#raw time public access
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pixel00slvt9161 · 6 months ago
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Raw time!! (Inspo @metalheadgothic on TikTok)
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viviennevincent2 · 4 months ago
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I'm sorry I can't be HER
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arconinternet · 2 months ago
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rAw TiMe (Videos, 90s-00s)
You can watch clips from this Austin, Texas public access TV show here, including compilations here and here (also including cips from CapZeyeZ).
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bellagrohl · 1 year ago
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Did I ever post this here
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vampryn · 9 months ago
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rip tina rina you would have loved twitch.tv
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transpondster · 9 months ago
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waytray · 1 year ago
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this came up on my youtube reccomendations January 5th and it’s really intriguing, i never heard of it before. terrible insults and objectification by most of the callers though it made me wonder what became of the host, and according to reddit she was in highschool at the time and upon graduation she was perusing a career in the medical field 
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absentlyabbie · 1 year ago
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seriously, though. i work in higher education, and part of my job is students sending me transcripts. you'd think the ones who have the least idea how to actually do that would be the older ones, and while sure, they definitely struggle with it, i see it most with the younger students. the teens to early 20s crowd.
very, astonishingly often, they don't know how to work with .pdf documents. i get garbage phone screenshots, sometimes inserted into an excel or word file for who knows what reason, but most often it's just a raw .jpg or other image file.
they definitely either don't know how to use a scanner, don't have access to one, or don't even know where they might go for that (staples and other office supply stores sometimes still have these services, but public libraries always have your back, kids.) so when they have a paper transcript and need to send me a copy electronically, it's just terrible photos at bad angles full of thumbs and text-obscuring shadows.
mind bogglingly frequently, i get cell phone photos of computer screens. they don't know how to take a screenshot on a computer. they don't know the function of the Print Screen button on the keyboard. they don't know how to right click a web page, hit "print", and choose "save as PDF" to produce a full and unbroken capture of the entirety of a webpage.
sometimes they'll just copy the text of a transcript and paste it right into the message of an email. that's if they figure out the difference between the body text portion of the email and the subject line, because quite frankly they often don't.
these are people who in most cases have done at least some college work already, but they have absolutely no clue how to utilize the attachment function in an email, and for some reason they don't consider they could google very quickly for instructions or even videos.
i am not taking a shit on gen z/gen alpha here, i'm really not.
what i am is aghast that they've been so massively failed on so many levels. the education system assumed they were "native" to technology and needed to be taught nothing. their parents assumed the same, or assumed the schools would teach them, or don't know how themselves and are too intimidated to figure it out and teach their kids these skills at home.
they spend hours a day on instagram and tiktok and youtube and etc, so they surely know (this is ridiculous to assume!!!) how to draft a formal email and format the text and what part goes where and what all those damn little symbols means, right? SURELY they're already familiar with every file type under the sun and know how to make use of whatever's salient in a pinch, right???
THEY MUST CERTAINLY know, innately, as one knows how to inhale, how to type in business formatting and formal communication style, how to present themselves in a way that gets them taken seriously by formal institutions, how to appear and be competent in basic/standard digital skills. SURELY. Of course. RIGHT!!!!
it's MADDENING, it's insane, and it's frustrating from the receiving end, but even more frustrating knowing they're stumbling blind out there in the digital spaces of grown-up matters, being dismissed, being considered less intelligent, being talked down to, because every adult and system responsible for them just
ASSUMED they should "just know" or "just figure out" these important things no one ever bothered to teach them, or half the time even introduce the concepts of before asking them to do it, on the spot, with high educational or professional stakes.
kids shouldn't have to supplement their own education like this and get sneered and scoffed at if they don't.
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maladaptiveobsession · 1 month ago
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“Magic pocket pussy”
Synopsis: DOL NPCS acquiring a magical pocket pussy synced to you.
Contains: afab!gn!reader, discipline, multi penetration, noncon, overstimulation, somnopihlia, toys
Words: 588
A/N: I only differentiated yandere!sirris from his normal conterpart as he is the only character I can imagine having drastically different behavior for this particular prompt. You can’t convince me Gwylan isn’t cooking up magic (probably illicit substances as well) in their shop. Something about them feels underlined with nefarious intent. I’d like to flesh out this concept with some of the characters at some point; there’s so much nuance and potential.
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Abuses the hell out of it
With access to your cunt at all times, your pussy will be consistently puffy and raw from abuse. He’s stuffing you with cock whenever the urge strikes, torturing you with toys when his dick can’t keep up with his libido. He purposely teases you at inconvenient times. Watching you struggle to maintain composure in public is his favorite pastime. Most nights you wake up to the feeling of an invisible cock dragging along your gummy walls. If for whatever reason he can’t torment you at night, the pocket pussy is being stuffed with a vibrator so you wake up drenched in the morning. He’ll insert random objects throughout the day of various sizes and shapes, all to watch you squirm. Sometimes he’ll cram the largest dildo he can find inside to see you waddle around town in discomfort. He’s likely to fill the silicone hole with a dildo or vibrator of some sort—possibly both or even multiple of each—and then fuck you for real with the toys still inside. Really though, seeing your reactions is his favorite part of all. While your real pussy will always reign supreme, there’s a charm to watching you break apart without even actually touching you. The fleshlight is just so convenient.
➥ Anxious Gaurd, Briar, Kylar, C!Sydney, Leighton, Morgan, Quinn, Scarred Inmate, Whitney, Wren, yan!Sirris
Generally only when you’re not available
He doesn’t usually care for toys (why bother when he has you), but this one is an exception. It’s hardly a replacement for the real thing, but he can at least admit the convenience is alluring. It’s not all too often it gets used, but there are times when he misses you and can’t resist. It’s just so easy to punish you for being away for too long or simply to remind you of them. He could always just shove a vibrator inside and forget about it if he feels like it. Watching you fall apart without touching you proves enjoyable, as well. There’s a possibility he could even order a custom dildo, a replica of his length, to stuff the silicone cunt with, so you seek them out sooner. No chance you can forget about him when you can’t even sit. This opens the possibility of double stuffing you using only their dick. The longer you avoid them, the less patience and willpower they’ll have, therefore being less likely to wait.
➥ Alex, Avery, Bailey, Black Wolf, Eden, Great Hawk, Gwylan, Harper, Landry, Methodical Gaurd, Niki, Relaxed Gaurd, Remy, Veteran Gaurd, Zephyr
Only once in a moment weakness
He’s rather unlikely to use any toy, let alone a magical onahole. Just owning the thing feels like a breach of trust, but they can’t risk having it fall into anyone else’s hands. It sits in a drawer, hidden away until he eventually forgets about it. It’s not until he’s humping a pillow in the pitch dark of his room that he remembers it exists. He’ll scold himself, suddenly too ashamed to feel horny. Days will go by, constantly plagued by curiosity. When he finally concedes, apologies will spill from his lips as he rocks his hips into the silicone. It feels so good, and he wonders if you’re feeling the same. More than that, he wonders if the real thing—the real you—feels this good. His orgasm is the most intense he’s ever felt, electricity taking over him and his essence flooding the silicone imitation of you. The post-nut clarity is potent, mortifying. He’ll avoid you for some time after that, unable to even look you in the eye for even longer. Shame creeps along his spine like a parasite, vowing never to lose control like that again. Below the guilt, desire grows and bites at his willpower. Who knows how long it’ll be before he gives in again?
➥ Charilie, Darryl, Doren, P!Sydney, Jordan, Mason, Mickey, River, Robin, Sam, Sirris, Winter,
Bonus
The likely creator of said pocket pussy
➥ Gwylan
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norikuna · 23 days ago
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you have one (1) new notification from ticketmaster 🎫 ‼️ minors dni!
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choose your seat ! each section represents a different story, a once-in-a-lifetime performance from your favourite stars ♡
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section a — gojo satoru (JUST MEET ME AT THE) APT ! (POSTED 02/12) front row seats to the world's most charming spectacle. tumble back into bed with that random, gorgeous stranger you met at the bar, amongst cheap tinsel and broken baubles.
section b — geto suguru (POSTED 06/12) BED CHEM ! a cozy and private balcony view, where you decline any and all rsvp invitations this year, forgoing the hustle of christmas eve parties. what's better than staying in bed?
section c — ryomen sukuna (14/12) PLEASE PLEASE PLEASE ! welcome to the vip lounge, cordoned off by velvet ropes. it's time to introduce your slightly...less than personable boyfriend to your friends, and hope he behaves in public!
section d — choso kamo (18/12) LAST FRIDAY NIGHT ! the quiet corner booth where love is held in the hands of your best friends, those that you adore the most. let's just hope you can face him after you downed a bit too much wine last week, and told him that you wanted him bad.
section e — toji fushiguro (24/12) THAT'S SO TRUE ! the standing pit, where everything is raw and electric! you can only hope that the hot man next door feels the same as you do, but it's hard to keep your cool when you see him out in the snow with another woman. what does she do to get him off that you can't?
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WANT A VIP TICKET? get exclusive access to every stop on the christmas tour!
comment below, send a dm or an ask to be added to the taglist and secure the best seats to all the holiday magic!
please ensure your account is able to be tagged!
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mr-cha-n · 6 days ago
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Through the Lens
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Pairing: Jeon Wonwoo x fem!reader
Genres: Smut, fluff, photographer x model AU
Warnings: Swearing, alcohol, sexual content, penetration, nudity
Word Count: 12.5k
Summary: Six months. Full access. Intimate photos. A glimpse into the world of celebrity. And the last thing Jeon Wonwoo thought he was signing up for.
A/N: Publishing a draft, but I hope you enjoy it anyway!
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The email arrives at the most inconvenient time, as all important emails do. Wonwoo had spent the entire day at the studio, taking newborn photos of a client’s latest chow chow—"latest" being bolded because this was the third time this year that he’d been called in for this client’s endless stream of puppies. By the time he’d finished, his body was ached raw from awkward angles, and his mind was numb from a six-hour editing marathon. He only managed to drag himself back to his flat after the sun had long since dipped below the horizon, craving the sweet refuge of solitude. 
Alas, he was dragged through a two-hour catch-up session with his flatmate, Mingyu, who, with his never-ending supply of caffeine and chatter, somehow managed to convince him to watch a movie about a guy who falls in love with his childhood friend who is also a ghost. (No, it didn't make sense, but Mingyu enjoyed it, and Wonwoo had long given up trying to follow his logic.)
By the time he collapses onto the couch, half-dead from human interaction, the email is waiting. 
"Subject: Assignment Confirmation: (Y/n) (Y/l/n)."
He groans as he clicks it open, his finger hovering over the delete button, ready to toss the whole thing into the digital voice. Then he reads the first line:
"Dear Mr. Jeon, we are pleased to confirm that you have been selected as the official photographer for the upcoming feature on (Y/n) (Y/l/n), world-renowned socialite and philanthropist."
"What in the world..." Wonwoo mutters. He doesn't even really remember submitting his name for this, and he's shocked he'd ever consider it. Wonwoo has long made a mental vow to avoid people like you - socialites, celebrities, influencers - whatever you call them. In the world of photography, they are all the same: walking photo opportunity with zero personality and way too much drama. Perfect for paparazzi, but not something he has time for. 
He's a quiet, detached observer of the world. He doesn't need to be a part of it.
But the email continues:
"We have full confidence in your ability to capture the raw and humanising side of Ms. (Y/l/n), giving our readers an intimate glimpse into her life, both public and private."
Raw? Humanising? Intimate? Which magazine is this again, the National Geographic?
His eyes flicker back up to the top of the email, growing wide as he sees the sender. Well, shit. Opus Magazine. He does remember applying for this, although, in his defence, they hadn't specified the subject of the op-ed when he'd submitted it. 
"We are excited to have you on board for this project, which will span the next six months. Your first shoot is scheduled for next Thursday, at 10 AM, at Ms. (Y/l/n)’s residence. We look forward to seeing how your unique perspective brings this project to life.
