#responses from the baron
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In the quiet of the night, cantering could be heard in the distance. From the dirt road in front of the baron's residence and towards his front entrance...until it stopped. Shuffling could be heard as its rider dismounted―a cloaked figure whose face was practically covered in fog― along with carrying something...or someone in their arms. The figure then approached the door and simply bumped against it, hoping the sound of the impact could substitute for a knock.
[*Thud*]
[[ @perdicinae-observer ]]
Almost never needing sleep, Larrey is awake when the thump occurred. Hearing it from his study, he goes downstairs to the front door. He walks past Hopster, who didn’t quite make it to her room and decided to sleep on the chair besides the door. She groans before asking sleepily,
You gonna open the door or me?
I got it.
He walks over to the door and opens it.
Yes?
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Don't tell me this is the so called extreme dieting culture that I've read about.... and blood letting?? I thought we were over this!
another one
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normalest friend group
#wrong they all hate each other#except for elias only eden hates him rightfully so#he got his bestie dante exhiled anyways thats for when i design kat which might be never back to the line up#brooke looks so cute shes eliciting a omg puppy response from me. never slimming her face down again her cheeeks#the more adorable they look the eviller they are. in order brooke elias diamila eden#diamila will stab you in the back for fun and she probably has the highest vampire bodycount in the us BUT she doesnt kill humans#so that basically makes her a good person#elias and brooke would literally kill a kid the only difference is elias would only do it if he was pissed brooklyn would do it for fun😭#shes so cute#wip#ill draw a full body line up later shivers#elias and brooke are the only ones where same face syndrome kicked in but i dont mind that much there is literally no way theyd get mixed u#wait let me go back on what i didnt mention#eden is off the evil scale hes a relatively good guy.... by kindred standards tho hes still a hypocrite kind of nines style but worse#he did the most to become baron and rallies the anarchs into going to war w the camarilla basically but he cant stomach violence#back to how much they all hate each other diamila and eden used to be friends but she did her usual backstabbing when chose the vt m b#camarilla ending diamila hates brooke and brooke just dislikes her but has no reason to hate her and eden and brooke hate love each other#mostly hate by 2021 honestly#his bestie wasnt named dante i meant it dante exhiled. you know
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"I am somewhere always close to Riz Gukgak."
"Oh he's so lucky"
#ally is winning with the quick responses this season#dimension 20#fantasy high#fantasy high spoilers#baron from the baronies#baron has become my favourite even with an approximate 5 seconds of screentime
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*a ghostly sprite looks at the purple skull in Kremy’s room* Baron. Baron. Hey, baron! What’s up with the conman, he’s not s’posed to die yet, y’said so! He’s entertainin’ and he’s like, barely in act two of three in his romcom! Y’said he were entertainin’ yourself, why’s he dying? Can’t you stop it? Baron?
"Firstly: SHUT DA FUCK UP!"
"Secondly: How do the fuck are ya talkin' to me? This signal be for followers, not whoever the fuck -ya- ass is!"
"And thirdly: I be sayin' when people be dyin', not ya lil' ass! Don't be talkin' to da damn Baron like ya got any kinda authority, ya lil' shit! He's entertain', yeah, but if I gave a free pass to -every- asshole that I found entertainin', there'd be a LOT more free space in Ghetit, believe me. Even I don't be fuckin' with the natural order of things. He be fixin' this problem himself; unless he be wantin' to make a deal - and he don't be havin' a lot to offer. Maybe that bullmon hubby of his can be makin' a deal..."
#once upon a witchlight#legends of avantris#posts from the carnivale#baron samedi#// omg somebody actually the baron an ask i love it#// also sorry for all the swearing i just imagine his response to his would be cussing them out rofl
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He stares at him for a few seconds.
I see you haven’t changed after all these years. Are you hurt? And where?
Speedrun of how fast you get injured, Go!
Ah, there is no way I can screw this one up.
Oudinot falls down the stairs
I retake my previous statement
@trauma-and-truffles, I need help.
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Wow I have normal OCs guys!
#apostate#vultsquest#OCs#alt responses to “I love you”#tobias#al#neve#evie#darius#luminarius#donnel#messenger#brilliance#lead baron#paragon#I was going to do my OCs in general and then I realized all of these guys from the same universe kind of neatly filled this chart out
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Hm. Aroace riz. Yes. Definitely not fun with the way his friends act. Okay. Im normal.
#ent talks#baron from the baronies is a very reasonnable response actually#id say a good amount of aroace people have their own barons#idk
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There's this supper pretty lady that comes into the cafeteria at work. She always looks so nice and she's friendly too
Idk she might be my favorite customer lol
#most people are very nice or at the very least not *mean*#lol#only problem is i think there's a guy who is continuously stealing snacks and drinks#but no one has told me to do anything about it#i just wish he'd steal from a mini market instead of the cafeteria at night when I'm like... here#the crowds a distraction though#actually a couple of times someone's said he steals#but in a joking voice so i was like ahaha#but actually i think he does#and someone else (coworker) complained some customer keeps stealing candy so we shouldn't leave stuff out when we're stowing bc it's easier#for him#and my trainer's like 'we're not cops. we can't stress about it#anyway#so if it's not my responsibility i don't worry about it#uhhhhhhhhhhh#anyway pretty lady is a highlight among mostly decent people#baron rambles
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He doesn’t come any closer. It’s a bear, and it’s got blood all over its mouth. he would be nuts if he deemed it safe. Then he sees the ball of wool with a hand sticking out. That hand looks awfully familiar… he calls out,
Who’s there?

Are these lambs yours? They wandered off.
wriggle wriggle
#((sorry for the delay I had an exam))#responses from the Baron#messages from lannes.#messages with the king of rome
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He just stares right back.
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FEED ME!
PART I: NOODLE SOUP ↬ sevika x pregnant!reader | 5.4k words
SUMMARY:
Sevika rescues a pregnant stray from the streets of the Undercity as her good deed for the decade, but plans go awry when she starts to enjoy the companionship, and her entire lone-wolf worldview comes crashing down. The kicker? Her stray is very much human, and the circumstances of your condition create a whole new set of challenges—challenges best solved with good, old-fashioned murder.
TAGS: 18+! pregnancy fic, mentions of past rape, protective!sevika (she's still a bitch though i love her)
NOTES: i have no idea if people will even like this but i had fun writing it so theres that. never been interested in pregnancy fics, but i just needed protective sevika in my life idk. btw the actual rape is only briefly mentioned in passing. no descriptions whatsoever
-> READ ON AO3 | FEED ME! MASTERLIST
Sevika is having a shit day.
Well. Shittier than usual.
The sole of her boot broke off this morning, Silco's contact never showed up at the docks, and her favorite food place was closed by the time she passed through the Lanes. And to make matters worse, it started raining. Not only is she tired and hungry, but now she's soaked through to the bone.
So when she cuts through an alley to shave off a few minutes of travel on the way home, she really isn't in the mood for the voice that calls out to her. Beggars are a cog a-fucking-dozen in the Lanes, and she ignores them on instinct. There are worse things in the shadows that know her name, after all.
But for some reason, she decides to take the bait tonight. Turns back to look at the ground then stills at the sight of you, bathed in the neon lights of the city’s beating heart. There's no hiding the roundness of your stomach beneath your shirt, or the gauntness of your cheeks. Clothes dirty, hair unwashed, as if you were thrown out on the street like an unwanted stray.
The state of you makes her sick to her stomach. Angry at the world. For a brief moment, she remembers what—who—she fights for: the little people like you that often fade into the background. The chaos of the chem-barons and the Enforcers sniffing around tend to take center stage.
“I'm sorry for bothering you, but do you have any food?” Your voice comes out weak and raspy, desperation splitting each syllable at the seams. “I don't want money, I just—I'm starving and nobody will help me.”
Sevika nods toward the swell of your belly, so round it looks painful. “Where's the dad?”
You inhale a shaky breath, face twisting up in a pained grimace before hardening back to neutral stone. “I don't know. Don't even know who he is, actually, but I—I didn't ask for this. I swear, I'm responsible. I would never—fuck, it doesn't even matter. I'm sorry.”
She wonders how many times you've plead your case to passersby in an attempt to convince them to save you. How many actually believed your story.
But there’s no faking that grieving look in your eye, and the implication of how you ended up here changes things.
There are very few situations in this world that affect Sevika, but injustice pains her most. She’s seen the worst of this city a million times over, has contributed to the chaos in ways she isn't proud of, but she still holds a place in her heart for the people who got the shit end of the stick. People like you, and the kids starving in the streets, and everybody else cursed enough to be born in the hell she calls home.
“Get up,” she says, a bit more gruff than she means to, and your eyes widen in fear. You curl in on yourself as tightly as you can, arms folded over your belly. “You want food or not?”
As soon as the words leave her mouth, she regrets it. A disaster waiting to happen, appeasing a walking liability. There’s a reason why she doesn't bother with attachments or relationships outside of work and gambling.
But then you struggle to your feet, fighting gravity as you clutch at the brick wall for leverage, and she holds out a hand to steady you.
Her first mistake.
You grasp her fingers and gaze at her with eyes that gleam, like an outstretched hand is your first ever taste of tenderness.
(It probably is. Nothing surprises her anymore.)
As she leads you through the crowded streets, you turn into a skittish thing, eyes darting over the crowd, clinging a bit too hard to her wrist. When you step on the back of her boot, it only takes one venomous glare for you to keep your distance until you reach your destination: a hole-in-the-wall noodle shop. Big portions for cheap, in exchange for shit service and mediocre food. The only place open besides bars this late, and she wouldn't dare drag you into one of those.
She corrals you over to an empty table and pulls out the seat against the back wall for you to take. You glance around a moment, flinching at the slam of the front door, before easing yourself down into the chair, a hand protective over your stomach.
