#reeltime

[do-you-know-this-dw-story]

downtime (home video: 1995)

[bodysculptingfitness]

We would love to help you plan your workout schedule and diet plan. Please let us know what kind of goals you have in mind (e.g. weight loss, muscle gain, improved strength, etc.) and we can work together to create a personalized plan that meets your needs. Feel free to reach out to us via WhatsApp and we will be happy to assist you. Thank you! WhatsApp me 9️⃣6️⃣0️⃣0️⃣0️⃣2️⃣4️⃣2️⃣8️⃣7️⃣ #ReelItIn #ReelCreators #ReelLife #ReelFam #ReelInsta #ReelMagic #ReelStories #ReelCreativity #ReelGoals #ReelItOut #ReelMoments #ReelLovers #ReelTime #ReelVibes #ReelChallenge #ReelRoutine #ReelOfTheDay #ReelAdventure #ReelGame #ReelLifestyle #ReelShots #ReelFun #ReelLove #ReelAdventurer #ReelPerfection #ReelDreams #ReelExperience #ReelShowcase #ReelInspiration #reelmasterpiece https://www.instagram.com/p/CmzYa02SWVW/?igshid=NGJjMDIxMWI=

[fruitywhovian]

So, I’m rather new to the show Red Dwarf (love it so far, really fun and entertaining) but I realized a few weeks ago how much the ship in Red Dwarf looks like the one in the Reeltime film Shakedown? I am aware Red Dwarf has dr who references and even the tardis can be spotted in one episode so I wonder if the same ship was used? Would love to know if someone does know :DD

[timetravel-tv]

REELTIME PICTURES WILL BE AT WHOOVERVILLE 15!

SO LOOKING FORWARD TO THIS!

More importantly, KEITH BARNFATHER is sharing dealers tables with NEIL COLE from THE MUSEUM OF CLASSIC SCI-FI and he'll be launching his new book IT BELONGS IN A MUSEUM!

AND he's bringing a special guest THE SKARASEN from TERROR OF THE ZYGONS! (courtesy of the inestimable MIKE TUCKER!).

PLUS Reeltime will be launching two new special productions: DOCTOR ON DISPLAY - GREATEST SHOWS IN THE GALAXY and SAFFRON. More on both soon!

AND maybe we can drag BEDWYR GULLIDGE and ROBERT DICK along to say hello too!

REALLY, REALLY looking forward to seeing any of you lucky enough to have got tickets!

[pink-octopede64]

A Somehow Long Post About 2 Lost English Dubs of an Anime Adaptation of The Wind in the Willows Nobody Heard About

Hi! My name is Pinkoctopede and I’m a huge fan of The Wind in the Willows. While the book is a classic with many adaptations, what most people don’t know is that there was an anime adaptation made in the 90s. I’ll give a brief summary of what the anime’s is in general but I’m gonna go more in depth with its lost english dubs. And I’ll put it under the keep reading section so I won’t clog anything up.

What it is:

Tanoshii Willow Town (楽しいウイロータウン) is an anime series made in 1993 with 26 episodes lasting around 20 minutes. The first 3 episodes follows the original book but after that, it focuses on the other adventures of Ratty, Mole, and Toad which noticeably, they are now kids with Badger still being an adult.

Lost dub #1 (Saban): 

In 1996, Saban Entertainment decided to get the rights to the show and dub it in English with some now known voice actors (Kathleen Barr, Janyse Jaud, etc). It only aired on Network 10 in Australia as a segment on a TV show called Cheez TV for 2 months from December 2000 to January 2001. Outside from the end credits, it’s completely lost with so little information nor footage.

2 other languages have dubbed the Saban version: Spanish (Pueblo de Sauces) only have 13 out of 26 episodes on Youtube while German (Abenteuer in den Weiden) is completely lost with only the audio of the opening theme being available. Strangely, German did release 3 cassette tapes which is basically the only home media release Saban has but still lost.

Lost dub #2 (Enoki Films USA): 

Before Saban, Enoki Films attempted to dub Willow Town in 1996 but differently: instead of doing the whole series, they took the first few episodes and edited into a 75 minute movie simply titled The Wind in the Willows. Little is known about the dub since it was never released on VHS nor DVD. All that is out there is the opening theme on Youtube which was taken from the Greek copy of the film.

The only confirmed place it did came out however was on a defunct streaming service called Reeltime.com. Currently, its other locations is at 2 libraries in Malaysia as VCDs and Library of Congress.

