#realistic sibling character i stan
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sunbloomdew · 1 year ago
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i drew this meme with lizzie and my mc at 3yo and 1yo respectively! i had to dig up my own baby pictures for a baby reference lmao
the background is just the ss from the game zoomed in
i imagine that after the moms talked with lizzie about adopting another kid she was generally excited at the idea but still had doubts... i think she would go from being very happy and anticipating the new family member to being mopey and super jealous.
so when kaito (haru's birth name, they use it in step 1 along with he/him pronouns) finally joined their family lizzie had this very brief moment of hating the baby. then kaito looked at her with as much wonder as a 1yo can show and she was like "actually you're good, you can stay." and they have been best friends ever since <3 thaaaat is until cove moved in, kaito latched on to him immediately
i love them, siblings <33
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prettyinpwn · 3 months ago
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Stan Pines: A Masterclass in Character Writing and Symbolism AKA Stan is Godly, Literally (GF Writing Analysis Pt. 5)
If you're interested in reading a similar writing analysis on Ford Pines, please visit this page.
I've wanted to write a post on Stan for a long time, because I'm going to make a bold claim: he is THE best written character in Gravity Falls. I literally have never been able to find a flaw with his writing, and the reason? Not only does he have the markers of quality I mentioned in my post about Ford's writing (a want, need, character arc, realistic flaws), but...
I would also argue he is THE main protagonist and hero of Gravity Falls if I had to pin it down to just one, and his character arc matches the external conflict, that being Bill Cipher and the theme of growing up vs. staying in childhood and ego vs. selflessness, in ways that are just - and I'm not exaggerating - poetic. And the best part is, he had a lot more time and attention in the spotlight in the show than Ford, so everything I mentioned in the other post that was good about Ford's writing, ramp that up x100 for Stan.
His character also touches on multiple other fantastic themes: breaking generational trauma, healing broken familial relationships that seem unfixable, redemption, the misunderstanding of the family "fuckup" (although Stan is not that in the least, but that's part of his character arc), positive masculinity, true brotherhood, self-love, self-identity, and probably a million others I'm missing and will find out even just as I write this.
As for the godly part, well... you'll just have to read to the end. And no, I'm not kidding or exaggerating, either.
Okay, okay, gushing aside, let's get to the analysis. I'm not sure this will be as neatly structured as Ford's was, but there are just so many damn good things about Stan's writing that it's hard to stick to just one point. Let us begin.
Stan's Backstory: I Am Not Ford and That's Bad + Protecting/Providing for Family > Everything Else
So as I discussed in my post about Ford linked above, much of Stan's childhood revolved around Ford. His entire existence as a child was summed up by one question: how do I compare to Ford? This is especially emphasized in how their father, Filbrick, treated them. One of the end credits ciphers in the show reads as follows:
"A STUBBORN TOUGH NEW JERSEY NATIVE, FILBRICK WASN’T TOO CREATIVE, HAVING TWINS WAS NOT HIS PLAN, SO HE JUST SHRUGGED AND NAMED BOTH STAN."
Haha, very funny. But OUCH. Imagine knowing that your whole name is your name, was because your father only expected one son and was too lazy to come up with anything else. So literally, Stan doesn't even have his own name - his own identity - technically. Stan also was apparently the second twin born, so came in "second" even from birth, and being Ford's (either identical or very similar fraternal) twin, well... it's hard for someone to untie their identity from their brother's with those factors surrounding them as a kid.
There are many other factors that illustrate my point (Ford got Filbrick's name as his middle name, the way Filbrick literally put Stan on the lawn for sale as a kid for failing a test, etc). All in all, Ford receives their father's love, Stan does not, although we could argue that this isn't that great for Ford, not really, as I did in my post on his writing. Because it's a love that comes with a, "I'd also like to use you." attached (just like Bill, gee).
All in all, it's very obvious from all these context clues that Ford was the beloved one, and Stan was the unexpected one, from birth to the end of Gravity Falls, where he uses that to his advantage - albeit in a different context - to defeat Bill Cipher.
Worse yet, Stan happened to have a twin that was extremely smart and talented in a way that was easily noticed. Ford is a Golden Child, as I described in his own writing analysis post, and siblings of the golden child like Stan? Well... the other sibling(s) are often the Scapegoat. As the source in the last sentence states, the Scapegoat is "often blamed for family mistakes, discarded, neglected, and has been gaslighted into believing it was their fault. The scapegoated child is usually assigned at a young age and often carries this role through to adulthood and never loses the unfortunate title.". This can highly affect the Scapegoat's self-esteem, even into adulthood.
This page also covers the Golden Child vs. Scapegoat dynamic. Pay attention to these quotes from this source:
"You are the one the parent will come after when things are going wrong."
"You are subjected to their emotional and verbal abuse the most."
"You may even feel like you need to fix your broken family."
Also, take into account these panels from the comic, Lost Legends, released after Gravity Falls ended:
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Yikes. A child doesn't say these things unless a parent has taught them that everything they do is wrong and they are lesser than their sibling. This kid's noticed how Filbrick looks with pride at Ford, but not him. And here's the thing: the item Stan stole in this comic that made Filbrick mad? Stan did it to clean it to make his father proud. Sound familiar? In the events of Gravity Falls, Stan works on the portal for thirty years and gets Ford back, and he gets... yelled at for it. Stan always has good intentions. Although, Ford has a point in the above comic panel: Stan does take shortcuts that get him into trouble. He did almost get jailed by the US government and end the universe to save Ford.
But this is a consistent theme with Stan's character throughout the show. Even WE as the audience first see Stan the way his family did - a conniving scoundrel and money-grubbing criminal - but through the events of the show, just as Stan's family starts to realize it, even when Stan does things that seem bad, like stealing radioactive waste, working on a portal described as a potential cause of the end of the world, has a ton of different identities, etc... we find out Stan had good intentions all along.
Even Stan's greediness? That need for money? That also stemmed from the same good intentions, because how ELSE was he going to afford Ford's mortgage to keep the Shack in order to keep working on bringing him home? It was also likely something ingrained into him from when he was kicked out. Because Filbrick told him, basically, until you make us the money that Ford losing his chance at West Coast Tech cost us, GTFO. Literally. :'(
So Stan... really IS not what he seems. He seems like a fuckup, a criminal, a liar, and a greedy conman. But really... he's a family defender, protector, and supporter. Want to have your mind blown? Intentional or not, let's look at the very first scene we see Stan in in the series:
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"Oh look, I'm a monster!"
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"Just kidding, I'm not. I'm someone else under what looks like a monster."
Yes. Stan's whole character arc is foreshadowed in like... three seconds in the first episode. The very first time we see him. Not just his arc, but also his role as someone that seems deceptively evil but is actually good. And not just the arc that Ford and Dipper take from distrusting Stan to finally understanding his good intentions, but also the realization WE as viewers have about Stan as we follow the story. Additionally - which we'll get into later - it's symbolic of Stan's internal character arc he takes across the series of realizing he himself isn't the monster that his father planted in his mind as a child, but a good person worthy of love.
All of that... in a few seconds of animation. If that wasn't intentional, then DAMN did the writing gods smile on the Gravity Falls team the day they planned this scene. Back to the point about who Stan really is: the family "fuckup" (not really, but we'll get to that later), and a family defender and protector. This is the true core of Stan's character throughout the whole series. Not only was he Ford's defender as a child, protecting him from bullies, but you know those scenes the fandom universally agrees on were Stan at his most badass? Ahem...
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"Everything I've worked for, everything I care about, it's all for this family!"
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"Turn around and look at me, you one-eyed demon! You're a real wise-guy, but you made one fatal mistake: you messed with my family."
Yeah. Look at what Stan is doing in EVERY single one of these scenes: protecting his family. And as bad as Filbrick was, just like I explained in the post I made about Ford's writing... Filbrick also passed down some things to Stan that make him the hero he is. And it's also stuff that Stan passes down to Dipper:
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Yeah, it kinda sucked for Dipper at the time. Was it a perfect way of teaching a child to be tough? Er, no, although another mark of a well-written character is that they can make mistakes and have flaws; Stan's not perfect. And the fandom has criticized the way Stan passed down this lesson to Dipper, because it can be considered very similar to the way Filbrick passed it down to Stan. But look what it did: when the world fights and threatens his family, just like Stan, Dipper fights back. With punches, too:
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So... to summarize this first part: Stan was taught from childhood "I'm not Ford, and that's bad. I am a monster unworthy of love that always messes up.", and his role is a family protector, which started with how he protected Ford from bullies as a child. This is the core of his self-identity. So let's get into the writing techniques that make a well-written character that I discussed in Ford's writing analysis post...
