#ray reardon

[earhartsease]

just discussing with a mutual how we grew up watching snooker on the telly in the 70s and our stan was Ray Reardon who looked like a fucking vampire, come on look at this guy

[allmyandroids]

Hhhh saw this on a VHS tape version of the movie and I am going F E R A L guys 💥💥💥

[gone2soon-rip]

RAY REARDON (1932-Died July 19th 2024,at 91).Welsh professional snooker player. After working as a coal miner and a police officer, he turned professional in 1967 and dominated the sport in the 1970s, winning the World Snooker Championship six times and more than a dozen other tournaments. Reardon was World Champion in 1970, 1973, 1974, 1975, 1976, and 1978, and runner-up in 1982. He won the inaugural Pot Black tournament in 1969, the 1976 Masters, and the 1982 Professional Players Tournament. His dark widow's peak and prominent eye teeth earned him the nickname "Dracula".Ray Reardon - Wikipedia

[justforbooks]

Ray Reardon

One of the greatest British snooker players who won the world championship six times

Ray Reardon, who has died aged 91 from cancer, was snooker’s world champion six times in the 1970s, the decade in which the game was changing from subterranean folk sport into a TV attraction.

Always immaculately dressed, a highly popular and genial ambassador for the game, ever adept at engaging a crowd, he remains the oldest champion and, on the strength of his 18-15 defeat by Alex Higgins at the age of 49 in 1982, its oldest finalist. After his wins in 1970, 1973-76 and 1978 he was still good enough to reach the 1985 semi-finals, when he was 52, before Steve Davis, the dominant figure of the 80s, trounced him 16-5.

As a player, he transformed himself from brilliant young potter into supreme tactician. In later life his deep knowledge of the game was utilised by Ronnie O’Sullivan, who acknowledged him as a significant factor in capturing the 2004 world title.

Commercially, Reardon’s peak came too early; prize money of £7,500 for winning the 1978 world title, £12,500 for reaching the 1982 final and £20,000 as a 1985 semi-finalist looks like petty cash by today’s standards, although it did not seem too bad in those days, particularly as the snooker revival had started from a low base.

Reardon was born into a snooker family, to Cynthia and Ben Reardon, in Tredegar, south Wales, where he attended Georgetown secondary school. His father, a coalminer, played in the local league for the Miners’ Institute, as did his uncles. When Ray was 14, and after a brief stint as a motor mechanic, he became a miner himself. On his 17th birthday, in 1949, he made his first century break in the morning and won the first of six consecutive Welsh amateur titles in the evening.

In 1956, the family moved to Stoke-on-Trent, Staffordshire, in search of better job prospects. That same year he looked likely to become English amateur champion when he held a 7-3 overnight lead against Tommy Gordon in the final at Burroughes Hall in London, but his tip flew off with his first shot the next day, perhaps through the agency of a betting gang. Forced to play with an unfamiliar cue in those pre-superglue days, he lost 11-9.

Eleven years in the pits ended in 1957 after he was buried in a roof fall at the Florence Colliery in Stoke, unable to move a muscle for three hours. “I had to breathe through my nose,” he was to recall, “because if I opened my mouth I’d suffocate to death on the dust.”

With iron self-control he kept calm by imagining he was playing endless games of marbles with his eight-year-old brother, Ron.

After that he became a police officer in Stoke, earning a commendation for bravery for disarming a man who was brandishing a shotgun, and another for crawling across a frosty rooftop to drop through a skylight on to an unsuspecting burglar.

In 1964 he achieved his ambition of winning the English amateur championship, beating John Spencer, himself to become a three times world champion, 11-8 in the final at the Central Hall, Birmingham.

A professional career was hardly worth contemplating at the time, as the World Snooker Championship had lain dormant from 1957 until 1964. But after selection for an amateur tour to South Africa he was offered a return visit as a professional and in 1967 took the plunge at the age of 35, in time for the revival of the championship tournament and the advent of BBC Two’s Pot Black. This was a half-hour, one-frame competition that he won twice (1969 and 1979) and that introduced the game and its leading players to new audiences.

Then the world championship ran throughout an entire season of week-long matches, and in 1970 Reardon became champion for the first time by beating John Pulman 37-33 at the Victoria Hall in London. At the City Exhibition Halls in Manchester in 1973, the first time the championship was telescoped into a fortnight, he recovered from 19-12 down to beat Spencer 23-22 in the semi-finals and from 7-0 down defeated Australia’s Eddie Charlton 38-32 to regain the title.