Conclusion:

So my main goal is to find these dubs although it has been extremely difficult. Saban only aired for a short period of time on top that I’m not Australian and I cannot go to Malaysia nor LoC to get the Enoki Films USA version. It’s the shame because I do love the anime but it is hard to find a good way to watch it due to its general obscurity. Hell, even the Japanese dub is lost with no way to watch episodes nor getting the VHS tapes online. 

You don’t have to but I really do appreciate help or at least spread some word about it (because let’s be real: spending a literal year looking for lost media and making little progress is exhausting). 

If you actually read all this, thank you so much! This has been a lost media search of mine for a long time and I really do love it when people do hear me out despite not sounding as cool as other searches like Nintendo’s Slamfest 1999 or Clockman. Take care! 💝

[downthetubes]

Out Now, The Doctors: The Sylvester McCoy Years - Behind the Scenes

The latest, and the last, “The Doctors” DVD from Reeltime Pictures goes behind the scenes on the Sylvester McCoy years of “Classic” Doctor Who - and is available to order now

[radiofreeskaro]

Radio Free Skaro #937 - Eat The Baby

Radio Free Skaro #937 - Eat The Baby - #DoctorWho news! - Derek Jacobi coming to Gallifrey One! - Ncuti Gatwa media takeover!

http://traffic.libsyn.com/freyburg/rfs937.mp3 Download MP3 Attention all I, Claudius cosplayers, stand ready! Sir Derek Jacobi is headlining Gallifrey One in February, so get all your Brother Cadfael questions prepared ahead of time! Also, there’s a surfeit of Ncuti Gatwa content for you to enjoy as we hurtle toward The Church on Ruby Road! The aforementioned episode also has a Target book, of…

[thedoctorwhocompanion]

“No Other Show”: A Doctor Who Family Gathering

“No Other Show”: A #DoctorWho Family Gathering

[terastalungrad]

In 1995, Reeltime Pictures released a direct-to-video Doctor Who spinoff, Downtime. It featured the Brigadier, Jamie and Victoria, Sarah Jane Smith ... and a new character, the Brigadier's daughter Kate. It's a sequel to The Abominable Snowmen and The Web of Fear, two Patrick Troughton serials.

In 2012, Chris Chibnall introduced the Brigadier's daughter Kate on TV in The Power of Three.

There's a certain type of fan who insists that the name's a coincidence. They don't want Downtime to "count", so this isn't the Kate Lethbridge-Stewart who fought Yetis - this is a different character who happens to be called Kate.

So I can't tell you how much I love the fact that in The Giggle, Kate Stewart tells the Doctor she fought Yetis.

[marypickfords]

"Moreover, by the time Findlay switched her attention to horror, a number of her contemporaries were doing very well from the genre.

Wes Craven, a fully fledged horror auteur by the 1980s, had worked on numerous hardcore features around the time he directed The Last House on the Left in 1972, a widely controversial, yet popular horror film that played all over the world. The success of his subsequent horror films, including The Hills Have Eyes (1977) and especially A Nightmare on Elm Street (1984), showed that the transition from porn to horror was not only possible, but also potentially highly lucrative. Similarly, fellow New Yorker William Lustig cut his teeth directing two hardcore features, Hot Honey and The Violation of Claudia (both 1977), prior to shooting the horror film that made his name, Maniac (1980), and several higher-profile R-rated horror films he made in the years that followed.

As hardcore stalwart and director of the R-rated horror film, Deranged (1987), Chuck Vincent, explained to Variety, “Filming adult features has been a tremendous aid for me [and others] in terms of experience,” affording him and his contemporaries the ability to master industry-standard equipment and materials, such as 35mm film, and providing others, including adult film producer and producer of the horror film A Hazing Hell (dir. Paul Ziller, released as Pledge Night in 1988), Joyce Snyder, with unmatched knowledge of distribution and foreign sales.

Findlay, with the assistance of her partner, the composer and studio engineer Walter E. Sear, and their new company Reeltime Distributing (est. 1979), was well positioned to enter commercial filmmaking of this nature, by self-financing and shooting on location (as was usually the case with her adult features), and then exploiting her networks within theatrical, cable, and video distribution."

Johnny Walker, from ReFocus: The Films of Roberta Findlay (2023)

[dream-beyond-the-fantasy]

Any Sarah Jane Adventures fans?

I would love to connect with more fans of that side of the Doctor Who fandom. Who are your favorite characters? I mean, other than the queen herself, Sarah Jane Smith. Can you recommend your favorite fics? What would you like to have seen in the show, had Elisabeth Sladen not died? By that, I mean stories, aliens, and characters from Classic Who, the K9 and Company pilot, the Reeltime Productions film Downtime, Big Finish audio series, or even NuWho.

