#re birth
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pgratedlies · 4 months ago
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im all about Jason resetting his age after he died.
Little things like going to a diner or restaurant after patrol, kids eat free and this 6 foot 6 fridge just says "free meal I'm legally 2"
Or my favourite hc is Jason protecting Damian from his time in the LoA so Damian, 10 apples tall, introducing him everywhere is " this is my my little brother be nice to him" and it's Hulk's lovechild in a red tic tac helmet
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turtleblogatlast · 7 months ago
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[ cw: assumed death / assumed sibling death / assumed child death / solitude ]
Thinking about Leo being trapped in the Prison Dimension and keeping himself warm through the power of his own ninpo - this ability is shown to us as a flame, after all, so imagine if, when he lets his mystic energy run through him, it warms him up, just a little.
In this desolate place, all cold and alone, he focuses on that flame and leans into its warmth.
He relies on it, and he realizes it that he’d relied on it too much when it goes out, and he’s once again cold.
(In another dimension, the Hamatos believe they lost one of their own.)
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thebeigelunatics · 4 months ago
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this quote by eve best from an article in the standard (2017) is doing a lot for me tbh.
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dragonseeds · 10 months ago
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do you have any thoughts on daenys the dreamer?
extremely fun and obvious play on the cassandra figure. a version where her family not only believes her but venerates her visions and prophecies—like, she saves them and a handful of dragons and, in doing so, the world, but it also curses her bloodline. the thing that once saved them becomes an obsession that consumes them literally in wildfire. the idea that you can be doomed by believing in and actively trying to fulfill a prophecy (aegon v at summerhall, melisandre and stannis) just as easily as others are doomed by their disbelief or their attempts to circumvent fate (cersei echoing my buddy king laius)—like that’s so, so cool to me. i love the ambiguity between fate and choice, the way grrm takes the whole trope apart and plays with all the individual components.
also very interested in the line running from daenys to daenerys, and i always wonder if daenys saw her too and if so, how much of her life daenys saw and was able to contextualize? did she see clear images like melisandre and bran or more metaphorical ones, like jojen or dany in the house of the undying? something like… a dragon with three heads fighting in a frozen wasteland lol?
considering the the loss of female power in house targaryen is so deeply entwined with the dying of the dragons, underneath all of that for me is aemon’s line in affc and the context that follows it:
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what were they translating?? were some of the documents in other languages? it couldn’t have all been daenys’ works because aemon says they’ve been wrong for a thousand years. this prophecy has been a motivating factor for the targaryens (and valyrians?) for a thousand years, but i wonder at what point the translation error actually crept in? daenys was valyrian and that would’ve been her primary language—i like to think she would’ve understood the nature of the dragon in a way her male descendents couldn’t. no one ever looked for a girl, but it was always a girl. not men in a patriarchal feudalist society reducing women to their reproductive capabilities (rhaella’s miserable life being one of the most egregious examples of this) and then being surprised when a woman is needed to rebirth the dragons lol.
this got away from me because i think the (deconstruction of the) use of prophecy in asoiaf is fascinating and everything we know about daenys is tied up in that. cutting myself off before i start talking about gender as it relates to this prophecy. beyond that, i’m really not interested in interpretations of daenys where she’s catatonic or broken by what she’s seen any more than i am in interpretations of dany where she goes mad, just because i’m sick of the seeing the general victimization of women in asoiaf taken to such an extreme that they’re defined by it—with whoever suffers most ecstatically being the least problematic to stan, especially when the women in question are from/associated with house targaryen.
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vimbry · 9 months ago
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jumping off the back of the post about genres of song lyrics, another thing about tmbg's lyrics in particular is that even when they write about pleasant themes, they still manage to frequently do so through a sinister lens:
the experience of having children and looking after them:
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a nice little nightlight protecting a child muses on the shortcomings it would have outside its assigned responsibility:
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fantasising about getting high in the park with your crush:
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sadfr0ggie · 11 months ago
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I just finished watching Birth/Rebirth (2023) an hour ago and I immediately had to make these. I don’t know what has been possessing me to make things like this lately, but it’s like an addiction.
