#really interesting and entertaining characters

[by-gray]

right back at you, @thelineofisstillhere ! you’re always so kind and encouraging! still find it mad i was sat literally in the seat right behind you at megacon and neither of us knew until we were just scrolling through this silly app shsksjs.

also gonna tag @myarmsaretoolong and @b1uetrees.

@myarmsaretoolong is already doing heaven’s work by creating the owen harper doccy who fic i’ve always dreamed for. even if it like comes out when i’m ninety, the little things i’ve already read have fed me well, and kept me entertained this weekend.

@b1uetrees has provided me the sweetest messages to help me get through the tough times, and has made me feel like a very appreciated user on this app this week, so thank you so, so much <3

i feel like all three of you have made me feel really included in the fandom community, with all these tag posts and things. sorry i didn’t have time to do more of them, but i appreciated all of them.

but yeah! thanks so muchhh!!!

edit: i forgot to add my favourite blogs in general! i love @bobcatblahs posts because i feel like we have very similar opinions about characters (particularly favourite doctors). if i want to read about ninerose i gravitate to their blog and just scroll through it.

my other favourite is @the-worms-in-your-bones. i mostly interact with their tiktok posts. i LOVE their various doctor who facts posts. i literally save every one just in case i want to throw a fact into one of my fics at a later date. such useful and interesting trivia all the time!

positivity train!

if you see this or are tagged in it, tag a couple of your favorite mutuals/blogs and let them know you appreciate seeing them on your dash!

@h0neysugarfree @blueberrylovv @bequiteanddriveeeeeee @cherri-bomb-bomb @eg0mechan1c @fatrexicisback

[dreamerimpossible]

Slasher Reaction When You're Not Interested In Sex

Warnings: +18 content, manipulation, obsession, unhealthy relationships, dark content, there is a hint of non-con in Art the Clown and Alex DeLarge (are you surprised?), angst, mentions of infidelity in some.

Characters: Michael Myers, Chucky, Billy Loomis, Stu Macher, Patrick Bateman, Hannibal Lecter, Vincent Sinclair, Jason Voorhees, Leatherface, Art The Clown, Jason Dean, Alex DeLarge, Kurt Kunkle, Brahms.

Michael Myers

Does he really care about that stuff? I feel like you'd have to actively provoke him to get him interested in having sex with you. If you don't bring out that side of him, he won't care. Seriously, he doesn't care. It's quite likely that he won't even care whether or not you want to have sex. He'd rather have you have a bad side that you can't control, something that makes you more like him than anyone else. He'll enjoy that badness and chaos. Sex takes a backseat.

Chucky (Human Version)

I honestly don't think it would work. However, if he really wants to keep you for himself, you'll have to agree to let him have sex with other people. In that case, I think it would work. He'll try to convince you anyway, but he won't force you if you say no. But you'll probably fight, because he'll think it's personal and that you have something against him, and then you'll have an argument that escalates and you'll end your relationship in the worst way. After that they'll get back together and then break up again. And so on. Although, if we're being honest, that scenario is going to happen either way (Chucky is toxic).

Billy Loomis

Okay, he will. But he'll be very manipulative; he'll push you all the time about it, and it'll be much worse if you know he's Ghostface since he might threaten you, and his manipulations will be much worse than if he was pretending to be a good boyfriend. I think you'd eventually agree, but he'll get used to you giving it to him, and it'll be much worse when you say no. I think he wouldn't force you physically, but he'll pretty much use psychological manipulation to get you to do what he wants from you, which is still forcing.

Stu Macher

If you're just another low-level conquest, he'll cheat on you or leave you for someone else. If you're someone special, he'll stick with you even though he gets frustrated. He could be very loyal if you push his weaknesses correctly without Billy finding out. He will insist that you have sex with him in a silly way, acting innocent and playful, but you will be able to see his disappointed and upset face when you say no. However, if you play your cards right, I think he might continue with you without cheating on you; but you have to manipulate him, which will make your relationship even more toxic, but at this point…who cares?

