stage.

This is more of a comparison of the musical vs. the original film, but a big change was The Plastics’ weaponized wokeness (which I talk about here).

The production design for most of the songs was very different. The stage musical has a lot of rock songs, which were changed to a pop sound for the movie. I personally prefer rock musicals, but it was a good way to give the movie a separate identity from its predecessor so it doesn’t risk becoming a carbon copy. It worked on some songs (“Someone Gets Hurt” and “World Burn”) but not on others (“A Cautionary Tale” and “Revenge Party”).

Cutting the joke about Regina’s ass being big. It was a very low-brow joke, which I’m not a fan of, and was just really immature. Thank God that was changed to her falling, which still shows her being embarrassed without her body being the joke.

Explicitly making Janis a lesbian! (It’s only implied in the stage show with “It’s not even true… I only have one butt”) And she goes to prom with a girl while Damien dances with a boy! ALSO THERE’S REJANIS LORE AND IT’S SO HEARTBREAKING I LOVE IT

megan thee stallion just… being there

Miss Norbury and Principal Duvall being a couple and owning a dog together!!!

As a low mezzo, I appreciated whoever decided to lower the key for “I’d Rather Be Me.” I felt very represented 🩷

Having Cady be raised in a single-parent household so it focuses in more on her relationship with her mom. Jenna Fischer was so motherly and sincere and brought a warmth to the movie. Their scene together near the end made me emotional (you’re never too old to ask your parent to stay with you until you fall asleep) (also this is my request to make jenna fischer my mom)

Changes that I didn’t like:

Cutting BOTH of Damian’s solos??? (SHE’S LEAVING!!!!!!!! JUST LIKE MY DAD!!!!!!!!!!!!!!!)

Cutting “More Is Better.” It wasn’t necessarily a memorable song, but it did give both Cady and Aaron more depth, both as separate characters and within their relationship.

While cutting some of the songs helped with pacing, cutting HALF of the score made me forget that it was a musical sometimes, which sucks because I really like musicals!!!

Other stuff:

The movie was marketed horribly. One of my friends didn’t even know it was gonna be a musical because there were no songs in the trailers 💀 (Also, this isn’t just a Mean Girls problem. The Color Purple also didn’t have any songs in the trailer. I didn’t even know Wonka was a musical until I saw it in theaters, so that was a bit of a shock.) If you’re producing a musical movie, maybe your focus groups should be musical fans, because that’s still a HUGE market.

Auliʻi Cravalho’s voice is STUNNING! She and Jaquel Spivey had great chemistry and their friendship felt so genuine!

The opening and ending transitions from the garage were everything to me

The EDITING

Angourie Rice is a great actor and fit Cady perfectly… except for her singing. Out of the entire cast she was easily the weakest in terms of vocals and it was pretty disappointing since she’s the LEAD. I could barely hear her in the new song “What Ifs” because of how quiet and breathy she was. I think it’s a better written song compared to “Roar” though.

Jon Hamm cameo!

Ashley Park cameo!

I cannot stress enough how funny this movie was. I was probably laughing louder than everyone else in the theatre.

I lost my shit during “Meet the Plastics” when Regina unzipped her jacket and Cady was staring at her boobs. She’s just like me fr 🏳️‍🌈

I know that Regina is a horrible person but I couldn’t find it in me to dislike her in the slightest. She just served too much cunt 😩

Christopher Briney is a good actor, but I don't think he was the right choice for Aaron Samuels. I would hate to ridicule anyone for their looks, but it still plays an important part in casting. Aaron is supposed to be a somewhat naive, wholesome, hot jock (and Regina has high standards, so he better be a fucking model). Briney is definitely a cutie, but gives off “smoldering badboy with a secret sensitive side” energy, which isn’t what Aaron should be.

The fantasy sequences (Stupid With Love, Revenge Party, October 3rd). I LOVE when movie musicals USE the medium to tell stories in a way that they can’t on a stage!!!

THE CHOREO!!! Everyone freezing then shaking in “Someone Get Hurt” AHHHH that entire number was HYPNOTIZING!!!!!!!!!!! My friend told me the choreographer’s name is Kyle Hanagami, so shout out to him. (also reneé rapp was so fucking hot while singing that oh my lord)

I will be calling my pimples “face breasts” from now on (avantika ilysm)

DAMIAN’S FRENCH COVER OF THE ICARLY THEME SONG 🙏🙏🙏🙏🙏

why was there a 0.5 camera shot of cady during revenge party 💀

“I’d Rather Be Me” was so much fun and I felt so fucking empowered. And the transition from the song to the bus was just *chef’s kiss*

“donut worry i am still your freend” 🥺

Lindsay Lohan cameo!!!!!!!!!

NOT ENOUGH RENEÉ RAPP 😭😭

Overall, the movie was not perfect, but the Broadway show already had plenty of flaws, so it’s understandably how that would affect the adaptation. I still a LOT of fun and would definitely see it again. Go stream Snow Angel by Reneé Rapp. i love women 🥰🥰🥰

[felassan]

Some more new details from this article about DA:TV.

Rook loses consciousness at the start of the game:

"There's a giant tear in the sky, with the Veil weakening and demons invading. Players are forced to fight their way to the source with but a detour or two before them. Along the way, they meet a few allies, including the beloved storyteller Varric Tethras and a powerful mage. Together, they push forward and are met with a boss battle against a Pride Demon. From there, things go from bad to worse, the main player character loses consciousness, and the world of Thedas—and its survival—depends upon the player."

Also on the opening: Varric and Harding had tracked Solas to Minrathous. We meet low-level Venatori agents in the bar. If you choose to attack, the notification that pops up about what Varric thinks says that Varric would remember that Rook prefers actions to words. Then,

"Then the sky tore apart and a tear in the Veil, seemingly the size of the Breach, appeared. The Veil grew thin and demons poured into Minrathous, tearing the city apart as the castle tried to shoot them from the sky - damaging the lower city in the process. Solas was nearby then, but the priority was linking up with Harding and finding Neve."

Then, some details on a part that was cut out of the public gameplay video:

"[Neve] informs us that Solas has a hideout beneath a nearby statue, and lo and behold, it is Solas' hideout. He has painted murals around it, magic is used uniquely even by Tevinter standards, and at the end awaits a beautiful Eluvian"

Demon lore:

"This Pride Demon looks very different from others in the franchise. However, Epler was quick to note how Demons are magical manifestations of emotion from the Fade, which means certain triggers could be causing this."

Snippet on CC:

"Many fans were subject to the horror of DA Inquition's special green light, so BioWare made it where players could shuffle through a handful of backgrounds to see how their character looks in different lights. Body sliders for fully customizable bodies, other appearance changes like tattoos, and everything fans would expect from a modern Dragon Age character creator seemed to be there."

