#raw time public access

[pixel00slvt9161]

Raw time!! (Inspo @metalheadgothic on TikTok)

[viviennevincent2]

I'm sorry I can't be HER

[arconinternet]

rAw TiMe (Videos, 90s-00s)

You can watch clips from this Austin, Texas public access TV show here, including compilations here and here (also including cips from CapZeyeZ).

[bellagrohl]

Did I ever post this here

[vampryn]

rip tina rina you would have loved twitch.tv

[transpondster]

[waytray]

this came up on my youtube reccomendations January 5th and it’s really intriguing, i never heard of it before. terrible insults and objectification by most of the callers though it made me wonder what became of the host, and according to reddit she was in highschool at the time and upon graduation she was perusing a career in the medical field 

[absentlyabbie]

seriously, though. i work in higher education, and part of my job is students sending me transcripts. you'd think the ones who have the least idea how to actually do that would be the older ones, and while sure, they definitely struggle with it, i see it most with the younger students. the teens to early 20s crowd.

very, astonishingly often, they don't know how to work with .pdf documents. i get garbage phone screenshots, sometimes inserted into an excel or word file for who knows what reason, but most often it's just a raw .jpg or other image file.

they definitely either don't know how to use a scanner, don't have access to one, or don't even know where they might go for that (staples and other office supply stores sometimes still have these services, but public libraries always have your back, kids.) so when they have a paper transcript and need to send me a copy electronically, it's just terrible photos at bad angles full of thumbs and text-obscuring shadows.

mind bogglingly frequently, i get cell phone photos of computer screens. they don't know how to take a screenshot on a computer. they don't know the function of the Print Screen button on the keyboard. they don't know how to right click a web page, hit "print", and choose "save as PDF" to produce a full and unbroken capture of the entirety of a webpage.

sometimes they'll just copy the text of a transcript and paste it right into the message of an email. that's if they figure out the difference between the body text portion of the email and the subject line, because quite frankly they often don't.

these are people who in most cases have done at least some college work already, but they have absolutely no clue how to utilize the attachment function in an email, and for some reason they don't consider they could google very quickly for instructions or even videos.

i am not taking a shit on gen z/gen alpha here, i'm really not.

what i am is aghast that they've been so massively failed on so many levels. the education system assumed they were "native" to technology and needed to be taught nothing. their parents assumed the same, or assumed the schools would teach them, or don't know how themselves and are too intimidated to figure it out and teach their kids these skills at home.

they spend hours a day on instagram and tiktok and youtube and etc, so they surely know (this is ridiculous to assume!!!) how to draft a formal email and format the text and what part goes where and what all those damn little symbols means, right? SURELY they're already familiar with every file type under the sun and know how to make use of whatever's salient in a pinch, right???

THEY MUST CERTAINLY know, innately, as one knows how to inhale, how to type in business formatting and formal communication style, how to present themselves in a way that gets them taken seriously by formal institutions, how to appear and be competent in basic/standard digital skills. SURELY. Of course. RIGHT!!!!

it's MADDENING, it's insane, and it's frustrating from the receiving end, but even more frustrating knowing they're stumbling blind out there in the digital spaces of grown-up matters, being dismissed, being considered less intelligent, being talked down to, because every adult and system responsible for them just

ASSUMED they should "just know" or "just figure out" these important things no one ever bothered to teach them, or half the time even introduce the concepts of before asking them to do it, on the spot, with high educational or professional stakes.

kids shouldn't have to supplement their own education like this and get sneered and scoffed at if they don't.

[fuckyeahgoodomens]

Good Omens graphic novel update: June 2024

Welcome to the June update. A lot of behind the scenes work at the moment but we're grabbing the travel sweets, popping in the Bentley and hitting the road. More on that below.

Admin

Ongoing reminder that the project FAQ can be found here. 

I pledged using my Apple ID, or no longer use the address my pledge is attached to, or I cannot work out what email address my pledge is connected to. What should I do? Please contact us via your Kickstarter account where the pledge is connected; we will be able to see on our system which address it is. If it's one you have access to, great! The FAQ has information on how to resend your invite link to access the PledgeManager. If it's one you are not able to access, then you can let us know which email is preferred and we can update this on the system, which will automatically send a new invite.

Events

We've had a lot of queries about when the Good Omens team will be attending events more formally, after some Aziraphale and Crowley spotting at conventions we'd been to previously. Well, we're excited to confirm the first: Good Omens HQ will be at ACME Comic Con in Glasgow, Scotland this September.

We'll be bringing the actual-real-life-home-to-Crowley-and-his-plants Bentley from Season 2 of Good Omens, the first time the car has been made available publicly for fans to come see and get photos with, ahead of its journey back to the set and the start of Season 3 filming.

We also see Quelin Sepulveda, aka Muriel, has been announced for the event for some additional ineffable joy.

You can get your tickets for ACME Comic Con here. We hope to see some of you there.

While we won't be rocking up with the Bentley to this next one, we want to let you know about Ineffable Con which, though sold out in person, is also taking place virtually in July. The fan-run event hosts great panels, auctions and more, with money raised going to Alzheimer’s Research UK, in memory of Sir Terry Pratchett.

