#Reworld

[colitcomediasblog]

Carbonxt Secures $24 Million Contract with Reworld: A Major Step in Sustainable Growth

Carbonxt Group Ltd (ASX: CG1), a leading cleantech company specializing in activated carbon products for industrial processes, has announced the successful securing of a $24 million contract with Reworld, a global leader in sustainable waste solutions. This contract, which spans four years, marks a significant material extension to supply premium Powdered Activated Carbon (PAC) from Carbonxt’s fully owned Black Birch facility.

Managing Director, Mr. Warren Murphy, expressed his enthusiasm about the new contract, stating:

"This contract expansion with Reworld solidifies Carbonxt’s presence in the US waste-to-energy sector. Reworld’s network and renewable products enable large-scale emission compliance through a greener supply chain. Our PAC products are a perfect fit as demand for sustainable technologies grows. We are well-positioned to scale up operations and deliver significant value to our shareholders."

This strategic partnership aligns with both companies’ commitment to sustainable business practices, creating potential for additional collaborative business opportunities.

[smartmobility]

Smart Mobility: Reworlding 001b by Kai (Kari) Altmann, 2024

[karialtmann]

Stills from Smart Mobility: Reworlding (Sleep With One Eye Open), 2024 by Kai (Kari) Altmann

[kristkx]

Leonardo and Donnie's sons are trying to save the world. Donnie's son, Bartolomeo, belongs to ---> TikTok: Reworld

[miisroom]

REWORLD A OLD DESIGN

A quick sketchypoo of a old oc I had, she has changed a lot and for the better imo :) idk if i can share her original design as it can be seen as suggestive and i want to keep this acc assessable to most people

its not that complex as im still having some big hand tremors from being sick and this is all i could handle doing after 2 weeks of not drawing xD

[samueldelany]

Thyme Travellers: An Anthology of Palestinian Speculative Fiction, to be released autumn 2024.

Thyme Travellers collects fourteen of the Palestinian diaspora’s best voices in speculative fiction. Speculative fiction as a genre invites a reconfiguring of reality, and here each story is a portal into realms of history, folklore and futures. 

A man stands on the shore waiting to commune with those who live in the ocean. Pilgrims stretch into the distance, passing a stone cairn with a mysterious light streaming from it. Two Australian women fervently dig a tunnel to Jerusalem. Men from Gaza swim in the sea until they drown, still unconcerned. A father and son struggle to connect over the AI scripts prompting their conversation.

Building on the work of trailblazing anthologies such as Reworlding Ramallah and Palestine +100, this volume is the first of its kind in Canada. Editor Sonia Sulaiman brings together stories by speculative fiction veterans and emerging writers from Australia to Egypt, Lebanon to Canada. 

[cosmicmote]

from hermetic circle to walled garden

we do not roam, but

sometimes we venture out

for a short story and a show of environs,

determinant and under control

the noxious circus won't leave and the trash piles up,

for the purpose of demonstration

the contra naturam remains and passes

itself off, oblivious that it is something

other than what it claims,

cognitive resonance

accentuating the wasteland and thistle,

usuriously, the wrappings laughably low effort

on the salad of malappropriated words;

we used to live on frontiers, greeneries

of understanding, growing

and still we do; nature applied to nature

changes nature, the worlds of difference

between transmutations and reworlding escapes

of purported victims

words ©spacetree 2024

[another-vessel]

Who is GT?

Gray teller friend now tell if I was to leave and reworld tell him and

[gbaromspokemone]

Story

For many years you’ve been imprisioned by a mysterious group called Team Ultra Light. One day however, a girl you’ve never met before comes to rescue you and you join the Ultra Recon Squad. Together with the Ultra Recon Squad, you fight Team Ultra Light to protect the world and find your origins. Will this be another fight of good and evil? Hope vs. Despair? Light against Darkness? You will find out!

[naturecoaster]

