#rap recording studio in los angeles

[nicolasflores]

Nico Flores. Kevin Kimble.

The legendary Record Plant Recording Studios.

SSL 1 room.

Los Angeles, California, United States, North America.

[jmdbjk]

Episode 5: WELCOME!

Beyond the Star, produced by HYBE Media Studio

BTS continues to break records with Butter and Permission to Dance.

Whereas Dynamite was intended to be a feel good song for the fans during trying times, Butter was a little more intentional. BTS did not think they would release another single after Dynamite and the BE album but the pandemic was wearing on so out of many songs that they were sent to consider, they chose Butter. Namjoon rewrote most of the rap and the rest, as we keep saying, is history.

Butter broke Dynamite's Youtube premiere record of peak concurrent viewers with 3.9 million as well as other viewer number records.

Butter debuted at #1 on the BBHot100 and charted at #1 for 10 non-consecutive weeks. "Smooth like butter" became the catch-phrase of the summer of 2021.

And FINALLY, BTS heads to Los Angeles at the end of November 2021 for their first performances with a live audience. The world is still trying to emerge from all the covid restrictions but this is their chance. The U.S. has opened the doors and they go for it.

They will be one of the first artists to perform at the brand new SoFi stadium.

They are going to give it their all because things are still uncertain. Performing concerts with live audiences, being able to perform physically after such a long break and the fear or dread of NOT being able to perform again with an audience was the biggest thing weighing on them. Yoongi seemed optimistic and Namjoon said he hoped so but was afraid of having his feelings hurt again.

They realize their bodies are aging and that before the pandemic, as we know, they were driving their bodies into the ground physically with their grueling schedules.

It was 2 years between performances with a live audience – Love Yourself/Speak Yourself in Seoul, October 2019 to PTD LA, November 27, 2021.

Watching them prepare, as a group, for a major concert is awesome. These behind the scenes are very precious because they now know what it feels like to go through the motions of a live performance WITHOUT an audience.

The quality of their preparation and rehearsals increased. They had time to talk about the performance and production. They changed some things that they previously did during concerts. They said their energy levels were even higher than ever.

(PTD concert remix of Fire needs to be released this year. Just sayin.)

After they finally perform in front Army, they have mixed feelings. Relief, excitement, trepidation that this might be the last time. It was still a time when they didn't know if they'd get to perform again after PTD LA. One thing we learn is that they realized if they didn't get to perform once back in Seoul, that would be it for three years because of enlistment. Enlistment was the wall they faced every single day.

But as we know, the Seoul shows did go on in March 2022 and the Las Vegas shows in April and we also know how the rest of 2022 went.

We see them enjoying some free time in Los Angeles while in-between concerts, something they never got to do before. I think they made the free time a requirement when doing concerts. Their bodies needed to rest.

We see them win AOTY at the AMAs.

It is more serendipity because Namjoon mentioned a little bit before in this episode that he'd thought about quitting until he realized they belonged on that stage and knew that's what had to happen. Jin says the previous 2 years were a time for them to reorganize themselves and they were able to release Dynamite, Butter, Permission to Dance and reach even more overseas fans and make their concerts even more exciting.

Jungkook says they were not expecting to win AOTY at the AMAs. Winning Artist of the Year at the AMAs enabled them to view it as yet another door opening to their future.

Holding sold out concerts in huge stadiums, performing at the top of their game, winning huge awards at western award shows, these things legitimized them being asked to represent their country at the UN and other global and international diplomatic conferences.

I know... they were asked to do this BEFORE they won the Artist of the Year at the AMAs, and BEFORE the PTD shows, and it is because of what they'd accomplished before those things, but it further drives the point home that BTS will continue in the future to be a big player in the music industry worldwide and they already know this.

Jungkook says they aren't sure what the future holds yet but ignoring what's happened is not an option.

Tae says they want to remain the artists who impart a positive influence.

They have finally realized what their purpose is and they are realizing the influence they wield.

[cyarsk52-20]

I know that it’s been weeks since my Spotify wrapped but I thought it would be a good idea to talk about my top songs

First track: "Killing in the Name" is a song by the American band Rage Against the Machine, and appears on their 1992 self-titled debut album.It features heavy drop-D guitar riffs. The lyrics protest police brutality, inspired by the beating of Rodney King and the 1992 Los Angeles riots.