A bit of info on what the 3 specs for Rogue entail: Saboteur is trap-focused, Veil Ranger is ranged focused, and Duelist is a movement-focused class which centers a lot on dodges and parries.

Rook always shares a background with 1 of the companions. Makes sense, the backgrounds are Wardens, Crows, Shadow Dragons, Mourn Watch, Veil Jumpers, Lords of Fortune, and that's Davrin, Lucanis, Neve, Emmrich, Bellara, Taash respectively

Rogues can use both their bow and dual-wield daggers in combat, which is a first for the franchise

There are 3 shortcuts for abilities, you can access more though by opening the ability wheel where there is 9 mapping slots

Of the 3 class' special resource bar, rogues' Momentum fills quickest but takes bigger drains when hit

[source]

[rxzennia]

selfish atonement

– requested. 

✎𓂃 executing your duty perfectly, until it’s not so heavy anymore. less romance, a lot of lore. mandatory shoutout to @st4rrth0ughts and their bodyguard reader & oc. i really searched up oswaldo for this pls enjoy (i tried to cook but i might’ve burnt it y'all)

ever since oswaldo’s expedition on aeragan-epharshel, you’ve become certain of one thing – he is a brilliant businessman; the epitome of a profitable business. regardless of the mostly negative emotions you felt while you undertook missions under his orders, you could at least admit that he brought unparalleled results to the ipc. 

but, well, it does not take a good man to make a good businessman.

this marks the third amber era after your departure from the marketing development department… no, your departure from the ipc as a whole. you’ve changed your name, got yourself a new appearance, and distanced yourself from oswaldo’s name.

you’ve since become a sellsword who answers only to your current client

you’ve chosen to not have your loyalty freely auctioned off to the wealthy precisely because of your history with oswaldo

aka, you’re done with the type of problems that can be solved with money, and you don’t want to be someone that can be easily bought with money, either

not in the sense that money won’t make you more likely to take a job, but in the sense that money won’t bribe you away from any ongoing duties

that’s enough about you and your standards

in any case, your history with the ipc (that you’ve manipulated a little) has been very helpful in landing you jobs

and at this point, you’ve got a nice word of mouth going on for you that you don’t need to bring up that history anymore

who would’ve thought that you’d end up in the ipc again?

this time as a temporary guard for one of the ten stonehearts

you don’t know what possessed someone like diamond to ask for you, because you’re pretty sure he knows about your previous involvement with the ipc

and also, what the fuck does the ten stonehearts need a bodyguard for?

you’d pay a million credits to bet that diamond just wanted someone to be surveillance

but hey, a client is a client, so you agree to meet the one you’re supposedly “protecting”

you walk into the room, and immediately you want to walk out. diamond is doing this on purpose, he’s gotta be, he’s got to have done a background check on you and still decided to choose violence.

you come face to face with aventurine, and you thank all the aeons out there that you’ve made the decision to wear a mask whenever you’re out. you don’t know if diamond had briefed him on you or not, but judging by how warily civil he is, it doesn’t seem so. 

just so we’re clear, you were far too green to be directly involved when oswaldo launched his sigonia-iv project. while you did tag along on these trips and treaty signings, you have no personal involvement there except standing there like a statue and watching your superiors hammer out a treaty or something. unlike in aeragan-epharshel. where you were one of the combat pilots. oh, that’s another can of worms altogether.

at least he can’t see your expression right now as you shake hands

at least he doesn't hear your erratically beating heart

you introduce yourselves, and you bow out of habit

impression points +100 (your starting score is -10000)

that’s basically how you ended up involved with the ipc again

ugh, you just can’t leave them in the past, can you?

although, in your defense, they’re everywhere, and you can’t possibly turn down a job with such luxurious pay

so, now, instead of the marketing development department, you’re in the strategic investment department. diamond is also a good businessman, but… the ten stonehearts have such a weird dynamic. they’re all tangled together with office politics, yet share one authority figure that they ultimately obey – something you haven’t bothered to think about when you were last in the ipc. and something you won’t bother thinking about, because the mere thought of corporate makes you want to dig yourself into a hole.

in any case, your constant meddling in aventurine’s daily affairs begins today. he’s quite a guarded man, and you have no idea what diamond wants you to do by putting you next to him practically 24/7, but oh well, you’re getting paid.

you settle into a routine surprisingly quickly, and he doesn’t seem to mind your presence all that much

alarmed? yes. mildly annoyed that diamond put a walking tracker on him? also yes. 

dislike your presence? kinda (not really). 

at least he knows you won’t betray him for as long as your contract is in effect

even if you answer directly to diamond, you were tasked to watch over him

which means that you will execute your assigned duty to guard him and strictly only that duty

(truly, your reputation precedes you)

but what is worrying is how swiftly you can change sides the moment your contract expires

well, a problem for tomorrow. diamond’s got you leashed for a year.

he does run a background check on you himself

not that he doesn’t trust that diamond hadn’t vetted you, he just wants to know what sort of person he is now stuck with

guess who found out your name is probably fake but can’t find your real name

because he could only trace your name so far, and anything beyond that point is blank

the discoveries will shock you!! top 10 most scary facts you didn’t know 

all he got was a full report from your first job to this one

anything about your past before your current alias is completely untraceable

not that he intends to ask anyway; you haven’t given him any reason to dig further (yet)

he keeps an eye out for you though

even if he’s not suspicious of you at the moment, that could change in the blink of an eye

aventurine is surprised at how loyal you are to him. you’re under diamond’s orders, but you’re surprisingly putting in a lot to protect him. and to look after him.

to you, it’s just your job… and a selfish, twisted sort of repentance. it’s a thought you intend to take with you to the grave.

you’re not obligated to wake him up or bring him breakfast, but you do anyway

which, he realizes that you must’ve woken up like at least two hours before him

you coordinate his schedule with his assistant so that he doesn’t make pointless trips to five different locations just to end up at the same one twice

you, quite literally, hover over him

yes, even at huge conferences, you’re tailing him like his shadow

some kinda scary dog privilege going on

but of course, you give him space whenever he requires it and keep him within your sights instead

so far so good

but you know what spooks him still? 

that you get pissed when someone makes any nasty passing remark at him

no, you are not a feral street cat that scratches anyone who wrongs you (him)

what you do is you give them a scary confrontation

or you pick them out and lodge a complaint with their superiors afterwards, if they aren’t the top dog

one time he got his hands on a report that you’re writing

aeons, you blow it out of proportion without lying 

you like to call it a suitable amount of embellishing 

then you pull a lot of emotional appealing according to the opponents' company policy

which usually results in some sort of disciplinary action that is actually pretty satisfying to see

but also

damn, you’re merciless 

and also very adept at business talk

trust +100, doubt +25

(shady mercenary for hire with far too much experience type doubt)

you’re as good of a bodyguard as aventurine can get, especially for someone he didn’t hire himself… 

he quite likes you, actually! because how many people do you think asked him something like “why do you need a bodyguard” to his face? none! you’re as entertaining as they come. 

