#rebecca's writing adventures

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

[desnaa]

Does somebody jump for joy? Does somebody cry? Now that I'm not part of that sadness?

Does somebody want me now? Now that I can't fly? Now that I'm not part of the madness? Part of the madness? Part of the madness? Part of the madness?

Laughter and screams seem to echo faintly I can still hear them around Somewhere the roller coaster climbs and dives While I've got my feet on the ground

Aren't I so much better now that I'm just a normal guy? Now that I'm not Now that I'm not Now that I'm not Part of the madness

Aren't I so much better now that I'm just a normal guy? Now that I'm not Now that I'm not Now that I'm not part of the sadness Part of the badness Part of the radness Part of the madness

[starsfic]

Everything Rots. I'm so sorry for that.

Summary:

Riley finds Rebecca.

CW: there is a human skull and mentions of a child dying.

AO3 / Ko-Fi

-_-

"You were right, you know. When you said you felt yourself rotting."

The floor creaks. Riley does not look. They can't. Not right now. Instead, their eyes are locked on the little skull they hold in their hands.

It feels...small. Frail. Once it was the head of a little girl who had the sweetest smile, who lit up everyone's lives, who held their hand and said "Wanna go on an adventure?" Now it's nothing. Just part of a rotting body.

...Rebecca's body. Amanda's body. The former body of the entity that they now turn to look up at.

Unlike the other times they've run into it, the entity isn't attacking. It stares at them, at the skull and the rotting body, at the dark room. Riley wants to scream. Not at the horror of a demon invading their space. Instead, they want to scream because it's so fucking unfair it's almost funny.

Rebecca had wanted to be a teacher, helping kids in the foster system like her, or a writer, like Sam. She was saving up for a kitten. She was planning the anniversary of her adoption because Sam said she deserved a big party. She deserved more than to have her life snuffed out because some corporation decided to fuck around with demons and have her body thrown in this dark pit.

At least this dark pit was what remained of her home.

Would they find Sam here? If they dug around, would they find his remains? Had Rebecca seen Sam before they killed her?

The entity steps forward, reaches out, and Riley only realizes that they're crying when a claw gently traces her cheek. "I'm so sorry," they sob out, reaching out and holding Rebecca's face. "I'm so fucking sorry I wasn't there for you."

Holding Rebecca's skull and holding Rebecca, Riley wishes that they can say everything that is building up in their brain: you didn't deserve this, you deserved more than that wool for brains, I love you, Sam loved you, I'm so sorry, I'm so sorry, I'm so sorry...

But there isn't enough time.

Just enough for this.

[toomanygh0sts]

Realized I never crossposted this one, and I’m particularly proud of it, so here it is.

give your body love (I won’t let you go)

Rebecca’s excited for her date. Ted’s a little early.

T/R, Rated E, 6,261k, No Archive Warnings

Additional Tags:

Getting Together, Idiots in Love, Rebecca Welton Has a Crush, Ted Does Too, Masturbation Interruptus, Ted Lends a Helping Hand, And Then Some, Porn With Plot, A Touch of Plot, Alternate Universe - Canon Divergence, Ted Didn't Leave, They Finally Hang Out Abroad, But They Don’t Leave the Hotel Room

[stilwatered]

yesterday i finished reading Rebecca by Daphne du Maurier and OH how i love books like this. it felt like a combination of the beautiful descriptive and slow pacing of Jane Eyre and the almost gossipy scandalous curiosity of Wuthering Heights. i'm still new to gothic romance but i am falling in love with this genre. i need more.

as my next read i started reading The Turn of the Screw by Henry James. there's just something about big mysterious mansions and castles that pull me in like a magnet.

