#really good cover art i had to get this copy

[book0ftheday]

Lord of the Flies by William Golding, cover art by Adams Carvalho. This edition adds a forward by Lois Lowry, an introduction by Stephen King and essays by Jennifer Buehler, E.M. Forster and E.L. Epstein. Original story published 1954, this edition published 2016.

[kaleidoscopiclights]

There's already been so much grief, praise and celebration of Inomata just on Twitter alone. I always loved her work and knew she was famous, but I didn't fully grasp her impact on the illustration industry in Japan until now. The message from Kikan S is definitely one of the most beautiful and important to me. And I had to order another copy of her last cover it.

I didn't realize the ribbon connected until I read the Kikan S message. That's such a beautiful touch. My copy of Sanctuary will always be important to me, but gaining a new appreciation for those covers makes me feel like I'm going to value it even more.

[emeryleewho]

Saw a fun little conversation on Threads but I don't have a Threads account, so I couldn't reply directly, but I sure can talk about it here!

I've been wanting to get into this for awhile, so here we go! First and foremost, I wanna say that "Emmaskies" here is really hitting the nail on the head despite having "no insider info". I don't want this post to be read as me shitting on trad pub editors or authors because that is fundamentally not what's happening.

Second, I want to say that this reply from Aaron Aceves is also spot on:

There are a lot of reviewers who think "I didn't enjoy this" means "no one edited this because if someone edited it, they would have made it something I like". As I talk about nonstop on this account, that is not a legitimate critique. However, as Aaron also mentions, rushed books are a thing that also happens.

As an author with 2 trad pub novels and 2 trad pub anthologies (all with HarperCollins, the 2nd largest trad publisher in the country), let me tell you that if you think books seem less edited lately, you are not making that up! It's true! Obviously, there are still a sizeable number of books that are being edited well, but something I was talking about before is that you can't really know that from picking it up. Unlike where you can generally tell an indie book will be poorly edited if the cover art is unprofessional or there are typoes all over the cover copy, trad is broken up into different departments, so even if editorial was too overworked to get a decent edit letter churned out, that doesn't mean marketing will be weak.

One person said that some publishers put more money into marketing than editorial and that's why this is happening, but I fundamentally disagree because many of these books that are getting rushed out are not getting a whole lot by way of marketing either! And I will say that I think most authors are afraid to admit if their book was rushed out or poorly edited because they don't want to sabotage their books, but guess what? I'm fucking shameless. Café Con Lychee was a rush job! That book was poorly edited! And it shows! Where Meet Cute Diary got 3 drafts from me and my beta readers, another 2 drafts with me and my agent, and then another 2 drafts with me and my editor, Café Con Lychee got a *single* concrete edit round with my editor after I turned in what was essentially a first draft. I had *three weeks* to rewrite the book before we went to copy edits. And the thing is, this wasn't my fault. I knew the book needed more work, but I wasn't allowed more time with it. My editor was so overworked, she was emailing me my edit letter at 1am. The publisher didn't care if the book was good, and then they were upset that its sales weren't as high at MCD's, but bffr. A book that doesn't live up to its potential is not going to sell at the same rate as one that does!

And this may sound like a fluke, but it's not. I'm not naming names because this is a deeply personal thing to share, but I have heard from *many* authors who were not happy with their second books. Not because they didn't love the story but because they felt so rushed either with their initial drafts or their edits that they didn't feel like it lived up to their potential. I also know of authors who demanded extra time because they knew their books weren't there yet only to face big backlash from their publisher or agent.

I literally cannot stress to you enough that publisher's *do not give a fuck* about how good their products are. If they can trick you into buying a poorly edited book with an AI cover that they undercut the author for, that is *better* than wasting time and money paying authors and editors to put together a quality product. And that's before we get into the blatant abuse that happens at these publishers and why there have been mass exoduses from Big 5 publishers lately.

There's also a problem where publishers do not value their experienced staff. They're laying off so many skilled, dedicated, long-term committed editors like their work never meant anything. And as someone who did freelance sensitivity reading for the Big 5, I can tell you that the way they treat freelancers is *also* abysmal. I was almost always given half the time I asked for and paid at less than *half* of my general going rate. Authors publishing out of their own pockets could afford my rate, but apparently multi-billion dollar corporations couldn't. Copy edits and proofreads are often handled by freelancers, meaning these are people who aren't familiar with the author's voice and often give feedback that doesn't account for that, plus they're not people who are gonna be as invested in the book, even before the bad payment and ridiculous timelines.

So, anyway, 1. go easy on authors and editors when you can. Most of us have 0 say in being in this position and authors who are in breech of their contract by refusing to turn in a book on time can face major legal and financial ramifications. 2. Know that this isn't in your head. If you disagree with the choices a book makes, that's probably just a disagreement, but if you feel like it had so much potential but just *didn't reach it*, that's likely because the author didn't have time to revise it or the editor didn't have time to give the sort of thorough edits it needed. 3. READ INDIE!!! Find the indie authors putting in the work the Big 5's won't do and support them! Stop counting on exploitative mega-corporations to do work they have no intention of doing.

Finally, to all my readers who read Café Con Lychee and loved it, thank you. I love y'all, and I appreciate y'all, and I really wish I'd been given the chance to give y'all the book you deserved. I hope I can make it up to you in 2025.

[eunnieboo]

IYHM ask replies! (2/3)

🌸 @csevet asked:

hi my copy of iyhm just came in and my fiancee and i snuggled up and read the whole thing cover to cover and CRIED!!! i love when lesbians 💕💞💝💗💝💗💘💞💖💗💝

AHHHHH thank you SO much!!! OMGGGGG 🥺 live laugh lesbian..... 💞💗💖💕💖💞💕💖💗

🌸 @chrysalis-the-butterfly asked:

I read If You'll Have Me a few months ago and I loved it! Your art is so pretty and Momo and PG are such cool characters! 🥰 If you're okay with sharing, I'd be interested to hear what inspired you during the creative process? Were there any pieces of media or any other characters which influenced the formation of Momo and PG? Or did you do your own thing?

oh my gosh! thank you!! i really love character interactions and relationship dynamics, so i wanted to depict two girls who seemed like opposites - one cool and laid-back, the other soft and sweet. after a while they started to take on a life of their own, and i thought it'd be wonderful if their story could evoke the feeling of a shoujo romance!

i had a lot of things on my mind when i wrote the script... friendship, intimacy, communication... communication can be so hard! sometimes it's harder with someone you're close to because their opinion is so important to you. and what happens when you've got a character who's non-confrontational and has low self-esteem + someone who prefers actions over words, and would rather burn bridges than admit to feeling vulnerable? how would they get past that? i wanted to write their flaws as believable, and how their life experiences have shaped the way they think about themselves / the way they respond to personal conflict... but also how they learn from each other and grow ❤️ tysm for the question!!

@bisexualgoof asked:

Hi Eunnie! I just finished reading “If You’ll Have Me” and let me tell you, it was spectacular! I saw it in a local bookstore the other day and it was a no brainer to grab. The characters are so fun, the story is beautiful and heartfelt, and honestly every character is attractive… I especially fell in love with the pages of the books without words, especially 312-313, it made me cry. Such beautiful art! I related to PG’s annoyance with her long hair, I felt very seen with her comments. I’ve definitely said “I’d like to forget” so many times myself, right to my butch heart haha. Thank you for sharing this story with the world, and thank you in particularly for your acknowledgment at the end of the book, it made me feel seen. What an amazing love story, hope to see more of this adorable couple in the future!

oh my goodness!! this is so lovely and wonderful and ahhh T_T thank you so very much. it's such a dream, having these girls be out in the world with their personalities and backstories revealed at last! and i'm so happy to hear about the cast and side characters, i love designing people hehe ♥ i'll definitely keep drawing this couple, alongside more sapphic couples that are to come 😍 thank you!!

🌸 @skittles-rainbow-cat asked:

HI HI HI!!! you’ve been one of my fave artists forever and i just got done with iyhm and it’s sooooo amazing im in love with it. also i think strawberry blonde by chloe moriondo fits mono and pg very well :] i hope you’re having a good day and thank you for all your art it heals me in many ways <3333

HIIII omg!!! thank you so much! this song is so cuteeee oh my gosh this line:

Takes my hand in hers when the lights aren’t on Smaller than mine and oh god I am gone

it's so sweet ;_; thank you forever, i hope you're having a wonderful day!! <3 <3 <3

🌸 @lord-of-the-froggies asked:

Howdy Eunnie! I know you're probably swamped with work right now, but I just wanna let you know that I got my copy of your book today!! I'm gonna start reading it right away, it looks and feels amazing. From a fellow Washington artist to another--congratulations on such a huge achievement!

yay hello fellow washingtonian! and fellow artist!! thank you so much for your kind words 🥺 and i'm so glad the book got to you safely! wishing you a happy read~

🌸 Anonymous asked:

I just found your art today and after scrolling through your stuff I went and pre-ordered your book. I'm so excited!!

omggg thank you that means so much!!! ;_; <3

🌸 @ddooyoung asked:

I got my (signed!) copy of the book, and I love it SO MUCH. It's everything I was hoping and more. I love finally getting to know them, especially Momo. Since the first time I saw them, I thought Momo was a lot like me and now I have confirmation 😆 Thank you so much for writing such a wonderful story!!! I'm excited for everything you do 💗

WAHH thank you so much!! yesss i'm so overjoyed to finally share their story after so long! i hope the signature turned out okay, i was very nervous signing books for the first time (shaky hand and everything) 😱 i think next time it would be fun to make a custom stamp and stamp a doodle next to my signature hehe. thank you again!!! 💕

🌸 Anonymous asked:

I somehow missed the news about your having created a whole damn book?? was just flipping through yu & me books's holiday gift guide and did a double take when I saw priscilla and momo!! zoomed in and sure enough, there was your name at the bottom! congrats on ihym and congrats on being featured on rec lists from shops as cool as yu & me 🎉😍

omggg thank you thank you!! 🥰 AHHH yu & me books looks so amazing! i've been to new york just once but if i ever get to go back i have to visit them... i'm always looking for indie bookstores to throw my money at 😤

🌸 Anonymous asked:

1. Will there be an “if you’ll have me” sequel? 2. Is Momo her full name or a Nick name? If it’s a Nick name what is her full name? Thank you i love your work! ❤️😊

ahh there's no sequel planned as of right now! but i'd love to make one if i get the chance... i have some ideas that i think would be fun <3 and momo gardner is her full name! i liked gardner because it made me think of flowers ☺️❤️ thank you so much!!