and so he finds joy in his boring executive work by pestering you

you know that, but you put up with him

in fact, this guy is so one of a kind that you don’t even feel pestered

you sometimes even drink with him

whenever he offers, of course, because you’re not too interested in drinking

you drink moderately on the job, but c’mon, when are you not on the job

okay, maybe when he’s just chilling in his office or in the hotel and not going anywhere

then there’s competitive drinking where he tries to coax you into talking about yourself by making you down shots

and guess who’s wasted every time? not you

“mr aventurine?” you ask, nudging the unconscious man next to you. “sir? earth to mr aventurine? hello?”

his empty glass of whiskey on the table, his face slightly flushed as he snoozes away on the table… yeah, it does not look comfy at all.

you sigh, he’s giving you more work again, and you carefully hoist him from the table. 

when he comes to again, he finds himself in his own room

his head hurts so much

he notices that he hasn’t changed from his usual attire – only his coat and accessories are taken off

okay, and the top button of his shirt is undone

did you bring him back? 

as always, you don’t even bother to change him

he sighs, you’re really not very good at reading signs

because he’s done this multiple times! and he’s whined about not being changed after!

more like you did notice but you choose not to do what he wants

that’s crossing a line in your books

and your books is something you stick to like you’re obsessed

at least you left him water and hangover medicine on the nightstand

why does he feel like you’re deliberately keeping him at arm’s length?

it’s been a while and you two have spent so much time together, yet you’re still a stranger to him

not even acquaintances 

like… like, you don’t initiate conversation when you’re watching him

both when he’s going somewhere (requires actual protecting) and chilling at home (does not require actual protecting)

and even after so many late night drinking sessions, he still hasn’t seen you without your mask

mainly because you’ve never been drunk enough for him to sneak a peek, but still

aventurine doesn’t know how to express affection. platonically, romantically, in general, pretty much. so he tries to do the one thing he does best, splurging. and he tries to splurge on you, because he’s intrigued and wants to make buy a friend, but…

but you don’t let him splurge on you! you don’t even let him give you gifts! he only knows how to win affection by spending money on others! 

sometimes he feels like you stick too strictly to your duties

just like his other subordinates… you take orders far too well

he’s tried to give you trinkets, designer clothes, even limited snacks

all of which were returned to him within 24 hours

though, with the snacks, you take it if he offers you a piece or two when he’s already opened it

and you let him treat you to coffee occasionally. very occasionally.

he eventually figures out that it’s a matter of principles

but what principles, exactly? you’re a sellsword, for aeon’s sake

he thought those are the people who have absolutely no principles???

anyway, won’t stop him from trying

“mr aventurine…” you pinch the bridge of your nose as you see the bags stacked on your desk. “i remember telling you that souvenirs are unnecessary.”

“what’s wrong with them?” aventurine laments dramatically. “i’ve picked out only the finest for you!”

you don’t deserve it, you think, but you don’t say that, of course

you don’t even know of his lifelong grudge towards oswaldo

you just know that you had a hand in the extinction event

not like hand hand, but you watched it happen… it doesn’t sit well with you

besides, you have the blood of almost an entire civilization on your hands

if you think too hard about it, the image of flames and carnage overlap with what is in front of you

then, you envision the records of sigonia that you’ve read through in the past

and everything blurs together, your actions, your inaction, and your unwavering loyalty that led you to not raise a single question at all

you squeeze your eyes shut tightly and purge the images from your mind

you are currently here, in the present

“i can’t take them.” you reply, finally, shaking your head. “it’s inappropriate for our standing. especially since there’s no reason for you to be gifting me so many things out of nowhere.”

“what, i can’t be nice to my bodyguard?” aventurine pouts as he sorts the bags in height order. “i’ve got a limited edition tie, an antique phonograph, a discontinued mug, some rare natural color ink for your fountain pen, a pure cashmere sweater–”

“that’s… that’s enough, sir.” you raise a hand to cut him off. “i don’t think i can accept any of them, really.”

aventurine makes a face, then pulls out a bag from the end of the queue. “fine, fine. what about this, at least? assorted cookies from an artisan bakery, using only the best ingredients sourced from all over the cosmos?”

you stare at that bag as you feel the expectant stare from your boss

maybe… maybe one out of these dozens of bags is fine

you’ve gotta think about his feelings too, after you’ve rejected so many gifts

you reluctantly, carefully take the bag and say a small “thank you”

you don’t want his fascination with you to develop any more than what he’s already showing…

but you also know that it’s not up to you

so what is up to you is drawing a line that you won’t allow him to cross

for his sake, and for your own… 

if he keeps pushing, you should keep pushing back

keyword should

but can you?

aeons, you truly are selfish

wouldn’t it have been better to keep everything professional from the very beginning?

it’s okay. you only have a little more than half a year to go before you’re no longer obligated to be here. you’ll run away before aventurine catches on, like how you ran away from your past.

it’s okay. it’s just been a few months, there’s still more than half a year’s worth of time. before you part ways, there are still chances to get to know you better. perhaps even time to become friends, in the most literal sense of the word.

and maybe by the end of it, “you” will reach a satisfactory conclusion.

[celestiamour]

‧₊˚✧ ❛[ every week is fashion week ]❜

ft. wade wilson x gn! reader — marvel

╰₊✧ playing dress to impress with deadpool┊0.6k words

contains: wade being wade and probably ooc because he’s a bitch to write for

➤ author's note: gaming with him could fix me honestly

╰₊✧ when you hear him yelling and swearing insults like a sailor, you assume that he was playing some sort of rage game or a first-person shooter that he sucked at, but when you enter his room to see what all the commotion is about, you’ll see him hunched over on his ipad playing roblox like a child. the moment he sees you, he’s going to force you to download the app if you didn’t have it already and have you duo with him to have cute matching couple outfits.

╰₊✧ he knows nearly every code that’s active, has vip unlocked, and theorizes about the story behind it all like the lore whore he is. it sounds crazy to you how such a dress-up game could contain little details about a doppelganger replacing the nail tech, a mysterious organization, and something called the “flesh room, but you suppose that every generation needs to have an innocent-looking media hiding dark secrets.

╰₊✧ speaking of generations, you’re a hundred percent sure he’s too old to be playing this game and the way he bullies other players who are likely children makes you think that he was a regina george equivalent back in the day. he claims you only think that because he’s a harsh critic who rarely gives out anything higher than three stars, but it’s clear that he forgets that it’s a game for kids and gets carried away often.