Where next? We have - not an exaggeration - a list of about 200 events somewhere from when we asked fans this on Instagram and while we can't promise quite that amount of convention attendance, we're certainly looking to do some more things in future with Good Omens at large. Watch this space.  

Good Omens items...

This month has largely seen prototypes and samples for the wider Good Omens merch store arriving, and while we can't share those yet, we are certainly excited to see more fan product suggestions coming to life. That does, however, leave our public item updates a little slim on the ground.

To make up for that, here's some new panels from Colleen:

Also known as, "What could possibly go wrong?" And:

Also known as, "Well why don't you ▇▇▇ ▇▇▇▇▇▇ ▇▇▇ ▇▇!@#▇" or words to that effect, we'd imagine.  

Update from Colleen

Following such a positive response to Colleen's piece last month, bringing you behind the scenes into making the Good Omens graphic novel, we are delighted to say that she has agreed to write something for our updates going forward! For June, she's going more in depth into the process of flatting and the technicalities of colouring on screen vs print. Over to you, Colleen.

---

I mentioned the other month that I use a flatter to help me with technical work on GOOD OMENS, and here is a great example.

This is my original, hand drawn line art.

And this is the flatting file which was created using the MultiFill computer program.

It will put your eyes out.

The raw image above demonstrates how the color art lines up solidly under the line art. If it doesn't do that, you get a weird phenomenon in print called ghosting, a tiny little line of white around each segment of color. I had this issue on one major project and ended up redoing every single color file after I got a look at the first printing. Nearly two weeks of work.

The same image with the line art on top.

The layer order looks like this.

Background copy is the clean, line art layer.

I scan the art at 600 dpi, then make the blacks pure black, the whites pure white. Then I convert back to greyscale, then RGB, then duplicate the layer. Then I delete the white on the upper layer so the line art layer is transparent but the blacks on that layer are not.

If you have blacks on a layer that has been multiplied, you can see slight color through those blacks. You want pure black.

The lower layer is where I use the MultiFill program to create the digital flats. First you use MultiFill to drop in the random colors, then the companion plug-in Flatter Pro to make those colors seal under the black lines.

This probably sounds like a silly thing to worry about, but if the flat colors don’t line up perfectly under the black line art, you get the dreaded ghosting I mentioned. You can see it below in this image. It’s a tiny little white line that will appear around the black lines and color areas.

This drives me nuts and is an absolute nightmare to fix.

It’s a very common problem, especially for people who work for web and don’t anticipate the problems going from web to print.

What looks great on your computer can cause big problems in print.

From here, my flatter Jul Mae Kristoffer, who is way over in the Philippines, does flatting that is more in keeping with the areas of color I want to isolate. As you see on Layer 1.

But again, this is still pretty ugly, and not what I would use for final color. Flatting is a technical issue, not a creative one, though in some cases a flatter will make choices you may use. Most of the time they don't.

Here is my final color page.

Sometimes my MultiFill flats are so wonky I have a hard time getting my brain to snap out of what I see before me. If I get stuck, it's a good idea to just pick at it and come back to it later.

If it really, really bothers me, I’ll take the MultiFill flatter layer and desaturate the color so it doesn’t poke my eyes out.

Here’s an example. The digital flat file.

The desaturated flat file that doesn’t make me want to poke my eyes out.

And the final color.

Sometimes I just put in a solid white layer so I don’t see the flats at all. Flatting is there to allow you to easily pick spots to color in, and doesn’t usually appear in the final work.

Sometimes I want to create my colors using transparent color over a white ground, which is more delicate in the final.

Here’s an example from Neil Gaiman’s American Gods. I also selected all black line art here and converted it to sepia to give it a vintage look. Except for the fairies. They’re green.

A colorist must also consider color settings.

Different clients can have different requirements. I find these color settings, which I got from the Hi-Fi Studio, to be pretty solid. I use them as my default for all my projects unless otherwise requested. If your publisher has other settings, they’ll usually send you a csf file which you can upload to Photoshop. The program will save your files and you can just switch between them as you need them.

This tells the printer things about the paper and the spread of the ink you will use. That’s what dot gain means - it makes printed color look darker than intended, so you set up your files to account for it.

When you hover your pointer over each box, it will tell you what each setting is supposed to accomplish.

Another really important thing to consider when coloring comics is color range.

I’m coloring this book in RGB range, but for print you use CMYK.

I’m about to confuse the heck out of some people with this post, I’m afraid. But here we go.

Here is this shot in RGB color setting.

And here is the same page calibrated for print in CMYK.

The biggest shift is in the reds. Print cannot match those reds.

You may not see much difference here, but it’s the sort of thing that drives artists crazy.

A computer should be perfect for conveying exactly what you want, right? It's all just 0's and 1's, binary information, and that information should be the same from one computer to the next?

Nope. Not even close.

First off, computer monitors must be calibrated. You can use a computer program or a tool that measures the color on your computer screen and then adjusts the color to an industry standard.