🌸 @upsidedown-shadow-dreamer asked:

Hello, long time fan here. If You'll Have Me was delivered an hour ago and I've already finished my first read. OMG it's AMAZING. I love the story, the beautiful art, the inner thoughts, the pacing, the page color changes for back story… Just major WOW. I hope you are so proud of this work. I'm already looking forward to reading it again. Thank you!!!

this is sooooo AHHHHH T_T i'm in tears. i can't tell you how happy and thrilled i am to hear this!!! it's so encouraging and uplifting and ahh!! i want to make more stories... and just knowing that this book will be read by the same person more than once, omg! it's truly the highest of praise. thank you from the bottom of my heart <333

🌸 Anonymous asked:

Hello!! I just remembered I could borrow graphic novels as e-books from my local library, found IYHM, devoured the entire thing in one sitting, then went through your tags so I could look at all your other IYHM art, and I was wondering if you'll make more stories about Momo and PG because I can't get enough of them! Absolutely obsessed with these two and I love seeing them so happy together 💖💖💖💖

hello!! oh i'm absolutely over the moon about this! i can definitely see myself making a follow-up book if i'm so lucky 🙏 but i'll keep on drawing more minicomics and illustrations no matter what!! thank you so much for this wonderful message 💕💕💕💕

🌸 Anonymous asked:

hi!! love love love your art!!! do you think we can expect to see another graphic novel about momo and priscilla in the future?

🌸 Anonymous asked:

I’ve read IYHM so many times already and I absolutely loved it!!!! Are you planning on writing another book with Momo and PG? Is is there a way we can buy more of your stories?

thank you both so much!!!! <3 a sequel is actually one of the ideas i pitched for my second book! my editor cautioned against it in case IYHM didn't perform well, so i ended up going in a different direction - but my fingers are crossed for future opportunities 😤 realistically, it will probably depend on sales... but for the record, i'd want to do one regardless of the numbers...

i have one more book coming out, which i'm working on right now! the timeline is a bit up in the air atm but i'll try to keep everyone posted. making a book is so slow but i'm so grateful to you all for waiting 🥺💛

🌸 @randomqueernoun asked:

Do you make webcomics for other apps/websites? If yes where can I find them and what do I search in them to find your comics?

ahh not at the moment! but thank you SO much for the interest! one of my biggest goals right now is to set up a website where i have all my work in one place, and that would definitely be the place where i post future webcomics 👀

also, just as an aside... i want to make webcomics so bad. i think after my next book, i might take a break from traditional publishing to do that. sometimes i can't believe i'm drawing hundreds of pages i can't post... i'm like, how are people supposed to read this if i can't show them? how will they know?! ahh it kills me... but yes... someday!!!

part 3 to come~

[anim-ttrpgs]

Cover your eyes! Announcing the Gorgon Initiative for Eureka: Investigative Urban Fantasy

(promotional art by @theblackwarden, one of our team artists)

Okay so, we had a bunch of stretch goals in the Eureka: Investigative Urban Fantasy Kickstarter, and we actually did hit more of them than expected, but there was one of them we didn’t hit, the playable gorgon.

The gorgon being a playable monster type was stuck at the very back of the stretch goal list, mainly because we thought of it way later than all the other stretch goals, but honestly it was one of the possibilities that I was most excited for, and apparently, so were a whole lot of our fans. The gorgon monster type would perfectly round out Eureka’s roster of playable supernatural creatures, and we would really like to make it happen, despite not really having the budget for it since we didn’t hit the stretch goal.

Here are a few of what the gorgon’s key features would have been:

>Anyone who makes direct eye-contact with the gorgon turns to stone.

>A venomous bite, making them gorgon the second playable monster type to be able to inflict a poison effect.

>Cold-blooded. Won’t feel great in low temperature environments, but won’t show up on thermal sensors either.

>Scaly skin.

>Snake hair optional.

>Claws.

>Eating people like a snake.

And all this wrapped up in Eureka’s unique humanity-focused approach to monsters. How will your PC cope with their power to instantly kill anyone who looks at them wrong, whether they want to or not? That’s the kind of character development you can look forward to with a gorgon in the party.

So here is what we are going to do to make it happen despite the budget not accounting for it. It’s going to be a patreon initiative.

(promotional art by @qsycomplainsalot, one of our team artists)

If we can get up to 50 total paid patreon subscribers by the end of June, we will put the gorgon in the game. Currently, we have 33, so if y'all can manage to make that climb to 50 by July 1st, we will promise to make time and budget to add the gorgon in to the rulebook before final release. Ultimately, even 20-ish more patreon subscribers is less money than the stretch goal would have been, but we feel that it would be a good enough addition to the game to justify, especially because it's what the fans want, and because long-term patreon support is very valuable. You get regular Eureka rulebook PDFs as a part of the patreon, and even though there is also a free demo, the more more-updates copies or Eureka floating around, the better. We want people actually playing this game, and playing better and better versions of it. We’d release it all for free if we didn’t need the money to “earn a living.”

Supporting us on patreon isn’t pure charity either. At the $3 tier, you get access to our patreon discord server where our team discusses development of the game and gets feedback from fans, as well in a vote on which projects we tackle next.

At the $5 tier and beyond, you get that, plus regular PDFs of the most current and up-to-date version of our projects. In addition to a version of the Eureka rulebook with many more features than the current free version, there’s stuff you currently can’t get anywhere else, like Eureka adventure modules, short stories, and even a novella, all unreleased anywhere else.

So, sign up to our patreon, it’s only a few dollars a month, and help out with the gorgon initiative. At the time of writing this, we have 33/50 paid subscribers, and I’ll update the goal as we go.

And below the cut, I’ll show you the current changelog for the Eureka rulebook, so you can see what all $5+ patreon subscribers are going to get in the next big patreon update coming Thursday, June 6th. This changelog isn’t even fully conclusive, as work will continue on the rulebook throughout the week to make it even better before Thursday. That's a whole lot for just $5! I will also post the rough notes that exist for the gorgon mechanics as they appear right now.

(A new version of Eureka: Investigative Urban Fantasy will be coming to $5+ patreon subscribers on the first Thursday of the month every month until final release, and after that you'll start getting the beta versions of whatever our next project turns out to be.)

CHANGELOG

CHAPTER 1

Have started working on replacing the examples of play with updated ones that actually fit the current and slightly more stable version of the rules. These will be found in various chapters. You can see them in the table of contents.

Added a Foreword, a section on other media to offer you inspiration when playing eureka, and a section on some of the subtler themes of eureka

Copy-edited Foreword

A few minor clarifications in the Making Rolls section

Added a chart explaining the percentage chances of failures, partial successes, and full successes for modifiers from -7 to +7. 

Added Heat optional rule. A whole new set of mechanics for tracking how much police attention the investigators may be drawing, as well as how law enforcement will respond. Currently a work-in-progress, but mostly functional already.

CHAPTER 2

Added the Forgery skill to write-in skills

Many new snoops have been added. 

Removed the “Seating” stat for vehicles, you know how many people can safely fit in a car

Removed the placeholder boat entries from the item list because we did not hit that kickstarter stretch goal

Added Skateboard to item list. 

Added four-wheeler to item list. 

Added Acceleration values to all vehicles in the vehicle list. Acceleration is a new stat used with the new way that Speed is calculated for Chases.

Adjusted the Driving bonus of motorcycles and dirtbikes.

Changed Large Mansion cost to 25 Wealth Points in character creation.

Started copy-editing this chapter.

CHAPTER 3

Added vehicle crashes to irregular forms of damage section

CHAPTER 4

CHAPTER 5

CHAPTER 6

Completely revamped the way that Speed is calculated. 

Added a mechanic to determine how many nodes ahead a fleeing character starts.

Added an optional rule for bringing an end to chases 

Added vehicle attack rules for use during car chases

Added more guidelines for how to make your own obstacles

Added recommended numbers of nodes for chases and recommended distance between obstacles 

Added the work-in-progress random obstacle tables

On-Foot Urban Chase Obstacles table is finished but not edited

CHAPTER 7

CHAPTER 8

Increased capacity of an unfurled thing from beyond’s ‘stomach’ from three to fourteen.

Thing from beyond can now more easily attempt to engulf more victims after already containing one or more. This now prompts an escape attempt by victims inside rather than automatic escape.

Thing from beyond can now get a bonus to mimicry attempts by consuming a sample of the intended mimicry target’s DNA. 

Thing from beyond can now attempt to mimic a person they have never seen or heard by consuming a sample of their DNA, but narrator makes a hidden roll about it, so accuracy of mimicry will be unknown.

Gave acceleration value to witch’s brooms and other flying transportation

Gave Acceleration of +6 to Superhuman Speed trait

Gave vampire small bat manifestation +2 Acceleration

Gave vampire wolf manifestation +4 Acceleration 

Gave vampire massive bat beast manifestation +4 Acceleration

Gave wolfman wolf form +4 Acceleration

Gave lycanthrope wolf form +4 Acceleration

Added ability to resist curses to fairy and witch

Added ability for fairy to transfer curses to different names as a means of protecting themselves from curses. This gives them more of an incentive to collect names. 

Added a tiny bit about the fairy world

Added Monsters Eating Monsters section to provide rulings for some edge cases where monsters might eat other monsters and what would happen if they did

ROUGH GORGON DESIGN NOTES

[Notes: Turn people to stone by looking them in the eye. Definitely not a power that the Gorgon can turn on and off, they will have to cover their eyes somehow, such as dark sunglasses or a veil, to prevent it happening to everyone they make eye contact with. Also works the other way around so you could protect yourself by wearing dark sunglasses. Still works even if the Gorgon is dead, like in the legends. Does not work through cameras, reflections, images, etc. Turning to stone is permanent, basically instant kill? Works like the witch curse except with infinite duration unless a witch undoes it like a curse. If there is no eye protection, could be a reflex roll on the gorgon’s part or on an aware victim’s part to break eye-contact quickly enough for the curse not to take effect. Also, they could have some kind of bonus to Threaten because all the legends say that they look particularly frightening.

Have claws and maybe scaly skin or scales in patches, maybe snake-like eyes and snake tongue that can taste air? Sharp teeth and maybe venomous snake fangs? People will really really want their gorgons to have snake hair even though in the legends, it was only Medusa herself that had snake hair. Compromise by making it an optional rule agreed upon by narrator and player that they have snake hair. Snakes may have venomous bite attack but the trade off is that it makes it way harder to conceal the gorgon’s identity as a Gorgon.

Gorgons do not regain composure points from turning people to stone, all other monsters regain composure points by *consuming* their victims in some way, except for fairies who regain composure from playing mean pranks because it makes them happy. Keeping with the rule of monsters eating people and also the fact that the legends always describe gorgons as having snake-like trait, maybe they swallow victims whole like a snake? Great horror concept but takes a long time. Could mechanically work very very similar to thing from beyond’s composure restoration where they gain 1 composure point each day for however many days. Could advise loose and bulky clothing to cover this up. Cannot really decide how to codify this because the most obvious way would make it pretty impossible to hide for a very long time. Could probably make multiple optional rules that regain composure at different rates and digest victims at different rates. One option that gets a lot more composure over time from a single victim like the thing from beyond but is very conspicuous that entire time. Other option that digests the whole victim extremely fast so they are only conspicious for a short time but ultimately less composure from a single kill. No option to regain composure from victim without killing them, like thing from beyond. No composure restoration from normal food but can eat it to stay alive, like the thing from beyond?