Thank you for your time and commitment.
Best regards, The Editorial Team Opus Magazine"
Wonwoo leans back, tilting his head toward the ceiling as if the world would offer him an answer. It doesn’t.
In all fairness, he has never actually met you before. But he's seen you everywhere. The perfectly curated Instagram feed. The charity galas. The interviews. The way you seem to be exactly what everyone wants you to be: flawless, effortless, untouchable.
A three-page approval form for every photo, he assumes. 
The door to the living room creaks open. "How are you not asleep yet?" Mingyu says cheerfully, poking his head in. Wonwoo glances at the clock on his screen: 2:43 am. He chooses not to point out that Mingyu's still awake too.
"I've been assigned to photograph (Y/n) (Y/l/n) for the next six months." Wonwoo grumbles, tapping his phone screen as if he could wipe away the whole thing with a swipe.
Mingyu's eyes widen in surprise. "Wait - (Y/n) (Y/l/n)? As in Forbes Under 30 (Y/n) (Y/l/n)?!"
"Yes. That one." Wonwoo replies flatly, eyes narrowing. "Six months. Full access. I'm going to want to die halfway through."
Mingyu looks delighted, clearly missing the gravity of the situation. "Ooh, this is going to be so fun! You're going to be all glamorous and -"
"No. No, I'm not," Wonwoo interrupts. "I'm going to hide behind my camera and take photos of her from so far away that she doesn't even know I'm there."
“Yeah, okay, Mr. Anti-Social. But—” Mingyu plops down beside him, grinning. “—what if she wants to get to know you?"
Wonwoo turns to him, unamused. "It's a professional gig to make her look good; she won't want me digging into her real life."
Mingyu, without missing a beat, grabs a bag of chips and shoves them into Wonwoo’s lap. “Just saying. People don’t come with Instagram models and high-profile gigs attached unless there’s something extra special about them, right? Maybe she’s a hidden gem.”
"Hidden gem?" Wonwoo scoffs. "Or a nightmare in designer shoes."
It doesn’t take long for Mingyu to bombard him with unsolicited advice. “... here’s my tip for you. Don’t just take boring photos. You know what’s going to make her stand out in the sea of perfect socialite portraits?” He paused dramatically. “Unfiltered moments. Catch her when she’s off guard. Capture her when she doesn’t know she’s being watched.”
Wonwoo shoots him a deadpan look. “What, you mean like stalking her?”
“I prefer the term artistic observation,” Mingyu replies, grinning mischievously. “Trust me. You’re going to fall in love with her vulnerability. You know, the real her. The one she hides behind all the glam.”
Wonwoo shakes his head, already regretting this conversation. He’s not even met you, and here Mingyu was, crafting an entire narrative of undiscovered depth based on nothing but a couple of well-lit photos.
Still, his finger hovers over the accept button. 
Six months. Full access. Intimate photos.
Maybe he should just ... get on with it.
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Wonwoo hasn't actually met you yet and he's already regretting his decision. 
He's spent the past week alternating between panicking and ignoring the dozens of emails for your team, each one more frantic than the last. First, they sent a detailed itinerary of the shoot, followed by an even more detailed list of instructions on what he should wear, when to arrive, and what colour lens he should use for "optimal lighting" - as if he didn’t know how to work a camera by now.
9:00 AM, Inbox:
“Subject: URGENT: RE: Ms. (Y/l/n)’s Preferences for the Day”
“Good morning, Mr. Jeon,
I hope you're prepared for today’s shoot! Please note that Ms. (Y/l/n) prefers a soft light filter on all images, especially when she’s not directly posing. We’ve attached a sample of how she likes her candid photos to look (it’s very specific). Do ensure that you have the required lens, and if you have any questions, don’t hesitate to reach out.
Best, Assistant to Ms. (Y/l/n)’s PR Team.”
Wonwoo stares at the email for a moment, blinking. Soft light filter? Do you breathe, or do you simply exist in a perpetual soft-focus glow? His finger hovers over the "delete" button, but he refrains. He already knows this is a battle he’s not going to win.
He takes a deep breath and forces himself to get up. He throws on his jacket, feeling the weight of the situation pressing down on him worse than when he submitted his final portfolio at college, and the project hasn't even begun yet. There's no escaping now. He has to do it - he's been hired for this. Paid for it, too, which means he's legally obliged to at least try.
He arrives at the shoot location just before 10 AM: a sprawling, minimalist mansion that looks like it's been pulled from the pages of an interior design magazine. It's sleek, modern, and incredibly intimidating. The atmosphere is slick with an 'unapproachable luxury' vibe, and Wonwoo can already feel the tension in his shoulders as he steps out of his car. 
A member of the PR team greets him immediately, smiling far too brightly for someone who's probably already been working since 5 AM. "Mr. Jeon! So glad you could make it. Please follow me inside, Ms. (Y/l/n) is just getting ready.”
Wonwoo nods, trying to maintain the calm he doesn't really feel, muttering a "thank you" in response.
Inside, everything is sleek and spotless - nothing out of place, nothing too personal. Like no one's ever lived here. He's brought to a sitting room where the lighting is admittedly perfect. Almost too perfect. He's not used to working in these conditions. He's used to having to fix things last minute, create something out of nothing, or use the imperfections to his advantage. A soft hum of quiet chatter fills the air, and a stylist is busy adjusting something behind the curtain.
He doesn't know what he's expecting as you walk out. Maybe someone a little more ordinary, a little less polished than the figure seen in magazines. He's worked with models before, and they've always been so normal outside of shoots. But when you step into the light, it's like the room takes a collective breath. You're impossibly beautiful, even he can admit that, in that "perfectly put together, but effortless charming" way. Your smile hits him like a tidal wave, all dazzling teeth and liquid confidence, and for a split second, he forgets why he's here. 
He opens his mouth to speak, but what comes out is a dry, “Hello.”
You tilt your head slightly, looking him up and down with eyes that seem to see everything. “I’ve heard a lot about you, Mr. Jeon,” you say, your voice smooth, almost teasing.
Wonwoo feels a flutter of unease in his chest, though he’s not sure why. It’s not like he hasn’t worked with famous people before, and yet something about you—something about the way you look at him—feels like an interrogation.
“Ah, well,” he stammers for a second, clearing his throat, “I… I hope it’s all positive.”
The smile on your lips doesn’t waver, but there’s something almost too sharp about it. The kind of smile that’s practised, like you’ve been wearing it since you were a child in front of mirrors, learning the exact angle for maximum charm.
“Oh, absolutely. You’ve got quite the reputation,” you say, as if it’s an afterthought. “They told me you’d be professional.”
Professional. Right. Because that’s exactly what he is. He’s always professional, no matter how much he wants to roll his eyes at the utter insanity of the situation. 
He offers a stiff nod. “Good. That’s what I’m here for.”
You smile again, but this time it’s softer. There's a flicker of something in your eyes, almost like amusement, but also curiosity. For a moment, Wonwoo wonders if he's just a novelty to you, something to poke at for fun. Or maybe you think you’re the novelty here, and he's just another player in the game you're used to winning. Either way, he can feel the weight of that gaze, and it’s not entirely comfortable.
You take a step closer, and Wonwoo resists the urge to take a step back. It’s like you have this gravitational pull—magnetic, impossible to ignore. But he’s not going to let that faze him. His eyes stay focused on your face, trying not to let your presence throw him off his game.
“So,” you say, tilting your head slightly, “what’s your plan for today? I’m assuming I’m not just going to stand here all day and look pretty?”
It's a light question, but he can hear the expectation in your voice. He’s used to people expecting things. It’s just—well, usually, it’s an email with 10 bullet points, not an interrogation delivered with a smile.
“I’ll take a few shots first,” Wonwoo replies, keeping his tone neutral. “Get the feel of the lighting. Then we’ll see if we need anything more posed.”
You nod, and decide the conversation is over, floating back over to the set.
Wonwoo lifts his camera, adjusting the settings to give himself a moment to settle down.
You stand still, not quite posing, but perfectly aware of your body. Everything about you seems calculated. Even your fingers, relaxed at your sides, seem to fall into the right positions at just the right time. It’s strange, though, because you’re not the robotic kind of poised he’s used to. There's a subtle looseness to you, a humanity that he doesn't expect.
“How does this work?” you say after a beat. “You just take my picture and call it a day?”
Wonwoo focuses on adjusting the lens, trying to suppress the slight frustration that’s bubbling up. He doesn’t want to be here. He doesn’t want to take your picture. All he wants is to get the job done and move on.
But instead, he clicks the shutter. One, two, three shots in rapid succession. The light catches your face in a way that’s almost too good to be real, too perfect for anyone to be this unfailingly photogenic.
“Relax,” he mutters more to himself than to you. “Just act natural.”
You tilt your head again, this time a little more playfully. “Natural?” You raise an eyebrow, a soft chuckle escaping you. “I’m afraid I’ve forgotten what that is.”
Wonwoo’s finger freezes over the shutter, and he looks at you again, the barest hint of annoyance tugging at the corner of his mouth. “Oh, I’m sure you can manage."
You laugh then, a light, almost mythical sound, and for a moment, the tension in the room eases just enough for Wonwoo to breathe. “I’ll try. But no promises.”
He clicks another shot, and for the first time, something in his chest loosens. It’s not much—just a tiny shift—but it’s there. You’re... interesting.
“Tell me, Mr. Jeon,” you ask, your voice low. "I'm intrigued as to why you decided to do this shoot. What's your opinion on people like me?"
Wonwoo lowers the camera, the question catching him off guard. “What do you mean?”
You shrug, your gaze flicking toward the window, your expression momentarily unreadable. “People who live in the public eye. People who everyone thinks they know, but don’t. What’s your opinion on that?”
“People like you don’t need opinions,” he says, his voice flat, “because you already know how everyone feels about you.”
He’s being sharp. Cold, even. And he knows it. But he can’t help himself. This isn’t the first time he’s worked with someone who expects the world to revolve around them. It’s what they do. It’s why he keeps his distance.
You don’t react immediately. You just stare at him for a moment, your expression unreadable.
For a split second, he wonders if he’s crossed a line. But then your lips twitch, just the slightest hint of a smile.
“Well,” you finally say, your tone warm but still guarded, “I suppose that’s one way to see it.”
Wonwoo wants to say something else, maybe something witty or sarcastic, but he stops himself. Instead, he lifts the camera again, focusing on the next shot.
No matter how much he tries to bury it, Wonwoo can’t help but feel... a little intrigued by you.
Just a little.
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The second shoot is at your apartment. 
Wonwoo had been floored when he'd found out - although the spotless nature of the first home had kind of given away that it wasn't actually yours. More than that, the fact that he, despite meaning to have creative control over the project, wasn't told that the purpose of the first shoot was to show a contrast between how people thought you lived and how you actually lived. Seemed like something he should have a say in.
As he arrives, the reality is different to what he'd imagined, and the opposite of the slick, minimalist mansion. 
Your apartment is, in a word, alive. The first thing that hits him is the colour. Bright hues of teal and mustard yellow leap off the walls, the kind of vibrant tones that feel like they belong in a 70s sitcom. The entire place seems to be a throwback to a cooler, bygone era, as if time itself was gently bent to live in this space. Mid-century modern furniture clashes with bold retro patterns—geometric prints, zigzags, and polka dots galore. 
The space is wide and open, but it’s not the sterile kind of open that’s all white walls and cold metal. No, this is a living, breathing room that demands attention with its quirk and charm. He prefers it.
The walls are covered in vintage posters from concerts, movies, and random ads from the 60s and 70s—faded, but still full of energy. One poster catches his eye in particular: it’s a photograph of an old jazz band in action, the colours almost washed out but still vibrant in their intensity. He notices that it’s not framed, just tacked on with mismatched pins as though it was thrown up without a second thought. It’s a detail that makes him think you probably chose it on a whim.