Have you ever been in an electronics shop where a bunch of TV shows were on display, all of them playing the same show, and have you noticed how different the color was from one TV to the next?

It's like that.

I freely admit I don't pay a whole lot of attention to calibration, but if I were a professional photographer I would. I'd have a little spectrometer attached to my screen and software would adjust my monitor to the best possible standard range. As it is, I just use the default setting on my computer and hope for the best.

If your monitor is properly calibrated and your art is shown on another monitor that is properly calibrated, the art will look almost identical from one monitor to the next.

YAY!

But from one monitor to the next, that's about where the resemblance ends.

Colors are calibrated to something called RGB, or Red, Green, Blue.

All colors come from a mix of red green and blue. At their greatest intensity, all the colors in the spectrum together become pure white light.

This is why RGB is called ADDITIVE color, because you ADD colors from the spectrum to get ALL colors, and all colors create the entirety of the rainbow, and pure white light.

Your computer monitor, your phone, your television, all images are created via light using RGB, a gamut that covers all possible colors that can be created.

That's a lot.

And that's why some of the colors you see on your TV or phone are so deep and intense.

For the widest possible range of color and intensity, you use RGB.

Unfortunately, there is what you can create with light, and then there is what you can create with pigment or ink. And that is why printing what you see on your computer almost never looks exactly like what you see in a book.

For printing, you must use a color setting known as CMYK. This stands for Cyan, Magenta, Yellow and Key/Black.

In printing, the pure blue is actually Cyan and the pure red is actually Magenta.

CMYK color range is not created by addition, but by SUBTRACTION. In order to get the color you want, you reduce the percentage of one of the four colors for ink mixing. Mixing all colors, instead of giving you white, gives you black.

The gamut of CMYK is limited to what can be created with ink.

You've probably heard the term four color press? This is what that means. Four colors, with each color of ink run over the paper on rollers which, combined in varying layers of opacity, create all the printing colors you see.

But remember, what you see on your computer monitor and what CMYK gamut can handle are two different things.

Now, I’ve been really careful with the color settings on Good Omens, so there haven’t been any big surprises, but let me show you a snippet of a project I did for the French fashion house Balmain.

The RGB version:

And then this shot after it was converted to a CMYK file for print.

That's a pretty big difference.

Now, you see this shift mostly with vibrant colors, such as that pink there. But other colors hardly changed at all, right?

That's because this issue is about range of color. CMYK and RGB occupy a shared range which you can see demonstrated by this graphic I got from Wikipedia.

The graphic shows the RGB ranges supported by various digital formats. SWOP CMYK is the most common range my publishers use. Note that the bounding box line shared by the RGB and SWOP CMYK formats shares about half the range space. So whatever RGB colors you use that are outside that range will be digitally converted to the smaller SWOP CMYK range.

And you may not like what you end up with.

As you can see, some of the most ethereal and intense colors get lost outside of the SWOP CMYK boundary.

A look at the Dark Horse Comics color settings in Photoshop. Theoretically, this information should prevent your art from looking like mud on publication.

Now, after I just told you the dangers of coloring in RGB then converting to CMYK for print, I tell you I am coloring Good Omens in RGB anyway. There’s a couple of reasons for this.

Remember, RGB give you a greater range of color, so it can be to your advantage to preserve your original files using a format that gives you the greatest range.

Again, here is the unaltered file.

You can see what the CMYK result will be simply by clicking the Proof Colors button here. This will show you how the art will convert.

And the Gamut Warning will show you which colors are out of gamut range for print.

The intensity of that magenta and that purple in the top right are not going to print true.

This is how it will look in final.

So even if you do what you think is perfect color on screen, there is no way it can perfectly convert to print. Almost everything will involve a little bit of compromise.

Even though you have to consider the color shift issues, preserving your files in RGB gives you greater wiggle room, especially if you get lucky someday and get to work with a printer who can print in 6 colors. Or maybe some technology you don’t know about will pop up and make printing super glorious. Who knows.

Regardless, you should keep an eye on that gamut and color for CMYK print, while preserving your master files in RGB.

Until next time.

[zipper-neck]

Trans Rules of Engagement

By Florence Ashley

Strong communities make us all safer. As anti-trans movements gain in power and influence, holding space for each other through our flaws remains critical. Yet the very conditions that create our need for community care make it hard for us to care for each other. We are raw, wounded, traumatized, and hypervigilant. We make mistakes brought on by fear and hurt. We lash out at each other when we do wrong, often partaking in pile-ons facilitated by the synchronous nature of online interactions. Whether we realize it or not, we often exclude trans people from community when they need it most.

I have lost count of the number of trans people I have seen cast out of online trans spaces for misdeeds both major and minor—far too often with my help. I sometimes find myself wondering where they are now and whether they are still alive. Because, as Kai Cheng Thom has taught us, social death often means real death for trans people. Trans communities are life-sustaining in a world that hates us so, so much. In a world that wants us dead. We have lost too many people not to stop and think about how we can foster life among each other.