Stan's Core Want vs. Need
I'll quote my explanation of want vs. need from my own post on Ford I made about a year ago:
"When I took writing classes in college (and over years of writing in general and drooling over writing advice podcasts and blogs), I found that the best method for me, personally, when it comes to crafting characters is to focus on two major things:
1. Their want.
2. Their need.
On the surface, these look like the same things, but in character writing, they can be vastly different. For example, say that you have a character that greatly desires fame and recognition. They want these things.
But what’s the real reason behind it? Is it because they had a parent that was famous and want to live up to their example? Is it because they want to be adored by people? Is it because they were told they’d never amount to anything by someone and want to prove them wrong?
This real reason behind it all is the core need. Yes, they want fame and recognition, but they need it because, say, they have low self-esteem and need copious amounts of outside validation to boost it.
Tied to this need is usually a backstory reason (sometimes called their wound). Say your hypothetical character was bullied a lot as a child. Or abused by a parent. Etc. Whatever the wound was, it caused a big, painful hole in their heart that they try to fill and fix with their want.
So they go on a journey. The want is often the external journey. The need is often the core journey / character arc. Our example character seeks fame and recognition on an external journey, but deep inside, they realize they need something else, which is to understand that their past trauma/wound doesn’t define them, and fame and recognition will not be the balm they expect it will be. Often, they realize they had what they needed all along. They grow past their flaws associated with their seeking this want through understanding and instead pursuing the need."
I'll summarize Stan's character writing using these concepts right here, like I did for Ford in his analysis post:
“I want to be Ford because I want to be loved like he is, and I want to protect those I care about and do the right thing. But what I need is to realize is that who I am - not Ford, but Stan - was good enough all along, proven by how I've always protected those I care about, and I never NEEDED to be Ford in the first place. This stems from a wound from my childhood where I was a scapegoat child treated like a fuckup who never did anything right and could never measure up to Ford, and was conditioned to think that being like Ford was a ticket to earn familial love. I had what I needed all along: myself, because I am good enough and worthy of love, despite what my father taught me."
Stan's Arc: I Am Not Ford... and That's Okay
AKA Stan's arc is basically: learning to love yourself and be yourself, even when you were conditioned to think you have no value. Don't believe me? Guess what Stan does for thirty years: pretends to be Ford. And he literally does it by pretending to have died. He "kills" Stanley Pines AKA himself in a staged car crash to become Stanford Pines.
And guess how he defeats Bill? By pretending to be Ford. His greatest weakness is actually his strength, and then he flips it: he reveals to Bill that he's not Ford, he's actually Stan. And THAT'S when the antagonist of Gravity Falls is truly defeated - an antagonist that represents stasis, lack of change, and with The Book of Bill's context, an antagonist that never freed himself from his own past - is when Stan learns to accept himself and admit who he really is and learns to let the past go. And it's telling that this is what he says when he does it:
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"Heh. Guess I was good for something after all." AKA: "Yeah, fuck what Pa said about me."
There it is. The moment of Stan realizing his father was wrong, and he was wrong for thinking himself a fuckup all those years. And this is the expression he pulls at this moment of realization; at the peak of his character arc, all while burning in flames like a phoenix reborn. It sounds corny when I put it that way, but LITERALLY, all the fire symbolism feels like it wasn't foreshadowing Stan's death, but his rebirth as himself after pretending to be Ford all those years. He's not burning who he is, he's burning away who he thought - who he was told - he was. Funny that it takes place in the mind, huh?
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This is the face of a man who is at peace and finally loves himself for the first time in his life. That ain't just his mind burning. That's him punching his demon that's haunted him and his brother their whole lives, protecting his family as always, and, symbolically, punching a demon that represents the show's overall antagonist of the shackles of staying stuck in the past, forgiveness, and the value of moving on. He literally punches the antagonist - staying stuck in the past - to pieces and THAT'S when he wins.
Also, can we talk about how Bill and Filbrick share color schemes, and Filbrick even has a brick-like pattern in his suit (also, I mean... come on, he's got 'brick' in his name)? I'll let you make your own conclusion about what that means for Stan's character arc:
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It's also telling that Bill Cipher's backstory is that he burned his home dimension and loved ones - including his family - to ashes. The Axolotl - Gravity Falls' equivalent of basically God, from what I can tell - says himself about Bill in one of the books released outside of the show:
"Saw his own dimension burn. Misses home and can't return. Says he's happy. He's a liar. Blame the arson for the fire."
Bill misses home. He wants the past and to hold onto his family, just like Stan and Mabel do. Isn't it funny how whenever Bill shows up... time stops?
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And look what Bill says in Weirdmageddon: "This party never stops! Time is dead and meaning has no meaning!"
Time stopped. He just wants fun. He's almost like a child that never grew up. And... look at what it was that Stan wrecked in A Tale of Two Stans as a teenager:
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A perpetual motion machine. That thing that's not supposed to stop, just like time. Stan 'breaking' time by wanting to hold Ford in the past, with him, instead of leaving him to go to college while Stan was stuck in the past/Glass Shard Beach? That's what broke their brotherhood.
But what makes Stan a hero, and Bill a villain, is that he lets go of the past and his childhood. Bill never does. And he's defeated when Stan lets go of the past, something Bill never did. Why? Because he has family to make facing the future easier. He has familial and self love. Bill doesn't, because he killed his own. (Sorry, got off track again, but Stan's arc and story ties so deeply to the other characters' and the main themes that it's hard not to take some detours, because it illustrates just how well-written Stan is. Gravity Falls' story IS his story.).
Wanna know something cute? Wanna know how Stan realized he had worth during that scene after he defeats Bill? Why I'm betting the show runners showed Stan clutching to a picture of Dipper and Mabel as this happens? I'll give you one guess why Dipper and Mabel are so important to Stan, and why he clutches to their photo even as his mind is burning apart in the finale:
They're the first family members since Ford (whose love he'd lost) who loved Stan for who he was, not for who they thought he should have been. Mabel trusting Stan in Not What He Seems is basically the first damn time Stan's heard in thirty plus years from a family member that, "Hey, I trust you have good intentions and aren't just a lying fuckup. You're not a monster. You're not what you seem.".
Also, he's protecting his family. That always makes him happy, too, of course.
Ego Death and the "Stan is Godly" Part
Yep, we're taking this analysis post train all the way to "damn this is deep and PrettyinPwn is likely crazy for noticing it" station. The only reason I'm tacking this part on is that I saw a Q&A with Hirsch recently that sparked my attention. He was on his The Book of Bill tour, and someone asked if there was anyone more powerful than Bill in Gravity Falls lore. Of course, Hirsch said the Axolotl, but what he said about what Bill vs. the Axolotl stands for caught my eye:
The video in question. The question and answer starts around 21:22. The quote I want to point out is, though, is what we learn about these two beings:
Hirsch: "Bill's weaknesses in terms of his overconfidence, his ego, and his lack of ability to focus on one thing at a time are things that a being that has no ego, thinks on a long scale, and does have empathy is actually stronger than him because of those things."
So when we boil the conflict of Bill vs. the Axolotl down to simple terms - what makes evil vs. good in the Gravity Falls universe - is this: ego and selfishness vs. no ego and empathy.
Guess which characters wrestle with these themes? The correct answer is: ALL of them. But especially Stan and Ford. This is really what their conflict is about at the core. They both struggled with ego and selfishness, and that's when - in the story - they lose most. But they win when they choose selflessness and empathy. When they... drum roll, please... partake in ego death.
Well, let's describe an ego death. First, we must define what an ego is (source for all of the following quotes):
Ego: "The ego is a sense of self that you develop at a young age." and, "-relates to your feelings about your own importance and abilities.".
*cough "I'm the family fuckup and poor man's version of Ford because that's what people taught me to believe in my youth." cough*
And an ego death "-is the (often instantaneous) realization that you are not truly the things you've identified with, and the "ego" or sense of self you've created in your mind is a fabrication. In some instances, it can offer a profound feeling of peace and connectedness with all that is, as the walls of separation the ego creates come crumbling down."
*cough "I'm not Ford's poor copy, I'm not a fuckup, I have worth, and I realize this in my literal mind as I pull this expression-
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-of total peace as the walls of my mind literally BURN around me" cough*
And, "When one comes through on the other side having released all the things they've identified with, with only their true spirit left, Kaiser says, they begin to live from a place of pure love."
*cough "I'll hold a picture of the ones I love and realize self-love as my mind burns around me because this is who I really am: a man who protects and loves my family and my family loves me" cough*
Cheeky asides, well... aside, are you seeing what I'm getting at, folks? Look, I can't prove that Hirsch and crew intended all this, but in my opinion: you wanna know why there are so many gags of Stan or versions of him melting or burning in the show? Why fire is such an important symbol surrounding him? Why there are so many times he's killed his own identity and became a "new" man again and again and again, be it as a young grifter, or as a drifter who became his brother to bring him back again, or as an old man who "killed" his own mind to save the world and his memories returned?