She wonders why. Why you’d care so much about something borne from an awful situation. It doesn’t make any sense.
The waitress strolls up to the table with two paper menus, eyes landing on her with a sultry smile. “Well, well, well. Sevika. Haven’t seen you around in a while.” The waitress—Zaya, maybe? her face seems familiar—looks you up and down with a curl of her upper lip. “Seems you caught yourself a stray.”
You bow your head at the comment, soothing over the mess of your hair in an attempt to make yourself more presentable. Sevika shouldn’t care as much as she does, but you’re just… pitiful. Pathetic, if she wants a more apt, less kind term to use.
“Something like that.” Beneath the table, her metal hand tightens into a fist, irritation burning hot inside her chest. Not in the mood for bullshitting. “I want my usual.” She glances over at you. “Double order.”
The waitress stands around for a long moment in an effort to strike up conversation, but Sevika pays her no mind, fully interested in the scratch marks on the table. Eventually, she leaves with a frustrated huff.
A long silence passes between the two of you. She isn't about to engage in small talk, and you look ready to burst into tears. Fine by her. Conversation was never her strong suit anyway.
You look up at her, then away, then back, a focused furrow to your brow. She opens her mouth to snap at you—*say what you want to say—*but you speak first.
“I know you. Well, of you,” you say, voice so quiet she almost can’t hear you over the white noise of the restaurant. “You’re popular.”
“That’s one way to put it.”
You heave a tired sigh, palm drawing rhythmic circles over your belly. “I don’t have any way to repay you.”
“No shit. That's the whole point.”
“I’ve heard this place is expensive.”
Sevika snorts. “This is the cheapest food in the Lanes.” Her eyes dart down to your stomach, visible just over the lip of the table. “One bowl can feed two people.”
You fall silent, avoiding her gaze to instead stare a hole through the wall near her head. “Thank you.”
A different waitress drops off the food (good fucking riddance, Zara), and you immediately tuck into your bowl, inhaling the noodles like you haven't eaten in weeks, dripping sauce all over your area of the table.
After you almost choke on a too-large bite, Sevika rips the bowl away from you with a growl of irritation. “Slow down. You're making a mess.”
You blink at her in surprise, eyes wide and misty, and grab a nearby napkin to clean your face then mop up your splattering of sauce. “Sorry. I’m just hungry.”
“You still have manners, don't you?” Despite the bite of her words, she takes pains to slide the bowl slowly across the table.
Sevika doesn’t know how to be soft. Never really had the patience, the capacity for it. She doesn't surround herself with people like you who require a tender hand. The kind of people who fear their own shadow.
She should get up, pay the tab, and leave. She did her good deed for the decade. She doesn't owe you anything.
But she can't will her legs to move. Thinks, instead, of you waddling back to that alleyway, of the pouring rain, of someone a lot more cruel than her stumbling upon your defenseless form in the middle of the night.
This is exactly what her old man used to warn her about: the inconvenience of companionship. One big distraction designed to veer her away from the end goal.
And yet—
you sit back in your chair with a content smile, shoulders relaxing from their spot beside your ears, and you look at her like she hangs the stars in your sky
—she doesn't move.
“Feel better?” she asks, elbow balanced atop the table as she adjusts her weight in her seat. She doesn't fidget, but the reverent look you aim her way gets her the closest she's ever been in her life.
Nothing good ever follows me. Get out while you still can.
You nod. “Yeah, but I think I ate too much.”
She glances down at your bowl. You licked it clean.
A wave of pride swells within her at the sight of you: eyelids already drooping, hands curling your jacket tighter around your shoulders. If you could, you'd no doubt be purring.
Cute.
Her face twists into a scowl, silently shooing away the thought as she rises to her feet, and you stumble in an effort to follow her.
“Are you—” you pause, hands clasping tight over your chest. “Do you know anywhere I can stay? At least to get out of the rain tonight?”
Sevika’s eyes narrow, gaze inspecting the features of your face for any hint of… she doesn't know, really. Manipulation, dishonesty maybe. But all that stares back at her is a woman with one big baby-sized responsibility and no means to care for it. You're scared shitless. There's no faking that.
Damn. Looks like she's got herself a stray for the night.
“Come on,” she grumbles, curling a hand around your upper arm.
She pays at the counter, your presence hovering just behind her elbow, and ignores the goodbyes from staff as she leads you out the front door.
“Where are we going?” you ask, a bit breathless from the speed of your walk in an attempt to catch up to her.
Fuck, she just wants to go home.
“My place. Just for tonight.”
You nod your head, reaching again for the comfort of her wrist, and she lets you. Too exhausted to argue.
The walk to her apartment takes longer than usual, your stride stilted from the bulk of your belly, fatigue weakening your legs.
Sevika's never really thought much about where she lives in regards to safety, but the shadows swallow the darkness tonight with you in tow. The locals know not to fuck with her, but they don't know you, and they leer in a way that makes her hackles raise.
She tugs you closer when a burly man steps off the stoop of his house, calling out to her.
“Whatcha got there, big girl?”
“Your head in a box if you don't fuck off.” A matter-of-fact statement. A promise.
He laughs, high-pitched and nervous, arms raised in placation. “Alright, alright, I hear ya. Not in the mood for jokes.”
She stops in her tracks and squares her shoulders, ignoring your quiet oof as you collide with her back. Because no, she's really not in the mood for jokes.
The man fidgets in place a moment as if weighing his options, before he backs away to the front door of his home. “Alright. I'll be seeing you.”
When the front door closes, she releases her hold on your arm and begins walking again.
“Who was that?” you whisper, fingers trembling as they reattach to her wrist.
“Nobody. Let’s go.”
A few minutes later, you're first inside her apartment, shivering from the chill of the rain. You look around the barebones living room—a broken-down couch, a scuffed chair in the corner, various tools scattered over the coffee table. Very little in regards to decoration.
Sevika doesn't like coming home. The emptiness tends to swallow her whole. Nothing waiting for her but an empty bed and the sprawl of silence.
“You need a shower,” she says, discarding her cloak over the back of the couch.
“I don't have any clothes.”
“I know.”
She just wants to sleep. Would rather not be dealing with this when a busy day looms ahead, but she couldn't just leave you there. A decision that goes against every cell in her body, every lesson she learned in her youth, but she couldn’t.
She just couldn’t.
She fetches you a worn shirt and a pair of boxer briefs then shows you to the bathroom, and you whisper your thanks as she tosses a spare towel on the sink.
You stay in there a while, and she passes the time by tinkering with her prosthetic.
Finally, the door swings open and you walk out, dirty clothes bundled under your arm.
“I finally feel like a person again.” You tug down the hem of her your shirt, fabric stretched over your belly. “Thank you.”
She grunts in response, and you take a seat across from her at the kitchen table, head tilting as you watch her work. You don't say anything. Just follow the movement of her hands.
The next time she looks up, your cheek rests on your folded arms atop the table, eyes closed, shoulders rising with each breath you inhale.
Asleep. Poor, helpless thing.
She considers leaving you there, doesn't want to bother with setting you up on the couch, but her legs are already moving before she makes a decision either way.
Carrying you is difficult given the bulk of your stomach. She holds you like a thing made to be broken, soft and careful, the cold metal of her prosthetic cradling your neck, her other arm beneath the bend of your knees. Walks slow to keep from waking you, enraptured by the rapid-fire expressions that flicker over your face. Anger, pain, sadness, anger, fear, fear, fear—
Must be a horrible dream.
She lays you down on the couch then covers you with a threadbare blanket found in the back of her closet. Takes a seat on the coffee table and thinks about what the fuck she’s going to do with you.
You can’t stay here, but she can’t let you live on the street either. So there’s the issue of finding someone to house you, but she can count the people she trusts on one hand (with five fingers left over). The shelters are already full-up, and under zero circumstances will she go to Silco for help.
She finds herself in a mess of her own fucking creation.
You roll onto your side with a dreamy groan, hand ghosting over your belly in your sleep. She wonders if you even want the kid. If you spend your days grieving a life you’ll never get to have because there's no other option.
Sevika doesn’t remember much of her own mom. Died when she was young giving birth to a little brother that failed to survive through the night—a waste in her eyes. That was her first brush with grief, the foundation of beliefs that her old man raised her with: the harsh life of the Undercity holds no room for love, or compassion, or attachment.
If the Enforcers had called for a doctor like they were supposed to, her mom might still be alive. But she doesn’t like to dwell on the past, on what-ifs. No damn point in it.
She pulls out a cigarette in hopes that the smoke will drown out the memories. Looks over at your sleeping form. Looks down at the cigarette. Heaves a frustrated sigh then puts it back in its metal case.
You're an inconvenient little thing. A stray with too many stipulations. No more than a headache.
(If she adjusts the blanket to cover up your cold, bare feet on her way out the front door, nobody has to know.)
The next morning, you’re half-asleep on the couch when she approaches you, arms stretched overhead, mouth opened wide in a yawn.
“Listen up.” She takes a seat on the coffee table, resting both elbows on her knees. “I’ll be gone for a few days, so if you’re staying here, we need to go over some ground rules.”
You snap to attention, face bright as the sun, scrambling to sit up. “Staying here? Really?”
“If you follow the rules.”
“Yeah! Yes, I—“ your brows tilt upwards, tone turning desperate, “whatever you want, I’ll do it. I swear.”
A part of her—the space reserved for optimism collecting cobwebs—almost believes you.
She holds up a finger. “Don't touch anything that isn't yours.” Another. “Don't go out at night, and when you do go out, don’t talk to anybody.” Another. “Don't answer the damn door, not even for me.” You nod along, enraptured gaze glued to hers. “You got all that?”
“Yes, ma'am.” At her raised brow, you stammer, “I—uh, sorry, I just… don't know what you want me to call you.”
“… My name.”
“Sevika.” She nods. “Okay. Then, thank you, Sevika. I mean it. You saved my life.”