Keep Pasco Beautiful has been participating in the Greatest American Cleanup since 1992. The Greatest American Cleanup in Pasco County is planned for March 1, 2025.   Registration will be open until February 17. This cut-off is important to ensure there is enough time for all our site captains to receive the awesome t-shirts and other supplies needed for the cleanup.   ​The cleanup will occur in across multiple locations in the county. While start and end times may vary, the event will mainly take place on Saturday morning (March 1st). After your registration, you will be provided with specific meeting details and the contact of the captain of your group. Feel free to reach out with any questions related to your assigned area.​ Keep Pasco Beautiful will coordinate disposal of all trash. Disposable gloves, trash bags, and Keep Pasco Beautiful Cleanup T-shirts will be provided while supplies last. Note: if you would like a trash picker, we recommend getting one in advance since we won't be able to offer them this year. Here are a few suggestions on where to buy them: Amazon, Lowes, The Home Depot, ArcMate, Grabo Grabber.​ We recommend wearing closed-toe shoes, a hat, and sunglasses during the cleanup. We also suggest bringing sunscreen, hand sanitizer, bug spray, and water. We are practicing what we preach with waste reduction, so please bring your water in a reusable bottle if you have one. Not all sites will have water available on-site.​ This is a national event to promote shared community responsibility by picking up litter.  In 2024, 1002 people volunteered for 3,449.5 hours and picked up 19.57  tons of trash.  The Independent Sector values a volunteer hour at $29.95, which would put the volunteer cost-benefit for this cleanup at $109,694.10.  There were 52 locations throughout Pasco County including Holiday, New Port Richey, Port Richey, Hudson, Land O' Lakes, Dade City and Wesley Chapel.  Keep Pasco Beautiful coordinated trash disposal and supplied trash bags, gloves, and t-shirts. ​Cleanups are not just about picking up trash, they are also part of litter prevention.  Litter attracts litter so a clean space helps to prevent it. Thank you all for doing your part to #KeepPascoWatersBeautiful. None of this would be possible without our awesome sponsors: Reworld, Tampa Bay Water, FDOT, Pasco County, NatureCoaster.com, and Surfing's Evolution & Preservation Foundation. Read the full article

[colitco]

🚀 Carbonxt Delivers Strong December 2024 Quarter with Key Milestones 📈

Carbonxt Group Ltd (ASX: CG1) achieved key operational milestones in the December 2024 quarter, marking an exciting period for the Company. The completion of its Kentucky facility, increased PAC sales, and solid cost management set a strong foundation for growth in 2025. 🌱💡

🔑 Key Highlights: ✅ Kentucky Facility Completed: Mechanical works completed on 18 December 2024, setting up for production ramp-up. 💸 Revenue Growth: 20% increase in customer receipts to $2.2M and a 14% rise in PAC sales. 💡 Cost Reduction: Reduced operating expenses by $1.5M annually, improving financial outlook. 📈 New Contracts: Secured purchase orders worth $3.6M from WPS for H2FY25 and a $24M contract with ReWorld. 🔋 PAC Sales: 68% of total revenue driven by strong PAC demand, especially from waste-to-energy contracts. 🏗️ Strategic Expansion: Moving into water treatment, with Kentucky facility production key to growth.

💬 Comment from Warren Murphy, Managing Director: “The December quarter marks a major milestone for Carbonxt, with the mechanical completion of our Kentucky facility and a focus on ramping up production.”

🔮 Investor Outlook: Carbonxt’s recent milestones position it well for 2025. With the Kentucky plant operational, increasing sales in PAC, and strategic moves in water treatment, Carbonxt shows solid growth potential. With a reduced cost base and new contracts, it’s an attractive opportunity for investors looking at the cleantech sector. 📊

🌱 Read the Editorial Here: https://colitco.com/carbonxt-delivers-strong-december-2024-quarter-with-key-milestones/

⚠️ Disclaimer: This is not investment advice. Please do your own research or consult with a financial advisor.

[colitcomediaaus]

Carbonxt Secures $24M Contract Extension with Reworld

Carbonxt Group Limited has secured a $24 million contract extension with Reworld, marking a significant milestone for the company. This deal reflects Carbonxt’s continued growth and strong partnership with Reworld, further solidifying its position in the environmental and clean technology sector.

[longlistshort]

Chau Nguyen, “Bài Học Về Phong Cảnh / Landscape Didactics”, 2022, sand painting

Zalika Azim, “Blood Memories (or a going to ground)”, 2023, video

Azza El Siddique, “Vessels”, 2019, ceramic, rust

Suneil Sanzgiri, “Two Refusals (Would We Recognize Ourselves Unbroken)”, 2023, video

Currently on view at The Delaware Contemporary is we are what we lose, an exhibition featuring artists Zalika Azim, Suneil Sanzgiri, Azza El Siddique, and Chau Nguyen. Through sculpture, dance, video and photography, these artists investigate issues of loss through what gets left behind.

From the museum-

“The real phenomenon of loss is both the inventory of what no longer exists and the impossible measure of what survives.” —Canisia Lubrin

What does the fugitive offer to sites of ruins? Is it a hum, a murmur, a cry, a shadow, a haunting, a poem, a memory, a scene, a loved one, a vessel, a movement, a gathering?