Because it's ego death. The rebirth of true self from a lie you were living. That's literally what Stan's arc is a metaphor for. Even better, he reaches his character arc's zenith when he does this:
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That's not an old man punching a stupid little bastard. That's an old man punching what threatens his family, punching his own past, punching his own demons, punching his brother's demon, punching his prior identity, and - given that we know that Bill is a symbol of ego now - punching the personification of literal ego and letting it burn. There are, let's count, seven symbolic meanings in that punch at the very least. Maybe eight if you count that the rightside-up triangle is the alchemical symbol for fire, and by Stan beating it, it's symbolism of his defeating the fire that's eating his memories AKA why he gets his memories back. I could find more, probably.
And yes, the chubby old conman we love so much - and is the opposite of spiritual both in action and in Hirsch's words (he's said Stan is an atheist as an adult) literally has a character arc where he attains spiritual enlightenment that aligns with the god of the Gravity Falls universe - the Axolotl, who has no ego as Hirsch said - hidden under many layers of symbolism. I don't know if Hirsch and the writing crew planned this with Stan, but holy damn... this is what I meant when I said that Stan is the best written character in Gravity Falls, even if this part was unintentional. There are just so many layers of meaning here.
And the best part? Stan was this hero all along. Everything we cheer him on for - be it punching zombies to protect his niblings or spending three decades of his life trying to get his brother back - is when he's being selfless and empathetic. We love Stan as a character because he has a big heart. He's a good person because, as we described above, he is - through beating ego in a universe where its god represents a lack of ego - godly.
No, fangirls, put the sexy Hunkle art down. I mean literally spiritually godly in the Gravity Falls universe, at least in the way good and evil is portrayed in the themes and worldbuilding. No, I'm not exaggerating, either. Let's return to that quote about the Axolotl's powers and why he's stronger than Bill:
"-that a being that has no ego, thinks on a long scale, and does have empathy is actually stronger than him (Bill) because of those things."
Well... guess what Stan does? He loses his ego so hard he regularly kills his own identity multiple times in his life and goes through a symbolic ego death, he thinks on a long scale (thirty years long), and is empathetic and selfless to the point of sacrifice. And the Axolotl in real life lore? Xolotl, the god of Aztec myth? Guess what he's a god of (source):
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Why I highlighted "vulture"? Honestly, this is just a neat little thing I wanted to point out, and was a part of a massive theory I was writing about Stan and Bill that sadly never came to fruition (although I may return to it someday), but here's a hint: what was Stan and Ford's school mascot in New Jersey?
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I'll let you take away from all the above what you will. Let's just say: there are a LOT of similarities between Stan and the Axolotl and its real life god counterpart, Xolotl. Does that that mean he's literally the Axolotl when I say he's godly in the Gravity Falls setting? Maybe not.
Here's one last odd something that caught my eye. This is also a leftover from that theory I mentioned above, but I'll just... leave this here, because I don't think anyone else has ever pointed it out before and it expands on what I've been talking about:
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Stan in the opening. The first time we see this guy, technically. He's sitting in his favorite chair. And as we all know, he turns to look at something. But just where the hell does he turn to look?
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Half of you are like, "Well, what? What's he looking at?". There's a blue glow to his right, and you know what that blue glow is? The tank, which happens to have...
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Could be a coincidence, maybe unintentional, but it's... kind of odd, not gonna lie. To have a character that embodies the traits of the setting's god look over at the setting's god the first time viewers see him. Just... a bit strange... and Xolotl was also a shapeshifter god, and given that Stan goes through so many identities in his life... and axolotls are able to regenerate limbs and so are a symbol of healing and rebirth like Stan - whose whole story is about healing and having multiple "rebirths" - is...
Anyways, I've gotten far off track mentioning things from that theory just for fun that I never posted. I may still post it, so I won't spoil all of it or list any more of the very odd coincidences between Stan and the Axolotl, but all you need to know from this post is that Stan shares a lot of similarities with his setting's god in symbolism, and embodies the power of the Axolotl AKA godliness in the Gravity Falls universe: no ego, selflessness, and knowing how to play a long game, because those are exactly the traits he uses to defeat Bill, as well as the traits that help him resolve his character arc wound.
So... now what?
I'm not really sure what to put here, to be honest. This post was a lot more meandering than Ford's was, but that's because there are so many different aspects of Stan's writing that are amazing, especially in symbolism. I hope it was coherent and made sense. A part of me was considering leaving out the ego death and Axolotl parts, but I thought it interesting enough to keep in. Let me know your thoughts!
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This is complaining day because I realized there's more than one thing that got on my nerves lately and it's not just about the treatment of a kpop idol's mother. Let's begin.
Please, stop refering to Jungkook's mother as mama Jeon. I know the tendency is to ignore so many of the cultural differences that exist, but in SK, people don't change their surname after marriage. It just sounds idiotic and westernized in a ridiculous way.
So, Jungkook's mother loves all BTS members. She LOVES them all. How does army know that? How? I'm genuinely curious and genuinely asking. Because they say it as a certainty. Or, forgive me if my memory is faulty as well, but the only instance that we as outsiders were privy to in which we heard that woman speak for the first time, it was in early 2021 on another phonecall with Jungkook when she said I love you to Jimin.
Of course, the same ot7 narrative came as a buldozer at that time too. Damn, does that mean Jimin = BTS? Sometimes yes, but only when Army wants to diminish Jimin's importance and doesn't allow him to stand out individually too much. Musically or otherwise. But back to this Big Love that Jungkook's mom is supposedly feeling for everyone and which has been invoked once again when that woman mentioned Jimin twice while talking to Jungkook on the phone. Cause she already knew they were in Jeju. I bet she didn't have to find out randomly from a schedule group chat.
So what happens? An assumption is turned into certainty because of small people being extremely insecure. Because they see that one person is once again given more importance on a personal level and we can't have that. No sir! So in a panic, they tweet, they post on tumblr, tiktok, youtube the old age, boring af, sounding like a broken record sentence: "Mama Jeon loves all seven". Fuck me gently with a chainsaw cause that sounds a lot better than the feeling of throwing up I get whenever I read such things.
No, she doesn't love all of them. That is not a fact. It could be true and it's not impossible. But it is not a fact based on the knowledge we have at the moment.
Also, it shows once again that an entire fandom is actively creating a reality of their own which is not even like some sort of simulacrum of the reality they must live through. In Army world, the mother of one member of a k-pop group must love all the members of such group. It doesn't matter than irl, our mothers a lot of the times don't even like all our friends, besties or partners. We might have the most incredible connections and it would mean nothing to our mothers.
In that same vein, another narrative that makes me want to pull my eyes out is the "awww, their bond is to die for, they are (like) siblings after all". Do any of them never had any siblings? Never saw other people and their relationship with their siblings? Or with their family?
I also had to read (which was followed by me blocking it immediately) how Jimin and Jungkook's relationship is the sum of the other relationships they have with other BTS members. I mean, why would I have any sort of expectations from any of these people when they are completely incapable of looking at JM and JK as actual people. As persons with individual minds and an intellect of their own. Let alone the fact that their world does not stop with the presence of 5 other men. In what realistic scenario does this translate in real life? That's not how it works. Yes, we are social creatures and a product of our surroundings, but it is not in the way in which these stans believe it to be. They think that living in a dorm for a few years and working together with other people, it means that those experiences are the only ones that actually shape the personality of a person. They are real people, not fictional characters. I've never heard such ridiculous theories in my entire life, to be used as talking points about someone's behavior or relationship with another person.
Maybe the need to create this elaborate fantasy comes from the lack of love in their life, which then gets projected into this Disney, kumbaya, capitalist heaven narrative in which everyone is a big family and they love each other so much and equally and all the parents of all the children love every single member and thus, harmony is created. Love is always platonic and ever present. The complexity of human relationships must not exist.
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ai-manre · 13 days ago
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A new lie I have seen many Sansa stans regurgitate both here and on reddit is that Sansa actually stopped calling Jon a bastard after finding out what the word meant, and instead started calling him "half-brother".
This is completely and blatantly false, as Jon's narration makes it clear that she refused to call him anything but "half-brother" since finding out he's a bastard. Their next argument is that all his other siblings also called him half-brother/bastard-brother and that Sansa is unfairly singled out. The difference would be extremely clear to anyone who actually read the books and not out of context quotes: Sansa is the only one to look down on Jon and attribute stereotypical traits to him due to his bastardy. No other Starkling does that not once. It's not called being "so class conscious that she is kind and realistic" no, it's just being classist and prejudiced. Boring, run of the mill classism. Also the irony of saying this makes Sansa a realist, when Sansa is the character known best for denying and rewriting reality lol.
