#re-posted because of formatting reasons

[everydayesterday]

Anatomy for Artists | Sebastian Cipriani  

via artmialma

[cheriekos]

these are super, super informal and unorganized thoughts but god these panels are haunting me so:

it’s interesting to finally be reading some of the issues that i assume influence general fanon perception of damian because there’s so much emphasis on the actions against tim (and like yeah fair, fucked up let’s not move past that) but also there’s little moments sprinkled throughout that made me go “…this is a child. This is a whole child.”

like idk man! These two pieces of dialogue are very striking to me! “See? I can be useful!” And “Look at me, Mother!”. Maybe it’s just because I work with kids but i read this and very clearly hear a child’s voice! And sometimes i think because a lot of people get caught up in the “formal” way that damian speaks that people forget he’s a kid. A very competent, highly trained kid. But he’s a kid.

Again, i don’t think Damian’s actions can be brushed off just because he’s a kid, and (within the content of the Morrison run), has had some fucked up shit going on. But like - for fanon, I’m just begging folks to strike the balance between talking about Damian being held accountable for his actions and also understanding that in this point in time he’s like maybe nine or ten-years-old. Idk! I’m tired of reading analysis and fan fiction that absolutely crucifies Damian and doesn’t try to find the nuance at all.

[ichisama]

Chapters: 1/1 Fandom: ヒプノシスマイク | Hypnosis Mic (Albums) Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Aohitsugi Samatoki/Yamada Ichiro Characters: Yamada Ichiro, Aohitsugi Samatoki, Aohitsugi Nemu Additional Tags: Post-Canon Series: Part 150 of cosmic: a fic a day for samaichi Summary:

After the H-Era, after the division rap battles, the all stars all found their purpose and started to pursue their dreams.

All but Ichiro.

For Ichiro, discovering his purpose was easy. Admitting to it, though, was a much bigger ask.

One day, Nemu asked.

[writingmeraki]

...oops? ( f1! texts )

❝ in which you accidentally message the wrong number talking shit ( read:thirst ) about them but turns out the number isn't who you think it was.

( or where the f1 drivers are the annoyances of your life and you unknowingly bitch about them to their faces. )

feat. charles leclerc, carlos sainz, lando norris, oscar piastri, max verstappen, lewis hamilton, george russell. warnings : cussing. tons of it.

CL16

CS55

LN04

OP81

MV01

GR63

LH44

a/n : my f1 writing ( technically smau) debut!?! pretty much with the new theme comes the entire change of posting format hehe also i now realise how random this is....like but it is sort of based on this dream i had lmfaooo except it was actually someone who i absolutely hate..also i cant have any beef with oscar and lewis idk I tried guys but they're both soo sweet looking its hard to get mad at them for a sane reason ( not that the rest is sane because 99% is just being mad at them for being hot BYE) I hope you liked this and pls let me know what you think!!!

i am opening reqs for f1 and taglist for this so let me know if you want to be added cause I do have a lot more planned !

all written works as well as images and edits (unless credited) belong to pri. do not plagiarise, repost, re-edit or claim as yours. pics mostly found on pinterest.

writingmeraki Ⓒ 2024

feedback is always appreciated 💌 ! links : main navi ! | f1 masterlist ! | info !

[burquillos]

I’d love to hear your thoughts on the final MHA chapter because the internet seems to be very divided

I waited till MHA officially ended! Long post ahead!! People being divided on the ending makes sense. Different people come to watch shows and read comics for very different reasons and with very different expectations for an ending in mind. Especially for a series like MHA which is a battle manga that seeks to subvert shonen genre tropes.

I think part of the reason why people are so divided on it right now is because of leak culture and reaction culture. People have to remember that comic books and manga are a storytelling medium. The author actually thinks about the arrangement of the panels, what’s in the panels, and how the combination of these things can form a narrative. Reading it from twitter thread/discords from people in a rush to translate to get the information to you as fast as possible is NOT the intended way to experience the story.

The “leak format” kind of encourages people to put too much focus on certain panels and roughly translated text that would otherwise feel very different when you are reading the story through the intended medium, and when you pair that with the highly reactive way people ‘consume content’ nowadays, the result is a snowball of very volatile emotions being thrown around without a moment for people to breathe, think, and wonder for themselves “Why did the author write it like this? Was there something I missed? How does this re-contextualize story? Have I actually missed the point this whole time?” etc.

That being said, I sort of have a philosophical way of approaching MHA?? When I got back to it again, I was hyper-critical of it especially because I just came back from reading One Piece (and the writing styles and messages are VERY different). I slowly learned to judge the writing for what it is rather than keep comparing it to other series and I learned it was more enjoyable to experience the story like that.

The ending is a very hard pill to swallow for a lot of people which is understandable, but it didn’t come out of nowhere. I mean, just look at the ending lines of "Do Not Be Defeated by Rain", the poem that inspired Deku’s character:

I am also a stubbornly optimistic person, and my number one rule is never to engage with anything in bad faith. I CHOOSE to see hope through the margins and the final chapter being so open to potential encourages that thinking of mine.

So even though I think there are some things that could be handled better (the villains) and storylines I WISH were explored (OFA vestiges my beloved) there’s no reason why it couldn’t be fixed.

There is this openness to it that leaves so much room for hope and imagination that I can’t truly be mad at it.

I might find MHA lacking as an entertainment piece, but I will defend it to the end as an artistic piece.

Horikoshi has said before that he doesn’t care if his manga is popular or not, MHA is basically a culmination of the stuff he enjoys, and I KNOW drawing whatever the hell you want despite knowing not everyone will like it takes a lot of guts and it’s what makes MHA so human.

All the traces of him are in there, flaws and everything, so you can endlessly turn it around, flip back and forth and there will be always something new to unpack, learn, and realize and the thought of what could've been will always haunt people (just like Star Wars, a series he also likes kajdbaldnlk)

[weirdmarioenemies]

Name: Bowser Castle 2 Debut: Super Mario Kart

Oh no! We didn't have a post ready for today! Well let me improvise one for you really quick. Because I love you. Don't take it too personally, though, we're not here to start parasocial relationships with our followers! Sorry. I hope you understand.

This is Bowser Castle 2, from Super Mario Kart, but if I named it I'd call it Bowser Castle POO! Because it isn't very good.

Many people consider this one of the worst courses in Mario Kart history, and many people would be right! You see, iconic Bad Guy King Morton "Bowser" Koopa Sr. wanted to prove his Bad Guy status by creating a Bad Course, and boy howdy did he! He probably feels so smug about it. Jerk.

Look at that map. This course has a dead end on it. This might be the only course in Mario Kart history to do such a thing! It's possible you can use a Feather to turn that into a shortcut, but I've never pulled it off. But also I'm not very good at this game, nor am I interested in becoming good at this game, so it might just be a skill issue on my part.

But getting past the dead end offers you no reprieve, as afterwards you have to deal with this mess! It feels like they're trying to make some sort of double-loop formation, but all the 90 degree turns combined with the bridge connecting the loops being at the top ends up making it play very awkwardly. Or something like that. Listen I'm just writing this post in a stream of conscience, I dunno how to describe what's so bad about this beyond "it's bad."

luigi enters the torment labyrinth

As you can probably expect, having "being the worst Mario Kart course ever made" on its resume hasn't done good things for SNES Bowser Castle 2. The only game it's returned in is Super Circuit, which included literally every SNES course, which is to say it was not getting any sort of special treatment. Even Mario Kart Tour, a game which literally invented new SNES courses for the sake of getting more content out of existing assets, refused to bring Bowser Castle 2 into its arms.

Is there any hope in this world for an absolute dogwater course like this one? I dunno but that's not gonna stop me from coming up with hypothetical solutions. Yes this is the kind of thing I think about in my spare time! Don't judge me!

Really, for all I've been dunking on this course in this post, I don't think it'd actually take all that much to get this into a playable state. As you can see, I've re-envisioned the dead end as a shortcut (likely blocked off with a wooden cutout so you need to use a mushroom), and I've reimagined the Torment Labyrinth as a double roundabout configuration à la Wii Rainbow Road. After that I just smoothed out some turns, added a glider ramp at the end so you have something to do during the last straightaway, and envisioned some totally awesome elevation changes that can not be displayed from a bird's-eye view like this, and bam! I created a version of this course that could potentially maybe be enjoyable.

I mean I dunno. I don't have the means to play it.

I drew this earlier this morning and it's the entire reason I've decided to make this our spur-of-the-moment post. I hope you're proud of me. For what it's worth, at least SNES Bowser Castle 2 can theoretically be made into a somewhat enjoyable course. It's not like it's stuck with a name like "Figure-8 Circuit" or something.

[mostlysignssomeportents]

How a billionaire’s mediocre pump-and-dump “book” became a “bestseller”

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/02/15/your-new-first-name/#that-dagger-tho

I was on a book tour the day my editor called me and told me, "From now on, your middle name is 'Cory.'"

"That's weird. Why?"

"Because from now on, your first name is 'New York Times Bestselling Author.'"

That was how I found out I'd hit the NYT list for the first time. It was a huge moment – just as it has been each subsequent time it's happened. First, because of how it warmed my little ego, but second, and more importantly, because of how it affected my book and all the books afterwards.

Once your book is a Times bestseller, every bookseller in America orders enough copies to fill a front-facing display on a new release shelf or a stack on a bestseller table. They order more copies of your backlist. Foreign rights buyers at Frankfurt crowd around your international agents to bid on your book. Movie studios come calling. It's a huge deal.

My books became Times bestsellers the old-fashioned way: people bought and read them and told their friends, who bought and read them. Booksellers who enjoyed them wrote "shelf-talkers" – short reviews – and displayed them alongside the book.

That "From now on your first name is 'New York Times Bestselling Author' gag is a tradition. When @wilwheaton's memoir Still Just A Geek hit the Times list, I texted the joke to him and he texted back to say @jscalzi had already sent him the same joke (and of course, Scalzi and I have the same editor, Patrick Nielsen Hayden):

https://www.harpercollins.com/products/still-just-a-geek-wil-wheaton

But not everyone earns that first name the same way. Some people cheat.

Famously, the Church of Scientology was caught buying truckloads of L Ron Hubbard books (published by Scientology's own publishing arm) from booksellers, returning them to their warehouse, then shipping them back to the booksellers when they re-ordered the sold out titles. The tip-off came when booksellers opened cases of books and found that they already bore the store's own price-stickers:

https://www.latimes.com/local/la-scientology062890-story.html

The reason Scientology was willing to go to such great lengths wasn't merely that readers used "NYT Bestseller* to choose which books to buy. Far more important was the signal that this sent to the entire book trade, from reviewers to librarians to booksellers, who made important decisions about how many copies of the books to stock, whether to display them spine- or face out, and whether to return unsold stock or leave it on the shelf.

Publishers go to great lengths to send these messages to the trade: sending out fancy advance review copies in elaborate packaging, taking out ads in the trade magazines, featuring titles in their catalogs and sending their sales-force out to impress the publisher's enthusiasm on their accounts.

Even the advance can be a way to signal the trade: when a publisher announces that it just acquired a book for an eyebrow-raising sum, it's not trumpeting the size of its capital reserves – it's telling the trade that this book is a Big Deal that they should pay attention to.

(Of all the signals, this one may be the weakest, even if it's the most expensive for publishers to send. Take the $1.25m advance that Rupert Murdoch's Harpercollins paid to Sarah Palin for her unreadable memoir, Going Rogue. As with so many of the outsized sums Murdoch's press and papers pay to right wing politicians, the figure didn't represent a bet on the commercial prospects of the book – which tanked – but rather, a legal way to launder massive cash transfers from the far-right billionaire to a generation of politicians who now owe him some rather expensive favors.)

All of which brings me to the New York Times bestselling book Read Write Own by the billionaire VC New York Times Bestselling Author Chris Dixon. Dixon is a partner at A16Z, the venture capitalists who pumped billions into failed, scammy, cryptocurrency companies that tricked normies into converting their perfectly cromulent "fiat" money into shitcoins, allowing the investors to turn a massive profit and exit before the companies collapsed or imploded.

Read Write Own (subtitle: "Building the Next Era of the Internet") is a monumentally unconvincing hymn to the blockchain. As Molly White writes in her scathing review, the book is full of undisclosed conflicts of interest, with Dixon touting companies he has a direct personal stake in:

https://www.citationneeded.news/review-read-write-own-by-chris-dixon/

But this book's defects go beyond this kind of sleazy pump-and-dump behavior. It's also just bad. The arguments it makes for the blockchain as a way of escaping the problems of an enshittified, monopolized internet are bad arguments. White dissects each of these arguments very skillfully, and I urge you to read her review for a full list, but I'll reproduce one here to give you a taste:

After three chapters in which Dixon provides a (rather revisionistd) history of the web to date, explains the mechanics of blockchains, and goes over the types of things one might theoretically be able to do with a blockchain, we are left with "Part Four: Here and Now", then the final "Part Five: What's Next". The name of Part Four suggests that he will perhaps lay out a list of blockchain projects that are currently successfully solving real problems.

This may be why Part Four is precisely four and a half pages long. And rather than name any successful projects, Dixon instead spends his few pages excoriating the "casino" projects that he says have given crypto a bad rap,e prompting regulatory scrutiny that is making "ethical entrepreneurs … afraid to build products" in the United States.f

As White says, this is just not a good book. It doesn't contain anything to excite people who are already blockchain-poisoned crypto cultists – and it also lacks anything that will convince normies who never let Matt Damon or Spike Lee convince them to trade dollars for magic beans. It's one of those books that manages to be both paper and a paperweight.

And yet…it's a New York Times Bestseller. How did this come to pass? Here's a hint: remember how the Scientologists got L Ron Hubbard 20 consecutive #1 Bestsellers?

As Jordan Pearson writes for Motherboard, Read Write Own earned its place on the Times list because of a series of massive bulk orders from firms linked to A16Z and Dixon, which ordered between dozens and thousands of copies and gave them away to employees or just randos on Twitter:

https://www.vice.com/en/article/n7emkx/chris-dixon-a16z-read-write-own-nyt-bestseller

The Times recognizes this in a backhanded way, by marking Read Write Own on the list with a "dagger" (†) that indicates the shenanigans (the same dagger appeared alongside the listing for Donald Trump Jr's Triggered after the RNC spent a metric scientologyload of money – $100k – buying up cases of it):

https://www.nytimes.com/2019/11/21/books/donald-trump-jr-triggered-sales.html

There's a case for the Times not automatically ignoring bulk orders. Since 2020, I've run Kickstarters where I've pre-sold my books on behalf of my publisher, working with bookstores like Book Soup and wholesalers like Porchlight Books to backers when they go on sale. I signed and personalized 500+ books at Vroman's yesterday for backers who pre-ordered my next novel, The Bezzle:

https://www.flickr.com/photos/doctorow/53531243480/

But there's a world of difference between pre-orders that hundreds or thousands of readers place that are aggregated into a single bulk order, and books that are bought by CEOs to give away to people who may not have any interest in them. For the book trade – librarians, reviewers, booksellers – the former indicates broad interest that justifies their attention. The latter just tells you that a handful of deep-pocketed manipulators want you to think there's broad interest.

I'm certain that Dixon – like me – feels a bit of pride at having "earned" a new first name. But Dixon – like me – gets something far more tangible than a bit of egoboo out of making the Times list. For me, a place on the Times list is a way to get booksellers and librarians excited about sharing my book with readers.

For Dixon, the stakes are much higher. Remember that cryptocurrency is a faith-based initiative whose mechanism is: "convince normies that shitcoins will be worth more tomorrow than they are today, and then trade them the shitcoins that cost you nothing to create for dollars that they worked hard to earn."

In other words, crypto is a bezzle, defined by John Kenneth Galbraith as "The magic interval when a confidence trickster knows he has the money he has appropriated but the victim does not yet understand that he has lost it."

So long as shitcoins haven't fallen to zero, the bag-holders who've traded their "fiat" for funny money can live in the bezzle, convinced that their "investments" will recover and turn a profit. More importantly, keeping the bezzle alive preserves the possibility of luring in more normies who can infuse the system with fresh dollars to use as convincers that keep the bag-holders to keep holding that bag, rather than bailing and precipitating the zeroing out of the whole scam.