[haemosexuality]

i went insane rambling on the tags of this post about princess bubblegum and ran out of space so i copy pasted it here so i could finish writing. under read more bc idk

tbf i dont think i would say pb is like... Good. well actually. wait. im gonna go on a rant.

i think it depends on how we classify ''good''. what makes someone a good person? what makes someone evil? thoughts or actions‚ past or present‚ etc. i honestly dont think i can firmly say bubblegum is either good or evil. shes one of the few truly morally grey characters ive seen. like

no matter what you think makes someone good or bad she has most certainly been bad in every single way. and also good in every single way. hm.

. she is not a naturally empathetic person. thats not to say she doesnt care about people‚ she does‚ and sometimes those feelings influence her actions a Lot even if she doesnt realize it. but also‚ even when it comes to those she cares about‚ emotional empathy is a struggle. shes the definition of thoughts over feelings 100% scientific brain facts and logic. she is Very egoistical‚ she likes being in control and having power over people (not bc shes power hungry per se but bc thats the best way to keep control over others. shes Logical. and if she has control than nothing can go wrong)‚ she likes not being questioned and she did and still does often disregard other peoples rights and privacy to get what she wants and to be on top/have control over them. she does care‚ about a bunch of different things in a bunch of different ways‚ but caring about someone/multiple ppl and naturally feeling empathy are different things. she needs to make an effort to take other peoples feelings into consideration‚ and while not feeling empathy and etc obviously has absolutely NOTHING to do with morality‚ the thing about pb is that most of the time she does not make that effort‚ and actively does things that hurt other people for her own gain‚ or for Science™ or the Kingdom™. she doesn't care ab how other people feel or their privacy and she does like government crimes and mass murders and a surveillance state about it. she cares deeply about her people for example‚ but not really them as individuals‚ shown when she likes fucking kills them or put cameras on their bodies etc. shes more worried about them surviving than their autonomy. she cares about finn‚ but specially at the beginning she treats him more as an asset than anything‚ and does shit like implant a gps on him without him knowing. and while shes Always liked control and been all logical alpha brain and shit‚ and struggled with sympathy‚ she used to care a lot lot more. or better, she used to Allow herself to care and to love and to feel‚ she build herself a family because she felt lonely and she loved marceline deeply. but like the post and the show said she kept being hurt and she needed to protect an entire kingdom alone‚ which meant repressing all that to fucking hell and back. so she slowly just build up and let her ''no sympathy no feelings only Facts And Science'' side rule until she forgot anything else

and thats how we meet bubblegum in the show: manipulative and head of a dictatorship and with no one she truly cared about close to her, doing awful awful things and not taking time to remember about others. what are morals. being just so very fucked up

like

your thoughts and brain and whatever do not make you evil. your actions do. but her actions are terrible and she does the things she does bc sympathy and caring do not come naturally for her, but being waaay to super mega smart and wanting control Do and she has hardened and isolated herself enough that she has no one to like, pull her out of that. keep her in check. remind her to make an effort to consider other people.

in the show, we see her begin to try and be good again. by letting other people in, by letting herself feel, letting herself be a Person outside of being a Princess and a Ruler and a Scientist, she begins to make that effort again. and bc shes like a war criminal that comes not only in the form of apologizing for those who are or were close to her and she was awful too, but also destroying the surveillance system and stop spying on people. she tries to begin having good actions. she realizes what she had been doing, and feels guilty about it (for... probably the first time honestly. she was very indifferent about it before. everything she did was the most logical thing to do, after all.) i say shes still firmly morally grey tho bc while shes no longer like Evil, she still. goes back to spying on people and etc. shes still Like That, just toned down. all that show that while shes getting Better shes still not good, and probably will never be, because thats just how she is. crazy scientist manipulative pink candy princess. shes the best

she was also never truly evil tho bc even at her worse her actions were not to cause harm! Most Of The Time! and when they were to cause harm it wasnt just bc she was idk a sadist or something, it was with a goal (usually the neutral goal of Science or the good goal of protecting her people) in mind! Theyre still not excusable tho bc they did cause harm! a lot! to a bunch of different people! and like she does care a lot she loves marceline she loves finn she loves netty and she loved shoko but she just doesnt KNOW how to love people and all of those feelings are like behind a brick wall in her brain so she just tries to science everything out and it doesnt always work. like ARGH such a good character. such a good morally grey character. i ❤ bubblegum. i love watching the show and flinching at all the terrible shit she does and being like jesus christ bubblegum what the fuck

anyways here are more good pb analysis

xxxxx

i want to keep ADDING THINGS but this is huge so im just gonna reblog a bunch of posts ab her now goodbye