[rachelbethhines]

60 Years of Doctor Who Anniversary Marathon - Troughton 12 Review

Downtime - Spin-off Movie

During Doctor Who’s hiatus in the 90s, an independent company called Reeltime Pictures created a bunch of made for home video spin-off movies and documentaries of the show. They received the license to make these films on the condition that The Doctor couldn’t make an appearance himself. Therefore the features focus on the The Doctor’s former companions instead.

While Sarah Jane makes an appearance, the film mainly focuses on The Brigadier and Victoria. Who, in an interesting turn of events, plays the antagonist. She’s not the main big bad, that’s the Great Intelligence, but it’s such an intriguing twist to see one of the Doctor’s companions go rogue without him around to guide them.

Especially Victoria, one of the series most innocent and naive characters. She’s now become this cold and distant figure, lost in a time that’s not her own. And tragically you see her younger self trying to get out. She still cares about people. She wants to help, but she inadvertently becomes just a pawn in the larger villain’s game as she slowly loses control.

This is the best Victoria has ever been written and Deborah Watling just sparkles on screen when finally given something meaty to play. I am so sad we never got more of this version of the character, especially since the film left her ending open.

That’s not to say that the other characters don’t get their share of development either. This story marks the first appearance of The Brigadier’s daughter, Kate Stewart. Kate herself will eventually go on to replace her dad as head of UNIT in the new series, but here they’re estranged and finally reconnecting after six years of not talking.

See the Brig never told his family what he did for a living, not fully. Most likely for their own safety and for legal reasons. However, it did put a strain on his relationships with them. 

Downtime gives us a more personable look at The Brigadier and his life after UNIT. It’s a compelling bit of realism that helps to ground the film.

And boy does it need grounding! The plot makes more sense then say, Ghostlight, but only just. There’s a lot of strange editing choices and it feels like there are scenes missing from the final cut. The borderline mystic technobabble used in place of exposition doesn’t help matters. But most confusing of all is how the fuck did Victoria get to Tibet?

Like, apparently she’s rich because her dad left her money invested in the bank, that quadrupled over the centuries. I get that she has the means to go there... but I don’t understand why. Last we saw her she was being adopted by a loving family, so why is she going through all this expense to find her dead dad.... who she knows is long gone.

Basically we’re missing some backstory. What happened to her foster parents? Why didn’t she keep in contact with Travers and Ann? Why didn’t she look for the Brigadier and get in touch with him before going to Tibet?

The film wants to isolate her as a means of motivating her to the dark side, but that requires explaining where her previous support group went. Which it never does.

Plot holes aside, I did find myself enjoying this outing of Doctor Who (minus the Doctor). Oh sure, it has a very cheap, fresh out of film school aesthetic, and less then stellar editing/plotting. But I went into this not expecting much and came away pleasantly surprised by the character work and strong acting. 

[moonshynecybin]

[tvmigraine]

FORGOTTEN LIVES: Christopher Barry

Before we begin! Remember to get a copy of the Forgotten Lives Omnibus at this link! I believe pre-orders are open until the 1st of September, you may miss your chance to get this book - don't miss out!

Simon Bucher-Jones, as the first writer for Forgotten Lives, was presented with a unique challenge that is comparable to Patrick Troughton or Christopher Eccleston's TV debut - proving the idea can work. Everyone, of course, had their own challenge in creating a unique and easily defined Doctor in a single story, but Bucher-Jones was the one that would be presented to you first. It was paramount that the Christopher Barry incarnation of the Doctor would grab attention.

So the question is how successful is this first impression?

I won't argue either way of it. Personal opinions and preferences are so broad that if I were to tell you that it was successful, that would only mean I think it's successful and you may disagree when you read it for yourselves. Instead, let's focus on painting the picture of who this Doctor is.

Christopher Barry (1925-2014) was a director for Doctor Who as far back as the first episode of The Daleks. He left his footprint on each Era from Hartnell to Tom Baker, having filmed at least one story for each of the first four. He also then made a sideways step in the franchise when he directed Downtime by Reeltime Pictures.

There may be something on your mind - where do the Morbius Doctors fit? While obviously Pre-Hartnell, their relationship to the Fugitive Doctor is up to interpretation as nothing would conflict her being before these Doctors or after. That being said, the artist for the first book, Paul Hanley, implied a location through the simple use of colour in the Christopher Barry Doctor's outfit.