Patrick Bateman

Tough scenario for you. If he thinks you are a person worthy of him, but you just happen not to want to have sex as often as he does, he will overlook that little flaw of yours. However, that doesn't mean it will be good. He wants you to admire him, to be the center of his life, to moan his name loud enough for everyone to hear. If he doesn't feel that way in the sexual realm as well, he will end up cheating on you with other people, but he will keep you by his side selfishly.

Hannibal Lecter

He doesn't care. Just give him control over you in all the other areas of your life. Give him the pleasure of watching you break down to the point of questioning your own morals and life choices. Make him play with your mind and show him your reactions. Tell him everything that happens to you so he can see if he can use it in some way. Give him a challenge and keep him entertained with your conversations. Provide him with a context that leaves him in euphoria and maximum exaltation. If you can do that…who needs sex?

Vincent Sinclair

He will be slightly disappointed, but he will respect you. He will not treat you differently or anything like that. He will not cheat on you or betray you in any way either. He will be very frustrated if Bo finds out and starts bothering him, but it is nothing he cannot handle. Other than that, I don't see any other problems. He cares more about your loyalty and that you follow the orders imposed on you. That's all.

Jason Voorhees

The best scenario for him. It will be much better if you do not want to have sex ever. He likes not having to fight those instincts that disturb him greatly. It's not even going to be brought up; just tell him you're not interested, and the subject will be forgotten as if it never even existed. This doesn't change your relationship at all. In fact, I think it will be better, because for Jason you won't be an unwanted temptation for him, so he won't have two opposing thoughts about you to deal with.

Leatherface

It's okay; he'll understand. He won't force you or anything like that. He won't treat you differently either. I don't think he cares about those things, if I'm honest. He's more focused on his family and loyalty. And that includes you too. He asks that you get along with his family and be okay with what they do. That you don't have a problem, basically.

Art the Clown

He doesn't care in the conventional way. But if he finds out that the subject is sensitive for you, he will use it against you. So it's best not to let it show or say anything to him, because this man is a fucking madman who enjoys other people's pain (you know that). If you don't say it, the subject will go unnoticed for a long time. If Art ever feels sexual desire towards you and wants to have sex with you, he will simply take you and use you. Seriously, he won't ask questions. He sees you as his toy.

Jason Dean

For him not to care, you would have to be crazy like him. In that case, he will overlook it, because he will believe that something as crude as sex does not have to hinder a love as perfect as yours. I think that at first he will feel personally offended by your refusal; he will try to explain to you that he feels rejected. If you explain it sincerely, he will understand and will not insist further. But he will use it against you in arguments to get you to give him more attention and spend more time with him, claiming that he does a lot of things for you.

Alex DeLarge

Uh… no. He wouldn't take you seriously if you didn't want to have sex as much as he does. He likes sex quite a bit; he's not going to give that up. I think he might keep you around if you like ultraviolence and enjoy it as much as he does. I don't think he'll leave behind a person to help him and follow his orders. But you two can't be a couple; it just wouldn't work. He'll actively try to provoke you into falling for it. In your case, it would be much more fun if you gave it to him consensually, because that would mean he has complete control over you and can make you do things he wants of your own free will. However, if he doesn't want you around him because he's not interested in you in any way other than sexually… then things get darker. We already know his tendencies.

Kurt Kunkle

If he doesn't feel rejected, he doesn't care. If he feels rejected, the relationship will be more toxic. He is manipulative and obsessive. He wants you to admire and love him; if he feels that you dislike him sexually, he will not force you, but he will be excessively controlling, and you will argue a lot. He uses it to victimize himself. There will come a point where he becomes a nuisance to you. On the other hand, if he does not feel rejected, that is fine; he will be toxic in other aspects of the relationship.

Brahms

He will take it personally, no matter what you tell him. He will manipulate you, and it will be emotionally draining for you. You will probably agree on several occasions to get him to shut up, or you will end up manipulating him with sex to obey you. He will obey you every time if you offer him sex. He would like to resist, but he is too hungry for contact and needs to feel the sensation.