Fugitivity routes and unroutes our understanding of topographic terrains created through the unfolding of displacement, relocation, and exile. In the wake of migratory catastrophes, ruins are the aftermath of loss and devastation, leaving behind vestigial remnants and residuals. Reaching for traces, illegibility, and livability, the fugitive attempts to depict and texture multiple lifeworlds within ruins marked in loss and devastation. Gesturing towards the specter, how might placing what happens within sites of ruins —the permeable, usable, corporeal, and inhabitable—at the heart of our critiques and interventions enliven our imaginative possibilities?

Ruins present a set of spatial, material, visual, and psychic dimensions of un/being and becoming, as well as modes of fugitive resistance and expression. Tending to the juxtaposition of being unplaced, we are what we lose focuses on the provoking void that ruins leave behind and expresses spatial, narrative, and material practices actively and painstakingly situated in the hold of the catastrophes as means of reworlding and unworlding towards livable possibilities.

Partaking in worlding decomposition, Zalika Azim, Suneil Sanzgiri, Azza El Siddique, and Chau Nguyen present visual, narrative, and sonic performances that desire and action towards the otherly present meaning and aliveness by uncomposing time and working with the permeability of the artistic mediums. By engaging with the barely perceptible imaginations, unplaced yearnings, and tactile and vulnerable terrains, the artists orient toward spectral terrains that suture, resist, and refuse the knowability of the fugitive. Viewers will reflect on the histories of ruins haunting our contemporary sites and their capacity to mutate to make complicated ways of knowing, feeling, and seeing the world.

More information on Suneil Sanzgiri’s video installation, pictured above, from his website–

How do we live through and narrate moments of revolution and revolt, and how do we understand these experiences across time and distance? Using imaging technologies to meditate on what it means to witness from afar, Suneil Sanzgiri explores the complexities of anti-colonialism, nationalism, and diasporic identity. His work is inspired by his family’s legacy of resistance in Goa, India, an area under Portuguese occupation for over 450 years until its independence in 1961. Two Refusals (Would We Recognize Ourselves Unbroken?), the artist’s newest two-channel video installation, combines archival footage, animation, interviews, and a script written by poet Sham-e-Ali Nayeem. The film tells the stories of the mutual struggle in India and Africa against Portuguese colonialism, highlighting the solidarity that developed between the two continents during the 1960s and 1970s.

This exhibition closes 12/29/24.

[shesaidwithirony]

Right now, the earth is full of refugees, human and not, without refuge.

Anna Tsing in a recent paper called “Feral Biologies” suggests that the inflection point between the Holocene and the Anthropocene might be the wiping out of most of the refugia from which diverse species assemblages (with or without people) can be reconstituted after major events (like desertification, or clear cutting, or, or, ...).

This is kin to the World-Ecology Research Network coordinator Jason Moore's arguments that cheap nature is at an end; cheapening nature cannot work much longer to sustain extraction and production in and of the contemporary world because most of the reserves of the earth have been drained, burned, depleted, poisoned, exterminated, and otherwise exhausted.

Vast investments and hugely creative and destructive technology can drive back the reckoning, but cheap nature really is over.

Anna Tsing argues that the Holocene was the long period when refugia, places of refuge, still existed, even abounded, to sustain reworlding in rich cultural and biological diversity. Perhaps the outrage meriting a name like Anthropocene is about the destruction of places and times of refuge for people and other critters.

[colitcomediasblog]

Carbonxt (ASX: CG1) Secures $24 Million Contract with Reworld, Expanding Presence in Sustainable Waste Solutions

Carbonxt Group Ltd (ASX: CG1), a leader in cleantech, is thrilled to announce a significant milestone with the securing of a $24 million, four-year contract extension to supply premium Powdered Activated Carbon (PAC) products to Reworld, a global leader in sustainable waste solutions. This extension includes a substantial expansion of supply from Carbonxt's fully-owned Black Birch facility, and is expected to generate approximately $6 million in annual revenue for the duration of the contract.

The demand for activated carbon is rapidly increasing, driven by growing concerns over emissions and the need for environmental conservation. As businesses and industries focus more on sustainable technologies, the cleantech market is expected to reach a staggering $2.5 trillion by 2025, with a compound annual growth rate (CAGR) of 61% from 2020 to 2025.

Warren Murphy, Managing Director of Carbonxt, shared his thoughts on the deal, stating, “This contract expansion with Reworld solidifies Carbonxt’s presence in the US waste-to-energy sector. Reworld’s network and renewable products enable large-scale emission compliance through a greener supply chain. Our PAC products are a perfect fit as demand for sustainable technologies grows. We are well-positioned to scale up operations and deliver value to our shareholders.”