[snowmasscourier]

….so, it’s totally a coincidence and not at all a bad omen that my twelve-week appointment falls on the Ides of March? Oh well, it’s an excuse to get out of the safe house for a little while. Shaun is half-way to a panic attack, so I hope him finally being able to see Tiny Passenger on the ultrasound screen will cheer him up.

I am not half-way to a panic attack! I am fully having one. Holidays about stabbing dictators are significantly less fun when you were, in fact, stabbed almost to death earlier this year.

-adjusts his face mask and not so subtly squeezes Rebecca’s hand for reassurance-

- sh

[as-warm-as-choco]

random thought i had the other day: why do i see so many posts sometimes be like “okay steven universe blog” like... are we from the same website?

[wild-daffodils]

Update:

The Christmas festivities have begun!! Last night we watched our first Christmas horror movie, and we have started our Christmas snippets!! I am excited to see which is be we decide to dive into first.

Once the month is over, we will post the movies we ended up watching!

I can’t wait to end up seeing what happens in our snippets! They are sort of in the canon but also jumping out of the canon a little/the normal timeline of our canons for funsies. They will be fun to play with!

[justmenoworries]

Wooly is an enabler. He might not be the one directly hurting Amanda/Rebecca but he keeps sabotaging her and helping Hameln control her. He actively discourages her from going against rules, he tries to railroad her. He gets annoyed when she doesn't act like the compliant little puppet Hameln would want her to be.

I think nothing demonstrates how little Wooly actually cares about Amanda as opposed to the "role" she's supposed to play than the "When You Feel Bad" tape.

Amanda is down in the dumps, so Wooly, nervous because the show needs a protag to do stuff and he's the sidekick so he can't fill that role, keeps trying to get her to go on any sort of adventure even when Amanda makes it clear she just wants to be left alone.

When Wooly tells his little knight and princess story he doesn't really care that Amanda doesn't like it, even gets snippy and dismissive of her when she tells him this story is doing nothing to lift her spirits. At the end of the story Amanda still feels bad, but Wooly doesn't even acknowledge that.

When Riley tells the story Amanda wants to hear, Wooly again gets pissy and demands Riley tell his story, even though Amanda is visibly happier with Riley making stuff up. Notice how in Riley's re-write, we have a narrator telling the story instead of Wooly. I think that's Sam. Wooly realizes Riley is steering Amanda away from Hameln and towards her former memories as Rebecca by invoking Sam. And he doesn't like that.

So long story short, Wooly isn't Amanda's friend. He's her Hameln-assigned handler. He could care less about her feelings as long as she does as she's told.

[inbarfink]

After all these years, ‘I Remember You’ is still one of the great highlights of Adventure Time Storytelling. And not just in the basic ‘what???? Silly children’s cartoon does something SAD??? HOLY SHIT MIND BLOWN’ way. But with the execution of that Something Sad. How it manages to pack so many Complex Emotions into just 11-minutes of television. And especially the way it utilizes the basic Adventure Time format for that purpose.

So Adventure Time is a Board-based show. Each episode has an outline pitched and written down by the writer’s room, and then this outline goes to a team of (usually) two Storyboard Artists who develop that simple outline into a full story. And with the show’s art-style deliberately eschewing staying perfectly ‘on-model’ in favor of having the animators take direct reference from how the different storyboarders draw the characters

And the show being generally extremely versatile in terms of themes and tone - AT has allowed a lot of their Storyboarders to really express themselves and their unique artistic vision as part of the Big Collaborative Narrative that is Adventure Time. 