With a roll of her eyes, she rises to her feet. “Yeah, I'm a real hero.”
“You are, though.”
She doesn't like this. The way you look at her all awestruck and worshipping. Doesn’t deserve it when there are people out there who would treat you much better than her—people who would actually care about you and the kid in the long run. If you're dead-set on keeping it, then it deserves the chance to grow up right. Loved.
Eight hours ago, she strongly considered leaving you in the street, starving and pregnant. So no, she’s not a hero. And she’s fine with that. Her path in life is a different, less savory one.
“There’s money in the kitchen for food,” she says. “Use my bed if you want.”
And then she leaves.
.
.
.
Truth be told, Sevika doesn't expect to see you when she gets home from a week-long binge of violence and booze, bruised all to hell, a headache splitting her skull down the middle. The edges of her temper sanded down to something less volatile.
Once she walked out the front door that morning, she stopped thinking about you. Brushed you off as a fluke, a mistake of lowered inhibitions.
(She thought about you a lot. Wondered if you were staying smart, being careful. If you actually used the money she left behind. If you were even alive. But she would rather die than admit the worry—no, no, Sevika doesn't worry—that fleetingly consumed her.)
You stand in the kitchen, bent over at the waist with an elbow propped on the counter, rubbing circles into your lower back. Bare from the waist down, the hem of your shirt does little to cover the swell of your ass—the little slice of heaven between your thighs, bathed in shadow from the poor lighting in her apartment.
Her fingers itch for a cigarette. She’s finally gone insane.
The room smells like a filling meal, everything left in its original place. Nothing unusual aside from the weight of your presence, and something warm settles in her stomach, heavy as a rock, so unfamiliar it makes her nauseous.
She chooses to ignore it.
“Get into trouble while I was gone?”
You jolt at the sound of her voice, righting yourself with a gasp when you spot her standing at the back of the couch. “Sevika, you're back!” Why do you almost sound relieved? Why do you smile at her? “And no, I…” you nod to the stove where a metal pot sits on the front burner, “I tried to make some soup, but I don't know how good it'll be.”
She walks over to you, boots heavy on the floor, and lifts the lid. Side-steps the wafting steam. “Smells good at least.”
“My mom used to make it all the time when I was growing up. It has rice and fish, so it's filling.”
The simple suggestion of a home-cooked meal makes her mouth water, especially made by someone that isn’t her, and she’s eaten much worse in her lifetime. Could never afford to be picky.
Exhaling a long breath, you reach down to once again rub at the small of your back, shifting on your feet. The only sign of discomfort aside from the pinch in your brow.
She huffs, nudging you out of the way. “Sit down. I'll finish up.”
“You don't have to—”
“Kid's giving you trouble. I got it.”
You blink up at her, a relieved smile stretching your mouth, eyes curving into crescents. It's… cute. “Thank you.”
Unfortunately, she soon learns that the soup is more of a porridge, thickened up by the starch in the rice, the fish rubbery from cooking too long.
Well. At least you tried.
She fetches two bowls from the cabinet and notices a stack of dishes that weren’t there when she left. The sink is also empty, as clean as you could manage given all the rust.
Maybe there are some perks to keeping you around.
She calls you over to the kitchen table, and you take the seat across from her with a tired groan. Thank her when she sits a steaming bowl and spoon in front of you.
Sevika always eats alone when she’s home. It’s been that way for as long as she can remember. Rarely ever a choice on her part because she never got the hang of making friends (too unapproachable, people used to say), so your presence is odd, settles wrong inside her gut.
“You’re hurt,” you say around a mouthful of food, and she looks up from her meal to find you squinting at her, head tilted.
“I’ve had worse.”
“That doesn’t make me feel better.”
“It wasn’t supposed to.”
You pout over the metal of your spoon, brows twitching, but say nothing in response.
However, something nags at her.
“So. Do I wanna know why you're not wearing underwear?”
Your mouth flattens into a thin line, embarrassment scrunching up your nose. “Sorry. It just… it's a pregnancy thing, I guess? I get sensitive sometimes. If you know what I mean.”
Her imagination does a good job of filling in the blanks. Thoughts that she never wanted to have about you.
“And that's a bad thing.” More statement than question, her own assumption given your discomfort.
“Good until it turns bad. Really convenient for, uh, certain activities.” You shift your gaze to your bowl of soup, a wide grin rounding out your cheeks.
“Not in my bed, I hope.”
She really, really hopes you didn't fuck yourself in her bed. Doesn't feel like washing the damn sheets.
“I couldn't if I wanted to. Haven't seen my own feet in over a month.” The tone of your voice implies that you do want to, that you've thought about it recently. “No, the uh… the girls at The Rose took me in for a while. One of ‘em was a mom, too, and I guess she felt bad for me. Hormones being a bitch and all.” You shrug, pointedly ignoring her stare. “I prefer women anyway.”
Sevika only briefly considers the revelation in regards to herself, or the fact that you lived in a whorehouse for a brief stint of time, because a more sinister implication rears its ugly head:
You prefer women. You're pregnant by a man with, in your own words, a baby you didn’t ask for.
She already clocked the circumstances the night she found you, but now she knows for sure. And she's furious.
“I'll fucking kill him.” A promise hissed under her breath.
There's no reason for her to get involved, to stick her nose where it doesn't belong, but she can't sit back and do nothing while that bastard walks free.
Your head snaps up, confusion twisting at your brow. Her eyes lock onto yours, unblinking, and whatever you see in her face makes you frown.
Softly, overcome by grief, you say, “He's not your responsibility.”
“This is my city. I don't want a monster like him living in it.”
Your drop your spoon in your bowl with a sharp clatter, turning away from her. “I'm sorry, I shouldn’t have said so much.”
Sevika leans forward, elbows folded on the table, half-eaten soup already forgotten. She's lost her appetite anyway.
“So he did hurt you.”
You don't answer for a long while, worrying a hand over the curve of your neck, eyes darting over the pattern of her floor.
Until you nod your head.
She stands up from the table with her bowl then empties its contents into the nearby trashcan. Can't bear the sight of you anymore, sitting so pitifully in her chair, thumb following the curve of your belly.
“I'll take care of it.”
You know by now that there's no point in trying to change her mind.
.
.
.
Her sheets smell like you—the first thing she notices when she finally crawls into bed, shoving her face into the pillow with a frustrated growl. She inhales. Curses herself on the exhale. Inhales again because she's lost her fucking mind.
She ends the dilemma by ripping off her pillowcase and throwing it to a shadowed corner of the room. Still, everything smells like you. Not even in the damn room, and your presence haunts her.
This is getting ridiculous.
Her fingers twitch, craving a cigarette or a blunt or cigar or anything to distract her from the hem of her pants. She won't do that to you—use your smile or your smell or the curve of your ass to get herself off. Not after what she learned just a few hours prior.
But she considers it for longer than she has any right to, and for the first time in forever, guilt curdles sour in her gut.
.
.
.
In order to find out the identity of your rapist (just thinking of the word brings acid to the back of her throat), Sevika comes up with an idea. One of her best.
She plops down on the cushion next to you and takes the book from your hands to get your attention.
You scoff, open your mouth in protest. “What are you—”
“We're going to the Lanes tomorrow.”
At her direct approach, you blink, adjusting the blanket over your lap. “Okay? Why?”
“There's a vendor showcase. I need to buy some things.” A bold-faced lie, and you seem to pick up on it, eyes narrowing in suspicion. She sighs, adds, “I'll buy you something pretty.”
She needs to get you into a crowd because she knows how criminals work. If he sees you, he’ll make himself known one way or another. Wouldn't pass up the opportunity of rubbing what he did in your face.
The hardest part of this little plan will be banking on him actually showing up, but most of the Undercity flocks to the showcase to buy products on discount before the year’s end. The perfect opportunity.
You search her face for… something. An ulterior motive, maybe—one she doesn't have—before sighing. “Okay.”
The next evening, she drags you by the scruff to the bustling hub of the Lanes, streets lined with pop-up markets and food carts, people celebrating and shouting and haggling prices. Your hand remains firm around hers, a neccessity given the thick of the crowd.
Everything is fine at first. She parts the sea of people to allow you through without issue, biting her tongue when you stop at each stall to see what’s on offer. Handmade clothes, street food, jewelry that she only glances at. She forces down her frustration when you take too long sorting through necklaces—if a bit enamored with the way you hold each of them up to your face, thumbing over the chain and the gems and the crystals.
You look up at her with a toothy smile, eyes outshining the fake diamonds in your hand, and her heart stops. Something sickly-sweet weaves through her ribs, squeezes so tight that she almost chokes on it.
Affection.
This isn't good. Her worst fear realized. Every atom in her body screams for her to run far away, to wipe you from her memory, to stay lonely and sad and safe.
Instead, she throws the necklace you chose back into the display and picks up one you looked over previously—the only necklace at the booth with real gems.
“This one is better,” she says, offering it to you for inspection.
“Yeah. This would’ve been my second choice.”
She nods. Pays the vendor despite your very vocal protests then helps you secure the clasp at the nape of your neck. Your skin brushes against her knuckles, soft and warm. A sharp contrast to the callouses that litter her palms and fingers. (And still, you always hold her hand.)
Too intimate. She knows better than this.
Until you spin around and rush her with a tight hug, the swell of your belly pressing against hers, your arms solid around her waist.
She's gonna be sick. Should push you off, lecture you about personal space and boundaries, but she thinks about her mom dying alone on some cold floor in the middle of the night, and she thinks about your smile, and nothing seems to matter much anymore.
She lets you hug her until you're satisfied, and you step away with a quiet, “Thank you, Sevika,” and she almost throws up right there in the street.
And then the night goes to shit.
One moment, you're strolling beside her, babbling about the ingredients of some dish you hate, and the next has you stiffening up, breath heaving in an instant, your fingers winding so tight around her hand that her joints creak.