He retained it a year later comparatively uneventfully, but in the 1975 final in Melbourne, Australia, had to make an epic recovery from 29-23 adrift to beat Charlton 31-30. He disposed of the mercurial Higgins 27-16 in the 1976 final at Wythenshawe Forum in Manchester, and in 1978 became champion for the last time at the age of 45 with his 25-18 victory over the South African left-hander Perrie Mans at the Crucible theatre in Sheffield.

He retired to Brixham, Devon, in 1991, later moving to Torquay, but having kept up with contacts on the club scene that had given him his staple income in his early professional days, he continued with exhibitions as well as his summer tours of Pontins holiday camps, a routine he much preferred to the unpaid slog of qualifying competitions.

He is survived by his second wife, Carol Covington, whom he married in 1987, and by two children, Darren and Melanie, from his first marriage, to Susan Carter, in 1959, which ended in divorce.

🔔 Ray (Raymond) Reardon, snooker player, born 8 October 1932; died 19 July 2024

Daily inspiration. Discover more photos at Just for Books…?

[streatfeild]

seriously? people are making ray reardon‘s death about ronnie now?????? i fucking hate each and every ronnie stan so much like. literally. what the fuck

[mariocki]

New Scotland Yard: We Do What We Can (2.11, LWT, 1972)

"I have to be careful."

"You're big and ugly enough to look after yourself."

"Not with this little firm I'm not."

"Which firm?"

"Jimmy Sutton's. He don't believe in straighteners. Goes in for surgery."

"Surgery?"

"Amputation with a sawn-off shotgun."

"Ah. Well, you can always apply for a claim at the Criminal Injuries Board."

"I wouldn't have a leg to stand on, would I?"

[the-casbah-way]

when i was a child my absolute DREAM was to be a snooker player it was like my entire personality up until the age of about eight and sometimes i look back and ask myself why i haven't committed to that yet. all the best snooker players used to just do normal everyday jobs and then play snooker on the side and even though most of them started really young they never got proper successful or famous (not that you can get famous playing snooker these days) until they were like thirty or forty. what i'm saying is watch this space

[thezombiegeekinthehawaiianshirt]

[flashfuckingflesh]

Backyard is Spacious, Green, and has an EVIL Portal to the Underworld! "The Gate" and "The Gate II" reviewed! (Via Vision / Blu-ray)

Better Hurry! Amazon Has a 20% Coupon for This Very Release! Limited to 1500 Copies. The Gate A severe storm brings down Glen’s treehouse, leaving a giant hole in his background.  Discovering what looks to be precious geode rocks, Glen and his friend Terry continue to dig hoping to strike larger, more valuable, geodes.  When they come upon a sizable rock, breaking it open unveils a crystalized…

[northcountrysounds]

Top EP's of 2023

10. Nina Luna - Wish You Were Here

9. Joshua Radin - Though the World Will Tell Me So, Vol. 1

8. Hailey James - Reflection EP

7. Kurt Vile - Back to Moon Beach

6. Hayley Reardon - Changes

5. Sleeping at Last - Bright Sadness

4. Brooke Annibale - Happy Together

3. Honeysuckle - Shadow Dance

2. Zach Bryan - Boys of Faith

1. Joshua Ray Walker - I Opened for the Killers and All I Got Was Appendicitis

[allmyandroids]

Aand just watched Dream Lover and of course I loved it! The character James Spader played was so well and perfectly played by him!!! But also this big and wild ride that bitch made him go thru, made me so mad at her tbh. (Kinda liked him getting "realy" crazy in the end and giving her what she deserved tbh👀)

he was sooo very handsome in the movie and he made me as always, feral ✨️💖

[jimmyspades]

Favorite JS character I’m sorry I could only pick a few for the poll please yell at me if I forgot your guy

[brokehorrorfan]

The Gate will be released on Blu-ray (with Digital) in Steelbook packaging on May 14 exclusively at Walmart for $19.96. Other than the packaging, the disc is identical to Lionsgate's Vestron Video release from 2017.

The 1987 horror cult classic is directed by Tibor Takács (Sabrina the Teenage Witch) and written by Michael Nankin. Stephen Dorff, Louis Tripp, Christa Denton, Kelly Rowan, and Jennifer Irwin star.

Vance Kelly designed the Steelbook art. Special features are listed below, where you can also see the interior layout.