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mattiebluebird · 10 months ago
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something something Duke started his training arc right before Tim died, meaning for most of that year he & Bruce were both grieving; Bruce having completely lost his son (there wasn't even a body) and Duke having functionally lost his parents (they're there but they're not there)
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bigmfrat · 3 months ago
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been two years since I touched live2D so have the shittiest vtuber model of my sona while I try to remember how to work the program
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swallowtail-ageha · 4 months ago
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Said it before but auuugh... malenia and kindred of rot unwilling mother/unwanted children relationship... loss of bodily autonomy... the result of that loss that you cannot undo but have to live with
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kumanyak · 9 months ago
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The birthday of THE SILLY!!!!🗣️🌟
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Pov you dropped his cake on him i guess
+ versions without text and the second one
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crimescrimson · 10 hours ago
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The Main House in Resident Evil 7 (2017)
#crimson's gifs: resident evil#Resident Evil#RE#Resident Evil 7#RE7#Resident Evil Scenery#RE Scenery#Resident Evil Biohazard#RE Biohazard#Main House scenery isnt bad either but like. Could be better#Honestly wish this game wasn't a mish-mash of horror movie tropes and references and instead something actually unique and serious#I hate seeing so much potential wasted#Things that could've saved this game for me: Third person. Mia protagonist escaping the house. Focusing more on the B.O.W shit#Killing off Ethan and making that the point of strength for Mia. Making Mia and Zoe partners and focusing on that dynamic#Focusing on whatever the fuck Lucas was up to pre-game and during the main game rather then in barely played dlc#Focusing on the murders/the connections/etc rather then just. Not doing that#Actually having varied enemy designs!!!! not 2 types of goo creature are we serious bro#What happened to the creative and awesome creature designs from the 28 odd other games!!!!#Heres a better premise for you guys: Mia Winters a morally grey protagonist was abducted while pregnant. Giving birth to eveline#eveline was taken and experimented on becoming E-001 and Mia stays out of obligation and wanting to one day save her daughter#while in transportation shit goes wrong. Eveline escapes. They wash up in the bayou like in the daughters DLC. Mia at this point#Has almost given up on her daughter and tries to warn the bakers before being incapacitated by Evie. This sparks the partnership between her#and Zoe. Mia is infected and a game mechanic has you having to fight the infection with special items like healing but seperate#Clancy and the Deputy have more screentime. Clancy buys Mia escape time when shes found by margarite escaping the main house.#He gets dragged into Lucas' den and found later by her burned to ash a la og events. Mia escapes into Old house and goes to vaccine stuff#Zoe is based in the trailer and acts as a sort of merchant character slash rebecca in re1 where she heals your infection and her own#She gets kidnapped/Lucas part then you find clancy dead/Zoe captured and boss fight Jack. Then choose between zoe and you#Mia choosing Zoe is the good ending and you get rescued by JILL instead of Chris at the end#Hows this sound chat. I can add more details but I think its a better story then the clunky one in 7 that relies#Too much on troupes/fear and not enough on substance
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queenlucythevaliant · 2 years ago
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Once, Always
(Edmund has an abundance of birthdays)
 .
“I say,” murmured Edmund sleepily as the fire burned low. “When do you suppose it is here? I mean—what time of year? Do you think it’s the beginning of September, the same as it was in England?”
“Summer,” said Lucy. “Certainly summer.”
Peter agreed. “I think it must be Highgrass, if I had to guess. Perhaps later. Greenroof?”
“If it’s Greenroof, then Edmund gets another birthday,” Lucy sighed. “Eleven or twelve, Ed?”
“Neither,” put in Susan. “A thousand, if you’re going to rationalize it that way. Now everyone hush, please, and get some sleep.”
.