She looks down at you, finds you wide-eyed, staring at something off in the distance with such abject horror that she puffs up on instinct.
“No no nonono, that's him.” You duck behind her, face fitting between her shoulder blades. “Oh, fuck, we have to go. Please, we gotta go.”
She knows who you're talking about. Who he is. No mistaking your reaction, the way you shake and sob against her back.
A lightning strike of fury consumes her.
“Where?” she hisses, twisting around to look at you. Your mouth opens and closes, fighting to make words, and you duck away from the touch of her hand on your shoulder. “Show me.”
You shake your head so fast your neck threatens to snap, both hands circling tight around her wrist, and you tug at her until you're rocking back on your heels. “Please don't. Please. I just wanna go.”
But fate smiles on her as she looks through the bustling crowd. Only one man acknowledges your existence, tucked behind a food stand on the corner of the street. He thinks he’s subtle about glancing over at you, a predatory glint to his gaze that she wants to gouge out.
As luck would have it, she knows him. Some bottom-of-the-barrel lackey for Smeech that often passes through The Last Drop, so disposable she doesn't even know his name.
Her feet move before she even realizes it, vision tunneling to the pinpoint of his cackling face as he smacks at the man beside him.
“Sevika!”
At the sound of your scream, she stops. Looks over her shoulder to where you search in a panic, shuffling on your feet, the crowd already closing in, jostling you in place.
Fuck. Fuck.
Leaving with you means disobeying the very foundation of who she is, nurtured into a brick wall weapon. She never backs down from a fight, but she can't leave you behind, either. Not like this—inconsolable, barely coherent to the world around you.
She shoves through the throng of people, the scowl on her face swearing murder to anybody who dares to even look at her wrong. She wants blood, wants to cut her teeth on something soft and vital. Craves it so bad that her hands go numb.
Those same hands take you by the arms, ushering you into a nearby alley, away from the chaos of the crowd.
She doesn't comfort people. Has no fucking clue how to calm you down aside from a stilted pat to the back. “Hey. You’re alright.”
You sag against her with a relieved sob, begging her not to leave you again. Begging her to take you home.
Home. Her apartment, rundown and small and shitty, is home to you.
It takes less than a second to make her decision, and she ushers you away from the market.
Fine. The bastard can live another day. She'll ask around the Lanes, catch him by surprise when you're not around to stop her because she knows him, and by the time she's done, there won't even be a body left to burn.
She makes it a promise.
TAG LIST: @thesevi0lentdelights @iamastar @ryoiii @tiyawnyana @muclunga (only doing this the one time cause i hate tag lists hfjkdfhgfjkd)
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You're here that's the thing
jinx/powder x reader — 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭


summary: home isn't a four walls and a roof nor the material things that fill in it. it's the warmth in jinx's eyes whenever she smiles at you, it's the little hands clinging to your shirt as they cross the street. home is right here. (requested by anon) warnings/themes: FLUFF!! domestic ig, vulnerability (???), slight angsty at the end but happy ending <3 words: 5.7k notes: i'm glad nothing bad happened at the ending and they all live happily ever after :D
You're chowing down on a steaming bowl of seafood at Jericho's. The flavors explode in your mouth. Delicious, delicious happiness.
A hooded figure quietly slides into the seat beside you. You catch a glimpse of blue hair before she lowers her hood.
“Bad day?” you ask, and the bluenette doesn't respond and steals your bowl from your hands. “I was eating-”
“-And you still are, it's fine,” she interrupts.
Life in Zaun is tough, especially after Silco's death, leaving room for chem barons to fight for power. What's new? Absolutely nothing.
You frown at her and watch her eat your food. “How was your day?”
She scoffs. “Shitty.”
“When is it not?”
She shrugs. “True.”
Then, a kid catches your eye. You nudge Jinx, nodding at the kid in the far corner. “Who's that?”
“Dunno. She's been following me.”
You look at the young girl who's been staring at you both, squinting at her as your gaze shifts back to Jinx. She takes notice of your questioning look and quickly says, “She's not mine.”
You raise an eyebrow. “You sure?”
She rolls her eyes. “She's not mine. Don't look at me like that.”
You glance at the kid again, watching as she slowly slinks into the shadows, hiding from view. “You hungry, kiddo?” you call out, gesturing towards the seat beside you.
The girl's eyes peek out from the shadows, widening as you catch her gaze. She hides again but emerges just a few seconds later, hesitantly creeping forward. Her eyes flit between you and Jinx for a few seconds before landing on the bowl of seafood.
She tries to hop up onto the stool, though it's a bit high for her, and you help her up. You order her a bowl of seafood like you and Jinx were having. She then begins eating, her hands stuffing her face.
You share a look with Jinx before looking back at the girl eating the bowl of seafood. You watch as she slurps down the food, barely noticing the juice running down her chin.
“Uh, so kid, where are your parents or guardian?” you question. “Shouldn't you be with them?”
She chews a bit, staring at you in response, then shakes her head.
“No one, huh?” you ask. “You don't have any family?”
She shakes her head again.
“No friends either?” Your question earns another head shake from the girl.
You and Jinx finish your food and pay Jericho, then head out into the busy lanes with the girl trailing after you. The kid sticks close to Jinx's side, eyeing any person who passes by.
You turn towards Jinx. “Can she stay with us?”
She looks at the child and back at you. “Do we even have a room for her?”
You consider the practical aspects of taking the kid in. The answer is likely ‘no’, but you're not about to leave a random kid on the streets, and you'd really prefer it if someone didn't die today.
“She could use your room,” you suggest. “I mean, you found her first.”
But Jinx isn't having it. “Nah, you're the one who brought it up, so it's your room.”
You and your parents once owned a house. Thanks to the all and mighty Piltover enforcers who played a role in your parents' disappearance, leaving the house unoccupied.
Seeing an opportunity, you claimed the house, not only for yourself but also for your close friend who, without it, would have nowhere to sleep comfortably.
“It's my house.”
“Our house,” she corrects, smirking. “Considering most of the stuff there comes from me, it's not just yours. So that means-”
Your brow furrows, and you stop in your tracks, planting your hands on your hips as you stare at her. “By ‘comes from you,’ do you mean the stuff you've stolen?”
“Finders keepers.”
You sigh, knowing you're not winning this argument. “Fine,” you relent. “She can sleep in my room. I'll take the couch.”
You then crouch down to meet the kid's gaze, Jinx standing beside you with her arms crossed. “What's your name, little one?” you ask, but the child remains wordless.
You glance at Jinx for help, but she's already thinking of names. “How about Pompom?”
You scoff at Jinx's suggestion before turning back to the kid who's eyeing you both with a frown on her face, shaking her head at the name 'Pompom.'
“No?” Jinx asks, and the girl shakes her head again. “Not into that one, huh? How about Pinky? or- or... Sparkles?”
Each time Jinx suggests a name, the little one shakes her head. You're both getting nowhere at this rate.
“You're going to be a pain, aren't you?” Jinx murmurs, crouching down beside you to see the kid at eye level. “No, no, and no to the names?”
“How about ‘Isha’?” you suggest.
The moment the name leaves your lips, the child's eyes light up.
“Isha, it is then.”
The kid—now called Isha—nods her head, and the look in her eyes is one of happiness. Who knew this kid was such a picky one? You think you see a small smile at the corner of her mouth.
“She likes ‘Isha’ more, huh?” Jinx says, a bit pouty. “Figures, it came from you.”
“What? It's a nice name.”
“Yeah, whatever.” She turns to Isha, poking the girl on the nose. “Well, Isha, you're stuck with us now.”
Isha's eyes dart between you and Jinx.
“More like we're the ones who are stuck with her,” you reply, chuckling, as you playfully ruffle the girl's hair.
—
It's been a full month since Isha started living under the same roof.
It's a rare sight to see Jinx with a soft expression, but whenever she's around the child, her face has a certain amount of… softer edges.
But not now, apparently.
You've walked into the living room and found Jinx making Isha hold a gun, teaching her how to shoot. You scoff, raising an eyebrow as you watch Jinx make the girl practice holding the weapon straight.
“Seriously?” you ask, crossing your arms.
“What? It's a fake gun,” she defends herself, adjusting the toy in the little girl's arms.
“That's not the point. She's just a kid.”
“Pft, ‘just’ a kid.” Jinx rolls her eyes. “It's harmless, I promise. Just a little fun.”
“If you're looking for something fun…” You reach into your bag and pull out a coloring book and colored markers. “I found these in the lanes,” you explain, offering the items to Isha. “Much better than play-shooting,” you suggest, giving a pointed look to Jinx before she can protest.
She watches as Isha's face lights up, her attention immediately shifting to the coloring book and markers. “But-”
“No buts. She's coloring now,” you cut her off, giving the book and markers into Isha's waiting hands.
Jinx lets out a sigh, dissatisfied, but she doesn't protest further. She pouts and leans back against the wall, watching as Isha happily colors in the book.
You join Isha, sitting next to her. Her hands grip the markers tightly as she fills the pages with colors. “Making something nice?” you ask, peering over her shoulder to see her work.
Isha nods, her tongue sticking out of her mouth as she carefully adds some color. She glances at you, offering a shy smile before returning to her drawing.
Once Isha is finished with her drawing, she proudly holds it up for you and Jinx to see. The drawing shows three stick figures on a bright blue sky. The two tallest figures, with one that has what looks like braids, are holding hands with the small one in the middle. The three figures smile under the sun.
“Wow, look at that! It's us, all together.”
Jinx, though reluctant at first, can't help but crack a smile too. “Why are my eyes so big?” She snickers, pointing at the large eyes drawn on her figure.
Your eyes catch a look at the squiggly line below your drawn figure, and you point a finger out. “And what's that supposed to be, hm?”
Isha giggles, a blush creeping up her face.