The relatively small sums that Dixon and his affiliated plutocrats spent to flood your podcasts with ads for this pointless 300-page Ponzi ad are a bargain, as are the sums they spent buying up cases of the book to give away or just stash in a storeroom. If only a few hundred retirees are convinced to convert their savings to crypto, the resulting flush of cash will make the line go up, allowing whales like Dixon and A16Z to cash out, or make more leveraged bets, or both. Crypto is a system with very few good trades, but spending chump change to earn a spot on the Times list (dagger or no) is a no-brainer.

After all, the kinds of people who buy crypto are, famously, the kinds of people who think books are stupid ("I would never read a book" -S Bankman-Fried):

https://www.washingtonpost.com/opinions/2022/11/29/sam-bankman-fried-reading-effective-altruism/

There's precious little likelihood that anyone will be convinced to go long on crypto thanks to the words in this book. But the Times list has enough prestige to lure more suckers into the casino: "I'm not going to read this thing, but if it's on the list, that means other people must have read it and think it's convincing."

We are living through a golden age of scams, and crypto, which has elevated caveat emptor to a moral virtue ("not your wallet, not your coins"), is a scammer's paradise. Stein's Law tells us that "anything that can't go on forever will eventually stop," but the purpose of a bezzle isn't to keep the scam going forever – just until the scammer can cash out and blow town. The longer the bezzle goes on for, the richer the scammer gets.

Not for nothing, my next novel – which comes out on Feb 20 – is called The Bezzle. It stars Marty Hench, my hard-driving, two-fisted, high-tech forensic accountant, who finds himself unwinding a whole menagerie of scams, from a hamburger-based Ponzi scheme to rampant music royalty theft to a vast prison-tech scam that uses prisoners as the ultimate captive audience:

https://us.macmillan.com/books/9781250865878/thebezzle

Patrick Nielsen Hayden – the same editor who gave me my new first name – once told me that "publishing is the act of connecting a text with an audience." Everything a publisher does – editing, printing, warehousing, distributing – can be separated from publishing. The thing a publisher does that makes them a publisher – not a printer or a warehouser or an editing shop – is connecting books and audiences.

Seen in this light, publishing is a subset of the hard problem of advertising, religion, politics and every other endeavor that consists in part of convincing people to try out a new idea:

https://pluralistic.net/2021/07/04/self-publishing/

This may be the golden age of scams, but it's the dark age of publishing. Consolidation in distribution has gutted the power of the sales force to convince booksellers to stock books that the publisher believes in. Consolidation in publishing – especially Amazon, which is both a publisher and the largest retailer in the country – has stacked the deck against books looking for readers and vice-versa (Goodreads, a service founded for that purpose, is now just another tentacle on the Amazon shoggoth). The rapid enshittification of social media has clobbered the one semi-reliable channel publicists and authors had to reach readers directly.

I wrote nine books during lockdown (I write as displacement activity for anxiety) which has given me a chance to see publishing in the way that few authors can: through a sequence of rapid engagements with the system as a whole, as I publish between one and three books per year for multiple, consecutive years. From that vantagepoint, I can tell you that it's grim and getting grimmer. The slots that books that connected with readers once occupied are now increasingly occupied by the equivalent of the botshit that fills the first eight screens of your Google search results: book-shaped objects that have gamed their way to the top of the list.

https://www.theguardian.com/commentisfree/2024/jan/03/botshit-generative-ai-imminent-threat-democracy

I don't know what to do about this, but I have one piece of advice: if you read a book you love, tell other people about it. Tell them face-to-face. In your groupchat. On social media. Even on Goodreads. Every book is a lottery ticket, but the bezzlers are buying their tickets by the case: every time you tell someone about a book you loved (and even better, why you loved it), you buy a writer another ticket.

Meanwhile, I've got to go get ready for my book tour. I'm coming to LA, San Francisco, Seattle, Vancouver, Calgary, Phoenix, Portland, Providence, Boston, New York City, Toronto, San Diego, Salt Lake City, Tucson, Chicago, Buffalo, as well as Torino and Tartu (details soon!).

If you want to get a taste of The Bezzle, here's an excerpt:

https://www.torforgeblog.com/2023/11/20/excerpt-reveal-the-bezzle-by-cory-doctorow/

And here's the audiobook, read by New York Times Bestselling Author Wil Wheaton:

https://archive.org/download/Cory_Doctorow_Podcast_459/Cory_Doctorow_Podcast_459_-_The_Bezzle_Read_By_Wil_Wheaton.mp3

[1-800fandomqueen]

And I Will Live Forever

Vladislaus Dragulia x fem!reader

Part One

WC : 16.2K

SW : No usage of "Y/N," physical appearance and details are left completely ambiguous and are up to interpretation. Mentions of violence, canon-typical, this fic follows the chronological events of Van Helsing (2004). Everybody lives AU! because I am first and foremost fruity, and want to slum it with Dracula and his wives.

If there are any more warnings to be added let me know!

Story Notes :

For reader's bride dress, I imagine the "Melora White Maxi Dress And Collar" but with a very light blue gradient.

All sentences in this formatting are flashbacks from part one.

This is a re-post, all of my old accounts were deleted.

‘He was truly my dearest friend, albeit a little strange, I owed everything to him.’

You wait on the steps of the Monastery, seeing the horse approach from across the courtyard, your dearest friend, Gabriel - The Great Van Helsing - was returning from France today. He had been sent on a mission to capture and bring back Dr. Jekyll, alive. But word sent the day before his return showed that he would be returning empty handed. You walk down the stairs to greet him as he slows the horse and dismounts, “Gabriel!” arms tossed around his stiff body squeezing until he moves to return the sentiment. After you deem the hug long enough you let go, quirking an eyebrow at him, a slight frown overtakes your features, “You know how much trouble you’re in right?” You’re immediately met with a sigh and an eyeroll, Gabriel beginning to walk away.

“I don’t understand how you managed to mess this up, the Cardinal is extremely angry.” furiously pacing yourself to keep up with his long strides, the brim of his hat pulled low to hide any sort of expression upon his face. “Van Helsing are you even listening to me? The Cardinal is going to throw a-”

''I don’t give a damn what Jinette thinks, I got the job done didn’t I?” his tone unwavering and final, holding the door to the monastery open for you, following after. You decide not to answer as you walk through the glittering hall, making your way down to the confessional, standing in front of it as he enters. 

You waited outside the door, the conversation between Gabriel and Cardinal Jinette fading in and out with the fluctuation of their volume, the Cardinal remaining the loudest. You hated the way that Jinette spoke to him sometimes, Gabriel never failed to provide results, and had done everything in his power to fulfil every deed given to him by the church.  He was good at what he did, that was undeniable, but he was truly a good man at heart. 

He was the only reason you were allowed to stay within Vatican City, having shown up on the Ministry doorsteps only a few years after he did, you however were significantly younger when you did arrive. You’d been abandoned, living in the streets, when a rowdy group of men chased you all the way to the doors of the church. He had immediately come to your aid and ever since then he had somewhat taken on the role of the older sibling you never had, convincing his superiors to allow you to stay within the ancient building. He always had this air of guilt surrounding him whenever interacting with you, claiming that you reminded him of someone he once knew, but never explaining further than that. 

He taught you how to fight, how to defend yourself if the situation ever arose, he made you carry a small vial of holy water and a collapsible stake on your person at all times, telling you that you never know when you may need it. He was your only companion besides a friar named Carl, who was somewhat closer to your age, a madman when it came to inventing. 

Hearing the scrape of the sconce as the Cardinal opens the secret door, you slide into the booth next to Gabriel right before the metal gate slams into place, quietly taking your spot behind your friend as you begin the descent down into the order. You listen as the Cardinal gives the same spiel about being the last defence against evil, zoning out as you watch the monks move about the place. You snap back into focus at the sound of the projector whirring alive, Jinette giving Gabriel his newest assignment. “We need you to go to the east, to the far side of Romania. An accursed land, terrorised by all sorts of nightmarish creatures.” You watch Van Helsing's face go slightly pale as the image changes, an even more grim look taking over the one that usually resides upon his features, “Lorded over by a certain Count Dracula.” 

You slightly zone out once more as you study the painting, you can hear Gabriel speaking but are unaware of what it is he’s saying. You can’t help but feel a strange mixture of happiness and sadness take over your body as you look upon the man - The Count - in the image, you could swear to all that was holy that he looked familiar. Like you’d met him before. 

You’ve decided by what little of him you could see, that he was still undoubtedly handsome. Slightly taller than you, possibly 6-foot, dark hair, and shockingly blue eyes. 

You don’t notice the looks Gabriel throws your way, the realisation hitting him that you're lost at the sight of the photo. 

When the Cardinal changes the image projected, you rejoin the conversation, looking up to lock eyes with your friend, giving him a wary smile as you fight off the sudden emotional pit forming in your stomach. Listening as Jinette lists off members of this royal family, watching as Gabriel becomes starstruck at the sight of Princess Anna, giving him a smirk and a hard elbow to the ribs, him responding with a slight stomp onto your foot. 

You stop listening again when the insignia of his ring is mentioned, the pit returning to your stomach as you walk away to find Carl. You find the aforementioned man yelling at someone in a pedalling machine, gasping slightly as the person on said machine is electrocuted. “Carl what are you doing?” you’re met with a few mumbles of “Almost had it,” and “Maybe next time,” as Carl shuffles towards you, giving you a small pat on the arm and a crooked smile. He turns his attention to Gabriel as he approaches, automatically beginning his line of chastising and questioning. You follow as Carl begins putting things into a bag for him, Garlic, Holy Water, amongst some weapons. After he causes a viscous fluid to erupt into sparks upon the ground, you giggle as he turns with his inventors' goggles down, magnifying his eyes to a ridiculous level. He gives you a sour look, “the air is thick with envy” he says, rolling his eyes and walking away as you continue to giggle. 

He shuffles around to grab more weapons, going on about some substances that can emit light equivalent to the sun, telling Gabriel to use his imagination with it. “No Carl, I’m gonna use yours that’s why you’re coming with me.” “Oh hell be damned I am!” letting out a dramatic gasp as you clutch your chest, “Carl! You Cursed! Monks aren’t supposed to curse.” You watch as a smug grin takes over his face, leaning in close to you as if to tell a secret, “Well actually I’m still a friar, I can curse all I want. Damn it!” giving you a wink as he shuffles back to his original spot. 

“The Cardinal has ordered you to keep me alive as long as possible.” he continues, about to walk away before you grab his sleeve, “Wait, what about me? I want to come along as well.” You’re met with a stern look, the both of you completely ignoring Carl's mumbles about not being a field man as you follow Gabriel out of the Laboratory, “No, that’s entirely out of the question.” “Why not? I want to come to Transylvania, I’m always left behind when you go on missions. You know I get bored easily!” “You’re always left behind because you don’t have the training to go on missions, it’s highly dangerous-” You stop him once more, “You trained me Gabriel, remember?” cutting him off as he goes to respond, “You’d rather let a friar, who has no fighting experience what-so-ever join you versus someone who can actually hold their own?” Giving him the best pout you can, “Please Van Helsing, let me come with you.” applying a slight shake to the arm still in your grip. 

He doesn’t know what comes over him, whether it be the determined look in your eye or the idea that maybe he could use you as help if all went south, but with a strong reluctance coating his words, he agrees to let you come along. 

‘It was the longest trip of my life, a battle through storms and cold only to be put right in the face of death.’ 

You were tired, aching, surrounded by an angry mob when the first one swooped in from the sky. 

The woman, Princess Anna, yelled for everyone to run inside, to find shelter, as Van Helsing shot at the circling Vampires, while Carl was leaning against the wells’ edge, whimpering. You follow the woman as she takes off running - right after landing rather promiscuously on top of Gabriel - eventually shoving her down a cart as two out of the three vampires reach for you. 

You pant for breath as the sun comes out, everyone in the town coming out with it. You walk towards your friends, reaching for the stake sheathed at your side as a noise emits from the well. You scream as the sun goes back behind the clouds and the orange haired vampire bursts up, grabbing Anna by the shoulders. The black haired one not far behind her, not even looking at you as she grabs you and tosses you through the roof of one of the houses. 

You lay there for a moment, paralysed with pain and fear that overtakes your whole body. You snap to attention as the door in front of you bolts shut, muscle memory leads your hand down to your stake sheath, only to find your weapon missing, cursing as you realise you must have dropped it somewhere along being thrown into a building. You let out a sigh of relief when you see Anna, the woman dropping to your side to check on you. You’re about to let her know you’re okay when all of a sudden the orange-haired vampire lowers herself from the rafters of the house. 

You point up weakly, eyes going wide and letting out a yelp as Anna immediately stands and turns to come face to face with her. “Hello Anna” she hisses out, completely dropping and transforming into her regular facade. You do have to admit, she is rather pretty. “Nice to see you too Aleera,” words doused with Venom. You make a move to help her, but when a sharp pain shoots throughout your whole body as you lean forward, you have no choice but to flop back down to the ground. “Did I do something to you in a past life?” Anna backs up slowly, the Vampire, Aleera, following her every move. “Don’t play coy with me, princess,” somehow teleporting to be in front of Anna, “I know what lurks in your lusting heart.” “I hope you have a heart Aleera, because someday I’m going to drive a stake through it.” You watch with bated breath as Aleera literally smacks Anna out of the window, then turns to gaze down upon you. 

She tilts her head at you, studying for a moment. A look that almost resembles recognition passes her features before she dives out the window after Anna. “Fuck.” you murmur, beginning to wiggle your limbs as you try to fight off the searing pain travelling through your body. When you’re able to move once more, you make your way out of the house, down the stairs and through the door, like a perfectly sane person, grabbing a large shard of glass from outside, watching as Anna bursts into another home. 

You weakly run, limping every step, attempting to follow her in case she needed what little assistance you could provide in your current state. Bursting into the house to see the two Vampires over her, mouths gaping open, fangs sharp and extended, their faces taking on slightly demonic forms. You watch as they suddenly scream, twisting and writhing as they turn back into their winged counterparts, flying out of the house.

You offer her a hand, no words passed between the two of you, only pained smiles and grateful expressions, lifting her up as the adrenaline leaves your body, limping out into the street with her. Walking towards the church where your friends sit on its steps, you pass by Gabriels’ hat, turning and grabbing it for him, gently brushing some of the dirt and snow off of it. Bringing it to him and sitting down, you’re met with concerning remarks from both him and Carl, hell, you’d be concerned too if you also saw your friend be thrown into a roof from 40 feet in the air, but you were just too tired to form any words. Letting your head thump back against one of the top steps as an angry crowd of Translyvanians forms around you. 

You’re thankful when Anna jumps to your defence, the revealing of Van Helsings’ identity forces the crowd to back off. You raise your head at the mention of a drink and somewhere to stay, muttering a ‘yes please’ before you slump back against the stairs. Feeling arms come around both your sides, both Carl and Gabriel help hoist you up, supporting your weight as you begin your trek to where Anna was staying, at the old Governors’ house. 

You can’t help the strange sense that washes over you at the sight of the building. 

“But soon, the final battle will begin, I must go and find out who our new visitor is.”

‘It was a restless night, full of aches. Visions of you and a man dancing through your head, along with visions of great pain and sorrow.’

‘Don’t do this Gabriel… Please let go of my wife.’

You could hear screaming, a woman falling through a window. Great agonising pain filling your senses ; grief, sadness, anger, all equally coursing through your veins. 

‘I’m sorry… But you broke the oath.’

Flashes of a happy couple pass through your mind, ending as you turn to be stabbed through the heart by Gabriel-

Shooting up with a gasp, feeling every bone in your body protest at such movement. You take heaving, gulping breaths, the fear seizing your muscles making it hard to intake oxygen. You can feel sweat running off you in rivulets as you try to equal out your heartbeat. What did you just see? This hadn’t been the first dream you’d had of this scenario, with Gabriel killing you, you’d had a dream eerily similar to this one when you first met him all those years ago, except in that one you were the woman falling through the window. 

Bringing up a hand to wipe absentmindedly at your forehead, trying to cease what you assume is a river of sweat. It’s only when your hand comes back covered in a fluid that’s smelling and stringing to your skin, it’s within that moment when you’re able to register the low growling do you look up, and come eye to eye with a werewolf. 

It pounces the second you look at it, giving you only a moment to roll out of the bed and scream as loud as you can. Dodging as best you can as the creature lays havoc to the room you’re in, ducking for cover as leaps for you, watching it crash through the window. You turn as your room door is opened, Gabriel looking in with features clouded by fear. He calls your name, coming around to rest his hands upon your shoulders, “What happened?” “Werewolf,” a shaky hand coming to point towards the shattered window, “Went that way.” Grabbing you by the shoulders he directs you to a ripped up armchair sitting in the corner of the room, sitting you down and handing you your stake, huh, where did he find that? “Stay here, I’ll be back soon.” 