Special features:

Audio commentaries by director Tibor Takacs, writer Michael Nankin, and special effects designer Randall William Cook

Audio commentary by special effects designer Randall William Cook, special make-up effects artist Craig Reardon, special effects artist Frank Carere, and matte photographer Bill Taylor

Isolated score selections and audio interview with composers Michael Hoenig and J. Peter Robinson

The Gate: Unlocked featurette

Minion Maker featurette

From Hell It Came featurette

The Workman Speaks! featurette

Made in Canada featurette

From Hell: The Creatures & Demons of The Gate featurette

The Gatekeepers featurette

Making of The Gate featurette

Teaser trailer

Theatrical trailer

TV spot

Storyboard gallery

Behind-the-scenes still gallery

When best friends Glen and Terry stumble across a mysterious crystalline rock in Glen’s backyard, they quickly dig up the newly sodden lawn searching for more precious stones. Instead, they unearth The Gate — an underground chamber of terrifying demonic evil. The teenagers soon understand what evil they’ve released as they are overcome with an assortment of horrific experiences. With fiendish followers invading suburbia, it’s now up to the kids to discover the secret that can lock The Gate forever… if it’s not too late.

Pre-order The Gate.

[lovelybeautifulsleep]

Homage to Sophia – Inspired by Italian bombshell Sophia Loren, photographer Anna Palma offers a story of sultry yet sweet lingerie looks for FGR’s latest exclusive. Model Lena lounges in alluring selects including sweaters and undergarments styled by Lauren Austin Wood. Bringing a finishing touch to the retro chic ensembles, beauty artist Willow Mayor creates bedroom curls and full eyelashes for the brunette to wear in the dreamy images.

Photography: Anna Palma @ Ray Brown Pro Styling: Lauren Austin Wood Prop Styling: Kerry Reardon @ Ray Brown Pro Makeup and Hair: Willow Mayor @ Sarah Laird Art Direction: Jennifer Hanna Model: Lena @ Muse

[freakingoutthesquares]

Pulp's Guide To Sheffield Words: Gina Morris, Photographer: Louise Rhodes Taken from the New Musical Express, 3 April 1993 Transcription: Acrylic Afternoons

Welcome to Sheffield, home of Sound City '93. Your guides through the historical sights, prime drinking places and doss-spots of steel city are local pop gurus Pulp.

Situated in the 'alternative' area of the city (Division Street), amid the second hand clothes shops and 'in' cafes, is Warp Records, the shop, the label, the empire. Warp is the most important British dance label outside London, responsible for club/chart hits like LFO's 'We Are Back', Tricky Disco's 'Tricky Disco' and Nightmares On Wax's 'Aftermath'. Started back in July '89 by Steve Beckett and Rob Mitchell, Warp has expanded to massive worldwide recognition. Recently they set up an offshoot indie label, Gift, and signed local god-like legends Pulp and hopefuls Newspeak and Various Vegetables.

"This is the safe area of town," says our guide and Pulp lead singer, Jarvis. "You get a lot of grief if you're alternative round certain parts of Sheffield. It's like Pac Man, you have to dodge your way through the centre of town to get to Division Street. Anyhow, this is the shop that started the record labels Warp and Gift, the Warp Empire began right here. Arrgh! There's a large display of our new single in the window."

Renowned in certain circles for their appalling dress sense, Pulp take us to the very heart of lurid-thread city. Freak Boutique, also on Division Street, is just one of a number of shops specialising in gruesome '70s wear.

Jarvis: "We shop here occasionally. The last thing I bought was a pink and purple patterned shirt. Sheffield's pretty good for second-hand clothes. The jumble sales are best because they're the purest form - you don't know what you'll get, the clothes haven't been sifted."

City Hall, aside from housing the council is also a famous heavy metal venue, boasting a sprung Saturday Night Fever-type floored ballroom.

"This is perhaps the only building that has decent architecture in the whole of Sheffield," observes drummer Nick. "The inside is marvellous. They have an indie disco in the ballroom every Saturday night,"

Jarvis: "Sheffield City Council used to be really radical. I remember when the buses were only 10p to go anywhere. That's why buses are mentioned quite a lot in our songs. Anyway, it all stopped in the mid-'80s. There are about six different bus companies now, like Eager Beaver, Yorkshire Terrier... it's, ridiculous - if the driver sees the stop they're supposed to be going to hasn't got any people at it, they change the number and go to one that has. People came from Japan to see our bus service - it was the envy of the Western World."

Jarvis: "Fargate is a pedestrianised area. This was the centre of Sheffield dole culture. In the summer, everyone would go dolestrolling. Sometimes it would take you a whole day to get from one end to the other because you got to know everyone. It was a nice little scene. Then they introduced YTS and it cut off the new generation. It just got older and sadder after that. It was also the place to come it you wanted to put a band together, you didn't bother putting ads in papers, you just walked up and down for 20 minutes."

