#rey theory

[dalekofchaos]

If WWE Superstars were Pokémon Gym Leaders by animeempirestudios

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[faintng-spellss]

the x files/ tumblr quotes I relate to bc for the past four months i’ve been obsessed with the show

[adamshallperish]

lana del rey autism moment

[doctorbunny]

A little speculation about Corpse Disposal and J-horror

But I'm a little bored so sharing a part-theory, part-headcanon on Muu and Rei

So we unfortunately don't see much of Rei in "Its not my fault" but I want to point out three key times we do

The first time we see Rei in the MV, is her wet sleeve (we know its not Muu because Muu wears a pink jumper under her blazer)

Then, after a lot of bug stuff, we're finally back in the real world, where Muu has just killed her Post-After Pain. In INMF, we don't see the surroundings as well, just the dirt track and bushes. But in AP, we see this is right next to a rushing river (Muu's undercover card also features a bridge as a landmark)

The next time we see Rei after her corpse, is a flashback to the start where she turns the hourglass over. Then it cuts just further back to before Rei stood up - as she pulls herself up off the floor She's alive and absolutely soaked after a session of intense bullying (which we saw Muu insert herself into in AP)

However, I want to now switch a little to talk about cinematography and a concept called the Kuleshov effect The video I linked is pretty concise but the gist is that if you put two shots next to each other, even if they were filmed separately, the brain interprets it as a continuous scene (so if you film a character looking off screen, then a picture of an apple on a table, we're going to assume they're looking at the apple)

Therefore while we understand chronologically that the sequence of events is Rei (wet and alive) -> Rei's murder on dry land ↺ Flashback to Rei still wet and alive Which I think everyone understood as a commentary on how this power struggle was a constant cycle of the hourglass being turned over

I think visually, it also implies a sequence like Rei was bullied -> Muu kills her -> Sopping wet, Rei crawls back to the classroom

But wait! That sequence suggests a missing step How did Rei get wet again?

Well, we know Muu killed her next to a river And if you were a scrawny teenage murderer with a body on your hands, would you leave it there where someone could see it while you grab a shovel and stand in broad daylight digging a hole in tough ground??? Or try lighting a fire in public??? Of course not!

It'd be much easier for Muu to, in a panic, just roll her body into the convenient river and let all the evidence wash away!

(Of course, if Muu was panicking, she might not have been very careful. Given she ended up in MILGRAM, there must've been something tying Muu to Rei's death and in T2 Muu seems to have finally remembered losing her left shoe...)

Fun fact: this is the same shoe Cinderella loses in the animated Disney film (and the best known version of that story came into English from France)

Shoe break over, back to the Endless Queen's Game

So, if we assume Rei's corpse was thrown in the river, what does it matter? Its just a pointless headcanon

But I speculate the meaning goes deeper!

So that image of Rei, soaking wet, crawling off the floor reminded me of something: J-horror ghost girls! Specifically the most famous of ghost girls Samara/Sadako Who became a vengeful spirit after being thrown in a well and now crawls out of TVs to kill people who watched her VHS tape

Her story too is a cyclical one (its called 'Ring' for a reason), the only way to break the curse is to copy the tape and have someone else watch it, who will then become the victim unless they can themselves copy the tape and show it to another unsuspecting patsy

The story goes back further because this movie is based on a novel, which is based on the legend of 番町皿屋敷 Banchou Sara Yashiki. There are many versions but generally a maid girl Okiku is proposed to, and when she rejects the proposal, her master breaks one of ten plates and promises to forgive her if she marries him. When she declines again, he beats her to near death then throws her into a well (sometimes it's a jealous mistress instead of a master)

Interestingly, Atrophaneura alcinous (swallowtail butterfly) larvae found in Japanese wells became known as Okikumushi お菊虫 (Okiku bugs), tying back to the whole insect thing...

It's been said a bunch now, but the name 'Rei' can be read as 霊 meaning ghost (seen in words like Yuurei 幽霊, a more common word for ghost than Rei on its own)

We know Muu is afraid of ghosts too (though I must admit she says Obake, not yuurei, but both words refer to ghosts)

Remembers the i/井 in Sakurai/櫻井 can be read as 'well' I'm sure that has nothing to do with anything

Uh, I can't think of a conclusion because its 1 am and I had to look up a bunch of spooky images

TL;DR: I think Muu may have quickly shoved Rei's body into the river next to where the murder happened (maybe forgot her shoe at the scene of the crime) and now she's scared by the cycle continuing and Rei coming back to haunt her

[autumnmobile12]

Headcanon/Theory: What if the Himura family wasn't just basing their Quirk marriages around the ice? I mean, from Geten's words, it's clear their dynastic ambition was centered around their ice powers, but what if they were including other abilities to bolster that?

