#resolved before the main story starts

[heynhay]

sigh. toh x voltron au. but mostly lumity klance.

[tobiasdrake]

*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

[arthenaa]

blurred lines — mizu x f!reader

synopsis: your relationship with your roommate often threads the lines between friends and of something more.

content: fluff, suggestive themes, modern! au, roommate!mizu one jumping off a cliff joke mentioned, taigen, ringo, and akemi being great friends, mizu uses she/her pronouns, she/her pronouns for reader as well, mizu and you call each other bon/bonnie as an endearment, mizu is ur bf but not rlly your bf yk, mutual pining

song will be later mentioned in the story but listen to it while you're reading <3

It isn't to anyone's surprise that more often than not, people mistake you and Mizu as a couple. It's gotten bad to the point that it's already counted as an inside joke in your little group of five.

Taigen was the main culprit of the joke (as usual). He often lets his tongue run loose in the most random of situations. Whatever piques his interest, he always has something to say about it. You're not sure if it's because of Taigen's natural person magnet trait but surely, you think this is somehow his fault.

"I just want to say how adorable of a couple you two are!" A person from your year—someone you had met in passing during your Ethics class for sure—gushed as she sat down on the empty seat in front of you. You stare at her, mouth slightly agape in shock at the sudden intrusion, Akemi chortles from her seat while Mizu's starting to look like she's about to commit homicide. It was currently your free period, hoping for a time to relax and wait for your next class, you sure weren't expecting to be bombarded by a series of questions about your love life. You're hoping that both of your unwelcomed stares would drive this person away, but the gal continues off on a tangent. "Not to be like—a real gossipy person, but like, I heard from Sanchez that you guys were dating, and I had my suspicions back then during Ethics class but I just HAD to confirm it, y'know?"

You lock eyes with Akemi seated beside the girl as she hides her grin behind her drink. You're so going to wipe that smile off her face soon.

"I'm pretty sure that's none of your business," Mizu deadpans as she stares at her under her tinted glasses. She taps her index finger on the surface of the table, a telltale sign of her impatience. The girl remains oblivious.

"Oh, come on! We were groupmates last semester! I'm pretty sure we're already close enough to know stuff like this," She sends the both of you a wink to which you wince as Mizu stiffens beside you. You're sure it was taking a real toll on her to prevent her from committing a felony and so you've decided to step up.

"I-I'm sorry," You give her a sheepish smile, hand raised to provide a calm reassurance of not being hostile. "I'm sure you mean well and everything but we're really tired. Whatever you're thinking, it's a no."

You give her your best award-winning smile with the hopes that she'll leave you both alone. You see her slightly pull back, finally reading the room but she pauses at the last second as Mizu wraps an arm around your waist. You're not sure why the girl gives you a cheeky grin as she adjusts her bag on her shoulder but your resolve is soon starting to waver if she doesn't get her ass off your table.

"Alright, whatever you say," She coos, eyes squinting playfully as she gathers herself off your booth. "I'll leave you two lovebirds alone. See you around!"

The three of you watch as she makes her way out of the shop before your shoulders release the tension you've both been holding over the past few minutes. Akemi chuckles at your expressions

"Oh my god, If you hadn't done that I would've gone off the rails," Mizu groans as she rests her head on the table.

"You should've, to be honest, might make this whole debacle a lot more interesting than whatever you have with Y/N," Akemi snickers from her seat as Mizu sends her a glare. "Funniest thing I've seen all semester. Keep it up."

"You're full of shit," Mizu grumbles from her seat. Akemi flashes her her middle finger. You roll your eyes at their banter.

"I don't get what's the big deal," You cross your arms over your chest. "I mean people do the things me and Mizu do all the time."

Akemi gives you a blank stare. "I mean this in the best possible way but if I didn't love you and you said that to me, I would actually slap your face."

"I can slap your face for free, right now."

"Not now, Mizu," You nudged her knee in retaliation as the blue-eyed girl grumbled in response. "Also, bullshit. That's unfair."

Akemi rolls her eyes before slamming her drink down on the table. "That's unfair? You two are basically me and Taigen if Taigen grew the balls to actually court me instead of parading his biceps like a damn himbo. That honestly felt like I'd lost 20 years of my life. She's at your beck and call and even fucking ditches our hangouts just because you had a little cold. That's what's unfair."

You stare at her with furrowed eyebrows as she huffs and takes an angry sip of her drink. You slowly nod, trying to get a sense of her reasoning. Well, you and Mizu had developed a natural sense of service-giving to each other. After all, your deep friendship was only a resort of living together. Wouldn't anyone be that considerate to their best friends?

"I swear to God," Akemi places a hand in front of her mouth as she looks between the two of you. Mizu had already tuned her out, opting to hug you close by the waist and leaning her head on your shoulder as she took the time to rest. "I'm so close to throwing myself off the cliff figuratively and it's both of your fault."

You roll your eyes at her, crumpling a tissue paper before throwing it towards her. The gal dodges it with ease before scrunching her nose.

"You're overreacting."

"Sure," Akemi squints her eyes. "Whatever fits your story."

You're not sure when it started but somehow Akemi's words started to get to you. You knew, for sure, (you think?) that she was just bluffing. Your relationship with Mizu was yours and yours alone, anything between the two of you must be kept between the two of you only. It wasn't as if the comments of other people had affected you—you often tend to brush them off, treating some of them as either praises of your close bond or jokes due to their easygoing nature. You're not sure if it's because of Akemi's short-tempered personality that you've started to notice things too.

"Here," Mizu's voice startles you out of your focus. You turn your head to see the raven-haired gal, hair down and cozy in a black hoodie and sweatpants. You had been studying and getting things done at your uni's library as finals were nearing. The desk at your dorm and the familiarity of your room seemed to mess up with your productivity and so you decided to change venues. Mizu, being the good-hearted angel that she is, drops a cup of coffee beside you and a bag of your favorite food. She then tucks her hands into the pockets of her hoodie.

You look up at her with a pout, eyes softened. "You didn't have to."

Mizu pats your head before gingerly pulling the seat next to you. She sits down and leans her head on her arm perched on the table. "It's the least I could do. You're working hard."

You smile at her praise, glancing at the worksheets sprawled on your table. It wouldn't hurt to take a break, no?

Mizu gives you a raise of an eyebrow as you turn your body towards her, copying her form. Your lips pull into a small smile as you reach out to brush her loose locks. "It's way past your curfew. You should've just slept."

Mizu snorts. "You say that like I'm a child."

You reach out to pinch her cheek causing her to swat your hand away. Letting out a few giggles as she scrunches her nose at you. You would've continued to act normal afterward, there was nothing to freak out over but then Mizu started staring at you with that gaze of hers. Usually, you would either jokingly stare back or playfully ignore her but somehow this time, you're suddenly feeling a bit self-conscious. You let out a cough as you turn back toward your worksheets, unable to handle the intensity of her gaze.

Not sure if she noticed it or what, you make quick haste to get back on track with your studying. About 15 minutes in, you hear shifting beside you. Thinking that it's her cue to go, you turn toward her with curiosity but then your chair moves swiftly to her side. You let out a yelp as she moves your chair with one arm, closer toward her.

"Mizu—!" You squeak at the sudden movement as she lets out a few chuckles at your reaction. Soon enough, a deep flush bursts across your cheeks due to the sudden proximity. She's faced toward you, legs spread to accommodate your figure, and her other arm perched on the back of your chair.

You feel your heart speed up as she leans close and smiles. "Get back to studying, Bonnie."

You obediently follow her orders as you lower your head to get back to answering the worksheets in front of you. You hear Mizu chuckle beside you as you willed yourself to continue writing and ignore her very existence.

Heart? Speed up? What the fuck?

There's a moment of reprieve before you feel the sudden thump of Mizu's head against your shoulder.

"What's up?" You hum gingerly, your free hand moving up to gently pet her head. Mizu shifts her body close, the arm at the back of your chair pulling your shoulder and body to her.

"Do you want Italian or Chinese?" She asks out of the blue, eyes watching you write down equations and numerical formulas on your paper. Your heart softens as you feel her other hand envelope over your stomach, pulling you into a side hug.

There weren't many people around the library at this time of the night besides the occasional suffering computer science major seated at the far end of the library and the librarian herself. Mizu allows herself to be vulnerable within your care. You eye your worksheets, debating finishing them or giving your cute roommate dozing off on your shoulder attention.

Nah, fuck it.

You gently close your notes before cupping Mizu's cheek, softly pulling her up from your shoulder.

"Hm?" Mizu hums as she slowly blinks at you, face leaning towards your touch as you cup her face gingerly within your palms. You give her a soft smile, thumbs running softly across her cheeks.

"Ordering takeout might be a bit too much right now," You quietly whisper to her, eyes crinkling playfully. She lets out a few chuckles at your response. "Although, I recall having a waffle mixture back at our dorm and we still have your dad's waffle maker. What do you say?"

Her gaze darts over you face before she pulls away from your touch. You look at her curious as she scoots to the edge of her seat before pulling you into a hug. The raven-haired girl burrows her face on your neck, letting a loud sigh of relief as she encased you in her arms.

"Alright," She mumbles on the collar of your shirt, breath tickling your neck. You flush at her proximity, opting to rest your head gently against hers. Just as the two of you would continue to bask in each other's presence, a cough alerts the two of you to pull away.

Your eyes dart toward the culprit as the librarian raises her eyebrow toward the both of you.

"You can take your couple date elsewhere if you both have nothing better to do here." The old lady deadpans, fanning herself with her foldable fan. The both of you stare as she gives you one last judgmental look before walking away. Mizu wordlessly helps you pack up your stuff, leaving the library with you trailing behind with your ears flushed red.

"Listen," Taigen takes a deep breath before continuing. "We're only choosing your dorm because Akemi has their annual dorm parties, Our kitchen broke so Ringo can't cook, and we know Mizu is a loaded motherfucker, alright? It's absolutely not because we want to see your icky mundane domestic life."

Mizu leans against the doorframe, staring Taigen down as he finishes his piece. You, on the other hand, can only smile from your spot behind Mizu. It had been your scheduled movie night with friends and originally, it was Ringo and Taigen's turn to host but due to unfortunate circumstances, the duty of hosting befell on your shoulders again. Albeit, a bit rushed this time.

Akemi rolls her eyes beside Taigen before stepping up towards the doorway and pushing her way through Mizu's defense (Mizu let her in, she didn't do anything wrong). Ringo smiles gleefully from his spot beside Taigen before sliding his way inside and pulling you in a hug (again, Mizu let him in, he's the only person who can actually cook).

"Y/N!" Your tall bubbly-bear looking friend cheers as he swings you back and forth in his hug. You giggle as you return the gesture, slightly pulling away and patting his cheeks. Ringo grins. "I missed you!"

You playfully roll your eyes at him. "Oh come on Ringo, I saw you last week."

"Too long!" Ringo whines as he rests his head on top of yours. Your heart warms at Ringo's affections. Your dear friend was a walking talking incarnation of a life-sized teddy bear. The two of you continue to giggle at each other's presence, not noticing the pair of blue eyes trained on you.

"Oi, Ring," Mizu calls out from her position by the doorway, eyes pulled into a glare. Ringo stiffens beside you at her tone. You could only blink your eyes at her with a curious gaze. "Get your ass in the kitchen."

"On it!" Ringo makes no haste and eventually bolts to your dorm's kitchen. You place your hand on your hips as you stare at her with a raised eyebrow. Mizu only looks away before catching a sneaking Taigen trying to move his way inside. The raven-haired girl slams her hand on the doorframe preventing Taigen from entering.

"Where do you think you're going?" Mizu asks with a threatening glare. Her eyes squint as you watch Taigen sweatdrop.

"C'mon, man! I just want to fucking watch Ryan Gosling, can you let me in?!" Taigen whines, stomping his foot. Mizu's face stays blank, hand clutching the doorframe. Taigen resorts to plan B and looks up at you from his spot with the most disturbing try of puppy eyes. "Y/N, please I'll treat you all the fucking bobas you want just please pull your war freak of a wife away from me."

You chuckle as he clasps his hands together, ignoring Mizu's pointed glare. You knew that Mizu would let him in either way. After all Mizu says, and you quote, "It's like leaving a fucking dog outside with all that yapping."

Finally deciding to help Taigen, your eyes gaze at Mizu's back with a smile. "Bon, c'mon leave him be."

There's a pause of silence before Mizu eases up on the doorway and eventually side steps. Taigen lets out a noise of victory before making quick steps toward you and places a kiss on the side of your temple.

"This is why you're my favorite," Taigen crinkles his eyes playfully. You roll your eyes, slapping his arm.

"You said that to Akemi 3 days ago."

"The past is past, what matters is the pre—"

A loud smack on the head propels Taigen forward causing your eyes to widen. You turn to Mizu who looks at him with disgust.

"I let you in and you still yap like a dog. Do you want me to kick you out again?" Mizu stands next to you with a menacing glare. You watch in amusement as Taigen frowns, rubbing the back of his head.

"Goddamn, just fucking marry this emotionally constipated motherfucker please so that I may find peace," Taigen makes a pointed look towards you. "I hate that I'm always at the receiving end of your punches when Y/N doesn't give you a bit of her atten—AGH!"

You let out a few giggles as you watched Mizu try and kick him away from where the two of you were standing. The poor man cowers behind Akemi who elbows him off her figure as she tries to browse through you and Mizu's shared Netflix account.

Your eyes glance toward Mizu who grumbles under her breath before turning towards you.

"Never let him in our dorm ever again please." Mizu deadpans prompting soft laughs from your lips. You then watch as Mizu walks toward you, eyes squinting at the side of your temple before grabbing your face with one hand—cheeks smushed.

"Mijuuuu," You whine as she tilts your head to the side. You notice her gaze on where Taigen kissed you. Your eyebrows furrowed as Mizu reached you with the sleeve of her hoodie pulled over her fingers. She then makes harsh wiping movements on your temple causing you to groan.

"Ow." You sob playfully as she finishes her ministrations. Mizu then turns your head towards her, the corners of her lips slightly upturned as she squishes your face within her grasp.

"Cute." She mumbles before leaning down to place a chaste kiss on your forehead. Your heart thumps against your chest—eyes wide as a deep flush rises to your ears. Whether Mizu noticed it or not, she only pulled away and walked over to where Akemi and Taigen were—both too busy fighting each other for the remote (Akemi wants horror but Taigen insists on a Ryan Gosling marathon).

You stand still in the hallway, breath hitching as you try to calm yourself down.

Unfair.

There's a nagging thought at the back of your head that you think that you might've been a little bit too lenient with Mizu.

Your friendship and current situation as roommates didn't start off in a good footing. Having met Ringo and Mizu during freshman orientation, you had no choice but to stick close to them due to the unfamiliar environment. Ringo welcomed you with open arms while Mizu didn't care if you joined or not. Apparently, she didn't really care about Ringo or you.

It was safe to say that your first impression of your roommate with her ever-perpetual stone-cold glare had not been the best. After all, she had ignored you most of the time and tended to stray away from your group of three.

It was during that time that she had issues with her current roommate who always tried to bring people in as a one-night stand that the two of you decided on common ground.

You were out that night, going on a quick walk break from midterms when you saw Mizu complaining at the front desk. Still considering her your friend albeit a bit hesitant due to her off-putting nature, you hear Mizu complain to the landlord. You overheard her issues with her roommate and decided to offer your space up as your previous roommate had shifted courses, was transferred to a farther building, and therefore had to move to a closer dormitory. She seemed awkward but grateful enough to accept your offer.

Then things are where they are now. After knowing and living with each other for at least 2 years now, your closeness with Mizu didn't really bother you. It was nice being comfortable enough to just be authentic in front of somebody without the fear of getting judged. Mizu tends to be quite direct with her words and doesn't like to bluff around. That's what you kind of love and hate about her.

Love because she's upfront—what you see is what you get. She gives you thoughtful advice, the most rational between the two of you, mature and level headed enough to tell you the truth when nobody else would. Hate because sometimes she's too direct. Direct about your mistakes and wrongdoings but also direct about what she feels.

Like this instance.

"Mizu?" Your feet cladded socks thump loudly against the wooden floor, waddling your way toward your roommate who is busy mopping the living room.

"Yeah?" She calls out, hair tied in her usual bun as she continues to clean. She hears you enter the area, turning towards you with her hand outstretched. "Careful. Floor's wet."

"Yeah, yeah." You grab her hand, watching as she puts the mop away to the side. Finally having her undivided attention, you swing your hands back and forth as you come to say what you went for in the first place. "So y'know how Akemi got her internship at that company she really worked hard for?"

"Mmh."

"Then she was offered like a position right?"

"Mmh."

"So like, as a reward for her great performance, she got tickets for us to watch Laufey next week."

Mizu's eyebrows raised in recognition. "Really?"

You nod your head with enthusiasm, smile brimming from ear to ear. Mizu's eyes softened as she lets you continue.

"So I was wondering," You bite your bottom lip as your hand shifts to wrap around her index finger—still swaying it back and forth. "Can you help me find an outfit, please?"

Mizu hums as you peer at her with an excited grin. The raven-haired woman glances at her unfinished work before sighing.

"I suppose cleaning can wait." She responds before getting pulled in a hug.

"Thank you! Thank you!" You make careful tiptoes around her work as you walk back to your room.

It takes Mizu about 7 minutes to finally reach your room with a soft knock on your door. You tell her to come in as she gently opens the door to walk inside.

"Options?" Mizu sighs in relief as she plops down on the bed. You tell her your options and Mizu nods for you to try them on.

It takes a while for both of you to decide—eventually having to stick with two dresses. Finally trying the last dress on, you twirl in front of the mirror, examining the way you look before meeting Mizu's eyes on the reflection.

"That's the one," Mizu says with a soft tone. There's something about the way she eyes you up and down with a gentle look in her eyes paired with the soft tone of her deep voice. You pause, turning around to see her on the edge of your bed, arms resting on her knees—hands interlocked with her body leaned forward. Those hues of blue peer up at you with half-lidded eyes. Your cheeks heat up.

She breathes a heavy breath before motioning for you to come over with a come hither motion of her fingers. "C'mere."

You make slow steps toward her form, a couple of inches away from each other. You look down at her as she eyes you up, an unreadable look on her face before she suddenly stands up from her seat. Suddenly you're reminded of Mizu's height, albeit only a couple of inches taller than you, you still had to crane your neck at a distance as close as you were now. Suddenly the air seemed thick and constricting.

There's a sudden tension filling the air as the two of you only look into each other's eyes. You find yourself unable to blink as you admire her features. A mix of handsome and pretty—a face you've seen countless times and yet still be in awe of.

Just as the moment had started, Mizu suddenly ends it with a flick on your forehead causing you to blink.

"Hey!" You whine at the sudden gesture, hands reaching up to touch the spot she flicked at. Mizu smirks, chuckling.

"You blinked, I won."

You scoff at her. "Unfair."

She then fixes the fabric of your dress, making sure that the pleats and the flow is positioned nicely. Then the next few words stun you.

"You look really beautiful, Y/N." She says with such a genuine tone that it leaves you speechless. Seeing your reaction she lets out a few laughs then pinches your cheek. You let out a chuckle at the sound of her laughter.

"Favorite Laufey song?" You tilt your head in curiosity as you look up at her with a smile. Mizu softly blinks with a gentle smile.

"Serendipity."

Your hands slam against the wooden surface of the desk inside the library's discussion room. Three pairs of eyes—one filled with curiosity, one with indifference, and one with annoyance. You breathe heavily as you lock eyes with each one.

"I think I like Mizu."

Suddenly Taigen stands up from his seat and applauds you—Ringo, ever the sweetheart he is, smiles at you and waves his arms for a little celebration dance.

"Congratulations, Sherlock," Taigen smiles sarcastically. "If I had to watch the two of you in an eternal battle of who's the most oblivious, I would already have a degree in Bachelor of No Communication, Major in being a pussy and a minor in having mommy issues."

Akemi gives him a disgusted glare. "Can you shut the fuck up or is being a yapper your honest profession?"

"Alright," Taigen raises his hands. "Chill."

Akemi rolls her eyes before looking at you with her lips upturned. "Happy that you're finally realizing it, hun."

You groan as run your palms over your face. "That's the problem!"

"Why's that a problem?" Ringo asks innocently. You pull yours hands down with a huff.

"It's Mizu."

"So?" Akemi raises an eyebrow.

"Mizu's my best friend," You whine. "I can't risk it when I don't know if she feels the same."

"Be fucking for real right now." Akemi deadpans as she crosses her arms over her chest. "The damn woman looks at you as if you've just given her the stars and the moon. Y'know know how much I envy that?"

Taigen nudges Akemi beside him with a pout. Akemi glances at him with a sigh. "I was just making a point. You'd have to be dumb stupid to not notice anything at all, Y/N."

You purse your lips as you sheepishly look at Akemi like a child being punished.

"You did, didn't you?" Akemi squints her eyes with a smile. "Precisely why I favor you over that emotional catastrophe of a woman. I suggest taking the chance. It's not every day that you find someone that's a complete fit for you."

Akemi gives you a soft smile. You purse your lips as Taigen gives you a thumbs up.

"You can do it, Y/N." Ringo smiles at you from his seat. "If there's anything I know about Mizu, it's that she cares for you a lot more than you think."

You nod, encouraged by your friends' advice and reassurance. While Mizu's someone you didn't want to lose, you'd rather take the risk on giving her the love she deserves rather than keeping it buried within you.

Finally, your resolve is built and strengthened. It's just Mizu, it should be alright.

To put things simply, it had been 3 weeks since your talk with Taigen, Akemi, and Ringo.

The three have tried their very best to allow you to confess but somehow Mizu always has something to do or something keeps ruining the moment. Confessing in a cafe? Suddenly a random NPC interrupts. In the library? Librarian follows you everywhere with that judgmental gaze of hers after your previous altercation. Campus garden? Mizu's getting called for org duties. Your own dorm? Mizu's asleep.