This goal I have for myself—that of fostering life—motivates the following principles and rules for engaging in online intra-community conflicts while preserving the life-sustaining spirit of our communities. Countless times have I failed to heed these principles and ignored these rules. This failure, which many of us share, is precisely why I now want to lay these principles and rules down on paper. If only as a reminder of my aspirations. The principles and rules are meant to be adopted for oneself, not imposed onto others. Their purpose is to foster productive engagement, not create even more conflict and rigidity. I hope that this will be a living document, and invite you to make your own version if you would like. Borrow what is useful, supplement with what is needed, alter what can be improved.

Some, and perhaps all, of the principles I acknowledge are false, hence the need for a living document. Each of my suggested rules have exceptions. In setting them out, I am staking a claim as to the sort of myths and half-truths that are necessary to sustain life in a world that wants us dead. We must treat them as true if we wish to foster life-sustaining communities and survive the hellscape we belabor.

Principles

1. We are all flawed, traumatized humans at the end of their rope. Many of our actions say more about the conditions we live under than who we are as people.

2. No one is disposable. No one is unsalvageable.

3. Life holds greater value than being right or comfortable. Hurt is preferable to death.

4. No one should be deprived of community.

5. Harm does not require further harm. Punishment does not equate protection or healing.

Rules

1. Do not depart from these rules, unless you have to.

2. Morgan M. Page’s Rule: Try to avoid criticizing other trans people in public. The world does it enough already.

3. Favor in person or private conversations: Addressing someone’s comments or actions in person or privately is typically more constructive and effective. It allows you to communicate more cogently and with more nuance problems in someone’s actions or words and because it is less likely to make them react defensively from a place of trauma or fear.

4. Take your time: Few things require an immediate response. Responding while caught in a surge of thoughts and feelings is often unproductive. Ask yourself how much harm was done, versus how much we are reminded of an earlier harm. Ask whether your response is rooted in misperception or potential biases towards the person due to race, disability, gender, or other marginalized identities. Consider whether their words or actions reflect a different kind of thinking or communication style, a lack of access to education, or limited access to progressive communities and norms. You can respond tomorrow, once you have collected your thoughts, talked to others, and gained perspective.

5. Don’t mob: Be aware of group dynamics. Ask yourself if you are connected to this person and in community with them. Avoid jumping into the fray when others are already criticizing the person. Do not invite others to join in and mob them. Withdraw if others join in, and kindly ask people to stay conscious of mobbing dynamics. Mobbing rapidly grows out of proportion.

6. De-escalate: Focus on de-escalating conflicts. Ask what people mean or want, and why. Ask them for clarification or elaboration if needed. Ask yourself if you know enough about the context of the situation. Distinguish the action from the person, and acknowledge that it is normal to respond defensively or aggressively to public criticism and mobbing. People are traumatized, mentally ill, and are scared of losing the little social support they have. As a result, conflict can trigger a fight-or-flight response in both those who are criticized and who criticize, which leads to escalating conflict and ends in a loss of community. Dropping the conversation to return at a later date is preferable to escalation. Often, I find it best to limit myself to three replies in conversations that aren’t constructive.

7. Respond proportionately: Responses to words and behaviours should be proportionate to their harm, and reflect a need for healing and protection rather than punishment. When we speak from a place of hurt, we can understandably but unfortunately forget the measure and impact of our response. Use language that reflects the nuances and gradations of harm rather than a coarse good and evil binary. Cutting all social support and community banishment are rarely a proportionate response, even for someone who doubles down and does not apologize. Responding proportionately is asking first and foremost what response sustains rather than dissolves life. Especially when it comes to words, it is better to under-react than to over-react.

8. Ensure support for everyone: Check in on those who are criticized and those who criticize them. Remind people that we are all in this together, and that banishment is not how we work as a community. Everyone deserves to have their needs met. Do not shun or reproach people who offer support to those who were criticized or called out. Distinguish supporting a person from enabling their behavior.

9. Hold space for people to grow: Allow space for people to be accountable, change, and move on from previous conflicts. Do not hold past behavior over people’s head, nor dig up past misdeeds to fuel present conflicts.

10. Resolve conflict and harm as a community: We must ask how our communities enable and cause hurt and harm, and find ways to transform the conditions that create them. Holding accountable, problem-solving, and conflict resolution are functions that should be taken up by the collective, not isolated and unsupported individuals.