You don’t stay, waiting a few moments after he’s left to get up. It’s only when yelling and crashing resonates from downstairs do you hurry your pace. You arrive at the sight of Gabriel running out of the estate and Anna standing in a catatonic state, staring off in his direction. Disregarding the broken window, you already have a feeling of what broke it to begin with, you turn to Anna, gently grasping her elbows and directing her attention to you. 

“Anna? What happened?” lifting one hand up to her neck, gently tilting her head from side to side, looking for any signs of pain or damage. “Are you alright? Did it hurt you?” That seems to do the trick as her glossy eyes fill with more tears, finally spilling over as she looks at you, “My brother. It’s my brother.” You say nothing, cooing slightly as her tears fall faster, pulling her into a hug. “He’s going to kill him.” Words murmured into your shoulder. “Who’s going to kill who, Anna?” “Van Helsings’ going to try and kill my brother.'' And with those words she takes off out the door. 

You grab a pile of fabric off the back of a nearby chair, knowing that the cold would be too severe for what Anna, and yourself, were currently wearing. You saddle up the horse you came into town on, going off in the direction of several sets of footprints. When you approach where Anna and Van Helsing stand in the graveyard you catch the remnants of what was undoubtedly a heated conversation. “He has taken everything from me. Leaving me alone in this world.”  You quietly dismount, grabbing the blanket you brought and throwing part of it over Annas’ shoulders, slightly startling her with your sudden presence. You say nothing as you resume your previous embrace with her, watching as Anna all but crumbles into the affection. 

“To have the memories of those you have loved and lost is perhaps harder than to have no memories at all.” his words spoken with a guilty glance towards you, an unexplainable rage filling you at the idea of whatever he could possibly be implying. “Alright, we’ll look for your brother.”

“It was obvious that Van Helsing was wary of this man, but when he turned to me I felt no fear. He looked at me in what could only be sheer reverence, and I felt my mind settle.’

The Castle was looming, with electricity zapping to and fro from the top tower. Hanging behind as to give Anna and Gabriel some time to talk. If the fate of Anna's family wasn’t at stake you would take the time to poke at his lovesick behaviour, but until everything was over you held your remarks at bay. 

Entering the dusty manor, pushing cobwebs out of your way, the three of you make your way into a room filled to the brim with sacks hanging from the ceiling, reminding you of very slimy chrysalides. “Have you ever seen these things before?” you aim your question towards either of your company. “No. What do you think they are?” Both of you turn to Gabriel, “Offspring.” “What?” spoken at the same time. “A man with three gorgeous women for 400 years-” “Yes, vampires are the walking dead, it only makes sense their children are born dead.”

Pushing your way through to reveal a grand hall filled with even more of the pods, electricity crackling down the hall and into the room you are in. Watching as the pods begin to pulse and wiggle. “Van Helsing don’t-” exclaiming in exaggerated disgust as he sticks his hand into the sack, throwing the slime substance out of his way. 

“So this is what you get when Vampires mate-” not given the time to finish his sentence as it comes to life, both you and Anna screaming out in disgust. Another blast of electricity barrels through the room, bringing with it a shiver up your spin and the jolt of a static shock. The three of you run as they begin to drop from the ceiling, faintly aware of voices coming from somewhere above you.

Despite Annas’ pleas, you watch as Gabriel exits out of your covered spot, entering the desolate hall once again to begin shooting at the vampiric offspring still flying around the room. He looks up somewhere in the room, a slightly smug look upon his face, “Now that I have your attention.” A giant winged creature falls from the sky and begins to pursue your friend. The gust of air it brings knocks over decorations, items falling all around you. You don’t even register Anna rushing up the stairs behind you, nor the beam and chandelier falling after her, blocking anyone from following. You do, however, register the doors at the end of the hall slamming closed, locking you in here with Van Helsing and the creature. 

Crouching down next to some crates, watching as the creature swoops down, turning into a man. Turning into the Count from the Cardinals’ slideshow. “I can tell the character of a man by the sound of his heartbeat.” A deep accented voice lilting, “Usually when I approach,” clapping his hands together in a slightly off-rhythm staccato, “I can almost dance to the beat. Strange that yours is so steady.”  Hands ending their sporadic clap as he continues to walk forward, all noise ceasing except for crackling of electricity.

When Gabriel drops down and stabs the man you can’t help the sadness that fills you. A strange sense taking over you, making you want to walk over and kill your best friend where he stands. “Requistat in pace” words uttered with an arrogance. You stand up, beginning to make your way towards them, “Hello Gabriel,” freezing in your steps. Did he know this man?

“Is this your silver stake?” pulling it out of his chest and tossing it over his shoulder. “How long has it been, 3- 400 years? You don’t remember, do you?” “What exactly is it I should be remembering?” The two of them begin to slowly circle around one another, “You are the Great Van Helsing! Trained by monks and mullahs from Tibet to Istanbul, protected by Rome herself! But like me, hunted by all others.” 

“The Knights of the Holy Order know all about you, It’s no surprise you would know about me.” “Yes but it’s much more than this” the man laughs as he takes a step towards Van Helsing, the two coming full circle. “We have such history, You and I, Gabriel. Have you ever wondered why you have such horrible nightmares, horrific scenes of ancient battles past. Horrific scenes of betrayal? Would you like for me to refresh your memory a little, a few details from your sordid past?” You shuffle slightly, the heel of your boot scraping across a loose tile in the floor, drawing the attention of both Gabriel and the Count. 

He gazes in disbelief. Freezing for a few moments before taking delicate, hesitant, steps towards you. You knew that you should probably flee, run for cover or to your friend, but instead you stayed put, Standing your ground as he approached you. He walks until the two of you almost stand toe-to-toe. An ungloved hand reaches out towards you and you can’t help the flinch that runs through your body, heart rate picking up in fear. He looks pained at your cower, hand still moving to brush lightly against your jaw, freezing cold fingers solidify his true nature to you.

 “Do not fear me.” 

‘I hope you’ve learned by now that I mean you no harm.’

Words spoken in such a hushed whisper that only you could hear with your proximity. And for some strange reason, you find yourself calming at his words, the fear leaving your still shellshocked system, heart rate slowing. You pay no attention to your friend who’s currently sneaking up behind the man, completely enraptured by the Count. 

He mutters something that you can't quite catch, his hand beginning to drift down your neck, brushing against the necklace round your neck. He picks up the chain and lets it run through his fingers, getting steadily closer to the ring that resides on the end of it. A small silver wedding band that never seemed to tarnish rested along the chain, you had no idea where you had gotten it, it had been in your possession for what seemed forever. It was obviously valuable and you could never seem to part with it, in fear of it one day sliding off your finger during your work you ran it onto a bare chain, deciding to wear it as a necklace. 

Before he can reach the ring at the end of the chain the sound of something clicking into place takes the attention of both of you, him whipping around to grab the silver crucifix Gabriel thrusts into his face, screaming in pain as he makes contact with the holy item. Jumping away as the crucifix bursts into flames within his hand, beginning to melt. He tosses the remains of it away, regaining his composure at a lightning rate. 

“Perhaps that is a conversation for another time.” He takes a few steps back, walking a few feet past you. “Allow me to reintroduce myself, I am Count Vladislaus Dragulia. Born 1422, Murdered 1462.” 

‘Vlad’ rings through your head, the memory of glass shattering and screaming echoing through your mind. You don’t realise that the screaming has become real, Van Helsing grabs your hand and pulls you away with him, still in a dissociative state you don’t realise what’s happened until you both make your escape through a dumbwaiter. 

The two of you make your way to the roof, running into a frantic Anna. “I think we’ve overstayed our welcome.” Words rushed to you and her, Gabriel grabbing one arm each and launching off a line, extending all the way over the rushing river below, to the nearby mountain. The three of you speed off, almost making it halfway across before the line suddenly shakes. The werewolf from the house, Anna’s brother, suddenly hitches a ride on the back, sliding a bit before one of its claws slices the line in half, taking you and the half closest to the Castle, down.

You can’t help the deja vu that washes over you as you fall, the freezing cold river below you. The sound of Van Helsing and Anna screaming for you is drowned out by your own. 

You can faintly see the outline of someone looking over the edge of the castle railing, a yell of ‘no’ reaching your ears. The person disappears from the edge, only for a winged beast to take their place and jump from the roof. ‘It’s the Count’ you realise somewhere in your mind, closing your eyes in what could only be described as… relief? Even though your heart was beating out of your chest, deep down you knew you’d be alright. The wind is bitterly cold, nipping at your back, whistling in your ears. 

Until suddenly it’s not. 

Your body smacks into the water, cold overtaking all your senses as your body freezes. You can faintly feel yourself moving, arms weakly flailing to break the surface of the water to no avail. The current of the roaring river continuously pulls you under, giving you no chance to save yourself.

Right before you pass out from either shock or adrenaline you’re faintly aware of being pulled from the water and into the air. You’re held against something much larger than you are. One minute you’re plummeting, falling down and then sinking to your untimely demise and then the next you’re going up, soaring through the air. 

And with that, you pass out. 

~~~

You drift in and out of consciousness. You can remember being placed in front of a hearth, someone’s lap laid under your head, rough fingers running through your hair. Then three sets of hands and whispering voices, belonging to whom you believe were women, placing and pulling different layers of clothes upon you. You heard conversations about a creature and tracking it down, followed by being picked up by something much larger than you, a hood being pulled over your head, and the flap of great wings. 

When you fully wake, it’s to the feeling of flying. Slowly blinking your eyes you try to adjust to the darkness. You realise you’re being carried by a large creature. Pointed ears, flat-bridged nose, and a maw that contained razor sharp teeth. Its wingspan had to spread to at least 15 feet or greater, and had to be at least 12 feet tall. And you realise that it oddly resembles a bat. 

You hadn’t realised it was looking at you. Too busy in your observative reverie to notice the slitted dark grey eyes that had snapped your way. The large bat lets out a strange rumble when you make eye contact with it, beginning its descent. You’re laid down on what you assume is grass, watching as the creature soars back into the sky, transforming midair. That’s when you remember the last few hours of your life; officially meeting The Count, and all the strange emotions that came with the introduction, all of the rage, anguish, and nostalgia. And the fact that he had saved you, throwing himself off the top of the castle to rescue you from the river. 

He drops back down to the ground with a certain grace and elegance to his actions, slightly bowing with a hand outstretched for theatrics. If you didn’t know any better you’d say he was doing it to lighten the air, immediately throwing you a smile and small chuckle as he does it. You can’t help the smile that overtakes your face as well, accepting the hand he offers you, pulling you off the ground. Finally taking in your surroundings, you realise you’re standing in front of a semi-dilapidated building. It looks to be a small fortress of sorts, surrounded by mountains on either side, along with the faint sound of a rushing river a great distance below you. 

“Where are we?” words muttered, turning to gaze at him. 

“Poenari.” 

‘He can lie and claim to be a hollow man all he wants. But when I finally realised who he was and what he meant to me, I could see the pure emotion overtake his face, and for once I swore I could hear a heartbeat that wasn’t my own.’

The two of you walked silently through the building. 

The dank remnants of the castle smelled foul; stagnant. The place reeked of death and sorrow, everything was covered in thick layers of dust. The Count walked quietly behind you, offering no explanation as to why you were here. Walking aimlessly through the corridors, footsteps echoing all around as you turn a corner, a loud gasp ripping its way out of the back of your throat. 

The hallway leading to a set of winding stairs was the embodiment of death. Dried blood and half decomposed skeletons line the path,  the stale smell of decomposition lingering in the air. You hadn’t realised you’d stopped until a hand placed itself upon the small of your back, gently pushing you forward. You observe the destruction around you, noticing baskets of mouldy, moth-eaten linens, and cleaning supplies next to some of the skeletons. “Servants.” rings out Dracula’s voice behind you, his hand still upon your back. Coming towards the end of the hall, right before the stairwell, you notice a bare spot. There was dried blood in an outline that shows it obviously pooled from someone’s body, but there was a lack of a skeleton, or any sign that one had been there, at least. “What happened to that one?” pointing down at the spot on the floor. “Agnes was buried.” is all he offers. 

You kept Agnes with you, after all she’d been one of your closest confidants since your mother had died.

He nudges you up the stairs, guiding you through the dark. At the very top of the stairs was a thick wooden door in the middle of a small hallway. At the end of a hallway was a painting. Unlike everything else in this place the painting was spotless. It looked brand new, not a speck of dust on it, like it had been visited often. 

That’s not what captured your attention though. What captured it was that the painting was a portrait of a man and woman. Happy, smiling, loving,

And they looked just like the two of you. 

You step forward, shoes lining up in the dust-free imprint of feet much larger than yours; a well-worn spot. Reaching a hand out, fingers gliding across the woman in the painting, your other hand coming up to brush against your own features. Same hair colour, texture, same eyes, same birthmarks and scars. Her hands crossed gently across her lap, upon her ring finger lay the ring you wear around your neck. 

Gasping, taking a stumbling step back, you whip around to face him. You can feel your heartbeat pick up, confusion and fear starting to take over. “Why-” breath uneven, “Why did you bring me here? What is this place?”

He brings a hand up to the door, pushing it open and stepping back, a slight sweeping gesture to show you go in first. 

“Our home.”

Entering the room, you’re met with what you assume was once a very luxurious room. A dilapidated four-poster bed sits in the middle of the wall that the door is on. The room is stagnant like the rest of the place, but like the painting, free of dust. There’s a dresser, a writing desk, and a gap, from floor to ceiling, jagged shards of glass still remaining around the frame of what was once a window. Torn, mouldy, moth-ridden curtains billow in the light breeze, the stone floor is covered in moss and mould, years of rain pouring in through the opening had made it so. 

In the middle of the room is a dark stain on the floor, a trail trickling from the window to it. You don’t want to believe it’s blood, the colour of it is black, too dark to resemble that which was under the skeletons in the hall, but you know. You know that it’s blood and whatever left the puddle wasn’t human. At the thought you cast a glance over your shoulder to the man who brought you here to begin with, he stands in the doorway, and goes no further than that. You take a step towards the gaping hole in the wall, mindful of any shards of glass on the floor.

You can hear the churning of fast moving water, you can hear the wind whipping in the wind, and as you bend slightly to look out, you can hear screaming. 

“Who are you?” 

“Who I am is of no importance at the moment,” 

“Well everything was lined up perfectly, but now, the Voivode has added a new term to the treaty. Your hand in marriage.” 

“I hope you’ve learned by now that I mean you no harm.” 

‘He always treated you with a gentle hand, was never harsh, never cruel, and he never-ever raised his voice. You were his wife, and you should never need to fear him’

You failed to notice the dark figure in the corner of your room.

 “Don’t do this Gabriel,” “Please let go of my wife.” 

And with that, he pushes you out the window.  

And then everything went dark. 

You stumble violently away from the window, knees collapsing under your own weight. A firm presence makes itself known behind you, an arm wrapping around your waist, holding you up. Your vision is spotty, head pounding with this newfound knowledge of a past life and your eyes well with tears. You tilt your head up, making immediate eye contact with the man holding you. Your voice comes out scratchy and choked, “Vlad?” as the tears begin to spill out of your eyes. Vlad gives a pained smile as he turns you around and pulls your body towards his. 

The embrace is emotional as you reduce down to nothing but shaky limbs and heart-wrenching sobs. He holds you strongly, there’s not an inch of his body that doesn’t touch yours, and you could swear that in that moment, you could feel another heartbeat alongside yours. 

The sound of sizzling breaks you away from the hug, looking up in time to see a singular tear make its trek down his cheek, burning the skin it slides down. You quickly bring up your hand, sleeve pulled around your fist to dry it before it causes anymore damage. As you make a move to bring your hand back down he moves quick as lightning to hold it to his face, head tilting to place a delicate kiss upon the skin of your palm. “I missed you,” the words are soft, your throat still scratchy. “Not as much as I missed you, my darling” and with that, he kisses you. 

The kiss is soft, yet powerful. With the force of almost 200 years worth of lost time fueling it. Vlad pulls you even closer, if it were possible. You can still hear the light sizzling where tears are undoubtedly still falling from his eyes. His lips are as soft as you remember, his movements still the same as well. The only difference was his temperature, a constant reminder that you were no longer the same. 

A reminder of the reason you were in Transylvania to begin with. 

Before you can say anything, Vlad pulls away from you. His left hand continues to hold you firm at the waist while his right moves from your cheek to smooth over the top of your hair, coming to a stop at the nape of your neck, cradling your head. There’s a furrow in his brows as his eyes flit across your face, “What is wrong my darling? Why does your heart panic so?” you close your eyes and gently shake your head.

“What about Gabriel, Vlad?” 

“What about him?”

“The only reason we’ve come to Transylvania is so he can kill you, Vlad. He’s vindictive and will not stop until he sees you turn to ash before his feet. Oh this is all my fault,-” 

“Do not say these things.” His right hand tilting your head to look at him, “How is any of it your fault, my darling? Fate is not your fault. You were meant to come back to me one day, and now you have.” A delicate kiss placed upon your forehead, “And as for Gabriel. I will handle him myself. Now come, we have somewhere to be.” Taking your hand and gently pulling you back the way you came. 

When you make it outside, there's three women dressed in lavish silks, gossamer, and fine jewellery. You find yourself subconsciously clutching his hand harder when the three women outstretch their arms and move towards you. There’s almost an ethereal echoing coming from somewhere as the women surround you, cooing their praises. Delicate hands with thin, claw-like fingers move across you. One hand pats your hair, another down your arm, with a ghosting touch on your back. The women skit around, their movements are graceful, like a dance of sorts, and you find yourself in a trance like state. 

“Oh Master,” says the red-headed one, who you recognize as the one Anna called Aleera, “She’s just as perfect as you said.” You find yourself blushing at the statement and the attention that’s being showered upon you. Two cold hands scoop up your face to bring you directly in front of the long black haired one, “You are absolutely stunning, my dear.” “Thank you” whispered quietly, your face practically engulfed in flames. 

Casting a glance towards Vlad only to find he’s already looking at you, a gentle smirk pulling at the corner of his mouth. The women stop their parade of affection with a singular lift of Vlad’s hand. “Have you taken care of what you needed to?” His voice echoing out with a seriousness to it as he reaches his hand out towards you. “They tricked us with the carriages, master, and escaped with the monster.” You can see the second that the anger forms in his eyes so you pull yourself away from the women to walk towards him, taking his hand and rubbing your thumb upon the back of his knuckles in hopes to sooth him. Your efforts work as he tilts to look down at you, a soft smile pulling at the corners of his mouth. 

“No matter. Van Helsing is heading straight for Budapest anyways. Aleera I want you to go and follow them, Verona you go with her.” and with a gesture of his hand the two turn into their other forms and fly off into the night, leaving just Vlad, yourself, and the black-haired woman. “Marishka, take my darling and get her ready for tomorrow evening.” You hear a quiet ‘yes master’ as Vlad places a small kiss in the middle of your forehead, before releasing you to a now winged Marishka. “Don’t worry my darling, Marishka is a gentle flyer.” And with that you’re lifted into the air. 

