#regis debray
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Mediengrammatik-ein Wörterbuch der Bilder ?
Bilder funktionieren nur, wenn ihre Betrachter an die Echtheit dessen glauben, was da dargestellt wird.
„Heute gilt nur dasjenige als unsichtbar, was in der Welt noch nicht ausreichend sichtbar gemacht worden ist ..., während das absolut Unsichtbare, welches die Religionen im spirituellen Raum versprechen, im wörtlichen Sinn aus unserem Blick geraten ist.“
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Arte y literatura : "El indeseable", un artículo del escritor venezolano Edinson Martínez

En países como el nuestro, donde el verano está separado del invierno por un aguacero, y no por un otoño, como inspiradamente escribiera Regis Debray en su novela El indeseable, la exótica comparecencia de sucesos y contextos queda singularmente expresada, casi con asombro, por el autor, cuando actúa en ejercicio omnisciente, como también para varios de los personajes de la trama. Por eso, en algún instante fugaz, a medida que avanzaba en la lectura de la apenas conocida obra del filósofo francés, se me ocurrió pensar –ubicándome un poco en la labor narrativa del escritor al momento de plasmar sus ideas– en la confrontación a la que hubo de avenirse para, con una realidad tan extraña a él, absolutamente bizarre, poder entregarnos el texto que nos presentó hace más de cuarenta años.
El libro ha estado rodando en mi biblioteca por mucho tiempo, resistiendo incluso varias mudanzas y cambios en mi vida, desde mis tiempos de estudiante universitario, fecha en la cual creo haberlo comprado a un librero de la facultad, hasta el presente... Leer texto completo»
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Holy shit, someone uploaded See You at Regis Debray! Never thought I'd get to see it.
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"We are never completely contemporaneous with our present. History advances in disguise; it appears on stage wearing the mask of the preceding scene, and we tend to lose the meaning of the play. Each time the curtain rises, continuity has to be re-established. The blame, of course, is not history’s, but lies in our vision, encumbered with memory and images learned in the past. We see the past superimposed on the present, even when the present is a revolution."
Revolution in the Revolution? Regis Debray
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“Truly, more than removing the partition between vectors and values, we would have needed to talk about strengthening crisscrossed lacings: an intertwined kind of understanding that would de-ideologize 'ideologies,' desanctify sanctities, but also mentalize the material bases of systems of inscription, and psychoanalyze not souls but tools. That is, in one and the same gesture, make our mnemo-technic equipment intelligible as mentality and our mental equipment intelligible as technology.” ― Regis Debray, Media Manifestos: On the Technological Transmission of Cultural Forms
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Il symbolon, da symballein, riunire, mettere insieme, avvicinare, designava all’origine una tessera di ospitalità, un frammento di una coppa o di una ciotola che due ospiti spezzavano trasmettendone poi i pezzi ai loro figli perché essi potessero un giorno ritrovare le stesse relazioni di fiducia ricomponendo i bordi dei due frammenti. Era un segno di riconoscimento, destinato a riparare una separazione o superare una distanza. Il simbolo è un oggetto di convenzione che ha come ragion d’essere l’accordo degli spiriti e la riunione dei soggetti. Più che una cosa, è un’operazione e una cerimonia: non quella degli addii, ma quella delle ricongiunzioni. Simbolico e fraterno sono sinonimi: non si fraternizza senza qualcosa da condividere, non si simbolizza senza unire quel che era estraneo. L’antonimo esatto del simbolo, in greco, è il diavolo: colui che separa. Dia-bolico è tutto ciò che divide, Sim-bolico tutto ciò che avvicina.
R. Debray, Vita e morte dell’immagine. Storia di uno sguardo in occidente.
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" Reste l'amitié, autre raison d'éspérer. Car une correspondance suivie, ce face-à-face à distance, nous retrace une fois sur dix une trajectoire amicale. Et une amitié vraie sait devoir rester confidentielle : le secret de la correspondance lui va comme un gant...
Régis Debray

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Balzar, Hallier y otros
Balzar, Hallier y otros

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Compañero presidente - 1971 - Miguel Littin
#compañero presidente#miguel littin#cine chileno#cine latinoamericano#nuevo cine latinoamericano#Salvador Allende#Regis Debray
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Religion Quote By Regis Debray, “religion is no longer the opium of the people but the vitamin pills of the feeble.” - Regis Debray,
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Considerable energy is thrown into the establishment of a phantom front, composed essentially of members of the party that have formed it. Since one party does not make a front, organizations are fabricated out of the whole cloth, at the expense of the party itself, and famous progressive ‘independent personalities’ are sought out whose names can be whispered, adding to their mystery. So much energy and effort withheld from the armed struggle in order to supply a showy façade for it, even before it has been consolidated or extended!
Revolution in the Revolution? - Regis Debray
#now where tf hav i scene this strat play out#not as pretendin to have an armed struggle but as a front of political action
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Qui êtes-vous Régis Debray ? (ABC Penser)
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