11. Center those most hurt or harmed: Focus on supporting and empowering people who are hurt and harmed rather than on punishment. Ask what they need to be safe and integrated in our communities, while committing to support for everyone; what they need to repair their relationship to the person who hurt or harmed them. Focus your involvement on bringing people together, fostering dialogue and mutual understanding, and restoring a sense of community togetherness, rather than deciding who is right or wrong.♦

[taylorswiftstyle]

Out and about | New York City, NY | September 6, 2024

Undress Code 'No Promises Bodysuit' - $159.00 Louis Vuitton 'Coussin BB Bag' - $4,150.00 The Row 'Classic Leather Belt' - $590.00 Louis Vuitton 'Donna High Boot' - $2,760.00

If I had to describe my own personal fashion wheelhouse, I would say it sits closer to neutrals and classic/polished cuts. An outfit that involves all black, a blazer, and boots? Sign me up! While in my own life I ordinarily wouldn’t reach for a mesh bodysuit … on a NYC date night - I’ll accept it. Encourage it, even! The sheer quality of this bodysuit actually reminds me of the Tortured Poets cover and how those clothes communicated a feeling of powerful, sensual, and raw vulnerability. An ownership over something intimate. Choosing what exactly to make public and what to keep a little veiled. This new-to-her brand also represents two of her signature style pillars: the high/low and indie designers. This is when Taylor will mix high end brands with more accessibly priced pieces (often from smaller, lesser-known labels like this Polish brand whose cheeky name references their predominantly sheer offerings that largely centers on lingerie and bodysuits) for an inspirational/attainable blend. 

Taylor has often gone back to an all black look for dinner nights out. And who can blame her. I lean on all black all the time when I want to feel polished and chic. Texturally, I thought this was a really well-played outfit. The differences in material and feel prevent an all black look from feeling too one-note. Between the mesh of the top, the silk of the blazer, and the embossing of the bag and boots the outfit has tons of movement and interest. Even all using the same colour! And in terms of metallic styling, there’s a motif of gold in all her hardware that keeps things cohesive.

Illustration by Amelia Noyes

[monacodarling]

Cant stop thinking about how paradoxical Charles and Max are I mean the narrative is there right but

Max growing up in a harsh condition—almost to the breaking point. Wanting nothing but to be the best. Conditioned to be alone. Used to being lonely.

Charles growing up in a loving family. Support from the family, having friends, growing up with different people hes still friends with today.

Max growing up under public scrutiny. Nothing like a famous father whose expectations you have to live up to. You can say he was born to race. That was his sole purpose.

Charles growing up wanting to be the best. The adoration and belief and faith from his family.

Max finally drawing boundaries with his own father. Christian and other people stepping in. Years of understanding. Finally in F1 in Red Bull.

Charles and his grief. One loss after the other. Finally in Ferrari, although a bit too late.

Max and his teammates—Carlos, and Daniel, and Pierre, and Alex, and Sergio. Some people he really start to let in, and be genuine friends. People like Lando start to come in. His demeanor slowly changes as people get to know him who he is and his love for animals.

Charles and his teammates—Seb and Carlos. Seb as someone who’s gotten to know what it’s like living with grief. Grief being a part of you. How much promises and faith weigh you down. Charles is very accessible. Kind and open to people. But he holds most at a distance. Like this is only where you get to only know me. This as far as you can go.

Max, doesn’t care what the public thinks, used to him being painted the villain, as someone who is angry and mad and raw all the time. But proves you can be as hungry and greedy as you can be, and only have a few people at your back. He’s fine with it. He’s used to be alone, he’s genuinely grateful of the people who’s been with him through thick and thin over the years. At the end of the day, he does things for himself. Because if being the best is his purpose in life, to make people happy, then that’s what he’s going to be. And if he’s tired of being the best, he can go because he knows there are people no matter who he is, they’ll be there.

Charles slowly suffering with the burden of the tifosi’s faith, his promise to Jules, his dad, to Anthoine. Charles wanting to be hungry and greedy but can���t stand of losing someone, of people abandoning him. Like I feel the more reckless and desperate he gets, it’s because he’s pushed by his own want. Sometimes what he needs to do and who he needs to be versus who he really is messes up his own vision of what he wants. He needs to be the best because it is a debt to be paid. And as long as it goes unpaid, he ignores the blood, he ignores the pain, he ignores the gnawing loss and sadness because he deserves it. He’s not winning, and he keeps on losing, and he is afraid if he’s unable to win, people will leave him. It’s either he leaves first, or he makes people leave, or in the end, he’s sure that people will leave him. He doesn’t know how to be alone.

Max with the faith in himself.

Charles’s faith of others towards him. Never from himself.

And I think that’s beautiful.

[mariamakeslemons]

Kinktober 2024: Day 15 Gloryhole/Teasing

Warning: Reader is AFAB, Reader is objectified by Price and Soap, sex work, the unenviable situation of being recognized by your ass in public

You almost wish you had brought a book, tapping your nails against the bench you’re laying on. Every idiot who’s come to you so far is a two-pump-chump, barely getting you wet enough before shoving it in and cumming in the supplied condoms. You’d been meaning to re-read the Sandman graphic novels, maybe bring those in?

Suddenly, a pair of hands find your ass and spread your cheeks, startling you a little. Despite the wall, you turn your head and arch a brow behind you. Thick fingers trace up your slit, thumbing a little at your asshole, before the pair of hands holding your ass lets go and the fingers retreat. There are at least two people out there, probably men from the feeling of the fingers. Feather-light touches trace along your exposed skin, making you squirm a little and your pussy to clench a little. Rough hands settle back on your ass, this time squeezing the cheeks in their palm. You squeak, jumping when someone continues to delicately trace patterns into your skin while the other hands pull your cheeks apart again.