“what the hell is that?! that’s not 2000s, that’s 2010s, dumbass!”

“babe, i’m pretty sure that they weren’t even born yet in the 2000s.”

“whatever, it’s still the ugliest fucking skirt i’ve ever seen.”

╰₊✧ he’s super competitive and petty with a capital “p,” strutting his model around to scope out the competition and singing a little improvised song under his breath along with the background music (some crazy stuff comes out of his mouth, things that make you whip your head around to stare at him while he acts like he didn’t just say the wildest shit for the sake of a rhyme). every round is like a different episode of reality television, and wade is constantly beefing with other contestants like it’s high school again.

“ooh, she ate.”

“...really?”

“yeah, she ‘ate’... OFF MY PLATE! THIS BITCH IS COPYING ME!”

╰₊✧ because his fashion sense is impeccable and his creativity is off the charts, he gets copied a lot and he will walk up to them to confront them about it. if they try to walk away or insist they aren’t, he’ll menacingly follow them around with a bloodlust that somehow permeates the screen until they finally change. you need to remind him to stop scaring the children, yet he never listens because it’s not like they can hear him roasting them on an open fire anyway.

╰₊✧ he always lands in the top five and carries you when doing duos because you refuse to spend a cent on roblox, but he can get pretty pissy when an outfit (or player) he didn’t like places higher than him. every time he quits and puts down his tablet to do something else, you’ll find him playing again with his feet in the air swinging like a teen girl writing in their diary about their crush an hour later. you’ll also hear him trying to convince logan to play with him too, although he’ll never be successful in this lifetime.

╰₊✧ gives an extra star to anyone coming out on the runway who forgot or didn’t have enough time to pick out a hairstyle in “bald solidarity”

╰₊✧ his favorite pose is pose 28, referencing the meme of “pussy facing the word” as his reasoning because of course it is.

[toggle1-mrfipp]

Something I really love about Elden Ring compared to the other Souls games is that its story is far more "present" than any of the others. In Demons' and the Dark trilogy, the world is tittering on the edge, all the big and major events have already happened and the major players are either gone or are something less than who they were by the time you show up, at this point you're basically just cleaning up. With Bloodborne, you get to Yahar'gul the first time and there's something off, there's this odd and tense atmosphere, you find this big locked gate but there's nothing you can do. Later you find out that while you were minding your own business killing werewolves, Micolash's people were conducting rituals and you then inadvertently help them pop things off by killing Rom. Seikro has a whole civil war going on in the background, everything Genichiro does is because of this war, but it is not in any way a concern for Wolf.

Elden Ring feels like the first time in these games where you feel like an active participate in the events of the story; yes Marika shattered the Elden Ring an age ago and lots of important things happen, but stuff is still happening in the present day, varying characters have their own goals and motivations that propel them forwards: Melina, Ranni, Morgott, Mogh, Rykard, Gideon, Goldmask Fia, Dung Eater, Shabriri, Gowry and so many other characters are all taking steps to push the world into the way they want it to be, and you are at the center of it. These plans living or dying depend on you and the actions you take, and how it fits in with your own ambitions. Even the background lore seems to be rather more connected than most of the other games because the relationships between all these majors characters and how they interact with one another is vital, which is different compared to how isolated from one another other lore important figures in the past games typically are.

It's why the Shadow of the Erdtree is maybe my favorite Fromsoft narrative; Miquella hasn't been in the Land of Shadows for an age and a half, he got there like a day or two before you did, and everyone is trying to figure out what exactly he's trying to do as he does it. Him leaving behind his Great Rune happens in real time, you can feel it across the map, and him dispelling his charms has changes in each of the characters who then pursue their own goals. The fight against Leda and her allies, a gank fight no less, is maybe one of the best fights in this series because it's the culmination of all these stories coming to head, of them all wanting something from this journey and fighting for it. It's the first time I think in this game that actual conversations happen, and I loved hearing Leda, Freyja and Moore exchange words with Thiollier and Ansbach because it cements that this was an active story.

God I love this game.

[genericpuff]

The Elephant in the Room - Queer Erasure and Westernization in Lore Olympus (and all its horrid stepchildren)

This is one people have been asking me for a while now, and I've been waiting for the right inspiration to hit, as is required for my ADHD hyperfixation-fueled rants. After recently watching a video that did an objective review of Cait Corrain's Crown of Starlight, I felt now was the time, because Crown of Starlight effectively proves exactly what Lore Olympus - and other Greek myth interpretations like it - has issues with.

And I want to preface this post with one question - why do we keep getting these Greek myth adaptations written by queer women that still wind up perpetuating toxic heteronormative culture?

Buckle up, because this one's HEFTY.

In that aforementioned review of A Crown of Starlight, there were a lot of points that came up about how Cait wrote the female protagonist - Ariadne, wife of Dionysus - where I immediately stopped and went, "Wait, this sounds awfully familiar."

It should be mentioned briefly for anyone who's unaware - Cait Corrain is an author who was recently (and still) under fire for using sock puppet accounts on GoodReads to intentionally sabotage the ratings of other debut authors, many of whom were her own peers or from the same publishing imprint as her (Del Rey), and most of whom were POC. I mentioned in that previous essay that I just linked that Cait Corrain is a fan of Lore Olympus and decided to give it 5 star ratings from these alt accounts, not just de-legitimizing the reputation of the books she bombed, but also the ones that she praised (including her own book, because of course she had to leave an obvious calling card LMAO). I felt it necessary to tie Cait into my discussion of white feminism in LO and its fanbase because people like Cait are exactly who we're talking about when we dissect the intent and consequences of LO's writing - much of its brand of "feminism" seems to only be catered to a specific kind of woman (i.e. white women who fetishize queer people/relationships) and seem to encourage/embrace violence towards women if those women aren't "behaving correctly" or just aren't fortunate enough to be white and rich - and so Cait choosing to give Lore Olympus 5 stars in her hate-raiding and even have it visibly in the background of her headshot photos was... not exactly disproving my argument that these are the types of people LO caters to and encourages, to say the least.

But then I watched Read with Rachel's "Did It Deserve 1 Star" review of Crown of Starlight and it cemented my assumptions and concerns regarding Cait's intentions and influences even more.

As a brief tangent, I've read A Touch of Darkness by Scarlett St. Claire. It very obviously is using Lore Olympus as its blueprints, but it's not super obvious that if you didn't read Lore Olympus or weren't aware of it, you probably wouldn't notice. It's still not a great book on its own, it's riddled with writing problems, but at least it can call itself its own thing to some degree.