This is something anybody who read the books and has the reading comprehension of a snail should be able to realize immediately without having it be explained to them. But this is just a trait symptomatic of all the arguments Sansa stans make, they actually really dislike the character she actually is but want a conventional feminine character to project on so they will try to warp everything they can get their hands on. Unfortunately that involves my fav Jon.
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atqh16 · 2 months ago
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Ok no seriously why does no one talk about the trauma Wei Wuxian dealt with at being forced to live in isolation for 3 whole months in the burial mounds? Not even talking about how its a place thats infested with resentful energy. Realistically speaking the effects of isolation is a very well documented issue and from the way Wei Wuxian acts when he comes back he displays very classic symptoms. Heightened irritability, poor impulse control, aggression, general struggles to reassimilate into society and a LOT more. Yeah Wei Wuxian has always been rather reckless and impulsive. As a teenager. But afterwards it's shown to be a lot worse. He drinks a lot more. He isolates himself and avoids his duties as Jiang Chengs second in command. He's much more hostile towards those he deems to have done wrong. He becomes more defensive. Easier to anger.
Some fans (especially Jiang Cheng stans) argue that Wei Wuxian should have said something but anyone who's ever dealt with trauma indirectly or not know how borderline impossible that is. Especially considering the type of relationship the brothers had before. Their rough and tumble was always done jokingly but afterwards Wei Weuxian would have seen his trauma as a point of shame. ESPECIALLY in the culture and childhood he was brought up in. Especially after being accused of triggering the Lotus Pier massacre (which was not his fault in the slightest. The fault of genocide will always lie solely on the perpetrators. No one else). He's been subconsciously told his whole that he owed the Jiangs everything. As close as he might have been to his siblings they still weren't related by blood. If his issue with Jiang Cheng was shame then his issue with Yan Li was that he wanted to protect her from his own pain. Him thinking Lan Zhan hated him and simply wanted him back in Gusu to be punished was a very understandable conclusion.
To say that Wei Wuxian was dealing with a trauma conga line would be an understatement and I hate how so many stans trying to defend their fav completely ignore that. I'm not frustrated with Jiang Cheng for being angry with his brother for the choices he made. I'm angry at him for not trying harder to understand his brother. I'm annoyed at how easily he decides to abandon him. I'm angry at how he insists that their childhood promise was worth more than the lives of the women, children and elderly living in destitute and surviving solely because Wei Ying stands as their defender. I'm frustrated that he doesn't try harder to give his brother the benefit of the doubt and is so easily swayed by the accusations against him. Even Mian Mian, someone who barely knows Wei Ying and is basically a nobody, had the strength and integrity to stand up for Wei Yings actions s and Jiang Cheng couldn't even do that? The fact that Lan Zhan is the only one who acknowledges and thanks Mian Mian for what she did says something.
Politics will NEVER be a good excuse to ignore the atrocities and wrong doings that are being done clear as day in front of you. Jiang Cheng saw with his very own eyes that the Wen Remnants were harmless and still insisted that Wei Ying abandon them. Wtf?
Even if you did want to go into the politics of it let's be real, Wei Ying was an incredibly powerful 'weapon' that was feared by all because of his reputation alone. If Jiang Cheng had stood by him no one would have dared to openly object to him. If you're talking about allies; Lan Xichen would have been reasonable enough to provide whatever aid and support he could and with the reputation the Lans had of their integrity it would have rooted the Jiang clans status even more.
The problem will always be that Jiang Cheng never even TRIED. Mxtx has always put emphasis on her details and there were none for this and that says something. I love Jiang Cheng as a character but I will forever hate him as a person.
As for culture don't even start. I'm Asian, living in an Asian countrh who grew up with Asian traditions. I vehemently disapprove of a the actions the rest of the characters made because culture might make it understandable but NEVER excusable.
If you're not one of the people who thinks these things then this post is very obviously not about you.
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minaaaawaaaa · 6 months ago
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Reblog/comment with your favorite things in South Park *fanon media. Here's some of mine, pairing-related separated since some people don't really care for that, which is totally fine
Craig being partly Peruvian (derived from Pandemic I & II); either not Thomas's or Laura's biological son and half-siblings with Tricia. Also him just being tall asf; I think his dad is supposed to be taller than the average adult male character. Also Craig balding early in adulthood LOL
Plot twist villain Cartman in larger-scale-plot fics
Also, Cartman still earning God's wrath when he really, really deserves it
Kyle being the absolute fussiest little shit you've ever seen, at any age, for good reason usually. This is pretty canon, but still it's important to maintain
I think it's never directly put out there in canon besides Tweek's name being so terrible, but the Tweaks have definitely had Tweek and half the town on meth for years
Tweek being super artsy and those practices helping him relax; visual arts, music, sewing/crotchet, etc.
Clyde Donovan, the most sensitive crybaby football player of All Time
Quarterback Stan, regardless of high school/college/NFL level
It's so sad but longtime-alcoholic-since-10 Stan :( I still love him
Not sure when/where it became popular as it isn't too evident in canon, but the weird Craig and Kenny often being pothead frenemies thing? Idk when or why it started but it's pretty fun
Burnout yet extremely dependable Kenny working a ton in high school and often shooting for custody of his little sister Karen once of legal age. Also him being a scientific/mathematical genius but never applying it to prioritize Karen's comfort and safety instead. Also him being super clean given his family situation
Stan being the 5-in-1 body wash friend and Kyle being a major skin care girlie
When ppl draw them in the show's style and when they make them actually look like they're 9
Adaptation of the wackier canon events into a more realistic context like maintaining Butters's eye injury through other means, Kenny being gone for extended periods of time, Stan secretly taking in animals, still playing superheroes. I recently read an anger management counseling fic where Cartman bit off a guy's finger in an argument which I assumed was a Scott Tenorman Must Die reference
Pairing-related
Tweek being closer to the Tuckers than his own parents; his own house being tidier but the Tuckers' being much more of a home
Craig's been gay since 2007, Season 11 episode 8, "Le Petit Tourette." No straight reason for asking to do "the coolest kid in the world's" laundry. Has a type for twitchy dudes--Thomas from that same episode and then his relationship with Tweek
Cartman's demented-ass crush on Kyle; Kyman shipper or not, that kid's got bigass issues. I do not ship Kyman but Eric's got a fucked up little obsession with Kyle. Bro saved his family from deadly L.A. smug because he couldn't live happily without having Kyle there to constantly argue with
Stan being the one to be super down bad for Kyle yet also be the one with more issues in the relationship. I love Stan but dude has way too much of Randy in him, he's gotta be a pain in the ass
Only Kenny calling Butters "Leo," with most characters not recognizing his actual name being Leopold; being sort of popular as a secretive background relationship and Kenny being very protective
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legobiwan · 8 months ago
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It's 2024 and I've decided to make a Gravity Falls fic rec list. Because I do what I want, even if I'm showing up to the fandom a decade or so late. All fics are Gen unless otherwise noted, warnings can be found at the end of each description.
Birthday Dinner by Fordtato
A post-series short story featuring our two favorite old men out at sea, this work is wildly in-character in terms of their bickering and sometimes-competitive-to-the-point-of-self-sabatoge sibling relationship, but in the best and most hilarious of ways. Warnings for lighthearted discussion of cannibalism.
i know exactly where my blood is by strawberrybiscuit
There are a number of works that delve into Stan's possible suicidal ideation tendencies, both in his drifter years and post-Portal Incident. I find this to be a wholly conceivable notion, given both the absolute shit hand he was dealt in life and the hints we are given throughout the series that his self-esteem was pretty much in the gutter. Of the stories that explore this theme, I find this one to be one of the most grounded - Stan's borderline dissociation/gallows humor is very in-character, as is Ford's genuine horror when he learns the truth of the situation, which is rightfully emotional without delving into melodrama or transforming into a Saturday afternoon special. Warnings for intense talk of self-harm and suicide.
By Any Other Name by Zeragii 
I, like many of us, am fascinated by the tantalizing tidbits we've been fed as to Stan's decade or so existence as a drifter. We know he's failed at somewhat more legitimate attempts at entrepreneurship (the dodginess of the actual products notwithstanding), we know he was living out of his car for a large majority of those years, we know he's been to prison three times in various countries, and we know something happened in Colombia. All this is to say, Stan's probably made a lot of enemies, and that his map of "States I'm Banned In" is more likely a summary of places in which he has outstanding warrants and/or a price on his head.
What happens when that past catches up to you?
