#re rambles����

[questwithambition]

Something incredibly satisfying about knowing your craft and the confidence that goes with it. Just the casual “yeah I could make that”. Want a band tee? Yeah I can embroider my own with the lyrics I want. Bridesmaid dress too long? Yeah I can hem it. Need new slippers? Yeah I can crochet a pair (and give them bunny ears). And of course it’s not perfect but nothing beats that feeling of being able to craft your own solution with your own two hands

[doing-something-unholy]

I was looking up what happens to laicized priests for potential ✨️character drama✨️ but i found this instead 😳

[united-under-skyfall]

leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.

[huginsmemory]

Been thinking about how Bill legitimately had a horrifying reason (the literal progressive disintegration of the nightmare realm that erases whatever it disintegrates from existence completely) to move himself and his crew into a new dimension. Like that's terrifying. And yet he never utilizes this to his favour. He could have been honest about this with Ford, and you KNOW as long as Bill didn't mention plans of overtaking the earth, Ford would've made the portal for him, both out of Ford's own interest and because Ford when faced with these big moral questions will pull through. But this is a card Bill NEVER plays because although he needs to leave the dimension, he cannot lose face. He can't put aside his pride and admit to the humility that he needs to flee from his dimension, that he's not actually all powerful. And so instead he pretends to be a muse and when Ford figures out something else is going on, instead of being open and humble and saying that his dimension is unravelling, Bill focuses on that he's going to over take earth, that he's actually been a monster all along, surprise Ford!

And part of it is definitely because Bill's built himself up on power and violence and to grovel and earnestly ask for help, to admit that he cannot stop the unraveling of his dimension completely invalidates that; showing vulnerability? Can't do that, even under the guise of lying to get his way. And part of it makes you wonder if it's also a form of self-sabotage, because underneath his deep denial Bill is guilty over what he occurred; he sees himself as a monster and so he'll be that monster, and having people recognize that feels good in the same way that pressing a bruise feels good. But it makes you wonder what would've happened if Bill even just was open about his dimension unravelling and had lied about overtaking the earth.

It's also interesting because although Bill has SOME charisma and can manipulate people decently well (as evidenced by his cult, and pandering to people's desires with Ford, Mabel and Blendin), he refuses to be vulnerable, refuses to not be true to his off-putting self, even when if he was just vulnerable of pretended to not be himself, to put aside the (false) pride he has in himself he would've gotten a portal by now. and part of me wonders if it's because it's this false pride that built on insecurity and denial on who he is he cannot drop that mask.

Further thoughts on this!

[royalarchivist]

Jaiden: How did you guys even find out that, um... Chayanne's admin plays Cucurucho? [Reading chat] Ohhh, accidentally played the soundboard as Chayanne? That's hilarious actually. I wanna see the clip of Phil reacting to that.

Jaiden: I love– I love the way that Phil laughs, it's just such a hearty, genuine laugh. The few times that I've made him laugh, I've felt really good about myself! [Embarrassed laugh] Because he makes me feel much funnier than I am, you know?

Jaiden talks about silly QSMP moments and laughter. 💜

[ Full Subtitle Transcript ↓ ]

—

TRANSCRIPT

Jaiden: How did you guys even find out that, um... Chayanne's admin plays Cucurucho? Did they just tell- tell Phil? Did- were they just hangin' out? [Reading chat] "The same username"? Ohhh. [Reading chat] "It was a mistake"? ...Wait, what was the mistake? What do you mean "it was an accident"?

Jaiden: Ohhh, accidentally played the soundboard [Laughs] as Chayanne? That's hilarious actually. [Laughs] What di- what did he say, was he just like, "Ha ha ha"? [Laughs]

[Old clip of Bad, Fit, and the Eggs] Bad: –have one of the things I'm looking for. Chayanne: [Cucurucho voice] HA HA HA Bad: What was that? Fit: You heard that too, right? Chayanne: [Cucurucho voice] NO Bad: ...What the fudge was that. Fit: Wait–

Jaiden: [Reading chat] "He said 'no'" [Laughs] That's so funny. [Laughs] I wanna see the clip of Phil reacting to that. I love– I love the way that Phil laughs, it's just such a hearty, genuine laugh.

