#requiem op. 48

[arcimboldisworld]

Järvi/Apkalna: Poulenc/Fauré - Tonhalle Zürich 08.03.2024

Järvi/Apkalna: Poulenc/Fauré - Tonhalle Zürich 08.03.2024 #tonhalleorchesterzürich #paavojärvi #ivetaapkalna #frankreich #requiem #orgelkonzert #musicwasmyfirstloveanditwillbemylast #konzert #konzertbesprechung #review #tonhallezürich

[majestativa]

Tremens factus sum ego.

[gristlegrinder]

i got too embarrassed to write the tags i actually wanted to write in my tags on that rytlock poll i just reblogged, but. further thoughts on the matter from my first draft of my reblog before i deleted them.

id transcript / more readable version:

okay let me walk you through my math, because i’ve spent the better half of two hours thinking about this.

SO LIKE. ryland is around braham’s age. give or take two years in either direction. making him around 25 in 1334. we don’t have a confirmation on ryland’s age, but i’ve done my homework— and spent a frantic night trying to figure that out ages ago for an unrelated personal question.

(which is ‘how long has nicabar been with steel warband’? this is based on extrapolating that the last all-legion rally in grothmar probably took place in 1324, in the wake of charr-human peace treaty negotiations. i will spare you the details of that. anyways.)

that means rytlock has to be at least 45. i do not think he would have sired ryland younger than that. i think that makes the most sense in relation to ryland’s age, because not only is he rytlock’s oldest, but i also think he did sire him young because— *smacks chalkboard with my retractable pointer stick* rytlock and crecia’s flame legion reconnaissance mission!

i think they had ryland before they went on that mission, because crecia stays in flame for years after rytlock runs away with sohothin. (this is not in the screenshot to transcribe, but also in requiem: rytlock the way he talks about crecia suggests that he has literally not seen her, or at least been intimate with her in the same way, since she shanked him). (both of them) put (ryland) in the fahrar, go away, get the god’s sword. become a legendary (dragon)[sic]-champion killer by the time (ryland)’s ten. you know.

the other half of this is bangar, actually! bangar had to be old enough to have power in the legions, in order to take care of crecia and her dam in the way that he did. which suggests at least a 30-year gap between them, unless we think bangar was calling the shots around the blood citadel at age 20.

and bangar’s getting up there. he’s gotta have his meat cut up because his jaw’s not as good as it used to be. so, i think it’s reasonable to pin him down as like, mid-to-late seventies. (additional comment: you could argue that he’s older, but i’m going to play it fairly conservative— he’s old enough to begin having health concerns, perhaps influencing his sudden grab for additional power before it’s too late).

final answer: rytlock is around 45-50 by the end of icebrood saga! i may lean a little into the 48-50 range, just to give him a little bit of a buffer between like… graduating the fahrar and getting established with stone warband, and the baelfire mission.

sorry for the absolute onslaught of tags, OP.

[cuddlytogas]

it's possible I made an extended playlist to give context to the classical (non-technically speaking) music in OFMD, with the pieces listed in historical/chronological order, and in the context of their full pieces (mostly - I'm not literally going to put entire operas on there, but symphonies and concertos have mostly been finished)

and it's possible that that playlist is ten hours long

and it's possible you can find it on spotify right now, and that below the cut is the full chronology

(edit: corrections welcome btw!!!! i am by no means a music historian, nor have any higher level music education, just a lifelong association and interest <3 if you know better than me, PLEASE let me know so it can be more accurate!)

N: most of the Vivaldi pieces don't really have any dates I could find, so they're just sort of scattered through the first few decades of the 18th century. and yes, technically the opening Corelli isn't in there, but I think putting another La Folia in is important for the context of s2!