~~~

You’re at a glorious castle in Budapest, a summer home, you remember Verona briefly telling you when her and Aleera finally catch back up. She works quietly and carefully to do your hair while you sit in front of the vanity, slightly nerved by the fact that you wouldn’t even be able to tell she was there if it wasn’t for her brushing and pinning your hair, the lack of a reflection startling. She makes small and polite conversation with you, including an apology for throwing you earlier in the town, as she admitted to not looking to see whom she had grabbed before she picked you up. 

“We are truly very excited to have you within our presence, for many years we have all heard stories of you, the heartbreak Dracula felt at the loss of you and your child never truly went away, no matter how we tried to quell it.” Her accented voice lulls quietly through the dim candle-lit room, and you're briefly hit with a burst of guilt and sadness at the idea of them trying to do everything they could to make Vlad feel better, only for him to rebuff their attempts. You can’t help but offer her an apology.

 “What for, my dear? You are here now and that’s all that matters, everything is as it should be.” and with that she finishes your hair, which has been gently pinned to your head, curls looking defined. Before you could say anything else she walks away as the two other brides enter the room. Aleera is the first to reach you, lithe fingers gliding down both sides of your neck as her cold hands come to lay delicately upon your shoulders. “You look magnificent,” words cooed to you, “truly stunning.” Finishes off Marishka, taking a seat next to you on the bench as she leans forward to reach for the jewellery. 

You hear the shuffling of feet, what you assume to be Verona returning from wherever she had gone. When Marishka is finished clipping in earrings for you, you turn your head to find Verona holding a light blue dress in a style much like that of her and the others dresses. It’s complete with gossamer sleeving that opens up around your wrist and trails all the way down to the floor, a form-fitting partially transparent torso and a loose skirt made of a layered sheer chiffon material. “And now for the final touch.”

~~~

You look and feel like a true goddess as the girls lead you down a hall, you’re conscientiously aware of the ethereal echoing that has returned as they giggle while taking you down to the ballroom. The music grows louder and louder as you approach a large set of double doors, half of a masquerade mask is quickly slipped onto your face as the doors are open and you’re thrust into the room. 

There’s hundreds of people in the room, ranging of all ages as you spot children up in the rafters. There’s people dancing, people performing on silks and with fire, and so many other things that it makes it hard to take in the grandeur of the room all at once. You’re aware of how you must look to all the others, jaw dropped and head constantly turning to take in your surroundings. When you turn your head to look back in front of you, you’re met with the sight of Vlad. He’s in his usual clothing, just with a gold cloak tied around his neck, a mask the same chromatic colour to match, with his hand outstretched towards you. 

You wordlessly take his hand and allow him to pull you closer, his hands gently begin roaming, one hand quickly lifting the mask to take in your features before dropping it back down to rest on your face. “You look absolutely stunning, my darling.” A cold kiss pressed upon your lips, “May I have the privilege of dancing with you?” Eyes boring into your own, he quirks up the corner of his lips into an ever arrogant smirk. “Why yes you may.” Words whispered towards him quietly, acutely aware of all the eyes that are upon the two of you. 

Vlad takes your hand and leads you to the spot directly in front of the platform in which a veiled woman stands upon. The rest of the guests clap as whatever piece of music is being played comes to an end, partners taking their places on the dancefloor. You quickly grab Vlad’s arm as a sudden realisation hits you, “Wait, Vlad, I can’t dance.” eyes wide with fear at the notion of making yourself look like a fool in front of all these refined people. He turns to you with a somewhat reassuring smile on his face, “Don’t worry my darling, you’ve danced this dance many times before. You know what to do.” A look of sheer disbelief covers your features, you open your mouth to throw a sly retort back to him but are promptly cut off as the woman on the stage begins a beautiful aria. He lifts your hand up delicately before softly spinning you outwards. All of a sudden you throw your arm out in a slow and graceful manner, the steps of the dance flooding back into your mind. When you spin back towards him there’s a certain look of, I told you so, overtaking his face, as he grabs your waist and pulls you towards him firmly.

He takes off his mask, then your own, before placing a kiss upon your lips. “I told you that you knew it.” as you both fall back into step with the others, “Of course,” smiling at him softly, “How could I ever forget the steps to the music of our first dance as husband and wife?” A puzzled look quickly takes place upon your face, “Is that the same singer?” question asked as you look back and forth between the veiled woman and Vlad. “You’ll find that many of the faces in this room, once unmasked, will appear very familiar to you.” He spins you until your back is to his front, subconsciously tilting your head to the side, exposing your neck for Vlad to place a cold kiss directly over your pulse point. 

The tempo of the music picks up and you, on instinct, fall into a faster spin with Vlad. He dips you in front of a mirror, eyes snapping over to look at your reflection, the way it appears that you’re floating, Vlad nowhere to be found, none of the other guests can be seen either. You come to the sudden realisation that you’re a mere mortal in a room with hundreds of vampires, your mind begins slipping, remembering the fact that you’ve been choosing to ignore to instead relish in your past; Vlad is dead.

An undead creature who never grows old, who feeds on other humans, you realise how temporary your situation with him is in comparison to the rest of his life. This one minute moment in a sea of others that are sure to come, and all of a sudden, your life pales in comparison. You can feel your stomach turning with the sudden acknowledgement, a wave of nausea hitting you. As if he can sense where your thoughts are going he quickly scoops you back up, continuing the dance. “It’s alright my darling,” the hand upon your back quickly sweeping up and down in a soothing gesture. “There’s no need to fear, nothing is going to happen to you, everything is going to be alright.” He stares into your eyes, his own translating the sincerity of his words. 

You feel yourself relax with the reassurance, head coming to rest just under his own, your eyes closing as you gently press your face into his chest. “What’s going to happen to me?” you don’t feel the need to elaborate, as you’re sure Vlad already knows what you’re asking. “Nothing that you don’t want. If you choose, it will be one brief moment of pain, and we can be together forever.” You pull your head away from him, your eyes still closed as he dips you once more, his hand skating up the front of your dress to rest upon your neck. “What if I choose yes?” “Then it would be my honour, my love.” A deep breath taken in, then he screams, dropping you in a blaze of fire as the cape he’s wearing begins to burn. 

You stand up quickly, worriedly making your way towards him before you’re swept off the ground. All the air is knocked out of your lungs as you tumble onto a balcony, slamming straight into a door. Disoriented, you can make out someone saying your name and shaking your shoulders. “Wake up!” You gaze confused into the eyes of Gabriel, as you hear a voice from down below. 

“Gabriel…” his voice is even, words spoken slowly. “Oh Gabriel…” you stagger towards the bannister in time to see Vlad step into the middle of the room, the cloak that he was previously wearing off to the side in a smouldering pile. All the guests have cleared a wide berth for Vlad as he stops and gazes upwards, a certain fear emanating from them. “Oh Gabriel, welcome to my summer palace.” A smirk thrown up towards him before he turns his eyes towards you, giving you a subtle nod as Igor bursts into the room with the Frankenstein monster in tow, screaming his revenge. 

“Now that everything… is as it should be… Ladies and Gentlemen, I give to you; Van Helsing!” The hundreds of vampires in the room unmask themselves, faces morphing into their sinister counterparts. The sound of screaming and screeching fills the room as you cover your ears, eyes cinching shut. Gabriel takes this as his moment to wrap an arm around you, pulling you away. You protest, squirming in an attempt to get out of his grip, which only causes him to hold you tighter and lift you off your feet. 

He burst through the door that you ran into, where you’re met with Anna right next to the door and Carl at the end of the hall next to a stained glass window. Passing Anna she grabs your arm, beginning to pick up speed with Van Helsing, causing you to squirm more, “Gabriel put me down!” But the protests fall on deaf ears. He strides with purpose towards Carl, a walk turning into a run. “O-Oh where are we going?” Carl stutters, dropping a device onto the floor, “Out the window!” and before either you nor Carl can protest, you shatter the probably thousand year old stained glass as you jump through. 

As you drop towards yet another river, a light equivalent to the sun fills up the entire palace, shattering all the other windows. The only thing you can think to do as you hurl through the air is to scream for Vlad, worried that he was caught in the blast of light, and then you once more drop into water. 

As you resurface you can hear the echoing of screams in the aether, your head continuously goes up and down as you struggle to get your bearings and to reorient yourself. Once you come up for good you take gasping breaths. Gabriel floats next to you, panting for breath with a certain ecstatic look upon his face, “Carl, you're a genius!” “Yes, a genius with access to unstable chemicals.” 

You watch as a boat with Igor, the Frankenstein Monster, and a few other strange looking creatures depart from the port, Van Helsing furiously swimming towards him, Carl and Anna following after. But you remain still. You can’t help but allow yourself to be consumed by the water for a moment, dropping back beneath the rippling current. The water is cold, all consuming, sending a shiver down your spine. You open your eyes, gazing up to see the moonlight cutting through the water and shining down to where you float. You watch the bones and remains of the vampires sink down to the bottom of the moat, the realisation that Vlad or any of the brides could be amongst them fill you with such an overpowering sense of loss. You clench your eyes shut and with the last little bits of breath in your lungs you scream. The air bubbles out of your mouth, floating upwards, you follow them, still screaming when you break the surface. 

The scream gains the attention of Gabriel, Anna, and Carl, who now hold onto a portcullis that had come down from the castle. Your voice gives out, eyes going blurry with tears, choked sobs making their way past your lips. You hear Anna call your name in a worried tone, beginning to make her way over to you. “Stay away,” voice so quiet that no one should have heard it, but Gabriel gives a sharp “Why?” You lift your head up to look at him, trying to blink the rain and tears out of your eyes. You’re about to say something but you see the half-circular red mark that had welted and scabbed over peeking out of his partially unbuttoned shirt. You’d recognize that mark anywhere. Years of pouring over all the books on the supernatural that you could find in the Abbey, hearing stories from Carl about the creation of monsters. 

Van Helsing had been bitten by a werewolf. 

Sensing your gaze upon the mark he places his hand over it. You continue to stare at him, not saying a word as Anna reaches you to place a comforting hand upon your shoulder. You hear her quietly ask what's wrong, turning to look at her, you see an abundance of understanding and hesitancy in her eyes. Could she know? Know that you felt your allegiances slipping to the other side? It was certain that Van Helsing knew, given by the anger in his eyes. 

You open your mouth to say something when the echoing sound of laughter comes through the air. You’d recognize that laugh anywhere. Three light shadows move through the sky, followed by one large dark shadow. You gasp as all 4 come swooping down towards the water, edges of wings slicing across the surface sending sprays arcing into the air. You watch as Carl and Van Helsing duck, Anna following their actions as well, her hand that was still on your arm tries to pull you down with her but before she can Vlad follows behind his brides, swooping down towards the water and plucking you from the surface. 

He makes a sharp turn upwards almost grazing the portcullis before flying higher and higher into the sky. He then straightens back out as you hang below him, Vlad holding onto you under your armpits as Aleera slows down to allow him to pass her before she places herself directly in front of you. You turn your head to look at her, noticing the ball of dark fabric within her arms. Watching as she unfurls it to reveal a cloak, placing the hood on top of your head before fastening it in place just below your collarbones. When it’s on you she gives a sharp grin before letting out another laugh and speeding up to resume her spot with Verona and Marishka. The wind whips at your back, causing the cloak to wrap around your front, you feel yourself being pulled up and jostled around until you’re almost in a position that resembles a bridal carry. Vlad uses one hand to pull the cloak all the way around your body, nestling you against him. You pull the hood further over your head before wrapping your arms into the cloak, balling it into your fists to hold onto the fabric, you turn your head until the wind is at the back of it, and at no risk of blowing the hood off. 

You shiver from the cold of your wet clothes, from the cold of the rain that is still falling, and from the wind that gets stronger from how fast you’re going through the air, the shivering leads to you being pulled impossibly closer to the creature that carries you, looking up to find sharp eyes already upon you, bat ears swivelling back and forth, listening for any signs of danger or discomfort. You can’t really read his expression, not in this form anyways. 

“How is it that I always end up falling from dangerous heights into water?” giving a half-hearted smile to convey that you’re telling a joke, and that you’ll be okay. You’re not given a verbal response, just a deep chuckle and the slight digging of sharp claws into your back, almost like his little way of jokingly warning you to ‘knock it off���. You let out a small giggle, laying your head against him once more, before closing your eyes and drifting off to sleep. 

~~~

‘The peace that I felt, the sense of homeliness within the presence of Vlad and his Brides. The comfort of having these people who loved and cared for one another begin to love and care for me was something that I cannot describe in its entirety to you.’ 

There was no telling how long you were into the flight or where exactly you were going when you woke up. Your clothes were dry and the rain had stopped, although the clouds wherever you were out hovered ominously in the air with the promise of more. You let out a yawn, trying your best to stretch out your limbs while not trying to move so much that you felt like you’d fall. You feel a large hand about three times the size of your own smooth itself over the top of your hooded head before a deep rumbling voice lets out a curt remark of “Almost there.” 

It’s then that you see a large castle, much bigger than Castle Frankenstein or the one in Budapest. It has a bridge that leads nowhere, broken off not even one-fourth of the way across, surrounded by a deep abysmal ravine and peaks of snowy mountains for as far as the eyes can see, offering no way in, and no way out. 

Unless you had wings of course. 