Do they have proper weaknesses besides just the normal things that everybody is weak to, like sharp objects? Probably should not have the Unkillable trait, but need to come up with at least one weakness that does not stray too far from the legends. Maybe they are cold-blooded, following the snake theme? Makes them very vulnerable to cold temperatures, and jackets and blankets don’t help because they don’t produce their own body heat. Big Physical skill penalties when they are in cold environments?

What is their second mandatory monster trait? They don’t *need* one but every other monster has their powers split across two monster traits.] 

Actually it would be pretty good if they had to make a Monster(fear) Composure check if they saw their face in the mirror

Their blood is either healing or poisonous depending on if it is from the left or right side. left side kills, right side heals. Make it  veinous vs arterial blood.....  But this would have no effect on vampires 

We have GOT to get the gorgon in if we have time, it’s such a good idea

Elegantly designed and thoroughly playtested, Eureka represents the culmination of three years of near-daily work from our team, as well as a lot of our own money. If you’re just now reading this and learning about Eureka for the first time, you missed the crowdfunding window unfortunately, but our Kickstarter page is still the best place to learn more about what Eureka: Investigative Urban Fantasy actually is, as that is where we have all the fancy art assets, the animated trailer, links to video reviews by podcasts and youtubers, and where we post regular updates on the status of our progress finishing the game and getting it ready for final release.

Beta Copies through the Patreon

If you want more than just status updates, going forward you can download regularly updated playable beta versions of Eureka: Investigative Urban Fantasy and it’s adventure modules by subscribing to our Patreon at the $5 tier or higher. Subscribing to our patreon also grants you access to our patreon discord server where you can talk to us directly and offer valuable feedback on our progress and projects.

The A.N.I.M. TTRPG Book Club

If you would like to meet the A.N.I.M. team and even have a chance to play Eureka with us, you can join the A.N.I.M. TTRPG Book Club discord server. It’s also just a great place to talk and discuss TTRPGs, so there is no schedule obligation, but the main purpose of it is to nominate, vote on, then read, discuss, and play different indie TTRPGs. We put playgroups together based on scheduling compatibility, so it’s all extremely flexible. This is a free discord server, separate from our patreon exclusive one. https://discord.gg/7jdP8FBPes

Other Stuff

We also have a ko-fi and merchandise if you just wanna give us more money for any reason.

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

[bluedelliquanti]

Before I go on vacation, I present my list of my top books for 2024.

COMICS:

Roaming by Jillian Tamaki & Mariko Tamaki

Bunt! by Ngozi Ukazu & Mad Rupert

Ukazu and Rupert are a powerhouse team, and as an art school adjunct, this already funny GN is even funnier (albeit in a way that necessitates a skull emoji in the educator groupchat)

Tiffany’s Griffon by Magnolia Porter Siddell & Maddi Gonzalez

Phobos and Deimos by J Dalton

Delicious in Dungeon by Ryoko Kui

It's a tough task to reach a satisfying conclusion to a series that was as strong as Dungeon, but I think Kui accomplished it!

Fool Night by Kasumi Yasuda

King in Limbo by Ai Tanaka

Over the last year I've been drawn towards comic series that work with a retro, fixed-width inking style, and King especially informed some recent experiments of mine.

PROSE:

Twins by Bari Wood & Jack Geasland

When I learned Wood was responsible for the book that became Dead Ringers, I knew I had to try it. This is the one that wins my "Oh, shit! Wow!! Okay!!!" award for the year (distinctions previously awarded to Cyteen and Manhunt).

The Bezzle by Cory Doctorow

DS9: A Stitch in Time by Andrew J. Robinson

Those of you who read my journal comic from last August might recall that I met Robinson at a Trek convention! I'd learned from reading these books that Stitch was considered a white whale among collectors, and now I absolutely understand why. If you're a DS9 fan and you want to try any book from the original run of novels, try this one. By which I mean, try the far easier-to-find audiobook version.

Translation State by Ann Leckie

A Woman of the Iron People by Eleanor Arnason

Fellow SBCF participant Erin Roseberry had shared this title as an inspiration for their comic, The Maker of Grave-Goods, and I was especially interested in trying a book by a Twin Cities author. What a serendipitous find!

Arboreality by Rebecca Campbell

For the third year in a row, a book nominated for the Le Guin Prize makes the list.

Always Coming Home by Ursula K. Le Guin

This is another book I always told myself I'd try someday, and was it ever worth it! I spent some time talking about my experience with this story (and its accompanying materials that fill out the world) in my talk with Evan Dahm on his show.

See you in the new year! I've packed some thick books for a long flight, so I'm starting my 2025 reading pile right away!

Reruns of my previous two lists, 2023, and 2022, below the cut.

2023

COMICS:

Yokohama Kaidashi Kikou by Hitoshi Ashinano

Out of Style by Devi Putri Megwati

Skip and Loafer by Misaki Takamatsu

The Harrowing of Hell by Evan Dahm

The Infinity Particle by Wendy Xu

Esteban by Matthieu Bonhomme

I covered my ShortBox reccs back in October, but since then I also picked up Pearl Hunting by Hana Chatani when it came to itch.io and adored it.

PROSE: 

So yes, maybe I'm cheating by including Moby Dick since I'm not all the way finished, but Whale Weekly really did end up being a great tool for getting me to crack open my gorgeous Evan Dahm-illustrated copy I've had for a while.

My favorite book of the year is Roadside Picnic by Arkady & Boris Strugatsky. I genuinely did read it the first week of January, but after having it recommended to me for years, I'm thrilled it didn't disappoint. Maybe I am someone who likes Russian novels after all???

Kitchen by Banana Yoshimoto

Such Nice People by Sandra Scoppettone

Cyteen by C.J. Cherryh (I jokingly placed these three in the "READ 👏 FEMALE 👏 AUTHORS 👏" category because they don't have anything in common other than describing some of the most upsetting/bizarre scenarios I've read this year. Cyteen especially! Wowee!!!)

Brother Alive by Zain Khalid

Glory by Vladimir Nabokov

A Different Trek by David K. Seitz, which I mentioned as my vacation book for the Star Trek convention, but it's given me some great suggestions for more books, both fiction and otherwise. Also, I read... 11 more DS9 books this year. 

2022

COMICS:

Fullmetal Alchemist by Hiromu Arakawa

Vattu by Evan Dahm

The Well by Choo and Jake Wyatt

Wash Day Diaries by Robyn Smith and Jamila Rowser

Some ShortBox Comics Fair entries that are graphic novella length and are really good include Food School by Jade Armstrong and The God of Arepo by Reimena Yee et al.

PROSE:

Detransition, Baby by Torrey Peters

The Murders of Molly Southbourne by Tade Thompson

How to Blow Up a Pipeline by Andreas Malm

Manhunt by Gretchen Felker-Martin

Dead Collections by Isaac Fellman

Pale Fire by Vladimir Nabokov

A Psalm for the Wild-Built by Becky Chambers

The Past is Red by Catherynne M. Valente

edit: oh my god I can't believe I forgot Perfume by Patrick Süskind

Honorable mentions from the pile of DS9 novelizations include Revenant by Alex White (for successfully pulling off a Sara Paretsky-style mystery in space) and Dominion War: Call to Arms by Diane Carey (for absolutely unhinged adjective choices).

[redgoldsparks]

I went all out for Hourly Comics Day 2025! These took between 6-7 hours to draw across three days, and then another at least hour to scan and edit which I wasn't in the mood to do which is why they are a week late lol. Had a wonderful time at Lumacon though and I'm glad I was able to document it! Transcript below the cut :)

insta / patreon / portfolio / etsy / my books / print store / bluesky

Page 1

7:50am: Alarm goes off

Morning phone: check eSIMs, insta, discord, Spanish vocab 

El tiene pelo largo 

Jonathan Van Ness, is that you…?

Drops App 

8am: My friends gave me a delicious new black tea that’s very easy to over steep 

3 minutes seemed too long, but 2:30 was a bit weak… I’ll try 2:45… 

Honestly, I prefer a tea where I can leave the bag in the whole time I drink the cup… 

For the first time in many years I’m actually doing something cool on hourly comics day! Today is Lumacon! This is the show’s 11th year- I think I’ve only missed 1. For the first time, it’s raining on con day!

Page 2

I’m so glad we had another avocado!

This bagel was so chunky I cut it into perfect thirds. Perfection

It’s so rare that I’m awake before my parents… SIP

Should I write about Larrupin sauce? My friend Alina buys this for me up in Humboldt since it’s hard to find… 

Every object/moment suggests a story when I’m paying attention! 

8 to 9am

Page 3 

Pick up Martina! Very cute raincoat (@martinamonster-art )

Chatting and Ateez on the drive 9 to 9:30

OMG why am I drawing cars :( 

LUMACON! 10-11AM 

My newest zine is a recruitment zine for Authors Against Book Bans (AABB). 

I zero in on folks I know to be authors–

Maia: I want you– 

Author: Me? 

Maia: To join AABB! (info zine)

Author: Oh thanks! I will! 

Maia: This zine is so fun to hand out!

Page 4 

Teen: Thank you so much for writing Gender Queen. I gave it to my mom and she credits it for a lot of her understanding. I came out as gender queer a year ago and she said “I love you.” I don’t know if that would have been possible without the book! 

Maia: Thank you for saying that! 

Different teen: I want to buy a copy of your book but I need to make more sales first. 

Maia: Where’s your table? 

Teen: Behind you 

Look. 

I spot some of the cutest round crochet bois I’ve ever seen including a nonbinary bee

Maia: Can I please trade you a book for that bee?! 

Teen: OMG yes! 

You know it’s a good trade when both parties think they got the better deal! 

12pm 

Page 5

I check in with Anna (@thebeanbaguette) 1pm 

Maia: How’s the con so far? 

Anna: Really good! I love how many furries are here! 

Maia: Oh yeah it’s fun

Maia: I had never seen the skull fursuit head before this show… for the size event it’s impressive furry turn out 

Cute goth/pastel couple 

Anna: To be honest, I’d love to get a fursuit head one day… and the hands! 

Anna: But I don’t know what animal…

(Table is covered in cute rats)

Later, another friend comments 

Cynthia: So many furries here! 

Maia: Yes, the per capita is very high… sign of a healthy ecosystem! 

(we all wore masks all day I just forgot to draw them) 

Page 6 

My friend Nic comes to visit & cover my table during my lunch break- 2pm

Nic: Don’t worry I’ll do my best impersonation of you! I’ll even sign books with your name!

Maia: Okay, great, thanks!