Jinx leans in to get a better look before letting out a snort. “It's your shadow, duh.”
“In that case, my shadow looks like it ate too much and grew extra limbs.”
“Well, if your shadow's a glutton, mine's got tentacles.” She points to her shadow drawing, which indeed looks like it has several wriggly appendages attached to it.
“You know, I think this is fridge-worthy,” you grin, holding up the drawing. “What do you think, Isha? Do you want to put this on the fridge?” You turn to Isha, who nods excitedly, clapping her hands together.
You hand the drawing to Isha, who eagerly takes it to the fridge. You follow her, lifting her up so she can stick the drawing against the fridge. She smooths out any wrinkles and carefully adjusts it until she's satisfied.
“Ta-da!” you say, as the drawing now has a permanent place of honor on the fridge.
“Not too shabby, squirt,” Jinx says.
Isha grins at the compliment, preening at the words of approval.
Jinx chuckles before gesturing towards the drawing. “Maybe one day we'll see this piece in a Piltover museum, valued at a million golden hexes.”
“Only a million? I think it's worth a lot more. Maybe we should start an auction right here and now.”
Isha giggles, her small fingers tracing the colors on her drawing again.
“Alright, alright, don't go getting ideas. We don't need some fancy Piltie art collector trying to buy this and hang it in their mansion.”
“Come on, Jinx.” You nudge her. “Don't you think it'd be hilarious to see this hanging in some fancy mansion surrounded by all those fancy Piltover paintings? Maybe we should get Isha to make more of this and turn this whole place into a gallery.”
—
You meant ‘place’ not your face.
Lying down on the couch, you squint your eyes open as you feel a moist sensation along your face. When your vision clears, you see Isha, giggling, marker in hand, and running away as fast as her legs can carry her.
“Isha-” you call out, sitting up, touching your cheek. It's covered in... marker? “You little rascal, come here!”
The sound of a door opening makes you pause. Turning, you see Jinx standing there, half-asleep and clearly irritated.
“What the hell is going on here?” she grumbles, rubbing her eyes.
A snicker escapes Isha's lips.
“Looks like you've got a new makeup look, Jinx.”
“What?” she asks, her voice still groggy from sleep.
Silence.
Jinx looks at you, at Isha's hand, at the streak of color on your cheek, and finally, places her own hand on her cheek. A wet mark of color spreads on her fingertips.
“Isha.”
You and Jinx exchange a glance. Grins matching hers. Without hesitation, you both rush after Isha, who breaks into a run.
Just as she turns a corner, you quickly change direction and outstretch your hands, successfully scooping her up into your arms and spinning her around, her hands grasping at your shirt and arms around your neck as she continues to giggle.
While still holding Isha, you see Jinx's eyes as her hand darts towards a nearby marker and begins to draw on Isha's face.
Isha squirms and laughs in your arms, trying to escape your grasp. Jinx continues to draw on her face, not holding back as she draws lines across the girl's cheeks and chin.
“Come on, lemme finish it.” A few more ink-blots make their way onto the girl's face before she's set down. “Ta-da!” Jinx declares, wiping her hands on her pants.
Isha, still giggling, runs to the nearest mirror. She turns her head from side to side, admiring her new ‘makeover’ from Jinx.
A tug at your heartstrings, and you steal a glance at Jinx, watching her smile at Isha.
Her hair is messy from sleep, a few strands falling into her face and framing her cheeks. Her eyes are still heavy with sleep, heavy-lidded and bleary.
Even in the first light of the sun, even just after waking, she's beautiful.
You look away, hoping Jinx didn't notice you staring at her with that expression written all over your face.
But Isha doesn't miss that. She looks between you and Jinx, her mind catches up and connects the dots, and a sly grin slowly spreads across her face.
Oh. She knows something that you'd prefer to keep hidden.
—
Isha's been down with a cold.
Today, you made her a bowl of porridge. Jinx volunteered to help.
You stand at the stove, stirring the porridge, with Jinx by your side, carefully cutting up some fresh fruit to mix into the meal. You ladle the porridge into a bowl, checking to make sure it's just the right temperature for Isha's sore throat.
You look down at the bowl, satisfied with the consistency and temperature, before moving it onto a tray along with a spoon, a glass of water, and the bowl of fruit.
You walk towards Isha's room, with Jinx following close behind. Pushing open the door gently, you enter the room to find Isha sitting up in her bed, her blankets piled around her. Her face is flushed from the fever, and she looks tired, but her eyes light up when she sees the tray in your hands.
“Here's your porridge,” you say, setting it down on the bedside table.
Jinx moves to the other side of the bed, sitting down next to Isha and placing a hand on her forehead. “You're still a bit warm.”
Isha nods weakly, trying to suppress a cough.
“But that porridge should help,” you add, sitting down on the edge of the bed and offering the bowl to Isha. “Slow sips, okay? don't want you getting a tummy ache on top of everything else.”
Isha accepts the bowl and sips the porridge carefully.
“There you go.”
Once she's done, Jinx continues to check on her, fluffing her pillows, adjusting the blankets, and giving her the occasional pat on the head.
—
It's late evening.
Jinx sits cross-legged on the floor, her back resting against the footboard of the bed where Isha is lying down. The little girl's eyes are focused on Jinx, her hands covering her face partially as if trying to stay up a bit longer.
Jinx tells a story she learned from Vander, one that he used to tell her when she was a child. A story about miners getting stuck in a mine and rescued by a mysterious, wisp-like woman that guided them to safety.
When Jinx finishes the story, she glances at Isha, expecting her to be asleep by now. But she just lies there and watches Jinx.
Peeking through the door, you expect to find Isha asleep, but she is still wide awake. Jinx looks like she's wracking her brain to think of more stories, still determined to get the little girl to sleep.
You chuckle as you settle down on the floor next to Jinx. “She's not tired yet, huh?” you whisper.
“No, not yet,” she replies. “I've run out of stories to tell and she doesn't seem even a bit sleepy.”
“She's just like you.”
“Hush,” she says, trying to suppress a smile. “I'm not the one keeping her awake right now.”
“Well, neither of us are helping,” you point out, looking at the little girl who's staring at you both. “Isha, it's time for bed. You need to close your eyes and sleep.”
Isha pouts, clearly not wanting to go to sleep just yet. She looks at Jinx and then at you, her eyes pleading for another story.
“Come on, kid,” Jinx says. “It's well past your bedtime. No more stories.”
Isha's pout deepens, her bottom lip jutting out stubbornly.
You sigh and stand up from the floor, walking over to a nearby bookshelf where you keep various children's books and comics. After a quick rummage, you find a colorful comic book that should interest Isha.
You return to the bed, carrying the comic book, and sit down next to Jinx again. Isha leans forward, her eyes immediately drawn to the book in your hands.
“Found one,” you say, holding up the comic book for the little girl to see. Her eyes light up when she recognizes the vibrant cover.
Flipping open the comic book to the first page, you begin reading aloud about a group of animals in a forest. Isha listens intently, snuggled up in bed, her eyes darting between the images and your face as you read the story.
“Every day, these animals would wake up early,” you read, pointing to the drawing of the animals waking up and stretching. “Some would eat breakfast, some went to play, and some went to search for food.”
“One particularly lazy squirrel woke up late.” You turn over the page to reveal a picture of a sleepy squirrel yawning and rubbing his eyes as the other animals were already out of their nests.
“By the time he woke up, all the nuts were already gone.” You flip over the page again to reveal an image of the squirrel, now wide awake, searching for something to eat but finding nothing but empty trees and bushes.
“The squirrel was shocked and saddened that the nuts had run. But then,” you change your tone dramatically, “one of the rabbits heard the squirrel's cries and decided to help him!”
You turn the page again. “The rabbit, seeing the squirrel's plight, decided to share his own breakfast with him.”
“The squirrel was delighted and grateful,” you read, and you turn the page to show an image of the squirrel happily sharing the nut with the rabbit. “The two of them ate and ate together, until their tummies were full and they fell asleep in a heap on the forest floor!”
You glance up from the book and see that Isha has finally fallen asleep. Her small head is now lying on her pillow, and a smile graces her lips, as if she were dreaming about the animals from the comic book.
You close the comic book and set it down, but then there's a weight on your shoulder.
Looking to the side, you see Jinx, who has fallen asleep. Her head rests on your shoulder, and her hair tickles your neck. Her mouth slightly open, softly... wait, is that snoring?
It's an odd but endearing sight, your heart might have just skipped a few beats.
A strand of blue hair falls over her eyes. Your fingers twitch, wanting to reach out and brush the hair away from her face.
Don't. It would be a small action, but you know that it might wake her up, and the last thing you want is to deal with a grumpy face and her snarky comment.
But your hand moves as if it has a mind of its own. Inch by inch, your fingers close the gap, gently brushing a strand of her blue hair back behind her ear.
Jinx lets out a sigh, her head instinctively leaning into your hand, craving, demanding your touch.
Your eyes trace her face. You want to remember every subtle curve, every freckle, every lash.
There are no words for how much you want her, long for her. It's a feeling like an ache, a need for something, and that something is Jinx. It's a hunger, a need that no food can satisfy.
To love her is to be consumed.
You want to pour out all the words you've ever known, every poem, every line, every phrase, just to try to describe the feelings that have taken root within your heart.
‘Love’ has such a simple, mundane, and tame definition, it doesn't even come close.
Perhaps there's a word to describe your feelings in a distant language long forgotten or even a language yet to be discovered.
Until then, you burn for her.
Perhaps it's for the best that those words exist only in your mind because those words are yours and no one else's.
Until then, you burn for her.
Perhaps it's best that you're the only one who knows this burning, that this aching and desperate desire does not fall on any other ears than your own.
Until then, you burn for her.
Perhaps one day she'll look at you the way you look at her.
Until then, you burn for her.