While this isn't an uncommon theme in Gravity Falls fics, what I love about this story is the complexity of the interactions between Stan and Ford here, given this is a post-series fic. Yes, they've mended their relationship, but old patterns die hard. Neither twin ends up as the "damsel in distress" (a worrying recurrence in many GF fics), despite the fact they are thrown into multiple dangerous situations and the OCs/Pines family extension are well-crafted and three-dimensional.
The People That We Always Hoped We Would Be by SharoScylla
A Christmas Carol, but make it Gravity Falls. The section of this story that really sold me was Stan's climatic scene in a bedbug-ridden, hovel of a motel room in New Mexico. Guest appearance made by the infamous Jimmy Snakes, who I learned recently was going to be a real character (and essentially this universe's answer to Ghost Rider) until that whole bit about Stan's past biker life was cut (regrettable). Embracing both the humor and darkness present in the original show, this story sees a Research Era!Ford come face-to-face with his own proverbial demons (real demons not included) as he is visited by a familiar cast of future past. Warnings for suicide attempt.
O Brother by Obsessive_Reader
In progress. A timestuck AU with the Mystery Twins 1.0 being catapulted into the 1980s, a young Ford landing with an increasingly desperate adult Stanley as young Stan tries to navigate the thorny, icy adult his brother Stanford has become. Probably one of the most realistic timestuck AUs out there, as fences are not mended immediately between the adult twins nor with their children counterparts. Also, Fiddleford finally has a chance to shine!
Orpheus Descending by Sir_Thopas
Unfinished. Which is a damn, damn shame, as this is probably one of my favorite Gravity Falls fics of all time. Read it anyway. Yes, you'll swear vociferously at where it leaves off. ResearchEra!Ford goes to incredible lengths to bring his brother back from the dead as Stan's demise is not exactly what it seems. What exactly happens with Stan is incredibly realistic, given his circumstances, and the local color written in by this Georgian native just adds to the Gothic feel of the whole tale. To what lengths would you go to bring your family back? At what point do you cross the point of no return in order to survive? Warnings for graphic description of a decayed corpse and prostitution scene.
Journal #4 by Percival_T_Honeybee
To be honest, this story stops being a Gravity Falls fic a couple of chapters in, instead featuring characters we know and love in increasingly out-of-universe (in all ways imaginable) situations. This doesn't matter, though, as the world- and character-building of this swashbuckling, sci-fi epic are superb and will have you on the edge of your seat until the final chapter. When both Stan and Ford go through the portal, their futures become something they never could have imagined.
Turning by BrandyFromTheBottle
I've mulled over this conceit on more than occasion and truly think it's something that begs further exploration. What if Stanley Pines pulled a Saul Goodman and, after the world was saved, turned himself in, willingly going to trial, and eventually, prison as self-inflicted recompense for his past deeds?
And now for something different...
Entanglement by Haley3
Ford/Bill (to be clear, Triangle Bill. Accept no substitutions). I realize Billford is not everyone's cup of tea and I rarely, rarely post shipping stuff, but in full transparency, I find their relationship fascinating and the idea of their having interactions that may have seeped over the boundary of purely (well, not pure. Ford built a damned shrine and became a one-man cult while Bill was manipulating him the entire time) platonic is not out of the question. In other words, I'm not wholly immune to Billford, but I am rather picky about how they are portrayed.
This fic checks all my boxes. Bill remains a triangle throughout. Bill is unredeemable. Ford and Bill have a relationship whose complexity would rival the equations of the dimensional physics they debate. And, of course, Ford is lying to himself and those around him, deeply, deeply in denial as to the nature and profundity of his emotions towards his tormentor. Warnings for explicit sexual scenes, manipulation, emotional abuse. I mean, it's Bill, we all know what that means.
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punkeropercyjackson · 10 months ago
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I truly believe that i never would've cared about the Batfam long enough to stick around the fandom til now and plan to stay as long as i can if they were like what fanon stans want them to be canonically.Jason is unironically one of the love's of my life as a selfshipper who started reading comics because of him but i detest the 'better' version of him they've created and same goes for the rest of the Bats and all the non-Bats they've ruined to prop them up
No,i don't want to hear about a white man adopting kids just because they have blue eyes and canonical good parents being bashed or killed off so he can replace them.No,i don't think it's right to reduce one of the most iconic and influencel character's in comics history to a chronically happy dumbass manchild who's obsessed with his looks and sex and as an irl eldest sibling i feel personally insulted by what they've done to Dick because they don't know how siblinghood works.No,i don't like that Tim is always either getting demonized and called a bigot and abuser and 'incel' for being a realistic teenage boy constantly dealing with nonstop bullshit thrown at him in addition to already having childhood trauma or woobified and bamfified into a white male power fantasy-Often coupled with sexualization which is just plain horrifying because he's a fucking toddler.No,i don't feel taking an extremely rough and tough and canonically uncomfortable with society's ideas of femininity and what should be romance chinese girl and literally silencing her wants by erasing that she learned how to talk and how even before that she had major attitude and not only feminizing her but having the audacity to not even make her feminine in a chinese way and instead go the white girl femininity route
No,i don't enjoy seeing a brown arab boy who's already a victim of islamophobic stereotypes in canon have even more added onto it by adultifying him either for bashing or simping and even fucking animalizing him so the white boys he's shipped with can 'domesticate'(an actual term i've seen used for him multiple times)him.No,i don't care that Jason being an angry goth asshole and morally gray is hot to you so you decided to erase his canonical trauma response of not being open to dating or sex unless it's with someone he's super close to due to how much hurt he's been through because you see traumatized men as a fetish instead of people and think you're not being ableist because you're a cis woman.No,i don't think i'm being 'too mean' by insulting and saying i fucking hate people who leave out the ONE black Batkid we've ever gotten in all almost 100 years of Batman comics for no real reason yet inserting the blonde white girl who's not even Bruce's daughter in any way because she DATED HIS SON and is basically dating his actual daughter now while doing it in the most mid fanarts and headcanons imaginable and when he's literally everything they love in white boy protagonists from other medias but they refuse to relate to autistic and queer black kids of any kind
I hope everybody who popuralized it back when the fandom was starting out rots and you're foul as hell if you perpetuate it too,i'm 10000000% serious from the bottom of my heart
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medusas-daughter · 2 months ago
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https://www.tumblr.com/medusas-daughter/756745829152374784/i-had-to-block-so-many-alicent-stans-bulldozing-my?source=share
"to raise her sons to believe they are better than women simply because they're men."
They live in a patriarchal society, are you seriously going to blame her for being a woman of her time and raising her sons in accordance with the norms of that time? Because yes, in the Middle Ages, a woman is better than a man. Deal with it.
I don't usually answer these and just choose my peace but you caught me in a feisty mood so here we go.
First of all, this isn't the Middle Ages, this is Westeros, it's fictional, it's not real, whatever inspiration GRRM took from real history, Westeros is not real.
Second of all, pleanty of women had actual power in Westeros. Aegon didn't conquer shit on his own, Visenya and Rhaenys were right there and did most of the leg work. Dorne didn't have male primogeniture. The eldest became prince or princess of Dorne. Yes granter not in Westeros, not at the time, but it wasn't such a foreign concept to Westeros people. Half of the seven gods they believe in are in female form. Women weren't second class citizens not allowed to speak or think or act, Westeros isn't inspired by Taliban rule.
Viserys chose his eldest daughter as his heir, all of the Westeros Lords swore their fealty to her, and even after her brothers were born and Viserys had died, half of the Westeros Lords were still loyal to Rhaenyra and to that oath they once swore to her, Lady Arryn fought and won for her right to be the head of the Vale. All of these things happened during those "Middle Ages" you speak of, happened right in front of Alicent's eyes. She had a choice between accepting Rhaenyra as heir during a time where women were publically getting mroe official power or following her father's scheme and usurping her. She could have raised her sons to respect their sister and they would have received high places in court, like most princes and princesses and siblings of royals in medieval and modern times. But she chose to follow her father's ambitions and raise her sons to both despise women and fear their sister. Aegon, canonically, in both book and show, did not want to usurp Rhaenyra; don't get me wrong once he got a taste for power he didn't want to let it go, and once he lost his kids there was no going back; but he did not want it initially. He states in the show that he will not challenge Rhaenyra, and in the book he says "what kind of brother steals his sister's birthright", during those "Middle Ages", he acknowledged that his sister is the rightful heir. But Alicent has to convince him to usurp his sister, and she does that first by instilling paranoia and fear in him that if he doesn't become king Rhaenyra won't allow him to live (as if historically first borns were known to kill their younger siblings to keep their crowns...) and second by raising him and his brothers to intimatelye believe that a man is better/smarter/more capable of ruling than a woman and that a woman in power would ruin the country, just like Otto repeats multiple times.