Edmund’s birthday was the fifteenth day of Greenroof by the Narnian reckoning. Greenroof, late summer, when all the leaves were dark and broad. Narnian summers were long, but Greenroof was the last and best of the summer months. Greenroof was hunts through the dense foliage, blackberries heavy with juice, lazy afternoons, bonfires, wild romps, and the pleasant kind of sweat. Edmund’s birthday celebrations were always held on Dancing Lawn in the old days: the sort of long, laughter-bright nights that summer was made for.
The second time Edmund celebrated his eleventh birthday, it was just past three months since he and his siblings had returned home from the country. Their house was glass-strewn and battered, but still standing when they arrived home. By August it was beginning to feel really safe again, but sometimes Edmund still woke in the night to find his mother standing silent in the doorway, drinking in the sight of her two sons returned to her.
The professor sent one of Ivy’s famous spice cakes for Edmund’s birthday. It arrived tied in red string, which made Lucy reminisce fondly about dear Mr. Tumnus. Edmund’s siblings pooled their allowances to buy him the new Nero Wolfe detective novel, and his mother gave him a new cap and an electric torch.
“How do you feel?” his mother asked over dinner.
“I don’t feel any older, if that’s what you mean,” he said. “Eleven feels just the same as ten did yesterday.”
All four of them missed their birthdays the first year in Narnia. Too much else was going on at the time, and none of them was quite sure when their birthdays were supposed to be besides. The measurement of time was a thoroughly tangled issue.
The Narnian year had four hundred days even, divided into fourteen months of inconsistent lengths. Furthermore, the kingdom had only known winter for the last hundred years. The Narnians themselves were still remembering how the calendar worked in a world where the seasons changed. They didn’t have the words yet to explain it to their sovereigns.
“Eustace,” said Edmund, “your journal is wrong.”
“Give me that,” Eustace scowled at once. “I know it’s wrong, but there’s no need to rub my face in it. Aren’t I trying to make up for how I was?”
“No, no, that’s not what I meant. The month is wrong. You’ve got September written here, but time works differently in Narnia than it does in the Other Place. Haven’t you noticed that it’s summer, not autumn?”
“Oh.” Eustace shrugged. “I followed Occam’s Razor and assumed that the climate here was different rather than time itself.”
“Occam’s what?” This was Lucy.
“Occam’s Razor: the simplest solution to a problem is the most likely—never mind. Well, go on, what month is it?”
“Highgrass,” said Lucy.
“July,” said Edmund at the same moment. “More or less.”
 .
They worked it all out one afternoon as the second spring of their reign was ending. Peter and Susan wrote out the English calendar on one stack of parchment while Edmund and Lucy sat down with the Narnian calendar and penciled in seasonal markers as best they could manage.
“The first crocuses came up right at the end of Cleardome, yes?”
“Yes, I think so. And the snowdrops were in their full glory that month too.”
“How do you want to deal with leap year?”
“Just forget about it. Narnia doesn’t have anything similar, so I think twenty-eight days for February is fine for our purposes.”
“Magnolia in Laceveil, yes?”
“Laceveil is a good marker in general. We ought to set that as May and go from there.”
Birthdays were guesses, no matter how much counting they did. Yet as memories of England receded and Narnia’s world blossomed into everything they knew, those guesses solidified into fact. Edmund turned eleven for the first time on the fifteenth day of Greenroof. He was the first of his siblings to celebrate a proper birthday in Narnia.
The fourth time Edmund turned twelve, he received another electric torch to replace the one he’d lost. He laughed for half a minute, holding that gift in his hand.
“Really, you should have expected it,” said Susan primly.
"I did."
Their mother tsked and added something about keeping track of one’s belongings, but that was alright. His siblings understood.
Edmund flicked on the light and watched the beam land on the far wall across the living room. Bright at the edges and dark towards the center where the bulb was. He moved his wrist sideways and watched the spot of light follow.  