At the far side of the room, there's a vintage bar cart—wooden, with brass accents, stocked with various bottles and a large glass decanter that catches the light as though it’s waiting for its next cocktail to be poured. A small but proud collection of classic board games, with bright, cheerful colours that look like they belong on a childhood shelf, sits close next door. 
Despite the space being filled with vintage charm, there’s a kind of organised chaos to it all. The floor might have an old rug with faded patterns that don't quite match the couch, and the coffee table—half-full of magazines, books, and a stray mug—couldn’t be called tidy, but it’s the kind of mess that makes the space feel lived-in.
The thought makes his stomach twist uncomfortably.
You lead him inside, wearing a loose, earthy sweater and faded denim jeans, a marked contrast to the polished image he’s gotten used to seeing in magazines. You still look beautiful, but comfortable. Not model-perfect. 
“You can set up wherever you’d like,” you say casually. Your voice is warm, and easy-going in a way that’s almost disarming.
Looking around, he realises for the first time that none of your team is here. And, weirdly, it unsettles him.
He finds himself pausing for a moment when he notices a worn book sitting on the coffee table, the edges curled with time. He’s always had a soft spot for books, the way their covers could tell so much about the person who owned them. And that book? It’s clearly one you’ve read over and over.
His fingers hover over his camera lens for a moment, and before he can stop himself, he mutters, “You read a lot?”
You glance over, surprised. “Hmm?”
“The book.” He gestures vaguely, “It looks well-loved.”
You laugh softly, a short, pleasant sound that makes his chest tighten in a way he doesn’t fully understand. “Oh, that? It’s nothing, really. Just something I found at a little bookstore in Paris. I’ve read it a million times, but... sometimes, it feels like you can always find something new in the pages, you know?”
Wonwoo opens his mouth, but no words come out. It's almost spinning his head around - the way that you're mixing together something so casual like a well-worn book with the detail that you got it in Paris. There's this weird grating of human and celebrity that he doesn't know how to deal with.
You seem to notice the shift in his gaze, your smile becoming a little softer. But instead of explaining more, you walk over to the window and lean against the frame, glancing outside. “So, how do you want to do this today?” you ask, clearly trying to get back on track.
Wonwoo nods, snapping himself back into work mode. “Let’s start with some natural shots,” he says briskly, pointing to the light streaming in through the window. “You can stay by the window, maybe. I’ll catch the light.”
You agree without hesitation, sitting down on the frame. 
The shots begin. You sit, your eyes thoughtful but distant, as if lost in some thought. He clicks the shutter a few times, and the room is silent except for the rhythmic sound of the camera.
The more he shoots, the more he finds himself paying attention to the small things. The way you absentmindedly twirl a lock of hair between your fingers. The way your posture softens after a few minutes, like you’re forgetting he’s there, and yet still poised.
The next shot clicks, and you look up at him, catching his eye. 
“Is that good?” you ask, breaking the silence.
He swallows, feeling a slight tension in his throat that wasn’t there before. “Yeah. Yeah, that’s perfect.”
The words come out without thinking, and he can feel his cheeks flush slightly at the sincerity with which he says them. He's fiddling with his camera settings again, trying to adjust the light for the shot, as you sidle over to the small vintage record player near the window. The soft crackling sound of a jazz record fills the air. 
He doesn’t expect it when you suddenly speak, your voice soft but with an underlying curiosity.
“So,” you say, not turning around, your fingers gently tapping against the edge of the record player, “I’ve been wondering… you’ve been pretty quiet this whole time. Not like the others. Why is that?”
Wonwoo glances up, caught off guard. “What do you mean?” He doesn’t look at you directly, still adjusting the focus on the lens, anything to avoid eye contact.
“I mean,” you laugh lightly, spinning the record player’s dial, “everyone else I work with is always talking. About work, about their lives, about whatever’s trending—people like to talk, especially when they’re nervous. You’re the only one who hasn’t said much about anything.”
There’s an open quality in your tone, no judgment, no pressure, just curiosity. And for some reason, that makes him feel even more exposed than if you had pried into his personal life directly.
“I guess I’m not a fan of small talk,” Wonwoo mutters, setting the camera down a little too abruptly, feeling a tightness in his chest. “I don’t really need to fill the silence.”
You turn to face him then, and for the first time, he notices how unguarded your expression is. There’s no fake smile or calculated pose—just an interested look.
"I get that," you say, your voice now quieter, almost thoughtful. "But... do you ever feel like you miss out? I mean, silence is... great, but it’s also really lonely sometimes, isn’t it?"
"Not really,” he says, not meeting your gaze. “I’m fine with being on my own. I’ve always preferred it.”
You tilt your head, studying him with an intensity that makes him shift uncomfortably. "You know," you say, taking a step toward him, your voice soft but deliberate, "I always thought I’d be fine alone too. It's funny how we get so used to being surrounded by people, by noise, by the ‘right’ kind of company—when, in the end, it’s really the silence that’s the most honest."
Your words sink into him, a little unexpected, a little disorienting. There's a weight to them—like you’ve really thought about this. 
“And what’s that supposed to mean?” he asks, his voice less guarded, almost teasing, but there’s an edge of curiosity there too.
You pause for a beat, a soft smile playing on your lips. There's something mischievous in the way your eyes twinkle. "Well," you begin, you're voice light, "what I mean is that maybe the real stuff gets lost when you get too good at hiding behind the quiet."
He raises an eyebrow, but before he can reply, you finish with a playful, almost theatric sigh: "Or maybe I'm just trying to get you to talk. You know, because I certainly don't want to be the only one in the spotlight in this room. It's exhausting, really."
He can't help it—he laughs. A quiet, breathy sound, but it’s real. Something about the absurdity of it all. Something about the way you deflect it all with that charming, nonchalant smile.
"You're a work in progress," you grin wider, eyes narrowing. "But I'm going to crack you open."
Wonwoo is still chuckling, a disbelieving snort of laughter he can't hide. He leans back in his chair, running his hand through his hair as he studies you with a wry smile. "Yeah, well, I’m not sure I’m the one who needs cracking open," he says, his tone half teasing, half resigned, as if he’s already lost the battle.
You pause for a moment, surprised that you've actually got him joining in on your jokes. But you don't press. Instead, you give him a sideways grin and lounge out over your statement, mustard couch. "Tell me, Mr Jeon - do you still think your opinion of me doesn't matter? Should I go back to hiding behind the perfect image for you to capture what everyone else already thinks of me?"
Wonwoo chuckles, shaking his head. He can’t deny that something about you has started to chip away at his carefully cultivated indifference. "I don’t think you could ever hide, even if you tried."
The jazz record continues to hum in the background, and Wonwoo starts to wonder if he's finally found something worth shooting beyond the lens. 
When he makes it back home, the camera bag feels heavier than usual, and the moment he closes his front door, he's hit when the familiar sense of quiet. 
He dumps the camera bag on the kitchen counter and heads straight for his desk, flipping open his laptop with the enthusiasm of someone who’s about to dive into hours of editing. The usual dread of looking through the pictures fades as he opens the files. He didn’t think he’d be so invested in this shoot, especially not with you, of all people. But the truth is, the moment he starts scrolling through the shots, he’s a little bit stunned.
There are candid moments of you, captured so naturally. Your hair falls in your face as you laugh at something he barely remembers, the light coming in through the window bathing you in that soft golden glow like you were born for this. The quiet, unguarded moments—your fingers absentmindedly tapping against the coffee table, your eyes softened with a thought he’ll never fully know.
He doesn’t realize he’s holding his breath until the shot where you’re sitting by the window, gazing out at the street, completely oblivious to the lens. It’s raw. And weirdly, it’s beautiful in a way he didn’t anticipate.
With a sigh, he leans back in his chair, running a hand through his hair.
And damn it, now he’s got to figure out how to keep it professional when all he wants to do is scroll back through these photos of you for the next few hours.
He grabs his coffee again, takes another sip, and mutters under his breath, "What’s the point of professionalism, anyway?"
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Wonwoo is not thrilled about attending the gala. In fact, he's pretty sure if he could just get lost in the crowd and pretend he's not there, he would. But, alas, work. He's there, standing awkwardly by the hors d'oeuvres table, holding the camera like it's a shield. The entire place is dripping in opulence - golden chandeliers, champagne towers, and a sea of glittering gowns and tuxedos so shiny they could be mistaken for mirrors.  It's the kind of event where everyone’s either a billionaire or pretending to be one.
And then, of course, there’s you.
You move through the room like you've got a personal spotlight, laughing with people he's never heard of, shaking hands with people he has. The dress you're wearing is stunning, too, naturally - deep emerald green, with a neckline just high enough to make it look elegant but low enough to make him briefly question his entire career as a photographer. He should be focused on the job. But you're flashing that perfect smile, chatting with rich old men and influencers alike, completely different from the version of you he saw in your apartment just a week ago, laughing over a worn book.
He watches you interact with the other guests, a dance of small talk, well-placed compliments, and calculated interest, and suddenly, he feels like he’s been shrunk down to the size of a cockroach. If someone took a photo of him, An intruder in your world would be the title. The camera, which he thought would make him feel a little less out of place, feels heavy in his hands, as though it might give away the fact that he’s just not meant to be here.
You glance in his direction, catching his eye from across the room. He freezes. He can almost hear you sighing internally before you offer a small, knowing smile.
"Mr. Jeon!" Your voice floats toward him over the clink of glasses and high-pitched laughter. "How are we doing? Getting some good shots?"
He stares at you, blinking. You’re asking him in that casual, sweet tone that’s just different from your “public persona” voice. It’s like a crack in the glass, and he suddenly feels... disoriented. The contrast is so stark that for a second, he forgets how to respond.
"Uh—yeah, I mean, everything’s fine," he stammers, adjusting the camera lens like it might offer him some sort of escape from his discomfort. "Just, you know. Capturing the glamour." He motions vaguely at the glittering scene around him, feeling more awkward by the second. His fingers hover over the shutter button, but they hesitate.
You laugh, a polite, rehearsed sound. "Ah, yes. Glamour. The thing I do so well." You flash him a smile that could melt diamonds and suddenly he feels like he’s about two seconds away from accidentally snapping a picture of his own nervous breakdown.
The silence between you stretches just long enough for him to feel like the entire room is waiting for him to speak. He clears his throat. "It’s... different, isn’t it? Here?"
You tilt your head slightly, raising an eyebrow, as if trying to gauge whether he’s joking or not. "Different?" You laugh again, but this time it’s more self-deprecating. "I guess. But it’s what I’m used to. The lights, the faces. I mean, it’s all a bit much sometimes, but..." You trail off, and for a second, it feels like you're letting something slip.
But then someone else approaches you, pulling you into a conversation about some charity auction or art gala (he stops paying attention, realising he’s been trying to capture your attention too long), and just like that, the moment is over. You slip right back into the role, offering another perfect smile, your body language straightening, as if you’re suddenly filled with all the energy you didn’t seem to have a second ago.
The space feels suffocating all of a sudden, and Wonwoo wonders if he should have stayed home, maybe edited a few more of those photos, or gone for a walk—anything to avoid being a part of this gilded zoo. He looks through the lens, catching another shot of you laughing with an older gentleman, your hand resting lightly on his arm. 
A loud crash breaks through the air.
Wonwoo's head snaps in the direction of the sound, instinctively lifting the camera as if it's somehow going to make sense of the situation. 
He spots a waiter, wide-eyed and mortified, standing frozen next to a toppled champagne tower. Glasses are shattered everywhere, a sea of bubbly liquid spilling across the pristine white carpet like some kind of modern art installation.
The room falls into a hushed silence.
He can feel the collective tension, the people who’d been laughing and chatting a second ago suddenly stiffening in disapproval. Someone gasps—probably just for dramatic effect—but the truth is, everyone’s too rich, too important to react with anything other than mild disdain. A few uncomfortable glances are exchanged, and one of the older men starts muttering under his breath, his hands clutching his glass like it’s a lifeline.