Now, the Boarders who worked on ‘I Remember You’ are Cole Sanchez and Rebecca Sugar. These two were a Storyboarding Duo from the start of S4 and until Sugar left the AT Crew during S5, and they always struck me as a curious combination. I think really from all of the individual boarders working on AT during that time, these two really are the closest to having like… Totally Opposite Artistic Sensibilities as boarders. 

With Sugar favoring a style that is very loose and sketchy and also very rounded. Focusing on expressions and subtle body language and lighting. And being famous for going deep in depth into Big Moments of Emotional Catharsis

And Sanchez having a very clear art style that emphasizes strong silhouettes and clear lines that suggest flatness. Focusing more on major poses and the character’s positions in the space. And having just a really great eye for AT’s brand of silly humor.

Like, I almost kinda suspect these two were paired together so they can each cover for the other’s “weakspots” in writing ‘Adventure Time’. 

And there were a few episodes that did some really interesting stuff with this very contrasting pair - ‘Jake the Dog’ is another example. Giving most of the Farmworld scenes to Sugar and most of the Time Room scenes to Sanchez both plays to their personal strengths as storyboarders and helps to emphasize the strong emotional contrast between these two scenarios. 

And ‘I Remember You’ is actually kinda unique among Adventure Time episodes cause… Most episodes will have the two boarders alternate between working on the episode throughout it. Like you’d have Boarder A draw a bit and then Boarder B and then Boarder A again… But “I Remember You” is divided between Sanchez and Sugar… basically perfectly in the middle.

So the entirety of the first half of the episode was boarded by Sanchez

Until Ice King pushes Marceline and then leaves the room in shame.

And then, Sugar takes over.

And, like, even if you don’t know anything about the Behind the Scenes of Adventure Time or who Cole Sanchez and Rebecca Sugar even are - the Shift is noticeable. The shift in tone, in narrative focus, in the subtleties in which the characters are drawn. 

The entire first half of the episode has this thin veneer of just being a Silly Goofy Ice King Episode. Sanchez’s talent for Adventure Time’s brand of comedy is on full display… but there is also this underlying feeling that Something is Happening just under the surface. And these hints of the Big Emotions of ‘IRY’ expressed via Sanchez’s kinda goofy style really create this balance between putting the audience into a false sense of security that this is just a Very Normal Episode about two characters hanging out and the Tension constantly brewing in the subtext. 

And then it all comes to a blow.

And then the Shift happens. And now we are in Sugar’s court.

And this subtle shift in the artstyle and storytelling also coincide with Marceline finally openly expressing her feelings and the Reveal of Simon and Marcy's shared past. The episode changes focus from Ice King's silly antics to Marceline's feelings. Everything changes, everything in the first part of the episode gets recontextualized and... even on the most basic level, the episode is now Noticeably Different.

I would almost say that Sanchez’s half of the episode has Ice King define the tone, while Sugar’s half of the episode has Marceline define the tone. But more than anything it’s the catharsis. The reveal and release of those emotions that were building up so expertly through the Sanchez half of the episode. All of the Sugar-boarded scenes in this episode are really heartbreaking on their own, just through the tragedy of the story and Sugar’s expert knowledge of howto convey emotion in the visual medium - but it’s so enchanted by what came before it.

“I Remember You” is truly a great testament to how ‘Adventure Time’ could use every aspect of its medium to tell a great story in such a short time.

[dragons-and-magic]

It's so cute, right?!🥹💖 I love that about that movie. I can't look at them the same after that. They're father and son now. Lol.

Quietly edits my canon-divergent cgi series AU after watching The Adventure Begins. Like how come nobody told me James practically glued himself to Gordon in that movie. That's his father wtf ‼️‼️‼️

[literaryvein-reblogs]

can you do a blog about the main types of book genres there are if you haven't already? and how to know what you're writing?