[Clip of Phil laughing]

Jaiden: The few times that I've made him laugh, I've felt really good about myself! [Embarrassed laugh] Because he makes me feel much funnier than I am, you know?

[Old clip of Phil and Jaiden] Jaiden: Oh, that's awesome! And then it– [She gets snagged by the machine] Jaiden: Oh– Ahh! Phil: Be careful! Jaiden: AAAAAᵃᵃᵃᵃᵃᵃ — [Her screams fade as she's dragged away] Phil: [Laughs] There she goes! [Hits his desk and laughs]

[Another old clip plays] Jaiden: [Singing along to "It's Been So Long" from FNAF] It's been so long, since I've last seen my– Phil: What is happening? [Laughs, then laughs more seeing Jaiden's mask] PFTTT– [Laughs] Jaiden: [Laughing] Phil: Jesus Christ–

Jaiden: It's just like, such a good laugh! I wish I had a– a like, more-hearty laugh. You know? You know what I'm talking about? My laugh is kinda like... Uh, you know how you guys compare Foolish's laugh to like, the... window cleaner? Like a– [Squeaky window-cleaning sound]

[Short clip of Foolish covering his face with one hand and making the squeaky laugh he's known for, slapping the arm of his chair as he keeps laughing]

Jaiden: I can't do it– [Laughs] It doesn't sound like that. I think mine is like... Because like, I do like, "Hee hee hee!" and I also like, breathe in, like– [Squeaky sound] You know? So I think– My laugh kinda just sounds like... Like, after you spray the window, and you're like, cleaning it. Like, wiping it down with a cloth. You know? That's what my laugh sounds like. I wish it was more of like a, "Ha ha ha."

[Short clip of Cucurucho saying "HA HA HA"]

Jaiden: But, I mean, I'm not complaining. I don't think– I don't think "laugh anxiety" is something that I wanna– is not a path I would really wanna go down. [Quiet laugh] It's like- sometimes, you just gotta pick your battles. [Laughs]

Jaiden: [Reading chat] "You have a good laugh" Thank you. [Quiet laugh]

[furbygoblinxiv]

When I've read Dracula in the past, I always found it annoying that the dude squad decide to try to leave Mina out of the rest of the fight against Dracula. But idk, listening to re: Dracula these past few days kinda made me realize how it makes sense from their perspective.

Van Helsing mentioned that Mina is recently married, and thus, is potentially pregnant. With that thought, there'd be even more reason to be protective of her physical and emotional well-being.

Lucy very recently died. Lucy was someone that they all loved to varying degrees, and she was someone who died barely a week ago, and was actually killed a few days ago. They saw how the soft one they loved got twisted into a monster, which they wouldn't want to happen to Mina.

They left her in a house full of people that they thought was well defended, and they didn't realize that Dracula had anyone in the house to invite him in since Mina doesn't sleep walk.

She was present when Van Helsing listed out all of the powers and weaknesses of the vampire, and she transcribed Seward's diary of the account of how Lucy died. In theory, Mina should know what symptoms to look for in a vampire visit. She even makes comments about how it's like Lucy's comments about her dreams, which should have been a red flag for the girl who's cause of death was "vampire". But, again, she's in a full house that theoretically has no way for Dracula to get in.

This is also the inverse of Jonathan's sealed journal. Mina didn't read it, and after she did, she waited until after Van Helsing confirmed it was true to talk to Jonathan about it. She didn't want to upset him in a way that could hurt his mental state, and this is essentially a higher stakes reverse version of that imo.