The guitarist Tom Morello wrote the riffs while teaching a student drop D tuning; he briefly paused the lesson to record the riff. The band worked on the song the next day. According to Morello, "Killing in the Name" was a collaborative effort, combining his riff with Tim Commerford's "magmalike" bass, Brad Wilk's "funky, brutal" drumming and vocalist Zack de la Rocha's "conviction".Morello recorded his part on a Fender Telecaster.

this song (their signature song btw) combines elements of punk and hip hop and has been described as alternative metal, rap metal, rap rock, hard rock, and proto-nu metal. The journalist Peter Buckley described it as "a howling, expletive-driven tirade against the ills of American society". The song builds in intensity, as de la Rocha chants the line "Fuck you, I won't do what you tell me", building in a crescendo the next four times and aggressively screaming the line the final eight times, culminating with the scream "Motherfucker!" The song contains the word "fuck" 17 times.

The lyrics were inspired by the police brutalitysuffered by Rodney King and the subsequent 1992 Los Angeles riots. The refrain "some of those that work forces are the same that burn crosses" draws a link between the Los Angeles Police Department and the Ku Klux Klan. According to BBC News, "Killing in the Name" protests the military–industrial complex, justifying killing for "the chosen whites".

It’s not a surprise that this song has been on my Spotify wrapped multiple times in the past few years but I never thought it would be number one twice in a row.

second track: "Superhero" is a song by American rock band Jane's Addiction and it’s from their third album Strays . Though not a single, it’s best known for the theme song for HBO original series “Entourage “ (2004-2011)

I’m not a huge fan of Jane addiction but this one slaps hard

third track: “like that” is a song by American rapper Future and record producer Metro Boomin with fellow American rapper Kendrick Lamar . It’s the third and final single from Future and Metro's collaborative studio album, We Don't Trust You, on March 26, 2024. Rodney-O & Joe Cooley are also credited as songwriters as the bass line in the song contains samples of their 1986 song, "Everlasting Bass". "Like That" also has additional elements that contain samples of Eazy-E's 1989 single, "Eazy-Duz-It", and contains a vocal sample of Michel'le.

A trap and hardcore hip hop song that is predominantly composed of lively percussions, "Like That" received acclaim from music critics, who primarily praised Lamar's performance and Metro's production. His verse, which attracted significant media coverage, is a diss aimed at fellow rappers Drake and J. Cole in response to their 2023 collaboration, "First Person Shooter." 

Lyrically, Lamar uses his surprise appearance to directly respond to "First Person Shooter", rapping: "Yeah, get up with me, fuck sneak dissing / "First Person Shooter", I hope they came with three switches". He also rejected J. Cole's idea of the three rappers representing hip hop as its "big three" and claims that he alone takes the top spot: "Motherfuck the big three, nigga it's just big me". Throughout his verse, Lamar compares his rivalry with Drake to Prince's reported feud with Michael Jackson ("What? I'm really like that / And your best work is a light pack / Nigga, Prince outlived Mike Jack"). Drake has notably compared himself to Michael Jackson on numerous occasions, including during the final verse of "First Person Shooter", and Lamar has similarly compared himself to Prince. Lamar also makes references to the Click ("Niggas clickin' up, but cannot be legit / No 40 Water") and Stephen King's 1983 novel Pet Sematary("'Fore all your dogs gettin' buried / That's a K with all these nines / He gon' see Pet Sematary").

Lamar verse is the contender for iconic feature verse in a hip hop song of the year and that’s saying something

Fourth track “lights on “ is a song by Canadian singer-songwriter Shawn Mendes from his second studio album Illuminate. This song contains lyrics about lovemaking in a way that is not too racy or overly sexual in nature. Very classy, very demure and mature

fifth track: "Meet the Grahams" (stylized in lowercase as meet the grahams) is a diss track by American rapper Kendrick Lamar. It was released on May 3, 2024, through Interscope Records, during his ongoing feud with Canadian rapper Drake.

The song is written in the form of a letter, with each verse addressed to members of Drake's family, including his son Adonis, his parents Sandra and Dennis Graham, his alleged daughter, and Drake himself.

In the song, Lamar accuses Drake of being an absent father, signing sex offenders to his OVO Sound record label, and being a sexual predator himself. He even goes as far to compare Drake to disgraced Director and movie mogul Harvey Weinstein saying that people like him should die.

He also alleges that Drake is running a sex trafficking ring out of his Toronto mansion, saying it will soon be raided by law enforcement. Lamar further accuses Drake of lying about his family, his OVO Sound labelmates, and Lamar himself.

Produced by the Alchemist, "Meet the Grahams", unlike Lamar's previous responses, takes on an unsettling, haunting atmosphere, with an eerie piano-driven beat, sampled from Timothy Carpenter & Triunity's "I Want To Make It" accompanying critical lyrics accusing Drake of a number of wrongdoings including parental negligence, sexual exploitation, sexual grooming, sex trafficking, and another incident of child abandonment.