The wives drop down around the halfway mark of the crumbled bridge and Vlad follows suit, dropping down effortlessly, transforming mid-descent, all with you still in his arms. He sets you on your feet slowly as the other three come towards you, their steps almost floating, the ethereal echoing filling the air around you once more. Hands come out to pat your hair and your clothes, various questions being thrown about; Are you alright? Are you cold? Do you need anything? You can’t help but fluster under all the attention, feeling your face grow warm. You go to answer their question before you’re caught off guard by a sneeze, which makes you shiver and bundle back into the cloak. They’re immediately sent into a panicked frenzy, going on about you falling ill from all the rain and cold, mumbles about a warm bath are the last thing you hear as they all disappear towards the castle doors, leaving you and Vlad standing there by yourselves. 

You turn to look at him, only to find him already staring at you, not that you’re surprised. He has this soft look in his eyes, one that you saw many times throughout your marriage in your previous life, there’s a smile on his face and you could swear that there was colour in his cheeks. 

You gaze around at your surroundings and are met with the sight of skeletons impaled on posts lining the bridge, giving Vlad an incredulous look you’re met with a look of sheer innocence. “Well I’ve seen this decor before.” laughing as you speak, “I have no clue what you’re talking about.” Vlad instantly responds without pause, wrapping his right arm around your shoulders, walking you towards the castle doors. “Oh really? So you’d have me believe that this is the doing of your brides?” feigning ignorance as you gently hit your forehead, “Oh silly me I had almost forgotten that you were married to Verona the Impaler.” sarcasm drips from your every word as he turns his head to look at you from under his brow. 

The walk remains silent for the next few minutes as you make your way inside the castle and begin traversing up the stairs. “Vlad,” met with a small hum, “How did you find this place?” You’re met with silence, watching as various emotions subtly twinge his features. “I didn’t find this place. I was banished here.” He doesn’t elaborate as you come to a set of doors, arm leaving your shoulders to hold it open for you. It opens to an expansive room, with another door in the room that is currently open with gentle wafts of steam billowing out of it. You’re met with the brides, who are finishing up drawing you a bath. You thank them repeatedly, stating that they didn’t need to do that for you, but are quickly silenced as they leave the room, except for Verona. 

“I’ll take your dress for you so it may be cleaned. The water has muddied it.” Giving a nod, you take off the cloak and move to drop it next to you before a hand swoops out and grabs it, throwing it over his forearm. Vlad then moves behind you to untie the laces of your dress, loosening it enough for you to drop it down your shoulders, where it is then promptly taken by Verona who leaves the room soon after. 

You make your way to the tub, trying to throw a leg over the edge in a very ungraceful manner before a hand is quickly placed on the small of your back, stabilising you as you lower yourself into the water that was at a perfect temperature. You move to take off all your jewellery, realising that you’re still wearing your wedding ring on a chain. Taking off the chain you remove the ring, acutely aware of Vlad’s eyes on you, sliding it onto your finger where it rightly belongs. 

“Are we still technically married?” question thrown thoughtlessly, “If I… you know, died.” growing quiet at the acknowledgement of your death, looking down and frowning to yourself. “Oh of course we are, my darling.” A cool hand tilting your chin back up to deliver you a kiss before pulling your head back some more to wet your hair. “Do not think otherwise.” 

You sit in a calm silence as he gently washes your hair before you decide to address what was really bothering you. “So, you were banished? By who?” He’s quiet for a few moments, the only sound in the room being the gently scraping of his claws as he swirls your hair around. “My father.” he says, voice nothing but a whisper, “after you and I died, I had a vision. The Devil had come to visit me to offer me eternal life, on the one condition that I would have to feast upon the living. I didn’t want it at first, I knew you were already gone, and the thought of living eternally without you was too much to bear, but the Devil told me that I’d be able to get you back if I agreed, so without thinking I made a pact with him.” 

Listening quietly as he rinses your hair and moves onto your body.

“When I awoke, I was in our home, in a pool of my own dried up blood. I saw the wreckage of the room and the rest of the estate and had no other option but to travel back to town. I walked on foot until I reached the Village where I was then met with the frightened looks of all the townspeople. When I arrived at the home of my father he was so disgusted by me and the demon that I had become that he had his men clap me in irons and walk me to a door of which there was no return, banishing me to this castle. I laid weak at the very edge of that bridge for many weeks, hoping that someone would come to let me back through, but when it was obvious that no one was coming, and that I was growing hungrier and weaker, I called upon the Devil once more, and he gave me wings.” 

You turn to look at him when the sound of light sizzling reaches your ears. “Oh, Vlad.” Reaching forward, the water of the tub gently sloshing with your movements, you place your hands on both sides of his face, fingers swiping carefully under his eyes to stop the tears before they can cause anymore damage. You pull his face towards you, placing your forehead against his own, closing your eyes and basking in the comfort of his presence. “I’m so sorry.” “You have nothing to be sorry for, my darling.” Leaning forward to kiss him, you move one hand upwards to push the wayward strand of hair out of his face. His own hands come up to cradle your head, smoothing down over the back of your neck. “You would not imagine how torturous of an existence it was without you.” Voice hoarse and deep, his eyes darting back and forth across your face. “I think I could.” Leaning back up to kiss him once more, this one lasting longer than the previous one. You press your lips impossibly closer against his own, letting a soft noise of content escape your throat, that draws a hum from Vlad in return.

“You don’t have to talk about it anymore if you don’t want to.” Pulling away and giving him the most sincere look you possibly could. The droplets of water on your back had dried and left you chilled, quickly dunking your body back underneath the surface of the warm water while Vlad reached for a very soft linen, gathering up all your hair and gently patting it dry. “No, no, it’s alright, my darling. After the Devil gave me wings I travelled to feast and rebuild my strength, then I went looking for you. Your body had washed up on a bit of shore quite far down the river, the shore was connected to a small alcove of trees and flowers. I buried you there, along with Agnes, where no one would ever be able to bother you.” He finishes with your hair, moving to grab another linen which he holds out across both arms. You take the initiative and lift yourself up and out of the tub, grabbing onto his shoulder for support as he wraps the soft and plush fabric around you, before helping you out. 

When you reenter the grand bedroom you find that a fire has been lit in the fireplace across from the bed, the flames roaring and flickering, filling the space with a comfortable warmth. You also find, to your shock, that your dress is sitting dry on the edge of the bed, cleaned and looking brand new. “Help me with it?” gesturing your hand to the dress, moving towards it as Vlad does the same, continuing with his story as he laces it up for you. 

“My existence trudged by slowly and painfully for many years after that. Even though I no longer feel emotion the way I once did, I can still feel hints of it, little tuggings of yearning or sorrow. I needed something to fill the loss, and that’s when I found Verona. She was a princess, if you couldn’t tell, she had regality and poise and she was stubborn in a way that reminded me of you. Then Marishka, who was a dancer in a travelling show, and then Aleera, who lived in the Village with Anna.” You raise your eyebrows, even though he can’t see it. “I didn’t realise that Aleera was that young.” a taunting lilt in your voice, remembering that you were only twenty years old when Vlad married you in 1460.

He pulls a little tighter on the strings, causing you to gasp and whip your head around to give him a look that simply says ‘Seriously?’  You open your mouth to say something when your stomach lets out a sound that rivals that of the fire blazing in the room, a heat filling your face as you slightly pucker your lips out of embarrassment. He laughs at this, tying off your dress. “Come, let’s get you something to eat.”

~~~

You spend the next two days relaxing in the company of the Brides, the more time you spend with them the more you come to love them. Marishka is witty, Aleera is a gossip, and Verona is a scholar, and their varying personalities make for a refreshing change throughout the day. You had, however, indulged all the girls in stories of what Vlad was like when he was still alive, the wistful look in all their eyes making it hard to deny them anything. You didn’t leave out a single detail, telling stories that made the girls cry, giggle, and blush, saying things that Vlad would surely deny if he was ever asked about them. 

Vlad had disappeared, to where exactly in the castle, you weren’t sure, but you were fairly certain it had something to do with the Frankenstein Monster and reviving the undead children. Even though the girls could keep you distracted you couldn’t help but have that nagging fear at the back of your mind; Van Helsing was still out there, and he wouldn’t stop until Vlad and the Brides were dead. Gabriel is vindictive and persistent, and you’ve seen what happens to those who test him. You’d expressed these feelings to the Brides, who had immediately began comforting you, the ethereal echoing and cooing bouncing off the stone walls as you were hugged and held while you spilled your every thought to them.

When you’d told them that Gabriel had been bitten by a werewolf, they all grew deadly quiet. The cooing had quickly turned into scared whispers that sent a chill down your spine before Verona quickly jumped up, changed, then flew off, presumably to pass this new information along to Vlad. 

“Vlad can control the wolves though, right?” A look passes between Marishka and Aleera, before the latter turns to you, “Only after their first full moon, before that they pose so much trouble.” “We can be killed by stakes, holy water, and other things, but Vlad is the first of us, our master, and he cannot be killed so easily.” chimes in Marishka before also leaving, quickly following after Verona. “There is only one thing in this world that can kill Dracula.” words spoken softly, timidly, Aleera sliding a hand down your arm before she moves to leave. “Can you guess what it is?”

Yes, you could guess. A werewolf. 

~~~

‘The final battle was beginning. I could feel myself being split in two, the half that was loyal to Anna, Carl, Van Helsing and the Vatican was fighting the half that was loyal to my husband, Verona, Marishka, and Aleera.

You had spent the rest of the night alone, sleep not finding you as you retired back to the bedroom, only to pace back and forth, nerves and nausea tearing at your stomach. It was later on during the witching hour when the door quietly opened, a dark figure making its way inside. “Vlad!” Crying out his name breathlessly, rushing to him to throw your head into his chest and your arms around his waist. His arms immediately find their way around you, pulling you so tight against him that there is no way to move, a gentle kiss pressed against the top of your head. 

He bends his knees, one arm lowering to rest right beneath your butt, hoisting you up effortlessly into his arms before walking over to the bed and laying down with you atop him. Your head lays on his chest, yet the room is absolutely silent. There is no noise beneath your ear, no gentle pulsing of a heartbeat, just hollow silence. The two of you say no words, and truth be told you don’t really think any need be spoken. You both understand what is to come, the battle that is no doubt making its way towards you. Vlad just holds you, a hand atop your head, lithe fingers running through your hair in a soothing manner. You feel yourself drifting to sleep, eyes growing heavy. You can hear him mummering to you in a language long forgotten in your dreary haze, making out a few words here and there. 

Another kiss is placed gently upon your forehead as the heavy covers of the bed are pulled up and over you, protecting you from the bitter cold of the castle. And with that, you sleep.

~~~

When you awake it is to the sound of thunder, and the view of lightning and pouring rain. There’s just the tiniest hint of light filtering through the rain, but the ever-prevalent darkness tells you that it’s almost nighttime, meaning that you’ve woken up just before everyone else. You step out of bed, stretching, before making your way over to the door. As you step out you’re met with the sight of the Dwergi roaming through the halls carrying various tools and papers. They don’t speak to you, they don’t even look at you, they just continue bustling down the hall as if you weren’t even there. You go the opposite direction of the Dwergi and make your way down the flight of stairs that leads to the connecting hall of the castle that will lead you to the wing where Vlad and the girls sleep. 

It’s then that you can hear the frantic blubbering of Igor from the main entrance. “How did you- how did you find… it’s impossible!” Quickly peeking out from around the corner of the door, you’re met with the sight of Igor hanging from the wall, blubbering some more as the person in front of him throws a hand around his neck. 

Van Helsing was here. 

You quickly try to think of a way to get around them so you can warn Vlad that they’re here when a loud shriek fills the entire castle, reverberating off the walls so loudly that you have to cover your ears for a split moment. You can faintly hear Igor, “my master has awakened,” and you take that as your moment to quickly sprint across the hall when the attention of everyone is taken by the Frankenstein Monster. 

You run up the stairs, following your instinct of where Vlad would be. You know that usually when he awakes he goes to the overseeing of the Dwergi working on bringing the children back to life, so you run as fast as you can to the Laboratory. Making your way up the spiral staircase that leads to the top of the tower you’re hit with the strangest sense of Deja Vu, ignoring the pit in your stomach that tells you the last time you went up a staircase like this you died. 

The doors open as you approach them, the Dwergi ever diligent in their appeasement of the masters of this home. You quickly stride across the room, dodging sparks and Dwergi before making your way to Vlad in the middle of the room. “Vlad! Vlad he’s here, Van Helsing is here.” words spoken in a panic, eyes wide open as you gasp for breath. You’re sure he can feel your fear, your heartbeat pounding wildly out of control, the whooshing of blood in your ears making it hard to hear anything else. 

His eyebrows furrow before his facial features morph into one of sheer rage, face partially transforming as he lets out an inhuman screech. Not even a split second later, Verona, Marishka, and Aleera appear before you, awaiting word from Vlad. “If Van Helsing has truly been bitten, they will go for the cure, I want you to go and stop them. Stop them and bring the cure to me.” They disappear as fast as they arrive, flying off in a mixture of shrieks and laughs. 

“And as for you, my darling.” Turning to look at you before you promptly cut him off. “No, I’m staying right here.” He protests, but you shut those down as well. “No, Vlad. You remember what happened the last time Van Helsing broke into our home and we were both apart from one another.” The question was rhetorical, and it seemed to garner the reaction that you wanted, Vlad seeming to be in deep thought. He slowly nods his head, but points back over to the door. “Fine, but you stay over there. Out of the way, you forget that you are still human, my darling.”

You wait anxiously by the door like Vlad told you, watching as lightning strikes and fills the room with an eerie green glow. Throwing your arms over your head for some form of protection as you hear a shout of “Give me life!” echo through the room. “One more bolt and my young will live!” You watch as Vlad suddenly becomes enraged, flying through one of the glass windows of the room. 

Moments later Van Helsing drops through the open tower that leads into the middle of the room, setting a few Dwergi on fire as he bursts through machinery. He stumbles as he stands back up, face twisted in confusion and pain, looking around the room. He spots you by the door, in your dress, covered in jewels with your hair done, looking every bit the part of one of Vlad’s brides. He looks betrayed, and for a moment you feel a sharp pain in your chest, wishing that you could say something to him, but before you could even think of what to say, Vlad drops back down, quietly behind Gabriel, sneaking up on him. 

“You are too late, my friend! My children live!” Vlad exclaims, stalking towards Gabriel, “Then the only way to kill them, is to kill you.” Nodding his head with a loose hand gesture, “Correct.” This causes Gabriel to laugh as he moves in front of the window, “Then so be it!” dropping his coat off as the clock strikes midnight. He transforms into a wolf with each toll of the clock as Vlad gives you a quick look before feigning surprise, maniacally laughing. 

“We are both part of the same great game, Gabriel! But we need not find ourselves on opposite sides of the board!” Quickly changing himself as he and Gabriel begin fighting one another. You duck down quickly next to a barrel as they traverse the whole room, explosions following their movements. 

You watch as Vlad throws a board off of himself, walking towards the middle of the room. “You are being used, Gabriel, as was I, but I escaped, so can you!” Before quickly flying off as Van Helsing jumps for him. You gasp as Vlad is thrown to the ground in a sound of extreme pain, revealing a broken wing. Watching as he jumps up to a platform, before falling, rolling over to his side to reveal that he is covered in blood and scratches. Van Helsing extends his claws before dragging them down a pillar in a threatening manner, jumping up to Vlad.

“Don’t you understand?” Backing away from Van Helsing, there’s a very obvious limp in his gait, causing you to step out from your spot, moving closer to where the two are. “We could be… We could be friends! Partners! Brothers in arms!” trying in vain to get away as Van Helsing catches him by the neck. You scream out his name, moving towards him before an arm is quickly gestured in your way, a sign for you to stay away. 

“Did I mention that it was you who murdered me? It must be such a burden, such a curse, to be the left hand of God.” Quickly appearing behind Van Helsing, “All I want is life, Gabriel. The continuation of my kind.” He throws a look towards you before holding up his hand, ring finger suddenly missing, “And perhaps the return of my ring! Don’t be afraid Gabriel, don’t be afraid. I shall give you back your life, your memory.” 

You miss the rest of what happens as a vial is placed in your hand. Snapping your head around your met with Verona, her vampiric face covered in scratches and bloody marks. “Give it to him, we must finish holding off the monster and the girl.” Flying back off to wherever she came from, you turn around right as Van Helsing jumps across the room, pinning Vlad to a piece of machinery, catching him off guard. 

He struggles to fight him off, Van Helsing's mouth getting closer and closer to Vlads neck. Vlad is using both hands to try and keep the werewolf as far away from him as possible, so giving him the cure is out of the option. 

There’s only one thing that you can do. 

Running across the room you’re able to make it to the pair right as Vlad’s arms give out from the effort of keeping Van Helsing away. He goes in for the finishing move but before he can your shoe scuffs against the floor, gaining his attention. He turns around, growling, pouncing on you without even a second look. You gasp as you’re hit, vaguely registering Vlad scream as you fly through the air with the wolf, quickly sticking the syringe into his side as you hit against a pillar, landing limply on the ground. 

Eyes wide open, but not seeing, slowly clouding over as you breathe your last breath, leaving nothing but a corpse on the floor. 

