#reworld

[colitcomediasblog]

Carbonxt Secures $24 Million Contract with Reworld: A Major Step in Sustainable Growth

Carbonxt Group Ltd (ASX: CG1), a leading cleantech company specializing in activated carbon products for industrial processes, has announced the successful securing of a $24 million contract with Reworld, a global leader in sustainable waste solutions. This contract, which spans four years, marks a significant material extension to supply premium Powdered Activated Carbon (PAC) from Carbonxt’s fully owned Black Birch facility.

Managing Director, Mr. Warren Murphy, expressed his enthusiasm about the new contract, stating:

"This contract expansion with Reworld solidifies Carbonxt’s presence in the US waste-to-energy sector. Reworld’s network and renewable products enable large-scale emission compliance through a greener supply chain. Our PAC products are a perfect fit as demand for sustainable technologies grows. We are well-positioned to scale up operations and deliver significant value to our shareholders."

This strategic partnership aligns with both companies’ commitment to sustainable business practices, creating potential for additional collaborative business opportunities.

[smartmobility]

Smart Mobility: Reworlding 001b by Kai (Kari) Altmann, 2024

[karialtmann]

Stills from Smart Mobility: Reworlding (Sleep With One Eye Open), 2024 by Kai (Kari) Altmann

[kristkx]

Leonardo and Donnie's sons are trying to save the world. Donnie's son, Bartolomeo, belongs to ---> TikTok: Reworld

[miisroom]

REWORLD A OLD DESIGN

A quick sketchypoo of a old oc I had, she has changed a lot and for the better imo :) idk if i can share her original design as it can be seen as suggestive and i want to keep this acc assessable to most people

its not that complex as im still having some big hand tremors from being sick and this is all i could handle doing after 2 weeks of not drawing xD

[samueldelany]

Thyme Travellers: An Anthology of Palestinian Speculative Fiction, to be released autumn 2024.

Thyme Travellers collects fourteen of the Palestinian diaspora’s best voices in speculative fiction. Speculative fiction as a genre invites a reconfiguring of reality, and here each story is a portal into realms of history, folklore and futures. 

A man stands on the shore waiting to commune with those who live in the ocean. Pilgrims stretch into the distance, passing a stone cairn with a mysterious light streaming from it. Two Australian women fervently dig a tunnel to Jerusalem. Men from Gaza swim in the sea until they drown, still unconcerned. A father and son struggle to connect over the AI scripts prompting their conversation.

Building on the work of trailblazing anthologies such as Reworlding Ramallah and Palestine +100, this volume is the first of its kind in Canada. Editor Sonia Sulaiman brings together stories by speculative fiction veterans and emerging writers from Australia to Egypt, Lebanon to Canada. 

[cosmicmote]

from hermetic circle to walled garden

we do not roam, but

sometimes we venture out

for a short story and a show of environs,

determinant and under control

the noxious circus won't leave and the trash piles up,

for the purpose of demonstration

the contra naturam remains and passes

itself off, oblivious that it is something

other than what it claims,

cognitive resonance

accentuating the wasteland and thistle,

usuriously, the wrappings laughably low effort

on the salad of malappropriated words;

we used to live on frontiers, greeneries

of understanding, growing

and still we do; nature applied to nature

changes nature, the worlds of difference

between transmutations and reworlding escapes

of purported victims

words ©spacetree 2024

[another-vessel]

Who is GT?

Gray teller friend now tell if I was to leave and reworld tell him and

[gbaromspokemone]

Story

For many years you’ve been imprisioned by a mysterious group called Team Ultra Light. One day however, a girl you’ve never met before comes to rescue you and you join the Ultra Recon Squad. Together with the Ultra Recon Squad, you fight Team Ultra Light to protect the world and find your origins. Will this be another fight of good and evil? Hope vs. Despair? Light against Darkness? You will find out!