[salty-autistic-writer]

Two common mistakes being made in a fandom:

Thinking you are the "majority"

Overestimating the fucks given by the GA (the major audience of a show)

1: Nope. You're a bubble in a bubble. No matter how big that bubble is, it's not the majority. If you only stay in your bubble and this bubble is toxic, you will eventually end up copy-pasting popular accounts to gain the attention and validation of the other bubble-inhabitants. That's bad. It creates a hive mentality. You are "the good fans", the ones who are morally superior because one of the other bubbles happens to like an actor who posted some problematic memes like 10 years ago (but actually everyone - including you - is aware it's about the fact he's playing the character kissing half of your fanon ship. That "wrong" gay character.) Your bubble thinks it owns the truth and feels validated by the smallest signs, which means you reached the point where things are being taken out of context. If an actor says: "I'd like that, but it's one of the possible interpretations of the show!" - you suddenly hear: "I want the ship to happen as badly as the fans!"

Advise: Take a critical non-biased look out of your bubble sometimes and think for yourself. If your bubble sends hate to real people and tells them to die, I ... would leave.

2: The GA is the major audience. The people the show is made for. The GA doesn't read interviews, doesn't wait for the cast to give any hints and doesn't give a damn about fanon ships. They might think: aw, they are cute, but if you have ever watched a show casually, you do know how that works: You watch what happens in canon, you accept it, you might not like it, but you will say "sad" - then move on (that was me with the Chenford break-up lol). The GA wants to be entertained. And as long as they give signs (viewership, ratings) enough that they are entertained, the show won't change much.

Advise: Think more like the GA from time to time. Don't see a hint or hidden sign in every expression. Those are human beings just like you. They don't smile or cry 24/7. Also: Are you really being "queerbaited" or did the writers / actors actually tell you something important about that? (Yes. They did.)

(If you want to know more about these mistakes and their consequences, you might be interested in what happened with the "Johnlock Conspiracy", short: tjlc. A hint: One time a member of the crew said the last season would be "groundbreaking television history". You can take a guess what a certain quite toxic bubble made of that and what actually (didn't) happen. :))

[waitineedaname]

I've been relistening to the homestuck soundtrack album by album while working lately and man. it's reminding me how much I genuinely loved about homestuck, and how that made the aspects of it that sucked so much more frustrating

[false-anomaly]

Trevor Hills being Pathetic Blorbo #1 and your enjoyment of him being said Pathetic Blorbo #1 just adding on to the games pre-existing meta commentary is,, so good. They made him as miserable as possible and god it really worked.

[sp3akfromtheart]

for scientific research purposes! out of children of earth and miracle day, which do you prefer?

feel free to leave your reasonings in the tags!

[achillesunly]

I really liked this character analysis, tho it inspires me a slightly different conclusion, or less *different* and rather a comment to it: that dazai parodies what he thinks normal people's reactions to death is.

It is hard tho to concede where the anime-rules of characterization stop and the true character starts and that's how this analysis is vastly interesting, but dazai must have some sort of psychosis (debatable) which makes him emote in ways not only different from the normal people as you've said but also voluntarily upsetting.

The sadistic trait of his and his inability to emote 'normally' make ground for the peculiar idea of his of Funny and Entertaining, that pushes him to react in 'Weird' ways, I think, not only because, to some point, he cannot act 'normally' like his peers, but also because he doesn't want to.

Mister Genius not able to study how people react to death to appear normal? I don't buy it one cent.

An Analysis of Dazai's Reactions to Death

Disclaimer: I haven't actually finished reading the manga yet so all information in this post is taken solely from the light novel and anime.

Spoiler alert: This post contains spoilers from 15, Storm Bringer, Dark Era and the anime of BSD

Warning: This post is about Dazai so naturally it contains mentions of su*cide and death.

This is my first analysis of BSD, so please be kind. That said, any constructive feedback is welcome. If you have any further questions about my perspective, please feel free to ask!

Then without further ado...

Bungo Stray Dogs written by Kafka Asagiri and illustrated by Sango Harukawa is a multimedia series which explores the complex nature of the human mind through its characters. One such character, Dazai Osamu, inspired by the 20th century Japanese novelist of the same name and his well-known work No Longer Human, is a character known for his eccentric behaviour and fascination with suicide. Often times his behaviour may come off as bizarre on first sight and one might think it is purely for comic relief. This essay aims to explain the reason behind his strange reaction to the sight of the murdered woman in episode five season one of the anime, or this scene.