Crown of Starlight is just blatant Lore Olympus fanfiction pretending to be original, even down to its marketing (which I'll get to shortly) but swapping out Hades and Persephone with Dionysus and Ariadne, and setting the entire story in space. Why is it in space? There doesn't seem to be any actual necessary reason for this, it just is, go with it. I'd be willing to accept this because changing up the setting of pre-existing stories can be fun (god knows I loved the premise enough of Lore Olympus being a modern day Greek myth retelling that I had to go and make my own version of it that's still in that modern setting) but as RWR says in her review:

"... we're told that it's the 'island' of Crete, but then we talk about commbands, airlocks, [holo-shields] and it wasn't really written in a way that I felt meshed 'Greek retelling' and 'sci-fi' in a cohesive way."

Needless to say, Crown of Starlight unsurprisingly suffers from the same problems Lore Olympus does, where it will try to "subvert" the original myths by changing their setting and characters and then doing absolutely nothing interesting with them to justify those changes.

To really drive my point home that Crown of Starlight is undoubtedly Lore Olympus fanfiction, Lore Olympus was literally used as a comparison point in Crown of Starlight's marketing which is a fair tactic to use to advertise to a specific niche or demographic, and while some have argued that Cait isn't technically the one to come up with that marketing jargon, it's made much more clear that she used that comparison herself when writing and pitching the book because it is quite literally just Lore Olympus with a different couple in space, right down to the main female protagonist being part of a purity cult. And of course it wouldn't be a bad Wattpad romance if it didn't have our main female protagonist Ariadne talking about how inconvenient her MASSIVE BREASTS are and of COURSE Ariadne is a poor innocent uwu babygirl who needs a man to come in and rescue her from the evil purity cult and of COURSE it hints at them eventually having raunchy sex just for it to wind up being milquetoast bondage and of COURSE it all just winds up taking traditionally queer characters and stories and turning them into this sanitized Disney-esque plotline where the boy and girl were always meant to be together and nothing else matters except their love-

And that, at its core, really just screams "this is bad LO fanfiction". From the stylization of the book's writing which never outgrew its "adorkable fanfiction writing" phase-

"Realizing that I'm being gaslit by my entire world doesn't make it easier to deal with, but hey, at least I still have some part of my soul!" - an excerpt from Crown of Starlight quoted from RWR's review timestamp 13:03

-to the "creative" choices made to turn Ariadne into a chastity cult girl whose resolution is obviously going to be to have what's implied to be dirty raunchy sex just for it to be like... the most tame level one bondage stuff;

-to the classic "she breasted boobily down the stairs" focus on Ariadne's body and breasts and sex appeal that's being kept in check by that pesky purity club.

And that's really disappointing because I had seen people say, "Yeah, Cait did an awful thing and deserves to be removed from her publishing schedule, but it's a shame that that book was written by Cait because it's actually a really good book!" because now it's just making me even more sus of people's Greek myth adaption recommendations (I'm still mad at BookTok for convincing me that A Touch of Darkness was worth reading). All I could think while listening to some of the excerpts quoted by RWR was that if I didn't know about Cait Corrain and read Crown of Starlight blind, I'd undoubtedly assume it was being written by a heterocis guy... but it's in fact being written by a queer woman.

And this is where I segue into talking about the root of this problem, where the calls are really coming from - Lore Olympus and its erasure of queer identities and relationships, despite also being written by a queer woman who should know better.

I could think of no better character to help carry this essay than Eros.

Unlike many of the characters in LO that Rachel has managed to straightwash by changing their motives entirely or straight up changing their identity from the source material (ex. Zeus, Apollo, Crocus who was turned into a flower nymph, Dionysus and Achilles because they're both literally babies, the list goes on), Eros has largely remained the same on paper who had zero reason to not be queer within the story.

Eros is still the god of love in this, he's still a guy and presumed to be an adult, but we NEVER see or explore him having relationships with anyone other than Psyche, aside from a brief mention of organizing orgies in the beginning that's used as a quick joke and then promptly never mentioned again.

Just like with Crown of Starlight and A Touch of Darkness and all these other "dark romance" stories, it's that brand of "pretends to be sexually liberating but isn't actually" writing, where they'll briefly mention orgies or sex-related things and then beat around the bush or avoid involving them entirely like a kid at Sunday school who doesn't want to say the word "penis".

(fr out of all the corny and awful slang for genitals I've seen used in stories like this, "a certain part of my anatomy" is definitely one of the most boring and stupid, like for god's sakes Hades you're both adults and at the beginning of this comic you thought she wanted to bang in the kitchen, why are you suddenly talking like a 7 year old boy LOL)

All that aside, while Eros might still be hinted at being queer and sex-positive, it's only as vaguely as possible so that the story can quickly move on to focus on him and Psyche or, better yet, Hades and Persephone. When Eros isn't deadset on finding Psyche, he's being the gay best friend for Persephone, who he has NO right having a friendship with when he introduced himself by intentionally getting her as drunk as possible with the intent of dumping her in Hades' car as per his mom's command. It's brushed off later as "well Aphrodite maaade him do it, for Psycheee!" but Eros still agreed to potentially put Persephone in danger over a relationship that had NOTHING to do with her and was also mostly his fault in its fallout (which Artemis calls him out for, but of course, like all the other times characters have called out the actual issues in the story they're inhabiting, they get brushed aside so that Persephone can talk about Hades):

Now, the Eros and Psyche plotline is one I've talked about before here and not the focus of this essay so I'll keep this tangent brief, but it's absolutely wild to me that Rachel took a story about a woman going to the ends of the earth to prove her love for someone whose trust she broke (a common theme in a lot of Greek myth stories, such as the myth of Orpheus and Eurydice) and turned it into... woman of color gets turned into a nymph slave for Aphrodite to 'test' Eros, a test that isn't clear at all in what it's trying to achieve, and wait hold up, didn't Eros actually fail that test by kissing Ampelus while completely unaware that it was Psyche-

This is just that episode of Family Guy where Peter justifies emotionally cheating and eventually physically cheating on Lois because "well you were the phone sex lady the whole time so no harm done!", isn't it? (×﹏×)

Anyways. It's all very convenient that the comic will hint at queer rep just to either have it be a constant question of whether or not they're actually queer (ex. Morpheus) OR to have it be promptly swept under the rug to make way for other characters/plot points. It's like when mongie tried to be "inclusive" by writing a stereotypical vaguely Asian character with no specific ethnicity just to get angry at her fanbase for calling her out on this that you can't just call a vaguely Asian character "representation" of anything (because Asia is MASSIVE and covers so many different ethnicities and languages and cultures).

Eros is only as gay as he needs to be to fill the role of "gay best friend" for Persephone.