You're at your wit's ends and while you can tell that all of this isnt intentionally done, you can still feel the frustration.

It's this night where you reach your final straw.

You had just gotten home after a day of requirements, finals, and activities. Mizu's schedule was moved a bit earlier causing the two of you to be quite busy due to the gap in the dates for your finals. When you're free, Mizu's taking an exam. When Mizu's got nothing to do, you're working your ass off in the library.

The finals season has completely ended and you're walking home with a fleeting mind and relieved sigh.

As you make the turn toward your dormitory, you notice a familiar head of black crouched over the sidewalk. Your eyebrows furrowed as you see Mizu busy with whatever caught her attention. Just as you reach at least a meter away from her, you see a fluffy white cat perk its head behind Mizu's figure, blue eyes sparkling with curiosity as it mews at your figure.

"Huh?" You hear Mizu hum before turning to face you. A look recognition passes her eyes. "Oh. You're home."

You fall silent as you continue to watch her pet the cat. You hear its purrs as it leans its head to Mizu's touch.

"I cooked hotpot upstairs," Mizu says, eyes still looking at you. Her hair is down, only pinned back by her glasses worn over her head. That little frail bang escapes with ease from it as she looks down to see the cat on its back, paws demanding a belly rub. She's wearing the black sweater you gave her with its sleeves rolled up to her arms.

Fuck. Why does she look so—

"I can tell you're spent," Mizu softly smiles at you. There's a slight breeze that gently ruffles her hair. "You did so well, Bonnie."

Then it's as if something snapped within you and there's nothing that could stop you from unleashing the pent up frustration of not getting a moment with her.

"Oh my god," Your gaze is unwavering as you stare at her figure. She raises an eyebrow at your response. "I'm so fucking in love with you."

Mizu stops her ministrations with the cat, figure tensing as the light breeze of the wind fills in the void. Your heart thumps as you breathe heavily, watching any sort of reaction for her shocked face.

Then it is as if you could hear a pin drop then a change in the atmosphere. Mizu is flushed deep red, eyes blinking as she stares at you with mouth agape.

Your eyebrows raise in amusement.

"Huh?"

"I love you." You repeat taking a step closer to her crouched form. She furrows her eyebrows, blush spreading up to her ears. Oh?

"I-I don't—"

You grin as you crouch in front of her, eyes trained on her shy features. "I said I love you."

"Y/N." Mizu grumbles as she tries to glare at you.

"What?" You shrug, smile brimming from ear to ear. The emotions on her face are clear as she stammers and stutters in front of you.

"That's not fair." She grits her teeth.

"What's not fair?" You tilt your head in amusement.

"I wanted to say it first." She mumbles as she looks down at the cat purring between the two of you.

You let out a soft laugh at her whining.

"Well, I'll pretend I didn't say anything and that I just walked back from school," Mizu eyes you in confusion as you stand back up and run a few meters away from her—back from where you previously stood. You clear your throat as you straightened yourself up. "Oh my god! Finals is so hard, if only there's a hot tall masculine woman to declare their love for me."

You end with a dramatic touch of the back of your hand against your forehead. Mizu chuckles, shaking her head before standing to her full height. She reaches you with ease, lips turned to a smile as her hands make their way to cup your face.

"You're an idiot," She grumbles with affection before pulling you in a kiss. There's no time wasted as you kiss back, clutching the fabric of her sweater as she tilts her head to deepen the kiss.

You squeak as you feel her tongue intertwine with yours. You feel yourself get lightheaded, melting in her touch as your arms wrap around her neck while hers takes hold of your waist. She pulls you closer with no distance left to break you apart. You whine as you feel her bite on your bottom lip, gently pulling it before pulling away. Heavy breaths are what fills the space between your bodies, eyes still trained on swollen red lips while want and need courses through your veins.

She lets out a grunt as she dives to taste more of you, pecking your lips once, twice—thrice before finally breaking off.

There's a moment of silence before hushed giggles errupted between the two of you—Mizu swaying your bodies as you both bask in each other's presence.

Hushed whispers, sweet nothings, wide smiles, and stolen kisses are all that's seen between two idiots in love. Before you can further enjoy your moment with Mizu, a loud meow interrupts your moment. The two of you look down at the cat licking its paw as it stares up at you both.

It swishes its tail back and forth, tilting its head before stretching. You and Mizu look at each other with a smile.

"You up for another roommate? Might be severely in love with you too." You tease as the cat leans its body against Mizu. Your girlfriend rolls her eyes. You giggle.

"Oh, shut up."

a/n:

you: *sees mizu w a cat* marry me

mizu: ?

projecting ken tendencies in taigen mb. akemi is a mood tbh.

[joelalorian]

Fall Into Me - Chapter Six: And I Knew My Heart Wasn't Mine

dbf!Joel x f!reader

Summary: Joel is hanging on by a thread as a single father to a tenacious 10-year-old Sarah. Feeling like he's drowning, like the world is about to spit him out, he needs some help before he breaks in half. At your dad's insistence, you show up in his life and change everything.

Story is inspired by the song Fall Into Me by Forest Blakk. Chapter titles will be lyrics from the song.

Word Count: 3.8k

Chapter Warnings: Explicit, under 18 take a hike. No outbreak AU. Lots of feelings, confusion, and self doubt. Two idiots falling in love. Finally some smut-ish stuff. Dry humping on the couch. Joel is his own warning. Tommy keeping it real. Age gap of about 9 years (Reader 24/25, Joel 33/34). No use of y/n. Reader has a nickname used only by her dad.

Dividers by the wonderful @saradika-graphics

Some of the tags aren't working in the taglist - if you're not getting the notifications, please check your settings to make sure you are taggable. Thx!

Chapter Five | Main Masterlist

Sitting at the kitchen table on Sunday morning, you reviewed an email on your phone from the Texas Education Agency. Relief washed over you. The State Board finally approved your certification after jumping through a million hoops, just in time for your upcoming meeting at Sarah’s school.

Yet another step closer to finally feeling like an actual adult contributing to society.

“Morning, Spud,” your dad greeted as he walked into the kitchen in search of his morning coffee. “You’re up early. Did you have fun with Sarah yesterday?”

“I figured I’d seize the day and all that. I had a blast yesterday! Sarah is so smart, and Joel was really nice, as always,” you replied, playing down quite how much of a roll Joel had in making the day so enjoyable. You still couldn’t believe how things worked out.

Joel Miller, dead sexy single father, liked you, wanted to be with you. Little morsels of doubt tried to weasel their way into your mind, trying to make you question what was so special about you that a man like Joel would be interested in. You shook those thoughts away, resolving to believe that you deserved someone like him, someone who liked you for who you were and not who they wanted you to be.

“He comes from good stock, that Joel,” your dad interrupted you’re wandering thoughts. “Not sure what happened with Tommy, though. Musta been dropped on his head as a baby or somethin’.”

“Dad!” you laughed, shaking your head. “There’s nothing wrong with the guy. He’s young, single, and unburdened by responsibility. I imagine you were like that once upon a time.”

“Musta been so long ago I can’t remember,” he replied, hip checking you into the counter when you stood to place your glass in the sink. “Watch yourself there, Spud.”

“Jeez, thanks, Dad,” you replied with an amused eye roll. Your dad watched as you tidied up your little mess from breakfast and grabbed a bottle of water from the fridge.

“You know, Spud. You’d do well to find a man like Joel. He’s a really good guy. Shame he doesn’t date. All the women go crazy over him.”

Your dad kept going on about Joel’s aversion to dating, but your mind froze on that one simple statement – you’d do well to find a man like Joel. You tuned back in just in time to hear him say, “He needs to settle down with a girl like you. Someone smart and responsible who’ll still give him a run for his money.”

Practically bursting with the urge to admit that you and Joel just officially started seeing each other, you curled your lips between your teeth and just nodded. You promised Joel you’d wait a bit before mentioning anything to your dad and you planned on keeping that promise. “He should be so lucky to find someone like me,” you sassed finally.

The day carried on as you spent some quality time with your dad watching TV and lounging around. It was refreshing and relaxing, reminding you of times past where the two of you spent a bunch of time together.

The urge to text you plagued Joel all day Sunday, distracting his attention from the football game until Tommy finally snatched the phone out of his hands and hid it.

“Enough, brother. You’re like a lovesick fool checking your phone every five fuckin’ seconds. You just spent the day together yesterday. Give her a little breathin’ room,” Tommy chastised. “Women like a little mystery after all.”

Flopping back into the couch cushions with a huff, Joel crossed his arms in front of his chest. “I don’t want to play games with her, Tommy. None of that aloof, hard to get bullshit.”

Shaking his head, Tommy waited until a commercial break to turn to his brother again. “I’m not sayin’ to play games. I’m just sayin’ you don’t need to be up her ass 24/7. You’ll see her every day this week. It’s ok to build up a little healthy anticipation today.”

Joel knew his brother had a point. He just couldn’t help himself. It’d been so long since he felt like this about someone – if he ever really did before – and it was messing with his head. Berating himself for not even kissing you yesterday, Joel wanted to at least text with you today. It felt somehow wrong to not talk to you.

Then again, you hadn’t texted him either.

Tommy made a valiant effort to distract Joel from his thoughts, talking statistics about the game and the players, anything to get the guy talking. It only worked for so long before Tommy couldn’t take it anymore.

“Alright, how ‘bout this. I’ll take Sarah for a dinner and ice cream date tomorrow so you two can spend some time alone. Get a little action in and maybe that’ll help you get your head out of the clouds.”

For the first time in hours, Joel’s face lit up. “You sure?”

“I wouldn’t offer otherwise,” Tommy replied. “You two need to figure out if there’s something there and you can’t do that with a ten-year-old hanging around all the time. Not unless you want to scar her for life.”

Joel nodded, reaching out to take his phone back. Before letting go of it, Tommy grinned. “I already texted her for you. You’re welcome.”

Ripping his phone out of his brother’s hand, Joel scrolled through his text messages to find what Tommy sent you.

JM: Hey sweetheart. Netflix and chill tomorrow?

He only knew what that meant because of Tommy and you had to know that wasn’t something Joel would say. “Jesus fucking Christ, Tommy!” Joel growled, his ears turning red from what you must think. He was about to really lay into his brother for overstepping when you responded.

You: Netflix and chill, huh? Sounds like my kinda date 😉

Not expecting that response, Joel chuckled. Maybe Tommy knew exactly what he was doing after all.

“Like I said, you’re welcome,” Tommy teased when he saw the goofy smile on his brother’s face.

Joel ignored him, proceeding to ask you about your day. The two of you texted back and forth well into the night until it was time for bed.

Climbing between the cold sheets of his large, empty bed, Joel wished you were there with him. He could already imagine you there, falling asleep together after a romp or two, waking up next to you in the morning. It sounded like heaven to him.

Hmm, maybe he could Netflix and chill his way to convincing you to spend the night tomorrow.

You didn’t know what to expect when you walked into Joel’s house Monday morning, but it certainly wasn’t a flustered Joel, knelt on the floor, staring down at a mess of pancake mix surrounding him and Sarah giggling her little heart out at the breakfast table.

“What happened here?” you asked, hands on your hips and eyes surveying the damage. “Did you have a fight with the boxed pancake mix.”

“He really did!” Sarah exclaimed, still laughing. “It went everywhere!”

“I see that,” you replied, grinning at her before turning back to Joel.

He stared up at you with wide, sad eyes and shoulders slumped. “I couldn’t get it open and then it just…” His arms spread wide, gesturing at the powdery mess on the tile in such an endearing way. You couldn’t stop your smile from growing wider.

“Go finish getting ready for work. I’ll get Sarah some cereal and clean this mess up,” you directed, gently pulling him to his feet and around the mess.

“You shouldn’t have to clean up my mess, sweetheart,” Joel replied, pulling you in for a hug. You could tell the warm press of your bodies together made him feel better and you basked in it as well, not minding the bit of pancake mix that transferred to your clothes.

“Don’t worry, I got it. Now git!” One hand swatted at his ass playfully as he rushed out of the room. “Now, what kind of cereal do you want, nugget?”

Fifteen minutes later, Joel returned to find the mess gone and you running a mop over the tile to wipe away any last remnants of the pancake mix disaster. Sarah already finished her cereal and was upstairs brushing her teeth before it was time to head to school. When you put the mop back into the bucket, Joel crept up behind you, wrapping his arms around your waist. He pulled you close until your back was flush against his chest.

“Thank you, sweetheart,” he breathed in your ear, sending a flood of goosebumps down your arms. Joel pressed his lips to the spot just below your ear and left a trail of kisses down your neck. The feel of his lips on your skin exceeded any expectations you had, and a contented sigh left your own lips.

With a hurried tenderness, he spun you around in his arms, the mop forgotten as it nearly fell out of the bucket. Faces close together now, your eyes drank in every detail of him from the richness of his dark brown eyes, the curve of his nose, the purposeful stubble of his beard, and, finally, to the fullness of his bottom lip. You could feel his eyes doing the same, drinking in every bit of your face before tilting his head impossibly closer.

“I’m going to kiss you now, ok?” Joel murmured; lips nearly pressed to yours already and you hummed in approval.

After all the weeks of mutual pining and self-doubt, Joel finally kissed you. It started as a soft press of lips and quickly morphed into an overwhelming need to devour each other when his tongue teased along the seam of your lips, begging entry to deepen the kiss. Teeth knocked together and tongues tangled as you tasted each other – somehow, the taste of coffee was suddenly appealing when it came from Joel’s mouth.

Hands wandered – his over your curves and yours into his luscious, dark curls. Joel’s hair felt as silky as it looked, and you had been itching to get your fingers in it from the moment you met him.

The sound of Sarah’s footsteps bouncing down the stairs broke the two of you apart, breathless, and dazed.

“Wow,” Joel murmured, struggling to remove his hands from your waist.

You smiled up at him, equally unwilling to remove your fingers from his hair. “Exactly,” you whispered, stepping back with your hands at your side just as Sarah entered the kitchen.

“I’m ready!” she declared excitedly and you both grinned at her cuteness.

“Okay, nugget. Let’s head out.”

Heart melting in your chest, you watched Joel and Sarah do their morning routine of saying goodbye. The love between the two of them was so strong it was like a tangible thing you could hold in your hands. Nostalgia washed over you as memories of your own childhood, moments like this with your dad, flooded your mind. What you had with your dad, what Joel and Sarah had together, was a connection that would never fade, only grow stronger with time.

Briefly, you wondered if your evolving relationship with Joel would affect that connection, interfere with it in anyway. You couldn’t move forward with him if that was the case. Some woman showing up and changing the dynamic between you and your dad would have upset you as a child and you refused to be the cause of any upset Sarah felt.

When the two of them stepped back from their hug and grinned at you, any question about your place in their dynamic washed down the drain. You felt nearly dizzy with relief when Sarah quickly said, “Give her a hug, too, Daddy,” and shoved him as hard as she could in your direction.

With a chuckle, Joel gave in to Sarah’s demand, wrapping his arms around you. The broadness of him surrounded you, enveloping you in warmth and a sense of security you’d not experienced before. Was that what love felt like?

“Have a good day, darlin’. I’ll see you later,” Joel’s deep voice was but a whisper in your ear, his lips just grazing your earlobe. “I’m looking forward to tonight.”

Warmth raced up your neck to your cheeks and you squeezed your thighs together in anticipation of what you hoped would happen later. “You have a good day too, Joel. Be careful, ok?”

“Always, darlin’.” He winked as you led Sarah out the front door to your car.

The journey to Sarah’s school started off quietly, Sarah bopping along to the music on the radio as you navigated the morning traffic. Your thoughts wandered to what you should wear later when Sarah startled you with a sudden question.

“Are you my dad’s girlfriend now?”

She asked the question so nonchalantly that you weren’t sure how to respond. Would she be upset with whatever answer you gave? Was there even a right or wrong answer? What did she want to hear? Mind racing, you settled on asking Sarah a question in return.

“Would you be upset if I was?”

Tilting her head side to side a few times, the little girl contemplated her answer while you held your breath. She turned to you with a smile so big it scrunched up her nose. “Nope! It’d make me really happy.”

“Really?” Your eyebrows were nearly at your hairline.

“Uh huh. You’re the coolest and prettiest. My dad would be lucky if you were his girlfriend,” Sarah admitted with all the confidence and knowledge of a ten-year-old. Another head tilt and she added, “So, are you?”

Equal parts amazed and grateful for Sarah’s acceptance of the idea, you opted for honesty. “I mean, I don’t know,” you shrugged. How could you explain what you had to a 10-year-old? “We haven’t talked about naming it yet, but we did decide to see how we like being together. Does that make sense?”

Sarah gave it a moment of thought. “Yeah, I think so. It’s kinda like how you’re a teacher, but not officially until you get the job, right?”

You laughed at the comparison with a nod. “Exactly. I’m as good as your dad’s girlfriend, we just haven’t made titles official yet.” You pulled up in front of the school and it was Sarah’s turn to get out. “Now get going, nugget. Have a good day!”

The little girl bounced out of the car, calling out to one of her friends. Just before you pulled away, you heard Sarah tell the other girl that you were her dad’s not-yet girlfriend.

The day absolutely dragged. Joel could swear that time went backwards every time he looked at a clock. It didn’t help that every single subcontractor gave him a hard time about something today.

The roof trusses arrived six weeks early and the sub refused to take them back even though the damn things would rot before they got to the roofing phase of construction. The company he rented the extra backhoe from wanted to raise their rates in the middle of his contract. The list went on and Joel ran out of patience three hours ago.

The only thing holding him together was the thought of you. Spending time with you. Kissing you. Touching you. Burying himself inside you… He adjusted himself with a sigh. Damn, he needed to put those particular thoughts on ice before he got himself riled up. The workday was shitty enough, he didn’t need the guys giving him a hard time about an untimely chub in his pants.

Finally, Joel had enough of everyone’s bullshit and called it a day, leaving his foreman in charge of the worksite.

“Off to doll yourself up, are ya?” Tommy teased as Joel headed for his truck. Gesturing in the general direction of Joel’s crotch, he added, “You remember how to use that thing? Make sure to clear out the cobwebs and use protection!”

“Jesus, Tommy,” Joel grumbled, climbing into his truck, and driving off. He knew his brother was only teasing, but Joel was nervous enough as it was. He didn’t need Tommy getting in his head. He did have a point about protection, though.

A quick stop at the convenience store to grab a box of condoms, Joel made it home before you and Sarah. Putting on some 90s rock, he jumped in the shower, putting in the extra effort to tidy himself up down there. He wondered if you preferred pubic hair or not. Fearing he was getting way ahead of himself, Joel opted to just trim his down and hoped for the best.

By the time he finished trimming his facial hair and tousling his curls, you and Sarah were downstairs, working on her homework. As he walked down the stairs, Joel could hear you encouraging his daughter to think the questions through and congratulating her when she got the answers right. His heart grew three sizes watching how you were with Sarah. You held his whole world in the palm of your hand and treasured it like the precious cargo it was.

Joel was falling so hard for you. You were quickly gaining the power to destroy him.

“Hi Daddy!” Sarah called out when she spotted him in the doorway. “We just finished my math homework. Can I play in the backyard?”

He set up a tire swing on the large live oak out back a week ago and it quickly became his little girl’s happy place. “Of course, nugget. Come give your old man a hug first.” Bending down, Joel swept Sarah up in his arms, biceps stretching his shirt sleeves as he swung her around in a circle. Sarah’s laughter echoed through the room, and you smiled sweetly at the pair of them.

“Uncle Tommy’s coming to take you out for dinner and ice cream in a bit. Ok?” Sarah nodded when he settled her back on her feet and raced for the sliding door. Once she was out of sight and earshot, Joel turned to you. “Come ‘ere, darlin’,” he said, voice deep and velvety.

Your body followed his command without conscious thought, so great the need to be in his arms. “I thought about you all day,” you admitted, staring up at him with wide eyes.

“Me, too. Could hardly focus on the job thinking about you and spending this evening together.” He tightened his arms around you, head bending to seal his lips to yours. When your lips parted at his prompting, Joel teased your plush bottom lip with his teeth. “It’s like a tasty little gummy worm,” he teased. “I could nibble on it all day.”

You moaned into his mouth, the little breathless sound music to his ears.

The kiss deepened until you were licking into each other’s mouths, hands wandering and grasping for purchase on any piece of real estate you could reach. Neither of you heard the front door open or the footsteps approaching the kitchen.

“Am I interrupting somethin’?” he asked cheekily as the two of you sprang apart, disheveled and gasping for breath.

Joel ran a hand down his face, closing his eyes for a moment to gather himself. “Excellent timing as always, brother.��

“Y’all just couldn’t wait five more minutes, could ya?” Tommy’s grin a mile wide as he teased. “Lemme get the nugget out of here before you two scar her for life.”

You tucked your face into Joel’s shoulder bashfully when Tommy slipped through the sliding door. Joel groaned and wrapped his arms around you. “Don’t mind him, darlin’. He just likes to bust my balls.”

Ten minutes later, after some hugs from Sarah and more teasing from Tommy, you and Joel were alone. Taking your hand, he led you to the couch. He hoped you didn’t notice that his rough palms were sweaty with nerves. You were abnormally quiet, and he wondered if you were nervous as well.

Seated a few inches apart, the tension became too much. “What are you in the mood for?” Joel asked, breaking the silence as he pulled up Netflix on the TV. He barely logged into his account when you suddenly straddled his lap.

“Hi,” you said when he stared at you in surprise. “You know what I’m in the mood for?”

“What?” He barely got his mouth to form the word, his brain short circuiting with you in his lap. His grip on the remote loosened, yet neither of you cared when it fell to the ground.

“You.”

There was a moment where you both froze, each waiting for the other to act first. Then the tension snapped, and Joel’s lips crashed against yours. His tongue danced along the seam of your lips until you opened them to let him in. Tongues tangled in a never-ending dance as your hips tilted, grinding down on him. Joel was uncomfortably hard in moments, pressing up against your warmth.