This screenshot was taken from timestamp 6:27 of Season one episode 5 of Bungo Stray Dogs.

This will be done by exploring first Dazai’s reaction to death between the ages of 15 and 18 or during Dazai, Chuuya, Age Fifteen and Osamu Dazai and the Dark Era, second by exploring the fact that Dazai is aware that he is different to other people, and finally by exploring the way he deals with this difference and with strong emotions during the present of Bungo Stray Dogs or at the age of 22.

Dazai’s reaction to death was unusual to say the least when he was the age of 15 and it continue to be so at the age of 18. There are three main instances where the audience watches Dazai react to death at these ages. In consecutive order from Dazai’s perspective—rather than the order they were published—is first, during the seventh light novel, Dazai, Chuuya, Age Fifteen just after the fight before Dazai and Chuuya go to meet Randou. This scene takes place from page 53 to 54 of the English version of the light novel. There are several unusual points during this scene. But first it should be made clear that the audience has no real way of knowing what kind of experiences Dazai had been exposed to in his early life which could have a bearing on why he behaves this way at this age. There are plenty of theories but at the time of writing this Asagiri had not revealed what Dazai’s early life was like. Now, back to the point at hand. First it is unusual that a boy of 15 when faced with a dying man would ask him if he would like him to ‘end your suffering with this gun,’ (p. 53) however this may be disregarded considering that Dazai although not a part of the mafia seems to have been with Mori for some time at this point. What is more strange however is what Dazai says next ‘…But you’re showing me something extremely valuable—your death—so I want to pay you back,’ (p. 53). He then proceeds to repeatedly shoot the dead body while laughing. This could be chalked back to some sort of love for seeing others in pain if it wasn’t for what Dazai said before. He states that he sees the man’s death as valuable. There is no way of knowing how often Dazai had been exposed to death before but the fact that he views it as valuable suggests that at this point perhaps he had not been desensitized to it. Viewing death as valuable though is, decidedly, an unusual perspective for a 15-year-old boy to take.

The second time Dazai experiences death is also in the same light novel when Randou passes away. Those who have read Storm Bringer will know that’s not precisely what happens but at this point there is no evidence to show that Dazai has any idea Randou isn’t really dead and so it will be treated as another experience of death. There is a marked difference in Dazai’s behaviour in this instance compared to the one highlighted above. This scene takes place in Dazai, Chuuya, Age Fifteen on pages 118 and 119 of the English version. Whether this difference in behaviour is to be attributed to the fact that Dazai probably knew Randou to some degree or to the fact that Chuuya had earlier highlighted to him the fact that his behaviour in the earlier scene was abnormal is up to interpretation. However, while his behaviour is more normal than before it is still rather unusual. During this scene Dazai seems more aware of the sensitive nature of what is happening because he asks Randou if he has any last words and continues by saying, ‘…If you have any final wishes, we’ll see what we can do to—’ (p. 118). This shows that he is sensitive to what’s happening and that it requires a certain type of behaviour, but it is still rather unusual given that this man is dying because of Dazai’s doing and the fact that Randou was trying to kill the former and Chuuya a few moments ago. Additionally, after Randou explains about what happened between himself and Verlaine before Verlaine betrayed him Dazai goes off on a tangent about the ‘inevitable destruction’ caused by ‘a fight between two skilled spies’ (p. 118). While Asagiri may have chosen to have Dazai say this in order to make it more clear to the reader why Randou tried to absorb Arahabaki, it is still a strange thing to do at somebody’s death bed. This being said, it is clear that Dazai is a lot more respectful at Randou’s death than he was at the G.S.S. officer’s death in the scene highlighted before as Asagiri states, ‘Both Chuuya and Dazai quietly listened as if there was something in what Randou was saying that they couldn’t allow themselves to miss,’ (p. 119). While it is possible Dazai is simply imitating Chuuya’s behaviour here in order to seem more normal it seems more likely that Dazai knows how to react better to the death of a person he knows and this idea is reinforced by his reaction to Odasaku’s death in Osamu Dazai and the Dark Era, which will be explored shortly. It is clear, however that Dazai is affected by Randou’s death in some way when the novel states ‘Some things, however, would not return to normal: the body of a man who no longer felt cold, and the hearts of the two boys who stood rooted to the spot, staring at him,’ (p. 119). This shows that Dazai is affected by death, but he seems to interpret it and deal with it in unusual ways.