Maia: (Has not had water, snack or bathroom break in 6 hours)

Later we chat with Gio, another friend about knowing when a story is done

Maia: I had a publisher reject a pitch basically saying “this isn’t fully baked yet” which… was true. 

Nic: Unfortunately I’m doing that to myself! I’m on the 4th draft of this short story that just needs to be done. 

Gio: But when it’s a personal project how do you know? 

Gio: When it’s my own work, no deadline, no editor, it’s tempting to just keep putting it back in the oven. But at what point are you like, I’m making crackers. I thought it was bread but it turned into crackers! 

Page 7

3-4pm last hour of the con

My parents came! My Taekwondo teacher came! A trans teen who came to my first Gender Queer event in 2019 came! I saw so many friends & my heart is full! Thank you Luma! 

4:30

Maia: I think I’m ready to go…

Table: EMPTY

Martina: Me too! 

Maia & Martina: LOOK 

Anna- nothing packed, stuff fully out

Anna: Haha, you go! I pack slowly! 

In the parking lot & rain 

Maia: I’m really glad you came! 

Martina: Thanks for talking me into it! 

Martina: You’ve been manifesting this since September! 

Maia: Haha yes, 

(I talked both Martina & Anna into applying for this show; Martina’s first zinefest table! 

Page 8

5pm I drive home 

after all the rain, the ditches & fields are flooded 

Maia (texting): I just got home

Anna (texting): I haven’t left the venue yet

Page 9

6pm I should be unpacking but I’m lying in bed looking at my phone! 

Maia: Wow so many hourlies! I haven’t even started! I’d rather read them on tumblr & patreon later. How is my finch doing? 

Nic incepted our entire friend group into the finch app back in January. I’m pretty hooked. In the finch app you make a little bird persona who travels the world & gains experiences. You give it energy & earn points by crossing items off your to do list & completing self care tasks like stretching or drinking water. 

Maia: To be honest, I don’t really need an app to help me do tasks. But look how cute my bird is!!! Also! You can get pets for your bird! I have five! Owl, seal, caribou, ball of fluff, cow

Later, I pet my real cat. 

Maia: Don’t worry you are my actual favorite pet. 

Page 10 

7pm: Dinner with my parents. Big salad, fried tofu. We talk about clay deposits in odd places. 

My dad: There’s that Bentonite clay at Shell Beach! That’s the kind you want for poison oak rashes. 

My mom: And the deposit at school by the office, some teachers have kids use that for crafts. 

8pm: Formatting my January book reviews

I really like the monthly wrap-ups that Storygraph generates. 

Books: 11 Pages: 2855 Average Rating: 3.91

LGBTQIA: 5 Fantasy: 4 Comic: 4 Contemporary: 3 Romance: 3

9pm: I fall into the trap of looking at the news which I’ve avoided all day. Escape to tumblr where I discover some amazing Ranma ½ fanart. Should I reread it? 

10-12am: I draw the first 4 pages of these comics then go to bed! 

In total, drawing these takes 6 or 7 hours across 3 days. -Maia Kobabe 2025 

[hms-no-fun]

Hi! I just read your post about your opinion on "AI" and I really liked it. If it's no bother, what's your opinion on people who use it for studying? Like writing essays, solving problems and stuff like that?

I haven't been a fan of AI from the beginning and I've heard that you shouldn't ask it for anything because then you help it develop. But I don't know how to explain that to friends and classmates or even if it's true anymore. Because I've seen some of the prompts it can come up with and they're not bad and I've heard people say that the summaries AI makes are really good and I just... I dunno. I'm at a loss

Sorry if this is a lot or something you simply don't want to reply to. You made really good points when talking about AI and I really liked it and this has been weighing on me for a while :)

on a base level, i don't really have a strongly articulated opinion on the subject because i don't use AI, and i'm 35 so i'm not in school anymore and i don't have a ton of college-aged friends either. i have little exposure to the people who use AI in this way nor to the people who have to deal with AI being used in this way, so my perspective here is totally hypothetical and unscientific.

what i was getting at in my original AI post was a general macroeconomic point about how all of the supposed efficiency gains of AI are an extension of the tech CEO's dislike of paying and/or giving credit to anyone they deem less skilled or intelligent than them. that it's conspicuous how AI conveniently falls into place after many decades of devaluing and deskilling creative/artistic labor industries. historically, for a lot of artists the most frequently available & highest paying gigs were in advertising. i can't speak to the specifics when it comes to visual art or written copy, but i *can* say that when i worked in the oklahoma film industry, the most coveted jobs were always the commercials. great pay for relatively less work, with none of the complications that often arise working on amateur productions. not to mention they were union gigs, a rare enough thing in a right to work state, so anyone trying to make a career out of film work wanting to bank their union hours to qualify for IATSE membership always had their ears to the ground for an opening. which didn't come often because, as you might expect, anyone who *got* one of those jobs aimed to keep it as long as possible. who could blame em, either? one person i met who managed to get consistent ad work said they could afford to work all of two or three months a year, so they could spend the rest of their time doing low-budget productions and (occasionally) student films.

there was a time when this was the standard for the film industry, even in LA; you expected to work 3 to 5 shows a year (exact number's hard to estimate because production schedules vary wildly between ads, films, and tv shows) for six to eight months if not less, so you'd have your bills well covered through the lean periods and be able to recover from what is an enormously taxing job both physically and emotionally. this was never true for EVERYONE, film work's always been a hustle and making a career of it is often a luck-based crapshoot, but generally that was the model and for a lot of folks it worked. it meant more time to practice their skills on the job, sustainably building expertise and domain knowledge that they could then pass down to future newcomers. anything that removes such opportunities decreases the amount of practice workers get, and any increased demand on their time makes them significantly more likely to burn out of the industry early. lower pay, shorter shoots, busier schedules, these aren't just bad for individual workers but for the entire industry, and that includes the robust and well-funded advertising industry.

well, anyway, this year's coca-cola christmas ad was made with AI. they had maybe one person on quality control using an adobe aftereffects mask to add in the coke branding. this is the ultimate intended use-case for AI. it required the expertise of zero unionized labor, and worst of all the end result is largely indistinguishable from the alternative. you'll often see folks despair at this verisimilitude, particularly when a study comes out that shows (for instance) people can't tell the difference between real poetry and chat gpt generated poetry. i despair as well, but for different reasons. i despair that production of ads is a better source of income and experience for film workers than traditional movies or television. i despair that this technology is fulfilling an age-old promise about the disposability of artistic labor. poetry is not particularly valued by our society, is rarely taught to people beyond a beginner's gloss on meter and rhyme. "my name is sarah zedig and i'm here to say, i'm sick of this AI in a major way" type shit. end a post with the line "i so just wish that it would go away and never come back again!" and then the haiku bot swoops in and says, oh, 5/7/5 you say? that is technically a haiku! and then you put a haiku-making minigame in your crowd-pleasing japanese nationalist open world chanbara simulator, because making a haiku is basically a matter of selecting one from 27 possible phrase combinations. wait, what do you mean the actual rules of haiku are more elastic and subjective than that? that's not what my english teacher said in sixth grade!

AI is able to slip in and surprise us with its ability to mimic human-produced art because we already treat most human-produced art like mechanical surplus of little to no value. ours is a culture of wikipedia-level knowledge, where you have every incentive to learn a lot of facts about something so that you can sufficiently pretend to have actually experienced it. but this is not to say that humans would be better able to tell the difference between human produced and AI produced poetry if they were more educated about poetry! the primary disconnect here is economic. Poets already couldn't make a fucking living making poetry, and now any old schmuck can plug a prompt into chatgpt and say they wrote a sonnet. even though they always had the ability to sit down and write a sonnet!

boosters love to make hay about "deskilling" and "democratizing" and "making accessible" these supposedly gatekept realms of supposedly bourgeois expression, but what they're really saying (whether they know it or not) is that skill and training have no value anymore. and they have been saying this since long before AI as we know it now existed! creative labor is the backbone of so much of our world, and yet it is commonly accepted as a poverty profession. i grew up reading books and watching movies based on books and hearing endless conversation about books and yet when i told my family "i want to be a writer" they said "that's a great way to die homeless." like, this is where the conversation about AI's impact starts. we already have a culture that simultaneously NEEDS the products of artistic labor, yet vilifies and denigrates the workers who perform that labor. folks see a comic panel or a corporate logo or a modern art piece and say "my kid could do that," because they don't perceive the decades of training, practice, networking, and experimentation that resulted in the finished product. these folks do not understand that just because the labor of art is often invisible doesn't mean it isn't work.

i think this entire conversation is backwards. in an ideal world, none of this matters. human labor should not be valued over machine labor because it inherently possesses an aura of human-ness. art made by humans isn't better than AI generated art on qualitative grounds. art is subjective. you're not wrong to find beauty in an AI image if the image is beautiful. to my mind, the value of human artistic labor comes down to the simple fact that the world is better when human beings make art. the world is better when we have the time and freedom to experiment, to play, to practice, to develop and refine our skills to no particular end except whatever arbitrary goal we set for ourselves. the world is better when people collaborate on a film set to solve problems that arise organically out of the conditions of shooting on a live location. what i see AI being used for is removing as many opportunities for human creativity as possible and replacing them with statistical averages of prior human creativity. this passes muster because art is a product that exists to turn a profit. because publicly traded companies have a legal responsibility to their shareholders to take every opportunity to turn a profit regardless of how obviously bad for people those opportunities might be.

that common sense says writing poetry, writing prose, writing anything is primarily about reaching the end of the line, about having written something, IS the problem. i've been going through the many unfinished novels i wrote in high school lately, literally hundreds of thousands of words that i shared with maybe a dozen people and probably never will again. what value do those words have? was writing them a waste of time since i never posted them, never finished them, never turned a profit off them? no! what i've learned going back through those old drafts is that i'm only the writer i am today BECAUSE i put so many hours into writing generic grimdark fantasy stories and bizarrely complicated werewolf mythologies.

you know i used to do open mics? we had a poetry group that met once a month at a local cafe in college. each night we'd start by asking five words from the audience, then inviting everyone to compose a poem using those words in 10 to 15 minutes. whoever wanted to could read their poem, and whoever got the most applause won a free drink from the cafe. then we'd spend the rest of the night having folks sign up to come and read whatever. sometimes you'd get heartfelt poems about personal experiences, sometimes you'd get ambitious soundcloud rappers, sometimes you'd get a frat guy taking the piss, sometimes you'd get a mousy autist just doing their best. i don't know that any of the poetry i wrote back then has particular value today, but i don't really care. the point of it was the experience in that moment. the experience of composing something on the fly, or having something you wrote a couple days ago, then standing up and reading it. the value was in the performance itself, in the momentary synthesis between me and the audience. i found out then that i was pretty good at making people cry, and i could not have had that experience in any other venue. i could not have felt it so viscerally had i just posted it online. and i cannot wrap up that experience and give it to you, because it only existed then.