Krokos is no longer a male lover of Hermes but a flower nymph created by Persephone because... apparently we can't dare imply that Hermes would be into anyone besides his unrequited childhood love, Persephone.

Achilles is introduced as a baby even though it makes no sense in the comic's own timeline where Odysseus is presumably already a well-known hero in Olympus, so much so that he was invited to the Panathenea.

Apollo is turned into a flat-out rapist who's only concerned with getting Persephone at all costs and when that doesn't work, he tries to get ANOTHER flower nymph (Daphne) who's actually genuinely interested in him (contrary to the original myth, there's that "swap it subversion" Rachel is known for) to cut her hair so she'll resemble Persephone more because we can't have a single plot point not resolve around Persephone.

Despite there being loads of genderbent characters already, Morpheus is supposedly the only one we're supposed to assume is specifically trans and not just a gender-flipped version of a Greek myth character. Why? Not because Rachel stated so explicitly, not because the comic has actually explored her identity as a trans woman, but because the readers just assumed it in good faith and Rachel was clearly fine with taking credit for trans representation that's only there via assumption (and only confirmed via her mods in Discord, which is... not how you establish canon information in your comic, Rachel.)

Hestia and Athena are part of a chastity club, until uh oh how convenient that they're secretly in a relationship with each other even though it further vilifies them and their morals, particularly Hestia who was promptly called out for being a hypocrite for taking Persephone's coat gifted to her from Hades while secretly being in a relationship the whole time. Not only does the Hestia and Athena relationship manage to commit queer erasure - of two gods who are considered icons in the aroace communities - but it also makes the only two lesbians in the story come across as assholes AND ON TOP OF THAT ALSO manages to somehow invalidate queer sex and relationships as being legitimate due to the even deeper implication that breaking their chastity vows "doesn't count" because it's not a male x female relationship. It's the 'ole poophole loophole all over again.

And then there's Artemis, who has MORE REASON THAN EVER TO BE IN THE PLOT but keeps being conveniently ignored. Her finding out about Hestia and Athena doesn't get any more screentime than her going "oh you're in a relationship, okay" , we never see her question the true intentions of TGOEM or what it means to her, we never see her have any opportunity to carve out her identity beyond just being Apollo's twin sister (it tries to at times, but then immediately goes nowhere with it, amounting to just poetic word salad), and she really just comes across as what a lot of people assume aroace people to be - alone and standoffish, because obviously someone who's nice and a good person would be in a relationship, there has to be a reason they don't want to have sex or fall in love, and that reason obviously has to be that they just hate everyone and want to be alone forever (￢_￢;) Then again, like many of the queer characters in LO, I don't know if I can definitively call her aroace because it's kept as vague as possible, and - going by Rachel's answers to these questions way back in her Tumblr era - apparently people can't be gay and ace at the same time-

There are undoubtedly loads more examples that I could cover here but that goes for practically any essay I write about LO - the more you peel it apart, the more you start unearthing some really questionable and frankly mean-spirited stuff. Queer people feel largely ignored in LO, alongside many of its derivative offspring such as A Touch of Darkness and Crown of Starlight, and it really speaks to how so many people - queer women, no less - have somehow managed to bastardize and sanitize what were traditionally very queer stories with queer characters. It's like these people think "olden times" and can only get as far as "women were slaves and men were rich assholes". Like, yeah, okay, that was the case for many cultures, but not all of them, and for some of them it wasn't as clear cut as that, many had misogynist power struggles in them while also still celebrating women and queer people in their own way. Greek myth is full of stories of women being forced into marriage or being made the victims of assault, but many of them are supportive of women and their struggles, unlike works like LO that somehow manage to be less feminist and sympathetic to women and queer people than these works from thousands of years ago.

This is another topic that's surely meant for another post, but it really speaks not only to the straightwashing and whitewashing of Greek myth, but also the Westernizing of it. That's not to say Rachel Smythe and Cait Corrain and Scarlett St. Claire are intentionally trying to whitewash another culture's works here, but if you're raised predominantly on Western media, you're undoubtedly going to absentmindedly adopt ideas about society that are primarily molded around Western beliefs .

And this is apparent in LO, while Rachel is from New Zealand, you can tell she grew up on a lot of Western media and its influences are sorely showing through LO's worldbuilding, character designs, and narrative choices. That "modern setting" that I mentioned before is much less Greek and a lot more adjacent to The Kardashians which lends to the theories that most of the media that Rachel consumes is American. Rather than actually going to the effort of doing her research on Greek culture, she seems to just prefer defaulting to the easiest assumption of how modern society is across the board - a generic Los Angeles clone with big glass skyscrapers and pavement walkways. She rarely ever draws food or clothing from those time periods; despite this story being about gods she's spent so little time on the people who passed on the stories about those gods, the mortals, and the gods themselves rarely feel like gods, rather just like Hollywood celebrities covered in body paint. The clothing feels very generic and uninspired with often very little Greek influence, even though Greek clothing is designed around Mediterranean living which you could do a lot with, to such an egregiously Western degree that Hades and Persephone's wedding was Christian-coded. The food... well, there ISN'T any because as we've seen, like the stereotypical American child, Persephone apparently only wants chicken nuggies and Skittles for dinner, so we never see her eat; and not only do we not see Persephone eat, but Rachel weirdly tries to use Persephone's vegetarianism as some kind of anti-capitalist characterization when much of the Greek diet is predominantly vegetarian. It's NOT HARD or uncommon to be a vegetarian in Greece!

(it looks like they're literally all eating the same thing so IDK what Hera is referring to here, it looks like they're all eating toast and lettuce LMAO)

All that's to say, much of LO - and the books like it that I've gone over here - are written with this idea that every culture - including the one that it's trying to adapt - was subject to the same ideas that Western culture lives by in the modern day - that being a vegetarian is "counterculture" in every culture, that the notion of sexual purity is enforced in the same way it's enforced in the Western education system (cough Christianity cough), that queer or otherwise "unconventional" relationships should stay inside the bedroom and not be seen. As much as Rachel claims she wants to "fight the patriarchy" and "deconstruct purity culture", all she winds up doing is reinforcing it through a Westernized lens, which is, as I've talked about before, very indicative of right-leaning white feminism and what it embraces and promotes - being a "good woman" who follows the rules and willingly becomes part of the system that's oppressing them because that's what "good women" do. Women who are confidant in their sexuality are evil and should be shunned for being "sluts". Women who are in relationships with other women "don't count" as real relationships the same way heteronormative relationships do, and cannot be trusted because they're likely trying to spread an agenda that's designed to brainwash heterocis women. Women should only aim to achieve marriage and their entire personality has to be built around their true love. Women are allowed to be kinky, but only as kinky as roleplaying the exact same gender structures that puts the man in a position to dominate a woman, and it should always and only ever be with her first love who she marries immediately, no one else.