His hands were everywhere, fingers tenderly tracing the structure of your cheekbones, down the curve of your neck, along the swell of your breasts. They finally settled, grabbing handfuls of your ass to pull you impossibly closer. You moaned into his mouth, hips bucking in search of more friction.

Gasping for breath, Joel tore his mouth from yours, his hands urging your hips into a rhythm as you dry humped him. His mouth left a trail of scorching kisses down your neck, eliciting a wave of goosebumps to flow down your arms. Your hips rocked, gliding across his hardened length and Joel swore he could feel your wetness breaching through the layer of clothes separating you.

Fuck, how he wanted to taste you, get high on your sweet nectar. He knew, just knew in that primal way, that yours would be the best pussy he ever tasted. His cock swelled impossibly harder at the mere thought of burying his face between your legs.

“Jooooeeelllll.” His name coming from your luscious lips in a drawn-out moan caused his own hips to buck up into you, hitting just the right spot to make you both see stars from the friction alone. His mouth sucked little marks into your neck, leaving his left ear exposed to your mouth as crooned, “I’m gonna come, fuck. You’re gonna make me come in my panties, Joel.”

“Fuck, darlin’. Come all over me, pretty girl. I want to see you fall apart from grinding on me like this. Drench those panties.” Joel sat back a little, just enough to watch your face as your orgasm swept over you. It was the most beautiful sight he’d ever seen, eyes rolled back in your head, mouth hanging open in a silent ‘o’ as you trembled above him, delicate hands clenching the meat of his shoulders for balance. A little sheen of sweat dusted your hairline. Fucking beautiful.

Joel was absolutely certain he could feel you drenching his pants as you came, your breath finally coming back in a sharp exhale. He had never been so turned on in his life. Watching you come apart for him, feeling it seep through the layers of clothing became too much. For the first time in his adult life, Joel Miller came in his pants with a desperate whimper.

tbc

Taglist: @mellymbee @untamedheart81 @anoverwhelmingdin @runningmom94 @leilanixx @pedropascalfan221 @lovelyjess69 @sarahhxx03 @sofiparallel @tammythr @lulawantmula @islacharlotte @allyourfavesinoneblog @lover-of-books-and-tea @pedropascalsbbg @ashleyfilm @brittmb115 @lilmizmoz @loveisacowboyyy @shotgun-shelby @deninoe @casssiopeia @caitlynsixxx @skysmiller @missladym1981 @marirxse

[anneapocalypse]

On the role of outsiders.

One thing I think makes the Scions' relationship with Wuk Lamat unique isn't that they're mentoring her--I don't really see it as a mentor relationship and for various reasons I think it's better for it not to be that--but that, as outsiders, she finds that she can show vulnerability with them that she's only rarely been able to show with anyone else.

When we meet Wuk Lamat in 6.55, it's pretty heavily telegraphed that she's posturing a lot to cover up some personal weaknesses or insecurities. This made me really curious about her, who she was and what that overconfident demeanor was covering for. And when I got into Dawntrail and started getting to know her, I wasn't disappointed.

(No Wuk Lamat hate on this post, please. Any responses clearly trying to pick a fight will be removed and blocked without reply.)

Wuk Lamat has a couple of foils in this story, but a big one is Sphene, and I love @unmovingtroika's description of Sphene as "unpersoned to an extreme degree." And as a distorted mirror of our main character, Sphene reminds us that any person in a position of authority or heroism is depersonalized to some degree, no matter how down-to-earth or benevolent.

Gulool Ja Ja is really presented to us as very much a people's ruler, the charismatic blessed siblings who united the peoples of Tural through curiosity and open-mindedness and understanding. And that may be largely true, but it's also made of him a myth, a legend inscribed in stone and memory. Meanwhile in the course of Dawntrail's story we also meet the real person Gulool Ja Ja... at least, the one who's left. The man who has spent three years grieving his brother, his ever-present companion, the Reason to his Resolve, a man who for the sake of political stability has had to hide his grief and loneliness from even his own children, as he does his best to carry out the work they had begun together, and complete the Rite of Succession in his brother's absence. And if there are places where Gulool Ja Ja failed to foresee the potential negative outcomes to the Rite, like Bakool Ja Ja's actions endangering his people, we might see there in hindsight the Head of Reason's absence in the final stages of the Rite's preparation. And we see, in some of Zoraal Ja's anger and resentment and insecurity, a glimpse of the ways in which the people's Dawnservant might have failed his own son.

One of Wuk Lamat's early growth moments is when the Scions convince her that she doesn't need to try and hide her obvious seasickness--an affliction she can't help, and which represents no failure of character on her part but which is, well, embarrassing. I love that she seems to particularly connect with Alisaie, who's had her own experiences of feeling inadequate next to her sibling, and feeling the need to prove herself on her own terms.

Could Wuk Lamat have been convinced to drop the act by her allies if they weren't outsiders? The problem is that everyone else in Tural, even her own siblings, are the people she'll have authority over if she wins. Erenville frequently rolls his eyes at his old friend's posturing, and fairly so, but Wuk Lamat doesn't behave that way just because she's insecure. In the same way that her father has had to conceal the death of his brother even from his own children, Wuk Lamat recognizes the danger of showing weakness before the people she will have to rule--especially when she's already aware of her reputation as being less qualified than her brothers. But these outsiders from Eorzea are different. They're allies who will never be her subjects. In private moments, she can be a person with them. She can be vulnerable. She can be Lamaty'í.

(Incidentally, I think this is also why I found Sphene calling her Lamaty'i so unsettling. Initially it seems like a simple misunderstanding, an outsider mistaking a very personal nickname for someone's "public" name. But in the hindsight of what we learn about Sphene, I think it feels a lot worse. Sphene is, consciously or unconsciously, pushing past the walls of formality and reticence that necessarily exist around a ruler when interacting with most people--nevermind a foreign head of state whose intentions are unknown. She's positioning herself as a friend when she is not.)

As the story progresses, we learn the Wuk Lamat and Koana have always been close. Now, in the Rite of Succession, they must treat one another as rivals and can no longer share confidences--at least, at first. Koana's love and protectiveness of his sister emerges with a vengeance when Wuk Lamat is in danger--and I'd venture a guess that he, too, feels safer showing this sudden vulnerability before his allies and those of his sister, because again, they will never be his subjects. While we get only briefer glimpses of Koana's journey with Thancred and Urianger, I'd guess that their friendship has affected him in similar ways.

One of the benefits of blessed siblings is that they are never alone. They bring two perspectives to any situation, but they also have one another to confide in, to understand, to commiserate over the burdens of leadership in a way they can't with anyone else, not even family. Wuk Lamat and Koana taking on the role of Dawnservant together brings the benefit of their very different strengths and perspectives to their people. But it also means that neither must take on those burdens alone. When their allies depart, they will still have one another. There will always be someone at their side with whom they can just be a person.

The tragedy of Zoraal Ja is that he's evidently never had that kind of relationship with anyone. The myth of his seemingly miraculous birth has depersonalized him from the very start. All his life, he has carried the burden of living up to the expectations of the Resilient Son, and has never enjoyed the close relationship his brother and sister have with one another. To the very last, he attempts to live up to the legend alone--and he fails.

One of the biggest themes throughout Final Fantasy XIV is standing together. There is strength in companionship and cooperation, but for that strength to flourish, there must also be trust and vulnerability. Wuk Lamat and Koana ultimately find that in one another, as siblings and co-rulers, but the Scions play the important role of offering them an outsider's friendship in their journeys when they are cut off from one another, and would otherwise be alone. As Ketenramm and Galuf Baldesion once were to Gulool Ja Ja, the Scions to Wuk Lamat and Koana are neither mentors nor subjects, but companions and friends.

[thebestofoneshots]

Gilded Constellations | (wolfstar x reader)

Series Masterlist | Previous episode

Pairing: Wolfstar x Reader Word Count: 8.2 K Warnings: angst Prompt: After fighting some of those deamons, will the rest of Vixen's issues be resolved? Is there a way to be happy even without the boys? This IS a Wolfstar x reader fic, but it's incredibly slow burn. They won't start all dating each other until we're very deep into the story, but I promise the long wait will be worth it.Proofread by Lovely @aremuslupinsimp

You leaned down and took one of the Mirror shreds in your hands. Depending on where you moved it, you could see reflections from all the things you’d seen inside: Sirius crying, Remus desperate, your father crying for your mother, and you crying for Nina. You being dropped from your father’s arms and several other moments. You sighed, placed the shred in your bag, and walked towards the clock. If you had one of the parts, then not even the most expert reparo, and neither would all the king’s men, put Riapsed together again. 

When you crossed over to the other vault, you took the three keys on the face of the clock and placed them in your bag alongside all the money you’d already taken. You gave one long look to the vault, at the books lying on the floor and at the harp singing its sorrowful song in the back. You didn’t understand why your father had created the riddle for you. You didn’t understand why he kept making things harder, but in the end, it didn’t matter. 

Not as long as you didn’t follow the same steps he would, not as long as you made the choices he would scorn. 

You walked outside of the vault, the goblin, Tharnock, was waiting patiently there for you. Your little odyssey through memory lane had eaten up about 2 hours, and you had to get out before people knew you were there, or before Thernock realised how weird the entire thing had been for him. 

“Are you finished, Miss?” 

You nodded, “Yes, thank you.” 

Tharnock walked you back to the minecart and you were both back in the main hall in a matter of minutes. The goblin gave you the key as you walked past the golden gates, he went back to his desk and you walked the hell away from the bank. Once outside, you used the hairpin to blend within the crowd and walked towards a less transited street. 

You still hadn’t eaten at all over the weekend. But the strong emotions revolting inside you didn’t make you want to go and buy something either. You checked the clock and decided it was about time to raise your wand. The knight bus appeared a couple of minutes later.

“Where to, Lassie?” the same pudgy guy that had picked Beth and Tom asked. 

“Hogsmeade,” you replied. 

“Hot chocolate?” 

You contemplated the idea for a second. You had tried to drink the hot chocolate before and you didn’t like the idea of getting it all over yourself again, although it was quite tasty. “No thank you,” you said in the end.

“That’ll be 11 Sickles then.” You paid with a galleon. “No change, Lass?” 

“Sorry, no.”

He grumbled something about people never carrying change and then handed you 6 sickles. One of them was sticky and you tried not to make a disgusted face as you wiped it on your jeans and walked into one of the few available seats. The trip wasn’t too long, but by the time you were in Hogsmeade, you wanted to puke. 

“Thanks for using the Knight Bus, come back soon!” The guy said as you and a few other students you didn’t recognise got down from the train. It was cold outside, and you walked straight towards Honeydukes. 

The train had arrived at Hogwarts about an hour before and plenty of students roamed around Hogsmeade, making some last-minute purchases and stocking up on candies and such. They all looked happy and carefree. You had been like that before, you sorrowfully wondered if you’d ever get to smile that big. 

There was a couple kissing in the Alley behind the Three Broomsticks, and you flinched when you noticed the way the guy was holding her. It was a thing Sirius used to do all the time. You looked at them for more than would have seen appropriate, took a deep breath and continued walking. 

“Hey, Starkeeper!” You heard someone calling from behind. Funny he called you that, you hadn’t been particularly good at keeping your star.

He ran up to you and stopped right in front of you with a frown. He looked all over your face. “Sorry, I thought you were…” You took off the hairpin, and Minho looked at you in shock. “I knew it was you!” he whispered-shouted as he leaned closer, placing an arm over your shoulder and covering as much of you as he could with his chest. “Why are you hiding, is it because of Christmas?”  

“Nice to see you, Min” you said with a small smile. You were genuinely happy about not being alone. “Tom– Tom told you about Christmas?” 

“No?” he asked, confused. “My parents did. They had been invited to the party, Arkalis is Dad’s coworker, but we were travelling back to Korea to visit our family for Christmas. Mum feels terrible about not going, they were told everything that happened, she wished she could have helped you.” 

“Oh,” you said as you took a deep breath. You knew Minho’s parents worked in politics, his father was an ambassador from the Korean Ministry of Magic (KMM), but you’d also heard that in Asia there wasn’t as much prejudice against muggles as there was in England. In fact, much like the Americans, they didn’t have a derogatory term for them, but rather they called the 비마법사 or 비마법 for short, which basically translates to non-wizard or non-wiz. And there was no such term as Muggle-born either, a wizard was a wizard, that simple. 

Obviously, Minho had been in shock when he found out such a term existed and that’s why he was such good friends with the Gryffindors and Hufflepuffs, he just didn’t understand the whole bIood purity bias some of the Slytherins insisted on, not even if he was also a pure bIood. Unfortunately, even if the KMM considered all wizards wizards, they did not see different sexual preferences as openly as the Eastern part of the world did. In fact, they deemed homosexuality as a “European deviation” even if it had existed in Asia for the same amount of time. Of course, Minho was horrified at the idea of being outed. 

“Yeah,” he continued. “They think what you did was insanely brave. They were talking about you at breakfast. They recognised you as the Gryffindor seeker and I had to tell them you were actually the keeper instead. They came to our match a couple of months ago, the one where you threw yourself off the broom to beat Reggie to the snitch? You know, right?” You nodded, it’s not like you could forget about that. “Anyway, they said they thought you were really determined then, but that they didn’t know just how brave you were until they heard about the party.” 

You swallowed, you had been told that by adults more than once in the past few days. Brave, determined, and you might have been all those things, but you were also alone now. Your bravery had charged a hefty price in return. Minho noticed you were upset, and he leaned a little closer, cocking his head as he looked at you. “Have you eaten? I’m going to meet Tom at The Three Broomsticks.” 

You opened your mouth to respond, and then closed it again, shaking your head in response. You were pretty sure mentioning to Minho –Mr. Healthy– of all people that you hadn’t eaten since Friday would have you listening to a very long talk about the importance of food and how it fuels your body and whatnot. 

“So it’s my treat then,” Minho said as he pushed you along with him. “For saving the world!” You were about to argue. “Don’t even think about it, young lady,” he retorted. 

Minho had gotten a lot bossier since he started dating Tom. You sighed and didn’t argue further, which had him throw a weary glance at you. You almost always sassed him back in some way or another. By the time the two of you arrived at the restaurant, Tom was already sitting on one of the tables with two butterbeers ordered.

“Slysprite!” he said once he spotted you, and leaned in to pull you into a hug. He also gave an awkward hug to Minho, as if both wanted to stay together for longer but knew it wouldn’t be appropriate to do it in public. Tom waited for you to sit down and handed you his jug of butterbeer. He looked at you patiently as you took a big gulp. You were about to ask Minho if he could buy you something heavier when Tom spoke again, “What’s wrong?” 

“Nothing’s wrong.” 

Tom gave you a look. “Sirius and Remus were whispering to each other the entire train ride, James was clearly angry about it and you were nowhere to be seen. In fact, I’d dare say you left since the party on Friday. Effie said something about you feeling sick, but I didn’t buy shit. What happened?” 

“Tom,” Minho said in a warning tone. 

“Nope,” the blue-eyed boy said with a hand finger up as if to tell Minho not to meddle. “What happened?” he insisted.

You sighed and raised the butterbeer with your hand. “Do you have some real alcohol?” 

“Minho, babe?” he said with a small pout, Minho threw him a look, but Tom called most people babe anyway. Even if Minho knew his was special. “Would you be a darling and bring this kind lady some whiskey?” 

“She hasn’t eaten, Tom.” 

“But she surely had breakfast, right?” You didn’t respond, only raised one of your eyebrows at him. “See, go get her some.” 

Minho stood up and walked towards the bar, he was the only one old enough to buy Fire Whiskey, and he got two glasses since he knew Tom would want some, and he’d drink a bit from his glass. He also ordered fries and a dish to share.

“You look like shit,” Tom said.

“Well, thank you,” you responded and took a sip from the butterbeer, they had never felt bitter to you before, and yet this time it was almost hard to swallow the foamyness of it.

“I mean, why the hell did you leave the Potters’? Do you know how dangerous that is?” 

“I’ve almost diеd plenty of times in the last couple of days,” not to mention the last couple of hours, you thought. “I had to leave.” 

“Why?” 

“Because!”  

Minho arrived with the drinks and handed you the glass, you thanked him and dragged it to your mouth, drinking the double whiskey he’d ordered in one swing. Minho, who had barely let go of it, took hold of it again and pulled it from your mouth, as he placed the food on the centre of the table. He was sitting beside you now, using his body to cover your face from most of the restaurant “Ey, Ey!” He said. “What’s wrong?” He looked at you with genuine concern, both boys did, which only made you feel even worse. 

You looked at them for a second and then turned to Minho with the hopes of changing the subject. “Tell me about your Christmas, Min. Did you see all your cousins?” 

The boy sighed and turned to Tom for help. Minho would have probably responded and would have distracted you from everything that was going on, but Tom was more of the “no-nonsense” kind of guy. He looked at Minho sternly and shook his head slowly. Minho frowned at him in return, as if it pained him not to comply. 

“Slysprite!” Tom chided. “You just downed a glass of Firewhisky like it was water, your face tells me you’ve slept like shit and Sirius and Remus are just as bad as you. James looks exasperated and I’m sorry to be the one to knock some sense into you, but you look like you bought a liquor store and drank it.” 

“I’m not drunk.”  That was true, the entire Gringotts adventure had been enough to sober you up. 

“It’s not what I mean,” Tom responded pointedly. “You know it’s not what I mean.” 

“I’ve had quite a fucking day, Tom.” 

“Well then, go on and tell us about it. What the fuck is wrong with the boys?” 

You sighed, if you didn’t say it then it wasn’t real. And yet you would say it now. “I broke up with Sirius.” 

“What did he do?” Minho asked.

“Why does everyone assume it was he that did something?” 

“Because it’s Sirius Black,” Tom responded. “If not then, why? You look miserable about it, so it’s not because you didn’t want to be with him.”

“Of course, it isn’t,” you said as you hid your head in between your arms and let out a sad groan. 

“Then?” 

“You can’t tell anyone.” 

“Well, we’re both great at keeping secrets,” Minho said, and you turned to him with an incredulous look. 

“That was an accident!”

“I’ll put a tongue twister spell on him after, you cool with that, babe?” 

“For sure.” 

You sighed, “It’s not because of what he did, it’s because of what he wouldn’t have done.” 

“Which is?” 

“Date Remus.” 

Both boys eyed each other confused before turning to you again, your head was buried in between your arms, and you didn’t say a word. 

“What?” Tom asked with a frown.

“I accidentally bumped into Remus jerking off to Sirius’ name…” 

“Well, we’ve all jerked off to Sirius’ name,” Tom said as if it was a non-issue. Minho was about to protest, but after thinking about it for a second longer, he remembered he too had done it.

You threw him an exasperated look, “Maybe, but you don’t look at Sirius the way Remus does.” 

Tom closed his mouth. Minho just frowned as he looked at you. What about the way he looks at you? he wondered. 

“And then I felt like shit because Remus is my best friend and he likes Sirius and I was in the middle of that and–” 

“But Sirius likes you,” Tom interrupted. “I’ve never seen him like anyone in the way he likes you.” 

“Which is why he would have suffered in silence,” you added. “He likes Remus too,” you sighed. “After I found out, I paid closer attention. I was so bIoody blinded by his beautiful eyes, long lashes and prince-like looks. I was not looking at the way he always veered closer to Remus. Heck, I took a fucking picture of the two of them cuddling each other because I thought it was cute once I slept with them.” 

“You… slept with Remus and Sirius at the same time?” Miho asked, confused.

“What? No! We were cuddling not shagging,” you said as if it made it more normal. “Anyway, I totally get it. I mean, Remus is tall and handsome and has those beautiful eyes of his that are always a different colour. He’s clever and brilliant and good at all the classes he takes, but also gentle and kind, not to mention he’s fucking ripped… I cannot blame Sirius for falling for him. And of course, I could never blame Rem for liking Sirius, I’m on the same fucking boat.” 

Tom was looking at your problem, and all he could see was the solution and a very interesting one at that. But he wasn’t just outright going to say it, he had to allow you to discover it yourself. “And do tell, Slysprite, what else is there to like about Remus Lupin?” He asked sceptically. Minho looked at him with a frown and Tom gave him a reassuring nod.

“What else?” you asked in disbelief. “What isn’t to like about Remus? You know he is perceptive as fuck? He knew I was feeling down and helped me feel better, he’d met me a fucking week ago. He’s always three steps ahead of you, I swear I can never beat him on magic chess, he’s a brilliant duelist, and incredible at DADA. He knows the best book recommendations and he speaks so softly when he reads to you. When–” you hesitated. “When Nina and Mum diеd he was there to comfort me. He didn’t ask questions, he just hugged me and listened, he’d such an incredible listener. He can be moody sometimes but that just adds to how charming he is and I– I mean… he’s the best friend I could have ever asked for, I could not imagine how incredible he would be as a partner. Sirius will be lucky to have him. Anyone would.” 

“Aha,” Tom said as he nodded and looked at you. 

“What?”

Tom shrugged, “Nothing,” he said. “It just sounds to me that… you like him as well.” 

You looked at Tom, your back straightened for a second as you pulled back, and you let out a hollow breath, then you gulped. If it hadn’t been for the dire situation you were in, Tom would have taken a picture of how hilariously dumbfounded you looked. 

You groaned and buried your head in between your arms again. “Thanks, Tom! Way to make me more fucking miserable!” you mumbled.

Another thing you had been too blind to see. Fucking Ricchie had been saying that for ages, Reflection Nina had also mentioned something similar. The fox surrounded by the moon and stars? The lady at the three broomsticks? Symbolism was everywhere. Heck, you kept stealing his fucking sweaters because you loved the way they smelled.

“More miserable?” Tom scoffed a laugh. “Darling this is the best thing that could have happened to you!” 

“How?!” You asked, turning back at him, tone angry and bitter. 