And for the fire to burn, there must be something for it to devour.
You want to be that something. You want to be that flame she feeds upon. You want to be the match to her gas, the gasoline to her explosion, the tinder to her flame.
To love her is to be consumed.
You're tempted to brush through her hair again, but you hold yourself back. You don't want to risk ruining the moment, ruining her. You pull your hand back, away from her face, and settle on resting it against your thigh instead.
Then Jinx slowly stirs from her sleep. She lifts her head from your shoulder, her heavy-lidded eyes meeting yours, then your mouth, then back to your eyes again.
She swallows hard, her throat bobbing slightly, causing you to question your own sanity. Are you hallucinating? Is it just your imagination? You wonder if your mind is playing tricks on you. Your thoughts are fogged by the way she's looking at you.
Finally, Jinx breaks the silence. “You're staring.”
You blink. “I–” you start to respond, then realize how stupid and obvious it sounds. “Just making sure you didn't drool on me.”
She snorts, her hand pushing your face away from hers.
“Hey!” you say, putting a palm to your face.
You watch as Jinx stands up, heading towards the door, opening it slightly, and pausing to look back at you. “Good night.”
“Night, Jinx,” you reply, one hand still resting on your face.
Just before the door closes, you catch a glimpse of her face—eyes averted, cheeks flushed, and a small smile on her face.
You hear a soft, barely suppressed giggle coming from Isha's bed. Confused, you turn to look at her, only to find her looking at you with a wide grin.
“Isha,” you say, surprised, “I thought you were asleep!”
—
“You could have warned me,” Sevika grumbles. Isha continues to focus on coloring her hat.
“Fat chance,” Jinx responds, turning to face Sevika. “About what?”
Sevika glares at her, obviously displeased. “Your stunt at the checkpoint.”
“No idea what you're babbling about.”
“That wasn't you?” She scoffs.
Jinx pauses, realization crossing her face. She glances at Isha with a knowing look, noticing the smirk on the child's face.
The conversation with Sevika continues, with Jinx growing more and more restless as it does. Once the discussion is over, Jinx rises from her spot. “I gotta go bother someone,” she says, before walking out.
You notice the look on Isha's face. Disappointment.
“Let's go, Isha,” you say, already grabbing a bat and some small balls. You don't wait for a response, signaling for her to follow as you head to the door.
—
It's late, the sun having set and the moon now high in the sky. You and Isha had spent the previous hours playing, but Jinx still hasn't returned. Concerned, the two of you look for her.
Isha rides on your shoulder, her small hands gripping your hair. She looks at the surroundings for any sign of Jinx. After some time walking and climbing, you end up on a rooftop. You both climb carefully, making sure not to fall.
You spot Jinx, perched on the edge. She's sitting with her knees against her chest, looking out at Piltover.
You gently place Isha down, giving her a subtle nudge, gesturing towards Jinx. Isha catches your cue, nods quietly, and slowly approaches Jinx. The kid carefully settled herself down beside the bluenette. Her legs dangling off the ledge of the rooftop.
You take a seat on the other side of Isha, settling down with a soft rustle of fabric.
Jinx continues to stare out at the city. “You guys found me, huh?”
Isha shifts her position, moving closer. You notice that she's looking up at Jinx, her head resting against her arm. Jinx glances at the child. She reaches over to ruffle Isha's hair affectionately.
“Couldn't stay away.”
“Yeah,” she mutters, “I guess you two are pretty stubborn.”
You chuckle. “You sound like you're surprised that we'd look for you.”
“You never give up, do you?”
“Nope,” you reply. “Not when it comes to you.”
You reposition yourself, shifting your body so that you can lean back and rest a hand on the cold, gritty rooftop. Jinx moves herself into a more relaxed position, leaning back and placing her hand on the rooftop next to yours. With her other hand, she pats at Isha, gesturing for the child to lie down.
Isha obliges, her small body now sprawled out across Jinx's lap. She fidgets a bit, beginning to tire.
Watching over the city below while the moon hangs low in the night sky, a familiar touch breaks the silence, fingertips seeking yours. There's a gentle pressure, a gentle caress, that causes your hand to twitch involuntarily, yet you don't pull away.
You stare down at her hand, at her slender fingers, her knuckles.
You know what those hands are capable of. You've seen the destruction they can cause, the destruction she can cause. And yet, here they are, resting against you with a gentleness and vulnerability.
Your eyes return to Jinx, watching her watch the glowing lights of Piltover.
“Your hands are cold,” she says as she continues tracing lazy circles with the pads of her fingers. You hadn't even realized how cold your hand had felt until she pointed it out, and now it seems to be burning under her touch. “Ever thought about wearing gloves?”
“Gloves?” you repeat.
“Hm, I guess not.” Her fingers suddenly stop their tracing, and for a moment, you feel disappointed. But she quickly resumes, her thumb brushing over your wrist.
Your eyes dart down to follow the action, watching as her skin meets yours. You hear her huff softly, but you're too busy watching her hand at work to look up and see what kind of expression she's making.
“I can feel it.”
“Feel… what?”
“Your heart.” Her hand stops its circular motion, and instead her forefinger starts tracing your veins. “It's beating fast. It's like...” she trails off, and her finger pauses on your pulse point, like she's counting something.
Then Isha shifts in Jinx's lap, her body stirring slightly. Both you and Jinx turn your attention towards the girl. Jinx lifts her free hand and pats Isha's head reassuringly. Her touch is soft and careful, not wanting to disturb the sleeping girl. With Isha settled, Jinx turns her attention back to you.
She studies you for a moment, her eyes roaming your face, then she suddenly releases your hand. The sudden absence of her touch feels like a loss.
Jinx sits back, creating a bit of space between the two of you.
You blink, confused and disoriented, but you don't move from where you're sitting. “What's on your mind?”
“Just thinking.”
You frown. “About what?”
“About you.”
“Me?”
Jinx glances down at the sleeping Isha, a smile at her lips. “Yeah, and Isha,” she says, her hand absently playing with the child's hair. Her eyes then dart back to you. “Mostly you, though.”
“What... what about us?”
“I've got a habit of bringing trouble wherever I go. I just-” she begins. “I don't want anything bad to happen to either of you... because of me.”
You look at her, your eyes softening. You reach out a hand but stop before you touch her, unsure if she even wants you to. “Jinx...”
Her eyes search yours before she looks down at Isha. “I'm not sure what I'd do if something happened to you… either of you.” She pauses. “I care too much,” she blurts out, looking back up at you. “And honestly, it scares me. I don't want to mess everything up. Everyone I've ever cared about has gotten hurt by me or because of me.”
“That's not true. You wouldn't mess anything up. You-”
“Don't.” That single, quiet word cuts you off, her face hardening. “Don't say that.”
You can't seem to find the right words. What do you say to someone who's been abandoned and never had anyone until now? It feels like you're walking on thin ice, and you don't want to break anything.
So you stay quiet for a moment. Then, you try again. “I… we are not going anywhere.”
“You don't know what could happen.”
“Yes, I do,” you murmur. “I know there's a chance we might end up hurt. Or worse. But that's a risk I'm willing to take. Because being with you, right now, is worth it.”
For a while, she doesn't look at you, but her eyes dart over to Isha, her expression softening before she turns away. Her eyes then meet yours.
“You trust me.”
“Yes. I do.”
You reach out slowly, giving her enough time to pull away if she wanted to. But she doesn't, and your fingers find their way to her cheek, gently cupping her face.
“I care about you too,” you murmur, your thumb tracing a path over her cheekbone. “I care about the person you are, not just the person you think you are. I see the good in you, the good that you struggle to see in yourself.”
Your thumb continues tracing the contour of her cheek, her face so close that you could count the freckles and the flecks of lighter blue in her eyes.
“You're afraid. You're terrified of the possibility of me or Isha getting hurt. I understand. But you need to realize,” you pause, your fingers drop down to her chin, coaxing her to look at you, which she does. “You're not a curse. You're not a jinx. Bad things happen, but that doesn't mean it's your fault. It's not your fault-”
“I know.” She trembles under your touch. Her eyes glisten.
“No, listen to me. It's not your fault.”
“I know-” she croaks out, her eyes averting to your hand on her face, then to Isha, then to the city below.
“It's not your fault,” you repeat. A single tear manages to escape her eyes, trickling down her cheek. “You were just a child.”
“But I should have known. I should have—They're gone because of me. It's my fault.”
“No, no, no, it's not your fault. You were just a child. You were doing what you thought was the best to help them, to protect them.” Your thumb gently wipes the tear away, but it's quickly replaced with another one.
“It's not your fault,” you repeat again, your fingers leaving her cheek to brush over her bangs. “That was not your fault, and none of it was your fault.”
She looks at the city, refusing to meet your gaze as her eyes water.
“Please,” you murmur. “Look at me.”
She doesn't respond, but she slowly turns her head to meet your eyes.
“You are not defined by your past, by your mistakes. You are so much more than that. You are loved.” Your fingers move to trace her jawline before moving slowly upwards to her temple. “By me, by Isha. And by many more people than you realize.”
She leans into your touch, her cheek pressing against your palm. She grips your wrists weakly, her hands trembling. The tears flowing down her cheeks get worse, and it hurts you to see her like this.
“It's okay, I'm right here. I'm not going anywhere,” you say. “No matter what happens, you hear me? I'm here to stay. We're here to stay. You're stuck with us.”
Slowly, the tears begin to subside. Her breathing steadies. Her body calming down.
You let your fingers slowly shift from her tear stained cheeks to her hair, playing with the strands. “I'll do everything in my power to keep both of you safe.” Your hands move down to her shoulders, giving her a gentle squeeze.
“I'm not some damsel in distress,” she mutters.
You laugh. “I know you're not. You'd probably kick my ass if I tried to treat you like one. But even the toughest people need someone to have their backs, right?”