This is exactly what the critics are getting at when they hold LO - and its creator - accountable for the messages it's been sending for five years to its audience of middle aged women and young girls. Having a demographic is fine, if this were just a comic for girls it would be fine, but it becomes a lot more problematic when that demographic is being fed toxic power fantasy stories based on a culture that's being gentrified and sanitized of all its original messaging and characterization right before our eyes. It feels blatantly misinformed from the very beginning in its intention to be a "feminist retelling" of Greek myth, because somehow Lore Olympus manages to be less feminist than these stories drafted and written by men from 2000+ years ago.

I opened this essay with a question: why do we keep getting these Greek myth adaptations written by queer women that still wind up perpetuating toxic heteronormative culture?

I think cases like these really highlight how deep the heteronormative brainwashing from childhood onward goes. That, despite these writers being queer or women, still manage to reinforce the same ideas and tropes and harmful predisposed notions that were designed to be used explicitly against queer people and women. These are things that we can't ever stop challenging, and asking, and truly deconstructing, because it runs deep in many of us who grew up on popular media even as innocent as Disney. Learning about more complex social concepts like sexism and misogyny and queerphobia doesn't automatically absolve us of those very same biases that have been both blatantly and subtly ingrained into us since childhood. All that said, Rachel being bisexual does not mean she's not capable of straightwashing; Cait Corrain being a queer debut author with a POC main character didn't stop them from targeting other POC debut authors at their own imprint; being part of any minority group or identifier does not automatically protect you from perpetuating the cycle that you, too, likely had enforced upon you at some point or another in your life. The fact that these creators and writers are still perpetuating that cycle to begin with is indicative of why it's a cycle at all - it takes work to break on a subconscious level because those cycles are specifically designed to target and hijack the subconscious.

At its worst, do you really think Lore Olympus can claim to be a feminist retelling that's "deconstructing purity culture" when the creator herself admittedly never fully identified or understood sexism until her mid-30's and has the audacity to say her audience is "harsh" on the female characters that she constantly vilifies through her own narrative?

"I feel like female characters in general, people will be a little harsher on them and sometimes way harsher on them, and I used to be like.. before I started writing the story and like making a story I was like yeah, sexism is not that bad, and [now] I was like oh it's bad. It's quite bad [laughs], so like, I don't know, I feel like the female characters in the story don't get so much of a pass. But this isn't consistent across the board, it's not all the time" - Rachel Smythe, in an interview with Girl Wonder Webtoon Podcast

If Lore Olympus truly was just a series meant to be for fun "no thoughts head empty" drama and spice, that would be fine. I've said it time and time before on this blog and I'll say it again: I wouldn't have an issue if Rachel was just writing a story exclusively revolving around heterocis men and women. I'm just frustrated and tired and annoyed that she keeps lying about it, and doubly so that this comic and its creator who claim to be "feminist" have inspired other people in the same headspace to continue to perpetuate that cycle through works that are clearly inspired by LO and never challenged the things LO promoted - violence towards "unconventional" women, violence towards POC, and erasure of queer people. And worst of all, for writers like Cait Corrain, it's more than just writing a really bad book with really bad messaging, it's going so far as intentionally targeting those same groups of people that are regularly vilified in works like LO - people who are just existing, who don't pose a threat to anyone, but had the misfortune of becoming the target of a white woman's insecurity.

I don't know what the answer to this problem is. I don't know what form the solution will come in, if any, to address the ongoing issues with Greek myth adaptions that are being sorely written through an "America as the default" point of view and praised for "rewriting the script of Greek mythology", quite literally cultural appropriation happening live right before our eyes all for the sake of cheap entertainment. Maybe it'll take the failings of works like Crown of Starlight to really get people talking about it. But so long as the roots of these works - such as Lore Olympus - are still being protected and marketed en masse by the same kinds of people who don't see the issue in Americanizing other cultures and their stories, then Lore Olympus and Crown of Starlight will not be the last ones to cause harm to the source material - and the cultures that source material is born from and a part of - they're taking from.

I opened this post with a question, and I'm going to close it with another to really leave it as food for thought. That question comes from another video that I'll link here for you to watch at your convenience that spends even more time diving into and discussing the nature of works like this that have seemingly attempted to "deconstruct" the very dogmas that they still wind up reinforcing all the same.

Does the romance genre have a white supremacy problem?

(yes. yes, it does.)

[itsguysnightitsironic]

Curse of the Nitghborne.

Guys, I haven't had time to play a lot, but I think the god of this land MAY BE the bad guy, but don't listen to me much.

Get up, folk! Flor did another Curse of Strahdanya crossover after Derek mentioned Lethica fused with Strahdanya as one throw joke in a stream!

The style is indeed inspired by the great art in Hades (the videogame), and the background is by Hades II.

The drawings without text:

Also, this was written at four in the morning, and I refuse to correct my insomniac ramblings this is the beta experience:

Lethica Nightborne as Strahdanya

----LORE------- In Barovia, a land of the dead, of suffering and grief, a new god has appeared out of nowhere covering the land in an eternal night... Of happiness? Lethica Nightborne, known as the Divine, has presented herself as the saviour that the land needed it, for what seems like decades. Her light, her kindness, her power, has changed the region and the hearts of the people to their core, as the land has been reborn... As there's new blood... But of course, you can't blame the nature of evil, so there's still death, suffering and pain in Barovia, but of course, our saviour, our dear wife, cleans it as she chooses. And if she asks for a sacrifice, of course, we will bring it to her, if she asks for the firstborn of every family, we will name the second after her, and if she asks that we take care of her dinner guests, we shall take care of them. -----DESIGN------- All I knew of Lethica was that I wanted her to wear a veil, and she couldn't only be a countess but a whole god, the saviour of Barovia. The churches don't talk about sun gods, only of her, their lady of dark, their god. Her dress comes from mixing Stradhanya's and hers, ending in a very 19th figure, with a bit of Mesopotamian fashion (the metal belts and sleeves with the double skirt) to show her as a figure of the past, as somehow older than she appears. Of course, she had to have some kind of knife so a knife fan, and a cup to show wealth and power (her cup is always full, full of what? Well, if you look at the very pale man under with not a lot of blood left-)

Marius Renathyr as Victoria Issacs

-----LORE------- Marius as a man of Ilmater seems to be QUITE interested in Barovia, a land of suffering and grief, to the extreme that seems too personal to just be a missionary mission to conquer pain. The university doesn't trust him completely, but somehow, even as a new member of the university and resident of Druskenwald, Marius had found a way to get the vote of everyone involved and the funds for the crusade. But what would be the real reasons for such travel? Or... WHO is the real reason? ------DESIGN ------ Inspired by the old missionary ropes of the 1800s and the typical vampire hunter, Marius stands as a very weird-looking holy man. From Victoria's design, we get the rosary turned into this over-complicated necklace and the ropes around his hips that reference the bloody ropes of Ilmater. (Victoria's, and now Marius, god.) And his sword has turned into a cane. (a cane with a blade.)