Then, warm breath flows over your pussy. You tense when a tongue prods at your pussy, keening when it slides in to help slick you up. Faintly, you hear something being said, but it’s heavily muffled by the wall, which makes you a little curious of who’s on the other side. Mostly, you want more, the fingers dipping into your pussy as the tongue continues to lap at your pussy and clit. Your legs are shaking, gasping with each pass of the wet muscle while a finger twists and fucks you. You’d been toyed with by the idiots before, never enough for an actual orgasm and barely enough to make you wet enough to actually fuck you. Whoever’s on the other side of the wall is doing so much more than even your exs, as an orgasm rushes through you. The moan you let out is embarrassingly loud, and you wonder if they heard you on the other side, especially when the tongue is pulled away.

-----------------------------------------------------------------------------

Price smirks, amused at the puppy dog look Soap is giving him. The Sergeant is covered in your slick, fisting his cock desperately as he kneels level with your pretty pussy.

“Y’ think you’ve been good enough?” Price asks with a tilt of his head.

“Yeh, Ah’m good,” Soap starts rambling, “A good dug. Please, Ah wanna treat. Ah’ve been good!”

“Alright,” Price sighs, grabbing the man’s head and shoving his face back into your pussy, “Eat ‘er out again, make ‘er wet, then I’ll fuck you while you fuck ‘er.”

“Yessir, thank y’ sir,” Soap moans, eating you out like a man starving. Price finally lets his hair go and undoes his own pants, grabbing two condoms and rolling one over his cock. Normally, he’d fuck his boys raw, but this is a place of business, even if the business is sex. He’s not going to leave a mess and lose access, especially when someone with as lovely an ass as yours is here. Soap is whimpering like a dog, one of his hands spreading your pussy open while the other is jerking his cock, pausing to squeeze at the base, holding off his own orgasm. Your legs tense and a faint moan leaks through the wall as Soap gets another coating on his face of your slick. The younger man stumbles to his feet, moving to press his drooling cock into your fluttering pussy, only for Price to stop him.

“Wrap it up, y’ muppet,” Price scolds, pulling him back to roll on the condom. Soap whines a little, but stays still enough to allow Price to put on the condom, before pressing into your slick pussy. Again, a faint moan is heard from through the while, going higher when Price pushes into Soap’s pretty ass and getting a moan from him as well. Price presses a kiss to Soap’s cheek and takes control, by fucking his boy to fuck you.

----------------------------------------------------------------------------

Laying your head on the desk of the bookstore, you thank every God and thing that allows you to sit and recover from your other job. After the pair of men, you had to be let home early due to the aggressive sex, although they had tipped you generously. Sighing, you raise your head and blink at the customer that seems to have just appeared out of nowhere. The man stares down at you with bright blue eyes, his shaggy mohawk trying to touch his eyebrow, with a tall stack of books.

“Oh, sorry,” you apologize, taking the books from him to start scanning, “Did you find everything alright?”

“Yeh,” he says, staring at you intently. You press your lips together, more than a little unnerved by his focus on you. Instead, you look at the books he’s gathered.

“I’ve read this one,” you tell him, raising up the book with a grin, “One of my few nonfiction books, it’s pretty funny.” He doesn’t respond, still staring at you seriously. Your smile drops and you return to scanning his books.

“Soap, you found everything?” an older man asks, a few books in his hand as he looks at the man you’re checking out.

“Yeh,” the man repeats, still staring at you. The older man, with a distinct beard and mustache, frowns at the man’s behavior and cuffs him on the head. The younger man yelps and turns to look at the other man, finally letting you breathe. He whines, “Why’d ye hit me?”

“You were freakin’ out th’ poor clerk,” the older man replies.

“But, Captain, tha’s ‘em!” the younger whines, “The prettiest puss Ah’ve ever ‘ad!” You choke, nearly dropping the book in your hand as the older man cuffs him again.

[horror-sapphic]

NSFW ALPHABET | WANDA MAXIMOFF

a/n: Sorry for any errors, I barley checked over this.

Cw: NSFW themes (18+)

A — ( aftercare ) - Wanda LOVES to lay on your chest/ having you lay on hers, depending on how rough it got between you two, the night will end with a simmer in the tub before bed.

B — ( body part ) - On you, Wanda loves your hands, constantly craving to be held and touched by them. She daydreams about them wrapped around her, your pretty painted fingers spreading her folds open to get more access to her eager clit.

C — ( cum ) - When she takes control, she loves to make sure you're overstimulated until your swollen pussy is so sensitive you can't even close your legs. Then she leaves you in bed, squirming in your own cum.

D — ( dirty secret ) - When she's out doing chores/at work, she looks around for all the places she can bend you over to fuck you in public.

E — ( experience ) - You both have equal experience, but she's definitely a bit more "skilled".

F — (favorite position ) - She loves watching you bounce and ride her cock, looking down to where it connects inside of you just to watch it slide easily in and out of your soaked pussy and using her thumb to rub over your raised clit peaking out. She loves grabbing your hips to help you keep your rhythm. While taking turns sucking on both of your tits.