i think more people would write poetry if they had more hours in a day to spare for frivolities, if there existed more spaces where small groups could organize open mics, if transit made those spaces more widely accessible, if everyone made enough money that they weren't burned the fuck out and not in the mood to go to an open mic tonight, if we saw poetry as a mode of personal reflection which was as much about the experience of having written it as anything else. this is the case for all the arts. right now, the only people who can afford to make a living doing art are already wealthy, because art doesn't pay well. this leads to brain drain and overall lowering quality standards, because the suburban petty bouge middle class largely do not experience the world as it materially exists for the rest of us. i often feel that many tech CEOs want to be remembered the way andy warhol is remembered. they want to be loved and worshipped not just for business acumen but for aesthetic value, they want to get the kind of credit that artists get-- because despite the fact that artists don't get paid shit, they also frequently get told by people "your work changed my life." how is it that a working class person with little to no education can write a story that isn't just liked but celebrated, that hundreds or thousands of people imprint on, that leaves a mark on culture you can't quantify or predict or recreate? this is AI's primary use-case, to "democratize" art in such a way that hacks no longer have to work as hard to pretend to be good at what they do. i mean, hell, i have to imagine every rich person with an autobiography in the works is absolutely THRILLED that they no longer have to pay a ghost writer!

so, circling back around to the meat of your question. as far as telling people not to use AI because "you're just helping to train it," that ship has long since sailed. getting mad at individuals for using AI right now is about as futile as getting mad at individuals for not masking-- yes, obviously they should wear a mask and write their own essays, but to say this is simply a matter of millions of individuals making the same bad but unrelated choice over and over is neoliberal hogwash. people stopped masking because they were told to stop masking by a government in league with corporate interests which had every incentive to break every avenue of solidarity that emerged in 2020. they politicized masks, calling them "the scarlet letter of [the] pandemic". biden himself insisted this was "a pandemic of the unvaccinated", helpfully communicating to the public that if you're vaccinated, you don't need to mask. all those high case numbers and death counts? those only happen to the bad people.

now you have CEOs and politicians and credulous media outlets and droves of grift-hungry influencers hard selling the benefits of AI in everything everywhere all the time. companies have bent over backwards to incorporate AI despite ethics and security worries because they have a fiduciary responsibility to their shareholders, and everyone with money is calling this the next big thing. in short, companies are following the money, because that's what companies do. they, in turn, are telling their customers what tools to use and how. so of course lots of people are using AI for things they probably shouldn't. why wouldn't they? "the high school/college essay" as such has been quantized and stripmined by an education system dominated by test scores over comprehension. it is SUPPOSED to be an exercise in articulating ideas, to teach the student how to argue persuasively. the final work has little to no value, because the point is the process. but when you've got a system that lives and dies by its grades, within which teachers are given increasingly more work to do, less time to do it in, and a much worse paycheck for their trouble, the essay increasingly becomes a simple pass/fail gauntlet to match the expected pace set by the simple, clean, readily gradable multiple choice quiz. in an education system where the stakes for students are higher than they've ever been, within which you are increasingly expected to do more work in less time with lower-quality guidance from your overworked teachers, there is every incentive to get chatgpt to write your essay for you.

do you see what i'm saying? we can argue all day about the shoulds here. of course i think it's better when people write their own essays, do their own research, personally read the assigned readings. but cheating has always been a problem. a lot of these same fears were aired over the rising popularity of cliffs notes in the 90s and 2000s! the real problem here is systemic. it's economic. i would have very little issue with the output of AI if existing conditions were not already so precarious. but then, if the conditions were different, AI as we know it likely would not exist. it emerges today as the last gasp of a tech industry that has been floundering for a reason to exist ever since the smart phone dominated the market. they tried crypto. they tried the metaverse. now they're going all-in on AI because it's a perfect storm of shareholder-friendly buzzwords and the unscientific technomythology that's been sold to laymen by credulous press sycophants for decades. It slots right into this niche where the last of our vestigial respect for "the artist" once existed. it is the ultimate expression of capitalist realism, finally at long last doing away with the notion that the suits at disney could never in their wildest dreams come up with something half as cool as the average queer fanfic writer. now they've got a program that can plagiarize that fanfic (along with a dozen others) for them, laundering the theft through a layer of transformation which perhaps mirrors how the tech industry often exploits open source software to the detriment of the open source community. the catastrophe of AI is that it's the fulfillment of a promise that certainly predates computers at the very least.

so, i don't really know what to tell someone who uses AI for their work. if i was talking to a student, i'd say that relying chatgpt is really gonna screw you over when it comes time take the SAT or ACT, and you have to write an essay from scratch by hand in a monitored environment-- but like, i also think the ACT and SAT and probably all the other standardized tests shouldn't exist? or at the very least ought to be severely devalued, since prep for those tests often sabotages the integrity of actual classroom education. although, i guess at this point the only way forward for education (that isn't getting on both knees and deep-throating big tech) is more real-time in-class monitored essay writing, which honestly might be better for all parties anyway. of course that does nothing to address research essays you can't write in a single class session. to someone who uses AI for research, i'd probably say the same thing as i would to someone who uses wikipedia: it's a fine enough place to start, but don't cite it. click through links, find sources, make sure what you're reading is real, don't rely on someone else's generalization. know that chatgpt is likely not pulling information from a discrete database of individual files that it compartmentalizes the way you might expect, but rather is a statistical average of a broad dataset about which it cannot have an opinion or interpretation. sometimes it will link you to real information, but just as often it will invent information from whole cloth. honestly, the more i talk it out, the more i realize all this advice is basically identical to the advice adults were giving me in the early 2000s.

which really does cement for me that the crisis AI is causing in education isn't new and did not come from nowhere. before chatgpt, students were hiring freelancers on fiverr. i already mentioned cliffs notes. i never used any of these in college, but i'll also freely admit that i rarely did all my assigned reading. i was the "always raises her hand" bitch, and every once in a while i'd get other students who were always dead silent in class asking me how i found the time to get the reading done. i'd tell them, i don't. i read the beginning, i read the ending, and then i skim the middle. whenever a word or phrase jumps out at me, i make a note of it. that way, when the professor asks a question in class, i have exactly enough specific pieces of information at hand to give the impression of having done the reading. and then i told them that i learned how to do this from the very same professor that was teaching that class. the thing is, it's not like i learned nothing from this process. i retained quite a lot of information from those readings! this is, broadly, a skill that emerges from years of writing and reading essays. but then you take a step back and remember that for most college students (who are not pursuing any kind of arts degree), this skillset is relevant to an astonishingly minimal proportion of their overall course load. college as it exists right now is treated as a jobs training program, within which "the essay" is a relic of an outdated institution that highly valued a generalist liberal education where today absolute specialization seems more the norm. so AI comes in as the coup de gras to that old institution. artists like myself may not have the constitution for the kind of work that colleges now exist to funnel you into, but those folks who've never put a day's thought into the work of making art can now have a computer generate something at least as good at a glance as basically anything i could make. as far as the market is concerned, that's all that matters. the contents of an artwork, what it means to its creator, the historic currents it emerges out of, these are all technicalities that the broad public has been well trained not to give a shit about most of the time. what matters is the commodity and the economic activity it exists to generate.

but i think at the end of the day, folks largely want to pay for art made by human beings. that it's so hard for a human being to make a living creating and selling art is a question far older than AI, and whose answer hasn't changed. pay workers more. drastically lower rents. build more affordable housing. make healthcare free. make education free. massively expand public transit. it is simply impossible to overstate how much these things alone would change the conversation about AI, because it would change the conversation about everything. SO MUCH of the dominance of capital in our lives comes down to our reliance on cars for transit (time to get a loan and pay for insurance), our reliance on jobs for health insurance (can't quit for moral reasons if it's paying for your insulin), etc etc etc. many of AI's uses are borne out of economic precarity and a ruling class desperate to vacuum up every loose penny they can find. all those billionaires running around making awful choices for the rest of us? they stole those billions. that is where our security went. that is why everything is falling apart, because the only option remaining to *every* institutional element of society is to go all-in on the profit motive. tax these motherfuckers and re-institute public arts funding. hey, did you know the us government used to give out grants to artists? did you know we used to have public broadcast networks where you could make programs that were shown to your local community? why the hell aren't there public youtube clones? why aren't there public transit apps? why aren't we CONSTANTLY talking about nationalizing these abusive fucking industries that are falling over themselves to integrate AI because their entire modus operandi is increasing profits regardless of product quality?

these are the questions i ask myself when i think about solutions to the AI problem. tech needs to be regulated, the monopolies need breaking up, but that's not enough. AI is a symptom of a much deeper illness whose treatment requires systemic solutions. and while i'm frustrated when i see people rely on AI for their work, or otherwise denigrate artists who feel AI has devalued their field, on some level i can't blame them. they are only doing what they've been told to do. all of which merely strengthens my belief in the necessity of an equitable socialist future (itself barely step zero in the long path towards a communist future, and even that would only be a few steps on the even longer path to a properly anarchist future). improve the material conditions and you weaken the dominance of capitalist realism, however minutely. and while there are plenty of reasons to despair at the likelihood of such a future given a second trump presidency, i always try to remember that socialist policies are very popular and a *lot* of that popularity emerged during the first trump administration. the only wrong answer here is to assume that losing an election is the same thing as losing a war, that our inability to put the genie back in its bottle means we can't see our own wishes granted.

i dunno if i answered your question but i sure did say a lot of stuff, didn't i?

[dduane]

Hi! Possibly a bit of a weird question for you, but I'm trying to collect all of YW in hardbacks before my old omnibus finally gives out, and I was wondering - do you know if books 1-4 ever got published in hardback with the Harcourt black base/white text cover art? So many websites use blank placeholders that I can't tell if what I'm searching for even exists!

It’s not weird at all. I get occasional inquiries (especially from librarians) about how to get their hands on complete hardcover sets of the Young Wizards books.

Let's make this simpler from the start by establishing that in the forty-plus year history of the series, there has never been a unified hardcover edition of all the YW books, from any of their publishers... mostly because there've been too many publishers over that stretch of time.

Let's take the books in order, as far as possible, and you'll see what happened.

The books' first home was at Delacorte Press, an imprint of Dell Publishing. So You Want To Be A Wizard was published in hardcover in 1983, the Deep Wizardry hc in 1985, and the High Wizardry hc in 1990, with these covers. (The art, respectively, by David Wiesner, Darrell Sweet, and Neal McPheeters.)

All of these editions are now difficult to find in good condition, especially SYWTBAW—which as a first book in a series by a new/untried author, perhaps understandably had a very small print run and was mostly sold to libraries. (The run might have been as small as 1500 copies. It's hard to tell now, as this wasn't data that was shared with authors in those days.) As a result, most copies of the Delacorte SYWTBAW hc are either very beat up, or (if signed and/or in good condition) relatively expensive. The Delacorte DW and HW hardcovers are a little easier to find, but not that much.