At the very core of Sheffield's sports culture is the Crucible Theatre. Every year, top potters like Steve Davis and Jimmy White gather to compete for snooker's top prize.

Jarvis: "Yep, this is the famous Crucible Theatre, just off Fargate, snooker central. It used to be the favourite hangout for goths in Sheffield, when goth was the big thing. I'm not sure why, maybe it was because Ray Reardon looked a bit like Dracula."

Castle Square is a weird underground market, off Commercial Street, with an open air 'sun roof', known locally as the Hole In The Road. Once it was the meeting place for tramps and down-and-outs-but-on-the-way-ups. Now the authorities want to get rid of it.

Nick: "We've started the Hole In The Road campaign, the council want to fill it in with concrete, which will mean more people getting run over. We can't let them do it. It's all part of a conspiracy to dispense with the town centre altogether, and move everything out to Meadowhall (a huge shopping complex known locally as Meadow Hell)."

On the other side of the Market there's Ladies Bridge which runs over the River Don, the largest river in Sheffield. It's a beautiful part of the city despite being situated in the centre of the once prosperous, now derelict, steel industry warehouses.

Jarvis: "I went on a very good adventure down the River Don once. I had an inflatable boat and I went from here to Rotherham which is about eight miles away. It was like Apocalypse Now, there was all these factories pouring thick smoke across the water, we got attacked by gypsies and then there was a bloke stood on the river bank trying to shoot fish with an air rifle. It was probably the best thing I ever did. It's good to find an adventure in mundane surroundings. Sheffield is built on seven hills, just like Rome but I think that's where the similarities end."

Nick: "The Wicker is just a street, but it's a very special street. It's difficult to say why, but The Wicker arch was the gateway to all the old steel works. Sheffield's oldest brewery is just there, it always smells of hops round here."

Jarvis: "I used to live round here, in the same warehouse that FON Studios and our rehearsal rooms used to be... and the only porno cinema in Sheffield, Studio 567. I bet you didn't know Bob Marley spent a lot of time in Sheffield, did you? Well he didn't, but there's The Bob Marley Recording Studios anyway. I did once see Sly and Robbie on this road though, that was very bizarre."

FON Studios is Sheffield's most prolific recording house. In 1985 it was the first local commercial 24-track studio and over the fast few years has attracted such luminaries like Ian McCulloch, David Bowie, Yazz, Erasure, James, Altern8 and, erm, Rolf Harris. FON is the centre of Sheffield's music culture.

Nick: "Did you know FON actually stands for F*** Off Nazis?"

Jarvis: 'We recorded the LP 'Separations' here, and 'Countdown', 'O.U.' and 'My Legendary Girlfriend'. They're very nice to us. I can't imagine people coming to Sheffield to record because of its exotic location but FON is the best. It's where all the big names come but it's more a studio for techno acts, you couldn't get a grand piano in here, sorry Elton."

The Leadmill has appeared in the Top Ten venues in the NME Readers Poll every year since it opened in 1980 - not bad for a place that used to flood every time you flushed. Now it has the best venue toilets in Britain (fact) and been described by the House of Commons as a prime example of good business practice. Bands that have graced its boards include New Order, Simply Red, The Pogues and EMF.

Jarvis: "The Leadmill's a pretty important venue, I used to come here a lot before I moved to London. The main bus garage is just opposite and, when it first opened, they had a policy of letting bus drivers in for free. So a friend of mine got hold of a bus driver's uniform and got let in for nothing. It was a good little scam but the trouble was, he'd walk in and all the other drivers would be at the end of the bar saying, 'What route does he do then?'"

Of all the pubs in Sheffield The Washington Public House, just down the road from the Grosvenor Hotel, stands out as a reminder of when public houses were quiet family affairs decorated with the landlady's china.

"This is the only pub left where you don't get grief for looking slightly outlandish," remarks guitarist/violinist Russell. "They don't allow riff raff in here. The bar people are very friendly. If you went into town, you'd notice all the pubs have loud jukeboxes, you can't hear yourself talk. This is a little oasis of sanity."

Jarvis: "It also has a large quantity of tea pots, one of the finest collections in the land. It's a theme but it's for real. It's a '4 real' pub."

[mariocki]

New Scotland Yard: Shock Tactics (1.6, LWT, 1972)

"Nobody's hurt. I went down to get the truth and I got it."

"The truth? Or a conviction?"

"Both. Well, alright, we already knew the truth, but this way we get our conviction too."

"Not 'our' conviction. And the Crown only gets it if this stands up."

"Well, why shouldn't it, it was voluntary. No duress, no threats, no promises."

"That's what you say."