“Well, simple: Sirius likes you and Remus, You like Remus and Sirius, Remus likes Sirius and you. It’s a throuple.”

“Remus doesn’t like me!” 

“Oh, he does,” Minho said casually. 

“What?” You asked as you turned to him, he seemed so sure about it. 

“I’ve seen those loving eyes of Remus before, he’s smitten.” 

“But that’s–” Impossible! 

Is it? Really? 

Remus had always been there for you. You remembered his worried expression when he found you on the snow, the hesitance by which he touched you, the way he looked at you back at the Halloween party, the way he would complain about you taking his sweaters but would always wear them after he got them back, when they still smelled of you. 

The way he blushed when you teased him about Alice, how he always seemed slightly disconnected when talking about her, or sex, for that matter, with you. If he thought of you as a friend, and only as a friend, would he be uncomfortable over it? Had James ever been? 

“Oh,” you said as realisation hit you. “Oh,” you said again when you realised how fucking miserable you had made them both. Of course, Remus would never go for Sirius, not if he loved you as well, it was the fucking reason you had –stupidly– broken up with Sirius in the first place. “I’ve been an idiot!” 

“There it is,” Tom said with a satisfied nod and got head slapped by Minho who was a lot more comprehensive over your struggling feelings.

“Tom, you’re brilliant,” you said as you stood up from the chair and planted a kiss on his cheek. “I owe you big time, we all do!” you said thinking of your boys. Yes, your boys. Didn’t that sound delightful?” 

“What are you going to do?” Minho asked.

“Find them,” you said matter of factly. “Find them and talk to them.” 

“That’s the spirit,” Tom cheered and took out some parchment from his bag as the door shut behind you. 

“What are you doing?” Minho asked him as he leaned over the paper. 

“Writing Beth,” he said. “I think I won the bet.” 

“What bet?” 

“The one about those three having a very intense threesome,” Tom said casually and got another head slap from Minho. 

“Oi,” he complained and pushed him playfully. Not that it did anything to Minho, Tom had always been smaller. 

“Don’t bet on peoples’ feelings!” Minho chided. 

“What about yours?” 

“What about mine?” 

“Can I bet on the feelings you have for me?” Tom asked almost in a whisper as he leaned closer to his boyfriend. He had a small smirk when he leaned back, it growing wider when he noticed the tip of Minho’s ears reddening. 

“You’re such an idiot,” Minho said as he covered his face with his palms, maybe then it would be less evident how blushed he’d become.

Tom just smiled and patted him on the back, “That makes you a bigger idiot since you fell for me.” 

You ran through Hogsmeade and used a disillusionment charm to walk through the back door and into the cellar. From there you climbed down the hatch and almost bumped into James as you turned to walk. 

“Vixen?” he asked. He couldn’t see you at all. “Did you get an invisibility cloak or something?” 

“What?” you asked, confused. “Finite incantatem,” you said and looked at him with a frown. 

“It was a disillusionment charm? I couldn’t see you at all.” 

“Maybe you should get your eyes checked,” you said as you leaned closer to Prongs and took his glasses from his face. 

It was like you were surging with energy now, excitement and a bit of nervousness buzzing through your very atoms as you thought of being able to kiss Sirius again, of never having to stop. As you thought of how soft Remus’s lips would be on yours, how happy it would make him to know that he could have what he wanted without hurting anyone at all. 

“Are you okay?” James asked, concerned. You looked nothing like what you’d sounded through the earrings. 

“Totally!” you replied. “Do you know where Sirius and Remus are?” 

“Well, I’m not sure… I think Slughorn wanted to talk with Remus about some potion he’s been working on with a student and he went there. Sirius…? I have no idea.” 

“Do you have the map?” you asked. James shook his head and you handed back his glasses. “These seem all right to me,” you said with a shrug. 

“Moony must have it,” he added, still confused.

“Oh, that’s excellent, I need to go to the dungeons then,” you said and turned around to speed off, but James caught up to you and pulled you to turn to him. 

He was looking at you with concern. “Are you okay?” he asked solemnly, both hands on your shoulders as he stared at you attentively. 

You were almost dragged back to reality by his question. Bad things still happened around you, dark and sad, and life-threatening things. You were still upset about what happened, but you weren’t hopeless anymore. There was light at the end of the tunnel and the fact that you wouldn’t be alone as you faced all of it was as comforting as it was thrilling. Your boys, you’d get to see your boys. 

“Yeah,” you said with a small smile as you nodded. “I’m going to fix things.” 

“The thing with Remus and Sirius?” 

“Exactly that,” you added with a smile, James’ concern slowly turned into a small grin. 

“You’re telling me you found a way to have them stop being all moody?” 

“If the plan works,” you said with a shrug.

“You seem confident.” 

“It’s a good plan,” you retorted. James nodded and you turned around again. 

“Hey, Vix!” He said again. 

“Yeah?” you asked as you turned around. James smiled from how excited you seemed, and then turned to his bag, throwing the cloak at you. 

“Take this, might be useful.” 

“And you?” 

“I’ll disillusion myself to get out and walk back to the castle,” then he cocked his head to the side and bit his lip. “I heard Evans is going to be at Hogsmeade before dinner.” 

You smiled, “Good luck!” 

“You too.” 

You took off again, the cloak in your hands and your small, expansion charm bag bumping against your hip as you rushed through the passage. It hadn’t been many times that you’d taken the HoneyDukes way to the castle, but it was narrower and somehow less moist than the one on the Shack. 

You arrived at the one-eyed witch statue, took the cloak and wrapped it around yourself before speeding all the way to the dungeons. You stopped just outside the potions classroom. You could hear Slughorn’s voice from the door. 

“So, would you be interested in taking the potion for a test?” 

“You said Belby worked on this?” Remus asked. 

“Yeah, I believe he collaborated with someone too, but that person didn’t want to take any of the credit. They made some kind of deal, I believe.” 

“Okay,” Remus said as he took the potion in his hands and nodded. “I’ll tell you how it went next month.” 

“Very well, I’d like to get all your thoughts on a paper so I can hand those to Dacmocles. You may change your handwriting or use a Quick-Quotes quill, I believe Professor McGonagall has one and will gladly lend it to you.” Remus seemed hesitant after that. “Of course, both you and your partner will get extra points for your work. Not that you need much of those.” 

“Right, yes,” Remus said, trying not to grimace when the thought of you, still alone, Godric knows where, came crawling into his mind. “I’ll write the paper.” 

“Brilliant!” the professor retorted and went back to check the papers on his table, which prompted Remus to exit the room with a simple nod. You smiled as you saw him pass by you, determined to get somewhere as he pulled a very familiar parchment from his sweater, and walked towards one of the secret passages you used all the time.

You walked right behind him and watched as he swore over the map and used Lumos to see the words that slowly appeared on the parchment.

“Who are you looking for?” You asked, leaning just behind him and looking at the map just from the side of his shoulder. 

Remus almost jumped out of his skin, turning completely when he heard your voice, his shoulder accidentally hitting your chin since you didn’t have enough time to pull back. He didn’t notice though, too shocked about you literally appearing out of nowhere.

“Where the hell have you been?” He asked as he placed both of his hands over your shoulders and inspected your face thoroughly, trying to check if you’d been hurt.

Yeah, it could have been hell, you thought. 

“We should talk.” 

“I was so worried, we all were, you shouldn’t have left like that!” Remus responded, completely ignoring your words and pulling you into a bone-crushing hug. Remus was scared you would push him away, he was terrified it was the last hug he gave you so he squeezed. 

“I thought I had to,” you said honestly. “You like Sirius.” 

Remus pulled back, “Starshine, I don’t know how you got that idea into your head but–”  

“It wasn’t a question.” 

“Would you let me speak?! I’m telling you, that’s ridiculous, not because I like boys does it mean–” 

“Remus,” you said a little more sternly. “You don’t have to lie to me.” 

“Why aren’t you bIoody listening?” He repeated, exasperated, you saw the flash of gold in his eyes. Even then, you thought it was charming. “It’s ridiculous that you think I would–” 

“I don’t blame you, I like him too.” 

“For Godric’s sake! I said I don’t–” 

“I saw you that night, with the coat,” you rushed out before he had time to protest again.  

Remus’ frown deepened. The night with the coat? He wondered, and then the images came to him, and he paled. “Whatever you thought you heard–” 

“You jerking off to my boyfriend’s name, you mean?” You asked with a knowing smile. Remus was utterly dumbfounded, you weren’t half as pissed as he expected you to be. Heck, you seemed diverted. 

“Is this funny to you?” Remus asked, face cold and tears welling up in his eyes. 

You instantly felt terrible for the way in which you’d said it. “NO! No, of course not,” you said and took a deep breath. “I was–” you bit your lip. “When I found out I was shocked– and pissed, because I hadn’t seen it before, because it was obvious that Sirius and I being together was hurting you and–” 

“It is not hurting me!” Remus defended. “You and Sirius are meant for each other and–” 

“So are you and him,” you said more calmly. “Perhaps more than me and him…” 

“That’s bullshit, he loves you, you know that.” 

You smiled again, that knowing sort of smile Remus couldn’t quite place, “He loves you too, you know?” 

Remus clenched his jaw as a frustrated exhale escaped through his nose. How ever could he respond to that? He hated this, he hated having caused you so much pain, because he was stupid and horny due to the moon and because he quite literally couldn’t keep it in his pants and because he was an idiot and–

“Remus,” you called his attention, driving him away from his destructive thoughts. “Do you like me too?” He turned to you even more shocked at your question. His face was one of anguish and despair as if he didn’t know what to say, or how to respond to such a question. “Be honest,” you added, calmly.

Remus shook his head with tears in his eyes. 

“Would you take veritaserum and deny it again?” 

“Are my words not enough?” 

“You didn’t even speak. And they weren’t enough for you when I told you I wasn’t afraid, nor were they when I told you I thought you were beautiful.” 

Remus swallowed, “Even if I did–” You were biting your lips to stop yourself from smiling. “Even if I did, it wouldn’t matter, would it? You need to go to Sirius and–” 

“Remus, I like you too,” you blurted out. “I don’t how I was so stupid not to realise it before. I mean the potion at the Slug Party, the way I cuddle with you, the way I’m always happy when you’re around. The way you make me laugh, the way you smell.” You had to take in some air from how fast you were speaking. “I was blind, completely blinded by Sirius to see–” 

“Do you not like Sirius anymore?” Remus asked, almost reproachingly. 

You laughed, “Of course, I like him still! He might be the love of my life, but we’re all a bunch of idiots, that’s what we are!”  

“Little Witch, I don’t think I’m following,” he responded confused. 

You took his head in both of his hands. “You beautiful, self-sacrificing idiot,” you said then. Remus wanted to retort with you being much worse than he was, but he wanted to see what the hell you meant by that more. You licked your lips, enticed to kiss his own, but you knew you had to talk to Sirius about it first. “Don’t you see? We’re all pinning for each other, mutually.” 

He didn’t speak, so you took that as a sign to continue, “You like me and Sirius, I like you and Sirius and Sirius liked the both of us.” 

“You’re saying–” he stammered, “you’re saying you want us all to be together?” 

“Well, wouldn’t that be the only natural solution? We were already together all the time–” 

“I don’t know about natural,” he muttered, you smiled. 

“The only difference would be that you could act on your desires and Sirius could act on his. Wouldn’t that make you happy?” 

“Would it make you happy?” 

“It would make me ecstatic!” you replied with a smile. “And I’m sure Sirius even more so, he’s been pining for you while being with me, he must have felt terribly guilty about it, but he never had to be. Besides, it’s not like it’s the first time three people have fallen in love with each other.” 

“It’s a love triangle,” Remus huffed a laugh as he rolled his eyes. 

“But none of us has to be alone in the end,” you added with a smile, as you bit your lip, and then pressed a kiss to his cheek, right next to the spot your thumb had been resting on. Remus’ smile only widened and he leaned in to kiss you, but you turned your head before your lips clashed with each other.

You didn’t miss the hurt look on his handsome features and you pulled him into a hug. “I’m sorry,” you said, voice muffled by his shirt. “You don’t know how much I wanted you to do that, but we need to speak to Sirius first. No more lies, we all need to be honest with each other this time around.” 

“Sirius is gonna flip out when we tell him,” he muttered into your head. “He’s been sulking over being an idiot for falling in love with me since you left.”

“Then we’re both idiots,” you said with a small smile, still hugging Remus tightly. “Did you guys figure each other out?” 

Remus pulled back with a sceptical look. “Did you really think if you left, we were just going to start dating?” 

“You didn’t?” 

“Of course not!” he replied. “We were both upset, you left with no wand and alone! Nobody knew where you’d gone to, let alone if you were safe wherever you’d been and you were breaking apart because of Christmas. Sirius was drowning in guilt and to be honest, I wasn’t much better. We would have never been happy if we thought you were upset.” 

You bit your lip, looking down and thinking how much quicker things would have gotten solved if instead of running away, you had faced the issue head-on. If instead of leaving, you had brought Remus to the kitchen and forced him to talk things through with the two of you. 

Of course, you didn’t know he liked you too then, but perhaps you wouldn’t have had to go through Gringotts alone if you had. You wouldn’t have gone through those lonely, almost desolate days in which you drowned yourself in alcohol. 

“I guess it makes sense,” you said with a sad smile. “I couldn’t have continued on with Sirius if I thought it was hurting you either. Of that I was certain.” 

“As if you being with Sirius hadn’t already broken half of the school’s hearts,” Remus huffed.

You looked up at him with a smile, “Perhaps, but none of those hearts belong to my best friend.” 

You saw the faintest blush creep up on Remus’s cheeks, you were again tempted to pull him into a kiss, and you willed yourself to stop. Not until we talk to Sirius about it. 

“We should go to him,” you said with resolution. “Where is he?” you asked as you leaned down and picked the map up from the floor. 

“I was looking for you,” Remus admitted, as he leaned closer to you, helping you open the map as you held it. “I wanted to find you as soon as you got to the castle so both Sirius and I could ambush you. I was going to try and convince you I didn’t like him.” 

“More lies?” 

“You told Sirius you didn’t like him anymore,” he sassed back. He didn’t have to say it, you knew how hypocritical it was.

You huffed, “Maybe being in love really does make you more stupid,” you mumbled as your eyes scanned through the map. You saw Peter in the broom closet again, which made you assume he was “greeting” Annie Doxon. James was not at the castle, so he was probably still with Lily back at Hogsmeade. Some of the teachers were in their classrooms, the prefects were helping some of the first years out, or so you assumed since most of them were walking at rather random places inside the castle. The kind of which only the newer kids ended up in. 

“There,” Remus said. “Gryffindor tower, he must be in our room.” 

“Looks like we’ve set direction, captain,” you said with a smile. 

Remus smiled, but he faltered just seconds later. “Wait! How are you?” 

“Very excited about talking to Sirius.” 

“I don’t mean that,” Remus reproached. “I mean about Christmas.” 

You swallowed, and you took a deep breath. “I’m better,” you said honestly. “Well, at least I think I am. Kind of? Something happened in Diagon, I’ll tell both of you all about it after we’ve sorted this out, does that sound fair? One problem at a time…” 

“Will you actually talk about it?”  

You nodded, “I think I avoided the subject so much that it came crashing onto me like a full-speed train, but perhaps I needed that.” 

Remus gave you a weary look, clearly preoccupied with what you’d said, but he was certain he wouldn’t get anything else from you if you didn’t have that “Sirius talk” first. He nodded, still biting his lip as he placed a hand behind your shoulders and pushed you right in front of him, towards Gryffindor Tower. 

It was almost as if going through that first time you met him, when he took you to the passages so you didn’t get busted for being out late. You smiled as you walked, and at some point pulled out Nina’s wand to get some more light out. 

“Lumos,” you whispered. The light was blinding enough to illuminate the entire place before you managed to dim it. 

“What the– you bought a new wand?” Remus asked. 

You turned to him and showed him Nina’s. “Olivander refused to sell one to me, he said this one was meant to be mine.” 

“It’s…” he hesitated, he wasn’t sure he wanted to say her name. Every time they mentioned it you would instantly shut them out and become distant, and last time he suggested you use her wand, you were pretty clear when you told him why you didn’t want to. You didn’t want to remember everything that had happened every time you made a spell.

“Nina’s,” you finished for him. “Yeah, a lot of stuff happened in Diagon.” 

He placed a reassuring hand behind your neck, he was warm, and you hadn’t quite realised how much you craved his touch until you felt the pads of his fingers brush against your skin. You leaned closer to his hand almost instantly, relaxing into his touch. 

He smiled when he noticed and started playing with the hair at the nape of your neck. Remus had always known you liked being coddled, but at the same time he tried to maintain a decent distance since you were dating Sirius, but the fact that he could give you the type of solace he yearned to give, was somehow comforting to him in itself. Like that time when he found you on the snow, but without feeling terrible for betraying his best friend.

He was soft as he made his touch a little more purposeful, finding the tense muscles and pressing onto them with his warm hand, it was delightful, to say the least. “Is that okay?” he asked hesitantly. 

“It’s perfect,” you said honestly. “I knew you were good at petting, I mean you were brilliant with Vixen but –yeah there– I had no clue you’d be this good with humans.” 

Remus laughed at your praise to hide his blush, not that you were looking at him, your gaze was still focused ahead of you and you were carefully counting the turns, not to get lost. It was something you did often when you were inside the passages, and Remus thought the way you muttered 2 left, 1 right, straight, etc. was adorable. 

“I’ve got my hidden talents. Really good with my hands,” he replied with a bit of a smirk. “I’ll show them to you one day.” 

“Godric, Remus!” you said as you turned to him with a shocked scoff. “Who would have thought shy old Moony could be such a flirt?” 

“Only when it matters,” he said with a smile and then squeezed both his fingers onto a knot in your neck and you almost moaned. “I wasn’t lying.” 

“Show off!” you said as you rolled your eyes and swatted him playfully on the chest. This is nice, you thought. You missed being able to interact with them so casually. It was like you’d been walking on needles for too long, and suddenly you were taken to a soft meadow.

By the time you were close to the exit on the passage, you unfolded James’ cloak again, and placed it around yourself, that way you could follow Remus all the way to his room without being spotted. 

“Stand close,” he said.

You refrained from teasing him over it, deciding you’d tease him mercilessly once Sirius was in on the discovery. Remus walked inside the common room, greeted some of your classmates with a simple wave, and continued walking towards his room. The path you already knew so well, you could follow in almost complete darkness. Remus was about to open the door before he turned, looking over his shoulder before muttering, “Should I go in first or–” 

You disillusioned yourself and passed the cloak over his head once you made sure there was nobody else in the hall. “I’ll go in first. I should probably apologise to him,” you responded. Remus nodded. “Give me five minutes and then come inside.” 

You walked in, Sirius was sitting on Remus’ bed, head down and staring at his hands as he picked on his nails and bobbed his leg up and down. He didn’t look up when he heard the door, he seemed to be lost in thought. You saw a clear tear fall over his hand, and he was quick to wipe it out with his thumb.

“Puppy?” you asked as you deactivated the charm. 

He sprung from the bed in a second, his eyes were red-rimmed and he looked as bad, if not worse, than when you left him crying in James’ kitchen. “Starshine?” he asked, as he spotted you, as if he didn’t believe his eyes. And just like Remus had done, he went straight to wrap his arms around you and push you to him. “I thought I’d have to go look for you as soon as you got here. Are you okay?” 

“I’m fine,” you said as you hugged him back, tightening your arms around him. “I’m so sorry,” you said then, thinking of how sad he was and how much you’d hurt him. Thinking of the moment when he’d begged you to be selfish for him and instead of complying, you’d lied and told him you didn’t love him. “I lied, I do love you! Don’t ever doubt that.” 

He pulled back, looking at you as confused as Remus had been earlier, more so when he was the tears pricking your eyes, “Starshine, what are you talking about? I’m the one that fucked up, I’m the one that–” 

“You asked me to be selfish for you, you told me to stop being the hero and I ignored your pleas, I only succeeded in making all of us miserable and–” 

“But it was I the one who fell in love with his best friend while dating you, It was I the one that… I should be on my knees beginning for forgiveness.” 

“No!” you said then. “There’s nothing to forgive! I was the idiot for leaving, not you!” 

“What?” Sirius asked, even more confused, and terrified that the inch of hope you’d created wasn’t real… What if he was dreaming of you again?

“I talked to Remus,” you said then. 

“Wait, you did? Are you convinced he's not into me, then?” 

“Godric, no! He definitely likes you.” 

“So then… why are you– you don’t seem angry about it.” 

“Yeah,” you choked a laugh, cheeks wet with some tears still, but stretching into a smile. “You see there’s one thing I hadn’t realised, one thing that was the key to solving this puzzle we’ve been dancing around for months, and I wish I hadn’t been as oblivious to it, we would have spared the three of us a heartache.” 

Sirius looked at you as you rambled, not sure he understood what you were going on about. It was like you discussing muggle books with Remus that he hadn’t read, he understood the words, but other than that it was like you were speaking a different language. 

“And I’ve always said I’ve been so good at reading people, I was embarrassingly stupid in interpreting my own feelings, to our feelings, that I allowed myself to wallow in my own self pity, and in my own little hole of darkness, too obscure to see the bigger picture and–” 

“Étoile, you’re rambling.” 

You shot your mouth and looked at him with an owlish gaze, you took a deep breath, thinking of how to break it up to him. “Sirius, when you think of me kissing anyone but you, what do you feel?” 

“Anyone but me?”  

“Imagine me kissing Peter.”

Sirius couldn’t quite hold back the sombering of his gaze. You had analysed everything that had happened since you met them, and you had a pretty good idea of what you were about to do, if things went awry though, you weren’t sure you’d be able to withstand the heartache that would ensue. 

“Why do you–” 

“What if it was James? Alex? Tom?” you pressed. Sirius gave you a sorrowful look now. Were you trying to tell him how upset you’d felt over the fact that he liked Remus? It was certainly working.