I remember when I heard about this track. When I first heard it I knew the moment I heard the opening lyrics “dear Adonis, I’m sorry that man is your father” along with the haunting, unsettling atmosphere of the beat(combined with a eerie piano playing) this is going to be brutal . From beginning to end I was stunned speechless and then I was like oh my gosh. Totally brutal and dark (and the darkest song in the history of my Spotify wrapped ,and that in a world where “we cry together “ featuring Taylor page exists, see my 2022 version of Spotify wrapped) and yet methodical and creative.

[thelensofyashunews]

SURF GANG AND VALEE SHARE NEW PROJECT GREY SKY LONDON 

SURF GANG kingpin evilgiane has joined forces with Chicago rapper Valee for new project Grey Sky London––out now. The tape follows lead single "WHY NOT", which was lauded by Pitchfork, The FACE, Stereogum, UPROXX, and more. The project began bubbling when Valee and evilgiane linked together in Chicago at Valee's home studio and features additional production from Los Angeles native and Surf Gang co-founder Eera, who produced two tracks on Grey Sky London. About the project Valee says: 

"Most producers just send beats now so it was dope to actually sit down with evilgiane and work on this project together. It's a whole new sound and style for me."

Grey Sky London arrives on the heels of a string of electric evilgiane collaborations, including Spanish rapper Rojuu for "FAMILY MART", Houston rapper Guapo for their single "HALLOWEEN FREESTYLE", alt-pop crooner Nourished by Time on "INSTANT DEATH" (feat. Goner), link-ups with sniper2004 and SADPONY on "i don't wanna be a rapper", and Babyfather on "bluey vuitton". Recent months have also seen the SURF GANG founding member release Slimesito collab project EVILSLIME and January mixtape #HEAVENSGATE VOL. 1, the latter of which boasted features from the likes of Rx Papi, 454, Bear1Boss, Nettspend, and FLEE and was instantly met with praise from The FADER, Stereogum, Hypebeast, and Pitchfork.

Following a 2024 GRAMMY “Best Rap Performance” nomination for his work on Kendrick Lamar & Baby Keem’s“The Hillbillies” as well as recent contributions to SURF GANG collab projects CHURCH & SURF with Durkalini, JACK & THE BEANSTALK with LUCY (Cooper B. Handy), and Bbyafricka on HARD COPY, evilgiane’s latest release showcases why The FADER hailed the producer for his “woozy beats (part New York drill, part digital cloud rap) [that] have served as a springboard for inspired singles by Kendrick Lamar (‘The Hillbillies’ with Baby Keem), Earl Sweatshirt (‘Making the Band (Danity Kane)'), and Playboi Carti (‘Sights’ with A$AP Rocky).” Alongside working with some of rap’s biggest names, his other recent production credits include Nettspend's "Beach leak", Maxo Kream's"Bang The Bus", collabs with 454, Matt Ox, Serane, and John Glacier, as well as “Luv The Tour” off the deluxe version of Veeze’s critically-acclaimed debut album Ganger. Additionally, evilgiane recently made waves with his NYC Boiler Room performance with Snow Strippers and Eera this summer. Still riding the momentum from a breakout year that saw him land two Top 20 records in Pitchfork’s ‘Best Songs of 2023’, evilgiane is continuing his ascent into the upper-echelon of producers — and, in the words of Stereogum, "changing the sound of hip-hop” in the process.

[xabiramone]

Happy birthday to Anthony Kiedis ( born November 1, 1962) is an American singer. He is a founding member and lead vocalist of the rock band Red Hot Chili Peppers. Kiedis and his fellow band members were inducted into the Rock and Roll Hall of Fame in 2012.

When Kiedis received an offer to be the opening act for a local band, he enlisted Flea, Slovak, and drummer Jack Irons. After a show under the name Tony Flow and the Miraculously Majestic Masters of Mayhem, the band progressed and the line-up eventually became the Red Hot Chili Peppers. He has recorded eleven studio albums with the Red Hot Chili Peppers.

Kiedis' lyrical style has evolved throughout his career; early recordings discussed topics such as sex and life in Los Angeles, while more recent songs focus on more reflective themes including love, addiction, and loss. His vocal style has shifted from rapping to more conventional singing. He struggled with addiction until 2000, and has since remained drug-free.🎂

[cyarsk5230]

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ENTERTAINMENT

IT’S LIT: Celebrating Travis Scott’s 33rd Birthday With All Of His Top 10 Billboard 100 Hits

Written byDavonta Herring

Published onApril 30, 2024

Source: Christopher Polk / Getty

One of the biggest artists and popular culture figures of this generation turned 33 today. Click inside to celebrate his legacy with a gallery of all of his Top 10 hits!