The final example of when Dazai experiences death takes place three years later during the second light novel, Osamu Dazai and the Dark Era, when Dazai is 18 years old. At this point he has been in the mafia for three years, so he has probably experienced death quite a bit between now and when he was 15, however this is the death of the person who is probably the only one who ever understood Dazai—with the exception perhaps of Chuuya—and who cared for him in a way which was arguably like a father. This scene takes place from page 159 to 161 of the English version of the light novel. This scene is arguably the most interesting in terms of Dazai experiencing death for several reasons. One of those reasons is that while the scene deals with Dazai’s emotions, it does not deal with his reaction to Odasaku’s death but rather with his reaction to what Odasaku says, which causes a dramatic shift in his world view and which, as any reader will know, ultimately causes Dazai to leave the mafia and strive to become a better person. While the scene does start by dealing with Dazai’s reaction to Odasaku’s death the majority of the middle of the scene is spent on Dazai’s reaction to what Odasaku says to him before returning to his reaction to his death. The scene begins with Dazai rushing into the room, calling Odasaku’s name. This is pretty normal behaviour for anime and manga characters on seeing someone close to them dying. But Dazai then proceeds to say, ‘You’re such an idiot, Odasaku. The biggest idiot I know,’ (p. 160). That is arguably an unusual thing to tell your friend on his death bed, but compared to other things Dazai has done it’s not that abnormal. The scene continues with Dazai saying that Odasaku didn’t have to die. Which is standard behaviour. Then Odasaku says he wants to tell Dazai something. He proceeds with his statement about Dazai stating that he’s looking for his reason to live in the mafia and telling him that he won’t find it. The scene then proceeds to explore the idea that Dazai has finally realised how well Odasaku knows him. The rest of this scene is spent exploring this idea as well as Odasaku’s advice to Dazai. It only actually returns to Dazai’s reaction to Odasaku’s death at the end. By stating ‘Dropping to his knees by Odasaku’s side, Dazai looked up to the ceiling and closed his eyes. His tightly shut lips faintly trembled. The smoke from the cigarette rose straight up to the top. Nobody said a word,’ (p. 161).  The strangest thing about this scene is arguably, that Dazai doesn’t cry. It’s possible that he was holding back tears, based on this description but the fact that it is only implied and left up to the readers interpretation suggests that Asagiri didn’t want to explicitly state that Dazai was crying. In the anime version of this scene as can below there is no hint of Dazai’s eyes being shinier than they usually are when he has lights in his eyes.

This screen shot was taken from time stamp 21:33 of episode 4 of season 2 of Bungo Stray Dogs.

After that the scene zooms out so that Dazai doesn’t have a face as can be seen here.

This screen shot was taken from time stamp 21:38 of episode four of season two of the anime.

This suggests that the decision to not show if Dazai was crying was deliberate. Given how much Odasaku means to Dazai, and that he had just realised how well Odasaku understood him it seems unusual that he would not cry.

The combined evidence of these three scenes suggests that Dazai behaves rather unusually in regard to death but that he seems to process it more normally when the person is closer to him than when it’s a stranger, where his behaviour is decidedly strange. Regardless of his closeness to the person however, evidence would suggest that the way Dazai deals with death is different to other people to a greater or lesser degree.