Types of Book Genres

Mystery. Follows a crime (like a murder or a disappearance) from the moment it is committed to the moment it is solved. Mystery novels are often called “whodunnits” because they turn the reader into a detective trying to figure out the who, what, when, and how of a particular crime. Most mysteries feature a detective or private eye solving a case as the central character.

Thriller. According to the New York Public Library, thrillers gradually build anxiety and suspense. Examples of thrillers include “Gone Girl” by Gillian Flynn, “All Her Little Secrets” by Wanda M. Morris and “The Silent Patient” by Alex Michaelides. ⚜ Psychological Thriller

Horror. “Carrie” by Stephen King, “The Haunting of Hill House” by Shirley Jackson and Edgar Allen Poe’s work are all under the umbrella of horror. These works are intended to frighten audiences and elicit a feeling of dread, according to the CDE.

Historical Fiction. Historical fiction takes place in a historical setting, the CDE notes. Some examples of historical fiction include “The Prophets” by Robert Jones, Jr. and “The Four Winds” by Kristin Hannah.

Romance. Romance Writers of America (RWA) noted that romance refers to optimistic and emotionally satisfying stories that focus on a central love story. “The Love Hypothesis” by Ali Hazelwood and “Red, White and Royal Blue” by Casey McQuiston are both romance novels.

Western. Primarily set in the American Old West between the late 18th century and late 19th century and tell the stories of cowboys, settlers, and outlaws exploring the western frontier and taming the Wild West.

Bildungsroman. Translates to “novel of education” or “novel of formation,” chronicles a character’s journey from young innocence to worldly adulthood. This is a specific type of coming-of-age story in which the character gains knowledge and experience, even as innocence is lost.

Speculative Fiction. Refers to genres not based in reality, including work with magical, supernatural or otherwise imagined elements. Essentially, speculative fiction is the opposite of mimetic fiction. The category includes subgenres like fantasy, science-fiction, dystopian fiction and more, Witcover noted.

Science Fiction. This genre often involves science and technology of the future. Science fiction is frequently set in space or a different universe or world. It often uses some real theories of science.

Fantasy. According to the California Department of Education (CDE), fantasy "invites suspension of reality." The genre encompasses stories that wouldn't happen in real life, often set in another world or including magical elements.

Dystopian fiction. Imagines a future place in cataclysmic decline.

Action and Adventure. The tension of the protagonist’s journey in an adventure story creates a pulse-pounding, adrenaline-pumping storyline. Dramatic car chases, secret missions, and violent fight scenes often pop up in famous action stories. Great action writing draws in your audience, getting their adrenaline pumping as they turn the page.

Nonfiction (Memoir: Stories from an author’s life that offer a firsthand account of events are called memoirs. According to Reader's Digest, some highly-recommended memoirs include “I Know Why The Caged Bird Sings” by Maya Angelou and “Spare” by Prince Harry. ; Autobiography: a nonfiction (true) account of someone’s life. It is written by the subject of the autobiography; Biography: tell the story of a notable person’s life, written by someone other than the subject. Some examples are “Into the Wild” by Jon Krakauer, which tells the story of the adventurer Chris McCandless, and “The Immortal Life of Henrietta Lacks” by Rebecca Skloot.)

Food and Travel. Cookbooks, food history books, travel guides and travel memoirs all fall under this category that includes “The Omnivore's Dilemma” by Michael Pollan and “My Life in France” by Julia Child.

Humor. Strong humor writers have a way of spotting the patterns of life and bringing them to the surface at exactly the right moment.

Young Adult. YA books are intended for readers between 12 and 18 years old, according to Smithsonian Magazine. Some examples include “The Hunger Games” by Suzanne Collins and “The Hate U Give” by Angie Thomas.