[naturecoaster]

Native Tree Giveaway to Celebrate Florida Arbor Day will be January 17 Keep Pasco Beautiful, in partnership with the Florida Forest Service, Urban & Community Forestry Grant, celebrates Florida Arbor Day with a Native Tree giveaway on January 17! The UF/IFAS Extension Pasco County will offer a free 30-minute tree planting seminar in Dade City at 11 AM. The City of New Port Richey will begin its Arbor Day Celebration at 2 PM at Frances Avenue Park. Trees will be provided in three-gallon pots to ensure easy transportation. You must pre-register to receive a free tree. Two tree options are available: Fringe Tree and Firebush. Each person is eligible to receive one tree, and quantities are limited. Tree Distribution Sites are: UF/IFAS Extension Pasco County, 36702 County Road 52, Dade City - Tree Planting Seminar: Starts at 11 AM (30 minutes) - Tree Distribution: 11 AM to 1 PM - Tree experts will be on-site to provide tips and answer your questions. Frances Avenue Park, 5580 Frances Avenue, New Port Richey - Arbor Day Celebration: 2 PM to 3 PM - Tree Distribution: 3 PM to 5 PM - Tree experts will be on-site to provide tips and answer your questions. Don't miss this opportunity to contribute to a greener environment and enhance the beauty of your surroundings. These events are made possible through the collaboration of Pasco County, Reworld Pasco, Tampa Bay Water, the City of New Port Richey, the City’s Environmental Committee, New Port Richey FarmNet, Genesis School, the Master Gardener Volunteers, UF/IFAS Cooperative Extension, Florida Forest Service, Urban & Community Forestry Grant, and Keep Pasco Beautiful. Let's make a difference together! See you there! For any questions, please contact info@keeppascobeautiful.org. Firebush tree image from DepositPhotos.com Read the full article

[longlistshort]

Chau Nguyen, “Bài Học Về Phong Cảnh / Landscape Didactics”, 2022, sand painting

Zalika Azim, “Blood Memories (or a going to ground)”, 2023, video

Azza El Siddique, “Vessels”, 2019, ceramic, rust

Suneil Sanzgiri, “Two Refusals (Would We Recognize Ourselves Unbroken)”, 2023, video

Currently on view at The Delaware Contemporary is we are what we lose, an exhibition featuring artists Zalika Azim, Suneil Sanzgiri, Azza El Siddique, and Chau Nguyen. Through sculpture, dance, video and photography, these artists investigate issues of loss through what gets left behind.

From the museum-

“The real phenomenon of loss is both the inventory of what no longer exists and the impossible measure of what survives.” —Canisia Lubrin

What does the fugitive offer to sites of ruins? Is it a hum, a murmur, a cry, a shadow, a haunting, a poem, a memory, a scene, a loved one, a vessel, a movement, a gathering?

Fugitivity routes and unroutes our understanding of topographic terrains created through the unfolding of displacement, relocation, and exile. In the wake of migratory catastrophes, ruins are the aftermath of loss and devastation, leaving behind vestigial remnants and residuals. Reaching for traces, illegibility, and livability, the fugitive attempts to depict and texture multiple lifeworlds within ruins marked in loss and devastation. Gesturing towards the specter, how might placing what happens within sites of ruins —the permeable, usable, corporeal, and inhabitable—at the heart of our critiques and interventions enliven our imaginative possibilities?

Ruins present a set of spatial, material, visual, and psychic dimensions of un/being and becoming, as well as modes of fugitive resistance and expression. Tending to the juxtaposition of being unplaced, we are what we lose focuses on the provoking void that ruins leave behind and expresses spatial, narrative, and material practices actively and painstakingly situated in the hold of the catastrophes as means of reworlding and unworlding towards livable possibilities.

Partaking in worlding decomposition, Zalika Azim, Suneil Sanzgiri, Azza El Siddique, and Chau Nguyen present visual, narrative, and sonic performances that desire and action towards the otherly present meaning and aliveness by uncomposing time and working with the permeability of the artistic mediums. By engaging with the barely perceptible imaginations, unplaced yearnings, and tactile and vulnerable terrains, the artists orient toward spectral terrains that suture, resist, and refuse the knowability of the fugitive. Viewers will reflect on the histories of ruins haunting our contemporary sites and their capacity to mutate to make complicated ways of knowing, feeling, and seeing the world.

More information on Suneil Sanzgiri’s video installation, pictured above, from his website–

How do we live through and narrate moments of revolution and revolt, and how do we understand these experiences across time and distance? Using imaging technologies to meditate on what it means to witness from afar, Suneil Sanzgiri explores the complexities of anti-colonialism, nationalism, and diasporic identity. His work is inspired by his family’s legacy of resistance in Goa, India, an area under Portuguese occupation for over 450 years until its independence in 1961. Two Refusals (Would We Recognize Ourselves Unbroken?), the artist’s newest two-channel video installation, combines archival footage, animation, interviews, and a script written by poet Sham-e-Ali Nayeem. The film tells the stories of the mutual struggle in India and Africa against Portuguese colonialism, highlighting the solidarity that developed between the two continents during the 1960s and 1970s.