~~~

“No! What have you done!” words screamed throughout the room, Dracula making an ear-piercing shriek as he made his way across to you, pulling you into his arms, gently cradling your head. Cries of pain and shock are heard throughout the room as Gabriel turns back into himself, dropping to his knees before the dead body of his friend. 

Dracula is muttering words to you that Gabriel can’t understand as the three brides come bursting in through a window, one of them grabbing him by his shoulders and throwing him out the window onto the bridge that connects to the mirror they came through. On the bridge he is met with the sight of Anna, Carl, and the Frankenstein Monster slumped against the reflective surface. He approaches, shaking the shoulders of Anna and Carl to wake them up. Anna awakens first, groggily, “What is it? What happened?” placing her hand atop of Gabriels, the fog of her mind clearing away as she realises that Gabriel is crying. “What is it, Van Helsing, what has happened? Is Dracula dead?” He shakes his head, mummering your name quietly. “What about her? Is she alright?” He makes eye contact with Carl who is now also awake, watching as the realisation hits Carl, lip quivering “She’s dead.” Carl says with a finality, hanging his head and also crying. 

Van Helsing places his hand and quietly murmurs the word that will get the door to open before standing up and limping his way through. 

Damn the Vatican, as far as they’ll know, Dracula was defeated.

~~~

“No! What have you done!” words choked out through his injured throat. He lets out a shriek that will summon his Brides to him, running towards you before swooping to his knees, grabbing you, watching as your limbs remain limp, head flopping on a broken neck. He can feel the tears come, feel them burning tracks through his skin but he can’t find it in himself to care. He’s vaguely aware of Verona riding the room of Van Helsing, before all three of his brides drop sadly next to him, all of them holding onto you. Cries echo throughout the room, his pain is their pain, but their pain is also their own, given all the bonding they had done with you over the past few days. 

He places one hand upon your chest, right over your heart, and that’s when he feels one faint, barely-there swoosh of blood travelling through the organ. 

It’s not too late.

Ducking his head down immediately to latch his teeth onto your neck, draining you of your blood. He holds his arm out, feeling a nail slice down his wrist, not sure who’s but it really doesn’t matter. He holds his hand to your face as he continues to drink your blood, watching his own trickle into your mouth. He pulls away from you, leaning his head towards his shoulder to wipe his mouth off, waiting for the cut on his wrist to heal itself, deeming that enough of his blood had been shared. 

You remain eerily still. Not a twitch of the muscles, a blink of the eye, nothing. “Normally there would be a reaction by now.” words murmured to himself, but are met by the supportive whispers and touches of his Brides. “Oh, my Lord.” Verona speaks, running a gentle hand across his face, “It takes some time, you remember how long it was until it took with Marishka. We waited almost all night.” Marishka murmurs her agreement, remembering the words spoken to her when she had awoken to her new life, ‘We thought you weren’t going to make it.’ But she had made it, and surely you would too. 

“Let's move her to her room, master.” Aleera standing up and moving towards the door, “She will be more comfortable there.” Vlad can’t help but agree, moving his arm that wasn’t cradling your head under your knees and scooping you up, making his way towards the door. He walks quietly through the halls, dropping you gently on the bed before making his way to the bathroom to retrieve a damp linen to wipe the blood off with. When he arrives back in the main suite he notices that his Brides have already removed all your jewels and undressed you, finding a soft shirt that Vlad briefly recognizes as one of his own to take the place of the dress you were wearing. 

He quietly wipes down your shoulder where he bit you, small flakes of dry and crusted blood coming off with ease. He then tosses the linen off to the side and takes a gentle seat next to you on the bed so as to not jostle you around. 

Vlad is a patient man, and vows to sit and wait for as long as you may need. 

~~~

You wake up in the room that belongs to you and Vlad. Sunlight shining in through the large windows, filling the room with tiny fragments of rainbows. You turn your head to the side and gaze upon your husband sleeping peacefully beside you, not being able to help the soft smile that overtakes your face. Leaning back down to place a flurry of kisses along the warm skin of his face, giggling quietly to yourself. 

The quiet romanian muttering as he stretches all his limbs at once alert you to the fact that you have succeeded in waking him up, watching as he cracks one eye open for only a split second before it closes again. “It is far too early, my darling.” His arm comes to pull you back down towards the plush surface of the bed, wrapping you up snug against himself. “Too early? Vlad, it's daytime.” “Still far too early for my taste, and besides, you should be getting all the rest you can.” A finger poking gently at your stomach. “It will be good for you both.” 

You don’t argue, cuddling up to him and placing your head on his chest, listening to his heartbeat. 

Wait, Vlad doesn’t have a heartbeat. 

You snap open your eyes, the room is no longer sunny, it’s stormy and reeks of death. You’re covered head to toe in blood and Vlad’s dead body is laying in the centre of the room, hand clutching his chest, a pool of blood surrounding him. 

You spin around, breathing, panicking, turning towards the doorway when a hand of claws snatches you up by the neck; Gabriel. He walks you to the window before throwing you out, you fall, plummeting towards your doom, when all of a sudden you stop.

You stop mid-air, something catching you. Turning your gaze upwards assuming you’d find something holding yourself, something that was preventing you from falling, only to find nothing but clear sky. You hear the gentle whooshing of wings, grey clipping through your line of sight out of your peripheral vision. Frantically looking around, slightly panicked you realise that the wings are yours. Looking down at the rest of you only to be faced with the sight of ashy grey skin, hands lifting up revealing lithe fingers with monstrous claws. 

You don’t panic, no, instead you revel in it. Smiling to yourself as you launch yourself into the sky, wings working furiously to move you higher and higher, and you bask in the feeling of freedom that it brings you. You move up towards the clouds, white filling your vision. 