Just because something has been the norm doesn't make it okay and it doesn't mean it's not possible to change it . If some people are capable of change, others are too. And I will absolutely blame anyone who stands in the way of positive change, whether in fiction or reality. Alicent wasn't the only once who stood in the way of rhaenyra getting her birthright, obviously, but she wasn't innocent in it and I will not spare her of any responsibility or view her as a poor innocent maiden with no agency just because she's a woman.
I don't even hate Alicent as a character, I do blame her for what she did and I pity her for what was done to her and I've acknowledged multiple times that she's a very realistic complex far right women for trump type of character (and if you don't like me saying that, go fight Olivia Cook who has literally described her character the same way this is a very lukewarm take considering the material). But yall green stans are making me hate her out of pure spite.
Istg green stans have got to be the most annoying group of people I have ever had to deal with in this fandom. Do you see me running around green blogs and forcing my opinions down their throat? Go read a fanfic, go rewatch the show, go enjoy your show/media/material the way you want to and leave me the fuck alone. I've blocked so many but they keep coming back. tf
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nrilliree · 6 months ago
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https://www.tumblr.com/iscend-phines/751334706465947648/bookdaemon-would-never-he-was-a-somehow-worse?source=share
Daemon is not a pedophile or a groomer in Fire and Blood. You have to review your definitions after a while.
And sorry, but the fact that there was domestic violence in the feudal era in no way justifies adding it into a show that adapts source material already rife with violence against women in the first place, including for the affected character of Rhaenyea.
Why add domestic violence when there isn't any in the source material ? What's the point ?
GRRM has already written about other relationships with domestic violence. So why add domestic violence where there was none AKA Daemyra ?! What's the fucking point ?! Not to mention that Rhaenyra already experiences various realistic violence in her own story. No need to add domestic violence to all that if it doesn't serve the story.
And I remind you that not all men, even in feudal times, were necessarily violent with their wives. Throughout history, good men and their wives have always existed.
So the excuse of “realism” to justify the fact that Daemon is violent with Rhaenyra they can kick it in the ass.
GRRM has written stories of domestic abuse before. Do you want to read this ? Well go read that. Or did the producers want to adapt that ? Well they just had to adapt another GRRM story ! Same if they wanted romance between girls! GRRM wrote about it ! No need to invent Rhaenicent !
And yes, the show is trying to make Alicent look better ! Alicent wasn't a victim in the book, and she wasn't that young. What do you call it other than trying to make his character more likable for the audience ?!
And no, the producers don't understand anything about what they are adapting. They're not even able to admit that the entire central conflict is based on pure misogyny and tries to send the message that not everyone, including Rhaenyra, is apparently equally bad. That's not what dance is about. So sorry, but yes, if you are not capable of understanding the basic message of a work, then you do not understand anything about it in its entirety either.
Alicent stans disgust me deeply.
Well, under the last similarly stupid post, I wrote the definition of words that someone used without understanding and therefore looked stupid, but instead of appreciating the help and educating themselves, the person got offended. Typical.
So please, @iscend-phines , take advantage and educate yourself, because you need it too:
Meaning of pedophilia:
the condition of being sexually interested in prepubescent children, or sexual activity with prepubescent children.
Meaning of prepubescent:
relating to the period before children start to develop adult sexual characteristics: prepubescent girls/boys/children. Preadolescence is commonly defined as ages 9–12 ending with the major onset of puberty.
So very simple:
Daemon, suspected of sexual contact with 16-year-old Rhaenyra in the book/19-year-old Rhaenyra in the series, may be an ephebophile. But there is no evidence.
Aegon suspected of sexual contact with a 12-year-old girl may be a pedophile. But there is no evidence.
But, anon, what exactly do you expect? This is Alicent stans. They use the argument "penetration is not shown on screen, so there is no proof that Aegon raped anyone!!!!!!1111", they believe that Rhaenyra is to blame for Dance because she has no relationship with her siblings, and Alicent is a poor victim, who did not abuse Rhaenyra and her children for several years, did not sell parts of her body in exchange for benefits, and is not complicit in the deaths of many people who died due to the usurpation of the throne. They are so strange and blinded that they see abusers everywhere but at home, and some are even happy that Rhaenyra would be a victim of domestic violence. Apparently they got it from their idol who wanted other women to suffer like she did, THE victim.
And you know what makes me laugh the most? When TGs throw incest accusations at Daemon. Uncle and niece are still less incest than siblings. And Aegon, the beloved king of TG, bangs his own sister-wife because his mother told him to :D
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strawberry-milkbunny · 1 year ago
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I have no one to talk to about Tokyo Rev so here r my random hot takes that I need to say:
- Emma and Hina r boring and used as romance plot devices it’s okay to admit that Wakui can’t write women idk I don’t expect shounen/men to be able to write girls well (still cried when Emma died tho bc she didn’t deserve it!!!)
- lol I LOVE Yuzuha and Senju tho
- I actually do like Emma and Draken together but I also firmly believe Draken is in love w/Mikey and was just projecting onto Emma LMAO
- Yuzuha is a lesbian
- Controversial: I don’t think Shinchiro was THAT great of an older brother. Like he was cool but he still introduced Mikey and Izana into the world of gang life/normalizing violence and yeah OG Black Dragons isn’t like that but….what do u expect when u form a gang??? .obviously there’s a high chance that it’s gonna develop into LEGIT gang activity
- As an adult and someone who was basically raised by an older sibling w/a big age gap (my sis is 7 years older) I kinda don’t blame Takeomi for being a bad older brother??? Realistically he’s a 17 yr old in charge of raising 2 toddlers like NO SHIT he did a bad job. At least Shin had his grandfather to help out but Takeomi actually had no one. Doesn’t explain y he’s a brokey LOL buttttt again I don’t FULLY blame him for being a bad sibling still hurt my boi Sanzu 😤😤
- I HC that Mikey is used to having a caretaker (Draken and later Sanzu) bc when Shin died he was so depressed and genuinely couldn’t get out of bed
- Takemitchy is also lowkey boring/typical shounen protagonist and canonically stinky like Hina could do sm better. This is personal preference so I find myself wanting more chaotic/dumb protagonists who are slightly morally ambiguous like Denji, Gintoki, hell even Naruto at times. Takemitchy didn’t get character development until BD arc and that’s just a bit too long for me….
- Koko and Inui r gay and dating 💅🏻💅🏻💅🏻
- the Haitani brothers r the kardashians of the TR universe they’re so embarrassing Deadass show up and pose/do absolutely nothing I LOVE THEM SHKSKSKSK
- I love how it’s universally agreed that Mitsuya and Chifuyu r the best bois
- I have mixed feelings about Izana. I genuinely do like him and DESPISE how he’s whitewashed by fanart
- I get it u genuinely just wanted to not be alone and found out ur adopted in the worst way possible but…..idk how that justifies killing ur own sister but u do u ig 🤷‍♀️ and u have KAKUCHO AS UR FAMILY WTH
- don’t listen to me tho I’m a Mikey and Sanzu stan LMAOO 🤭🤭🤭
- Izana is the definition of mommy issues and 100% had crunchy hair lik mans was homeless
- if I saw Izana IRL I would RUN 🏃‍♀️idk he looks a lil crazy
- also this man does not know Tagalog he didn’t even know he was Filipino until he was lik 12
- idk the Tenjiku arc is so funny to me bc Izana is deadass: imma kill everyone in Mikey’s life for revenge and Mikey is lik: bruh I didn’t even kno u existed until last week and now ur killing our sister UNPROVOKED ???
- Bonten!Mikey is a virgin/no libido mans is DEPRESSED
- wished the Bonten arc was longer simply for the outfits bc Wakui KNOWS FASHION but that shit was DEPRESSION
- 3 Deities Arc was amazing and also funny/serious at the same time. It literally was an all out brawl in an AMUSEMENT PARK
- fr tho wtf was Benkei, Wakasa and Takeomi doing there??? Like they’re canonically 27 GO GET A JOB STOP FIGHTING 15 YEAR OLDS SHKSKSKS
- U cannot tell me that Sanzu WASNT sad when Baji and Mucho died.
- Baji was straight up his childhood friend and the only one other than Senju who knows about the plane incident/Mikey’s possessive side. And In the OG!timeline I’m pretty sure Baji was the only friend Sanzu DIDNT attack. While with Mucho he was pretty much his older brother, Sanzu just decided Mikey was better
- Tbh if the dark impulses/Shin thing wasn’t real I would’ve firmly believed Mikey had DID or something. Which again made only worse by the fact that violence and death is such a regular thing in his life (GET THIS MAN THERAPY LIK WTF IS SHIN AND GRANDPA SANO DOING???)