Now, how does all this have a baring on Dazai’s behaviour many years later in episode 5 season 1 of Bungo Stray Dogs? It has a baring on it if one accepts the fact that Dazai is aware that his behaviour towards death is rather strange to other people. It is never explicitly stated that Dazai is aware of this, however based on his behaviour it is clear that Dazai knows he is different to other people. This is highlighted in a particular instance in the seventh light novel. This scene takes place in Dazai, Chuuya, Age Fifteen on pages 53 to 54 of the English version. In this scene Chuuya stops Dazai from repeatedly shooting the dead body of the G.S.S. soldier. The scene commences with, “‘Quit that, you idiot […]  He’s already dead,’ said Chuuya, ‘Quit shooting his corpse,’” (pp. 53-54). However, it is Dazai’s response to Chuuya’s statement which shows that he knows his reaction is unusual. Dazai responds with ‘You’re right. When you’re right, you’re right. That’s the most normal reaction to have,’ (p. 54). Then as he walks away from the body after dropping the pistol he laughs. This is the scene as it’s written, “‘Ha-ha. ‘Normal.’ Ha-ha-ha.’ Dazai’s hollow laughter filled the cluster of trees, vanishing into thin air,” (p. 54). The fact that Dazai reacts by stating that what Chuuya says is normal and the way he laughs about it shows that he knows that he is not normal. If the idea that Dazai knows he is not normal is extrapolated, then it is implied that he also knows that his behaviour towards death is abnormal. If it is taken into account that Dazai realises his behaviour, particularly around death is odd it makes sense that as an adult he would want to hide that.

All of the above scenes took place when Dazai was still a teenager. However, it seems that even as a young adult he doesn’t know how to behave around emotionally charged situations. This is shown in episode one of Bungo Stray Dogs where Atsushi and Dazai are in the warehouse waiting for the tiger to show up. During this scene Atsushi is amazed by Dazai’s confidence and he states ‘You’re really confident, I’m kind of jealous. They called me a good-for-nothing at the orphanage. And now I don’t know where I’ll sleep tonight or whether I’ll be able to earn my keep tomorrow. […] No one’d care if someone like me were to die in a ditch somewhere. Yeah, I may be better off eaten by a tiger…’ this happens at 13:30-13:57 of episode 1 of season 1 of Bungo Stray Dogs. To Atsushi’s statement Dazai does not reply. He is silent for a beat with a neutral expression as shown here.

This screenshot is taken from timestamp 13:58 of episode 1 season 1 of Bungo Stray Dogs.

He then proceeds to state that he thinks the tiger will come soon. This is an unusual reaction given what Atsushi just said, and it would make more sense for him to comfort the boy. But he doesn’t. This is arguably because Dazai doesn’t know how to react in what would be considered a normal way in an emotional situation like this. If he doesn’t know how to react normally here it is unlikely he knows how to react normally to death. Now, it has been made clear above that he recognises his behaviour as abnormal, and it is likely that since his instinctive reaction is abnormal, he is unable to fake a normal reaction as he doesn’t know what this would be. Hence his unusual reaction in episode five season one. He reacts with such melodrama because he knows that his instinctive reaction isn’t normal, but he doesn’t know what a normal reaction would be, and he can’t just not react either thus he opts for this melodramatic reaction which, although isn’t normal still shows a rather dramatised version of sadness at the woman’s death which is perhaps more normal than what his instinctive reaction would be. And although the others at the scene who don’t know him are rather confused at his reaction it attracts less attention than if he were to react in a similar vein to his reaction to the G.S.S. officer’s death.

To conclude Dazai’s melodramatic reaction to the murdered woman in episode 5 season 1 of Bungo Stray Dogs it not just comic relief, there is a deeper meaning behind his eccentricities. He reacts this way because he is self-aware enough to know that his instinctive reaction to death is unusual and in order to not shock other people at his behaviour, he opts for the melodramatic response he gives since while still unusual it is more similar to the way a normal person might react being a rather melodramatic version of it.

[naarlar]

Okie so hot take: I don’t think Melinoë is as good of a protagonist as Zagreus. And here’s why.

It all comes down to motivation. Why did Zag go through the events of Hades 1? Because he was living in an abusive and volatile household and had to find some way to make things better for not just himself but his house. Otherwise he surely would have lost his mind having to deal with the abuse he got (remember at the beginning of the game basically only Nyx and Achilles were helping him. Everyone else is either neutral towards him or outright hostile). He needed answers, he needed to find out who and what he was by trying to find Persephone. And in the end he succeeded and was able to create a better life for himself and his house. Hell, even his relationship with his dad improved.