Example: What if Rei's mother didn't have an ice-based Quirk, but she did have some variation of a cell regeneration one? Basically one that gave her a highly efficient means of recovery from injury. The Himura clan brought her into the family in hopes her Quirk combined with her husband's ice-Quirk (presumably) would minimize the prevalent effects of frostbite that was afflicting the family.

We don't know exactly how good an immunity Rei has to her own ice and even Shouto reaches a threshold point before he starts to take on damage, but if we take recessive genetics into account, cell regeneration or a similar healing factor would neatly explain Touya's uncanny ability, for better or worse, to survive just about anything the world throws at him.

Kiddo had no business surviving this and I'm actively disturbed that he did given the lack of quality of life he's later dealt.

With this theory/headcanon, he was not only screwed by the combined DNA of his parents but also by that of his grandmother.

This is the face of a man who was nerfed before he was even conceived.

[starryjaybird]

Ok! I think it’s safe to say I got a little carried away with this😅

Hello Again (Reylo), a rough animatic experiment / wip (though it does get a little cleaner midway through as I found my footing / decided I really did want to finish it). It’s a tribute to TLJ Reylo + the “She had seen this man before, in a daydream. In a nightmare” theory that I loved so very much back in the day.

Song used found here

[clownakai]

Am I banned from the fandom yet

[raptorladylover6969]

when I say “shes so lana coded” I mean when I see her face I can automatically faintly hear lana del rey music emitting from her atoms

[cinnamoninchiffon]

bet you rue the day you kissed the writer in the dark

now she's gonna play and sing and lock you in her heart

[slippingawayfromreality]

One more theory about Ben Solo.

Just hear me out,

What if, what if…?

Ben wasn’t actually on Exegol with Rey? What if the bond brought him to her? Since she did take his ship leaving him healed on Endor, right?

And when Palpatine was defeated, and last living Skywalker managed to bring his dyad girl back he lost all his energy, and maybe the Force sensitivity, so he couldn’t maintain the bond and came back to Endor, where he actually never left.

Therefore, knowing that Rey is alive and well, thinking of him gone, Ben decided to stay away from her, since no matter how much he has changed in last few days, the Republic will charge him for all the crimes committed by the First Order.

So, self exile, probably seemed like a good idea to him.

Also, Skywalkers are known for exiling themselves, right? Like uncle like nephew.

[smashwolfen]

Ive gone broke in free gems but shes really all I wanted this month, if i can get lucky and get lance then thats a win for me, and if I somehow get him too? Lears new outfit next why not? XD

And my escapades with the photo feature is only used to make Rei upset with someone or another lol

He can smell his bullshit a 1000 miles away XD

[letmebite-you]

i dated toxic men for the last 6 years and my payback for that is raising an army of self aware maneaters.

[salma062022]

tiktok is becoming Facebook like what do you mean Beyonce is beahide everything bad in hollywood 😭

[obsesssedblerd]

271...... how are you feeling? ☹️

omg i'm so unhappy. like there's no way.

[ancientevangelions]

End of Evangelion: Lilith

[misscrawfords]

So I'm on S02 of Fringe now and I'm having some thoughts about JJ Abrams. I know that JJ Abrams has done a lot so I'm not trying to come to any full hypothesis about him or probably say anything new about him because I know people have written a lot about him and his love of mystery boxes and ability to set up mysteries and not follow through on them. I'm no expert. And I along with many others feel real betrayal and frustration at him over The Rise of Skywalker. But the thing is, I absolutely love Fringe and Alias. They are two of my favourite shows ever and I'm currently finding rewatching Fringe massively comforting in ways I'm just starting to unpick. (I think it's something to with the fact that it's very much pre-social media, pre-conspiracy theories actually impacting real world politics to the extent they do now. It feels like a more innocent time.)