Children's Fiction. Many classic examples of children’s literature are picture books, including “Where the Wild Things Are” by Maurice Sendak or “Don’t Let the Pigeon Drive the Bus” by Mo Willems. Scholastic noted most picture books are intended for children up to seven years old.

Knowing your Genre. The world of literature abounds with different genres.

Although every literary genre has its own trends and defining characteristics, the divisions between these categories aren't always clear. Whether you’re picking another book off the shelf or plotting out your new novel, learning more about genre can help you decide what comes next.

If you want to become a writer, there are a number of reasons to learn about genres, according to Paul Witcover, associate dean of the online Master of Fine Arts (MFA) in Creative Writing program at Southern New Hampshire University (SNHU).

“I feel it’s important for writers to have an understanding of genre because it will impact how their books are marketed, as well as how they are perceived by publishers,” he said. “But I also think writers can be too concerned with genre.”

Although he encourages writers to learn about the subject, Witcover noted a tendency for overly rigid ideas about the distinctions between genres. “Concepts of genre are more fluid than writers may believe,” he said. It's important to keep that fluidity in mind.

Genre is determined by need and audience expectation. Its set functions are determined by its social need.

Broadly speaking, the fiction world is divided into 2 segments: literary fiction and genre fiction.

Literary fiction typically describes the kinds of books that are assigned in high school and college English classes, that are character driven and describe some aspect of the human condition. Pulitzer Prize and National Book Award winners tend to come from the literary fiction genre.

Genre fiction has a more mainstream, populist appeal. It traditionally comprises genres such as romance, mystery, thriller, horror, fantasy, and children’s books.

Some genre writers straddle a line between genre-focused commercial fiction and the traditions of literary fiction.

Traditionally, there are 4 broader categories of genre:

Fiction: Imagined or invented literature is called fiction, Writers & Artists noted. Examples of fiction titles include “1984” by George Orwell and “Little Fires Everywhere” by Celeste Ng.

Nonfiction: According to Writers & Artists, nonfiction refers to fact-based works. Some nonfiction titles include “The Body Keeps Score” by Bessel van der Kolk and “I Am Malala” by Malala Yousafzai, and “Essentials of Classic Italian Cooking” by Marcella Hazan.

Poetry: Britannica defines poetry as “literature that evokes a concentrated imaginative awareness of experience or a specific emotional response through language chosen and arranged for its meaning, sound and rhythm.” Poetry incorporates poetic elements and encompasses the work of writers like Maya Angelou, Robert Frost, Amanda Gorman and Richard Siken.

Drama: Dramatic literature refers to texts of plays that can be read for their literary value as well as performed, according to Britannica. Dramas include stage directions and specific formatting not found in prose or verse. Some of the most studied dramas are Shakespeare’s plays, like “Hamlet” and “Romeo and Juliet.” You might be familiar with other dramas, too, like “Death of a Salesman” and “The Crucible” by Arthur Miller or August Wilson’s Century Cycle of 10 dramas depicting the Black experience in the U.S. throughout the 20th century, including “The Piano Lesson” and “Fences.”

Although most writing falls into at least one of these 4 categories, the edges are a bit blurred, and there can be overlap.

Sources: 1 2 3 4 5 6 ⚜ More: Writing Notes & References

It seems the general advice is to learn about the different genres first, and try to see which elements your story has that align with them. Perhaps start with the broader categories first, then narrow it down to the major genres, until you identify which specific subgenre your story fits. And it's fine if they overlap, as this happens with most novels. Hope this helps!

[fahye]

book recs: feb 2024

(disclaimer: I have spent nearly three months languishing and sullen with post-COVID symptoms and have read, over dec-feb, eighty-one books. this is a ruthlessly streamlined list of recs that does not include, uh, all the rereading of sarah maclean and charlie adhara and georgette heyer books.)

AT FIRST SPITE by olivia dade - what if I moved in next to the man who ruined my engagement to his younger brother, and tried to ruin his life by playing monsterfucking audiobooks really loudly?? a heartfelt and lovely romance that also expertly sets up a great small-town setting for an ongoing series.