This exhibition closes 12/29/24.

[shesaidwithirony]

Right now, the earth is full of refugees, human and not, without refuge.

Anna Tsing in a recent paper called “Feral Biologies” suggests that the inflection point between the Holocene and the Anthropocene might be the wiping out of most of the refugia from which diverse species assemblages (with or without people) can be reconstituted after major events (like desertification, or clear cutting, or, or, ...).

This is kin to the World-Ecology Research Network coordinator Jason Moore's arguments that cheap nature is at an end; cheapening nature cannot work much longer to sustain extraction and production in and of the contemporary world because most of the reserves of the earth have been drained, burned, depleted, poisoned, exterminated, and otherwise exhausted.

Vast investments and hugely creative and destructive technology can drive back the reckoning, but cheap nature really is over.

Anna Tsing argues that the Holocene was the long period when refugia, places of refuge, still existed, even abounded, to sustain reworlding in rich cultural and biological diversity. Perhaps the outrage meriting a name like Anthropocene is about the destruction of places and times of refuge for people and other critters.

[colitcomediasblog]

Carbonxt (ASX: CG1) Secures $24 Million Contract with Reworld, Expanding Presence in Sustainable Waste Solutions

Carbonxt Group Ltd (ASX: CG1), a leader in cleantech, is thrilled to announce a significant milestone with the securing of a $24 million, four-year contract extension to supply premium Powdered Activated Carbon (PAC) products to Reworld, a global leader in sustainable waste solutions. This extension includes a substantial expansion of supply from Carbonxt's fully-owned Black Birch facility, and is expected to generate approximately $6 million in annual revenue for the duration of the contract.

The demand for activated carbon is rapidly increasing, driven by growing concerns over emissions and the need for environmental conservation. As businesses and industries focus more on sustainable technologies, the cleantech market is expected to reach a staggering $2.5 trillion by 2025, with a compound annual growth rate (CAGR) of 61% from 2020 to 2025.

Warren Murphy, Managing Director of Carbonxt, shared his thoughts on the deal, stating, “This contract expansion with Reworld solidifies Carbonxt’s presence in the US waste-to-energy sector. Reworld’s network and renewable products enable large-scale emission compliance through a greener supply chain. Our PAC products are a perfect fit as demand for sustainable technologies grows. We are well-positioned to scale up operations and deliver value to our shareholders.”

[carbonxtgroupblog]

$24M PAC Contract Expansion with Reworld Launches!

📢 Carbonxt Group (ASX: CG1) has begun delivering increased Powder Activated Carbon (PAC) volumes from its Black Birch facility to Reworld, supporting emissions control across 17 U.S. waste-to-energy plants. Here's the latest update:

Key Highlights:

🔹 Expanded Deliveries: Full-scale PAC deliveries have commenced as part of a 4-year, $24M contract extension with Reworld.

🔹 Revenue Growth: This contract will generate ~$6M annually, boosting gross margins for the Black Birch facility.

🔹 Hurricane Recovery: Despite setbacks from Hurricanes Helene and Milton, operations resumed quickly with no major impact.

🔹 Sustainability Focus: PAC is critical for reducing mercury, dioxin, and furan emissions, aligning with Reworld’s goals of zero waste and fossil fuel reduction.

🔹 Operational Upgrades: Black Birch has been enhanced to meet the growing demand while maintaining consistent PAC quality.

💬 Managing Director Warren Murphy said:

"We are excited to have increased production at Black Birch and started delivering more PAC to Reworld. This contract underscores the strength of our renewable PAC products and the trust Reworld places in us. We’re looking forward to continuing our partnership to help Reworld meet its emission targets and sustainability objectives."

📊 Investor Outlook:

The global activated carbon market is projected to grow from $4.92B in 2023 to 2030 at a 6.0% CAGR, driven by increasing demand for emission controls in sectors like municipal water treatment, food processing, and automotive industries. Carbonxt’s expanded contract places the company in a prime position to capitalize on this growth. PAC’s cost-efficiency, rapid odor removal, and air quality improvement are vital for environmental compliance.

Carbonxt’s resilience in overcoming hurricane challenges, coupled with its operational efficiency, demonstrates its ability to meet long-term commitments. The strategic partnership with Reworld strengthens Carbonxt’s market position and enhances shareholder value through sustainable growth.