Alias and Fringe are really similar in many ways and it makes me wonder what the SW sequel trilogy might have looked like if JJ Abrams could have produced it as a TV show instead of a movie trilogy. I'm willing to bet it would have worked a lot better.

Things Alias and Fringe have in common:

Genuinely strong, well-developed, fun, intelligent, three-dimensional heroine who carries the story - Sydney Bristow and Olivia Dunham are really awesome protagonists and I struggle to name more modern heroines in TV who are a more successful blend of interesting, human and aspirational (they're both way more special and exciting and skinny and conventionally attractive than me!). They're descendants of Buffy Summers and genuinely such good characters. It's so refreshing to have sci-fi and mystery and spy thriller series with female protagonists, even now.

Said female protagonist is Special. Yes, they're good at their job but over the course of the series it becomes increasingly clear that they have actual supernatural special powers and their very existence is linked to the overarching mystery. They really are chosen ones.

Father figures are essential and the father/child relationship is arguably the central relationship in the show. Jack Bristow as Sydney's father, Arvin Sloane as her pseudo-father/mentor in Alias, Walter Bishop as Peter's father being the very centre of the plot in Fringe and his quasi-paternal relationship to Olivia as well.

Speaking of fathers, these shows really are about one specific very weird and messed up family creating problems for everyone else. The Bristows really punch above their weight in the Alias universe and the Bishop family, specially Walter's love for his son and his consequent actions, are responsible for the literal plot of Fringe. The number of people working with family members or investigating them when really these are all kinds of an HR nightmare seem to be normal in JJ Abrams' world. Nothing is random but all connected and family and blood is everything.

He seems to really like a plot involving shape-shifers where someone kills the heroine's loved one and steals their face as a way of infiltrating their organisation. Francie in Alias, Charlie in Fringe.

Secret organisations with fanatical beliefs and people with too much power and knowledge committing to them in a way that is understandable but also horrifying and leads to terrible, terroristic consequences are the central villains.

Against the odds, the heroines have happy endings with their long-time love interest and a child.

Judging from the above, JJ Abrams should have been perfect to take on Star Wars, a dysfunctional family saga about fathers and sons in which the adherents to a strange set of mystical beliefs cause insurmountable problems, especially one where the heroine is a skinny plucky girl who develops super powers.

I wonder how JJ Abrams' SW show might have gone if he could have developed all his ideas in slow burn over 5 seasons with 20 episodes each, and the racist, misogynist, backward looking fandom weren't a thing. I'm not trying to excuse the mess that was TROS at all, but I just think he has a history of executing these kinds of stories so much better!

For example, of course JJ Abrams would make Rey a Palpatine. This is giving her a heritage and making family and blood the central theme just as it is in both of the above shows. But instead of the ludicrous "Somehow Palpatine returned", this is the sort of plot that could have been built up and revealed so much more effectively over a season of a TV show. It could in fact have worked really well, as could Rey's reaction and sense of betrayal. Something this massive is really hard to pull off in one movie. And if that had been the plan all along then it should have been sign-posted clearly from TFA. A TV show would also allow more scope to flesh out Rey and Ben's dyad in the Force thing and develop their special abilities.

I wonder whether in the context of a longer running TV show that could have developed Ben's redemption further he would have given Rey and Ben a happy ending. To have her alone without her love interest and without a child is the anomaly here. The ending many Reylos actually wanted where Rey and Ben were free of the war and living in some kind of peaceful exile with their family actually would fit Abrams' MO more based off these two shows.

I'm curious to know how he'd do the shape-shifting and betrayal thing. Maybe the other way round with Finn returning to the First Order as a Stormtrooper to lead a rebellion? Or would one of the Rebellion be proved to be working for Palpatine? Who knows.

Would Snoke and Palpatine be given more time to flesh out their motivations? While I love that Snoke was ultimately not that important and Palpatine was ridiculous, it could have been interesting to give one of the old-man-villains the treatment of an Arvin Sloane who is such a completely fascinating and compelling villain. Arvin Sloane in space playing Snoke's role and showing more of his relationship with Ben/Kylo would be really fascinating. Ditto Ben's relationships with Luke and Han. (SO MANY FATHER FIGURES!) And Rey's relationships to both of them too.

Anyway, this is all just meandering thoughts and speculation based off a tiny amount of JJ Abrams' work but I find it interesting and a little sad to imagine what the ST could have been like with more time to breathe and none of the Culture Wars.