1700 - Arcangelo Corelli, Violin Sonata in D Minor, Op 5 No 12 "La Follia"

1703-6 - George Frederic Handel, Keyboard Suite No 4 in D Minor, HWV 437

? - Antonio Vivaldi, Cello Concerto in G Minor, RV 416

1711 - Antonio Vivaldi, Concerto No 11 in D Minor for Two Violins and Cello RV 565

1715 - Georg Philipp Telemann, Sonata for Violin and Basso Continuo in G Major TWV 41:G1

1718-20 - Antonio Vivaldi, The Four Seasons, Violin Concerto in G Minor Op 8

Early/mid C18 - Domenico Scarlatti, Keyboard Sonata in F Major, K 107

? - Antonio Vivaldi, Oboe Concerto in C, RV 452

1720s? - Antonio Vivaldi, Concerto for Two Cellos in G Minor, RV 531

1727 - Johann Sebastian Bach, Ich steh mit einem Fuß im Grabe, BWV 156

1725-35 - Georg Philipp Telemann, Concerto for Recorder and Viola da Gamba in A Minor TWV 52:a1

? - Antonio Vivaldi, Concerto in G Minor, RV 576

1730 - Johann Sebastian Bach, Orchestral Suite No 3 in D Major, BWV 1068

? - Antonio Vivaldi, Piccolo Concerto in A Minor, RV 445

? - Antonio Vivaldi, Trio Sonata in D Minor, RV 63, 'La Follia'

1738 - Johann Sebastian Bach, Harpsichord Concerto No 4 in A Major, BWV 1055

1738-9 - Johann Sebastian Bach, Concerto for Harpsichord, Strings, and Continuo No. 5 in F Minor, BWV 1056

Early/mid C18 - Domenico Scarlatti, Keyboard Sonata in E Major, K 380

1741 - Johann Sebastian Bach, Goldberg Variations, BWV 988

1747 - Johann Sebastian Bach, Musical Offering, BWV 1079

1747-8 - George Frederic Handel, Concerto in F Major, No 16, HWV 305a

1773 - Mozart, Symphony No 25 in G Minor, K 183

1782 - Mozart, String Quartet No 14 in G Major, K 387

1795 - Beethoven, Piano Sonata No 2 in A Major, Op 2 No 2

1792 - Beethoven, Piano Sonata No 3 in C Major, Op 2 No 3

1780 - Mozart, Symphony No 34 in C Major, K 338

1786 - Mozart, Le nozze di Figaro (excerpts)

1810? - Beethoven, Bagatelle in A Minor, WoO 59: Für Elise

1811-12 - Beethoven, Symphony No 7 in A Major, Op 92

1826 - Franz Schubert, Ständchen (Serenade) "Horch, horch, die Lerch!" D 889

1827 - Franz Schubert, 4 Impromptus, Op 90, D 899

1833-4 - Felix Mendelssohn, Lieder Ohne Worte, Book 2, Op 30

1835 - Frédéric Chopin, 12 Études, Op 25 (excerpts)

1838 - Robert Schumann, Kinderszenen, Op 15 (excerpts)

1838 - Franz Liszt, arr., 12 Lieder von Franz Schubert, S 558, No 9

1842 - Frédéric Chopin, Waltz No 12 in F Minor, Op 70, No 2

1871 - August Wilhelmj, arr., Air on a G String

1874 - Giuseppi Verdi, Messa da Requiem (excerpts)

1878 - Antonín Dvořák, String Sextet in A Major Op 48

1888-91 - Claude Debussy, Two Arabesques, L 66

1890 - Claude Debussy, Rêverie, L 68

1888, 89, 90 - Erik Satie, Trois Gymnopédies, Gnossienne No 5, Trois Gnossiennes

[konstantintreplev]

Endeavour, "Exeunt"

The Tempest, act 4, scene 1

Faure's Requiem, op. 48, "In Paradisum"

[sethsings]

Requiem, Op. 48. VI - Libera me Composer: Gabriel Fauré Seth Gilman, baritone; Orchestra Amadeus - Joseph Jones Recorded 2023

[ralphbutler]

Fauré: Requiem, Op. 48 - Radio Filharmonisch Orkest, Groot Omroepkoor & ...