And then you wake up. 

~~~

You open your eyes, overwhelmed by everything you see. 

It’s as if the whole world has changed, everything is so much more clear than it used to be. You can see everything; the intercrossing of the fabric of the sheets that lay overtop of you, the various colours of the flickering flames in the fireplace across the room, the detail of each individual snowflake that falls in front of the window. Turning your vision to the left, finding Vlad sitting on the edge of the bed facing the wall. 

Moving a hand from where it lays across your chest to place it gently on his arm. He jumps in surprise as you snap him out of whatever melancholic reverie that he was in, head snapping around to gaze at you in pure disbelief and relief. He scoops you up into a sitting position as he pulls your torso against his own in what should have been, quite literally, a bone crushing hug. “I thought it hadn’t worked.” words muffled from where his head lays pressed against the crook of your neck. “You were so still for so long, I… Never, never leave me again, I couldn’t bear it.” 

Pulling your head back slightly, Vlad doing the same, the two of you hold eye contact for a moment, opening your mouth to say something you instantly grimace, closing it back and reaching a hand up to grasp your throat, a searing pain now making itself known, a pain that you recognize as thirst. “Are you hungry?” Nodding your head to him at the same time the door to the room bursts open, Verona, Marishka, and Aleera pouring into the room in a symphony of ethereal echoings and giggles. Aleera is carrying a cup of a viscous red fluid which she then hands over to you. “Perfectly aged, to tide you over until we can get to the village.” 

Taking the contents of the cup with greedy gulps, you find that it doesn’t taste as metallic as you would’ve thought, in fact it’s not metallic at all, it’s actually rather sweet. It helps the pain in your throat enough that you can pretend it’s not there, at least until you get some more. The other four people in the room watching your reaction, and as you tilt the cup all the way to the ceiling to try and get the last dregs from it there’s a deep chuckle from Vlad. 

“Don’t worry, my darling, we’ll leave for the village and then you may sate your thirst.” 

The girls grab you, pulling you up from the bed, once the sheet drops you realise that you’re back in your dress, fully looking the part of your new life. There’s giggling and excitement filling the air, and you can help but practically vibrate in place from the joy that’s coursing through your veins. Once you’re up you all prance out the door and into the hallway. 

Vlad watches on in contentment at the billowing of green, yellow, pink, and blue fabrics through the hallway, the four of you radiating sheer joy and happiness. 

You’re not exactly sure where you’re going, but you follow the girls willingly. They lead you to a large room with dramatic arches on the ceiling, and large, sheer drapes hanging down from various spots. There’s a thick stone coffin with no top lying in the dead centre of the room surrounded by tall candelabras and you assume that it’s Vlad’s, which leads you to wonder where the girls sleep. Across the room there’s a carved out arch that leads to nothing but a solid wall, and you wonder what it’s even there for. When Vlad finally does catch up to you he throws his arms out wide, welcoming all four of you to him. When you’re all together you begin to slide across the floor towards the wall, the second you come into contact with it, you seem to almost melt through it, coming out the other side to a room that you remember being in Castle Frankenstein. 

It’s a portal. 

There’s an open skylight in the room that it leads out into, and when the girls begin to transform you know that’s your exit to the village. They fly up, leaving you and Vlad alone in the room, but hovering over the Castle, flying around in circles until you’re ready to join them. 

You stand awkwardly for a moment, turning to look at Vlad. “Um, how do I, you know,” arm coming up to gesture loosely towards the sky. “There’s really no way to explain it, you don’t think, my darling, you just do it.” Transforming himself, lapels melding into wings before he too, takes flight. 

“Oh yes because that advice is so helpful.” mumbling under your breath even though you know that he can hear you still, nevertheless you try to take his advice, willing yourself to fly, closing your eyes tight and balling up your fists to focus. When you hear cackles of laughter close by you open your eyes back up, realising that you’ve lifted through the skylight and are in-fact flying. Your skin grey to match the wives, equipped with claws and teeth of your own. 

You fly in a few test circles before giving a reassuring nod to them all. Then, you all take off towards the village. As you fly, you notice three horses racing through the mountains out of the corner of your eye, your newfound heightened senses allowing you to see miles ahead of where you used to be able to before. 

Upon one of the horses, is someone in a shaggy brown cloak; Carl. On the second, someone with a head full of curls, bouncing behind them with the movement of the horse; Anna. And on the last, someone who wears a leather coat and a hat, someone who with all his training surely recognises the feeling of the eyes that lay upon him as his head turns to look back, someone who notices that there is one more bat in the air than there used to be, someone who ignores this fact as he turns back around and continues on his way.

And so do you. 

~

Originally posted April 14th, 2023.

[taahko]

I just found your blog today can you please explain or point out a post that explains the MASH timeloop thing? I love the show but I've never heard anyone talk abt it that way before

oh yay hurray ive been waiting for an excuse to talk about this lmao sorry this is long

ok so basically maeve (my gf) and i started watching mash for the first time about a month ago and we started joking about it being like the characters were stuck in a time loop mostly because the same basic episode format is repeated over and over, because it's a sitcom from the 70s and the episodes arent meant to be watched en masse where you can start noticing all the little repetitions and plot holes and inconsistencies that naturally occur in longform tv

but then i started to pay attention to the dates being mentioned in the show - famously the korean war never technically ended, but american troops were involved in active on the ground fighting between 1950 and 1953, so the entire 11 seasons of mash have to be squeezed into that three year period. with 251 episodes occurring within 1,129 days, that gives every episode about 4.5 days of real time. so it works right? no time loop right? well wait a sec

for the first 5 seasons or so of mash they give very consistent dates about when things are happening. for example, bj arrives in korea in september of 1952, at the start of season 4. colonel potter arrives about a week after him, and talks about how he has 18 months left before his retirement. that gives us about 7 months for the shows final 7 seasons to take place in, meaning that by the episode 'point of view' in season 7 we should be around december of 1952. in that episode the pov character starts writing a letter home and in the corner he writes the date:

september of 1951. ok, could be that this episode isn't meant to take place in the regular timeline of the season - maybe for some reason its just like, a random flashback episode. but bj, charles, and potter are all present, even though none of them got to korea until 1952. now i KNOW that this is not like, the True Hidden Secret Lore of MASH, this is the writers realizing they were running out of road and turning back the clock a bit to accommodate for how long the show was running on. but play in my time loop space with me please

more talking points:

consistent jokes about time zones and how difficult it is to call the states because "our today is their yesterday but if you call them now it might not reach them until our tomorrow and by that point our yesterday will be their today"

hawkeye's increasing mania over the seasons and his conviction that the war will never end, comparing the camp to dante's inferno multiple times. maeve once pointed out that the closer hawkeye comes to realizing that he's trapped in a time loop the closer he gets to being institutionalized - and what does the series finale cold open onto ? hawkeye in a mental institution. the only way out is to lose yourself etc. sidenote frank also escaped the time loop by going insane and getting institutionalized

in a war for all seasons bj potter and charles are all present at the 1951 new years party as well as the 1952 new years party

there are three christmas episodes, two of which bj is present for even though he should only have spent one christmas in korea

details of people's families and lives shift around - sometimes potter's got multiple grandchildren, sometimes he only has one, sometimes its a girl, sometimes its a boy, sometimes she's 5, sometimes he's 2

we're not the first people to talk about this either, here's a good video compilation posted a couple yrs ago of time loop moments

overall ive been using the time loop thesis to add another layer to my mash viewing experience. it increases the already present sense of constant dread, anger, frustration, and disgust with their situation that the characters feel, plus it feels like a very poignant take on the united states' constant warmongering and violent existence. it really never ends, it just goes on an on. the future's been canceled by the war department- we're just gonna replay the past.

[miraculouslbcnreactions]

Since reading that ask about Chloe where you linked Sara Z videos, I wanted to ask, if you'd be willing to share, what you plan for Chloé in your rewrite of the show. I'm not asking if you "think she should be redeemed" bc that is a child in a cartoon lol-but I mean to ask how you'd write, well, whatever happens in her story. Growth or not or a roller coaster of ups and downs.

Overall I really enjoyed your changes to the world and characters and I think about that version of Miraculous often. The scenes where Adrien tries to talk to Chloé about her behavior really stood out to me. I'm just curious to pick your brain a little lol.

(Post in question)

I am a total sucker for a good redemption arc. I like seeing people change for the better! However, just because I like a redemption arc doesn't mean that I'm going to throw one in for no reason. This is especially true for Chloé since redeeming Chloé is not something that you can do with ease. It eats up a lot of screen time because Chloé is not an easy character to redeem. She needs a lot of active attention. That's a problem because this isn't her story. It's Adrien and Marinette's, meaning that the only reason to redeem Chloé is if you want to tie her into one or both of their character arcs.*

That's why I don't blame anyone for ignoring Chloé or only hinting at redemption. Unless you're making her the main character or giving her a big role in the lead characters' story*, you really shouldn't redeem her. The show actively shows why! Felix, Sabrina, Nathalie, and Gabriel's "redemptions" all fall incredibly flat because those stories lacked substance. They needed a lot more screen time to work and a formula show is never going to be able to pull that off.

Now that I've given those disclaimers, let's talk about why I would absolutely take the time to redeem Chloé if the format allowed for that kind of story. The answer is quite simple: Adrien needs an arc focused around setting boundaries and learning that you can't live your life focused on making others happy. An arc where he learns how to decide when he wants to give someone a second chance and when he wants to give up on them. He also needs to learn that giving up on them is okay. That you can't set yourself on fire to keep others warm.

This arc cannot be about him and his father. Adrien is too young for that. The power balance is too stacked against him. He can't cut his father off at fifteen and the arc can't happen after the terrorist reveal makes cutting Gabriel off a possibility in spite of Adrien's youth. That's way too much way too fast. You need a less serious relationship to give this arc to so that it can take its time to be messy and complex. When you embrace the hinted at childhood friendship between Chloé and Adrien, she becomes the perfect fit for this kind of arc. A person who Adrien has equal power to and who he can muddle his way through things with, letting them both learn and grow into better people, setting the stage for Adrien to avoid completely falling apart when he learns the truth about his father. That's why Adrien so desperately needs an arc like this. His naive little sunshine self simply isn't ready to face the Gabriel reveal until he's done some major growing up.

Obviously you could use this setup to give Chloé a damnation arc, but as I said above, I'm a sucker for a good redemption. I want Chloé to be a better person and find happiness! There's also the fact that a damnation arc doesn't work as well as a redemption in this context. It's important for Adrien to be able to make the choice to give Chloé another chance and to have that choice be a struggle. Something he really has to work through. If he abandons Chloé and never looks back or welcomes her back without a second thought, then you're not setting him up to deal with the fallout of what's coming with his father. Chloé needs to feed like a proper proto Gabriel. You want her and Adrien's story to end in a way that makes you feel like he really is as ready as he could ever be to face his father.

It's also worth noting that, if Chloé really was Adrien's childhood friend, then she should have some sort of relationship with Gabriel and/or Emilie. She should know the Agreste's family dynamics way better than any of his new friends, which is another reason why I like redeeming her. I want Adrien to have someone who really gets it.

*If Miraculous was the kind of show where side characters consistently took center stage for a while, then Chloé being redeemed without a clear tie to the leads could work. It's a nice way to pad out the run time and is what I originally thought the show was doing with her. But Miraculous has no interest in giving anyone a proper story, not even the leads, so I'm still baffled by the choices the writers made with Chloé. I will never fully get what was going on there.

[nekohime19]

Macaque study # S1

I've seen people arguing that Macaque's redemption was rushed and didn't feel natural and while I never felt like that myself I also wanted to re-watch the show to really see how this redemption plays out and have more insight than just a “gut feeling” about it.

So this is just me analyzing Macaque redemption arc more deeply and how Macaque character is handled in the show 😁.

It's gonna get very long, I’ll go into details. Of course everything stated here is my opinion and you can totally disagree, and maybe what I'm saying is like crazy obvious idk, I just wanted to share it.

Also, I'm gonna cut this in multiple posts, one for each season, cause if not the post is gonna get so long 😭.

First, what I think is important to consider before delving into the episodes and dissecting them is the format of LMK.

LMK is a ten minute episodes series with approximately ten episodes each season and four specials. It's important to consider this because ten minutes is NOT long and it means one season is basically 2h30 which is a very short frame of time to build and develop something. With this being said, what you have to pay attention to is the purpose of the episodes. With the episodes being this short, LMK have to be very direct with the purpose of their episodes and get to the point.

You cannot have multiple episodes focusing on Macaque, his hatred for LBD, why he's doing all of this. Everything has to be decisive. Moreover, even if Macaque is a very recurrent character he's not the MC, his struggles and arc will obviously take a backseat to MK own story no matter how much you wish otherwise. LMK is not a show about redemption, it's a JTTW adaptation following a young boy discovering his powers/destiny. Macaque is a side character, and thus we have to accept that eventually his redemption arc will always take backseat over the main story arcs. And that's probably why it'll always feel as fast-paced or incomplete.

Now with this in mind let's see the episodes and how is Macaque's character portrayed.

Season 1 ep 9

LMK season 1 is basically an introduction to the characters and MK's powers. In each episode we either get the time to know a character or the time to know one aspect of MK's powers. For example, s1 ep3 (“coming home”) is focused on Mei and her relationship with her family and through that we get to understand her character better, the way she grew up and her struggles (not fitting in her family).

S1 ep9 is Macaque’s introduction and that's very important to keep in mind. What is the purpose of an introduction? It's to make the audience see a character and get something out of it. Hero? Villain? Confusing in-between ? The purpose of the introduction is to give you a frame of the character, a first, often one-dimensional frame that can evolve later on. While first impressions are often striking, we always have to keep in mind that characters can evolve and are not defined by their first appearances.

So what does s1 ep9 tell us about Macaque?

First thing you notice is the name of the episode. S1 ep9 is the only episode in season 1 that is eponymous. It might seem like nothing much but I think it's a very important detail considering we're in the introductions season! Even our first taste of LBD is not an eponymous episode despite her being a main villain. Our first taste of LBD appears in “Skeleton key”, s1 ep8, which focuses on what is most important about her character right now : her release.

So why an eponymous title? Why not “The other mentor” or “Focus” to make a call back to the reason MK defeats Macaque in the episode. Why “Macaque”? All other episodes have titles that are centered around either an event or a struggle so why not this one? Even Mei's episode is not titled after her, “coming home” as a title reflects more her struggle than herself. I think having a simple “Macaque” as a title is already very explanatory. It's just Macaque. No indication of good and evil. Just raw unadulterated Macaque.

In this episode, Macaque is the event, Macaque is the struggle, it's about Macaque. What are you gonna get in s1 ep9? You're gonna get a plate full of Macaque. We haven't seen the guy yet and we already know he's gonna be very important later on. You do not get an eponymous episode centered around you in a short 10 episode series without being important.

Also, what is interesting to notice is that Macaque episode is in between two episodes focusing on LBD (ep 8 and ep 10 are about LBD release and possessed DBK) . Guys, the Macaque episode is already circled by LBD's episodes. Considering our knowledge of what will happens to Macaque, I think it's interesting to see his episodes being circled by LBD's episodes. The placement of the episode is also important, we're this far in the season (ep 9 in a 10 episode serie) and we get a new guy? Nah, you know this guy will reappear later on. That's why his episode comes so late. Obviously as an audience you're gonna remember the later episode of s1 when you begin s2. And the later episodes of s1 are Macaque's and LBD's.

Now let's delve into the episode content.

Story wise, I was always a bit confused as to why Wukong is telling MK to destroy a mural of the pilgrims? Maybe it can signify some sort of renewal? But if you put into perspective that it's Macaque's episode then oh boy this gets a whole new meaning.

First scene of the episode? Macaque is not even there and yet you can already tell he's gonna be trouble.

Having close shots of the pilgrims being all covered in cracks. Having shots of Wukong like this in Macaque's episode? Boy, not even one minute in Macaque's episode and we already get drama. Destroying the pilgrims in Macaque's episode is I think a really powerful symbol, especially since in JTTW Macaque symbolizes the side of Wukong that wants to do the journey alone. Obviously this is not JTTW, this is LMK, and we have to separate the two at times but I also think as the source material JTTW should not be completely ignored either. Having the mural destroyed in the beginning of Macaque's episode could be a symbol of how Macaque wants to destroy this image of "the perfect hero Wukong" that is portrayed in the mural with the pilgrims. Mayhaps this is me reading too far into this, but I like to think it is.

The first scene is also a direct confrontation between MK and Wukong on teaching. You have two opposites. The young, impatient mentee. And the inflexible, silent mentor. I say Wukong is silent because our golden guy isn't really good at explaining the purpose of his lesson.

Two very opposite forces that will clash if the wedge between them widens.

So in the first minutes of Macaque's episode, you already get a confrontation between Wukong and MK and Macaque is not even here yet. You can tell this episode will bring trouble between the two, maybe even a wedge. And that's exactly what will exploit Macaque later on. He will use this tiny crack and expand it tremendously.

What is the first appearance of our guy?

This is the very first clear shot of Macaque. And boy I was not ready for it. You got a yellow-colored shot which is generally Wukong color pallets. Obviously, since MK confuses Macaque with Wukong the color of this shot is here to also confuse the audience. But make no mistake. What you have behind Macaque is very important and something I did not notice before rewatching this. This is clearly an eclipse. You got something reassembling the moon before the sun. This is not a meaningless detail especially with the Shadow play episode in s2. First shot of Macaque in the entire series and you already got the moon and sun imagery. Even better, the moon is obscuring the sun, it's overshadowing it and in turns it makes Macaque shine.

First shot of Macaque and you got the sun being obscured by the moon while having Macaque still basking in Wukong's colors. Basically you got the guy whole trauma in one single shot. This is not the moon and the sun being in harmony, this the moon overshadowing the sun. This is Macaque wanting to surpass Wukong, wanting to defeat him but still basking in his colors, so still Macaque following Wukong leads and not his own.

Maybe I read too much into it. But this post is basically me reading too much into things.

Wanna points out that Macaque rarely uses his staff in the entire series and when he uses it, for his introduction, it's when he's trying to trick MK and appear as a hero? Macaque imitating the only hero he knows, which is Wukong, to trick MK is at the same time very ironic but also a testament of how much Macaque's life was and is still centered around Wukong. He's obsessed with him.

What I like in meeting between MK and Macaque is the unsettling feeling you got about Macaque. But yet, he act sin such a compelling way, you can't help but see him as somewhat geniune. MK is the one to approach Macaque, to ask him his name, to question him, to ask him to be his mentor. MK is the one who initiate the contact, which creates the illusion that MK is the one in control, he's the one leading the dialogue with his questioning. At the same time, Macaque doesn't jump at the opportunity of being MK's mentor, he points out that “Monkey King” is already MK’s teacher (by the way this episode is one of the rare time in the entire series that Macaque calls Wukong “Monkey King”, obviously a way to not appear familiar with him to MK).

So in theory he seems good right?

But then you got this very unsettling shot :

Macaque : “But you can't have too many teachers right? I'm sure Monkey King would agree. It's not like he wants to hold you back.”

This dialogue with this particular image is why you are thinking : this is a shady guy. First, the shadows are in a very strange twisted angle and only in one corner of the frame. This gives an unsettling feeling, especially since they are on the edge of a building. Twisted angles are used a lot in this episode to give Macaque an unsettling feeling. The music, those low notes, are also a bit unsettling.

Then you look at what Macaque is saying and you realize, yeah, something is up. He begins with an affirmation to explain why it's good for MK to have multiple teachers. Then he uses Wukong's name to give credits to his words and ends with something that appears genuine but in reality is really manipulative. Saying “It's not like he wants to hold you back” is implicitly saying that if Wukong doesn't agree with MK having multiple teachers, then Wukong wants to hold MK back. And MK, idolizing Wukong, would never think this of Wukong and thus, with his own desire of wanting to know cool techniques, will agree to Macaque proposition and convince himself that, no, Wukong doesn't wants to hold him back and thus even if he doesn't ask Wukong permission, Wukong has to agree with this.

At the same time, this is the first seed of doubt Macaque plants in MK minds. Does Wukong want to hold MK back?

We got classic manipulation here.

At the same time, it's the first appearance of Macaque and even if he's not here Wukong is mentioned a lot. MK confuses Macaque for Wukong, the whole colors of the scene (except for Macaque and the monster) are yellowish, Macaque mentions Wukong multiple times, the staffs are shown (both Macaque's and Wukong's). Then you got Macaque replacing Wukong's symbol on MK's jacket with his own.

Okay. They're not trying to hide it, this is not MK’s enemy, Macaque is Wukong's enemy. It shows. Everything is about Wukong. Macaque is about Wukong.

By the end of the scene, you know Macaque is not to be trusted and everything about him is unsettling. What you got is essentially : a shady guy who's somehow linked to Wukong.

And really, the unsettling feeling doesn't stop there.

The next scene is the training scene with Macaque.

He feeds on MK's insecurities by telling him he expected better of THE Monkie Kid and thus pushes MK to overwork himself. MK wants to be recognized and Macaque knows it and uses it to his advantages.