Jinx huffs, though you can see the edges of a smile on her face. “That's a cheesy line.”
“Maybe,” you admit. “But it's still true. You don't have to face everything alone.”
“Yeah, yeah,” she says, her hand resuming its gentle stroking of Isha’s hair. “You're annoyingly stubborn, you know that?”
“And yet?”
“And yet somehow I tolerate you.”
Sensing the change in atmosphere, Isha mumbles incoherently, shifting slightly.
“Looks like someone's stirring,” Jinx coos.
With one final pat on Jinx's shoulder, you withdraw your hand, silently communicating that the moment is over, for now. Her shoulders tense at the loss of your touch, disappointment or perhaps longing in her eyes. But she quickly composes herself.
The little girl slowly opens her eyes, blinking sleepily and looking around. She rubs one eye with a fist, then glances up as if just realizing that she's in Jinx's lap. Isha grins brightly when she sees Jinx, her tired eyes lighting up. She wriggles a bit, stretching her limbs and looking surprisingly cheerful despite being woken up.
“I think we should head back. It's getting late.”
Jinx nods, carefully shifting Isha in her arms as she stands up. The child wraps her arms around Jinx's neck, clinging to her like a monkey.
“Alright, kid, time to head home,” she tells Isha, bouncing her up in her arms. The girl giggles and buries her head into the crook of Jinx's neck. “Ready to go?”
You nod, gesturing for them to lead the way. Isha stretches out a hand towards you, wanting to hold onto you too.
“Looks like you've got a fan.”
“Nah, she just likes me that much.”
“That so?” Jinx huffs. “Or is she just using you to get to me?”
“You know she'd choose my company over yours any day.”
“Oh, so that's how it is, huh?” She pokes Isha gently in the stomach, causing another giggle from the child. “Traitor,” she mutters before addressing you again. “I'm wounded, really.”
“You'll survive,” you assure her. “Somehow.”
The warmth of Isha's grasp on your hand. The giggle that escapes her every time Jinx spins her around. The way Jinx's eyes soften when she looks at the child.
This, you realize, is what it feels like to have a home.
notes: im so excited for act 4 on saturday!
#arcane#jinx#arcane x reader#arcane jinx#jinx arcane#arcane x gender neutral reader#arcane x female reader#arcane x you#jinx x reader#jinx x gender neutral reader#jinx x female reader#jinx x you#jinx x y/n#jinx imagine#arcane isha#isha#jinx and isha#fluff#domestic#light angst
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THIS.
THIS IS EVERYTHING TO ME.
by reading this comic you've entered a legally binding contract to go vote for gemini's team in the sep au comp to help us tie <3
the gemini [ start ] [ prev ] [ next ]
#Aight what did we say about-#-leaving hostages alone?#THIS PART IS SO SILLY AND GOOFY OMG#“Do you think I was too hard on him?” Actually to be incredibly honest. NOPE! Draxum wasn't being too harsh at all!#From my perspective and to Daraxum's as well (Probably) Mikey was mostly beating up himself. Draxum didn't do much but-#-encourage Mikey to keep thinking about the situation at hand. He took a good look at the chains and said Mans didn't scold Mikey or yell a#Sure he did place that huge responsibility of one day being the leader of an army back onto his son's shoulders. BUT! He barely did-#-anything inherently wrong! He then went on to gently nudge Mikey in the right direction by telling him to fully assess the situation.#So in any case. Draxum was being a good parental figure! A very very good one at that!#Wish my dad was this patient lol#So A+ to Baron Draxum for being a good dad for once! WOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO#gemini gems
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Why I Love Caitlyn, and Why You Hate Her
⚠️ READER DISCRETION: I am not condoning Caitlyn’s actions and behavior, I am simply exploring the depth of her character and explaining what motivated her pursuit of revenge.
There’s no denying the gravity of Caitlyn’s actions as they are unquestionably wrong. However, her character cannot be reduced to these actions alone. This sudden, devastating behavior of hers is shaped by a thread of complex motivations and circumstances, but many choose not to acknowledge this simply because of her elite background.
Like many others, I initially overlooked the point of the gassing in Zaun, which I think is a crucial thing everyone must first understand before diving into the discourse over Caitlyn's character.
The Grey, often misunderstood as being used indiscriminately, was strategically deployed against the Chem-Barons to limit collateral damage. Caitlyn chose precision over chaos, targeting those directly responsible for Zaun’s turmoil. Furthermore, Caitlyn didn’t kill the Chem-Barons; she captured them, with net-deploying bullets. While her methods are controversial, they reflect a calculated approach; mischaracterizing her raid as a reckless attack ignores these details.
This isn’t to deny or excuse the fact that Caitlyn did, indeed, gas Zaun. Who’s to say that gas didn’t seep into the streets where innocent Zaunites roamed, harming them in the process? It’s entirely possible that innocents were affected and devastated. However, my brief explanation is only added to gain better perspective over the objectives of the gassing itself.
Now moving on, despite her privileged upbringing, Caitlyn shows a genuine effort to understand and connect with Zaunites. She places her trust in Vi, a Zaunite she’s never met before, to guide her in her search for Silco. Her journey through the undercity opens her eyes to the struggles of its people, challenging her perspective.
In S1E4, when investigating the airship attack, she encounters an undercity resident and reassures him, “I can protect you.” Later in the season, when Vi gets stabbed, Caitlyn encounters someone formerly connected to Vi. He’s grown a distaste over himself due to his appearance, and yet Caitlyn embraces him with compassion and tenderness, as a silent sign of gratitude. Then, she surrenders her cherished firearm—her only means of protection—in return for a healing potion to save Vi. In S1E7, Caitlyn’s heartfelt monologue in her conversation with Ekko perfectly captures her hope and determination: “This city needs healing. More than I ever realized. Please, let me help you.”
When Caitlyn and Vi stand in front of the Council, Caitlyn declares: “Councilors, this is Vi. She was born in the undercity. Even though we failed her in countless ways, she risked everything to show me what life is really like down there. People are starving, sick, ravaged by Shimmer. They live in constant fear of the coordinated efforts of violent crime lords.” This monologue alone shows how Caitlyn embodies optimism, believing in the inherent goodness of people, even Zaunites. It also shows that she is very willing to fight for them; she sees helping Zaunites as an act of bringing justice and equality into this world.
Many overlook the depth of Cassandra and Caitlyn’s relationship, reducing it to a simple narrative of a daughter mourning her mother. However, Caitlyn’s mourning is more layered than that. Throughout her life, she has been rebellious, driven by a desire to uncover the reality her mother tried to shield her from. In S1E4, Caitlyn reflects on this by saying, “She’d do anything to keep me from seeing the real world.” Caitlyn’s defiance wasn’t just rebellion for its own sake—it was a stand for her ideals. She sought enlightenment and understanding, even if it meant stepping outside the privileged bubble her mother built for her. By venturing into the undercity and aligning herself with Vi, Caitlyn rejected her mother's own ideals.
Here's another scene in S1E8 that emphasizes this:
Cassandra: You're a Councilor's daughter. Your actions reflect on the entire body. Caitlyn: My actions? You know what else reflects on the Council? Its citizens living on the streets. Being poisoned. Having to chose between a kingpin who wants to exploit them and a government who doesn't give a shit!
In a way, her actions mirror Vi’s: just as Vi betrayed her people by working with the enforcers, Caitlyn betrayed her own mother by involving herself with Zaunites. Remember: The last time we see Caitlyn and Cassandra interact on-screen is during Caitlyn’s plea before the Council. And in that moment, Caitlyn was fighting to protect the very kind that would soon kill her own mother.
You say that Caitlyn’s drastic shift is unjustified, as she’s only experienced a fraction of the suffering Zaunites have been enduring. But that’s precisely the point! Her transformation shows how personal loss can drive the change of one’s entire character; she’s never experienced loss before which is why it feels so heavy for her. And unlike Zaunites, Caitlyn actually has the power to act on her grief. Zaunites have only known misery their whole lives. When their loved one dies, they know there is nothing more they can do but grieve. They don’t have an inch of the privilege and military support Caitlyn has. If you had given them the same resources as Caitlyn, they wouldn’t hesitate to bring ruin to Piltover. Simply put, they don’t fight Piltovans because they don’t want to, but because they can’t.
When Jinx takes her mother away, her compassionate ideals completely shatter. Having always sought justice and understanding for Zaun, Caitlyn feels deeply betrayed, as her faith in the good within every Zaunite is overturned. Her mother’s death becomes a turning point—driving her to abandon her ideals and adopt Piltover’s disdain for the undercity, finally understanding the resentment many Piltovans harbor.
We also tend to forget that, aside from losing her mother, Caitlyn has directly suffered under the hands of Jinx. Caitlyn was held captive by Jinx in Season 1—and God knows what was done to her during that period. In the tea party scene, we see Caitlyn break down in tears, visibly flinching when Jinx moves toward her. It’s clear that Jinx has traumatized Caitlyn not just once, but twice. These experiences deeply shape Caitlyn’s actions moving forward. The pain and fear she’s endured push her to a place where she’s willing to sacrifice almost anything, even if it means putting a child’s life at risk (Isha's) or severing ties with Vi.
While they share their differences, Caitlyn and Jinx are the perfect example of foil characters. Here’s an instance which proves this: Both allow themselves to be influenced by manipulative, powerful figures all while being in a vulnerable state of mind.
Jinx is haunted by guilt; her attempt to save her family only ended up killing them, leaving her with the crushing weight of self-blame. She clings to Silco, not because he was the father she needed, but because he was the father she wanted. Silco indulged her destructive tendencies, keeping her at an all-time high on the edges of chaos. Fragile and broken, Powder crossed paths with Silco at the right moment; he saw the perfect chance to mold her into someone bewildered, unrestrained, and astray.