[landrysg]

New on YouTube from VOCES8:

Gabriel Fauré, Requiem, Op. 48

An excellent performance and recording by VOCES8 with the English Chamber Orchestra May the angels lead you into paradise:  may the martyrs receive you as you arrive, and bring you into the holy city of Jerusalem. May the choir of angels receive you, and with Lazarus, once a beggar, may you have eternal rest.

[gaytobymeres]

2, 7, 4 :)

2. Faure: requiem in D minor, op 48: vii in paradisum (one of my favourite songs of the year actually <3 <3)

7. shadow by carly rae jepsen

4. Donizetti: Lucia di Lammermoor act 3, "spargi d'amore pianto"

[trevlad-sounds]

Sunday 30 July Mixtape 346 “Strarlit Lake”

2023-07-30 Downtempo Electronica Morning Chill Lounge Wednesdays, Fridays & Sundays. Support the artists and labels. Don't forget to tip so future shows can bloom.

Masahiro Takahashi-Silky Lake 00:00

Oora-Every Story Begins 03:19

Forest Robots-Where the Garden and the Forest Meet 08:55

Gribbles-Agrestic 12:57

Milieu-Meander 19:02

Castle If-Starlit Island 27:21

The Twelve Hour Foundation-Ten O'Clock in the Afternoon 29:25

Randweg-Sieben 30:43

Arcane-Frontiers 4 36:06

Ozone-Hour 5 42:56

Arboria-Moon Garden 48:42

Gabriel Fauré, Jay Chakravorty-Requiem in D Minor, Op. 48- VII. In Paradisum (Arr. for Modular & Analogue Synths) 52:16

Lou Reed-I'm Waiting for the Man - May 1965 Demo 55:36

Apta-Taught 59:48

[thequietabsolute]

Top Artists — Medium Term (6 months)

Felbm

Radiohead

Bonnie "Prince" Billy

Kate Bush

Nick Drake

Midlake

Paul Simon

Simon & Garfunkel

Slowdive

Boards of Canada

Canary Room

The Beatles

Fionn Regan

Beach House

Leonard Cohen

hemlock

Vashti Bunyan

Clara Mann

Bob Dylan

The Smiths

ABBA

Grouper

David Bowie

The Clientele

Jessica Pratt

Olovson

Bill Callahan

Laura Marling

Rachel Grimes

Chet Baker

Belle and Sebastian

Sibylle Baier

Aldous Harding

Cocteau Twins

Acetone

Connan Mockasin

Fleetwood Mac

Cornelia Murr

John Martyn

Julie London

Sea Oleena

Sufjan Stevens

Meg Baird

Shannon Lay

Van Morrison

Pink Floyd

Caroline Says

Sun Kil Moon

Maxine Funke

Fairport Convention

that spotify stats page

Top Tracks — Long Term (years)

Calla — Canary Room

4 Lieder, Op. 27, TrV 170: IV. Morgen! — Richard Strauss, Jonas Kaufmann, Helmut Deutsch

6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto — Fanny Mendelssohn, Beatrice Rauchs

Long Before Us — Rachel Grimes

Sandalwood I — Jonny Greenwood

Stabat Mater: 1. Stabat Mater — Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood

Thaïs / Act 2: Méditation — Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton

Songs My Mother Taught Me, Op. 55 No. 4 — Antonín Dvořák, Alisa Weilerstein, Anna Polonsky

Elegy No. 1 in D Major — Giovanni Bottesini, Andrew Burashko, Joel Quarrington

The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) — Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott

Julie With - 2004 Digital Remaster — Brian Eno

wallingford bossa — hemlock

Fantasiestücke, Op. 73: No. 1, Zart und mit Ausdruck — Robert Schumann, Sol Gabetta, Hélène Grimaud

By This River - 2004 Digital Remaster — Brian Eno

Just When You Need Yourself Most — Oberhofer

Gianni Schicchi: O mio babbino caro — Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras

Bleecker Street — Simon & Garfunkel

House of Woodcock — Jonny Greenwood

Shaker — Acetone

All The Time — Acetone

Jazz Suite No. 2: VI. Waltz II — Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly

Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) — Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia Orchestra

Christine — Canary Room

Me at the Museum, You in the Wintergardens — Tiny Ruins

Valse sentimentale, Op. 51, No. 6 — Pyotr Ilyich Tchaikovsky, Josef Sakonov, London Festival Orchestra

Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso — Ludwig van Beethoven, Wilhelm Kempff, Berliner Philharmoniker, Ferdinand Leitner

Deux Arabesques, L. 66, CD 74: I. Première Arabesque — Claude Debussy, Jean-Efflam Bavouzet

Green Bus — The Innocence Mission

Lucida — Thomas Bartlett

Introduction et Allegro, M. 46 — Maurice Ravel, Oxalys

Two Thousand and Seventeen — Four Tet

When It Rains — Felbm

Lake Effect — Canary Room

Candy Says — The Velvet Underground

Serenade for Strings in C Major, Op. 48, TH 48: II. Valse — Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri Kitayenko

Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend — Robert Schumann, Jonathan Biss

Magnolia — J.J. Cale

day one — hemlock

Return From The Ice — Acetone

Requiem in D minor, K.626: 6. Benedictus — Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner

River — Terry Reid

Where Should I Meet You? — Canary Room

This Night Has Opened My Eyes - 2011 Remaster — The Smiths

Brother — Vashti Bunyan

Cello Suite No. 1 in G Major, BWV 1007: I. Prélude — Johann Sebastian Bach, Yo-Yo Ma

Sweeten Your Eyes — The Clientele

Knickerbocker Holiday: September Song (Arr. by Paul Bateman) — Kurt Weill, Daniel Hope, Jacques Ammon, Zürcher Kammerorchester

Funicular — Felbm

Piano Sonata No. 12 in F Major, K. 332: II. Adagio — Wolfgang Amadeus Mozart, Jenő Jandó

Sensuela — Column

[trukqsofficial]

Requiem in D Minor, Op. 48: In Paradisum § Gabriel Fauré

[khwethemule]

Requiem, Op. 48: V. Agnus Dei - The Sixteen, Harry Christophers & Academy of St Martin in the Fields

Requiem, Op. 48: V. Agnus Dei by The Sixteen, Harry Christophers & Academy of St Martin in the Fields https://www.shazam.com/track/66992355/requiem-op-48-v-agnus-dei?referrer=share

[operaportugues]

Obra completa com legenda em português: link.

Este requiem foi escrito entre 1887 e 1890, baseada na Missa dos Mortos da Igreja Católica. É a obra mais conhecida de Fauré; especula-se que tenha relação com a morte de seus pais em um período de apenas dois anos.

A única certeza que se tem são as palavras do compositor que declarou ser a peça dominada, do começo ao fim, por um verdadeiro sentimento humano de fé no descanso eterno. Esta visão torna este réquiem bastante diferente de outras composições no gênero, como os de Mozart ou Verdi, nos quais a morte é encarada com temor.

Fauré, ao contrário, imprimiu na obra um clima de paz e, contrariando o padrão, terminou o seu Réquiem com o texto In Paradisum, no qual sugere que a morte significa um encontro idílico com a eternidade.

Para atingir seu intento, Fauré omitiu o segmento da Sequência, que reporta à ira do Senhor e ao fogo do inferno e adicionou os textos Pie Jesu e In Paradisum, que, se não fazem parte do Requiem, têm como meta enfatizar a certeza do repouso eterno.

- ECAI explica Requiem - Wikipedia - O Réquiem mais belo do repertório é o de Gabriel Fauré! - O Maestro Explica o Requiem de Fauré - Palestra sobre o Requiem op.48 de Fauré, 14/novembro/2021

Carlos Siffert · PODCAST | Fauré – Réquiem, Op. 48