And then, like someone flipping a switch, you’re there.
You glide through the crowd with a purposeful ease that makes everything else fade into the background. People part for you as though they know exactly what you’re about to do. The smile that had been plastered on your face during the earlier conversation is gone, replaced with a soft, serious expression, one that’s sharp in its concern.
"Excuse me," you say, your voice suddenly commanding but not unkind. Wonwoo can tell the waiter is waiting for the blowout, the yelling, the anger - but it's not there.
"It's alright, don't worry. It's just a few glasses. Are you hurt?"
The waiter shakes his head, and you kneel down beside him to start gathering up the broken shards of glass with careful motion. "Let me help, then."
The people around you are still hesitant, staring awkwardly, unsure whether they should step in or just stand back and pretend like nothing's happening. But you’re focused on the task at hand, moving with precision, completely unaffected by the sea of disapproving looks that surround you.
Wonwoo finds himself frozen again, his camera half-raised. His finger hesitates on the shutter button, unsure if he should capture the moment. You don’t seem to care about the image you're creating, not in the way you do for the cameras. Here, you’re just someone helping out, unbothered by the chaos unfolding around you. 
After you finish clearing up the last of the glass, you stand up and dust your hands off, flashing a quick smile to the waiter, who looks completely relieved. You stand tall, taking in the now-silent room with a playful glint in your eye.
“Well," you say, wiping your hands on your dress, "I always knew I was good at breaking the ice, but I didn’t think it’d be literal this time."
The room goes quiet for a beat, and then, just like that, a few people start to chuckle. Someone claps lightly, another offers a small cheer, and the tension evaporates into a burst of laughter.
You throw your hands up in mock surrender. "Alright, alright, don’t all applaud at once. Just trying to keep things interesting around here."
With that, the conversation picks up again. The guests move, shift, and suddenly, the night feels like it’s back in motion. Wonwoo watches from a distance, surprised at how quickly the entire atmosphere shifted. You just defused the room with a smile and a joke, as if it had all been part of the plan.
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"Hey," you're walking up to him, stepping into his personal space as the final whirlwind of flashing cameras wraps up an evening of too many glasses of champagne and handshakes that feel more like a chore than a greeting. "What are you doing after this?"
Wonwoo looks up, startled. "Uh, I… well, I was just going to head back. Got a few edits to finish up," he mumbles, scratching the back of his neck.
You tilt your head, studying him with a slight grin. "That sounds like fun," you tease. "But I’m guessing it’s not exactly going to be a good time."
He pauses, feeling almost embarrassed for a moment, before shrugging. "I guess I could skip it."
A small beat of silence passes between you, and then you speak again, quieter this time. "You know," you start, your voice softer than before, "if you don’t have anything better to do... I’d, uh, actually kind of like to go out. No fancy people, no cameras. Just… I don't know, something normal."
Wonwoo looks at you for a beat, wondering if you're asking him to go with him, as the corners of his lips twitch upwards. "You mean no red carpets and champagne?"
You laugh, soft and genuine. "Exactly," you say, your voice laced with a touch of vulnerability. "Just, you know, being normal for once."
The way you say "normal" almost makes it sound like a forbidden word in your world, and Wonwoo feels a flicker of something.
"I’m in," he says, the words slipping out before he can think too much about them.
You give him a small, almost shy smile. "Alright. You follow me."
It’s an hour later, and you’re driving through the city, the sound of the tyres on the road mixing with the faint hum of the radio. You didn’t tell him where you were going, just that it was "something fun." Wonwoo’s pretty sure you’ve never driven anywhere that didn’t require a driver, but here you are—on a small, crowded street near the heart of the city, pulling up to a diner with neon lights flickering like they haven’t been replaced in a decade.
"This place?" Wonwoo asks, looking out the window at the 24/7 diner with its retro sign and low-key vibe.
"Yep. We said normal, right? Well, this is as normal as it gets."
He raises an eyebrow, but before he can protest, you’re already getting out of the car, leaving him no choice but to follow.
Inside, it’s a whole different world. The diner smells faintly of coffee and fried food, and the clink of mugs and chatter of a few late-night patrons makes the place feel strangely cosy. There’s a jukebox in the corner, and despite the place being stuck in a time warp, you both sit down at a booth, the vinyl seats creaking under you as you slide in.
You both sit in comfortable silence for a few minutes, the normal kind of silence that feels more like breathing than awkwardness. And then, finally, you speak.
"You want to know something crazy?" You say, looking down at the menu, though you made it clear in the car that you've already memorised it. 
Wonwoo looks up, his brow furrowing slightly as he nods.
"This is probably the first time in a while I haven't felt like I have to perform. Which is, actually, crazy. Because I'm hanging out with a professional photographer who's being paid to capture every moment of my life." You let out a disbelieving scoff, your lips curling into a grimace-like smile.
"I get that," he replies, his voice softer than he expects. "It's different for me too. I'm not sure I remember the last time I spoke to any of my friends, other than my flatmate, who insists that we have a catch-up meeting every day."
You chuckle, the crinkles of your smile flattening out. 
The waitress arrives, interrupting for a moment, and you order a milkshake without hesitation. He orders something random, revelling in the thrill of not thinking too much about anything.
"I get lonely sometimes," you say after your order arrives, so quietly that Wonwoo almost misses it. "I know it’s weird, I mean, people are always around me. But it’s like... they don’t really see me. They only see the version of me they expect."
He's not sure if you're still tipsy, although the rosy flush of your cheeks suggests so, or if you now feel very comfortable with him. 
Wonwoo isn’t sure what to say, so he just lets the silence settle for a moment, letting your words hang in the air like a soft echo.
"You know," he says after a beat, his voice lighter than before, "I don’t think I’ve ever met anyone who can juggle both a charity gala and a diner milkshake at 3 AM with such grace."
You snort, blowing bubbles into the drink that leave splashes of pink liquid sizzling on the diner table. The sight is enough to set Wonwoo off too, laughter spilling out of him in a way that's only possible in the early hours of the morning. 
"I should take a photo of that," he chuckles as you give him a large grin, the straw still sticking out of your teeth as you mop up the spilt drink. 
But he doesn't. Doesn't even think to take his camera out of its bag. 
Instead, he just watches you—really watches you—for the first time tonight, as you sit there, messy and unapologetic, with your eyes twinkling. And you're not the person everyone in the ballroom thought you were. 
"Maybe we should do this more often," you say, your voice unexpectedly soft as you look up at him. 
Wonwoo nods, the corner of his mouth curving up in the smallest of smiles. "Yeah. Maybe we should."
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You've taken a surprising interest in Wonwoo’s regular work. Since you got him to admit that this project wasn’t really his usual gig, you've made it your personal mission to dig deeper. 70% of your questions have revolved around what he actually enjoys doing, the kind of work that doesn’t come with velvet ropes or high society guests. It’s a little like watching a puzzle slowly get pieced together—a mixture of curiosity and the way you just can't let go of something that intrigues you.
So, when you mention, "I think it's only fair you show me what you usually do," it’s not entirely out of the blue.
"Alight, alright," Wonwoo mutters, realising that he owes it to you to let you peek inside his world too. "But don't expect anything glamorous. Magazine spreads don't feature heavily."
Your eyebrows shoot up in an exaggerated gasp that has him rolling his eyes. "I'm not expecting you to change into a suit and tie, if that's what you're worried about." You grin. "but if you do, I'll totally snap some behind-the-scenes shots."
"Don't get any ideas," he mutters, but there's a soft laugh behind his words. 
You look like an archaeologist discovering ancient treasures as you step into the studio, and Wonwoo has to resist the urge to photograph the look on your face. He wasn't lying when he said it wasn't much, but it's quieter than the outside world, which is just the way Wonwoo likes it. The walls are lined with a few scattered prints, some framed, others just leaning against the wall, like they’ve been left to gather dust for the sake of catching a different light. The easel in the corner holds the remnants of his last attempt to paint, the workbench cluttered with film rolls, empty coffee cups, and a few stray brushes.
You pause in the doorway, taking it all in.
"So," you begin, "where's the real deal? Show me your favourites."
He shrugs and walks over to a table filled with various photo equipment, adjusting his glasses as he picks up a roll of film. "I’m not sure what you’d consider my 'thing,' but I mostly shoot for personal projects. I like experimental work. I mean..." He looks over at you, and for a second, there's a flicker of something more, something deeper. "I like showing things that don't get seen. Telling stories that don’t get told."
You step further into the room, your curiosity piqued. "The more I learn, the more I marvel at the fact that you chose to do photograph me," you tease. 
He looks back at you, the hint of a smile tugging at his lips. "It's good to try new things sometimes. And, well ... I'm not so sure you're story has been entirely captured yet."
He pulls a print down from a shelf, careful with the edges, and walks over to where you're sitting. "This," he says, sitting next to you, "is one of my newer pieces. It’s… different from the usual stuff I shoot. It’s a little raw, a little wild."
The picture is a little hard to make out - a blur of colours and light, like a dream caught in motion. There's an image of a figure - slightly distorted and bathed in neon blue and orange, wrapped in streaks of light that seem to bend and curve in ways that don't make sense. It almost looks like the figure is dissolving into the frame itself, as though they’re becoming part of the world rather than a separate subject within it.
"It’s a long exposure," he continues, "but I played with the focus to distort things more than I usually do. You can see the movement in it—like the person isn’t static. They’re not just there. They’re changing. Becoming."
You tilt your head, your gaze flickering back and forth as you try to make sense of the image.
"It’s unsettling," you say softly, more to yourself than to him.
Wonwoo nods, the corner of his mouth quirking up. "That’s what I like about it. People always expect something clear, something neat when they look at photos. But sometimes, the chaos is what’s real. The blur, the overlap of light, it’s how I see things."
"It’s like… you know when you try to hold onto a moment, but it keeps slipping away? That’s what this is. The image is still, but everything around it keeps moving. It doesn’t stay still, no matter how much you want it to."
You reach out, fingertips brushing the edge of the frame, tracing the glowing streaks of light. "It’s almost like you’re trying to capture the space between things."
He pauses, eyes flickering to yours as if reading your expression. "It’s like that with people, too, right? You think you know them, but then they change. Or maybe you change. And all of a sudden, you’re looking at them and wondering who they really are. Who they were. Who they’re becoming."
You’re silent for a moment, but your gaze hasn't left his and it's piercing into him with all of the unspoken words.
And then you're eyes snap to something behind him, and he feels a little empty in the void of your gaze. A small smile slips across your lips. And you're gone, moving quickly out of your seat to get a closer look at whatever has pulled you away from him.
Wonwoo's head swivels around, like if he loses sight of you, you'll disappear. 
"Now, this is unexpected."
Your voice is laced with that mischievous tone, and it snaps Wonwoo back into reality, his gaze darting to where you're now standing, eyes fixated on the shelf behind him.
He feels his cheeks heat up before he even registers why. The camera equipment on the shelf, partially obscured by a few stray photo albums, is a large, well-worn camera with an impressive lens. But it’s not the camera that’s got your attention—it’s the stack of photos beside it.
He swallows. "Oh, those. They're… um, just some old shoots,” he mutters, reaching for the pile as quickly as he can.
But you're already stepping closer, your grin widening as you grab one from the top of the stack. Your eyes light up as you hold it up, and it’s immediately clear why you’re grinning. 
The photo is a high-end fashion shot, one of those artsy ones. It features a model—clad in nothing but strategically placed shadows and some very expensive body paint, in what can only be described as sultry poses. The subject's entire form is captured with the kind of grace and sensuality you normally associate with glossy magazines and high-end ads.
You raise an eyebrow. “So… this is what you’re hiding in here?”
Wonwoo, face flushed to a shade of pink that doesn’t belong anywhere near a professional photographer, clears his throat awkwardly. “It’s not what you think. It was a concept shoot. A long time ago. For... art.”