Like yeah from a feminism and a reader standpoint, it's shortsighted and frustrating that they don't give Mina all of the information before it's too late. But from an emotional standpoint? If I saw what I thought was a chance to take someone I loved out of the line of fire, I'd do so in a heartbeat to protect them and relieve some of their burdens 🤷‍♀️

I don't see it as a writing issue, or Van Helsing being a raging evil sexist who's getting people killed. I see it as characters trying to protect someone they care about deeply and being flawed in their approach, and very quickly being proven wrong and admitting to their wrongdoing

I feel like re: Dracula is making me empathize with everyone more lol

[theokusgallery]

Why, hello there, Virgil. Long time no see!

[sixty-silver-wishes]

picture this. there’s a new dracula film adaptation that’s out, and it’s advertised as being very faithful to the book. lots of fans of the book show up to the movie theater on opening night. they’re watching the movie, and one of the characters says the word “voluptuous.” the entire theater breaks into cheers and applause

[cream-and-tea]

what she says: yea i’m fine

what she’s thinking: the story brought both carpenter and faulkner to their inevitable end points that have been foreshadowed from the v first episode of the show ambiguity of carpenters death aside she stood on the banks of the river singing like her nana glass and was gunned down by the military and faulkner was drowned dragged delivered by the god and story he had let devour him but. but. before those things happened right before the narrative reached its end both of them stood up and said no! i want to go forward! i want to find something past this whatever it might be i don’t want it to take me yet im going to keep on walking! and it was too late! the thing is it was too fucking late!!!!!!! the aquifer was already flooding the soldiers were closing in she was to hurt to run he can’t swim. the chance had come and gone at the beginning of the episode for any hope of them reaching each other ever again but even though it was too little too late never ever going to be enough they both looked the site of their doom in the eyes and said i do not accept this. not here. not now. i am staring at you– the thing that will eat me — and resolving to pry open the jaws and choose to use the last moments of my life (whether i know it or not) to run and stumble and crawl and cry and sing in the hopes of reaching the people who matter to me more than being made your meal. and of course they got fucking eaten anyways. of course they did bc they were walking towards it from the beginning. but there is a way out, there is a way forward, there is a land beyond the storm that is possible to reach if you choose to step out of the story that has been built for you to find it. we walk on, with a rough and tarnished hope, and a tangled, ruined love. it can end with love, and it can end with kindness. even as the jaws are closing. ours is a world of miracles.

[marsontherocks]

Dracula adaptation where everything is EXACTLY the same except!!! nothing. Nothing is different. Its just a good adaption. Please. PLEASE!!!

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[ifmagicexists]

having so many thoughts and feelings about jean being how kevin learned french and neil and kevin speaking french with each other. jean and neil being connected before neil ever even knew jean. misplaced forever partners indeed

[softpawpup]

sometimes regression is getting really excited to hold a soft plushie and then feeling bad for leaving the other ones out. but then the more you hold the more you realize you have. so you try to keep picking up more plushies to hold them all but you dont have the room in your arms to hold them all so you get really sad about not being able to hold them all and text your partner about how sad you are about it

[see-arcane]

Ah yes, Van Helsing, the much talked about iron nerved, experienced vampire hunter, the darkness is where he thrives in facing the undead

Van Helsing: I hate it here!!!!!!!

What pop culture thinks Abraham van Helsing is:

What Abraham van Helsing actually is:

[gretahayes]

Actually I DO think Bruce is justified in being upset if his kids/associates kill people. I think he is justified in wanting to do everything in his power to make sure his children don’t kill anyone at all. There’s many things he’s unreasonable about but I do not think he is being unreasonable at all there.

[umemiyan]

telling sukuna that you're not sure if you're even capable of bearing his children, but he tells you to stop being ridiculous; he's going to put your worries at ease by pumping you full of so much cum that it would be impossible for it not to take. who cares if he's something more akin to a curse than a human? he's a king and he wants heirs, and he's certain his queen will provide one way or another. if that means keeping you pinned in place and breeding you so deeply over and over again that his seed starts to gush out of you, then so be it