“Starshine, I–” 

“What if it was Marlene?” His expression was still dull, although rather curious, “Beth? Sybil? Evan?” 

He cringed at the last one, “I think I get what you–” 

“What about me kissing Remus?” His expression changed, you didn’t need to prickle into his mind to know what he was thinking. Although you had been tempted to try legilimency, deep down you knew it would be unfair. “I’ve done it before, remember? At Marlene’s party near the beginning of the year?” 

Sirius remembered it. Of course, he did, there was no way in hell he didn’t, you had been sitting on his lap while you made out with his best friend. That day he thought that might have been the hottest thing to ever happen in his life, but he assumed it was about seeing you kiss, and imagining himself in Remus’ place, rather than seeing the both of you kissing each other. He gulped. 

“Sirius, how would you feel if I kissed him?” 

He didn’t know how to respond. He couldn’t tell the truth, could he? Wouldn’t that upset you further? Make you feel like the entire relationship had been a lie?

“I mean–” he stuttered, “It would–”

“Sirius,” you said softly as you pressed your hand to his cheek. “I want you to be honest, above everything else. Does that sound fair?” He didn’t respond, he only gave you a pleading look. “We’ve lied to each other and ourselves enough.” 

That was like an arrow straight to the heart. Cupid, you traitorous beast, how could you do this to us? he thought as he tried to find his words again. His tongue felt stale inside his mouth, his lips were shut tight like a statue’s, it was as if he couldn’t speak, even if he wanted to.

“Would it upset you?” 

“No,” he mumbled, so low it was almost inaudible. “It wouldn’t.” 

You nodded, and then leaned your head to the side, searching for his downcast eyes before you said, “It wouldn’t upset me either… I mean, it wouldn’t upset me to see you kissing Remus.” 

“What do you mean–” 

“Remember that night I took a picture of the two of you cuddling each other? I always found it adorable.” 

“I was figuring out I liked him back then…” Sirius mumbled, and you smiled.

“Well, I was never jealous. I could never be jealous of Moony,” you explained. “The fact that he liked you and you liked him was not the reason I left.” 

“Then why–”

“Cause I thought I was causing the both of you pain by being in the middle, the obstacle that prevented the two of you from–” 

“You could NEVER be an obstacle!” he rushed out. 

“I know,” you reassured with a smile. “Do you want to know what the last piece of the puzzle was?” Sirius nodded, and you smiled. “Turns out Moony dear, did not only have a crush on you.” Sirius frowned at that, about to ask what you meant but you beat him to it. “He likes me too. He liked the both of us, from the very start.” 

“Moony what?!?” He asked, shocked. 

“And really, we should have seen it sooner, I mean Remus is good at keeping his secrets, but Moony with Padfoot and Vixen? He’s absolute trash at it, it was as obvious as a Sytherin trying to pass as a Gryffindor. We should have known!” 

“So you’re saying that…” 

“WE’RE ALL INTO EACH OTHER!”

Series Masterlist | Next Chapter

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A/N: Well, what just happened?

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Writing Notes: Compelling Characters

Characters & Goals

“Every character should want something, even if it is only a glass of water.” –Kurt Vonnegut

Characters should almost always have clear goals, even if these goals are not immediately made obvious to the reader.

Without goals, characters lack motivation—that is, they have little reason to do anything interesting.

For this reason, many writers connect the main character's goals to the main conflict in the story. This generally means that the main obstacle to those goals plays a key role in the plot as well (for instance, in the form of a villain).

Often, the main character is most interesting and when confronting his own shortcomings in pursuit of his goals.

There are a few ways to construct this character-plot connection:

CHARACTER-FIRST APPROACH

Constructs a story’s plot for a character that already exists.

It asks a writer to build a character that they find interesting and then assemble the plot around them.

Example: A character who is struggling to overcome a phobia might, as a plot element, come into contact with the thing she fears. Success in this instance would mean that she doesn’t let the fear overcome her.

PLOT-FIRST APPROACH

Starts by defining the major conflicts the writer wants to include in a piece of fiction and then builds a character who will be motivated by those conflicts.

Example: A writer could decide to explore the effect of a catastrophic storm on a city before writing a main character. A character that would feel motivated by this conflict would be one with a connection to the city or to someone living in the city. Therefore, the son of someone who went missing in the storm would likely be a good focal character for this story.

Small Goals & Big Goals

Though it’s important for characters to have at least one big goal, it can be boring for the reader if a character is totally preoccupied with a single motivation.

Strong characters generally have two or more goals of varying sizes that they might confront separately or at the same time.

The reader excitedly anticipates your character's success or failure in achieving their goals.

Believability

Another factor that can contribute to a successful character is an element called “verisimilitude,” also called “believability.”

When writers talk about believability, they talk about whether the constituent parts of a character make sense and feel cohesive.

Example: We might expect a character who gets paid minimum wage to struggle to pay her bills, so if we see her driving an expensive car or spending several hundred dollars on a meal at a fancy restaurant, we would question these details.

There are, of course, stories in which these situations could exist, but the reader would need to know what allowed them to happen (inheritance from a late relative, perhaps, or an irresponsible approach to personal debt).

Suspension of Disbelief

Stories that take place outside of a realistic modern setting will generally require some extra work on the part of the writer to make them believable.

This is because of an idea called “suspension of disbelief.”

This refers to the tendency of readers to challenge details of a story that seem out-of-place, but not to question those details if they are presented with enough contextual justification.

Example: A story contains people who can fly with human-size wings. The reader would need to learn early on that this is a normal event that occurs in the story world. A reader who unexpectedly encounters flying humans three-fourths of the way into a short story could easily be baffled by this development, and might also consider it a cheap cop-out if it's used to resolve a plot conflict.

Adding Physical Detail

In addition to planning your characters thoughtfully, you must also sketch them coherently on the page.

Careful selection of physical and environmental details will make some of your character’s traits visible to your reader without you having to tell them outright what you mean. Examples:

A character who is disorganized might have wrinkled clothing or might consistently arrive late to appointments.

An introverted character might bring a book or notebook everywhere they go and might also stay out of crowded spaces (or feel uncomfortable in those spaces).

Symbolic Meanings

Be aware of the other meanings that a detail can bring into a piece.

A physical detail, especially one that appears multiple times within a work, might also develop symbolic meanings in addition to its literal meaning.

Writing Exercise

In a short vignette, and using only physical details (e.g., characters' clothing, appearance, or body language), make it clear to a reader that a character is experiencing one of the following conditions: worry, hunger, grief, joy, confusion, lack of sleep, anxiety, homesickness.

The word you chose should not appear in your vignette, nor should any synonyms.

Adding Personality

Broadly, “personality” refers to the collection of beliefs, thought patterns, and other mental qualities that dictate a character’s actions.

A personality trait could be the character’s bubbly disposition, their self-deprecating humor, or the fact that they’re always nervous.

When constructing a character, it’s important to think about how she would react in a number of situations.

Here are some questions to help you discover your character’s personality traits:

Is he fond of attention, or does he avoid it?

Is she curious to learn more about a topic/location/person, or does she keep to herself?

How big of a role does fear play in his day-to-day activities?

How does this character react if things don’t go the way she wants them to?

Does he think that he’s more intelligent/less intelligent than others around him?

Does she think she’s average? How would she define “average?”

How does he feel about making decisions?

Does she make decisions quickly or slowly?

Does he tend to regret decisions they’ve made?

It’s helpful to connect these traits to elements from the character’s life or past.

Example: A character who grew up with a controlling parent might have difficulty making decisions once they start living on their own.

Personality traits might also overlap with physical traits.

Example: Talking too loudly or too softly or interrupting others.

It’s also important to make sure that your characters aren’t good at everything they come across.

Doing so will reduce your story’s believability because—let’s face it—no one is good at everything.

To this end, you should allow your characters to fail at something, whether that something is huge or inconsequential.

Writing Exercise

In a short vignette, deliver some news to your character.

The news can be good or bad.

It can affect just the character, or the entire world population, or any number of people in between.

How does this character react?

Who do they tell, if anyone?

How do they interact with the space they’re in (e.g. punch a wall, hug a stranger)?

Try this exercise several times with the same character but different contexts (e.g., the character receiving the news alone versus receiving it in a public place) to see how they react under different circumstances.

CAUTION: Using Fictionalized Versions of Real People

It’s common for writers to borrow details from real life—the shape of a stranger’s chin, a classmate’s clicking of their pen during a quiet exam, or the restaurant server’s shrill laugh, to give just a few examples—but a writer should be wary of recreating an entire person on the page.

There are legal reasons not to do this, of course, but there is also the danger that a story filled with too many real-life people and events will be flat and boring.

Fiction should generally be a healthy mix of the ordinary and extraordinary.

If the mix is skewed too far in one direction, the reader can find the piece too unbelievable or too boring.

Source ⚜ More: Writing Notes & References ⚜ Writing Worksheet: Conflict Lists: 170 Character Quirks ⚜ +600 Personality Traits ⚜ 100 Sensory Words

[darkcircles4lyfe]

I've given it some thought--

Now, if you've read any of my posts and you've read 430, you know there are a lot of ways it falls short of what I wanted. On the other hand, I can respect an open ending, one where we are allowed and encouraged to dream. All things considered, I'm not satisfied or disappointed, but a secret third thing... bear with me.

For a lot of storylines, I can fill in the blanks how I want.

I'm heartbroken over Himiko's fate, but there's no denying that the lack of camera footage leaves open the possibility of her simply disappearing. Perhaps she is waiting in hiding for the world to change, just like Lady Nagant.

Dr. Yoshida is described as someone who can cure the incurable. That may be referring to Katsuki, but the doctor himself said it's a complete mystery how he survived, all Katsuki's own doing. Maybe he cured someone else in those 8 years... someone like Touya?

Honestly I got nothing on Tenko but who knows. Who knows! Something something OFA connection. Izuku having vestige visions. Idk.

As for the manner in which society is changing, I'm drawn to Shouji's speech: "I'm dedicating the honor to those who joined the uprising eight years ago. All I've done is stand atop the resolve that they demonstrated to the world, nothing more." That at least tells me his earlier judgment of the other heteromorphs "setting them back" was a narrow point of view Shouji was supposed to grow out of, rather than a way of Horikoshi trying to criticize revolutionaries. In general, just because a character says something doesn't mean we're supposed to take it as gospel. That's lit crit 101, people.

Then there's Izuku. Once again I am feeling this pretty close to home. I keep coming back to the fact that the class is 24/25 now and I'm 25, man. On top of that, anyone else who was 14/15 ten years ago when the manga started gets to feel like we've all grown up together. I wanted catharsis for Izuku's trauma so badly. I wanted words. But I can't deny that the way Izuku is shown attempting to make the best of things and be content with a humbler life resonates with me, as painful as it is, as much as I know deep down he's kidding himself. It doesn't surprise me that he kept his walls up all this time and continued to shun his "selfishness."

I almost feel like there's an all-encompassing narrative theme being expressed here, in the fact that Izuku was trying to push past his pain and focus on the next generation, but surprise, his story's not over yet. I think the implied message there is that more can be done in the here and now, and maybe other stories that seem to be over, aren't.

With these things in mind, I can take the ending in stride, even if this is all the more we get from Horikoshi. However. There's one thing that is jolting me out of my peace every time I start to get comfortable here. It's actually related to the storyline that got the most closure.

I've seen a lot of fellow bkdk enjoyers calling their conclusion the best part of the ending, and I agree with that. They got a truly full circle moment, and a way of communicating to the reader that they're together, they have their forever, in a way that is personal to them. It's not "canon" in the way a kiss or a confession is, but I've said it before--this makes sense for them. And Horikoshi also did something legitimately interesting and groundbreaking by not making Ochako confess, not showing her future being tied to the main character as a love interest.

No, the thing that's bugging me is a seemingly small detail: why does Izuku and Katsuki holding hands at the end, of all things, have to be implied? Lots of things about 430 make sense in the context of the interview Horikoshi recently gave where he expressed being content with what he has drawn, and what he has left to the imagination. But not this. You can't convince me he didn't want to draw this. It's a motherfucking story about hands. This is the one thing I was 110% certain would happen. It's been teased for forever. Katsuki clearly wanted it so bad. So many other characters got to hold Izuku's hand in-frame. What the hell. Why.

Idk. I will be thinking about it for the foreseeable future.

[kaeyacollection]

In celebration of Diluc and Kaeya's new Theater cosmetic, I bring to you the reason behind THIS post,

"Did Diluc ever actually disown Kaeya?"

(TL;DR & art at the end)

Yeah that's right we're getting into some technicalities thanks to Knaves line about assumptions ✨️

Because who the hell decided it was a good idea to let Kaeya control the narrative uncontested?

Now, now, I hear you loudly already: He burned that boy, Diluc's an ass to him, Kaeya was banned from the household, Kaeya hasn't called him brother in YEARS, and of course,

KAEYA TOOK A FLAMING SWORD TO THE FACE

All of that would reasonably be acts of disownment without having to say the word, but when has Genshin ever been reasonable?

And while I can go on for an incredibly long time, dissecting every scene the brothers have so much as been hinted in, for you, my dear readers, I will refrain and focus on the main points 💖

Firstly, let's stray away from the main points and see what the staff thinks about all of this ✨️ Of course, they're working with limited knowledge of what happened, but it's a good place to start. We have Adelinde assuming it's Diluc's pride keeping him from setting things right, Tunner notices a problem with Kaeya but assumes he's seen as an outsider to the Dawn Winery's Family and is excluded from such talks, and Elzer, who believes while Diluc is stubborn, wouldn't actually send Kaeya away

[Adelinde's idle line, Tunner from Kaeya's Hangout, and Elzer's Hidden Strife Letter]

"When will Master Diluc finally resolve his issues with Master Kaeya."

"We did not refuse him, however. We believe that even if you were here, you would not refuse him outright."

And while that may have been true in the beginning, the staff have certainly realized the only person they need to convince to let Kaeya stay, is Kaeya

So what's the brothers issue with one another? Well, they're both incredibly petty for one, and then there's the issue where no one in their lives know enough about the situation to be able to mediate their fighting (even the Traveler doesn't know Kaeya's full story just yet).

Hell, it's not even just that they need a peacekeeper either. The dialog can't even BEGIN because it would be inappropriate for the staff to set it up, Diluc lost his right to start this talk in the flames of that night, and Kaeya knows what happened the last time he tried to have a one on one 🤷 So instead the brothers are left making various biting remarks 'cause Tyvat doesn't have therapy

"It's been years, Kaeya doesn't even blame him, he should step up 😤" Well, lately, he's been trying to. Shocking, I know. Diluc is still learning how to navigate this new personality his brother developed in his absence, and not only is he doing a terrible job at it but he's also frustrated

Between inviting Kaeya to dinner and getting rejected, trying to voice concern and being hit with venom, and only being able to keep Kaeya around if there's wine involved...

It's frustrating knowing the other person has every right to walk away, no matter how much you want to fix it. Besides, WE might know Kaeya doesn't blame him,

but Diluc clearly doesn't.

"Why doesn't he introduce Kaeya as his brother then?"

Do we see Diluc introduce Kaeya at all?

What we do have is Diluc saying he's not his "bro" in the webcomic, which has been pointed out as not being in a family sense but as buddies. Which is absolutely how "bro" is used in my area as well 🤷 but for Diluc, why the hell would he ever want to be friends with his brother? Diluc has set up the situation to be All or Nothing. Either they're brothers or they're nothing at all. And Diluc's tried the Nothing course. He kept Kaeya at a distance from his vigilante business, allowed him to revoke his place in the household (both in calling Crepus father and moving out), and keeping his distance from his brother in general [Kaeya's letter in Hidden Strife that Diluc receives before making himself scarce]

"The Grand Master has assigned the Cavalry Company to this mission. As such, I will be paying you a visit in three days. He seems to think that our relationship can be improved if we are forced to talk in person. Don’t worry, though. My lips are sealed. This will be nothing more than a formality. Anyways, three days’ notice should be enough for you, I presume?"

We know that none of that went as intended

I mean Kaeya's response to being kept away from Diluc's Dark Knight Hero business is to repeatedly show him he IS in on it just by the fact he's keeping it a secret. Hidden Strife Diluc finally talks about, albeit strained, partnership he has with the Knights now where they'll watch eachothers backs. And of course my absolute favorite of their interactions,

Diluc asking if Kaeya can cool it on the drinking, and Kaeya deciding a reasonable response is:

Or what? :) you gonna throw me out with the trash? :)

And Diluc deciding Kaeya's cut off point is whenever he starts getting sassy

[K: Any GOOD bar would have SNACKS 😤😤😤 D: aaaaaaand you're done]

I know I said you can thank the Knave for this post and that's because her line finally helped me pin down Diluc's Summer Conch dialog

"I didn't know you still remembered anything from back then... Huh."

Diluc actions line up with the bitterness of being left behind by someone who's still around.

Someone he's not willing to actually let go of

[Inviting him to dinner, saying he'd normally join Kaeya when he had the time, serving Kaeya at the bar, drinking with him outside Angels Share, drinking with him at Cats Tail, abandoning the business he claimed to have at the Cats Tail just to chase after kaeya when finding out about his tcg card (despite already admitting it doesn't bother him)]

TL;DR: If Diluc did disown Kaeya, he's doing a terrible job at following through.

Art by the wonderful Remy

[shynetyme06]

Epic and cool Papered Jam reference be upon ye (og PJ by @7goodangel)

YA so this is that PJ variant I’ve posted a couple times and made that dtiys for, and yes the mc just stands for main character. I’ve called them mc pj as a placeholder for the longest time cuz I’m slow with names, and so it just ended up sticking for me even after the story was later dubbed PJ’s resolve ;3

Under the cut is an alt ref sheet with updated versions of my other PJ outfits from this post, plus some rambling about the designs lol

Like og PJ, the only non-ink garment she wears is the scarf gifted to her by Ink. But for mc pj, that wasn’t always the case. The outfit you see on the little PJ was also created by him, and they’re hydrophobic clothes meant to help maintain PJ’s form and keep the strings from being exposed. And for the rain boots, I really liked a headcanon I came across that little kid PJ could wear them to keep ink from tracking everywhere (they just gotta be emptied from time to time lol)

Years later, PJ would start to create clothes for herself that look and feel pretty close to what Ink could do, but that’s only as long as she’s in contact with them, because like with pretty much all of her creations, they’ll melt back into ink if left alone for too long. (And for the shedding, rather than tracking ink everywhere she goes she usually just throws away the shoes she wears after a while and then remakes them with newer ink)

The blotch change on the right side of his face is because of error’s tear tracks, I kinda wanted this PJ to take a little bit more after him forrr reasons (would’ve been more obvious if it stayed fully cyan but I colored it before remembering there’s already so much cyan in top half of the design… so now there’s a yellow outline like the pink splotch)

And lastly PJ is about ink’s height at 3’9 :D

[3hks]

3hks' Guide to Plot (2024)

Alright guys... Here's a big one! These are MY personal thoughts on how to create and write plot. As time continues, I'm positive that some of these things will change, which is why I included "(2024)" in the title! Let's start with some of the basics and definitions, shall we? Hint: you probably want to see the last tip!

~PLOT STRUCTURE~

For 99.9% of novels, they follow a similar--if not the same plot structure--so let's take a look at them chronologically!

>>> Exposition: The beginning of the story, the starting characters, settings, relationships, and ideas are established. This is meant to give the reader a basic sense of the story.

>>> Inciting Incident (initial conflict): This is what sparks the conflict. The characters themselves may not realize it, but this event ultimately changes the whole course of the plot! (This may not always be before the rising action.)

>>> Rising Action: The GOOD stuff starts here! More introductions, more development, more action! Tension builds as the story continues.

>>> Climax: The climax is NOT equivalent to the conflict. The climax is the most exciting or tensest part of the story. The protagonist often is forced into making a difficult decision, whether it be self-inflicted or by another character's hand.

>>> Falling Action: The climax has ended, and things are coming to an end! The falling action is always shorter than the rising action, because there isn't much to introduce, and the characters are simply rolling through the consequences (good or bad) of their previous actions.

>>> Resolution: This is the end of the story. Many people will tell you to tie all the knots together during this part, but it's ultimately up to you! However, there should be some sort of ending to provide closure, at the very least. The conflict should also be resolved (hence the name).

Let's look at the diagram itself! (I'm using Freytag's pyramid because it's well-known. Thank you Writer's Hive for the image!)

~CONFLICT~

Alright, let's talk about the types of conflict real quick!

Character v.s Character: This is your typical conflict, where there are two opposing characters struggling against each other.

Character v.s Self: This is a less common conflict that takes place within the character's mind. (Examples: Self-doubt, decision making, moral dilemma, etc.)

Character v.s Society: This is a conflict between a character (or even a small group of characters) struggling against a larger, typically oppressive society as a whole.

Character v.s. Nature: Just like in the name, this is a character against a force of nature: a tornado, storm, flood, etc.

Character v.s Supernatural: Simply put, this is just a character struggling against a supernatural force.

While knowing and being able to identify the different conflicts doesn't necessarily help you write, it's important to understand what your character is battling against in order to build the conflict.

~BUILDING THE ARCS~

If you watch a lot of shows or movies, you're probably familiar with the term "arc," which is just another way to say plot or subplot, depending on your story.

When writing plot, you want to have a MAIN or LEADING ARC. This is your character's goal that's usually established at the exposition. However, there is usually more to add so your storyline isn't too one-dimensional. These are more arcs or subplots that simply branch out. In a way, it's meant to slow the plot down and add more content while still advancing the story.

So yeah, subplots are able to assist in slowing down the story but they need to help advance the main arc.

This can be done by simply connecting the two--making sure that both of them are at least relevant to one another.

Here's an example! Let's look at HunterxHunter (Yoshihiro Togashi)

The main character, Gon, has a goal to locate his father. This is what HunterxHunter is mainly about. The leading arc, main plot, etc.