“Art.” You repeat the word slowly, like you're savouring it. “A concept shoot. Right.” You peer closer at the picture, almost squinting like you’re studying the fine details. “Well, I have to say, I didn’t expect you to have such a niche portfolio.”
He snatches the photo from your hands, but you’re quicker than him, leaning in just a little too close for comfort. "Come on, don't be shy. I'm sure these shots went for a pretty penny. You should be proud of them."
 “It was a collaboration with a friend. We were experimenting with lighting and shadows. It wasn’t meant to be, like, that kind of shoot.”
You tilt your head and flash him a teasing smile. "Right. I'm sure it was all very tasteful."
“Stop it,” Wonwoo says, his voice a little more high-pitched than usual. He starts sorting through the other photos quickly, trying to hide the embarrassing ones. “There were plenty of clothes involved, okay? I mean, mostly clothed. Sometimes there weren’t.”
You laugh—genuine and loud—and Wonwoo has never felt more like a teenager caught in a lie.
"Don’t worry." You lean back casually, looking him up and down. “I’m not judging. Everyone needs a little fun with their camera work. Besides, I bet your models really appreciated your... attention to detail.”
“Oh my God, stop," he groans, hands covering his face.
"Oh, I know!" You jump up, the wideness of your grin setting of alarm bells in his head. Your body contorts into a lewd pose he's sure is captured in one of the photos. "Maybe you could shoot me like one of your French girls."
Wonwoo's brain is split in half between wanting to laugh at your stupid joke, and trying to stop his mind from digging any deeper into the way you look right now. He's never been more thankful for someone laughing so hard at their own joke that it gives him the time to remember to laugh too.
"Okay, okay, seriously though." You say, your words punctuated with breathy laughs. "I'd like to do a shoot in your style. Even if you don't use it for the feature, I'd like to have them - a little memory of the project."
He’s not sure what to make of it—after all, he’s never shot anything like that with someone like you. It’s one thing to let a stranger model for his more experimental projects, but someone who’s become... well, important to him? That complicates things.
You seem to sense his hesitation, so you quickly soften your expression, dropping the teasing tone. “I mean, no pressure. You don’t have to,” you add, but your smile stays. “I just think it would be fun, you know? Something a little out of the ordinary.”
He shifts on his feet, rubbing the back of his neck, trying to think of a way to deflect without sounding awkward.  But then, he catches the way you’re looking at him—expectant, yet light-hearted. And he knows there’s no way he can say no. And the idea of capturing you in his world - through his lens - is far too appealing.
"Alright," he finally says, "“I could set something up. But it won’t be anything like what you’re imagining,” he warns, though the faintest glimmer of a smile tugs at his lips. “You might hate it.”
"I highly doubt it." Your grin widens, and you step closer. "The camera loves me."
He struggles to disagree.
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You follow Wonwoo into a dimly lit loft space. The high ceilings make the place feel vast and open, but the shadows, thick and heavy, seem to swallow any trace of warmth. The windows let in just enough light to make the space feel like it’s holding its breath. Concrete floors, industrial beams, exposed brick—this place is a world apart from the glamorous venues he's captured you in so far. 
There's no luxurious set, no artfully arranged props, no stylists running around with last-minute adjustments. Just you and him. And a collection of cameras, lenses, and other mysterious equipment scattered about the space.
"We'll start here," Wonwoo's voice is firmer than he intends, and he hopes you can hear the edge of excitement underneath his words. He’s already moving toward the equipment, setting up the camera on a tripod with a smooth, practised hand.
You take a deep breath, looking a little more nervous than he expected. "What's the concept? Just… me in a room full of shadows?” You try to make light of it, but your voice betrays a hint of apprehension.
He glances over his shoulder, catching your gaze for the briefest moment, and his lips curl into a faint smile. “Something like that. I want to capture you as you are, not as the world expects you to be.”
He steps toward you, then pauses. “But it’s up to you. You can be whoever you want to be in front of the camera.”
You take a breath, almost like you're accepting something, and step deeper into the room. Wonwoo can feel his pulse pick up just a little. Something about your movements makes it hard to look away, even as he tries to keep his focus on the camera. 
As his gaze probes deeper, Wonwoo realises something. You're so used to being a perfect image that now, here, in the quiet, you have no idea what to do with yourself.
His breath catches as he presses the shutter for the first time. The soft click breaks the silence, but he doesn't lower the camera. His eyes stay on you, unable to tear away; even if he should be focused on the technicalities - the lighting, the exposure, the composition - he's not. He's seeing the cracks. The little parts of you that you've been hiding. 
Another click. And another. His fingers move over the controls, adjusting the focus, framing you just so - but all the while, acutely aware of every tiny shift in your body. The way you inhale, the way you let go of something hidden, and your shoulders relax, just slightly. 
"Good," he murmurs, though he barely recognises his own voice. The words are soft, his tone low, almost like a breath rather than a command.
You shift again. There's no thought to it, just a fluid movement, as if you're letting go of some invisible restraint. It's an instinctive thing, Wonwoo realises. You're not really posing anymore.
The camera clicks again, capturing the stillness in you, the way you seem to dissolve into the shadows, becoming part of the room. Part of the moment. He knows instantly that it's going to be his favourite.
For a split second, he wonders if you know what you're doing to him. If you know how you're affecting him, even without meaning to. His heart beats a little faster. 
He doesn't lower the camera, not yet, not wanting to lose the moment.
"Okay, that's enough," he says finally, voice low and deliberate. Even as he says it, he's not sure if he wants to stop. He wants more. But it's not just the image he's chasing now. It's something else. 
You reemerge, the colour of your confidence returning as you step out of the camera frame. "Was that okay?"
Wonwoo isn't completely sure what to say in response. If he should tell you that he wants to restart the entire feature, or that he's never felt like he's seen anyone as much as he just did. So he nods, swallowing the lump in his throat. "I want you to see the full vision, so I'll show you once they're edited, but I think they're going to be the best ones."
A beaming smile is released onto your face. It's heart-wrenchingly endearing how proud you are of yourself. "I'm so glad. I don't know if you noticed, but I was a little nervous about this one."
He lets out a little chuckle, his head hanging slightly as he looks to the floor, trying to hide the smile tugging at his lips. "I couldn't tell. You were," he clears his throat, hands moving to adjust the settings on the camera again, "perfect. And I mean it. It's ... not just the shot. It's you." The words come out in a rush, but even as he says them, he’s certain they’re true.
He wonders, fleetingly, if you hear the difference. If you sense the subtle change in his tone—the way he can’t quite look away from you now, the way his eyes linger just a little too long.
You don’t respond immediately, and for a brief, agonising second, he’s unsure of how you’ll take it. Will you laugh it off? Will you brush it aside with that carefree charm you wear like a second skin?
But then, your smile softens, your gaze a little less playful, and you step closer. "Do we need any more?"
"I don't think so," he pauses. "Unless there's anything you want to try?"
"Well..." You look nervous, like you're trying to make your mind up about something. Your fingers play absently with the sleeve of your shirt, tugging at the fabric as if it’s a lifeline. "Maybe ... maybe I could try something different?"
Wonwoo's eyes flicker up to meet yours. He's not quite sure what you're asking, and it both terrifies and excites him in ways he's not ready to admit. He leans back slightly, considering it.
"It's your shoot," he says softly, "If you want to do something different, we can. You sound like you've got something in mind?"
You exhale slowly, and the air feels thick, drawn tight with possibility. There’s a hesitation in the way you look at him, but then you take a step forward, your presence commanding yet gentle, a stark contrast to the vulnerability in your eyes.
"The photos in your studio," your voice is soft and low, as though the words themselves are a kind of confession. "The ones ... with no clothes." Your gaze flickers briefly, almost shy, before you steady yourself again. "I want to try that. I want to see what that feels like."
Wonwoo blinks at you, his breath hitching for just a second as the words register. His fingers instinctively tighten around the camera, but he doesn’t lower it. He can’t look away from you now.
“Are you sure?” he asks, his voice rougher than he intended, though it’s more a response to the sudden surge of emotions than anything else. The suggestion itself isn’t unfamiliar, but the weight of it, coming from you, catches him off guard.
You nod slowly. 
He breathes slowly, trying to steady himself, but the air feels tight, like his lungs have forgotten how to expand properly. Wonwoo clears his throat, suddenly aware of the weight of the camera in his hands—of how utterly out of place it feels now. He thought he had control of this situation, of this shoot, of everything. And now he feels entirely, completely, out of control.
"Okay," he says finally, voice low, his throat dry.
You exhale, a small, almost imperceptible breath of relief, and for a moment, you both just stand there. Wonwoo watches you, his gaze tracing the small movements of your fingers, the way you breathe, the slight shift in your posture. You’re standing there, raw and vulnerable in a way that no one else ever sees, and yet you’ve asked him to witness it.
His chest tightens.
"Whenever you're ready," he murmurs, trying to sound as professional as possible, but the words come out softer than he means. He takes a step back, his heart pounding louder now, but he’s not sure if it’s from the anticipation of the shot or something else entirely.
You move slowly, agonisingly slowly, towards the chair that's hidden in the corner of the room and pull it into the camera frame. The clip holding your hair back is the first thing to go, and even watching you shake the tresses free feels like a glimpse of something he's not meant to see. Wonwoo's breath hitches as your fingers hesitate against the buttons of your shirt.
You look up at him, eyes glittering in the light of the loft. "Can you talk me through it?"
Wonwoo gulps, his brain desperately trying to keep a tether to his thoughts. 
His voice is strained when he finally speaks, a quiet rasp that betrays his nerves. "I - uh - yeah. Sure." He clears his throat again, trying to steady himself. "Just take your time. There's no rush. I want you to feel comfortable."
You nod, but your gaze doesn’t leave him. It’s heavy, almost expectant, and Wonwoo feels it pressing down on him like the air in the room has thickened with each passing second.
His heart races, and he forces himself to look away from you, staring at the camera for a moment to regain some semblance of control. But when he finally glances back, there’s no denying it: you're not just in front of the camera. You're right there, your presence inescapable. The air crackles between you, an invisible thread pulling you closer despite the distance.
You slowly unbutton your shirt, each movement measured and deliberate. The soft rustle of fabric seems deafening in the silence. Wonwoo tries to focus on the camera - on the framing, the lighting - by the sight of you undoing the buttons is sending jolts through him, making it hard to concentrate.
"Wait, stop." He's struggling to get out more than a few words, but he realises he has to explain himself as your head whips around, alarmed. "That shot - if you push the shoulder down a little -"
"I'm not sure I quite get it," your voice is a quiet invitation. He doesn't know if its a test, or something far more dangerous than that. 
He moves slowly, not wanting to startle you. And, if he's being honest, not sure that he can handle being any closer. But he's started now, and he can't not go through with it just because he's nervous about seeing skin. Focusing on his task, Wonwoo's hands gingerly pull the loose fabric of your shirt, draping it down the side of your upper arm, the fabric slipping with an almost unbearable grace, revealing the curve of your shoulder, the soft line of your skin. Wonwoo feels his pulse spike, his breath coming in shallow bursts as his fingers brush against the bare skin of your arm. It’s delicate, unintentional contact, but it feels like an electric shock, jarring and intimate all at once.
You hold your breath, your gaze fixed on his hands, your body still. 
“Just like that,” he says, his voice quiet, as though speaking louder might shatter this delicate balance between you. “Now, tilt your head just a little to the left. Keep your eyes soft... like you're looking into something just out of reach.”
Your eyes flicker, a knowing glint passing through them. “Like I’m seeing something I shouldn’t?”
Wonwoo’s stomach tightens, a shiver creeping down his spine at the way you put it. His hands hover over the camera, but for a moment, he forgets the frame, forgets everything except the weight of the moment.
"Exactly," he breathes, almost afraid to admit it aloud, but the words escape him. He’s standing so close now, every muscle in his body taut, straining against the pull of something he doesn't know how to define.