G — ( goofy ) - She can be pretty unserious during sex, the only time she's not is when she's in domme mode.

H — ( hair ) - She loves to pull on yours when you eat her out, or when she’s in full Domme mode she loves to pull on it as a way to keep you put.

I — ( intimacy ) - She loves morning sex when it’s just the two of you hazily getting each other off with a gentle touches , soft slow breaths against one another.

J — ( jack off ) - When you're away she'll definitely tune into the homemade tapes you both decided to make a while back, furiously rubbing against her aching clit to the sight of you cumming against her in the videos.

K — ( kink ) - Calling her mommy when she fucks you dumb turns her on more than she'd like to admit, having you whimper out that name while on the brink of cumming on her command just makes her want to ruin you.

L — ( location ) - Everywhere in the house you can think of, Wanda has yet to take you out and have people pass by while she plows into your leaking cunt.

M — ( motivation ) - Sitting back and watching you do things around the house can get her started.

N — ( no's ) - The thought of sharing you with anyone is a hard no for her, you're hers and hers only.

O — ( oral sex ) - Her favorite way to wake you up in the mornings, and to put you to sleep. Her mouth is always fixed on the clit of your pussy, flicking and sucking about.

P — ( pace ) - Oh fuck. When Wanda wants to, she can drag fucking you out for hourrrs. She loves to edge you, watching you on all fours with your cunt literally dripping onto the sheets while you desperately rock back and forth trying to get her to slip back into you.

Q — ( quickie ) - Just like she can go as long as she wants to, she can go pretty fast too. Just pummeling into your pussy fucking it raw to get you off fast, and hard enough to the point where you end up going nonverbal for a little.

R — ( risk ) - Has yet to be risky but wants to, be later in the relationship.

S — ( stamina ) - Going all through the night won't faze her, it's you who has to take a break from her.

T — ( toys ) - Using toys is a common thing in the bedroom for you guys, all sorts of strapons/dildos, plugs, vibrators. You too are constantly using them on each other or on yourselves.

U — ( unfair ) - She loves to tease, she will leave you dripping, waiting for her to come back and make you cum after doing various house tasks.

V — ( volume ) - You always end up louder than you want to, but there have been times when Wanda lets you top and she's the one squirming and whining to come. She can get pretty loud.

W — ( wildcard ) - There is never a dull moment in your sex life with her, she's always making you reach new heights, whether that's making you squirt for the first time, having you take anal for the first time, having you be the one to give her strap (which was your first time), or cumming over and over again until you felt like you melted into your bed.

X — ( x-ray ) —

Y — ( yearning ) - She always wants you to be near her, whenever you're not, she'll look through her photos of you. Until the two of you are reunited.

Z — ( Zzz ) - She enjoys watching your chest rise and fall after a long session, this eases her to sleep but you'd be the one to fall asleep first.

[aenemix]

ZHONGLI x READER

Minors do not interact! 🔞 Smutty

Zhongli bends you over, fucking you aggresively that no words could form in your mouth but the sound of your whimpers and moans. Trailing a couple of kisses in your back as he repeatedly thrust in and out hitting that exact spot that made you squeal over and over from over stimulation the more he presses it.

"angh~ ahh" you moaned biting your lips.

"don't try to hold it darling, let me hear it" Zhongli whispers seductively. He knew you were trying to hold it out as much as possible, afterall the both of you were in a public bathroom.

Initially, you wanted to go to the bathroom yourself to do some personal business but Zhongli being the over protective husband that he is decided to accompany you. Who would have thought he have other plans as well.

You brought your hands to hold out his arms when you felt like your knees would give in soon.

"Z-Zhongli~ t-too much~" you stuttered with that lovesick eyes.

"I know darling, I know. Can you endure it for me please??" he pleaded, as he pounded again that made you almost scream from pleasure.

You tried to let out another word when his hand traveled down to your lower region and rubbed that sensitive nub that have you over the heaven.

" Zhongli!"

You bit your lip, clamping on his thick c*ck. He hissed with that action and let out a animalistic growl.

"fuck, that almost made me c*m darling" he groaned.

His golden eyes stared at your messy figure but he love it knowing he was the one behind it. Instantly, he raised your left leg allowing more access. You were once again in a lower position and as soon as he left your sensitive hole, you almost let out a relief. However, Zhongli thrusted once again pressing you against the wall. Your left leg in the air as his c*ck ravage your insides like no tomorrow.

There was a lot of squelching sounds accompanied by moans and groans. But none of that matters as Zhongli punded over and over again, making you a solid mess. Tears formed in your eyes but it was due to pleasure and over stimulation.

"Darling.. My love.." he groaned and bit your neck gently, leaving a trail of purple hickies.

You could sense that he was almost there and you too were in your closest climax, again.

"Zhongli... I'm c-c*mming" you told him with half lidded eyes.

"Me too darling.. Me too" he presses you once again, reaching your farthest insides that you swore to yourself you saw a bulge in your lower abdomen.

His c*ck throbbed.