Edmund might have forgotten about his birthday aboard the Dawn Treader if Lucy hadn’t remembered. She conspired with the cook to have a spread of Edmund’s favorite foods at supper (such as could be managed at sea) and coerced Rynelf into playing jigs on his fiddle afterwards. While they were dancing, Caspian called for a cask of his best wine, and soon the ship’s whole company was making merry like only Narnians could.
“Didn’t you have a twelfth birthday the last time you were in Narnia?” Caspian asked curiously as the party was dying down.
“Yes,” Edmund replied, “and the time before that too. Confused yet?”
“Ed has all the luck,” Lucy pouted playfully. “We always seem to return to Narnia in the summer, so he gets all the extra birthdays.”
Caspian's face lit up. “How extraordinary! When’s yours then?”
“Cleardome. There’s a year and a half between Ed and me, and he never lets me forget it.”
“It’s really not as exciting as all that,” Edmund added. “We’re not living our lives backwards, or unstuck in time, or any such nonsense. It’s more like—our lives are folded in on themselves, you see? But never the same way twice.”
“I think it’s more like music than anything else,” Lucy said, a kind of fond wistfulness in her voice.
“Yes,” said Edmund. “I know what you mean.”
On the thirteenth of Greenroof, the Telmarines laid down their arms and surrendered to Old Narnia. The next day, messengers were sent forth across the land with news of the surrender and with terms for the Telmarines. Caspian’s coronation followed, and then Edmund woke and it was his birthday again.
Breakfast that morning was long and languid, for Peter and Susan knew that they must say farewell to Narnia, even if the younger ones did not. They lingered round the table with Caspian and Trumpkin and the rest, and presently Peter offered a toast.
“To my brother King Edmund, who is eleven and twelve and sixty-three and thirteen hundred years old today.”
Everyone raised their cups and repeated, “King Edmund.” Caspian nodded and added, “Long live the king,” with an almost ironic tilt to his head.
Naturally, Edmund nodded back. “And to you, King Caspian. Long may you reign.”
Another round of assent followed, and then Lucy cleared her throat. “But also,” she said, “To late summer and the rebirth of Our Narnia. And to the land, the sea, the hills, the trees, the sky, Cair Paravel-by-the-sea and Dancing Lawn and all the flowers that are still in bloom. And to the color green. To all of us here today, and to those who are gone. And to Aslan.”
“Here, here.”
There were tears in Susan’s eyes now. “Happy birthday,” she whispered, and squeezed Edmund’s hand tight. Edmund looked down at his plate, fiercely overcome with love for this place and these people. In a strict, chronological sense, it had been less than a month since his last birthday, but how did the saying go? Time was just a tangled string, or falling snow, or whatever else Aslan told it to be.
“Bother,” said Edmund, “I’ve left my new torch in Narnia.”
Everyone chuckled at this, but Susan said, “Wait a year. We’ll get you a new one for your next birthday.”
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dykethevvitch · 11 months ago
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This is like my Jonny D'Ville thesis. He's a character of all time
(also if tumblr kills the quality pls click on it)
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tokyoghoulaspecs · 1 year ago
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Here's some of the pulls that the re invoke gallery is missing, that I happened to have saved from my collection on the app years ago.
I also have a few more that I edited to be renders that I'll be posting separately.
These aren't quite as HD as the gallery's because they're just screenshots, nor are they transparent, but anyone is welcome to save, edit, and repost them, if you want them!
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One-Eyed Owl SSR The Deadly Kakuja
Rize Kamishiro SSR Bewitching Bunny Girl
Shu Tsukiyama SSR The Gourmet's Rampage
Oggai SSR Newly Created Quinx
Big Madam SSR Leader of Madam's World
Noro SSR Transforming Threat
Ken Kaneki SSR 1 Year Anniversary
Nimura Furuta SSR Destroyer of All
Ken Kaneki SSR Protector of All
Hairu Ihei SSR Lovely Idol
Kurona Yasuhisa SSR Playful Angel & Devil
Toka Kirishima SSR Witch With Black Cat
[Image Description:
Image 1: A front shot of Eto in her kakuja form.