It's incredibly simple and straightforward, but it's not that easy.

Along the way, you see different problems arise, creating more subtle and smaller arcs. For instance, there's the Yorknew arc, the Greed Island arc, and the Chimera Ant arc.

The focus of those arcs aren't necessarily for Gon to find his dad. As a matter of fact, his objective is kind of an afterthought in the presence of these subplots. Still, they are connected to Gon's objective and push the story!

See how modest the main plot is? It does not have to be the world's most complex storyline.

Your protagonist's goal is the leading arc, and things just get in the way of it.

Keep this in mind and it may actually help you design your plot events!

~KEY POINTS~

Character introductions: By the end of the rising action, you want most of your characters to have been introduced. This may vary for some certain scenarios, but logically, most characters are going to be involved in the climax, so they must be introduced beforehand.

Environment: Your character will typically start out with a set view of their society, world, and people. Through your developing plot, there should be some changes in their view. What they believe is true could prove to be false.

Triumphs and losses: Sometimes, your character needs to win, and sometimes, they need to lose. This adds a sense of naturalness (not everyone gets what they want) and aids your character development. There are times when a loss is actually the foundation of the exposition! (Wink-wink, nudge-nudge)

~WHERE TO PLACE "THAT SCENE"~

Here's a pretty big one! As writers, we often have just "that scene" pictured out in our minds--it's absolute perfection and a REAL piece of art.

But where are we going to insert it?

If it's not too important, there are three places I suggest! 1. The exposition, 2. the rising action, 3. the falling action.

If your moment is able to introduce a relationship, character, or setting, the exposition is the way to go. If it can build on the three things I listed AND may have a part in the conflict and/or climax, then rising action it is! If it's somewhere in between and somewhere else, then try falling action!

And it can even be the inciting incident if begins the conflict!

Resolution is also a possibility, but because it's near the end, your scene may have less impact than you want. However, if you're still into that idea, then I suggest placing it at the very end! (You'll just need a lot of patience to get through your whole story just for that part, though lol.)

The most important part is to understand what the moment can contribute to the plot, because then you'll have a much better idea of whether you should place it closer to the climax or further away!

Did this help? Let me know!

Happy writing~

3hks <3

[writingquestionsanswered]

Character Backstory & How to Explore It

Anonymous asked: I keep seeing advice to "explore your character's backstory," but what does it even mean? It's not helpful when I'm already struggling to flesh a character out due to lacking ideas or not knowing what I want the character to be. Is there a guide on how I'm supposed to explore their backstory?

[Ask edited for length]

What is Character Backstory?

Your character's "backstory" is their past. It's the accumulation of places they've lived, places they've visited, who they've loved, who's loved them, situations and events they've experienced, skills and knowledge they've acquired... basically everything that has made them into the person they are at the start of the story.

Backstory and Internal Conflict

If you're writing a story that is fully or partly character-driven, meaning that who your characters are and what they do is important to driving the plot, you will want to make sure your protagonist and important main characters each have an internal conflict. An internal conflict is a problem in the character's heart and mind that must be resolved by the end of the story. In a story that is fully character-driven, this problem will serve as the story's main conflict. In a story that is partially character-driven and also partially plot-driven, this problem will coincide with the external conflict, which in this case is the main plot.

Fleshing Out the Backstory

We are who we are because of our lives so far, so you can look at who your character is (or who you think you want them to be) and start to look for things they might have experienced in their past that made them that way. For example, if you want your character to be a detail-oriented, goal-driven, ambitious person, can you think of what in their life so far has made them that way? Maybe they were raised by parents who struggled with details, goals, and ambition, and as a result the family was always broke, the house was always a mess, and bills were always unpaid. Growing up in that way was frustrating for your character, so they were driven to be different. They liked school because it was structured and wasn't home, and they strove to do well. This allowed them to get a scholarship to a top university where they did very well and graduated with top marks and a great job offer.

Figuring Out the Conflict, Emotional Wound, and Lie They Believe

If your character needs an internal conflict--which they do if you want your story to be partially or fully character-driven--you can look at your character's life and try to find something that, despite everything, isn't quite right.

For example,using the character from the earlier example, let's say because of the tumultuous situation, their parents had an awful relationship and eventually went through a messy divorce that was awful for the kids. Because this divorce had a profound negative effect on your character's view of relationships, this event caused an "emotional wound" that your character carries with them into adulthood. Ultimately, it gave them the mistaken belief that no relationship can withstand difficult challenges. This is the "lie they believe," and because of this mistaken belief, they can't let themselves get too serious in a relationship. If a relationship is going too well, they break it off before it can be ruined by difficult challenges.

Exploring the Backstory and Resolving the Conflict

Whatever else is happening in this story, part of it is going to be addressing this character's failed relationships as well as helping them to change before they self-sabotage the good relationship they're in now (or that they get into over the course of the story.)

You can do this by exploring the character's backstory, or in other words weaving in recalled memories, flashbacks, and explanations of what that childhood was like, what the divorce was like, and how it drove them to be ambitious and detail oriented. As they start to push their new love interest away, you can then examine the emotional wound of the divorce and the lie it led them to believe. You can illustrate ways in which they see that this thing they believe isn't actually true... maybe they see friends' relationships surviving difficult challenges just fine. Maybe eventually their own relationship survives an unexpected difficult challenge. As the story progresses and they see evidence that the thing they believe is actually a lie, their internal conflict resolves because they see that relationships can survive challenges--even difficult ones--and they can prove this change by staying in their relationship even if there are difficult challenges looming.

I hope that helps! :)

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[rubberduckyrye]

You know I've seen quite a few people say they're wanting to make v3 rewrites lately--and as someone who is actively working on one by myself, I feel like I should give some advice. I know I'm nowhere NEAR done with Twins AU, but I've made a ridiculous amount of progress and I think these things have greatly helped me out personally

So here are my tips for making a V3 rewrite and actually making it stick/not to burn out before the first chapter!

This is important. Don't try to please everyone. You will never please everyone. Write this for yourself, and you will find an audience. People can and will hate your fic no matter what you do. Don't try to please them, they are not your target audience-- so Write this story for, first and foremost, yourself. It'll feel so much more rewarding if you do I promise.

V3's main theme is extremely muddied due to how the narrative was and how open ended the game was left, and from my own research, no one can agree on what V3 was trying to say about truth and lies, or Reality and Fiction. If you want to rewrite this story, you're going to need to narrow down what you want your rewrite to say about the themes presented.

PLAN THE EVIDENCE AND MURDERS AS THOROUGHLY AS YOU CAN. I think not knowing what I was going to do for the cases and trials really scared me for the longest time until I essentially sat myself down and fleshed out all of the cases for Twins AU. Make evidence lists, do research on how your murder cases might go, the works. It's a lot of work but I personally followed this post and also made an evidence list to help me out plot out the murders for Twins AU. This is also a great way to flesh out your protagonist as well, since you get to explore their note-taking style and what kind of language they'd use for taking notes and if they have opinions about certain things.

Write a summary of each character in the story. DR games have a big cast and V3 has an even BIGGER cast than usual, so it's good to write down summaries for all of the characters. I also suggest really studying each character too, even if you plan on changing a character to better suit your tastes (or to get rid of offensive material.... looking at you Angie) you still want to keep the core of their character intact for fans of that character.

Speaking of characters, make sure to try and remember to write each one as a human being, even if they aren't human (Kiibo for example). Develop them, give them quirks and flaws, motivations and wants and desires and dreams. Even if you hate a character, doing this much character study will help you keep them in character and keep their motivations reasonable and understandable.

If you don't have a good grasp on a character, study harder. Don't go looking for other people's interpretations or try to be a crowd pleaser. Make your own interpretation, and that interpretation becomes special to your rewrite.

If you plan on changing a character, for the love of GOD do your research first. Don't go accidentally making Angie into a worse racist caricature of Pacific Islanders Please and Thank You. Actually, just do a ton of research in subject you think might be relevant to a character or the plot--like Gonta and how ableism prevails in his story. Like how Shuichi has anxiety up the wazoo and how Maki has learned helplessness. Study and research hard.

Pace yourself--I don't think people realize how GIANT a V3 rewrite project is--remember that this game is extremely long and you cannot write this in a single month. Once all of your planning is done, write a reasonable amount for it each day. For me, I'm able to crank out 2k a day because I type absurdly fast, but most people would probably want to start at maybe 500 words a day.

If you're not having fun, step back. You might be burnt out and need a break, or maybe the scene you're writing is just not working. Take time to assess your own feelings and do what is appropriate to resolve them.

Don't feel too discouraged if you need to rewrite a whole scene--it happens to the best of us and sometimes things are just not working. It's not lost progress to retry--consider the scene you are replacing as a rough draft you need to remake. I've had to erase huge 1k chunks due to this.

Reward yourself for big accomplishments! When I finished the prologue, I threw myself and my editor ( @trans-shuichisaihara ) a pizza party, and I plan on doing something like that again, albeit probably cheaper. Reward yourself for huge milestones! Hell, I owe myself at least one treat for two chapters I've written, but tbh I've been having so much fun just writing that doing so is rewarding within itself. That doesn't mean external factors can't help, so if you finish a chapter and you're proud of it, buy yourself a treat for working so hard!

If you got a friend who likes editing/beta reading, invite them to beta read for you! They can help you find errors and typos that you might've missed. If you plan on editing your fic, I highly recommend reading your writing out loud to help you find weird sentence structures and awkward phrases. This should have the bonus of making it easier for people who use screen readers/just prefer audiobooks to enjoy your fic as well!

EDIT! Here are two more:

It's okay to be scared writing something new! Getting out of your comfort zone is going to happen with a giant story like this, and maybe you're going to flop at the best parts. That's perfectly fine!!! You can always edit it later--or even just call it "good enough" and move on! This is fanfic for fun, not a professional project you're making money off of. It's okay if things are less than ideal and incredible imperfect. An imperfect story is at least written. That's better than not writing it at all.

For the love of everything that is holy, remember that the characters should be people--and remember that their talents do not make up their entire personality. Their talents should not solely dictate what they wear, how they act, or the worst offender in this fandom--how their executions go. When writing a character Execution, think instead of what would be the worst way for that character to die--that is to say, what would bring them the most despair upon their death. DR1 and DRV3's executions all play with the despair of the blackened in each execution (with DR2 being noted to heavily miss the mark and to be the set of executions that are the most disappointing to Kodaka, from what I've been told.) So if you're stuck on writing a new Execution, try to think about what each execution from DR1 and DRV3 does to play with the despair of the blackened. What about their executions are giving them despair in their final moments? Do they at all relate to their talents, or are they completely separate from their talent? Study them, and you'll be able to use that information to write your own unique executions that are miles better than most of the fan made executions out there.

And I think that's my advice for now! Happy writing, everyone!

[xo-arcie]

agenda

paring: Suguru Geto x female reader summary: You are the personal assistant to Geto-sama. warnings: reader afab, pwp, semi-public sexual acts and delicious indecency, fingering, spit play?, unprotected p in v, creampie word count: 1.9k+ author’s note: I am just reviewing (perpetually editing) and reposting my stories from my main blog. Enjoy!

“What is next for today?”

You glance down at the tablet in your hands–the very same that Suguru Geto initially scoffed at when you were first hired, but slowly warmed to it as it enabled you a meticulous proficiency with his schedule. “There is the quarterly board meeting,” you muse, your finger sliding to the bottom as you review his agenda for the day, the glow of the screen reflecting your furrowed brow. “That starts in about twenty minutes. It was supposed to be a review for budgeting, but I believe it is a ploy from Kanemori-san to complain about that curse that has been plaguing him for some time now…” 

His large hand wraps around your wrist to pull you closer until you are flush against his chest, the screen pressed between you both. He tilts his chin down for his nose to follow from your earlobe along the slope of your neck, goosebumps rippling in the wake of his touch. He places a gentle kiss on the curve of your shoulder before lowering until his lips scarcely touch your collarbones that peak above the neckline of your blouse. 

A smile curls on your mouth, a delightful shudder up the length of your spine. This is a game that he often plays with any lull in his schedule–his deliberate, airy touches that make your skin rise in response. Your body was already reacting, a familiar heat coiling in your lower abdomen–something recurrent with his close proximity–and it begins to pull to the surface, burning bright.  

“You don’t want to be late, Suguru,” you almost purr his name with your exhale, but your dutiful reminder is just another part of it. Your resolve is already crumbling beneath his teeth that nip at your pulse. 

His voice is low and warm against your skin. “They can wait.” His arm moves to wrap around your waist to guide your steps backwards from the empty hallway into an adjacent, vacant room. Light is spilling through the edges of the drawn blinds, a soft golden glow that allows you enough to keep his pace until you feel the edge of a table pressing into your ass. 

He presses closer, burying his face back into the curve of your neck with a low hum that reverberates through you. 

You are still smiling–it cannot be helped with him–and you set aside the table on the table as Suguru lifts you enough to seat you on top. His hands squeeze your thighs, pushing your skirt up to slot his trimmed waist between, his touch moving behind to follow the curve of your backside and cupping your ass, pulling you back towards the edge. 

You gasp at the sudden movement, at the pressure of him, hard and heated through the wrapped layers of his yukata. It is tantalizing and you arch against him for friction, your pleasure licking back down your spine. 

He chuckles, reaching one hand to cup your chin to place a warm, chaste kiss on your mouth. 

The simple gesture broke the dam and you are desperate to drink him. Your hands grab at his broad shoulders to pull him close, wrapping around his neck and molding yourself against him, knotting your legs around his waist. You turn your head to capture his lips. 

He is smiling, you can feel it. His arms wrap back around you, just where you belong, and he nips your lower lip hard enough to earn a small whimper that he swallows. 

You gasp from the passion that he pours into you, and his tongue curls in with an intensity that licks the roof of your mouth, pulling the air from your lungs. You moan as his hand slides to your hips, his fingers dimpling into his hold of your plush thighs to anchor his slow grind against your clothed cunt. 

It thrills you. “Suguru–” you gasp again, but he stops you with two fingers coming to press onto your lips, pushing past and onto your tongue. You grab his wrist with one hand, your other holding onto him as your lips wrap around to suckle his fingers lewdly, loudly. 

His smirk stretches across his sharp jaw, and you feel his cock twitching against you. His other hand dips into the soft divot between the apex of your thighs, tracing the lace of your underwear and moving to the damp patch that formed to your folds. 

You moan again with his touch, your mouth full, and his low groan echoes, his eyelids fluttering at the sounds that spill unabandoned from you, at how wet and wanting you feel. 

His fingers hook in the band, pulling them aside as his other hand pulls away with a wet pop from your mouth, reaching to curl into your cunt. The intrusion burns at first, his touch deliberate but delicious, his dexterous fingers searching until you emit the softest sounds. Suguru hums again as you clench around him, and he returns to your sweet spot with a focused fervor, finger fucking you so deep the heel of his palm rubs against your clit that is blossoming with his ministrations. 

It pulls your pleasure hot, bright, sparking white across your eyes. You clutch to him, panting through the fabric still covering his solid chest, your arms shaking as you struggle to hold yourself upright and against him. 

But Suguru wants your focus on the heat building from his fingertips; he pulls back, his hand pressing onto your chest until you obediently lay back on the table, his other hand never faltering. You stay propped on your elbows, watching as he tilts his chin to his chest and letting spit roll off his pink tongue, falling into the wet mess between your trembling thighs. It allows him to coax a third finger into your cunt, pushing deeper with a sinful stretch that shudders through you. 

Your pleasure spills, rolling over in waves from your core with a pulse matching the rhythm of your beating heart. You try to hang on, trying not to drown as it returns to coil tightly at the base of your spine. 

“I can feel you,” he teases, leaning over until his lips ghost your earlobe. “I know you are close.” His voice is warm and husky with his rasped command: “I want you to come for me, pretty girl.”

Before you can cry out, he turns his head to capture your lips with a kiss that pushes you fully over into that promised euphoria. He continues to swallow your cry, and you gush around his digits that continue to finger fuck you to completion. 

You fall back onto the table breathless, welcoming the polished wood that cools your heated backside through your business casual. Suguru watches you for a moment before leaning over again to place an intimate kiss to your bloom of nerves above; it jolts through you, another whimper spilling from your kiss-swollen lips. 

He shifts between your thighs and you find the strength to push back to your elbows, watching as he uses the spider web sheen you left on his fingers to coat his freed cock, adding a glisten over his red flush. He steps closer to the cradle of your hips until you feel the blunt prod as he lines himself between your silken folds, with shallow thrusts that allow him to slowly sheath inside of you. 

Your mouth opens with a wordless cry, arching into the sensation, the fullness, the delicious stretch still despite how he always prepares you. White stars burst in front of your eyes with the slow rhythm of his hips against yours that push deeper, deeper. 

The sound you finally make is a pitiful mewl, and you grab to pull yourself upright to cant your hips to meet with his motion, rocking into his powerful thrusts. His large hands help to hold you as he continues to fuck you and you look up to see his rosy cheeks, his brow furrowing, almost entranced with the in-and-out motion. 

He stops with the beginning flutter of your velvet walls, a pause on your pleasure. You whine at first, and again when one of his hands moves between the valley of your breasts with a gentle push until you are laying back on display for him to tower over. 

He loves to savor the salacious sight you made: your thighs spread to accommodate him and your skirt bunched up around your waist, your blouse wrinkled with your bralette peering through the few buttons undone. He loves this sense of control over you, relishing in how you unravel around his fingers or his cock, watching the sticky suction of your pussy pulling him back in and the white ring that wraps around the base of his cock. 

You also enjoy these stolen intimate moments, but you prefer the privacy that allows you to see him, to see all of him–his chiseled chest and broad shoulders stained with rose tones, his trimmed waist taught as he pistons between your thighs. 

But you will take what you have in this moment and you watch him under your hooded gaze, your tongue touching your fingertips before you dip to touch yourself, a bit of spit breaking onto your chin. You can feel your blood rushing to meet your fingers and the gesture ignites something primal within Suguru: the black swallowing the amethyst of his eyes, his pace growing brutal, almost desperate. 

Your pleasure returns with a torrid pour over. Your tears pearling and streaking down your cheeks as your cunt clenches with your second release that pulls Suguru after. He continues to pound into you, pulsing hot and deep, his hips pressing flush against yours. 

Silence settles over, a quiet moment for you to peer up at him. He looks godly above you with the muss of his obsidian hair that is framing his flushed features. His eyes take you in before he leans over once more for another sweet kiss on your mouth. 

“Geto! Give me Geto!”

The panic shrill echoes out in the hallway, tearing through this sliver of solitude. 

And it continues, relentless, grating through the thin walls. “Damn it, do you know how much I’ve paid you?!”

Suguru pulls away from you. He is quick to straighten his robes and tuck himself away, his green and golden kāṣāya positioned to hide away any possible unsightly stains. His large hands reach to unknot his hair, his fingers combing through to smooth. 

Geto-sama is now poised in front of you. “How much?” He asks as he twists half of his hair up.

You sit upright, ignoring the spill between your thighs that soaks through your already ruined underwear, and you grab for the tablet. “About one hundred and five million yen,” you report, looking up to meet with his gaze, “but there have been no donations for the prior six months.” 

He hums and moves close to press a kiss to your hairline; it flutters through you. “You are dismissed for today. Have my driver take you back to my place to clean up.” 

You do not want to leave him. “I can pick up Mimiko and Nanako from school after that,” you offer. 

His eyes settle back on you before he captures your lips again, a proper kiss with the lustful curl of his tongue that draws the air from your lungs. You feel as if you are floating. “Only if you stay to have dinner with us,” he counters, his finger curling under your jaw and his thumb pressing into your chin. 

You nod, rooted with his touch, and he gives you another quick kiss before he slips back out into the hallway, leaving you alone.

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[linkspooky]

Megumi Will Start the Merger Theory

You heard me. I know this sounds wild and out of left field, but it's just a theory. A Jujutsu Kaisen theory. I fully acknowledge it might not happen, but please stick around long enough for me to argue why I think Megumi's character may go in this direction.

This one is for all the Megumi corruption arc truthers out there. I came up with this theory when it became clear that saving Megumi from Sukuna's grasp was going to be more difficult than just giving him a motivational speech, or punching Sukuna until their souls separated. Furthermore, I believe that Jujutsu Kaisen's manga won't end with the defeat of Sukuna. There will be one more curve ball thrown at us by Gege in the late game, and this is me trying to anticipate the pitch before the baseball hits me in the face. Underneath the cut I will speculate on the direction that Gege may take Megumi's arc, the relationship between Sukuna and Megumi, and Yuji's role in the finale.

What is a Corruption Arc?

Before digging in too deep I want to explain what I mean when I say I'm a Megumi corruption arc truther. A character arc is a story arc in regards to a character where a character changes from beginning to end. That's the most basic definition, arcs can be more complex, some arcs are actually inversions of the standard character arc where a character is defined by his lack of change.

However, those still need some element change, sometimes characters around them change to show contrast. For example, Eren is a stagnant character from beginning to end in Attack on Titan, but characters like Mikasa, Armin, Jean all grow up to show by comparison how little Eren has grown. Sometimes circumstances change around a character, and their lack of growth is a failure to adapt to those circumstances.

A character arc requires a change, but it's not necessarily a positive change. Often called negative character development, these characters regress instead of grow. This happens in many ways. One of the most basic examples of a character arc is a want / need arc. A want / need arc shows an emotional hole in the protagonist's life that needs repairing and how resolving the plot allows them to fill that hole. The protagonist usually knows what they need, but they know what they want, and often what they want won't actually fix them.

For example if I'm feeling sad I want to eat donuts to lift my mood, but what I need to do is learn healthier ways to work through my negative emotions. A character who keeps pursuing what they want, instead of realizing what they need won't grow, that's negative character development.

That's just one example though, Gege gave us a blueprint for a corruption arc in Hidden Inventory.