In the early 1990s there was a change in publishing direction at Dell shortly after HW came out. The publisher's interest had pivoted toward wanting more bestselling authors; so they jettisoned many then-new or midlist authors so as to be able to pay the best-selling authors more. (In this particular micro-bonfire of the vanities, Dell's stupidity in throwing Jane Yolen overboard, FFS, astounds me to this day.) So though the books continued to be published as paperbacks at other Dell imprints (Laurel-Leaf, Yearling) through the mid-1990s, that was the end of the Dell hardcovers.

The next hardcover publication was therefore in 1990, from GuildAmerica / SF Book Club. Support Your Local Wizard contains SYWTBAW, DW and HW, and was a Book Club bestseller: it sold a quarter million copies and set a record as their most popular new-member-requested book that lasted until they went out of business. As a result, there are a lot of these books around.

Also in plentiful supply is The Young Wizards, which SFBC Fantasy published in 2001. (NB that a lot of sources list this as being a 1984 book, which is incorrect. As it also contains, besides the first three, A Wizard Abroad and The Wizard's Dilemma, this makes it impossible to have been published any sooner than 2001.)

Anyway, after that, things get a bit simpler. In the mid 1990s the series was picked up by Houghton Mifflin Harcourt / Harcourt Trade Publishers' new YA imprint Magic Carpet Books, which began republishing earlier works. Possibly the oddest of these was a small-format (mmpb-sized) hc of SYWTBAW, which turns up here and there used. (I really need to ask Jane some time what the heck the thinking was on this book...)

...Anyway. A Wizard Abroad had until then been published only in the UK (in a mass-market mmpb from Transworld/Corgi); its first hardcover came out from the SF Book Club/GuildAmerica in 1993, Dell having passed on acquiring it. (The cover on this one was done by the fabulous David Cherry, artist and brother of my old colleague C. J. Cherryh.) Harcourt did another of the unusual small-format hardcovers, this time of AWAb, in 1997—testing the waters, I think. Then, when that sold strongly, they went straight to full-size hardcovers with The Wizard's Dilemma (with art from then until now being done by Cliff Nielsen) and have stayed with that format since.

Harcourt also did a lovely 25th anniversary hardcover edition of So You Want To Be A Wizard in 2003, which is easy to find inexpensively. I strongly suspect this republication trend would have continued with Deep Wizardry and High Wizardry when their respective anniversaries came around. But unfortunately the Magic Carpet program wound down soon afterwards, and the most recent hc volumes have been published simply as HMH, with no apparent interest at the publisher in going back to fill the holes in the hardcover backlist.

...So you can see, you've got kind of a mixed bag to deal with in terms of what you want. Availability has also been something of an issue, as the books are considered pretty deep backlist by Harcourt's current owner (HarperCollins), and warehouse supplies of some books in the series have been iffy.

So. The simplest I can make things for you is to help you avoid dealing with large corporate warehouses (because when some of these hc editions were preparing to go out of print, whenever possible I bought up the remaining stock to spare it from being pulped). Signed Books Direct—by which I mean the Ikea shelves out back in our boot room—has ample mint-condition supplies of many of the Harcourt hardcovers (though not Games Wizards Play, unfortunately: we've run out of those). Ignore the site’s front page inventory, which needs to be updated. Instead, just drop an email to the SBD email address and query me about what you're looking for.

HTH!

[akakumoeteru]

Hello, it's been a while! I had to take a break to get some things in my life under control and I've been hugely busy with two newly adopted kittens haha. But I wanted to update today since the first volume of this danmei is now officially on bookshelves! The above is a photo of my contributor copies, which I received from 7S a few weeks ago.

My contribution to The Disabled Tyrant's Beloved Pet Fish (Fish, for short) is just the single, color insert illustration (not pictured here) (please don't misunderstand: I didn't draw the cover!) but I'm still super excited about its release and ran out to my local B&N to get a photo of it on the shelves haha.

Fish danmei is a superrr cute and really fun novel. It's very different from MXTX's novels, which I figure is what most of you guys know my art from, but if I had to describe the main couple in MXTX terms it'd be very ~post-canon WX~ vibes. The plot also has the crazy isekai energy of SVSSS, though with less drama haha. It's a low stress, feel good romantic comedy and just a fun time all around. I had SUCH a good time with it and hope anyone who picks it up will enjoy it as well!

[bruciemilf]

I headcanon that Bruce, specifically Battinson, cries real easily.

Not only when he's sad; It's actually then when he doesn't cry at all. He cries when he's angry, when he's overstimulated, when he's dissapointed, when scolded and feels like he just let someone down.

Everyone in his life, friends, enemies, and something grey, know this about him. It never bleeds into the Batman, thought.

But it's a well known, universal fact, that every Gothamite knows as divine truth: Bruce Wayne is a crybaby.

Naturally, He cries when happy and proud, too.

Dick learns that when he's 10, and brings back a huge canvas he borrowed (stole) from art class.

The assignment was to illustrate what made them happy. He picked Bruce.

Imagine his surprise when his foster father bursts into tears, gives him a big wet kiss on the cheek, and dashes to his cave, " DON'T LOOK AT ME!"

"...Does he do that a lot?"

Alfred, who didn't even bat an eye, " Only all the time."

Jason learns that when he's 12, holding his favorite copy of Pride and Prejudice, which is DOG EARED. This is a hardback cover, damn it!

" B! How could you! Don't you know better? Are you gonna paint over the Mona Lisa, too?!Seriously,--"

Abruptly, he stops at the first drops of water. Bruce is avoiding his eyes, broad shoulders slouched down, hands fidgeting by his sides. Expression pinched and pained. "...Forgive me."

"Okay," Why does HIS voice sound wrecked and brittle? " I'm gonna go in the time-out corner. And I won't eat any sweets tonight."

" But you love sweets... "

"No sweets! Don't make me. I'll go to sleep with no TV either."

But what really gets to people? Bruce cries when he's embarassed.

"I gotta say, B, " Clark humming, seemingly ignorant to a rather concerning wound. A faint kryptonite nausea still persists, but nothing he can't avoid. " You really saved my behind out there. Good job."

It's obvious Bruce has a doctor's hands; His hands glide stitches confidently, without nervousness, without pause. Healing. That's what Bruce was, at his core.

Still, his heart beats wildly. "...I'm glad you're okay."

Clark, for one, Is delighted. "Are those emotions? Positive ones? Are we having a moment?"

" I did an adequate job. It was nothing special."

" Oh, that's bullshit. Come on, you were amazing! Did you see the guy's face when you blocked the bullet with your batarang? Breathtaking."

"Superman. Enough."

" No, -- listen. 20 guys get their hands on kryptonite and knock me out in 10 minutes. You had them beat in FIVE. Bruce, you were wonderful, --"

He stops immediately when a velvet voice cracks, " Clark,"

He worries that maybe he pushed too much. Forced his way instead of being welcomed. An apology is hot and ready on his lips.

But.

But that cowl only hides so much. That soft, dusty red flushes down to Bruce's chest. Pink skin glows red, shiny with tears, and skilled hands shake.

Clark's heart roars. He's so, so fond of this man.

" Oh, Bruce. Oh, baby."

He can't stop smiling as he listens to Bruce whining in his neck.

[wutheringmights]

After I finished reading The Epic of Gilgamesh today, I entered a fugue state where I sat down and read the entirety of Alanna: The First Adventure by Tamora Pierce.

On the record, I have had a lifelong love and adoration for Pierce's Tortall books. I first read the Song of the Lioness quartet when I was 11, and they rewrote my brain. I love them so much. I reread them and the other Tortall books on a semi-frequent schedule.

It's been a while since I reread any of the Alanna books, if only because my sister took our shared copies when she moved out. I've been meaning to buy my own set for a long while now but haven't been able to justify the purchase. The other week, I just so happened to find the first two volumes at my local indie bookstore. I bought them immediately, as well as ordered the third and fourth book. (And discovered that the store owner knows me by name-- when I went to pick up my order, she saw me and said, Hi Frankie! I got your books over here.) (I may be spending too much money there.)

So I have been in a bit of an emotional rut these past few weeks. Work sucks. Life stinks. The temptation to run off to Tortall and curl up in the fantasy story that captivated me as a kid has never been stronger.

Ergo, I ran off to read the first book as soon as I could.

If you're looking for any critique of this book, series, or Tortall in general, I will never give it. Sure, it's problematic and dated, and in many ways imperfect, but someone else can list out all of its issues. They're all perfect to me.

Anyway, the book. I should say something about this book in particular.

One thing I appreciate about Pierce's writing is how she handles school settings in fantasy. Learning and training is so mundane. All of her heroines have to work hard and put in extra hours of study in order to improve, much less keep up with their peers. It's so normal that it circles around to being weirdly refreshing.

Also, there is still no other fantasy author who handles period talk and birth control the way Pierce does. We make fun of the trope of fantasy birth control nowadays, but I rarely see it presented as it is here: as a part of normal puberty lessons and given long before sex is in the girl's radar. And even today with the glut of YA fantasy stories out there, I still have yet to see menstruation be portrayed as frequently or as bluntly as Pierce writes it.

There was a period of time publishers really tried to push the Tortall books as straight YA, which doesn't work for that reason alone. You gotta market them to middle schoolers. They're the ones just starting puberty talks, and getting scenes like this is so good for their brains.

Moving on: I fucking love these characters. Alanna was an icon of brash, temperamental heroines that have shaped my taste to this day. I love how even in the first book, Jon is kinda shitty. I adore George Cooper. Talk about a taste maker the way this man sets a standard.

I just can't be coherent when it comes to any Tortall books. I have no thoughts. Head empty. I am going to binge the rest of this series as quickly as I can before my library book comes in. Then normal book content will resume.

Before I go, I need to talk about the book covers.

Growing up, my sister and I had these covers:

Which, god. I love them. The black is striking. The art is incredible. Alanna looks so good. They were the perfect pocket-size too. I was going to buy the same edition for my copies, but instead I got the 40th anniversary reprints:

Not bad at all! These books have had some seriously bad covers, and these look great! Very anime, which will appeal to the 11 year olds who need to have their socks rocked by this series.

But, man. I really miss those black covers. One day I will splurge and buy a second set of them just so that I can stare at the art.

[theinstagrahame]

Another big month of TTRPG mail calls! Got a bunch of zines, some Crowd funders, and treated myself to a book or two when I got my new job lined up.

Here's what's exciting from the last month:

Death of the Author: I've said before that we (as in I) love the work of Sam "@goblinmixtape" Leigh, and before I got into TTRPGs, I wanted to do fiction writing (I found that I got from TTRPGs what I wanted from writing). So the pitch felt like an instant yes: A solo RPG about writing fiction, and the relationship between author and character.