"fuck.." he hisses

"I'm close too" you moaned out

"I don't want to end this..." he begged as he tried slowing his pace

"But you have to Z-Zhongli... Else other people might walk in on us" you tried convincing him as you swallowed a deep breath.

A knot formed in your stomach, a sign that you're almost there and Zhongli knew it too.

Though he was guilty of fucking you for 2 hours in the bathroom but he was not regretting it nor was he sorry for it. For now he will have to halt.

Nodding his head in agreement. He decided to just fuck you raw and leave you more into a moaning messed until both of you reaches climax.

"I love you Zhongli" you told him as you pressed your head in his bare chest

"I love you too darling" he answered kissing the top of your head.

In his head, he was planning to continue the activity back home and this time, he will make sure you wouldn't be able to walk in the next few days.

[weaselle]

Let's dream. These are the things i think should be provided to the public for free

Food Centers:

it's not fancy and there's not a high variety, heck it's basically just rice, beans, some fruit juice, and the vegetable of the month, but you can go to any food center and get, for free, the baseline nutrition you need for staying alive and healthy. This food is available, for free, in any amount, in both raw and cooked forms, as Food Centers are both storage and cooking facilities. Some diet alternatives are made available for those with, for example, allergies or food related mental issues, tho this may require registering with whatever Food Center you plan on visiting ahead of time. And of course baby formula, baby food, and clean water.

Public Hospitals:

And yes this includes ALL medical treatments physical or mental. Any person, at any time, for any reason, can walk into a Public Hospital and receive the best medical care available. No paperwork (i mean they do keep your medical records on file etc but there is no paperwork for the patient to fill out). No hoops, no proving anything, no barriers to entry, nothing -- you enter a hospital, you receive medical care, period. Medical transport and mobile medical staff available as needed. Unlike with food, there is no "free tier" because anything less than the best medical treatment available is a crime against humanity. Possibly publicly available bathing facilities attached.

Public Housing:

Government built apartment complexes, first come first served, if it's empty you can move in. All you have to do is register, so that you don't go on a trip and have people move in because the place seemed empty. Probably some regulations like you can't register for more than one permanent residence, maximum of bedrooms equal to the number of people registered plus one, but you can have a temporary second apartment on a weekly basis, subject to availability - so like, you can go on a trip for a week, and then extend the trip by a week, and then maybe you want to extend a third week and you get told sorry there are now people waiting for a permanent residence in this area, temp residence at this location is no longer available until new housing units are completed. Something like that.

Information.

This is basically free school (through college) but i call it Information because I believe internet access and libraries, and press/public broadcasting also belong on this list

Clothing:

It isn't high fashion, it might be little more than socks, shoes, blankets, and government issued jumpsuits in hot and cold weather variants, but nobody is going to be left without clothing if they need it. Probably a small distribution center attached to each Food Center. People often forget about this one, but it's important.

Public Transportation:

what it says on the tin. Comprehensive, networked, including something like a (free) taxi program attached to train depots servicing rural areas that lack infrastructure or population density for even busses (so like, there might not be a train station in Lewistown Montana, but you can still get transported to Billings and catch a train)

BUT HOW WILL WE PROVIDE / PAY FOR THESE THINGS?

glad you asked

first of all there will still be taxes, because there will still be jobs, because almost nobody is going to want to wear the government issued jumpsuits and eat nothing but rice and beans. These things will keep you alive and healthy, but almost everyone is going to want their favorite foods and to be dressed fashionably, etc etc etc. You'll have hobbies you want to pay for, you'll have special dates you want to go on, people will want to live in their dream home... humanity is going to WANT THINGS, and so there will still be work and pay and money and taxes. There will even still be rich people and poor people if economic ladders are your kink, it's just now nobody will ever die of being poor. And if this is what we're getting, i do not care if the taxes are at like 65%, as long as the wealthy and the corporations are paying it too, but let's try to get it done for 50% for easy math. And we don't have to do all that complicated shit about this person should only pay less than that because they are poor or whatever, because a person could have zero money and still be basically ok. Just. 50% across the board.

BUT ALSO. We have resources. Do you know who owns all the offshore oil? Do you know who owns all the national forests that get logged for wood? We do. It's pubic property that our government leases to private companies to sell us back our own stuff. So maybe we should handle our resources differently.

AND. Labor. I've written about this before, but, i say instead of the unending argument about military spending, we increase the military budget, but we use them as a public work force here at home. Only about 10% of the US military is combat personnel. The other 90ish percent have jobs like Forklift Operator, Computer Engineer, Doctor, Mechanic, etc. So let them have some more funding, and let's get them building our government housing and staffing our Food Centers etc.

And sure, it probably wouldn't work perfectly, it would need constant management and innovation to continue to function. But it's not like our current system is working very well, right? Current system sucks so much that in Chicago alone every year senior citizens die because they have to choose between freezing or paying for their medicine. So we don't really have anything to lose. I mean most of us don't anyway. Might take some pitchforks and torches to convince the corporate oligarchy, the political puppets and their billionaire puppeteers.

oh, and