Yorgrim as Silas "Shepherd" Morgan

-----LORE-------- From the depths of Yona, a mercenary is invited to participate in an expedition to a land of death and suffering. He accepts stating that he has other business in Barovia and he could be glad to accompany the group under the condition he would work in peace when need it. Of course, he refuses to say the kind of work, you know, "professional privacy policy" and all. But by his reputation... It can't be good... -----DESIGN------- I was going to go with a funeral worker, but the scarf with teeth appeared and it changed the vision. The design takes more inspiration from Shepherd than Yorgrim, with the hunter theme, with the shotgun filled with blue magic and a list of hunts on red clay (that would be broken when the hit is eliminated.)

Briggsy "The Kutlass" Kratch as Professor Clayton Azran

LORE------- Briggsy may take the role of the professor, but he's not the expedition's leader. He's contracted by the University of Druskenwald to keep an eye on Marius (since the university is suspicious of the holy man). He accepts, without even wondering or caring what Barovia is, only happy to finally obtain a title under his piracy by the lords of Druskenwald. (He's getting paid to be a pirate, oh the dream!) DESIGN------ With his design, he was the last one and I was VERY tired, so... It's something weird? You know, a pirate trying to look like a "noble man". (but he's very much failing, he looks like a maniac I think)

Jericho Sticks/Virgil as Sarnax of the Edelwood

----LORE----- The cult of Gherix initially refused the university and the idea of letting them explore the runes in their forest. Until they accept but a month away from the expedition which is extremely suspicious. When the group found themselves in the forest, there he is, Jericho, a sacrificial figure of sticks and straw offered by the cult as a guide. (Of course, the poor, only brought to life months ago, strawman is a sacrifice in the name of Gherix that, by burning in Barovia, will give the god control over the whole region. / Indeed, Virgil is now Gherix we get an asshole god, give it up!) -----DESIGN----- Inspired by Wicker Man (giant figures of sticks and straw with animal sacrifices that are burned during Celtic rituals such as the Beltane.) Jericho is turned into a sacrificial figure who will burn when it's necessary by the light that keeps him alive.

Farryn of the Hartsblight as Kana Soyokaze.

-------LORE------- It isn't clear when or how, but Farryn ends up getting involved with the expedition. As a storm in sea, one day, the swordswoman appears out of the blue stating that she's also trying to find her way into Barovia. The deer refuses to explain her business with the "Divine" of all people, only holding her katana with anger and sadness, but she's clearly not looking to make friends. (She ends up being friends with the whole party.) -------DESIGN----- Based on the Sika deer (a Japanese deer), the design lingers more around the fusion character while keeping Farryn's figure, with the open skirt covered by her leg armour that goes up to her hips and the war paint, fur, and bone that stays in view.

[spookberry]

Shadow High series 3 my new beloved

I didnt even like most of em until i saw them in person, but the knowledge that they'll probably never be in the show has my brain in a "well its free realestate" kinda mood

Random list of information cuz ive been plotting out friend dynamics and background lore

-i like to pretend Rainbow High/Shadow High are actually Rainbow University/Shadow University cuz im in art college Right Now and i think it makes more sense with the whole dorm room situation. And also major makes more sense than focus IMO

-I changed Pinkie's major from film to just undeclared. I think she eventually does land on Film. She just has a lot of interests! Her dream has always been to one day direct films, and I think she comes to love them even more while developing ideas her with the group as she winds up in a Director/Producer position for most of them. BUT also every time she takes a class in a different program she cant help but fall in love with that way of making art too. So she has a hard time picking for a while and changed her major a couple times before landing on Film.

-Pinkie and Berrie bond a lot over a shared interest in vocal synths (tho Berrie knows more about them than her).

-The two made Pinkie's vtuber model together!

-the fandom wiki says PJ is from germany?? Idk how canon that is tbh but ive decided to embrace it i guess

-Rooney's canon name is Scarlet Rose, but i thought it was kinda lame especially when Rosie Redwood is also in this line sooo I renamed her! Stuck to the color name puns tho. Mar Rooney. Maroon. Haha

-Speaking on her though i love that shes from texas and likes writing scifi mystery type stuff and that being said i just Know deep in my bones that she was a Voltron Legendary Defender fan and Keith was/is 100% her favorite. She has a continued fondness for mothman specifically cuz of this.

-PJ and Rooney actually talk about fandom and shows/movies ALL the time. They dont have a ton of overlapping interests, but where they do? The two literally never shut up.

-Rosie is such a random character, like outside of her design she feels very poorly considered. So I scrapped the cosmetology thing and made her an illustrator instead! I think it works better with her love of making art in nature. I can see her being really into illustrated guide books. I think shes a bit snooty when it comes to art too. It takes being friends with other artists to become more open minded.

-I like the idea that Rosie is mainly friends with Rooney and Berrie ontop of that. The three of them often tag team storylines and how theyd interpret them into different mediums. Rosie will draw up a bunch of concept stuff while Rooney writes up a pitch bible and Berrie will start making shit move and throwing in her own ideas on camera angles and character designs.

-as an animation major Berrie was required to take a sound design class early on, which is where she met Oliver! Hes very laid back, and likes to go with the flow, but functions a little like the "mom" of the group. Often reminding the girls to take breaks, drink water, stop looking at their screens lest they get eye strain etc. He's multi-talented tbh but Music is his one true passion and he likes how the girls are always giving him collaboration opportunities.

-Oliver and Rosie like to talk sports a lot, both having played a bunch when they were younger and throughout high school.

-Lavender Lynn is Oliver's number one "person who needs constant reminders to settle down" she is in a constant buzz of trying to get the best shots and is utterly obsessed with the process of artistic documentation. Everything must be documented.

-the whole school loves her for this actually, she has a whole side gig where other students hire her to help photograph their projects. She saves everything she earns from this for her future dream plans to visit paris. She has it set really, many of the artists who she helps photograph now will remain steadfast clients of hers forever onward.

-PJ and Lynn actually took a print media class together at one point. Which didnt at the time spark an everlasting friendship. But it did give PJ an easier in to ask for Lynn's help documenting a project the group was working on. One of Lynn's first times photographing them work happened to fall on a day where Rosie had planned to trick everyone into going on a nature walk sans devices... Lynn wound up really appreciating this outing and decided to continue hanging around the group even after that project had ended.