The World we Left Behind: Sam Leigh put this together apparently for a Ballet, which is incredibly cool, and then put it as an add-on for the Death of the Author campaign. Needless to say, I was all in.

Urban Shadows 2e: Backed this on Kickstarter before Magpie did the A:tlA campaign, and it's finally showed up now. If I'm honest, my interest has waned, but I know US 1e was really good.

Zephyr: The art and the concept behind this are great, and I know that the creator makes some really neat mechanics.

Glitch: I picked this (well, 0 edition of Glitch) up on Kickstarter years ago, because the pitch was so good, but I didn't get a hard copy then. Managed to use some DTRPG money I had to rectify this mistake. Jenna Katerin Moran's work is very philosophically interesting, but I was hooked by the notion of being a demigod who knows that there's more going on, but is going to deal with street level concerns.

The Flood: Also a Moran game, and came to be as part of The Far Roofs (which I'm sure will be featured in a future mail bag post). There's a beauty to Jenna's work, a blending of metaphor and reality that I'm really drawn to, so I'm very curious about how farming poetry will work out.

Reach of the Roach God: When I landed my new job, I pretty quickly landed on what I wanted to pick up. I found out about the Thousand Thousand Island books a little too late, so I wanted to make sure I snagged this beautiful volume before I couldn't find it anymore. It's a real triumph of a book, and I can't wait to dig deeper.

Ironsworn: Sundered Isles: I am on record as loving Ironsworn and Starforged. What if instead of Space, we had Pirates?! Hell yeah, sign me up. Ironsworn/Starforged are probably the solo RPGs I've had the most success playing, in that I got furthest into these before getting distracted by other things. So maybe I'll get myself into another one?

The Wizard's Library: I've been really intrigued by Vincent Baker's Wizards Grinoire series, although I've read (and not yet played) only the first. It's got a neat reverse relationship, where the "GM" player is the titular Wizard, and the other players run the supporting cast, helping the Wizard delve into the grimoires that they discover Fortunately, this book contains more grimoires for the titular wizard to go through, and with them, more dangers for the wizard to face.

Fabula Ultima: I've heard only good things about this self-billed "TT-JRPG" and I'm really curious about it. Final Fantasy and the Pokemon series both being such long-term loves of mine, I'm very curious to see how this one runs. (Also picked up the Quickstart for a future Mailbag.)

Wet Grandpa: Listened to an episode of RTFM about this, after seeing the name around for years, and finally picked it up. I always found the title off-putting, and really couldn't get past it until my favorite TTRPG Book Club Podcast dragged me through the cover. The physical edition is a beautiful, rugged-looking book and my mind keeps reeling at the possibility of making players make hard choices.

Psychodungeon: I really dug the pitch, and Kayla Dice makes some really fun and interesting games. Be part of a team that helps people manage their trauma after it manifests into a psychic dungeon. What intrigued me most was the use of the Belonging Outside Belonging system for this, which I think really opens up some interesting possibilities for the Workplace Drama angle, and the GMless aspect could lead to some extremely fascinating dungeons.

Stewpot: This one as a no-brainer. I've got lots of friends who are into the "cozy" genre of game, and Stewpot has been The Name in fantasy coziness for a while (for lack of a better terminology, as I know it's a loaded term). The special edition (and wooden dice) were too tempting, even though the crowdfunder hit during my Freelance Era, and cost a few extra...

Any%: I watched the HBomberGuy video about Speedrunning (shortly after his Plagiarism video dropped), and developed a soft spot for the hobby. I genuinely couldn't do it, I'm too ADHD to try the same thing over and over again in hopes of shaving a fraction of a second off of my response time. But, I'm glad that people are doing it. So, a solo RPG that plays with speedrunning and its terminology seems like a great way to feel like I'm doing it without all the Bad Brain Juices.

Pregame Lobby volumes 1 and 3: I also wanted to grab these before they became too hard to find (I can't find anywhere that has Volume 2 at the moment). I really like the vibes of .Dungeon, it feels like a game that evokes a period in my life where I was curious about the Internet and tried just about every MMORPG that wasn't WoW or EverQuest. I'm honestly struggling to not pick up the recent Spiral Bound edition, despite getting the hardback 2e, because the art and layout looks goddamn incredible.

And these books are from the Plus One EXP Zine Club, which is a Zine of the Month Club, hand-picked and hand-curated. So I'm excited because I don't actually know much about them.

Metalepsis

Fire & Stone

Hapsy Kordo's Kitchen Horrors

This Old House

Hive of the Crawling Creeps

Fallen from Grace

[mountainpresspublishing]

and if I get burned, at least we were electrified by @seiya-starsniper

The latest bind here at Mountain Press Publishing! This one was a ton of fun and made for a chuck of firsts for me as well! From making a book of a smaller size (and a different size than my usual in general!) to refreshing my Illustrator knowledge as well as some quick sticker making, this ended up being a very fun project!

Initially, I planned for this bind to be the size of a CD album (and it was), but I intended to be able to fit it within a CD case itself. However, it ended up being the perfect size of a case, which meant it didn't actually fit inside of the case.

Lessons learned there!

Thankfully, I had also picked up some CD case sleeves that I was able to package the book within to still achieve that aestethic I was going for.

Now, you may be wondering why I went for a CD size at all. This fic's title (as well as Chapter Titles) were all based on lyrics from Taylor Swift's reputation album! Which, once I found that out, helped me solidify the styling I was going for.

I looked up the Reputation album and the styling and fonts that were used on the cover images as well as the lyric booklet within, which is how I settled on the drop caps and the fonts I choose.

And here's the reference image I used for the text

You can see that the fonts are pretty similar. The header in the book also matches the header here!

And, of course, if I was diving down this copy of Reputation, I had to make a matching cover as well!

Shout out to the Sadman server's channels devoted to Ferdie and Tom and Boyd. I had plenty of good photos to sift through and choose from to get all the boys in the image!

Here's a full view of the cover, spine, and back as well. And yes, I did have to pen tool that summoning circle by hand since I couldn't find a good transparent one online!

Now, for the chapter headers, you may have noticed some peculiar images in the back. In the fic, The Corinthian as well as Dream have symbols, signatures of sorts, that they have. Old ones, made before humanity as we know it. They end up featuring a few times, mainly when the marks appear on Hob, marking him as theirs. So, of course, I had to design those as well!

The Corinthian's is on the left and sharper than Dream's, which I thought fitting for a nightmare. There's the theme of three in his, with the three sections, three lines, and three little swoops. The design is also mirrored, which ties nicely to his function as humanity's dark mirror.

For Dream, his is more fluid, more swoopy. It starts like a circle that quickly breaks into diverging lines, similar to the unreality of dreams and their meandering paths. It also looks somewhat like a treble clef, which also ties well with Dream's role and relations to the arts and creative pursuits.

The final image is of their marks combined, swooping and curling around one another.

The last major part of this bind was the stickers that I created and printed to go along side the book! Since the CD case didn't work out as I had hoped, I still wanted to add something special and unique to this gift for Seiya, so I decided to design some sticker that went along with the fic! I didn't take photos of them all cut out, unfortunately, but I do have the original sheet here.

We have the marks in color, the album cover, along with some more fic specific stickers! These were really fun to design, honestly. I have the knife one on my laptop currently! 😂

Overall, this was an amazing fic and if you're a Hobrintheus or Hobrinthian lover, you definitely need to check it out! This project was a ton of fun to work on and I'm so glad I could get a copy to the wonderful author ♥️

[sgtpeppers]

So after I posted those photos of Linda and Paul yesterday, taken by Allen Ginsberg, I started doing some digging into their relationship with Allen. Maybe this is all old news to everyone, but I found some cool stuff, so thought I'd share!

So Allen first met the Beatles on his 39th birthday, although at this point it was just John, Cyn, George and Pattie (x):

"At the party Allen got completely drunk and stripped off his clothes, putting his baggy underpants on his head and hanging a hotel ‘Do not disturb’ notice around his cock. It was at this moment that two of The Beatles arrived: John with Cynthia, and George with Pattie. John and George quickly checked that no photographers were present. Allen kissed John on the cheek, and John told him that he used to draw a magazine at art school called the Daily Howl [in reference to Ginsberg’s poem Howl]; they were friendly enough and accepted drinks, but then made quickly for the door. I asked John why he was leaving so soon. ‘You don’t do that in front of the birds!’ he hissed in my ear." 

Many Years From Now, Barry Miles

Despite this interesting first meeting, it looks like they went on to be friends with all of them, including Paul. In 1967 Allen gifted Paul an early copy of his book 'TV Baby Poems', with the following inscription:

“For Paul McCartney That all fantasies harmonise sweetly & also Hari Krishna!”

(x)

In the same book, Allen actually name drops John and Paul, in the poem Middle of a Long Poem on These States: Kansas City to St. Louis.

You can read the full poem here, but also... here's the section that they're mentioned in:

Paul later goes on to use the phrase 'Electric Arguments' as the title of his 2008 The Fireman album. And I'm just gonna... leave that there.

It seems like they became closer friends in the 90s, and Allen talks about his friendship with Paul in this interview:

I had been talking quite a bit to [Paul] McCartney, visiting him and bringing him poetry and haiku, and looking at Linda McCartney’s photographs and giving him some photos I’d taken of them.

And around this point, Allen and Paul collaborated on an accompanied version of Allen's poem The Ballad of the Skeletons.

Here's Paul talking about how he got involved, but the TLDR is that Allen called him asking if he knew a guitarist that would accompany him at the Royal Albert Hall, and after recommending a couple of people, Paul assumed it was Allen's round about way of asking him.

The performance is so so good, you can watch the full thing here:

Paul just looks so happy doing it!

They also went on to record a version of this as well, which had a more complicated instrumental composed by Paul and then recorded with Allen on vocals, Philip Glass on keyboards, Paul on guitar, drums, Hammond organ and maracas, Lenny Kaye on bass, Marc Ribot on guitar and David Mansfield on guitar. - you can read more about it here.

And I just love this quote from Allen about working with Paul (from this interview again):

He reacts to the words in an intelligent way. You can hear it on the tape. Like if I say on the recording, “What’s cooking,” all of a sudden he brings in the maracas to get that really funny excitement. When I say, “Blow Nancy blow,” he blows on the Hammond organ. He added a lot of enthusiasm and a lot of interpretation. And sometimes, when I made a flub, he covered it. He left his lead sheet in his guitar case, so we had to share my lead sheet [at Albert Hall], which was fun.

I just love finding out all these random little things Paul has been involved in, he gets everywhere!

Allen also (tried) to give Paul advice on his poetry (x), and Allen's comments about Eleanor Rigby were one of the things that lead Paul to publish his own poetry in Blackbird Singing.

I used to hang out a bit with Allen Ginsberg in the Sixties, and later on during the last couple of years of his life we became good friends. And he said to me “That Eleanor Rigby is a f- good poem, man.” So I thought, well, he’s no slouch, and so, with Adrian pushing me, I looked at them again, and thought, yes, some of them could be read.