Now let’s look at Mel (yes this criticism is only addressing Early Access Hades 2). Why is she going through the events of Hades 2? Because… she’s been groomed since basically birth to kill Chronos. She doesn’t really have any other motivation than because it is what is expected of her essentially. She even says during her confrontation with Chronos, AFTER HE THREATENS TO HURT HER FAMILY, what do I care I barely know them (yeah sure she could just be bluffing to Chronos but that is still a very chilling thing to say when supposedly all of this is to save them and it makes her reunion with Hades lowkey ring hollow or weak). In another scene she even says the same thing to Hecate and says Hecate is more her mother than anyone else. Heck even in the flashback scene with young Mel and Hecate (which was very cute I’ll admit) she says she would want her mother to come back so Hecate isn’t sad. This makes all her motivations to kill Chronos and save the Underworld seem very… disconnected from the main component of the game? Being saving the house of hades and her family??

Like it’s expected of her and she was raised at birth to basically be prepared for this but she doesn’t have any personal reasons for doing any of this than just not letting Hecate and the others in the Crossroads down. Hell when she comes back from killing Chronos for the first time it honestly feels like Hecate is more interested and invested in what happened than Mel herself.

It makes her a really weird protagonist especially when comparing to her brother and how effective he was as a protagonist. Think about it, with Zag we got really in depth and character revealing moments where as the player we understand why he is doing all of this and so it is easy to go along for the ride because we like Zag and want to help him. Mel says she cares a lot about what is going on and wants revenge, but it all feels surface level (and which is understandable she doesn’t know these people, all she can say is “the titan took my family” when let’s be real she sees the people in the crossroads as more of her family). It honestly just seems like because she is expected to kill Chronos since she could think, she feels she has to do all this. It feels weird how she is disconnected from the core point of the game being to save the house of hades when Zag was so integral to that same core point in the first game.

I dunno, just my thoughts, I’m curious to see what everyone else thinks.

Edit: just fyi cause I feel with the comments I’ve been getting from my posts, I like hades 2 I am excited especially for the official release. I recognize my criticism/analysis could be wrong or out of date since the game isn’t finished yet. These are just my initial thoughts.

[mariocki]

Children Shouldn't Play with Dead Things (1972)

"Come children, Uncle Alan's going to curdle your blood."

"Uncle Alan already does. Turns my stomach, too."

[citrusinicake]

ppl who dont understand loving a character while also hating them fascinate me, clearly youve never stanned a complete and absolute dickhead before

[prontaentrega]

i've thought about it a lot and i think something that distances the reading of Molina as a trans woman from the Argentinian audience is the complete lack of any travesti identity. A similar example i can think of is another character from Argentine literature- the homosexual from El Juguete Rabioso, who is textually described as a homosexual male but generally read as a trans woman, and the core difference between this character and Molina is that the homosexual is a crossdresser, a travesti, engaging in travestismo. It's also interesting that within Argentine terms Molina continuously identifies as puto, loca, etc and never as travesti.

But all of this becomes much more interesting with adaptations- Molina always reads intensely more transfeminine in every adaptation i've seen (an opinion i've seen expressed by other people too) because it always has the added element of travestismo, of crossdressing. Including the movie and the musical etc. But more importantly i've seen it in argentine productions of the stage play written by Puig himself, where no change is made to dialogue or characterization.

[charmwasjess]

okay well maybe I'm finally making sense of my Acolyte experience because I'm genuinely very very bummed to hear that it's been cancelled

[brw]

Small compilation of Charles looking kind of cunty in X-Men: Children of the Atom

[stop-breaking-my-heart-dragonage]

I have to ask: solavellan or solrook?

Nah, secret third option: Rookvellan.

Rook and Lavellan get together to spite Solas—they're turning that regret prison into a cuck prison.

I'm just saying, I think the idea of "solavellan vs solrook" is missing out on the potential MESS of a love triangle with Lavellan at the center. Why pit Rook and Lavellan against each other for Solas—who, let's be honest, doesn't deserve either of them—when they could kiss instead? Hmmm??

What's Solas gonna do about it? Cry?? Good!

Okay, I'm mostly kidding.

But seriously? I have no foot in that race. I'm not a solavellan girlie, and my current Rook is Carver who bullies Solas as much as the game will actually allow him to, so...

