#realistic dragon

[fuulikoo-art]

I occasionally like to look back on my old artwork. Since there’s some years worth of work, I’m able to see my progression. It makes me wonder what direction my style will take in the future

[ghostwithstrawberries]

A small painting I did of Caraxes the Blood Wyrm

Acrylic on paper

Scale: 2 x 6 inches

-SCB

[monikazagrobelna]

Another dragon! I’m really happy with this one, it looks really close to what I wanted to achieve.

[huntersulamaka]

That's a fuckin dragon, humans just gave it a different name

The Lancetfish is a species that looks like it comes straight out of a realistic fantasy world building project.

[zuppizup]

I always find it strange when people lament that Rayla and Callum don't have much in common (implying they're a bad ship) when, to me, they're one of the most realistic portrayal of friends and lovers I've seen across various genres.

They very clearly enjoy each other's company. They have a similar quirky style of gallows humour. They like teasing each other, and they bounce ideas off each other. They fiercely love and care for their friends and family.

I mean, Callum just randomly starts spouting poetry at her, and does Rayla make fun of him or make him feel weird or self-conscious? Nope. She not only knows what he's talking about, she engages with it.

I suppose on the surface they don't have much in common. Callum loves his books and research, and Rayla’s more action orientated, but once you dig deeper, the foundation of their relationship is built on mutual admiration and respect.

And that is what's important. That's what long-lasting relationships are built on.

Your partner may not have the same taste in books or activities as you, but do they still engage with you about your interests? Do they support you indulging in them or spending time doing them? Do they respect you and your differences?

That love and support is what stands the test of time.

[mohntilyet]

illario as the grandchild that is most like caterina is something i'm loving to chew on. the grandson that took her lessons to heart the most. kill anyone who sees your face and knows your name, "we are not revolutionaries", the first out of the two to prioritise the contract. power at any cost, and the only one to lean into the unnecessary abuse that their grandmother told them was tradition. why is anyone surprised he allied with the venatori? and then there's illario's considerable skill in infiltration and manipulating any mark, he has always had the charisma that lucanis lacked. illario isn't attached, he has/can/will use someone and immediately drop them; "that does free me from promises i don't intend to keep". he can lie about how much he cares so well that he fools a magister into believing he loves her. he kills zara without hesitation to cover his own tracks, meanwhile lucanis blindly promises a young girl in the middle of a siege that he will help her find her father. even the lessons about family stick with him, and in this entire messy power struggle, he never actually orders anyone to directly kill caterina or lucanis, not until he's backed into a corner.

and even after all that. despite even lucanis believing illario should be first talon, lucanis is still the better killer. illario is not strong enough to be the brutal assassin caterina needs him to be. so when lucanis seems to fill the role his mother left, grief and love for her dead heir apparent remains, and any of the other qualities caterina needs in her next talon doesn't matter. whatever his mother was, lucanis has to be. what illario does doesn't matter, because he will always be second best to caterina's memory of her favored daughter.

[sermna]

Maeve Lavellan, before and after the events of Inquisition.

also excited to draw an updated version for what she'll look like in DAV :3

[anelespyrodrawings]

ahhhh I remember this one! love it!!!!

Ignitus - 2008

Baby's first smudge tool experiment

[theitalianmafia]

Soren having to listen to Viren apologize and praise him is so. Visceral.

The simultaneous ecstasy and rage that comes from hearing the person you wanted to please most say exactly what you wanted to hear, but knowing deep down this must be a trick... right? He's just trying to manipulate you again. Even if he has changed, you can never let yourself be vulnerable to him again because what if he hasn't? Your relationship with him is so broken that believing that he's changed is a danger to you.

But still you personally bring him food every day, you still ask for his help in your most desperate moment when everything is burning down around you because he is your dad. And you love him as much as you hate him. And it sickens you. Look what he's done to you. To everyone. This is his fault, and he is the only one who can fix it.

But you can never be fixed. Your heart will continue to burn, caused by no dark magic, but because of expertly inflicted wounds.

[waspgrave]

People getting mad at a theatrical trailer when this is what morrigan and varric looked like in their trailers. You look at his eyebrows right now. Look at them.

[clockworkcreature]

Gatafu, the Quetzal-inspired dragon, actually got finished in time for Anthrocon in July.

I need to dig up some additional photos.

[fuulikoo-art]

Yo, this drawing had me scared in the ugly stages, but worked out in the end. I’m glad I didn’t quit on this piece

[nokkiart]

As a long time httyd fan who has been heavily involved in the fandom since the first movie and who has spent years working in the animation industry, I’d like to share my thoughts on the new httyd movie. Keep in mind, this is just my personal opinion and it's completely fine if you disagree with me. I just want to say a little something about all this that really bothers me.

The core reason that Dreamworks and Universal made this film is that it’s a quick and easy cash grab for them. Thats it. They don’t care about telling a good story or making a “better” version of the original movie for fans or even having an accurate portrayal of the characters/story. It’s purely about money. They know that fans of the original film will go see this movie, whether it’s good or bad. And those guaranteed ticket sales are all that matter to the studios. And with Universal, it has the added bonus of being a cheap promotional and merchandising opportunity for the new HTTYD land in Orlando that opens around the same time that the film is premiering in theaters.

And to help the studios make even more money out of this, they are using non-unionized VFX companies around the world to make this film, so that they can get cheaper labor and push the artists to do more that would be against American union standards. The same thing has probably happened with the costuming and fabrication for the filming, hence why the costumes look un-weathered and the sets look cheap. They don’t want to pay for the extra time and effort that it would take to make the practical bits of the production look good.

On top of all this, Dreamworks has already announced that they’re shutting down all their in-house animation projects in favor of using AI and outsourcing projects to cheaper international non-union studios.

With all this in mind, I just can’t support this film and I will not be seeing it in theaters. And I hope that others will do the same.

The only way to stop all these horrible “live action” remakes (which are actually just realistically animated remakes) is to not buy tickets to see them. Money is all that matters to these studios, and if they don’t make any money off of it, then they will stop and try something different. Maybe they'll even go back to focusing on original stories!

That’s the power that we hold as audiences. Our wallets help drive the decisions that the executives make. So support unique storytelling and gorgeous cinematography in movies. Support indie films. Support animators as they're fighting for fair pay and better contracts. But don't support a mediocre shot-for-shot remake riding on the coattails of an already successful film.

And I just want to wrap all this up by saying I have absolutely no hate towards anyone that has worked on the new film. Toothless looks incredible and I know the artists and creatives involved in this project did the best they could with what they were given.

But I also know that those same artists have so many more brilliant ideas that they would’ve loved to be given the creative freedom to do. I just wish hollywood would be willing to take a chance and let them do it.

[kcamberart]

The Scary Sniler

[timethehobo]

I can’t do those nice painted styles so I can only offer something more stylised. 🤲 An attempt on colours.

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.