(x)

Allen Ginsberg unfortunately passed away on the 5th April 1997, about a year before Linda, but it seems like those last few years of Allen's life included a really beautiful, collaborative friendship with them!

[exorcqism]

𝐂𝐇𝐎𝐒𝐎 𝐊𝐀𝐌𝐎

„𝐈𝐍𝐅𝐈𝐍𝐈𝐓𝐘”

𝐂𝐖;; mature content. afab!reader, stoner!choso, mentions of anxiety (once), non-curse/sorcerer AU, no uses of y/n. not proofread so i apologize in advance for any mistakes if they’re made.

𝐏𝐋𝐎𝐓;; it’s finally fall during the mid 90s in shibuya, tokyo, japan. choso is a pretty hard working guy. he works as a bartender at a local bar on the evening shift. his baby brother yuji, who he thoroughly looks after and loves unconditionally, is babysat by some trusted neighbors. they also had a kid, so yuji wasn’t lonely. aside from his tendency to be disassociated, he meets someone so different…yet so alike.

: ̗̀➛ art creds by;; currently unknown. dividers are not mine, if you own these, you may claim them in comments.

: ̗̀➛ WORD COUNT;; 2.O4K

dark mode recommended

do not copy this plot. i’m perfectly fine with inspirations but give creds. if this plot his stolen in any way, the post will be taken down and you will be blocked.

𝐃𝐀𝐊𝐎𝐓𝐀𝐒 𝐍𝐎𝐓𝐄𝐒 ✉️🖇️;; i really like this concept. i just randomly thought of it because i was struggling to make up a plot buttttt i think this gone be good. hope ya enjoyyyy. reblog to support meeee and if you want more :D

another note: might make a part 2 of this. if this does good i’ll do it :P

₊❏❜ ⋮ continue to part two ⌒

it was a breezy autumn morning and sunlight started to creep through the cream curtains that hung up over the window. a groan rattled from under the large navy covers on the king sized bed. an arm slowly slid out from under the covers and pulled it down from over the owner’s head, revealing the one that was hidden underneath.

the digital alarm clock on the nightstand read ‘9:55 AM’. it made the male groan at how early in the morning it was. sitting up, choso would thread his hand hand through his brown medium length hair before slowly getting out of bed.

choso entered the bathroom and took a look at himself. the male wasn’t wearing anything but a pair of joggers with his boxers partially showing underneath. the drawstrings were untied. he didn’t even bother to tie them up again since he was about to shower.

after he had done his hygiene, he would take the rubber bands that were wrapped securely around his wrist and put his hair up in two high ponytails, making sure to tie them tightly. choso would examine the weeping wound across the bridge of his nose before covering it up with a bandage. something he normally did to forget about it being there. it made him insecure.

it was 10 AM now and choso was making breakfast for him and baby yuji. well, he wasn’t really a baby. he was five years old at the time so that meant choso didn’t have to fuss while feeding the pink haired boy baby food and he was old enough to eat foods like scrambled eggs and bacon.

with half-lidded eyes, choso’s signature face of apathy and boredom was plastered onto his pale skin. the male would light a cigarette and inhale the smoke before exhaling again shortly after. he was aware that smoking would lead to his demise but it wasn’t like he cared.

“yuji, wake up.” his deep voice echoed throughout the house, pushing the cigarette back between his lips when he realized that yuji wasn’t answering his call. he glanced at the now cooked food on the counter, carefully placed on two plates before making his way to yuji’s room.

the small boy was sleeping peacefully. curled up in the blankets and hugging the pochita plushie that choso had gotten him for his birthday. choso couldn’t help but smile. he quietly walked over to the bed and sat down on it.

“come on, yuji, get up. i made you breakfast and it’ll get cold if you don’t wake up.” he said quietly, gently rubbing his brother’s shoulder. it took a moment but yuji finally woke up, his eyelids fluttering as he did.

“morning, choso,” yuji answered drowsily. choso smiled and returned the greeting before picking the boy up and carrying him to the kitchen.

“alright, after you eat, get ready to take a bath, okay? you know i have work today and i want you to be ready before later.” choso would place the plate down in front of yuji simply watched as he quickly cleared his plate.

‘i guess i’m the one that needs to finish my food.’ he thought.

bath time was a bit of a hassle…like every other time. yuji would splash water everywhere, getting the bathroom floor and choso wet. the male was lucky to not be wearing his violet eyeshadow because he knew if he wiped the water from his face, it would smear all over his face and sweater.

“calm down. you know that’s more for me to clean.” choso mumbled as he cleaned his baby brother with the soapy rag. yuji would only laugh and play with his bath toys, not completely listening to what choso had to say, regarding the bathroom turning into a watery mess.

noon rolls around and choso is picking out clothes for yuji to wear. it was getting a little cold out, so he made sure to take out a long sleeve shirt, some joggers, and some clean socks that would keep his small feet warm.

though, choso’s shift didn’t start until 5, the male always liked to be ten steps ahead. he’d pack yuji a lunchable and a turkey sandwich, neatly placed in a ziplock bag with two capri-sun’s along with a pack of chips. in yuji’s small backpack, there was his DS with the charger just in case and all of his favorite games, a couple of his action figures just in case he got bored with the DS, pokémon themed headphones, a couple more snacks, and a change of clothes just in case.

“choso, can i take my coloring book too?” yuji asked. the tall male looked down at yuji and sighed.

“your backpack is a bit small, you know. i don’t think your coloring book can fit.” choso said. “unless you want me to get you a bigger bag to take with you.”

“a bigger bag, please.” yuji answered. choso wanted to roll his eyes. everything in the bag was neatly packed. now he had to do it all over again…but in a bigger bag. he couldn’t be angry, though. he wanted yuji to be comfortable while he was away for a few hours.

everything was completely in order when it was time to walk yuji next door. there was a boy around his age that went by the name of megumi. he always looked bored for some reason, which choso thought was odd for a five year old.

“okay, you have a good time. don’t lose anything and keep everything close to you. um…call me if you—” choso rambled until he realized yuji was already off playing with megumi.

“call me if you need me.” he finally added.

choso was at work now. he got there earlier than he usually did, so he was able to clean the space off quickly before starting his shift.

the night went on smoothly. with him being so quiet and disassociated, it was easy for him to avoid interacting with others if he didn’t have to. as he worked, choso’s hair flowed gracefully as he moved around. he didn’t want to look too childish as a twenty three year old man, so he removed his high ponytails in the bathroom. like that morning, he had his rubber bands secured around his wrist, worn as bracelets.

that’s when you entered the bar area. you’d sit down on one of the stools, watching as each bartender made their way around. tonight was one of your nights where you just wanted to get away from your life’s problems. you needed a break.

“can i help you?” a tall male with medium length brown hair and tired eyes spoke. his voice was deep as if he hadn’t spoke in a while. his voice catches you off guard but you play it off and throw a small smile on your face.

you order yourself a strawberry lemonade that came with a cute little lemon on the side of the glass. you also ended up getting some mozzarella sticks that came with both ranch and marinara sauce. you weren’t much of a picky person, so you dipped the cheese sticks into both condiments.

“how long have you worked here?” you start, trying to spark a conversation with the male that served you. you noticed that he was getting ready to go on break. he had a pack of cigarettes sitting on the counter with a black lighter on top.

he had a black earring in the cartilage of his left ear, a couple rings on both of his hands, and violet eyeshadow around his eyes. that’s what made him look like he didn’t get any proper sleep.

he had on a black formal shirt with black pants. the same outfit the other bartenders had on. the only difference is that he wore black combat boots and everyone else had on sneakers.

choso was a bit taken aback by the question since no one else really asked him anything unless it was work related.

“for a couple years now.” he replied, his deep voice catching you off guard again. “i have a little brother to take care of. i just need money to keep the house up.”

you watch as he picks up the pack of cigarettes, his rings scraping the counter as he did. the lighter clicked before it finally caught a flame.

“you come here a lot?”

“oh, no…i only come here occasionally. tonight just so happened to be one of those nights.” you answer. life was truly kicking you in the ass. with college and everything shaking up your schedule, you found it a bit hard to focus.

“i see,” choso mumbled, taking a drag from his cigarette before pushing the pack towards you, subtly offering you a cigarette to alleviate your nerves. you weren’t a smoker and usually your first instinct would be to kindly decline the offer but this time you went against that.

the two of you talked for as long as you could, managing to get free refills on your lemonade without being charged at all. if you asked any one else, you’d be coming out fifty cents each time you wanted a refill.

you realized that the more you spoke to choso, the more you seemed to take a liking to him. the two of you weren’t the social types and you both usually kept to yourselves. there was a list of things you two had in common. the only difference was the fact that you didn’t have to worry about any younger siblings.

the night ended with the two of you exchanging numbers. you both seemed to really like each other.

choso had come home from work, carrying yuji back to his room because he had fallen asleep while spending his time with megumi and anyone else who may have arrived at the neighbor’s home.

he stared at the phone number on his wrist and he sighed. he enjoyed you. it was the first time he was actually pretty engaged in a conversation with anyone and not disassociating himself. but he couldn’t do it. he didn’t have time for a girlfriend.

he didn’t have the time to fall in love. he had better things to worry about. he couldn’t sit around worrying his tired mind about a woman that he just met.

choso was in deep thought, lying in his bed comfortably with his hair sprawled out over the pillow and his eyes closed, occasionally running a finger across his nose to make sure the bandage was still covering his nose. the male had on his usual tan sweater and some black baggy pants and white socks.

he was in a state of peace. the house was quiet and there wasn’t anyone to bother him. not even his odd intrusive thoughts came in to disturb him. but that peace was derailed when he felt a smaller pair of hands touch his.

“who’s number is this?” yuji asked, holding onto choso’s hand to read the number. he would mumble the numbers to himself. choso exhaled from his nose. it was a start since he wanted yuji to learn his numbers.

“no one’s. i just wrote them down when i was at work.” choso replied, keeping his bored, apathetic expression on his face but this response only made the little pink haired boy smile.

“is it a girl? do you have a girlfriend?”

suddenly, choso could feel the heat rising up in his cheeks, now having a flustered expression. a complete turnaround from his usual appearance.

“no, it isn’t a girl—it…it’s just a couple numbers.” choso was stumbling over his words, trying his hardest not to sound embarrassed by the sudden question.

“do you like her?”

choso sighed, realizing that yuji wasn’t letting up. hiding the truth wasn’t much of an option anymore. the male would smile a bit at his little brother and ruffle his hair gently.

“listen. we have a lot in common and she’s really pretty…i just don’t have the time for a relationship. i have to take care of you, i have work, and i have appointments. you know my anxiety is really bad.” choso rambled. “i’m always nervous about this stuff and—”

“choso?”

“huh? yes?”

“calm down.”

𝐄𝐍𝐃.

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