I have read fics for both, though. I have this thing where I'll get curious about certain ships, especially ones I see pop up a lot while I'm browsing. Then I read a bunch of fics on AO3 for "research" ...term used loosely, it's mostly just for fun and to see what the hype is about, what tropes writers attach to the characters/ship, etc.

But yeah, I'm still not the best person to ask about that. I'm just an observer.

[cyberdragoninfinity]

Jack Atlas for the Yugioh ask game

DA MASTER OF FASTER

Why I like them/why I don’t: it took me like two years to come to grips with it but i think jack is one of my absolute favorite yugioh rivals. yes they kind of fumbled the bag Badly with him in season 2 but i do really adore the character arc the show Did give him. the depths of how much he cares about the people he loves is soo so sweet AND I WONT FORGET IT. EVEN IF THE SHOW DOES. his dynamic with yusei is fantastic, that last duel of theirs makes me emotional as hell. he's also just so funny and a blast to watch, he's dumb as a rock and picks fights with children and THEN THEY PUT HIM IN ARC-V??!? AND TRIED TO MAKE HIM OUT TO BE THIS GREAT MENTOR TYPE FIGURE?!?! LMFAO?!? NO HE IS NOT. also his deck rules :^)

What I like about their appearance: i think my favorite jack atlas physical trait is his little 'A' earrings. all of his monogrammed shit is hilarious but the earrings are just. so good. i know he thinks theyre so cool.

Do I prefer their dub names or original names?: SAME IN BOTH AND THANK GOD. WHITE BOY SPOTTED.

OTP: it's gotta be scoopshipping sorryyyyyy carly and jack's dynamic is just so sweet to me ;_; i believe in Failgirl4Failguy fuck what da rollback on jack's character said i know he loves that woman so much

NOTP: said it on yusei's but im not into yusei/jack, their dynamic is far more interesting to me reading them as adoptive brothers.....

OT3: idk if i have one for him?? hm.

Favourite card they use: any and every resonator card i love his little tuner FREAKS

Favourite moment they were in: I'll yell about it forever but i fucking love the Jack vs. Robo!Jack duel. he really dueled the physical embodiment of all his most negative traits and said "i care about my friends and i dont want to be like that anymore." for a brief and beautiful moment his character development ruled like absolute hell. god.

Least favourite moment: the end of 5ds really does take and give in equal supply--i fucking hate that part like RIGHT AT THE END?!? WHEN JACK IS SO MEAN TO CARLY AND IS LIKE "I DONT NEED ANYONE". IT SUCKS SO BAD. WHY DID THEY DO THAT TO HIM!!!! that end duel is so good otherwise!! graaaaa

Something I associate with them: Miraidon, because A.) purple but also B.) I named the second Miraidon you can get in Violet 'Jack Atlas' after spending like three hours trying to catch the damn thing in a luxury ball for my clark. deeply in character jack moment to me. it's what he would want.

[deadbeandrop]

actually y'know what i guess i'll talk about it while i'm here

i think about this scene a lot regarding him and (obviously) this episode in general, but especially when slinkman is like... actually a character that gets development and changes over the course of the show, it really does say a lot to me

and with the placement of scenes here, it's right in between lazlo, raj and clam getting slinkman to muster up the courage to show off his past aspirations, to give it another go, only to be reminded of how all that turned out, panic, and flee back to what's comfortable... aaand in between him finding out everything is actually lumpus' fault, and very purposefully sabotaging a budding dream, at that

and i think he's sort of gone through life in this way for a long time, this humble and passive acceptance of the roles and duty he's been placed in, of the world around him deciding who he's supposed to be. especially to lumpus. a best friend, sure, but nowadays an assistant, an emotional support crux to keep him (and the camp) from falling apart. i've always ran along with the idea that running camp together was lumpus' idea from the start, and look how it's turned out

i love how he says "pull yourself together", too, the tone he has as if he's scolding himself for daring to think or try to be anything like that again, that he should know better by now, when the moment's far passed

although, i don't think fame and danger/excitement are what he really wants out of life, even deep down — not anymore, at least. in the end, it's a lot more about healthy self development and sort of taking back "control" of his own path in life, right? and at the same time, a little of all that now and then wouldn't hurt...

see i've been typing this out for an hour but forget everything i just said and let's get slinkman a motorcycle