In Yu Yu Hakusho the character Sensui (directly cited by Gege as his inspiration for Geto in an interview) once was a spirit detective like the protagonist. No one describes him as corrupt from the beginning, in fact he's constantly described as more pure and upstanding than delinquent Yusuke Urameshi who likes getting into fights. He has a strong sense of justice, but rigid black and white views that come with it. Once he's confronted with evidence that directly contradicts his demons bad, humans good paradigm he cannot cope, and the narrative all but states Sensui's purity traditionally a good trait corrupted him because of his inability to adapt and his rigidity in in his beliefs.

Sensui goes through a corruption arc, albeit one offscreen and mainly referred to in backstory.

Geto's happens onscreen in its own story arc where he is one of two main characters. Much like Sensui he's presented to us as a sorcerer like Gojo, but unlike Gojo he believes sorcerers are obligated by duty to protect non-sorcerers who have no way of fighting against curses. You could argue that in some ways Geto and Gojo are the same type of jerk, but Geto's principles are clearly set up to contrast Gojo who at that age only was a sorcerer to flex his abilities. Geto's friendship often has him lecturing Gojo about respecting others, paying special attention to Gojo's feelings in ways that other characters don't, and also not being afraid to clash with Gojo over differences in morals.

If Geto is corrupt from the beginning there's no arc there, so he's clearly set up as being the moral fiber to contrast Gojo. We are literally presented with a scene where Gojo admits he could kill the non-sorcerers who hired a bounty hunter to assasinate Riko and feel nothing, and relies on Geto to make a moral judgement in his place, that society will already punish them and their slaughter is pointless.

The irony is that later, Geto will engage in pointless slaughter killing an entire town in retribution for their abuse of Nanako and Mimiko. When Gojo confronts him about his actions, Gojo cites the same reasoning that Geto provided him to stop him from killing the cult members.

That Geto's murder of innocent civilians is pointless, because it won't achieve anything - his world of sorcerers is out of reach. Geto's clearly positioned as Gojo's moral tether, because he cites Geto's statement of only killing when there's meaning to it right back at him.

This is also where the corruption part of his corruption arc comes in, a change has taken place here. Geto hypocritically contradicts his earlier words, not just engaging in meaningless slaughter but also punishing people with his own hands instead of letting the justice systems in place take care of the punishments. Two things he held Gojo back from doing, only to do himself post corruption arc.

You could cite many things as the reason for Geto's corruption arc, but the common theme shared with Sensui is resistance to change. Geto saw the world in two distinct categories strong / weak, the same way Sensui saw humans good / demons bad. When Geto is shown that weak people are capable of bonding together to oppress strong people (the cult) and that sorcerers despite having strength are on the losing end of their society (they are expected to risk their lives and toil endlessly for curses 99% of the population can't even see), he cannot cope.

He especially cannot cope with the reality that Rika's death showed him, that he is not strong as he once believed. All of this combined leads Geto to double down, still seeing strong and weak as separate categories but now blaming normal citizens for the inherent corruption inside the Jujutsu World. Notice how Gojo a character with positive development seeks to reform from inside the Jujutsu World instead.

Geto also still wants to think of himself in the strong category, rather than facing the feelings that Riko's death and his helplessness in that moment gave him, as well as Gojo pulling he instead decides to double down on the idea that he's in the strong category, that he's superior.

Geto even remarks jealousy at Gojo's godlike power for the first time, when before this he's always been the only person to treat Gojo as an equal - because Geto doubling down on his superiority complex begins imagining himself above others and therefore untouchable by trauma. It's also a grab for agency, because in this world sorcerers are rather agenciless, forced to be cogs in an unfair system. Geto incorrectly assumes agency = power. If he possessed Gojo's power he would be able to grab his agency back (which is simply incorrect because Gojo is one of the most agenciless characters in the manga, defined by his rigid role as the lynchpin of society).

Geto also doesn't mature. A mature adult lives in the world, and accepts that the world is imperfect. Geto is remarked as childish, first by Shoko when they are smoking together "sulking because no one understands you... sounds awfully childish if you ask me", and then by Yuta "You think you're a god? You sound like a kid!"

So we have, refusal to grow up, refusal to adapt to a complex world, resistance to grief, and grabbing for agency and power instead of fixing an issue inside himself - all of these combine to make the Jenga Tower that is Geto Suguru collapse.

The central question of Geto's arc, spoken by Gojo to Yaga is "Is it possible to save someone who doesn't want to be saved?"

If Geto refuses all help, refuses to admit that he's wrong, and does not want to change then what really can Gojo do in this situation? Was he right to give up? Did he give up too early, refusing to kill Geto but also spending ten years just ignoring the problem until Geto attacked in Jujutsu Kaisen Zero? Did it not matter what Gojo did because ultimately Geto's choices are his own?

There's no clear answer, because it's a question the author is asking the audience to ponder. It's also a question directly set up for Megumi to answer, because when Gojo is unable to do a thing for Geto we see his next action is to seek out Megumi. His words imply that he sees Megumi in Geto and advises him not to be left behind, he also clearly became a teacher in order to not let what happened between him and Geto repeat in the next generation.

In spit of Gojo's best intentions, he's not able to protect Megumi from any of Sukuna's designs toward him, or basically anything that happens in post Shibuya's. Simply raising Megumi to be strong, did not prevent him from suffering trauma in his youth on Geto's level.

There's even a deliberate parallel, they both witness the death of an innocent who they promised to protect (Tsumiki, Riko Amanai) and they both have had their body taken from them, Geto's corpse is turned into a literal puppet to help advance Kenjaku's plans, Sukuna steals Megumi's body in order to revive himself in the modern era. They're both even used as tools against Gojo, Kenjaku uses Geto's body to awaken memories in Gojo and complete the sealing. Sukuna uses Mahoraga to learn the world splitting slash that cuts through Gojo's defenses.

Megumi also has a set of values that society spits in the face of. Megumi wishes to selfishly protect his sister, and pick and choose who to save. Geto believes the strong are obligated to protect the weak. Geto sees weak people who are corrupt and not worthy of his protection and also the reality that sorcerers are the exploited class, Megumi is forced to kill Tsumiki with his own hands.

These are intentional narrative parallels to show the risk of Megumi may walk the same path as Geto, especially since Megumi is in many ways a pure child like Geto himself.

Dark Phoenix Arc

There's one more corruption arc I want to compare Megumi's too, to give some idea of where I expect Megumi's arc to lead.

The Dark Phoenix Saga commonly refers to the story in Uncanny X-Men #129 - 138 of Jean Grey’s corruption by the power of the Phoenix and the Hellfire Club. It was considered incredibly shocking for its time. One thing to note is while Jean Grey is famous nowadays, in early X-Men she was the weakest character and her role was basically limited to “The Woman” of the team.

Elevating the helpless damsel woman to the most powerful member of the team, if not the entire universe and then having her turn evil had never been done before. It was a jaw-dropping shock at the time. 

The reason I am citing the Dark Phoenix arc as an example, is because both Jean Grey and Megumi's character arc revolves around themes of agency, how it's stolen from them and how they reclaim it.

The basic summary of the Phoenix arc is that Jean Grey is initially given a massive power boost when she's possessed by the Phoenix. She stays behind on a crashing ship only to be saved by the Phoenix, a guardian, alien entity of immense power that was locked away in a crystal. Jean Grey returns as Phoenix with a massive power boost, but there's several ambiguous elements that compromise her agency. It's implied that Jean Grey always had a tremendous power that was in part sealed away by Professor Xavier using his telepathy (infringing on her agency) and that while the Phoenix gifted Jean Grey power, it's also an alien entity effecting her mind and body.

On top of that when she acquires the power, outside forces begin wanting to manipulate Jean in order to gain her power for their own ends.

A group called the Hellfire club begin to psychically tamper with her mind. They trap her in hallucination world where she is a woman of the 1800s, (not famously known for their agency) and in love with the leader of the Hellfire Club, even going so far as to give her false memories in order to convince her that this is reality.

The concept of agency and how it's constantly infringed upon, even by someone who's supposed to be on her side (Xavier) is central to this arc. Jean evetually escapes from the Hellfire club's manipulation, and reclaims her bodily autonomy but the story does not end there.

The subtle changes in Jean's behavior still continue, even after Jean has freed herself from the mind control. Is this the result of being given too much power at once? Is Jean losing control because she was never taught to properly handle her powers?

Jean Grey is also the character with the strongest potential in the main cast (much like Megumi) and also a character who's been prevented from using her powers to their full potential and even had her powers stolen and used by others (Much like Megumi).

It's heavily important that Jean's corruption into dark phoenix happens after freeing herself, and in response to the Hellfire club's machination to take all agency away from her. Jean instead makes a grab for power and agency by abusing her power as Dark Phoenix.

Jean even mentions that turning against her friends and trying to kill them as Dark Phoenix, will sever the last tie holding her back, will get of Jean Grey for good and cause her to fully embrace being Phoenix.

Jean has flipped entirely, overembracing the power and agency that has been stolen from her again and again, but really how could someone not desperately try to take back control of their lives after being mind controlled or having their mind violated multiple times (the phoenix itself, the hellfire club, even by Xavier).

How can someone never allowed to use her power, or given choices on how to use her power, not be corrupted when after being stepped on all of their lives the power of a god is dropped into their lap?

This is why I believe Megumi will be the one to initiate the merger, because his entire arc has been about having his power stolen away from him and what would Megumi do when given total power over the merger by Kenjaku?

Megumi Corruption Theory

The biggest piece of evidence for this theory is right here, Kenjaku specifically says to give Megumi Fushiguro the authority to start the merger.

There's a technical reason for this, Sukuna is currently in Megumi's body, and Sukuna himself was actually registered in Yuji's place because Yuji was built by Kenjaku to be a cage for Sukuna.

However, it can also be read as foreshadowing. If you believe like I do that the merger has to happen, then Sukuna can't be the one to initiate it. The simple reason why is that the main characters will have to be alive to fight against a merger, and Sukuna has set the condition that he'll start the merger after killing the main cast in order to motivate them to fight him with everything they have.

If Sukuna is going to start the merger after killing all the main characters, then he can't be the one to start the merger because the main characters have to be alive to witness the merger take place and fight against it somehow.

Therefore, logically if the merger is going to occur the only person who could possibly activate it is Megumi Fushiguro after reclaiming his body.

There's more foreshadowing then this one instance however, and a lot of it revolves around Sukuna and Megumi's unique relationship and Sukuna's role as a character.

As for why Megumi would possibly start out the merger, it's the same as Jean Grey, a character denied of agency suddenly has all the power in his hands, who wouldn't be corrupted? Especially Megumi, a character who's just been robbed of his sister and his mentor, and his purpose in life besides that (protecting Tsumiki)? Why wouldn't he lash out if suddenly given the power to? His friends are trying to save him yes, but Megumi is begging those save friends not to save him to end it all.

How do you save someone who isn't prepared to be saved?

How is the story going to answer that question, if saving Megumi is a matter as simple as just beating up Sukuna and giving his body back to him?

Onto analyzing more foreshadowing, but first a brief tangent on the nature of foreshadowing in Jujutsu Kaisen. Every major twist in the manga is foreshadowed far in advance. Kenjaku beng the one to possess Geto's body - foreshadowed by Kenjaku killing Mechamaru when Geto was against killing young sorcerers, and the fact Geto was deliberately killed onscreen with no explanation provided to the audience on how he could possibly revive.

Sukuna calls the purpose of the bath to be near evil, to submerge Megumi's soul.

If saving Megumi is just a matter of ridding him of Sukuna's possession however, then how does that allow Megumi to reclaim his agency? What agency does a damsel in distress who just exists to be rescued have?

Megumi's entire arc has been defined by the potential power that everyone sees in him, and his inability to reach that power especailly since other characters (especially Sukuna) seek to steal that power for their own ends. In the culmination of this arc, Sukuna literally steals Megumi's body, and his bodily agency.

How does Megumi finally live up to that potential if Megumi's arc ends with him being saved by Yuji? How does this make Megumi grow or change in any way?

Sensui, who is once again Gege's model of a corruption arc is referred to as a pure angel that was inevitably grew scarred and defiled, by his close personal confidant Itsuki. Not only that, but sinking deep into despair made him grow stronger not weaker.

Itsuki is also, a demon who met and encountered Sensui and then took a deeply invested perosnal interest in watching Sensui be corrupted in real time.

Megumi also has a curse that took a sole interest in him because of his talent and potential, then had a hand in bringing him closer to evil in order to make him sink into despair. There's once again the symbolism of purity being corrupted.

This panel explicitly shows white lilies (symbols of purity) being torn apart and blackened to symbolize what Sukuna wishes to do to Megumi in order to further is own ends.

There's also the heavy budhist symbolism with Sukuna's role in the story, and the way he influences the rest of the cast, especially Gojo Satoru who is our stand-in for the Budha. If the goal of Jujutsu Society is to attain enlightenment (escape cursed energy probably the only thing that will end the miserable lives of sorcerers), then the merger represents the opposite, Kenjaku's goal of optimizing cursed energy by mixing humans, sorcerers and curses to give birth to a new being.

That's also a conflict that needs to be resolved, but Sukuna by pushing forward the optimizing of cursed energy and representing the peak of sorcery living only for sorcerery and his own strength represents a Mara.

Sukuna is comparable to the Celestial Demon Mara in budhist mythology, more on it in this thread. In budhist cosmology, Mara is the “personification of the forces antagonistic to enlightenment.”

If the ultimate goal of budhism is to escape the cycle entirely and stop being reborn in the sensuous realm, Maara instead tempts people to stay in this realm. it defines impernanence by suggesting we stay in this realm forever. It defies Dukha by saying we indulge in physical pleasures in this realm, that we should seek to satisfy ourselves even if budhism argues that life is primarily unsatisfactory.

We even see Sukuna literally tempt a budha-like figure into remaining in this earthly realm. After all aren’t we shown that Gojo achieved enlightenment at seventeen and let go of earthly emotions like the need to be angry and avenge Riko’s killer because the feeling of oneness with existence was too good in that moment.

A lot of people noticed what they thought was Gojo acting out of character in the fight with him and Sukuna, by enjoying the fight and choosing his selfish desire to love jujutsu and fight as a sorcerer over his responsibiltiy to protect children. Something which Nanami says in his dying hallucination that Gojo only ever lived for the pursuit of his selfish desire for Jujutsu in the first place.

Gojo in his last fight against Sukuna forgets about saving Megumi or at least makes it a lesser priority, because Sukuna tempts him to do what he's always wanted to go all out in a sorcery fight and have the freedom to use his powers to the best of his ability. Hoewever, even after using his full strength, Sukuna cuts down the notion that he is above humanity and drags him back to the earth - literally calling him unenlightened.

“This is goodbye. You were born in an era without me and hailed as the strongest yet you turned out to be painfully ordinary…”

Does Sukuna not represent this temptation for all characters? Sukuna represents the selfish ideal of sorcerers, using his powers for himself to satisfy his hedonistic desires and because of this he has the most agency in the story and the story at times even bends to his desires.

Characters even fight for Sukuna's recognition, Hajime, Jogo and Gojo are validated by that same recognition in theend.

Why wouldn't Gojo and more importantly Megumi who are characters with very little agency not jump at the chance to be more like Sukuna, especially if it brings Sukuna the freedom he possesses?

Itsuki refers to himself as Senseui's shadows, leading him to act on his darkest impulses and enjoying watching the corruption spread. Megumi is literally a character who's Jujutsu revolves around his shadow, and summoning powerful Shikigami from it in order to fight. A character with an incomplete domain expansion (another loose plot thread with Megumi that would be unresolved if Megumi were simply saved) which is his own creation, which might surpass Mahoraga the technique handed to him.

In addition to being a Mara, Sukuna is also literally called the "fallen / disgraced one". Itsuki calls Sensui a fallen agel, but in the context of Jujutsu Kaisen there's literally a character called Angel, who's only goal is to save Megumi's soul, and there is a satan figure in Sukuna who wants to corrupt him. Literally, there's an angel and devil on Megumi's shoulder.

How is stealing Megumi's body corruption though? Megumi's not being tempted into being selfish. He's not responsible for any of the sins that Sukuna commits in his body. There's no arc there, because Megumi doesn't reclaim his agency in response to having it stolen away, he doesn't decide to do the bad things himself - it's Sukuna who commits the wrongs.

Even More Setup for the End Game

Here's where I stop referencing Yu Yu Hakusho and only use foreshadowing in the comic itself. The first is the discussion of roles, and how Yuji needs to break away from them, as much as Megumi needs to fight for his agency back.

Part of the reason Sukuna jumped bodies is because Yuji wanted to be given an easy role like a character in a story - rather than thinking and deciding for himself. He thanks Megumi and Gojo for giving him a role seconds before the body swap happens. If Yuji is immediately punished for thinking that what he needs is to be a cog in the machine, to be given a role then methinks that's a bad thing.

However, Yuji has not broken away from that thinking in any significant way. Sukuna even mocks him for finally being given a role.

If Yuji's thinking hasn't changed then no story arc has taken place. If this conflict of Yuji wanting to conform to a cog or a role has persisted since Shibuya - then it's clearly important to his arc and is something that needs to be resolved. If Yuji just solves the problem by being stronger than Sukuna and beating him in a fight, how does that resolve Yuji's flaw of clinging to roles rather than thinking for himself? I ask once again, where's the change?

Saving Megumi like a damsel in distress is still a role someone else has assigned him.

How does the decision to save Megumi right now challenge Yuji's hero complex in any way, besides the fact that Megumi has sunk into despair and would rather just end it all. Is that much a conflict that really forces Yuji to think for himself - to go against the grain of society rather than blindly following others.

If Yuji gets to rescue Megumi like a damsel, that's giving him what he wants, without forcing him to realize what he needs. That's as much of an unfullfilling end to Yuji's arc as a ending where Megumi never reclaims his agency and stands on his own feet and just has to sit there and wait and be passively saved.

Most of all the question: "Is it possible to save someone who's not prepared to be saved?" goes unanswered.

Geto wasn't just depressed and suicidal, he was actively making harmful choices and represented a danger to others. He also had no intention of stopping the path that he was on.

There's a clear parallel between Megumi and Yuji's friendship, and Geto and Gojo's past fallout. However, if it's just a conflict of Yuji saving Megumi who's simply too suicidal and doesn't want to go on living, there's no conflict there. The audience will not see whether or not Gojo was still capable of saving Geto post his burning down the village, or if there was no walking back from that choice. The previous generation won't resolve or fix the mistakes of the past generation.

Yuji remains a hero, Megumi remains a victim, as I reiterate for the thousandth time there's no change.

Megumi starting the merger, or even defeating Sukuna himself (maybe with a completed domain expansion) and then starting the merger is a change. It's also foreshadowed, Mahoraga is the technique he inherited, the technique Sukuna stole (and Mahoraga won't work against him he's already defeated it), Megumi's domain expansion is his own creation, created in his deepest moment of personal growth.

The process of individuation also literally requires a character fully integrating their shadow. Sukuna possessing Megumi is not Megumi facing his shadow or his worst traits, because Sukuna is not Megumi's shadow, he doesn't reflect Megumi's flaws in anyway, he's literally just a parasite.

There's also the 1001 Toji parallels to Megumi that have gone unfulfilled. Toji specifically a character who was abused, then chose to continue the cycle of abuse, specifically because he wanted to prove himself stronger than the peak of sorcery. Especially after a lifetime of being belittled and abused by not having the potential of his Heavenly Restriction recognized.

And what do we have here, but a scene of Toji LITERALLY EMERGING FROM MEGUMI'S SHADOW, in order to enter Dagon's domain.

How is Toji referred to afterwards? As a puppet of carnage bearing his fangs at the strongest around.

An incredibly Sukuna like description, number one because Sukuna's entire existence is simply bearing his fangs at the strongest around, and number two Sukuna is referred to as pure destruction, like a calamity, something with overhwelming sense of self and no humanity.

Not only that, but when fighting Sukuna, Gojo makes an explicit reference to Toji comparing him to Sukuna as the last time he ever felt nervous or challenged by an enemy. Sukuna and Toji are being alligned as similiar characters, supremely selfish people who hoard their agency and strength. Toji also represents the worst of Megumi, a victim caught in a perpetual cycle of lashing out against the world, a bad future path he might take if he doesn't get over himself.

Sukuna is connected to Toji wo is connected to Gojo, and all three represent a path that Megumi has been nudged down his entire life, that he should just selfishly use his power with no regards to anyone else the same way they do.

As I said before in my comparison to Jean, why wouldn't someone who's been robbed of all agency for so long, not go too far in reclaiming it? What's stopping them now that the chains are finally off?

Megumi parallels Geto, who parallels Toji, who parallels Sukuna and why draw all these lines between these characters if it's not to represent a path that Megumi could take?

In other words...

[siolixz]

~Veils Of Crimson~

Chapter 4

Pairings: oz cobb x reader (Carmine Falcone's daughter)

<chapter 1> <chapter 2> <chapter 3> <chapter 5: part 1>

Reader is a child of the circumstances she was raised in and Oz is still manipulative-I had to take a few breaks from writing this to walk around my house a lil bit-I think I have a pretty clear idea of where I wanna take this story going forward. You get to FUCK that old man! YES! Also, I am currently drawing Oz and 'reader' how I imagine her, can't wait to show yall. Next Chapter is gonna be up as soon as I see the new episode and I get virtually high with creativity.

I took my inspo from Driving Miss Falcone by (https://www.tumblr.com/genevievedarcygranger here on tumblr), check out the story if you can.

Enjoy, give feeback if u want ily xoxo.

Warnings: mature language, smut (oral sex, hair pulling, riding) violence, general horniness.

“WHERE ARE YOU”

You texted her back that you were out and perfectly fine-nothing to worry about, you apologized for not texting her in time as well. You took a deep breath, trying to calm yourself down. Ok, so you didn’t text Sofia that you were gonna leave, so what? She’s not your parent. You just unfortunately forgot, in all the excitement of seeing Oswald, you ran out of the door, got in the car and disappeared.