- Kazutora going a lil crazy is lowkey expected and I hate how we only find out about his home life in the character books. This kid grew up in a physically and mentally abusive household (gaslight to pick between parents and as s/o who has experienced that shit it’s fucked up) and I rlly don’t think prison helped out his mental stability either no shit he tried to kill Mikey
- I don’t ship Mikey and Takemichy (despite the IMMENSE gay ness btwn them) firmly bc I think everyone can see how much power Takemitchy has over Mikey idk it has a weird power dynamic like if Takemitchy tried he could 100% control Mikey (platonically or romantically)
- Baji, Chifuyu and Kazutora r a throuple
- I HATE how Sanzu is reduced to this crazy drug addict. Sanzu is canonically smart, manipulative, and formally trained fighter. He also REMEMBERS the OG timeline, he had to experience Shin dying twice and everyone else die no shit he’s a little bonkers/needs drugs to take everything away. Plus his relationship to Mikey which tbh is a whole separate post
- controversial !!!: I ship Mikey and Sanzu or Mikey and Draken. Sanzu only bc this man has a big ass crush and deserves some niceness for once
- ppl write Kakucho as this shy, nice guy like ur not wrong but mans is also running UNPROVOKED into Yakuza offices like it’s the gym while dragging Rindou wit him 😭😭😭
- the haitanis r the best sibling duo
- It lowkey makes me mad in fanfics where Ran is depicted as cheating w/Rin’s gf like??? This man raised his younger brother himself u cannot tell me he doesn’t love his brother and would actually do that to him
- Ran would 1000% do anything for Rin and i firmly believe he kinda regrets not saying anything in court to prevent Rindou frm joining him in jail. Like saying he forced Rindou to kill someone w/him, abusing his brother at home, etc especially in the Bonten! tl he def thinks about wtf he dragged his brother into
- I also don’t think they’ve slept w/ the same person before. Idk I feel like they have diff types like Ran goes for more motherly/mature types while Rindou goes for sweeter/shy types
- Draken has road rage
- Yuzuha should’ve been taller like AT LEAST 5’7 bitch is related to Hakkai and Taiju for gods sake
- OG BD 100% thought Wakasa was a girl for at least a month. He’s canonically 5’3 and pretty.
- Characters who r 100% bisexual: WAKASA, Senju,maybe Hina, Draken (def in denial), Rindou, Ran (he’s a whore as long as ur pretty he’s down), Sanzu, Koko, Kazutora, Chifuyu
- Mitsuya had a crush on Draken
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diacripticcomplex · 1 year ago
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My absolute favorite DL characters in no particular order:
🌸 YUI KOMORI 🌸
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Never understood the hate towards Yui. Again the anime is a promo for the game and it did not do her character justice at all. The prequel and sequels for some of the mangas did her character justice. She’s a very kind and compassionate person, she’s HUMAN and grew up in a church, she’s a soft girl who doesn’t like violence so y’all can only imagine what this girl has to go thru meeting a bunch of bloody thirsty horny vampire boys, who have severe parental issues and a bunch of other abusive behavioral problems, but she is very patient with each and every brother in all the routes and I love that about her, she’d be a really good therapist too lmao. She’s an Angel, must be protected at all times. I won’t tolerate any Yui hate on this blog.
❤️‍🔥 AYATO SAKAMAKI ❤️‍🔥
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Poster boy for the entire franchise. A lot of people find him to be annoying, he is annoying and we love his Aries self for that. While Ayato is a menace to society he’s got a good side to him as well and for the most part knows right from wrong, more than some of the fandom gives him credit for. I also really like his character design, he kinda looks like a mean little bat. They give him a lot of cute and playful moments with Yui and I think that’s beautiful especially in a dark themed game series, they have serious moments but also a lot of light hearted moments and I think that’s important to lighten up the mood sometimes.
👨‍🌾 YUMA MUKAMI👨‍🌾
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First off, I absolutely love his character design, the messy long hair and he’s a giant too plus they gave him realistic human hair and eyes to show that he used to be human, maybe I’m thinking too deep on it idk. I absolutely love the identity crisis he had due to his amnesia and the connection with Shu, it brought that twin flame connection back, I love those best friend tropes a lot, his voice actor also is Mako from Free! So I have no choice but to Stan Yuma. Yuma also has a lot more self awareness then the rest of his adoptive brothers and thinks ahead due to his past experiences, he knows that he’s a vampire now but still has a garden for food and has sugar cubes with him at all times, he uses his past experiences and acknowledges that it happened then moves forward he doesn’t dwell on it too much.
🔪AZUSA MUKAMI🔪
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He’s a lil creepy, and socially awkward at times but he’s just so relatable sometimes. He’s very soft spoken and he a lil wild with his pain tolerance and some of the out of pocket shit that he says, but I think he’s such a sweetheart, protect him at all costs as well, even his brothers know to protect him at all costs.
🎻 SHU SAKAMAKI 🎻
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Shu will forever be my favorite DL boy, he doesn’t like doing anything but can do everything and do it perfectly too. He has severe ptsd, depression, and detachment issues. No you can’t fix him even Yui realizes this and just accepts him for who he is because that’s the only way it’ll work. He’s also hilarious without even trying to be, he says some mean shit at times but it’s so unhinged like damn Shu you don’t have the energy to eat, shower, wipe your ass but you got the energy to completely disrespect all your siblings with a few words. Also his beef with Reiji is somewhat familiar grounds especially if you have a sibling that is constantly irritating your soul. I always felt like I could relate to Shu the most due to him having a hard time getting close to people after losing his best friend, he can’t just get over it either, I don’t like when people would say “oh it happened a long time ago” yes it did but everyone heals at their own pace and it’s important to acknowledge that as well.
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franzkafkagf · 7 months ago
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can you elaborate on aegon and visenya being infertile?
on aegon: i believe it would be ironic and extremely fitting if all targaryens descended from rhaenys‘ bastard. on one hand it would make the dance super goofy as well as the whole „wahhhh character x‘s bloodline“ „waaaaahhh character y‘s kids“ from stans look foolish. they all claim to be the legendary conqueror‘s blood when actually none of them are
on visenya: if she could have kids i think she would‘ve just had a bastard earlier instead of creating a shadow baby with aegon. to add, she only had maegor after it seemed like aenys would die. visenya and aegon are often described as being very similar. both carrying valyrian steel swords, training together, similar ways of thinking… (i always think of rhaenys being the optimist, aegon the pessimist and visenya the realist). grrm likes to play with the whole „if youre a rotten, wrong person youre also infertile“ trope. i‘m not gonna hate on visenya cuz i love her but she does make many morally questionable choices (as does aegon). so it would be fitting that these two rotten siblings would also both be unable to have non-magic-fueled kids.
extremely ironic if the only one of the siblings actually able to have kids died, leaving the two rotting from the inside to figure it out after it seems like the heir to the dynasty is dying. it’s just too perfect 😫🤌
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lovelytayforce · 9 months ago
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@playful-level4366 Hey sorry I didn't reply like normal but I knew this wouldn't fit down there, considering how long I thought about this question and how to word it. It's kind of a weird dynamic to explain because it's not just about Tai Lung because he's intrically linked to Shifu and Tigress as an abuser, and in a sense I don't think the fandom wants to go over that with him at all. They believe him to be a victim and nothing else. It's true he's a victim, trust me I agree with a lot of Tai fans on that aspect (Hell, I relate to his need to prove himself and also hating who he is, hoping some magical spell will change all our imperfections but I know it won't...) but also he's a terrible abuser to his own Father and Tigress. And that ruins a lot of their fluffy hcs of a soft family learning to come together because that's too realistic for the fandom perspective and view on him. God, I don't wanna be mean but it always seems like when I see discussions on the character its as if we see two very different sides of a burnt piece of toast and see two different types of images, one skewed more by the lighting than anything. Listen, this isn't me telling other Tai fans they can't have their soft hcs for him go ahead but remember you need to stop blaming other characters for who he is, he choose his path. A person even said I was "too harsh" on Tai Lung after explaining all the horrible things HE DECIDED TO DO, that's not harsh. That's the truth and no one wants to go over it because its uncomfortable and I get it to a point but you all also picked the most uncomfortable characters who mirror our very dreary reality when we close our laptops and see the imperfections of our loved ones and ourselves. Tai Lung is a personification of the favored son in many Kung Fu flicks of the past and even the present, how the Father uplifts them to the light of heaven themselves before they ultimately go too far and let them down whilst ignoring the daughter. aka Sexism in the fam. Neat. You latched onto the man that was not only neglected by his own father but the man who abused his father back, both physically and emotionally TWICE to gain what he wanted because he knew Shifu would never hurt him.