Image 2: Rize dressed in a sexy black bunny outfit with playing cards in the background.
Image 3: Tsukiyama sitting in bed, screaming, with his kagune out
Image 4: Hajime with four other oggai standing in a circle all shoulder-to-shoulder
Image 5: Big Madam laughing with her kagune out
Image 6: Noro's final kagune form, of two mouths with four kagune tendrils off them
Image 7: Kaneki dressed in traditional japanese clothes waving a sign that says "祝一周年" or "Congratulations on the first anniversary"
Image 8: Furuta's kakuja form from the finale, gliding to the right (to be paired with Kaneki's)
Image 9: Kaneki's kagune from the finale, leaping towards the left (to be paired with Furuta's)
Image 10: Hairu wearing a cute blue and white dress as she puts on a pair of glasses
Image 11: Nashiro and Kurona, dressed as an angel and devil respectfully, in a half-hug as they hold out their other hands toward the viewer
Image 12: Touka wearing a sexy witch costume and sitting around pumpkins, with Hinami dressed as a black cat laying in her lap. End ID]
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haveyouseenthishorrormovie · 3 months ago
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SUMMARY: An immortal demon returns to wreak her revenge on those who tried to kill her and cover up the crime.
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widowshill · 3 months ago
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the locket, motherhood, & marriage.
139 / 139 / 136 / 136 / 191 / 191 / 191 / 142 / 134 / 143 / 143 / 144 / 144 / 139 script / 144 / 280 / 144 / 144 / 192 / 279 / 279 / 279 / 279 / 143
#compilation tag#➤ victoria winters. ┊ because she’s lost and lonely. because she looks in shadows.#➤ roger collins. ┊ I and my ghosts want a drink.#➤ re: david collins. ┊ he's just been afflicted with the family disease. he's been seeing ghosts.#➤ josette dupres. ┊ it was a scent,not just any,it was hers: jasmine,seabreeze mixed.#➤ re: laura murdoch collins. ┊ I want to watch a girl on fire with ruin on her lips. I want to see everything burn.#➤ elizabeth collins stoddard. ┊ I belong to the house. the house belongs to me.#➤ re: carolyn stoddard. ┊ never the same girl twice.#GOD OKAY. the fact that burke gives vicki the locket after laura's death is EVERYTHING to me.#burke — twin to jeremiah both physically and psychologically — giving it to vicki —#the stranger brought inside the collins family; much like josette.#(which. according to much much later dialogue laura *was* jeremiah's first wife before josette.#it's an old song. it's an old tale from way back when. and we're gonna sing it again and again and again.)#that vicki; by saving david's life; is preserving the collins line — providing the heir (literally; though not biologically)#david turns away from laura and chooses vicki; replacing laura as mother-figure permanently;#as he's granted new life after the fire; born again into vicki's arms; not laura's.#the new woman in the collins fold — after the previous wife has been defeated and fire has cleansed the memory (à la jane eyre; or rebecca)#positioning her naturally as roger's wife. the mother of his child. the inheritor of the collins bridal locket.#the locket that distinctly belongs to roger's wedding *night* — tied up fundamentally with sex & childbirth & the provision of heirs.#(fitting then that the madonna and child serves as the vicki-as-mother equivalent to the painting of laura: the virginal birth)#and yet! simultaneously! the cri du sang — david's blood calling out to burke's.#roger notably absent during the fire; unaware of david's danger; unable to help him. burke drawn to him when his life is at risk —#and the one who carries him home; over the threshold; at vicki's side. delivers her the locket from the ash.#of course she is drawn to him — david's symbolic mother; his biological father —#jeremiah & josette; the empire-builder and the lost and lonely bride.#and. the vampire-figure; the parasitic lover. meeting her at the cliffs; joking about her falling from them —#who can give josette belonging by bringing her to the family tomb.
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