Paul Hanley did the art for every Doctor and did a TARDIS interior for each of them (these could be found in the first Volume under "The Changing Face of Dr. Who", however these sections are not in the Omnibus). Through the colour of the Barry Doctor's outfit matching the colourful shirt worn by the Fugitive Doctor, along with the golden TARDIS interior versus her blue, this does imply the Morbius Doctors to come after.

So who actually is this Doctor? Well they're a lot less science-fiction than you might first expect. The goal behind these stories weren't to simply write more Doctor Who adventures to fill these gaps, but to write as if they were a part of Doctor Who's prehistory - as such, we see a version of our familiar time traveler in the same way you'd see something out of the corner of your eye. Our first story outright covers a piece of Cornish folklore, about knocking in tin mines, as opposed to anything explicitly alien. I would argue we do not see outright sci-fi elements until we reach our third doctor, Christopher Baker, but that doesn't mean they are completely absent - there is a fantastic moment in the first story where we see time travel taking place in a unique fashion, with characters noticing a change and almost correcting it in their heads as if that's easier for them to stomach.

One more element that feels noteworthy is how these stories all feel. Simon-Bucher Jones gives these stories the feeling of rediscovered manuscripts being adapted, even including footnotes from the person retelling these stories. The footnotes were much appreciated as they painted this picture of somebody rediscovering the stories, which felt apt for the theme of these Doctors' unknown stories. James Bojaciuk elaborates on this idea by removing the footnotes but outright stating the story to be an adaption from a fictional magazine (which also gives us a fictional starting point for the series at 1930), helping to build a history behind where these stories originally came from.

For more insight into the creative process of every author that worked on Forgotten Lives, you can go to @forgottenlivesobverse and find interviews from everyone involved across the books. If you're looking for insight on how the outfits were designed, you can go to Paul Hanley's Patreon and find what went into designing each Doctor.

I do not want to spoil too much more as you should buy the books, but I want to give as much credit to Bucher-Jones and Bojaciuk for the challenge both were given and the quality of their stories. While we haven't discussed the contribution made by Philip Purser-Hallard, don't worry, you'll hear much more about him tomorrow.

In the Forgotten Lives Omnibus, you can look forward to these four stories as we are reintroduced to the Doctor:

THE KNOCKING IN THE MINESHAFT by Simon Bucher-Jones:

THE ISLAND OF AEONS by James Bojaciuk

RETROGENESIS (Part One) by Philip Purser-Hallard

THE HAND OF NIGHT AND SHADOWS by Simon Bucher-Jones

Join us next time when we'll start covering the Robert Banks Stewart Doctor who will take the first step into true science-fiction, while discussing how this era may be more familiar than you'd first expect.

[timetravel-tv]

SAFFRON TO GET A BIG SCREEN LAUNCH AT THE EVERYMAN CINEMA IN SALISBURY ON SEPTEMBER 1ST!!!

Star SOPHIE ALDRED, Creator PAUL THOMAS and Reeltime's KEITH BARNFATHER to attend!

We have just had confirmation that our new release SAFFRON - A LOST ANIMATED SERIES REDISCOVERED is to get a star premiere at the exclusive EVERYMAN CINEMA in SALISBURY on the 1st of September at 4pm.

Both new documentaries and all six episodes of the remastered film animation series will be on the big screen - followed by a Q&A with Star SOPHIE ALDRED, Creator PAUL THOMAS and documentary producer KEITH BARNFATHER.

This will be followed by a reception at the bar, where you can mingle with the stars, purchase the DVD ... and get it signed!!!!

If you live in the area PLEASE, PLEASE do come! Let's give PAUL the evening he deserves ... he's waited nearly 25 years to see this lovely animation project get the recognition it deserves. SOPHIE and I really want this to be a fun time for him!

It'll be a great afternoon/evening! Promise!

The schedule is:

4.00pm – Doors

4.25pm – Live intro

4.30pm – Documentary starts

5.30pm – Documentary ends + Q&A starts

6.00pm – Socialise in Bar & Autographs, memorabilia sales!

Tickets can be bought direct from The Everyman with this link:

https://www.everymancinema.com/.../1000008611-saffron-a.../

(You just need to select the 1st September in the calendar)

[aangarchy]

I know the guys you're talking about omg 😂

Lmaoooo probably! For those who don't know it's ReelTime, they're growing pretty quickly, i think they're close to 100k subscribers on youtube? I just love seeing these plain white dudes react to shows that are considered chick lit or kid's media. the height of excitement for them is when one of them laughs out loud. it feels like you're watching with your dumpy cousin. 10/10 honestly