With your heart beating out of your chest, you pressed the handle of the main entrance to the mansion and upon being greeted with the quietness of the estate at this late hour- you went into the kitchen to grab yourself a snack from one of the fridges there.

Where are those damn Milka sweets you brought back from Europe? Did someone eat them? If they did you were gonna-

“Sneaking inside at this late hour? How scandalous.”

“Jesus, Sofia, you HAVE to stop doing that-”

“Where were you?” she said, while stepping closer, cocking her head.

Alright, this was older sister Sofia speaking

“I’m sorry, ok? I didn’t want to leave like that, It’s just that-I had some business I had to do, ok?” you said, hoping this lie would be sufficient

She didn’t look like she believed you, but she stopped asking any questions.

“While you were gone, I found a guy that's gonna help us with catching the rat in our family, once and for all.” -she didn't tell you anything about whatever she had planned

“A guy that’s gonna help us with finding the rat? That’s good. Great even.”

“Yeah, it is.” she looked down for a moment before taking a deep breath and coming closer “Listen, I think it would be best that you leave here a while, with everything that’s going on, I don’t want to lose you too-”

“I’m not going anywhere,” you said. Who does she think she is? Sending you away like this “this is my home.”

“Yes, yes i know” she closed her eyes deep in thought and opened them before continuing “you are one of the most important people in this family and I know how hard it is to be sent away-but this time, believe me, it’s for your own good. I only want the best for you.”

“No, no. I can help Sofia, I know I can. Why didn’t you tell me about the detective? I could’ve come with you-”

“Listen, just listen. I love you, I want the best for you-”

“You believe imma hold you back. That’s it. So you want to send me away, like dad.” you started nodding, mostly to yourself. That was it, she didn’t want you around, like she didn’t even miss you. “We have an army of guards at the mansion, I could remain here until everything is resolve-”

“Your place isn’t in a power struggle between us and the Maronis, you know that.” Honestly, fuck her. She barely talked to you since coming home, you weren’t the little girl she once knew.

“Alright- I guess, let me know if you need anything. Good night” You started backing up while talking to her, you didn’t even want to see her

“Good night.” she said.

Today was your brother’s memorial service and everyone important was here. There was food and good drinks, ready to be served for everyone to remember and toast towards your brother’s life. You really missed him and hoped he was in a better place.

You talked to Carla and Gia-her daughter. Gia told you looked beautiful, like a princess.

Like a princess of death and despair probably, wearing all black.

You saw everyone’s head turn towards the only person that could pull their attention away from you-Sofia, who was currently shoving a fist full of pasta in her mouth.

Classy-just like you remembered.

You took this moment of ignorance and disappeared into one of the rooms near one of the staircases that lead downstairs for a moment of quietness, you wanted to browse the internet a bit- see if anyone took a picture of you with him.

You talked to Oz last night when you arrived home- he told you to call him when you did, he said that you two will see each other today, that he was sorry you had to leave so early and that he really enjoyed your date, he didn’t have that much fun in a long time.

What a sweet man you thought, last night he was incredibly gentle and you could get used to going out with him, being by his side. His big arms, his charisma- everything about that man left you wondering when you two would be alone again, maybe in a more intimate setting- god it felt like you were 19 again, daydreaming about riding him in the backseat of your Rolls Royce, the way his hands would hold you down, guide you down his-

“-I told you to come to me, not go behind my BACK!”

Your uncle Luca, accompanied by Sofia and Castillo were coming down the steps-rudely disturbing your dream.

When your uncle saw you, he pointed at you and asked “You dragged your little sister into this too?”

You looked at Sofia, then at Luca “What?”

“No, she doesn’t know anything.”

“Good, at least one of you listens.” Luca continued. Fuck was his deal? Did he find out about Sofia’s plan to find the rat?

They continued to go down, still talking. You decided you didn’t want to stick around to find out what they were doing so you left and found that every single door was closing? Ok, what the literal fuck is happening.

“Search everyone for weapons.”

You followed the voice and found some of the guards in a line, unfortunately the man you desired was also between them.

“Oz? What happened?” you said as you ran up to him, the sound of your manolo blahnik heels creating sharp clicks against the expensive floor.

His gaze softened when he saw you and before he could say anything one of your guards, spoke up next to him “Someone iced a Maroni in the basement.” Oh, so that’s why Sofia was rushing downstairs with Luca, yikes.

“The fuck. Fuck you!” Viti said, as he was roughly handled by a guard. This fucking asshole, you hoped it was him secretly.

Luca and Sofia joined everyone in the hallway and your uncle called out your name and ordered you to step back-you had to unfortunately, obey.

“Fuck you looking at?” You and Oz were both staring but he directed his words towards him. “It was you, wasn’t it?” What was he doing? “You sent us there to get massacred, what did the Maronis give ya’, huh?” accusing a member of the family like this isn't wise, Oz.

“Watch your fucking mouth you gimp.”

“Fuck your mother ya dirty rat!” Jesus Christ Oz. Before you knew it they literally jumped at each other's throat, well more like Oz went to punch him in the face and stomach.

It took two men to pull the much larger man off of Viti- you were too shocked to say anything. Why was he acting like this? Did Viti’s comment rile him up this bad? Johnny is a well known shit talker.

“One of you is a fucking traitor-feeding information to the fucking enemy, I will not tolerate that.” Luca said. You looked at your sister, her face didn’t move towards you.

As the guards searched the suspects- Castillo, Sofia’s personal bodyguard, was found to be the rat.

Shithead, you thought.

“Miss Falcone I swear to God, that is not mine.” he pleaded, what a liar. You glanced at Oz and he gave you a wink- you couldn’t wait for him to be let go and kiss him again, the thought alone gave you butterflies.

“You were there with him that night-you killed him.” Sofia’s words were full of anger- hate clear as day on her face

“I didn’t-I would never.” What a shitty excuse of a human being, lying like this, your brother didn’t deserve to die at his hands.

“Give me your gun.” Sofia said towards the guard holding Castillo. Was she gonna shoot him here, in the house? You saw Oz look at you.

“Sofia, please listen to me-”

“GIVE ME YOUR GUN”

“I would NEVER do this to you-”

Luca turned to you and told you to turn around and you tried to as quick as possible-covering your ears and jumping when hearing the gunshot, did she shoot him?

This sort of stuff-this shit should never, ever happen inside the house. You knew your sister wasn’t right in the head after coming back from Arkham, but this, this was not right.

With your heartbeat in your ears, you left as quick as you could, you didn’t wanna turn around and see a dead body- one who only seconds ago was living and breathing, a human being, who you knew-who pleaded for his life- he deserved to die but not to get shot like this, especially inside the house.

You heard Oz call out your name, but you didn’t stop-you had to get outside, you didn’t even know if you would want to sleep inside the house tonight-God your knees felt weak.

Was your sister really that brutal? Was that necessary? You felt tears form in your eyes.

“Doll-” you heard the door open and as you made eye contact with Oz your tears couldn’t stop, you didn’t even know WHY you were crying.

You certainly weren’t crying for Castillo’s life, he was a rat, this is how people like him deserve to go- you should not cry-it was probably from the shock of it all.

“I-i'm sorry” you said-trying to turn away from Oz, you didn’t want him to think you were a crybaby or something-you were holding your tears back as well as you could, before he grabbed you in his arms and then you were REALLY crying.

“What just happened?” you sobbed, this was horrible-this sort of thing would’ve never in a million years happen if your dad was alive.

Between Oz shushing you-telling you that you are going to be ok and running his hands along your back up and down you eventually calmed down.

“Are you better? Hm?” he didn’t let go of you -you nodded.

“Ye-yeah I’m better, thank you. I’m sorry.”

“Ain’t nothing to apologize for doll, you shouldn’t have seen or heard that shit, that’s not how things go.” he looked genuinely apologetic, like he shot him.

“What happened to the guy downstairs?”

“Castillo stabbed him in the chest.” he said, while glancing down momentarily

“Good God, what has this house come to? What kind of monster does such a thing?”

“Yeah nasty business, horrible really.”

“I don’t know if I can step inside again tonight, I don’t wanna sleep in there.” you hugged your arms to your chest, between your sister telling you to fuck off and then Castillo being shot, you didn’t want to go back inside “I’ll get myself a room at the Belle Monico”

“Yeah well, If you don’t want to spend the money you can crash at my place, if you want of course-”

“Really? You’d have me?”

“Of course.” he said, matter-of-factly “anything you need-you know you can call me.”

“Oz, imma need you to take care of this shitshow inside-” Viti didn’t open the front door wide enough to see that you were there too

“Yeah-yeah I’ll take care of them.” Oz gave him a dismissive wave, Jonny just shut the door as quick as he opened it “This bald motherfucker is giving me orders too now.” He looked at you, hoping you would laugh at his comment-and you did.

“Keep that smile, ok?’ while also smiling- Oz climbed down the steps to the main entrance. He turned towards you and continued “By 8 o’clock I’ll be done with all this shit and you can drop by-I’ll text you my address. In the meantime, go away from the estate, go shopping or something, I know that it will make you feel better, ok?” you nodded from the top of the stairs “No MORE crying, you got that?” he pointed a finger at you.

“Alright.” you said “see ya.” The smile he left you with didn’t disappear and as you called your driver to come outside and grab your bag, you were already thinking about what underwear to wear tonight.

The excitement bubbling inside you was undeniable and as you listened to music in the backseat of the mercedes you were getting driven in it was hard not to let your mind wander, first time you were gonna be over at Oswald’s house, just you and him, all thoughts of the gruesome spectacle that happened today at your mansion disappeared-all replaced by the familiar excitement you always had before seeing him.

This time, however, it was going to be different. You were sure that if you didn’t get to feel him on top of you, you might actually pass away tomorrow.

As your driver pulled up into the Diamond District your stomach knotted with nerves, you were a few blocks down from Oz’s place-you tried to distract yourself from all the emotions and looked outside, you might’ve been in one of these shops in the past- even if they looked a bit shitty.

“I’m waiting for you, climb up the staircase when you get in, I’ll open the door.” he texted you

OK, you were really doing this- you scooted back in the driver’s seat and took a deep breath- you put your phone on mute, Sofia didn’t answer your call when you left so screw her.

The woman that just kissed his boss on the cheek might’ve been the most put together person he ever saw in his life. She looked like she belonged in a magazine, with perfect manicured nails, beautiful hair and gorgeous bright teeth that were shown to him as she smiled-introducing herself.

Words didn’t register in his head, too blinded by this strange creature that just waltzed in like it was noth- Falcone?

He told him about her, after the failed drug transport “a woman like that kid whew -don’t think you ever saw someone as beautiful” he paused “ she don’t hang around with just any schmuck, you gotta provide a level of security-of money-I promised myself, I’d get her on my arm one day one way or another.”

This was the sister of ‘The Hangman’ shi-

“Cat got your tongue or you’re gonna leave the girl hanging like this?” Oz said and chuckled, but the jolly behavior didn’t reach his boss eyes, it sounded more like a threat to Victor “Hhey I’m V-victor.” the nerves he felt were clearly evident- poor kid you thought.

“You must be Oz’s driver, nice to meet you.” sadly, you weren’t alone with him “Nice place you got” you said, walking around a bit.

“Vic, go get us some food- doll, you have a preference for anything?”

“No, whatever you say it’s best.”

As Oz instructed Vic where to go, you looked around his place.

It was cozy, you liked it. There was a picture frame with the history of this place- this is where they made the jewels you saw outside- well some of them. That’s cool, also Oz bedroom had these big ass doors, they looked like they were made to hide money.

As Vic left the apartment you looked outside, the big concrete buildings were a stark contrast to the gorgeous scenery you were used to.

“What d’you want to drink? Got some wine, or the strong stuff—whiskey, scotch.” He gave you a half-smile, pouring himself a glass. “But I’m guessing that ain’t your thing.”

“Water’s fine-”

He raised an eyebrow, scoffing lightly. “Nah, c’mon. After the crap you went through today? You deserve better.” Before you could protest, he poured a glass of red wine and handed it to you. “Trust me, this one’s better than what they had back at the restaurant.”

You took a sip as he sat down next to you. He was right, it was much better than the one at the restaurant.

“Guess it’s just… everything that happened today,” you said, a bit quieter. “What if they come after me next?”

He set his glass down, leaning in close. “Listen, doll…” His voice dropped, low and rough as he placed his hand on your knee. You tried to ignore the way his big hands on your leg made you feel. “You’re safe here. No one’s coming for you in this place. I got that covered.” He watched you carefully, making sure you heard every word. “You know I’d never let anything happen to you, right? You don’t gotta worry ‘bout a damn thing here.” he leaned closer to your face- trying to make eye contact as you gazed at the floor and then back up at him.

His hand stayed on your knee, warm and steady, and the intensity in his eyes made your pulse quicken. He wasn’t usually this serious, this protective—and it felt comforting. Comfort that you haven’t felt in a very, very long time

“You sure I’m not in the way here, Oz?” his hand tightened just slightly on your knee and his thumb traced circles on your leg

“Stop it with that. You ain’t ‘in the way,’ alright?” He leaned back, looking off for a second before muttering, “Fuck… when you left, I felt like shit..”

You reached over, brushing your hand against his. “It’s alright, Sofia’s back now; that’s what’s important.”

He huffed, giving you a crooked grin and a full image of his golden teeth “Yeah, sure. But it ain’t just Sofia.” His voice softened, though his hand stayed firm on your knee, possessive, like he didn’t want you going anywhere. “You mean a lot more to me than you think, i'm not gonna let you walk outta here that easily.”

You smiled at him and before you could respond, he closed the distance between the two of you with his mouth on yours with a hungry, possessive force.

The taste of whiskey and warmth flooded over you as he deepened the kiss, his other hand sliding up your back, pulling you in close. When he finally pulled back, his gaze lingered on your face, his hands tucked a stray hair next to your face behind your ear. The deep brown of his eyes had such a warmth to them, like crackling firewood-so gorgeous and full of passion.

“C’mere,” he murmured, his hands guiding you over him. He shifted on the couch, pulling you into his lap until you straddled him, his hands steady on your waist. His touch was possessive, yet gentle as his fingers traced along your hips, holding you there. “Forget all that other crap, it's just you and me, okay?” he said when you were on top of him

The feel of him beneath you, this bull of a man- so dangerous yet so soft towards you, so gentle- you alone could make him feel like this and that thought sent a thrill through you as his hands settled on your back, pulling you in closer.

He kissed you again, deeper this time, his lips warm and slow as he leaned into you. The heat between you grew as his hands slipped beneath your shirt tracing your waist and back, his fingers gripping harder into you with each kiss. You felt his hand move from underneath your shirt to slide up, fingers tangling in your hair, gently tugging you closer as his mouth started to press open mouthed kisses on your neck.

“You’re where you should be, right here with me” he murmured against your skin, his voice so low you thought your ears and cheeks would light on fire from the heat rushing towards them- the way he enveloped you fully-the lingering whisper of tobacco on his collar, blended with the whiskey on his tongue was making you moan all on its own-the way his hands helped you grind down on him- like he’d been waiting for this.

“Oz please” you didn’t exactly know why you were saying please for, just that you wanted him to do ‘something’ .

He placed you with your back on the couch, still kissing you and he lifted your shirt just high enough to grab hold of your jeans. “Take this shit off” he roughly grabbed your jeans zipper and pulled you down a little bit by his movement, barely getting them off and when he did- those stupid skinny jeans stopped at your knees and in his urgency left them there- while also ignoring the very expensive pair of panties who you just bought TODAY.

He didn't even look at them and with one hand under your ass, pulling you closer to his face -he started to press kisses on your ass and near your pussy.

In all this rush, you couldn’t even think straight. With one hand he almost folded you in half and with the other he was pulling you closer to him. You couldn’t believe this was happening- giggling a little bit and moaning- you grabbed your pants and finally pulled them off- tossing them somewhere in the apartment.

You opened your legs to give him space. You felt goosebumps rising on your skin and grabbed his head when he started to lick your clit- placing a hand on your mouth didn't do too much to stop the sounds you were making, but at least you were trying.

His hands went below your shirt, on your tits and he groaned when he got to them-the sound sending a very pleasant vibration to your most sensitive place and making you moan even harder.

One of his hands remained on your breast, massaging it and with his other hand he put his finger inside, you thought that you might actually come from that alone, the way his much bigger finger felt inside of you-a familiar heat started pooling in your stomach-you closed your eyes-trying to not let go of this feeling, “please Oz” you sounded so pathetic, whispering like that.

Oswald didn’t even respond to you, just started pushing his fingers even deeper inside, the feeling of having his tongue touch you repeatedly where you only touched with a finger, maybe two- was the most euphoric thing you ever experienced and the way his fingers would push up like that-”Oh my god” you breathed out, gripping your mouth- your legs wrapped around his head and you moved your hips, trying to get to feel him as much as you could.

While he switched from sucking your clit to rubbing circles with his tongue on your bud, his hands were keeping themselves busy with your nipples- just peeking over your almost pulled down bra from underneath your shirt. This was too much. “I’m gonna-” You don’t think you ever experienced an orgasm like that before, your belly was almost aching by the end, the way you moved against his face made you feel almost sorry, almost.

“Look what you did” Oz turned his body to the side and got up to sit on his ass on the couch- his erection evident in his suit. You got up as well, sipped some of your wine- god that was good, your heartbeat hasn’t slowed down since he grinded you on his cock but now all your nerves were overshadowed by blind confidence that only a woman as young and as beautiful as you could possess when you tossed your top and bra next to you and kissed him as hard as you could, before going down on your hands and knees before him.

“There she is.” he said, smiling-while you were preoccupied with freeing his penis from his pants, you started to pepper light kisses up and down his length, from his uncut head down towards his balls.

He groaned as he slipped off his suspenders and unbuttoned his shirt, giving you a tease of the hair on his chest. He grabbed hold of your hair from this position and you were thinking you were ready for another round by the way you pussy clenched when he did that- with his brows furrowed he guided you to his cock. Ok, so no kisses? Straight to business.

“Can’t even imagine how much I’ve been waiting for this.” as your lips covered the head of his shaft- you tried not to choke as he guided you up and down him. One of your hands went straight for his penis as well to help you- while the other was slowly tracing circles on your still sensitive clit.

“Just like that baby” he groaned and you could see him hold himself back-with one hand he was holding your head and with the other he touched your face- the cold metal of his rings and his gold bracelet as it touched your upper back sent shivers down your spine and you were sure you jumped a little when it came in contact with your hot skin. You tried to breathe as much as you could through your nose, your hand helping you take care of all of him. He unzipped his pants even more, giving you more access to him, his penis wasn’t that long but it was thick, god you wondered how good it must feel inside.

He pulled you off of him to give you room to breathe a little bit and he kissed you again before putting your head on his cock again, his groans and the sounds that your mouth on his shaft made were the only sound in the living room- whenever a moan would leave you, he groaned and pushed your head even deeper down him, almost making your nose touch the dark hair there. Up and down and then again, his cock was fully drenched in a mix of your saliva and his precum- you felt tears well up in your eyes.

He gave a quick inhale before he pulled you off of him and grabbed your body to straddle him once again.

“You’re so beautiful” he said before lifting your hips to touch the head of his penis, you kissed him as he grabbed your tits in his hands and you both moaned in each other’s mouth as you took him.

It did feel really good to have him inside you like this, his forehead had a sheer layer of sweat on it- his eyebrows were furrowed in pleasure.

“Oh, that’s good” he pulled you completely down him and it felt like he reached your belly in this position, Oz grabbed your feet and put them in a squat on either side of him before he helped you get a rhythm- you put your arms on either side of his head, palms touching the back of the couch.

Now, you were definitely sure the neighbors and everyone else in the building could hear you, especially because he started to bounce you up and down his cock like you were riding a horse and the horse was galloping too.

“You like that baby?” he asked you, grinning.

“Yes yes” Whenever his hands would bring you down him, your sensitive clit would touch him again and again- you couldn’t even imagine this being as good as it was.

He grabbed both of your ass cheeks from this position and moved you back and forth him-whenever he would bring you forward his dick would brush up against your g-spot, were you really gonna cum again?

“Fuck-I’m gonna cum” he muttered in your mouth, before his movements lost their rhythm and he pulled his cock just in time to spill himself all over the lower part your back.

You both stayed there for a few moments, breathing like you just ran a marathon.

He cleaned you up with a towel shortly after.

While inside the shower, with the warm water running down your back, realization finally dawned on you- you just made love to the man who you were having wet dreams about since your dad hired him as your driver.

You were butt ass naked riding this man in his living room, while his own driver had to be back with the food, it’s been about 30 minutes, where could this kid have gone to?

After you were done with the shower, you patted yourself dry a little bit and went inside the bedroom, Oz giving you a light smack on your butt as you walked past him to get dressed in the pjs you got for yourself to wear tonight. When you heard the shower starting, you left to get yourself a bottle of water from the fridge and went back to the bedroom to check your phone.

Sofia hasn’t texted you, obviously-she’s too busy with her great plans of taking over the family as the reigning matriarch-

Whatever, stop thinking about her.

After Oz’s driver, Victor, you think, came back- you guys ate some pizza and went to bed. Conversion over dinner was short, just a few “it’s good no?” and “Gosh the weather is starting to be very cold” from Oz and you and Victor being a mute. Surprisingly his driver slept in Oz’s apartment too- on the couch, on which you fucked his boss, yikes.

Oz’s sheets were satin -of course they were, and as he climbed in bed next to you and pulled you closer to him, he said something about your sister coming over tomorrow that you guys had to get your rest- right after saying your ‘good night’- you fell asleep.

Authors note: This smut scene is only the start, idk if you picked up but I still tried to make Oz seem as if he was in a power trip, the hair pulling his smooth talking etc etc. He does love her, dont worry. Anyways thank uuuu for reading, I tried to make it good :))))).