There are cool parallels between Macaque's training and Wukong's training.

You got Wukong who's very far from MK and lounges on his cloud, not training with his mentee. There is a distance between them. Meanwhile you got Macaque training alongside MK, doing the gestures with him. You might think : does this mean Macaque is a better mentor? But then you see that Macaque training alongside MK is once again a shot with only their shadows and it unsettles you, because shadows are not really you, they're reflections, a lie of some sort. And Macaque is lying in this scene, he's pretending.

Then you have MK confrontation with Wukong and you got this :

Like, this is unnecessary. If your plan is to defeat Wukong, why the hell would you reveal your existence to the guy like that? It's because more than defeating Wukong, Macaque wants to torment him. He's taunting him. Erasing Wukong’s symbol and replacing it with his own. Even the symbol face is taunting, mocking Wukong. Because what Macaque wants is to get Wukong's attention, to taunt him, to torment him, to upset him.

The next scene is the battle with the Shadow monster and Macaque just cannot stop being unsettling. The camera is slightly shaking (re-watch the episode to see it) and this is so twisted, having Macaque not even fully in the shot, pressing down on MK, then pushing him forward :

He's doing a pep talk, trying to lift MK's spirits, but you know his true intentions with the shots. He's not genuine. He's manipulating him, pushing him.

And then the betrayal, which I think is really interesting when you catches some details :

First, you got the monster becoming Macaque. Literally. The moment of the betrayal the monster MK was chasing becomes Macaque. Pretty telling imagery about how Macaque was the true enemy all along

But even more interesting :

The Macaque that was with MK since the beginning becomes the monster. I didn't catch this at first. You can see in the first image there are two Macaques, the one at MK's side who's been with MK since the beginning of the episode, and the one holding the golden flame who is the monster turned into Macaque. But then, the Macaque we know since the beginning leave MK sides and turn into the monster (second image).

Pretty cool imagery of the monster was at your side since the beginning.

Does this mean the Macaque who's been with MK all this time was a clone???

Macaque overshadowing MK, having his shadow looming over MK like this, you cannot have a more telling image about MK's feeling in this situation. He's helpless and he has been in Macaque's shadow since the beginning of the episode despite being the MC. And this shows, because the fight just after is between Wukong and Macaque and MK is on the side until the end of the episode where he takes the spotlight back from Macaque.

The dialogue of this interaction is also very telling of the relationship between the two :

Then Wukong arrives and the two monkeys talk/banter.

Macaque : Monkey King! It's good to see you bud.

Wukong : Are you ever going to get sick of living in my shadow? It's time to get back what you stole.

Macaque : You are such a gem. It's gonna be so satisfying killing you with your own powers.

The taunting on both sides is so heavy you wonder why even they're doing this. First you got Macaque emphasized on bud ( a nickname we know Wukong used with Macaque in the past) to imitate Wukong and mock him. He uses Wukong's title, Monkey King, as a taunt, an insult to wound Wukong's pride. Wukong doesn't have to respond to the taunt and yet he does with a taunt of his own, calling out one of Macaque's insecurities we learn in season 2 (the shadow play episode, being left in Wukong's shadow). We know Macaque is affected by this taunt because despite him smiling his eyebrows are twitching. Then Macaque answers by sarcastically praising Wukong (wonder if the use of gem is because Wukong is a stone monkey) something he might also used to say in the past and end with literally “I'm gonna kill you” which in a kid's show is surprising. I think the fact Macaque found it satisfying to kill Wukong with his own powers is a testament of how Macaque primary goal is not to kill Wukong in itself but to take revenge, to humiliate him, to upset and torment him.

They both know each other and they know how to hurt the other with their words. They know how to get under the other's skin.

The fight between the two monkeys is just full of parallels between the two. When one uses a power, the other will use the exact same power. They're equal in this sense, two faces of the same coin. I'll go back to this idea of equality between the two monkeys in the later seasons.

Once again Macaque's dialogue is very interesting when he's fighting Wukong :

Macaque : seriously? You fell for that? (laughing/ after he take MK appearances to trick Wukong in the fight). Sorry kid, nothing personal.

Okay, first using MK appearance is so dirty Macaque but he's already been introduced as a very manipulative guy so no surprise here. The fact he says “nothing personal” really speaks volumes about how all of this is truly about Wukong and how Macaque doesn't have any grudges towards MK in particular. In a way, we can say Macaque truly has nothing personal against MK as an individual, this whole mess he's causing is because he wants to rile up Wukong.

Macaque : Come on! Show me the real Sun Wukong! The whole you would have leveled this whole mountain range to stop me! But you're scared of hurting some kid? Pathetic!

This is gold, because it subtly shows what Macaque really wants. He wants the old Wukong. At the same time he wants to torment Wukong but he also doesn't like the change Wukong endured in the pilgrimage (who likely caused their fight). He wants to get Wukong back to his old ways, perhaps to prove that Wukong never changed, that him being a hero is nothing more but a scam.

I can see how after being brought back to life seeing your old buddy so wise and changed, being so different from what you knew, is unsettling. Personally, I think there is a form longing there. Macaque wants his old bud back. But there is also a twisted need to prove Wukong never changed, perhaps because Wukong being a hero is, in some ways, what marked the end of Wukong and Macaque's relationship (we'll see that in the Shadow Play episode).

In the end, Macaque is defeated by MK, which I think is a nice way to round this up and give MK his spotlight back as the MC.

The sunlight piercing the clouds, the more soft yellow colors after Macaque's aggressive purple, and the two of them hugging is a nice way to solve the struggle of Macaque's episode.

The wedge between MK and Wukong being one of the main plot points of Macaque's episode is really symbolic. In a way, maybe Macaque sees himself in MK, or more precisely sees himself in MK and Wukong relationship. As such having MK and Wukong mending their wedge is a nice parallel of Wukong and Macaque which never truly mended their own wedge and instead kept widening it.

So we got our first taste of Macaque and oh boy it was something. Of course, the introduction doesn't define the character for the rest of the series, character development often happens. I think a lot of people stay stuck in their first impression of Macaque. Especially since Macaque has such a strong and appealing introduction in terms of imagery and symbolism. The shadows shots, despite being unsettling, are really cool, the imagery is unique and weirdly appealing. Macaque’s theme is also not like any other of LMK's themes, it's more somber, more quiet. I'm vibing everytime Macaque's theme begins. Macaque introduction marks you but it doesn't mean the guy doesn't get any developpement afterward.

So, after Macaque introduction, the audience have one thing in mind : villain confirmed ✅. Even if you don't catch all the details, you know this. Macaque is also more scary than the other villains. He's more manipulative, smarter, he can go toe to toe with Wukong (in this episode), at this point he's the most terrifying villain of LMK (LBD not being fully introduced yet).

Okay, so this was my analysis for Macaque in season 1, of course you can disagree. I'm not a professional in terms of animation nor in analyzing stories, nor do I claim to be and every theory is welcome and worth it. I just wanted to do it and I thought some people might be interested in it 🤷.

I'll post the analysis of Macaque in season 2 in another post.

Next

[howlepalmerbindery]

This was my second binding and casing of "Kohelet 3:16 (Call Me a Cab) by @linearao3

It is, without a doubt, one of my favorite pieces of fiction in any fandom. The use of Judaism and liberation work as plot and setting for a modern Star Wars AU is just...ugh, it. is. so. good. Everyone's queer, everyone's Jewish, the author provides helpful and detailed author's notes (formatted for printing as footnotes with a couple of appendices) to give context. It's just exceptional.

It was the second binding and casing because I'd typeset it before I understood, y'know, margins. I was also attempting to impose it myself because I'm a fool. These days I rely heavily on bookbinder js because I love myself. I'll eventually put up some pictures of the first bind because it was a good lesson. I will also probably re-bind it (again) because the colophon info isn't correct, specifically regarding the inclusion of end page art. I wound up not including GizSkyriser's piece (found right here, it's so good, please go look and tell them how good it is) since my printer isn't capable of edge-to-edge printing. My plan is to use it on the book jacket that I'm still designing. Furthermore, the colors of the text bubbles were kind of wonky upon printing, so I'll need to reassess that.

I used pomegranates on the cover due to their important symbolism in Judaism, particularly in the Sephardic tradition and their use during Rosh Hashanah. Often associated with the concept of righteousness, pomegranates are said to have 613 seeds, which correspond to the 613 mitzvot of the Torah.

I used an image of Lady Justice on the title page for similar reasons, given the themes of the work.

There are several less put together projects between "Do Not Go Gentle" and "Kohelet," but these are the photos I have on hand. I say that, because I'm really very pleased with how this turned out. I had a vision and I (more or less) executed it to the best of my ability, having precisely zero useful graphic design skills. Still, there are things I want to change/update as I get better at typesetting, so I imagine there will be another post about a different iteration of this in the future.

[otdiaftg]

WHAT'S NEXT:

The out pouring of love for this blog has swept me off my feet. I knew the logic behind the follower count, but this weekend proved to me without a shadow of a doubt just how much this fandom cherishes these characters and this story.

I am overwhelmed with adoration towards every. single. one. of you.

I took the weekend to finally recoup after the whirlwind of this past year but wanted to take a moment now to answer some of the questions I've seen pop up and to inform you all of what my plans are for what's next.

FREQUENTLY ASKED QUESTIONS:

WILL YOU CONTINUE THE ACCOUNT THIS YEAR?

This took me a long time to ponder and I wanted to make sure I was in the correct headspace to answer it. Short answer: No.

Long answer: All For The Game is near and dear to my heart. And the reason I began this account was because the dates for 2023 matched that of the dates they were meant to be in 2006. To continue it in the year 2024 would mean the dates would be completely wrong and a lot more logistics would have to occur beforehand.

But also-- I'm not the best when it comes to technology, especially when it comes to BOTS so every post that was published was typed out, formatted and scheduled by hand by me. I did not have help. I did not have proofreaders, or editors, or managers. I contacted all the artists myself, sorted through every single page of the artists to find matches to the story, read and re-read the books for exact or guesstimation of dates/times, and made a hell of a lot of typos on the way through all that.

There was probably an easier way that I could have done all this. But I didn't/don't know it. So that all boils down to: It’s a long and tiring process.

Don't get me wrong, it was worth all the hours. And all the sleepless nights I had getting everything done and out. I already thanked my support network, but without my wife and my best friend being there to make me another cup of coffee, walk our dog, do the chores and generally make sure I didn't crumble from the pressure -- none of this would have happened.

So, putting myself through that again, after everything that has happened this year alone-- felt like it would cheapen the experience I had when the dates won't even match.

That being said.... 2034 isn't that far away. >__>

WILL YOU BE DOING AN OTDITSC?

Short answer: No.... sorry.

Long answer: As stated, it is VERY hard to organize what and how I did. HOURS spent researching, organizing, scheduling, etc. Time spent away from my family and other hobbies. NOT time I regret (need to keep prefacing that) but time I want back now. At least for a little bit.

It also doesn't sit right for me to start an OTDITSC when I know some people are still waiting for their copies. There are so many of us out here (as I've come to find out) and I don't want to exclude people's enjoyment and connection that this account gives. I also feel like the more posts about TSC out there, the harder it is for those who are (lets say) waiting for the physical copies to block/mute spoilers. We can say a tag is enough, but this is the internet. And that's not always true.

And lastly, personally, TSC is still SO VERY NEW. It's not even complete yet and we don't 100% know when the next one will be published. I don't want to start something, get to the end of the timeline, and than have a huge gap between posts that will potentially be moments in the second book. It doesn't feel fair to their story, to myself, or to the followers of this account to have incorrect information for something I love so dearly. If I'm doing it. I want to do it right.

SO, WHAT'S NEXT?

Well. A lot. For me personally, as well as this account. I don't want to leave everyone in such a finite way. I love this fandom. I love its art and writings and the abundance of talent and joy that it exudes.

So first, for myself, as well as those artists who agreed to help with this account, I want to post, for the next 40 days Artist Highlights (that means this account will still be active until Friday, June 7th).

Every day, I will post about an Artist and the work that I wanted to post but couldn't fit in. I've said it before, and I'll say it again, these artists are the reason this account thrives. Art, in a multitude of forms, speaks in a way words can not. And these artists prove that.

I'm excited to show them off for a couple more weeks at least. They are all wonderful people.

AND, FINALLY:

To also tie us over, I am opening both my personal account as well as this account to questions.

Questions regarding the process, the story, the best movie out in theaters, whatever. I will be answering your questions (as fast as I can) until that last Artists Highlight day (Friday, June 7th). After this day, I will leave the questions answered up for a week, and then remove/delete them from this account. I want to make this more of an archive of sorts and will be updating the Timeline Page as this progresses as well, so you can move freely within the timeline.

Keep in mind that I am only one person, have a family and a full-time job-- so answers may be sporadic, but I will answer them.

This has truly been such a pleasure. And whether I get questions or not, I see you and I appreciate you. I hope your life is filled with everything you ever want, everything you need, and that you never let it go.

🦊 🧡- Kelysium

[avelera]

Avelera's Dreamling Fic Status Update:

Keeping Sanctuary (subscribe for updates here) - Giving Sanctuary Sequel follows Dream and Hob from the events of the altered meeting in 1689 up to the modern era. (aka, What if they hooked up after the 1689 meeting?) Current word count: ~7,000 words across several chapters. Realistic progress update: 1/10 complete total, Ch. 1 is about 1/5 complete.

(The rest are below the cut!)

Come live with me and be my love - Dream and Hob fall in love during the Regency Era when Dream loses a bet to Desire. Shenanigans ensue. (aka, What if they hooked up after the 1789 meeting?) Ch. 16 is at 2,500 words, probably about 1/3 done. Current plan is to wrap up Part 1 in the next few chapters then create a part 2 which finishes out their "1 year of marriage" on a month by month basis instead of following them day to day like Part 1 done. Probably won't be a separate fic though, just a change of format.

This Rough Magic - My take on "Hob rescues Dream from Burgess" with a twist that Hob ends up on Burgess's radar himself when he picked up some occult magic skills in the hopes of contacting Dream after 1889 and apologizing. Now he has to pretend to be friends with Burgess in order to get them both out of there, because Burgess thinks Hob can help force Dream to give him immortality. (aka, What if they hooked up after the 1889 meeting?) Ch. 9 is about 800 words in. Story is still very much in progress I just have a lot of WIPs, as you can see.

Joke's On You (I'm Into That) - The 1589 meeting goes very different when Hob proposes to Dream, who is so offended that he just can't let the matter go. A very angry, very horny competition kicks off between them. (Aka, what if they hooked up in 1589 when they were both at their absolute worst as people?) I have literally 40,000 words written for the rest of this fic. The problem is, there's big gaps in that first draft I have to fill in and scenes that need to be added. This might be my favorite WIP but it's also the hardest to write with all the smut scenes so it'll arrive whenever I can manage, I'm afraid.

Banana Daiquiris Ch. 2 - Comic-canon compliant (mostly) - Dream fakes his death to go on a vacation with Hob and Destruction. They end up in Tahiti. Destruction plays matchmaker. Hob doesn't know whether to thank Destruction or strangle him. Current word count 6,000 words. I've been playing around with adding on to this fic for ages. One of these days, I'll pull it all together.

Great Triumphs and Tragedies - aka, "Dream Accidentally Cursed Hob with a Normal Life" Fic - Dream learns that from 1689 on, Hob's life has been safe. Too safe. Improbably safe. Nothing bad or extraordinary or even terribly special has happened to him since Dream began to consider Hob his friend. He knows this because during his imprisonment, Hob's life became exciting again and suddenly went back to normal the day Dream was freed. Hob is not convinced that Dream is the reason for this, Dream disagrees. They talk about it. And fight about it. And some things that they've probably needed to talk about for a long time finally get said. (aka, sometimes the author just needs to write their weird headcanon into a 20,000 word fic that's almost entirely dialogue). Current word count: 19,000 words and about 80-90% finished, 3 of 4 chapters written. I'm hoping that posting what I've got will help push me through the final stretch. Real life interrupted for a bit though.

Unraveling Centuries, aka the Hob Amesia Fic - Dream and Hob are dating officially now in the 21st century when Hob gets hit with what seems to be a memory loss curse, shaving off 100 years of his life each day until Dream finds a cure. This effectively grants Dream a walk down memory lane as he is reacquainted with the Hob of each era and, in the process, learns how much longer Hob cared for him than Dream ever realized. Current word count: 40,000 words. Currently writing 1489 (1889-1589 are done) and re-writing the opening. First chapter is posted!

And for fics that haven't been posted anywhere yet (you can subscribe on my Ao3 author page for alerts about them):

"Fairy God Marlowe" - 1589 fixit fic where Hob and Kit Marlowe strike up a conversation while Dream and Shaxberd are talking. Hob and Marlowe talk about plays, and faith, and salvation, and queer love, and what it means to live forever. Hob gets a second chance at a first impression. Current word count: ~5,000 words. Sadly, it's all dialogue in script format. I'd need to convert it into prose to publish which would be a slog. So it's a bit shelved until I find the energy to do so. No, I will not post it in script format, I'm allergic to the thought.

I've got a few other concepts kicking around, but these are the ones that actually have (*does a quick calculation*) over 100,000 words written that I haven't had the chance to post yet?? And it's driving me insane????

Anyway, I should probably pin this post for those curious lol. Feel free to ask me any follow-up questions, I love talking about WIPs even as they ruin my life!

[olderthannetfic]

I’m curious, for other people who create fanworks, when does annoyance outweigh positive engagement? I don’t screen my followers consistently, and don’t block people who follow me unless their internet presence is egregiously offputting or they’re a bot. But I do have a few followers who I kind of cringe to see in my notes, for petty reasons, and one, in particular, who really annoys me by posting, to put it succinctly, unnecessary shit takes (imo). I disagree with their general preferences re: the ship we both like, and their vehemence about alternate fandom ships. They frequently make anti-[character interpretation] and anti-[shipname] posts. As is their right, it’s their blog. I find them grating, so I don’t follow them, and do filter them, although that does nothing to stop their name from littering my dash. Because, the thing is, they also have what I surmise is a relatively large and obviously engaged following, because they make a popular genre/format of fanwork and are competent at it. Whenever they post, I see their post (albeit filtered), at least a few times, if not more, usually more, just via the other fandom blogs I follow. And they reblog my shit on occasion, which is gratifying because reblogs are a hot commodity in this economy, and my non-ascetic-art-for-arts-sake lizard brain likes to see number go up. I don’t make work for an audience, genuinely, but once I’m posting it, I would like to maximize said audience, in hopes it reaches people who might like it. But at the same time, I don’t like that my Precious Fanworks are on the shit takes blog, next to the shit takes. I do feel like they would notice if I blocked them, which makes it feel like, not a reversible decision.

--

[lucabyte]

ppl saying they look to my comics for inspiration and pointers on how to format things is WILDDDD to me (and delightful don't get me wrong!! i am overjoyed) because like. none of you are privvy to the absolute WAHHH I DONT WANNNAAA bitchfits i was *CONSISTANTLY* throwing every time i forced myself to make a comic before i got into isat. like no joke. i considered comics such a fucking difficult medium they always drained my drawing energy so hard because they always felt like they took sooo long and had so many moving parts and were so much harder than storyboards (WHICH I ALREADY STRUGGLED WITH) because you had to account for panel shape and speech bubbles and-- like you get it. but genuinely for real. the sheer amount that i complained whenever i clawed my way through drawing a comic (which thus! was not very fucking much!!) compounded by the fact that i *genuinely have trouble reading comics*. as in, i really struggle to parse the flow of contiguous movement or action between panels (possibly connected to the fact ive got mad aphantasia?) of even really well done best-of-the-best professional comics...

... BUT. basically. what im trying to get at is. if you wanna learn to draw comics, evidently you super can?! I genuinely *didnt* draw comics before drawing isat fanart! I have no idea what it was about ISAT fanart that made it finally click for me? (I think it was... not having to think about colour? Removing a step from the process really helped. Plus, it being fanwork meant I could just start en-medias-res and not have to think about setup... Trying to cram too much explanation and setup into my oc stuff was always a big hurdle too...)

I find them fast to do now! and damn if i dont value speed in art (<- impatient little fucker). its still going slowly on my oc comics.. mostly due to the colour again, i think. but it's not extremely, ecruciatingly difficult anymore. is what im saying. and im genuinely baffled by it every time i put pen to page. its fucked up. did you guys know that practice makes things easier? . fucking perverted if you ask me.

As for looking at other people's things for inspiration. if you want to know where I was looking when I was piecing together the first couple fancomics I did for ISAT i want to specifically point at . well besides everything rebecca sugar has ever done (for hands and facial expressions *especially*), the main person i really dug into the work of was Leo Fox (Website link). I feel like i wanna point people to the source of a lot of the inspiration for my more off-kilter panel choices so you all can get the full experience rather than through my regurgitated mimesis. I'm now at the point where i can wing panel layout so i wasn't in there for longgg but. everyone go add it to your knowledge banks as for SUBJECT MATTER aka why i am i so deranged. those are squarely the 2019 postcanon homestuck golden era bleeding through my CLENCHED BITTEN DOWN JAW. A BULL TERRIER ON YOUR BRACHIAL ARTERY. namely that @/floralmarsupial and @/tomatograter's works (no i am not tagging them . im shy) are things i go back to frequently and floralmarsupials pure black/white inktober comics were *especially* an inspiration. if you've been following me a few months you may remember me reblogging a bunch of their stuff from 2019~2021 for seemingly no reason. this was why. The narratively divorced reality of jade strider & Liminal Space are big in my mind here. I balk to call myself anywhere near as good as these but these are what i'm aiming for, tonally and quality-ways with it. also detective pony but ive mentioned that already and thats farrrr too inside baseball for this post.

BUT YEAH TL;DR: I DIDNT DRAW LIKE ANY COMICS UNTIL UHHHH LIKE, WHAT, LIKE 8 MONTHS AGO? JESUS. ANYWAY. THIS MEANS YOU 🫵🫵🫵 CAN DO IT TOO. BELIEVE IN YOURSELF. DATTEBAYO!!!!