You do as he asks, your eyes softening, lips parting ever so slightly, as if you’re leaning into the invitation.
The camera shakes in his hands, and for a second, he worries that you’ll notice the tremor, that you'll see how much this is affecting him. But you don’t. Your focus is unwavering.
“Can you… can you move your hand to your collarbone?” he murmurs, barely trusting himself to speak the request aloud. “Just… trace it, like it’s the only thing you’re focused on.”
You nod, and there’s an eerie stillness in the air as your fingers drift up to the curve of your neck. Wonwoo feels like he’s drowning, like every movement you make pulls him deeper into this quiet, dangerous place between photographer and subject, between the lens and the reality unfolding just beyond it.
Each click of the shutter feels like a bullet leaving a gun.
Your fingers are back on the buttons before he can realise that the moment has moved on, and you let the shirt fall, the fabric slipping to the floor with a soft whisper. He can’t breathe for a moment.
You stand before him, unguarded, vulnerable, and yet there’s something about the way you hold yourself—so composed, so intentional—that makes him swallow back every word that he tries to form.
Your eyes lock onto his again, and it’s like time stops. “How’s the lighting?” Your voice is steady, calm, but the tension in it is undeniable.
Wonwoo’s throat is dry as he forces himself to focus. "The light... it's perfect." He clears his throat, his voice tight. "You look perfect. Just... just keep moving, slowly. Let the camera catch it all."
You nod, your lips curling into that familiar smile that has him reeling.
Wonwoo’s pulse quickens, but he doesn’t dare look away. He’s caught in the gravity of your gaze, drawn into the quiet intensity of the moment. He raises the camera, his fingers trembling just slightly as he adjusts the lens. The click of the shutter still sounds harsh, but it doesn’t break the tension.
Wonwoo almost drops the camera when your fingers hook around the loops of your pants. 
You slide them off in fluid motion, far quicker than the shirt. The smile on your face is more playful now, taunting and teasing. "What were those poses again?" 
Wonwoo’s breath catches in his throat, his hands freezing just above the camera as the image of you in front of him—the subtle arch of your back, the way your skin catches the light—burns itself into his memory. He can’t look away, and it’s like everything in the room sharpens.
"Stop," he whispers, his voice shaking. "You’re—"
He cuts himself off, unsure of how to finish the sentence. How could he describe the storm he feels brewing inside of him? The way his pulse is beating in time with the shutter clicks. The way he’s watching you, but feels like he’s barely holding onto himself, like the space between him and you has closed to a point where it feels impossible to stay just the photographer.
“Stop?” you repeat, tilting your head, the playful glint in your eyes both a challenge and an invitation. "You want me to stop?"
"I—" He clears his throat, trying to force his words into something coherent. You take a step closer, and the words fail him. 
You stop a few inches away from him, your breath mingling with his, and for a split second, you both stand there, locked in a stare that feels like an eternity. Wonwoo's heart races, and he can hear the rush of blood in his ears, but the sound of your breath, shallow and steady, is louder than everything else.
“Wonwoo,” you whisper, and the way you say his name—so softly, so deliberately—has his chest tightening even more.
His heart stutters for a second, and before he can think about it, before he can second-guess himself, he lowers the camera, his hand almost involuntarily reaching for you.
“Are you sure?” he breathes, his voice barely above a whisper.
You don’t say anything at first. Instead, your fingers brush against the fabric of his shirt, dancing between the creases. The world seems to spin a little.
“I’m sure,” you reply, your voice steady but low. “Are you?”
Wonwoo’s pulse thunders in his ears, and he thinks he's nodding his head, but he's not sure. He swears he can feel the heat radiating off of you in waves. The tension is almost unbearable now, and his hands are shaking so badly that he’s not sure if he should step back or close the space completely.
Before he can decide, you close the gap for him, your lips brushing against his in the gentlest of kisses. It’s soft at first, tentative—like you’re both waiting for the other to pull away—but when Wonwoo doesn’t, you deepen it just enough to make his head spin.
Everything—his thoughts, his control, his self-restraint—fractures.
He pulls you closer, his hand finding the curve of your back as he deepens the kiss. He can feel you shiver as his warm hands trace the exposed skin. He has to hold back a guttural moan at the feeling of your body pressed against his.
Your hands have found his hair, tangling your fingers through the strands and feeding off of the reactions, tugging a little every time he grumbles against your lips. A small gasp leaves your lips as he pulls away from your mouth, burying into your neck, which stretches prettily with each biting kiss he leaves. 
"Is this how all your photo shoots go?" Even with your head tilted back, voice breathy as his fingers grasp onto your waist, you still find time to tease him. A small whine leaves you as his lips abandon your skin.
"You'll believe me if I say no?" His throat is scratchy, his voice raw, and it comes out more as a question. 
You laugh. "Yes - I, yes, I believe you."
The silence feels unbearably tension, like both of you are trying to blindly navigate the other's feelings. Neither comfortable enough to take the next step forward.
"What did -"
"I thought -"
Your words stumble together as you search for the right way to break the tension. Wonwoo stops, not pressing you to continue, but his grip tightens on your waist slightly, a silent question hanging in the air. 
"I was just - I wasn't sure you'd want to do this, too." You finally say. You still have that teasing smile, but your voice is small, almost unsure. 
"I do," his voice is low, rough, and there's something tender there too. "I really do."
Your lips twitch upwards, a fleeting smile curving the corners of your mouth as you move closer again. "Then, what happens next?"
Wonwoo's head darts around, looking around the dim loft. There's nothing there, other than his equipment and a few chairs - nothing particularly helpful in this scenario. Although, he should admit, he wasn't expecting anything like this when he'd set it up.
"We could go somewhere else, if that's what you want to do?"
Your eyes follow his gaze, realising the dilemma.
"But I'm already half undressed." You bat your eyelashes innocently, and he knows you're fully aware of what you're doing to him. Yet, that doesn't prevent his trousers from feeling way too tight. 
"I-" his breath catches, his fingers digging into your side. "I guess we'll have to stay here then."
"I guess so," you grin, and he wants nothing more than to pull you back in. So, he does. It's messy, primal, a tangle of limbs as your hands sloppily undo his shirt and his look for anything and everything he can reach. He doesn't miss your noise of appreciation when his shirt falls to the floor. 
Soon, his hands are wrapped around your thighs, pulling you up in one swift motion and carrying you until you hit the nearest wall. You're panting, your eyes wild and hair tangled as you grab at his neck, pulling his lips back to yours. 
It's not long before the rest of your clothes join the others on the floor. He feels a flutter of shyness as you take him in, eyes roaming across his body. But you're smiling, wide and joyful, the soft flesh of your thighs squeezing tighter on his hips. 
"Fuck, I always thought you were hot, but I can't believe you were hiding this underneath those baggy sweaters."
Wonwoo can feel the blush running up his neck like a schoolboy being complimented for the first time. His heart is hammering in his chest, a warm rush spreading through him from head to toe as he tries to work out what his eyes should be focusing on.
"I wasn’t expecting any of this. You... you’re making me nervous," he admits with a shy laugh, his hands feeling clammy against your skin. "I mean, I'm sure I'm not the first person to say you're beautiful, but I think you're so much more than what they see."
Your smile softens for a moment, and you reach forward, fingers grazing lightly over his arm, the touch sending a shiver down his spine. "I'd like you to know all of me."
The words are soft, tender, and you can probably hear his heart fluttering. And, all at the same time, the implication of them is making more than his heart flutter. 
"You're sure?" His body presses against yours even more, pushing your back further into the wall behind you. 
"Please," you nod breathily, and that's all he needs. "I want you."
His hips grind against you, head swirling at the feeling as your arms wrap around his neck for stability. "I don't have-" he manages to choke out. 
"It's fine, I'm on the pill. Just - just fuck me, please?"
His head buries into your shoulder, body twitching at your words. Pushing inside of you, the pleasure is immediate. Your hips are moving back onto him as far as you can against the wall, and his hands are firmly clenched around the flesh of your ass, holding you up in an iron grip. And you sound so good, and - more than that, you feel so good, so unbelievably good, that he's gasping out your name between thrusts.
Nonsensical words are babbling out of your mouth too; hot, dirty words of praise that only spur him on further. Your nails dig into his back, and then his hair, and then back again, like you can't pick which part of him you want to touch more. 
And fuck, you're so beautiful. Like a goddess in the low lighting of the room - but he's too scared to tell you that just yet. Soft and hard and warm against him, surrounding him, engulfing him. 
It's not long before he can feel you clenching around him, one hand clinging onto his shoulders and the other snaking between your legs. The muscles of his arms are burning slightly, but it feels too good to stop now. You're dragging him with you, panting moans with each pulse. You press your lips against his one more time, and it's all it takes to push you both over the edge.
After a few moments, he lifts his head from your shoulder and looks at you, a tender smile on his face. His lips press against yours gently, sighing with soft pants.
"Shit," You breathe, a small giggle bubbling out of you. The sound is so sweet it knocks any remaining wind out of him. 
Wonwoo chuckles, his thumb gently tracing the curve of your jaw as he holds you in place.
Your smile is warm and teasing, and you press your lips to his for a second longer. "If I had the camera, I'd capture that look forever."
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fuckyeahgoodomens · 6 months ago
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Good Omens graphic novel update: June 2024
Welcome to the June update. A lot of behind the scenes work at the moment but we're grabbing the travel sweets, popping in the Bentley and hitting the road. More on that below.
Admin
Ongoing reminder that the project FAQ can be found here. 
I pledged using my Apple ID, or no longer use the address my pledge is attached to, or I cannot work out what email address my pledge is connected to. What should I do? Please contact us via your Kickstarter account where the pledge is connected; we will be able to see on our system which address it is. If it's one you have access to, great! The FAQ has information on how to resend your invite link to access the PledgeManager. If it's one you are not able to access, then you can let us know which email is preferred and we can update this on the system, which will automatically send a new invite.
Events
We've had a lot of queries about when the Good Omens team will be attending events more formally, after some Aziraphale and Crowley spotting at conventions we'd been to previously. Well, we're excited to confirm the first: Good Omens HQ will be at ACME Comic Con in Glasgow, Scotland this September.
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We'll be bringing the actual-real-life-home-to-Crowley-and-his-plants Bentley from Season 2 of Good Omens, the first time the car has been made available publicly for fans to come see and get photos with, ahead of its journey back to the set and the start of Season 3 filming.
We also see Quelin Sepulveda, aka Muriel, has been announced for the event for some additional ineffable joy.
You can get your tickets for ACME Comic Con here. We hope to see some of you there.
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While we won't be rocking up with the Bentley to this next one, we want to let you know about Ineffable Con which, though sold out in person, is also taking place virtually in July. The fan-run event hosts great panels, auctions and more, with money raised going to Alzheimer’s Research UK, in memory of Sir Terry Pratchett.
Where next? We have - not an exaggeration - a list of about 200 events somewhere from when we asked fans this on Instagram and while we can't promise quite that amount of convention attendance, we're certainly looking to do some more things in future with Good Omens at large. Watch this space.  
Good Omens items...
This month has largely seen prototypes and samples for the wider Good Omens merch store arriving, and while we can't share those yet, we are certainly excited to see more fan product suggestions coming to life. That does, however, leave our public item updates a little slim on the ground.
To make up for that, here's some new panels from Colleen:
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Also known as, "What could possibly go wrong?" And:
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Also known as, "Well why don't you ▇▇▇ ▇▇▇▇▇▇ ▇▇▇ ▇▇!@#▇" or words to that effect, we'd imagine.  
Update from Colleen
Following such a positive response to Colleen's piece last month, bringing you behind the scenes into making the Good Omens graphic novel, we are delighted to say that she has agreed to write something for our updates going forward! For June, she's going more in depth into the process of flatting and the technicalities of colouring on screen vs print. Over to you, Colleen.