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Like I had a whole Tai stan block me for daring to remember this scene of a father with a broken hip crawling to his son and mourning what he allowed him to become. Shifu could have died but he still loved that boy despite everything he did to him and what he would continue to do to him. Like if we wanted real redemption arcs of Tai Lung we would go over how he haunted Shifu's consciousness and led him to close himself off to his next child, Tigress, whom is always left out of the conversation cause no one wants to talk about the woman neglected and abused by her father and older brother. A popular fic even admitted to not even wanting to touch Shifu and Tigress' dynamic, do you see the problem here???? I know many of you may not know or even care but I write fanfic for this fandom focusing on that aspect of Tigress' character along with Shifu, its not always fun and I've probably stumbled and made mistakes but its a story worth telling. Because in the end, Tigress is still alive and so is Shifu! Tai Lung isn't he had his chance and ruined it. Most Tai redemption fics are easily consumable because they don't want to go over the unsavory aspects of Tai Lung's character; The fraud, the continued abuse of his own father because everything he does is to hurt Shifu personally so he can get what he wanted in the end. Po was just another piece to hurt him (Shifu) as stated on the bridge. No, in the end, they want to go over how Shifu hurt him as a child and try to lure Tigress to his side, despite the fact he belittled her when they first met. But you know, how else are we supposed to get hehe bickering siblings. Cause that's easier to consume than realizing she'd want nothing to do with him after hurting her friends and her father. There's just an overall lack of autonomy given to the characters that the movies relish in. The fandom is too scared to allow them to be themselves because pointing the finger at Oogway who allows people to grow at their own pace is easier than realizing; Tai lung and Shifu never listened to him. Like think of a person this week who did exactly what you told em to do? and did they do it? Probably not, people are fucking stubborn. Me, included. People love learning the hard way, that's just the truth! Even toddlers take a min to listen to one task! So, I wouldn't even call it whitewashing, it's this desire to ignore canon to support their own hcs because if they told his actual story all of their concepts would fall apart to the wayside to see, the only true victim in the end, was a woman. Tigress. No one wants to go over that, that's a lot of work, that's a touchy subject but it's why I love these characters, there so raw and horrible which makes their stories compelling enough to stand beside the likes of Seven Samurai. It's that good!! So, to end this all, no they don't. Even Traces of Spring which I still follow because I love the art falls into this safe way of going about telling his story and sidelining the character who mirrors who he could have been, Tigress. Because she's not that cool to them despite the fact she controls herself better than he does. And had the opportunity to be a hero as great as she was if he set aside his selfish, obsession, and toxic views. But you know he's hot to some people, so he's a good boy deep down.
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Yup. Uh huh.
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mardytoast · 7 months ago
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i think more of the side characters deserve siblings
bc realistically, it's a small town, what else are couples supposed to do except have loads of kids?
all we have is:
stan and shelley
kyle and ike
kenny and kevin and karen
craig and tricia
bradley and henrietta
kevin and esther (popular headcanon)
like everyone else just has no one. they're lonely :(
and also aside from cartman none of the other characters even act like only children so give them a sibling!!
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stripedtabbycat · 1 month ago
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since I’m rewatching gravity falls rn I thought I’d make a post about my thoughts so far. (I wanted to start on August 31 which is dipper and mabel’s birthday but I ended up starting on September 1 instead. watching 1 episode a night and challenging myself to do the credits code each time)
under a cut because this will probably get long:
first of all this show is so funny. not all the jokes hold up but I really enjoy its sense of humor in general
i remember liking the second season better than the first and not just because it’s more overarching plot-driven, I just think the plot is a little more focused and the characters and their relationships are more solidified
I love seeing the development of Stan bonding with the kids over time. I noticed in “carpet diem” (the season 1 body swap episode) he’s commending dipper (who is really Mabel trying to turn him against dipper) for finally standing up to him and the next episode is the best we see them get along all season. it’s nice but still done in a funny/weird way that fits the show’s tone
dipper and mabel are siblings of all time. I love how clearly the show establishes how well they get along and work together and how often they’re goofin around and having fun at the beginning of episodes and how realistic their teasing and bantering and bickering feels…if you hate on mabel you’re wrong btw
i appreciate that the show doesn’t need to bluntly state the lesson we’re supposed to learn at the end of each episode but still has clear themes for each one. i also like when they kind of have a subverted/parodied version of a typical cartoon moral like in the truth teeth segment of “bottomless pit” when the expected lesson of “sometimes a small lie is okay” turns into “sometimes you have to let your uncle lie to the cops so he doesn’t get arrested for regularly committing tax fraud”
that said sometimes i’m a little :/ at the conclusions of certain episodes. I try not to harp on this bc I think part of what drives the more intense discourse about kids’ cartoons is the idea that they have to be teaching good messages to their target audiences, or at least not teach them harmful ones. I don’t think all kids’ shows should be Wholesome and Morally Edifying but sometimes you’re like. oh this is imparting a particular viewpoint I don’t love
anyway I’m just thinking about how “fight fighters” seems like it’s going to be about how physically fighting over petty relationship jealousy is dumb and immature but instead it kinda comes off like dipper has to learn “you have to fight your own battles” which…idk. I could be misinterpreting
then again I just watched “the love god” which tries to raise the interesting dilemma of “is it right/okay to meddle in others’ relationships [using magic or not] if they genuinely end up happier?” but given all the baggage around using love potions in fiction you can tell they had to walk that back a little in journal 3. I don’t think the element of “it actually wears off after a few hours” would have undermined the question too much but whatevs.
(i will say that stan in dreamscaperers saying he's hard on dipper to toughen him up kind of gets questioned later when we see the stans' backstory and it's clear their dad was not actually that great of a guy. room for interpretation there too i guess)
another reason I like season 2 better is because the show is finally done with the dipper/wendy crush plot that really dragged down parts of s1 imo. mostly because it felt like dipper had to learn that a relationship between them wasn’t happening a number of times before the show definitively said it and it lead to some of those dubious episode conclusions.
(whenever people claim that mabel was selfish and dipper always had to sacrifice things for her sake I just think…most of the time what he was “sacrificing” was a chance to impress wendy or spend more time with her, and I feel like this is more a problem with that aspect of the show than anything else)
(ALSO when people say there are too many "mabel's crush of the week" subplots - i never really got that impression? when she's going over her failed summer romances i realized there were only like, 4 episodes up to then where there was a plot about her liking a guy and it didn't feel overdone to me. however that's also why i was disappointed with her part of "northwest manor mystery" because i thought we were done with that. i guess they figured she and pacifica had already had their bonding episode in "the golf war" but i still wish she got to be involved with the main plot in that episode, even if i mostly liked it. kind of felt like the writers couldn't think of anything else for her to do)
anyway back to positive thoughts! I really appreciate the show’s creativity with the supernatural elements especially when they need a way to do a standard fantasy cartoon trope. need to shrink the characters down to miniature size? crystals that change the size of things that get caught in the light they refract! need to do a body swap? how about a carpet that swaps your electrons when you static shock someone? time travel? the time machine is in the form of a tape measure. they can get pretty outside of the box and it’s always cool
i also like the balance of humor and (kid-friendly) horror it engages in. there are a number of moments throughout the show that seem like a sudden intrusion of sheer horror but because of their suddenness and (relative) over-the-top nature they’re also really funny. I’m thinking of dipper opening the convenience store freezer and seeing a horrifying brain monster, the summerween trickster eating a kid, bill cipher summoning “a head that’s always screaming” and its skin peeling off (or like. anything he does in that episode), a lot of moments from the shorts like the island head in “the tooth” or the ending of “lefty”…
this show is i think a lot of people's first experience with a cartoon that has overarching continuity and encourages the viewers to analyze it for clues to the greater plot and i love how it does that. also love how it still works as a show even if you're not actively looking for clues to the mystery. they knew full well how much the fandom was engaging with it and both the show and supplementary material are just chock-full of details that really reward repeat viewings in a way that very few other children's shows do.
i did a pretty good job keeping track of the end credits codes in season 1 but by season 2 i had to just look up on the wiki what the vigènere key words were because i don't have the time to scour the whole episode for those sorry. especially when they get more and more hidden throughout the season. i'm still proud of myself for figuring out how to decode those messages using the grid of all the letters though
i think i first caught up with this show right when "not what he seems" was airing and now that's next up on the schedule. it's a very different experience watching the episodes all in a row and not having to wait at least two weeks between each one lol. on the plus side it gave the fans plenty of time to pick over every episode and theorize like hell
final thoughts: i love that a disney channel kids' cartoon devoted an entire extra-long episode to the surprisingly realistic and sad backstory of the main kid characters' great-uncles, one of whom had mostly been a comedic side character for the first season, and it's fantastic. once i'm done with this i cannot wait to get my hands on the book of bill
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