THE REFORMATORY by tananarive due - historical horror based on the existence of a real school for boys, clear-eyed and brutal in showing the the effect of racist systems in the 1950s american south. compelling as hell. even if you're not usually into horror, I'd recommend this: the ghost aspect is light-handed and really not as important as the horror of what humans do to other humans.

SOMETHING WILD & WONDERFUL by anita kelly - this is a m/m romance about walking the pacific crest trail which made me see the appeal of very long walks. a miracle! it's gentle and emotional and well put together; the characters really grabbed me.

THE BELL IN THE FOG by lev a.c. rosen - the followup to 'lavender house', and somehow even better?? a historical mystery series featuring a queer private eye in 1950s san francisco who looks into crimes against other queer people. amazing queer history! ACAB! I hope there are fifty more books in this series.

FEAST WHILE YOU CAN* by mikaella clements & onjuli datta - beautiful, greedy, terrifying small-town horror that is also a fucking fantastic, gorgeously written sapphic love story. this one IS for the horror fans. it gave me the absolute creeps but I couldn't put it down.

LADY EVE'S LAST CON* by rebecca fraimow - I described this on bsky as 'if you like Leverage, space opera, old screwball comedies, and dashing sapphics who are at all times spiritually wearing a leather jacket: this one is for you' and I stand by that. huge amounts of fun.

LONG LIVE EVIL* by sarah rees brennan - I will be screaming from here until forever about SRB's first adult fantasy book. if you like the isekai'd-into-a-villain-character setup and want it to be hilarious, genre-savvy and wildly angry and clever, you will roll around in this like a blood-stained mud puddle and then beg for more.

THE LAST HOUR BETWEEN WORLDS* by melissa caruso - really clever and original fantasy about a woman on maternity leave who gets dragged into saving a cocktail party which is falling through increasingly murderous and bizarre dimensions. LISTEN, JUST GO WITH IT. it's a seriously cool adventure.

YOU SHOULD BE SO LUCKY* by cat sebastian - yes, it's another m/m romance about queer history in the mid 20th century, this one between a baseball player and the journalist assigned to write a story about his slump. made me care about baseball. cat is a genius.

*I read these as ARCs, they're not available yet but consider preordering or keep your eye out for them!

[sjbattleangel]

The Virgin Lily Orchard:

Sides with abusers

Lies about having Indigenous heritage

Is horrifically abusive to friends and family

Always sides with corporations

Writes awful revenge-fics out of spite

Fetishizes black women

Dismisses an entire cultural animation medium (anime) as "spankbait for perverts"

Wrote the worst writing advice ever

Has a pathetic vendetta against Rebecca Sugar for simply existing

Sends death threats to creators

Throws marginalized creators under the bus for not being "woke" enough

Lied about being a "highly sought-after writer" solely to spite Rebecca Sugar, ND Stevenson, Darron Nefcy, Dana Terrace and her sister

Hates Asians

Hates Jews

Holds nothing but contempt for animation

Wants all of animation to be nothing but slice-of-life romantic comedies

Wants the Hays code back

The Chad Rebecca Sugar:

One of the nicest people working in the industry

Has fought hard for diversity and representation in animation

Is incredibly talented

Is friends with Alex Hirsch (Gravity Falls), Matt Braly (Amphibia) and many others

Paved the way for more diverse creators

Has won multiple awards

Wrote and sang songs for Adventure Time

A non-binary, bisexual Jewish woman whose background and experiences influence her work

Created one of the most groundbreaking, inclusive, LGBTQ+ friendly shows of all time

Fought against higher-ups when they tried to censor the queerness of her work

Helped normalize discussions of kids' mental health

An uplifting inspiration to a generation of queer kids growing up

Influenced by both western animation and anime

Married to Ian Jones Quartey