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I mentioned the other month that I use a flatter to help me with technical work on GOOD OMENS, and here is a great example.
This is my original, hand drawn line art.
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And this is the flatting file which was created using the MultiFill computer program.
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It will put your eyes out.
The raw image above demonstrates how the color art lines up solidly under the line art. If it doesn't do that, you get a weird phenomenon in print called ghosting, a tiny little line of white around each segment of color. I had this issue on one major project and ended up redoing every single color file after I got a look at the first printing. Nearly two weeks of work.
The same image with the line art on top.
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The layer order looks like this.
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Background copy is the clean, line art layer.
I scan the art at 600 dpi, then make the blacks pure black, the whites pure white. Then I convert back to greyscale, then RGB, then duplicate the layer. Then I delete the white on the upper layer so the line art layer is transparent but the blacks on that layer are not.
If you have blacks on a layer that has been multiplied, you can see slight color through those blacks. You want pure black.
The lower layer is where I use the MultiFill program to create the digital flats. First you use MultiFill to drop in the random colors, then the companion plug-in Flatter Pro to make those colors seal under the black lines.
This probably sounds like a silly thing to worry about, but if the flat colors don’t line up perfectly under the black line art, you get the dreaded ghosting I mentioned. You can see it below in this image. It’s a tiny little white line that will appear around the black lines and color areas.
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This drives me nuts and is an absolute nightmare to fix.
It’s a very common problem, especially for people who work for web and don’t anticipate the problems going from web to print.
What looks great on your computer can cause big problems in print.
From here, my flatter Jul Mae Kristoffer, who is way over in the Philippines, does flatting that is more in keeping with the areas of color I want to isolate. As you see on Layer 1.
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But again, this is still pretty ugly, and not what I would use for final color. Flatting is a technical issue, not a creative one, though in some cases a flatter will make choices you may use. Most of the time they don't.
Here is my final color page.
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Sometimes my MultiFill flats are so wonky I have a hard time getting my brain to snap out of what I see before me. If I get stuck, it's a good idea to just pick at it and come back to it later.
If it really, really bothers me, I’ll take the MultiFill flatter layer and desaturate the color so it doesn’t poke my eyes out.
Here’s an example. The digital flat file.
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The desaturated flat file that doesn’t make me want to poke my eyes out.
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And the final color.
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Sometimes I just put in a solid white layer so I don’t see the flats at all. Flatting is there to allow you to easily pick spots to color in, and doesn’t usually appear in the final work.
Sometimes I want to create my colors using transparent color over a white ground, which is more delicate in the final.
Here’s an example from Neil Gaiman’s American Gods. I also selected all black line art here and converted it to sepia to give it a vintage look. Except for the fairies. They’re green.
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A colorist must also consider color settings.
Different clients can have different requirements. I find these color settings, which I got from the Hi-Fi Studio, to be pretty solid. I use them as my default for all my projects unless otherwise requested. If your publisher has other settings, they’ll usually send you a csf file which you can upload to Photoshop. The program will save your files and you can just switch between them as you need them.
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This tells the printer things about the paper and the spread of the ink you will use. That’s what dot gain means - it makes printed color look darker than intended, so you set up your files to account for it.
When you hover your pointer over each box, it will tell you what each setting is supposed to accomplish.
Another really important thing to consider when coloring comics is color range.
I’m coloring this book in RGB range, but for print you use CMYK.
I’m about to confuse the heck out of some people with this post, I’m afraid. But here we go.
Here is this shot in RGB color setting.
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And here is the same page calibrated for print in CMYK.
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The biggest shift is in the reds. Print cannot match those reds.
You may not see much difference here, but it’s the sort of thing that drives artists crazy.
A computer should be perfect for conveying exactly what you want, right? It's all just 0's and 1's, binary information, and that information should be the same from one computer to the next?
Nope. Not even close.
First off, computer monitors must be calibrated. You can use a computer program or a tool that measures the color on your computer screen and then adjusts the color to an industry standard.
Have you ever been in an electronics shop where a bunch of TV shows were on display, all of them playing the same show, and have you noticed how different the color was from one TV to the next?
It's like that.
I freely admit I don't pay a whole lot of attention to calibration, but if I were a professional photographer I would. I'd have a little spectrometer attached to my screen and software would adjust my monitor to the best possible standard range. As it is, I just use the default setting on my computer and hope for the best.
If your monitor is properly calibrated and your art is shown on another monitor that is properly calibrated, the art will look almost identical from one monitor to the next.
YAY!
But from one monitor to the next, that's about where the resemblance ends.
Colors are calibrated to something called RGB, or Red, Green, Blue.
All colors come from a mix of red green and blue. At their greatest intensity, all the colors in the spectrum together become pure white light.
This is why RGB is called ADDITIVE color, because you ADD colors from the spectrum to get ALL colors, and all colors create the entirety of the rainbow, and pure white light.
Your computer monitor, your phone, your television, all images are created via light using RGB, a gamut that covers all possible colors that can be created.
That's a lot.
And that's why some of the colors you see on your TV or phone are so deep and intense.
For the widest possible range of color and intensity, you use RGB.
Unfortunately, there is what you can create with light, and then there is what you can create with pigment or ink. And that is why printing what you see on your computer almost never looks exactly like what you see in a book.
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For printing, you must use a color setting known as CMYK. This stands for Cyan, Magenta, Yellow and Key/Black.
In printing, the pure blue is actually Cyan and the pure red is actually Magenta.
CMYK color range is not created by addition, but by SUBTRACTION. In order to get the color you want, you reduce the percentage of one of the four colors for ink mixing. Mixing all colors, instead of giving you white, gives you black.
The gamut of CMYK is limited to what can be created with ink.
You've probably heard the term four color press? This is what that means. Four colors, with each color of ink run over the paper on rollers which, combined in varying layers of opacity, create all the printing colors you see.
But remember, what you see on your computer monitor and what CMYK gamut can handle are two different things.
Now, I’ve been really careful with the color settings on Good Omens, so there haven’t been any big surprises, but let me show you a snippet of a project I did for the French fashion house Balmain.
The RGB version:
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And then this shot after it was converted to a CMYK file for print.
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That's a pretty big difference.
Now, you see this shift mostly with vibrant colors, such as that pink there. But other colors hardly changed at all, right?
That's because this issue is about range of color. CMYK and RGB occupy a shared range which you can see demonstrated by this graphic I got from Wikipedia.
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The graphic shows the RGB ranges supported by various digital formats. SWOP CMYK is the most common range my publishers use. Note that the bounding box line shared by the RGB and SWOP CMYK formats shares about half the range space. So whatever RGB colors you use that are outside that range will be digitally converted to the smaller SWOP CMYK range.
And you may not like what you end up with.
As you can see, some of the most ethereal and intense colors get lost outside of the SWOP CMYK boundary.
A look at the Dark Horse Comics color settings in Photoshop. Theoretically, this information should prevent your art from looking like mud on publication.
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Now, after I just told you the dangers of coloring in RGB then converting to CMYK for print, I tell you I am coloring Good Omens in RGB anyway. There’s a couple of reasons for this.
Remember, RGB give you a greater range of color, so it can be to your advantage to preserve your original files using a format that gives you the greatest range.
Again, here is the unaltered file.
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You can see what the CMYK result will be simply by clicking the Proof Colors button here. This will show you how the art will convert.
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And the Gamut Warning will show you which colors are out of gamut range for print.
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The intensity of that magenta and that purple in the top right are not going to print true.
This is how it will look in final.
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So even if you do what you think is perfect color on screen, there is no way it can perfectly convert to print. Almost everything will involve a little bit of compromise.
Even though you have to consider the color shift issues, preserving your files in RGB gives you greater wiggle room, especially if you get lucky someday and get to work with a printer who can print in 6 colors. Or maybe some technology you don’t know about will pop up and make printing super glorious. Who knows.
Regardless, you should keep an eye on that gamut and color for CMYK print, while preserving your master files in RGB.
Until next time.
839 notes · View notes
zipper-neck · 10 months ago
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Trans Rules of Engagement
By Florence Ashley
Strong communities make us all safer. As anti-trans movements gain in power and influence, holding space for each other through our flaws remains critical. Yet the very conditions that create our need for community care make it hard for us to care for each other. We are raw, wounded, traumatized, and hypervigilant. We make mistakes brought on by fear and hurt. We lash out at each other when we do wrong, often partaking in pile-ons facilitated by the synchronous nature of online interactions. Whether we realize it or not, we often exclude trans people from community when they need it most.
I have lost count of the number of trans people I have seen cast out of online trans spaces for misdeeds both major and minor—far too often with my help. I sometimes find myself wondering where they are now and whether they are still alive. Because, as Kai Cheng Thom has taught us, social death often means real death for trans people. Trans communities are life-sustaining in a world that hates us so, so much. In a world that wants us dead. We have lost too many people not to stop and think about how we can foster life among each other.
This goal I have for myself—that of fostering life—motivates the following principles and rules for engaging in online intra-community conflicts while preserving the life-sustaining spirit of our communities. Countless times have I failed to heed these principles and ignored these rules. This failure, which many of us share, is precisely why I now want to lay these principles and rules down on paper. If only as a reminder of my aspirations. The principles and rules are meant to be adopted for oneself, not imposed onto others. Their purpose is to foster productive engagement, not create even more conflict and rigidity. I hope that this will be a living document, and invite you to make your own version if you would like. Borrow what is useful, supplement with what is needed, alter what can be improved.
Some, and perhaps all, of the principles I acknowledge are false, hence the need for a living document. Each of my suggested rules have exceptions. In setting them out, I am staking a claim as to the sort of myths and half-truths that are necessary to sustain life in a world that wants us dead. We must treat them as true if we wish to foster life-sustaining communities and survive the hellscape we belabor.
Principles
1. We are all flawed, traumatized humans at the end of their rope. Many of our actions say more about the conditions we live under than who we are as people.
2. No one is disposable. No one is unsalvageable.
3. Life holds greater value than being right or comfortable. Hurt is preferable to death.
4. No one should be deprived of community.
5. Harm does not require further harm. Punishment does not equate protection or healing.
Rules
1. Do not depart from these rules, unless you have to.
2. Morgan M. Page’s Rule: Try to avoid criticizing other trans people in public. The world does it enough already.
3. Favor in person or private conversations: Addressing someone’s comments or actions in person or privately is typically more constructive and effective. It allows you to communicate more cogently and with more nuance problems in someone’s actions or words and because it is less likely to make them react defensively from a place of trauma or fear.
4. Take your time: Few things require an immediate response. Responding while caught in a surge of thoughts and feelings is often unproductive. Ask yourself how much harm was done, versus how much we are reminded of an earlier harm. Ask whether your response is rooted in misperception or potential biases towards the person due to race, disability, gender, or other marginalized identities. Consider whether their words or actions reflect a different kind of thinking or communication style, a lack of access to education, or limited access to progressive communities and norms. You can respond tomorrow, once you have collected your thoughts, talked to others, and gained perspective.
5. Don’t mob: Be aware of group dynamics. Ask yourself if you are connected to this person and in community with them. Avoid jumping into the fray when others are already criticizing the person. Do not invite others to join in and mob them. Withdraw if others join in, and kindly ask people to stay conscious of mobbing dynamics. Mobbing rapidly grows out of proportion.
6. De-escalate: Focus on de-escalating conflicts. Ask what people mean or want, and why. Ask them for clarification or elaboration if needed. Ask yourself if you know enough about the context of the situation. Distinguish the action from the person, and acknowledge that it is normal to respond defensively or aggressively to public criticism and mobbing. People are traumatized, mentally ill, and are scared of losing the little social support they have. As a result, conflict can trigger a fight-or-flight response in both those who are criticized and who criticize, which leads to escalating conflict and ends in a loss of community. Dropping the conversation to return at a later date is preferable to escalation. Often, I find it best to limit myself to three replies in conversations that aren’t constructive.