Caitlyn has her own Silco: Ambessa, the ruthless Noxian leader with a brutal philosophy of war. Ambessa enters Caitlyn’s life at a pivotal moment, stepping in just as Caitlyn is grappling with the devastating loss of her mother. In a spiral of self-identity, Caitlyn struggles with the weight of Piltover’s expectations and her unresolved guilt over her strained relationship with her mother (as explained in previous paragraphs). Just as young Powder mourns her family, Caitlyn blames herself for the death of her mother. Caitlyn got herself involved with the Zaunites even when she was warned not to, and at the expense of her defiance came the death of her mother. Driven by guilt and a thirst for vengeance, Caitlyn steps fully into her role, declaring in S2E1: “I am a decorated officer. Leader of House Kiramman.”
Jinx and Caitlyn share a tragic parallel: they both lose everyone they hold dear. Jinx loses Vi, Vander, Claggor, and Mylo. Caitlyn is left without Cassandra, Vi, Jayce, Mel, and Tobias. Stripped of their support systems, they are left isolated, with no one to confide in or rely on. They become vulnerable, used as pawns in the larger schemes of Silco and Ambessa’s strategic games.
Caitlyn's inner turmoil is exactly why Ambessa’s manipulation is so effective. Caitlyn is compelled to take revenge, but she doesn’t know how to. And without anyone else to guide her, she places her complete trust in Ambessa's expertise. Ambessa doesn’t just give Caitlyn the authority and power to avenge her mother; she teaches her how to use them to their full potential. She toys with Caitlyn's vulnerability, making her adopt the Noxian values of wrath, bloodshed, and ruthlessness.
It’s easy to downplay Caitlyn’s grief since she comes from an elite upbringing. While Cassandra Kiramman is laid to rest in a golden casket with a proper burial, countless innocents in Zaun become victims of merciless violence, being left to die on the streets. After the timeskip however, Caitlyn is shown to recognize the moral cost of her actions. Though the series portrays this realization subtly, it becomes evident that Caitlyn is grappling with the inhumanity and immorality of her pursuit of revenge. In S2E4, this internal conflict comes to light during her conversation with Ambessa. When Ambessa attempts to stoke her fury again, Caitlyn disarms her with a piercing question: “Why is peace always the justification for violence?”
Here's another scene that subtly depicts her realization and remorse:
Caitlyn: You're a monster. Why? Why do all this? Singed: Why does anyone commit acts others deem unspeakable? ... For love.
When Caitlyn steps further and sees Orianna, she realizes that Singed's revenge is a reflection of her own: a person grieving the death of their family member. Here, there's a saddened glint in her eyes. She finally understands now, that love and grief made her do things that once seemed so foreign to her. In this case, going against her own principles just to succeed in her revenge.
Caitlyn is now forever haunted by the outcome of her mistakes, but she knows her past cannot be erased. During her confrontation with Jinx in the prison, she admits, “No amount of good deeds can undo our crimes.” While this statement is directed at Jinx, it feels like Caitlyn also holds this against herself for her own wrongdoings.
Caitlyn’s acts of atonement are done quietly. She’s not good with words; she’s bad at articulating how she feels. Ironically, Vi is much better than Caitlyn when it comes to confronting and vocalizing internal conflict. So instead, Caitlyn’s actions speak for herself. By removing the guards at the prison, she tacitly allows Vi the opportunity to rescue Jinx. She knows Vi will come to save her sister, and yet she lets her. She finally lets go of Jinx and the grudge she held against her, as a silent act of her love for Vi.
And in S2E9, Sevika is shown to be sitting among the Councilors. But thanks to a fan's keen eyes, we find out that she is sat particularly on Cassandra Kiramman's chair (which not many notice). By allowing a Zaunite to occupy her mother's seat, Caitlyn gives them a chance to be rightfully represented, a chance for their voices and suffering to finally be heard. It’s a quiet display of Caitlyn’s evolution and willingness to bridge the divide between Piltover and Zaun.
That said, Arcane’s ending left much to be desired regarding Caitlyn’s arc. The heavy focus on Hextech overshadowed the sociopolitical dynamics of Piltover and Zaun. This is the main reason a lot of hate is thrown toward Caitlyn—there is an act of accountability, but there a lack of consequence. While Caitlyn acknowledges her mistakes, her privileged status keeps her from real repercussions, unlike the tragedy other characters had to face. This is frustrating, even to me, as someone whose favorite character is Caitlyn. Yet, in a way, it realistically portrays the inequalities in our own world—where the elite are often shielded from justice, and repentance is the closest they ever come to redemption.
#arcane#caitlyn kiramman#character analysis#league of legends#caitlyn#essay#in this essay i will#food for thought#i guess we really are a league of legends#caitvi#violyn#arcane vi#season 2 spoilers
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Fantasy Royal Hierarchy & Government Explained for Dummies
👑 The Royal Hierarchy:
High King/High Queen: The ultimate ruler of all the lands. Addressed as “Your Majesty.” They oversee multiple kingdoms and have the final say in all matters.
King/Queen: The rulers of individual kingdoms. Addressed as “Your Majesty.” They manage their own territories, make laws, and lead their armies into epic battles.
Prince/Princess: The children of the king and queen. Addressed as “Your Highness.” They’re next in line for the throne and often have their own mini-kingdoms to practice ruling.
Duke/Duchess: High-ranking nobles who control large regions within the kingdom. Addressed as “Your Grace.” They’re like the regional managers, handling local governance and military affairs.
Marquess/Marchioness: Nobles who oversee border territories. Addressed as “Lord” or “Lady.” They’re responsible for defending the kingdom’s edges and often have a mix of military and administrative duties.
Earl/Countess: Nobles who manage smaller regions within the kingdom. Addressed as “Lord” or “Lady.” They’re like the middle managers, ensuring everything runs smoothly in their areas.
Viscount/Viscountess: Nobles who assist earls and countesses. Addressed as “Lord” or “Lady.” They’re like the assistant managers, helping with local governance and administration.
Baron/Baroness: The lowest rank of nobility. Addressed as “Lord” or “Lady.” They control small areas of land and are responsible for local justice and order.
Lord/Lady: A general title for nobility. Addressed as “Lord” or “Lady.” Lords and ladies can hold various ranks and responsibilities within the kingdom.
Government Structure:
🏛️ The Council: A group of high-ranking nobles and advisors who help the king or queen make important decisions. Think of them as the board of directors.
🧙 The Wizard: The royal advisor with magical powers. They provide wisdom, cast spells, and sometimes meddle in politics.
⚔️ The Knight Commander: The head of the royal army. They lead the knights and soldiers into battle and ensure the kingdom’s defense.
📜 The Chancellor: The head of the kingdom’s finances and administration. They manage the treasury, collect taxes, and oversee the kingdom’s bureaucracy.
🎭 The Bard: The kingdom’s storyteller and historian. They spread news, sing songs of heroism, and keep the royal family’s image sparkling.
Other Classes:
🌳 Elves: Graceful and wise, elves often serve as advisors, scholars, or elite warriors. They have a deep connection to nature and magic, making them invaluable in both court and battlefield.
🌾 Peasants: The backbone of the kingdom. They work the land, pay taxes, and sometimes get caught up in the schemes of the nobility. Despite their humble status, they can be heroes in their own right.
💀 Necromancers: Masters of death magic. They can raise the dead, drain life energy, and command undead minions. Often feared and misunderstood, they can be powerful allies or dangerous enemies.
📚 Scholars: Also known as sages, librarians, or loremasters. Scholars are the kingdom’s intellectuals, possessing encyclopedic knowledge. They study ancient texts, advise on matters of history and magic, and often uncover secrets that can turn the tide of events.
⚔️ Heroes: Brave individuals who embark on epic quests. They can come from any class—knights, peasants, elves, or even necromancers. Heroes are defined by their courage, skill, and willingness to face danger for the greater good.
🙏 Priests/Priestesses: Spiritual leaders who serve the gods and goddesses of the realm. They perform rituals, offer guidance, and sometimes wield divine magic. Addressed as “Father,” “Mother,” or “Your Holiness”.
🐉 Dragons: Sometimes pets, sometimes pests. Always epic. They can be guardians of treasure, wise advisors, or terrifying foes.
Servants and Other Castle Inhabitants:
Steward: Manages the household and estate. Addressed as “Master Steward.”
Chamberlain: Oversees the private chambers and personal needs of the lord or lady. Addressed as “Master Chamberlain.”
Marshal: In charge of the stables and the training of knights. Addressed as “Master Marshal.”
Cook: Prepares meals for the household. Addressed as “Master/Mistress Cook.”
Maid: Responsible for cleaning and maintaining the castle. Addressed as “Mistress Maid.”
Squire: A young noble training to become a knight. Addressed as “Squire.”
Falconer: Takes care of the hunting birds. Addressed as “Master Falconer.”
Gardener: Maintains the castle gardens. Addressed as “Master/Mistress Gardener.”
Where They Dwell:
🏰 Castle: A fortified structure built for defense and residence. It includes towers, walls, a keep, and often a moat. The castle is the main residence of the king or queen and their court.
🏛️ Court: The royal household and the place where the king or queen holds court. It includes the throne room, great hall, and various chambers for the nobles and advisors.
🏡 Manor: The residence of a noble, usually a lord or lady. It’s less fortified than a castle and focuses more on comfort and domestic life.
Pro Tips:
Royal Drama: Expect lots of intrigue, secret plots, and power struggles. It’s like a medieval reality show.
Magic: Always a wildcard. It can solve problems or create new ones.
Quests: Royals love sending heroes on epic quests. It’s their way of handling problems without getting their hands dirty.
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#writer#writing#writer things#writerblr#writerscorner#writing inspiration#writers and poets#writing tips#ao3 writer#author#fantasy writing#fantasy#writers on tumblr#writing inspo#writerscommunity#writer stuff#writing prompt#writers block#fantasy books
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