7. Respond proportionately: Responses to words and behaviours should be proportionate to their harm, and reflect a need for healing and protection rather than punishment. When we speak from a place of hurt, we can understandably but unfortunately forget the measure and impact of our response. Use language that reflects the nuances and gradations of harm rather than a coarse good and evil binary. Cutting all social support and community banishment are rarely a proportionate response, even for someone who doubles down and does not apologize. Responding proportionately is asking first and foremost what response sustains rather than dissolves life. Especially when it comes to words, it is better to under-react than to over-react.
8. Ensure support for everyone: Check in on those who are criticized and those who criticize them. Remind people that we are all in this together, and that banishment is not how we work as a community. Everyone deserves to have their needs met. Do not shun or reproach people who offer support to those who were criticized or called out. Distinguish supporting a person from enabling their behavior.
9. Hold space for people to grow: Allow space for people to be accountable, change, and move on from previous conflicts. Do not hold past behavior over people’s head, nor dig up past misdeeds to fuel present conflicts.
10. Resolve conflict and harm as a community: We must ask how our communities enable and cause hurt and harm, and find ways to transform the conditions that create them. Holding accountable, problem-solving, and conflict resolution are functions that should be taken up by the collective, not isolated and unsupported individuals.
11. Center those most hurt or harmed: Focus on supporting and empowering people who are hurt and harmed rather than on punishment. Ask what they need to be safe and integrated in our communities, while committing to support for everyone; what they need to repair their relationship to the person who hurt or harmed them. Focus your involvement on bringing people together, fostering dialogue and mutual understanding, and restoring a sense of community togetherness, rather than deciding who is right or wrong.♦
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monacodarling · 1 year ago
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Cant stop thinking about how paradoxical Charles and Max are I mean the narrative is there right but
Max growing up in a harsh condition—almost to the breaking point. Wanting nothing but to be the best. Conditioned to be alone. Used to being lonely.
Charles growing up in a loving family. Support from the family, having friends, growing up with different people hes still friends with today.
Max growing up under public scrutiny. Nothing like a famous father whose expectations you have to live up to. You can say he was born to race. That was his sole purpose.
Charles growing up wanting to be the best. The adoration and belief and faith from his family.
Max finally drawing boundaries with his own father. Christian and other people stepping in. Years of understanding. Finally in F1 in Red Bull.
Charles and his grief. One loss after the other. Finally in Ferrari, although a bit too late.
Max and his teammates—Carlos, and Daniel, and Pierre, and Alex, and Sergio. Some people he really start to let in, and be genuine friends. People like Lando start to come in. His demeanor slowly changes as people get to know him who he is and his love for animals.
Charles and his teammates—Seb and Carlos. Seb as someone who’s gotten to know what it’s like living with grief. Grief being a part of you. How much promises and faith weigh you down. Charles is very accessible. Kind and open to people. But he holds most at a distance. Like this is only where you get to only know me. This as far as you can go.
Max, doesn’t care what the public thinks, used to him being painted the villain, as someone who is angry and mad and raw all the time. But proves you can be as hungry and greedy as you can be, and only have a few people at your back. He’s fine with it. He’s used to be alone, he’s genuinely grateful of the people who’s been with him through thick and thin over the years. At the end of the day, he does things for himself. Because if being the best is his purpose in life, to make people happy, then that’s what he’s going to be. And if he’s tired of being the best, he can go because he knows there are people no matter who he is, they’ll be there.
Charles slowly suffering with the burden of the tifosi’s faith, his promise to Jules, his dad, to Anthoine. Charles wanting to be hungry and greedy but can’t stand of losing someone, of people abandoning him. Like I feel the more reckless and desperate he gets, it’s because he’s pushed by his own want. Sometimes what he needs to do and who he needs to be versus who he really is messes up his own vision of what he wants. He needs to be the best because it is a debt to be paid. And as long as it goes unpaid, he ignores the blood, he ignores the pain, he ignores the gnawing loss and sadness because he deserves it. He’s not winning, and he keeps on losing, and he is afraid if he’s unable to win, people will leave him. It’s either he leaves first, or he makes people leave, or in the end, he’s sure that people will leave him. He doesn’t know how to be alone.
Max with the faith in himself.
Charles’s faith of others towards him. Never from himself.
And I think that’s beautiful.
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starryhyuck · 1 month ago
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forbidden fruit. (m) — PATREON EXCLUSIVE
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pairing: bestfriendsdad!johnny x afab!reader
words: 6.7k+
summary: you’re old enough now to know who you really want. even if that person is your best friend’s father.
genre: smut
warnings: age gap, public sex, car sex, daddy kink, we go raw with daddy!johnny in this house, creampie, degradation, fingering, good ol’ cunnilingus, pregnancy
this fic is exclusive to the $5 tier on my patreon, which you can access here! below is a tumblr preview
“Hey, do you mind getting some of that on my back?”
You quickly turn over, resting your chin on your hands as you wait for Johnny. You hear him shuffling before his knees sink on both sides of your hips, hovering over your form and squeezing sunscreen onto his palm.
“You know I’m as old as your father, right? And divorced too. You’re not making very wise choices for a girl your age.”
His hands roughly squeeze over your exposed shoulders and you chew on your lower lip, hoping the strings of your bikini happen to malfunction at the perfect time.
“I don’t know what you’re talking about, Mr. Suh,” you hum. “I’m just trying to enjoy the sun on this beautiful day. You wouldn’t want me to burn out here, would you?”
He chuckles, and his deep voice sends shivers straight to your core. His fingers press into your lower back and you hold back a moan from how good he feels. He toys with the straps of your bikini, and you both know all he would have to do is tug at the fabric for it to fall apart in his hands.
You wonder if Johnny knows exactly how many women lust for him on an ongoing basis. Every single housewife on the block brings him cookies on the regular, as if they’re running bakery shops inside their homes. You used to giggle with a group of your friends in high school about Soojin’s hot dad, gawking at him when he came to pick up your best friend in a sleeveless top and sunglasses. You thought his wife was an idiot to cheat on him because how could she top the perfection that was her husband?
“Pretty small bikini to wear in front of an old man,” he comments, playing with the thin strings of your bottom. “What exactly are you trying to get out of this?”
You turn your head to smile up at him. His body blocks the sun but casts a warm halo around his face, highlighting the smirk painted on his lips.
“A fun day in the sun, that’s all, Mr. Suh,” you say with a devious quirk of your lips. “Why? What were you thinking of doing?”
He gently squeezes your ass, watching your expression carefully. The smile doesn’t wipe off your face, even as his hand drifts in between your thighs. Two fingers gently nudge at your clothed core as you narrow your eyes at him.
“Oh, so that’s what you had in mind? Dirty old man,” you huff.
“You don’t even know the half of it,” he murmurs while shaking his head. “If you could only see what I’m thinking of doing to you right now, you’d run far from here and never come back.”
You laugh as a gush of wetness drips down your cunt. “I’m a big girl now, Mr. Suh. I don’t back down from a challenge.”
“Big girls don’t play with fire like you do.”
want to read the rest? access the $5 tier on my patreon here!
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mariamakeslemons · 2 months ago
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Kinktober 2024: Day 15 Gloryhole/Teasing
Warning: Reader is AFAB, Reader is objectified by Price and Soap, sex work, the unenviable situation of being recognized by your ass in public
You almost wish you had brought a book, tapping your nails against the bench you’re laying on. Every idiot who’s come to you so far is a two-pump-chump, barely getting you wet enough before shoving it in and cumming in the supplied condoms. You’d been meaning to re-read the Sandman graphic novels, maybe bring those in?
Suddenly, a pair of hands find your ass and spread your cheeks, startling you a little. Despite the wall, you turn your head and arch a brow behind you. Thick fingers trace up your slit, thumbing a little at your asshole, before the pair of hands holding your ass lets go and the fingers retreat. There are at least two people out there, probably men from the feeling of the fingers. Feather-light touches trace along your exposed skin, making you squirm a little and your pussy to clench a little. Rough hands settle back on your ass, this time squeezing the cheeks in their palm. You squeak, jumping when someone continues to delicately trace patterns into your skin while the other hands pull your cheeks apart again.
Then, warm breath flows over your pussy. You tense when a tongue prods at your pussy, keening when it slides in to help slick you up. Faintly, you hear something being said, but it’s heavily muffled by the wall, which makes you a little curious of who’s on the other side. Mostly, you want more, the fingers dipping into your pussy as the tongue continues to lap at your pussy and clit. Your legs are shaking, gasping with each pass of the wet muscle while a finger twists and fucks you. You’d been toyed with by the idiots before, never enough for an actual orgasm and barely enough to make you wet enough to actually fuck you. Whoever’s on the other side of the wall is doing so much more than even your exs, as an orgasm rushes through you. The moan you let out is embarrassingly loud, and you wonder if they heard you on the other side, especially when the tongue is pulled away.
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Price smirks, amused at the puppy dog look Soap is giving him. The Sergeant is covered in your slick, fisting his cock desperately as he kneels level with your pretty pussy.
“Y’ think you’ve been good enough?” Price asks with a tilt of his head.
“Yeh, Ah’m good,” Soap starts rambling, “A good dug. Please, Ah wanna treat. Ah’ve been good!”
“Alright,” Price sighs, grabbing the man’s head and shoving his face back into your pussy, “Eat ‘er out again, make ‘er wet, then I’ll fuck you while you fuck ‘er.”
“Yessir, thank y’ sir,” Soap moans, eating you out like a man starving. Price finally lets his hair go and undoes his own pants, grabbing two condoms and rolling one over his cock. Normally, he’d fuck his boys raw, but this is a place of business, even if the business is sex. He’s not going to leave a mess and lose access, especially when someone with as lovely an ass as yours is here. Soap is whimpering like a dog, one of his hands spreading your pussy open while the other is jerking his cock, pausing to squeeze at the base, holding off his own orgasm. Your legs tense and a faint moan leaks through the wall as Soap gets another coating on his face of your slick. The younger man stumbles to his feet, moving to press his drooling cock into your fluttering pussy, only for Price to stop him.
“Wrap it up, y’ muppet,” Price scolds, pulling him back to roll on the condom. Soap whines a little, but stays still enough to allow Price to put on the condom, before pressing into your slick pussy. Again, a faint moan is heard from through the while, going higher when Price pushes into Soap’s pretty ass and getting a moan from him as well. Price presses a kiss to Soap’s cheek and takes control, by fucking his boy to fuck you.
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Laying your head on the desk of the bookstore, you thank every God and thing that allows you to sit and recover from your other job. After the pair of men, you had to be let home early due to the aggressive sex, although they had tipped you generously. Sighing, you raise your head and blink at the customer that seems to have just appeared out of nowhere. The man stares down at you with bright blue eyes, his shaggy mohawk trying to touch his eyebrow, with a tall stack of books.
“Oh, sorry,” you apologize, taking the books from him to start scanning, “Did you find everything alright?”
“Yeh,” he says, staring at you intently. You press your lips together, more than a little unnerved by his focus on you. Instead, you look at the books he’s gathered.
“I’ve read this one,” you tell him, raising up the book with a grin, “One of my few nonfiction books, it’s pretty funny.” He doesn’t respond, still staring at you seriously. Your smile drops and you return to scanning his books.
“Soap, you found everything?” an older man asks, a few books in his hand as he looks at the man you’re checking out.
“Yeh,” the man repeats, still staring at you. The older man, with a distinct beard and mustache, frowns at the man’s behavior and cuffs him on the head. The younger man yelps and turns to look at the other man, finally letting you breathe. He whines, “Why’d ye hit me?”
“You were freakin’ out th’ poor clerk,” the older man replies.
“But, Captain, tha’s ‘em!” the younger whines, “The prettiest puss Ah’ve ever ‘ad!” You choke, nearly dropping the book in your hand as the older man cuffs him again.
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