Jacques Bermon Webster II was born in Houston, Texas. Webster lived with his grandmother in South Park, Houston from ages one through six. He then moved to Missouri City to live with his parents. Due to the fact that Webster’s father is a soul musician and his grandfather was a jazz composer, music was already embedded in him. While attending Elkins High School, which he graduated from at 17, he participated in musical theater. During his second year at the University of Texas at San Antonio, Webster dropped out to fully pursue his music career.

One he left college, Scott moved to New York City. He slept on his friend’s floor and spent most of his time at Just Blaze’s studio. Unfortunately for him, progress didn’t come fast enough. He moved to Los Angeles after only living in NYC for four months. After falling on tough times in LA, Scott moved back to Houston but was eventually kicked out of his parent’s home. When he moved back to Los Angeles, he began to sleep on the couch of a friend who studied at University of Southern California. Around the time, Grand Hustle Records rapper and owner T.I. heard one of Scott’s productions. One of T.I.’s representatives invited Scott to a studio for a meeting. During the meeting, T.I. rapped over one of Scott’s productions, laying the groundwork for Scott to sign with Grand Hustle.

After several delays, Scott’s first solo full-length project, Owl Pharoah was released on May 21st, 2013. The following year, he released Days Before Rodeo, his second mixtape and the prelude to his debut studio album Rodeo. The highly-anticipated album was released on September 4th, 2015. It debuted at number three on the US Billboard 200 chart and catapulted him to a household name. Since then, Travis has released three more solo albums (Birds in the Trap Sing McKnight, Astroworld, Utopia) with all three reaching number one of the US Billboard 200, a collaborative album (Huncho Jack, Jack Huncho) with Quavo and a compilation album (Jackboys) with the rappers signed to Scott’s Cactus Jack imprint.

Cactus Jack Records, which was founded in 2017, is just another venture Travis has dived into. He started the annual music festival Astroworld in 2018. Over the years, Scott has collaborated with countless clothing and sneaker brands including Been Trill, Diamond Supply Co., A Bathing Ape, Nike, Helmut Lang and Jordan, just to name a few. The ‘Pick Up The Phone’ artist has teamed up with the likes of Fortnite, McDonald’s and even PlayStation to promote special merchandise, meals and so many other things. He made his theatrical in the 2021 film Gully. Later in the year, he signed a movie production deal with A24.

Travis Scott has left an undeniable mark on this generation. Although he is involved in so many things, the world initially came to love him based on his music prowess. To celebrate his legacy and his birthday, check out our gallery of all of his Top 10 Billboard Hot 100 hits. HAPPY 33RD TRAVIS!

1. Drake ft. Quavo & Travis Scott – Portland

Source:Drake

2. Stargazing

Source:Travis Scott

3. Sicko Mode ft. Drake

Source:Travis Scott

4. Lil Wayne ft. Travis Scott – Let It Fly

Source:Lil Wayne

5. Kodak Black ft. Travis Scott & Offset – ZEZE

Source:Kodak Black

6. Post Malone ft. Ozzy Osbourne & Travis Scott – Take What You Want

Source:Post Malone

7. Highest In The Room

Source:Travis Scott

8. Travis Scott & Kid Cudi – The Scotts

Source:Travis Scott

9. Franchise ft. Young Thug & M.I.A.

Source:Travis Scott

10. Drake ft. Travis Scott – Fair Trade

Source:Drake

11. Drake ft. Travis Scott – Pussy & Millions

Source:Drake

12. Travis Scott, Bad Bunny, The Weeknd – K-POP

Source:Travis Scott

13. Travis Scott ft. Drake – MELTDOWN

Source:Travis Scott

14. Travis Scott ft. Playboi Carti – FE!N

Source:Travis Scott

15. 21 Savage, Travis Scott, Metro Boomin – née-nah

Source:21 Savage

16. Future, Metro Boomin, Travis Scott, Playboi Carti – Type Shit

Source:Future

17. Future, Metro Boomin, Travis Scott – Cinderella

Source:Future

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[jknerd]

DISNEY STUDIO AU OC: Jolly Wings

Full Name: Jolly Wings

Other Names: Jolly Roger (stage name), Aunt Jolly

Schools: Acme Middle School (graduated), S. Symphony High School (graduated)

Occuaption(s): Sub-vocalist of Wings’ Wink (retired), Solo Singer (former), talent manager

Residence: Spoonerville, Ohio

Family: Bliss Wings (oldest sister), Glory Wings-Goof (older sister), George G “Goofy” Goof (brother-in-law), Debbie (niece), George Jr Goof (nephew), Maxine Goof (niece), Gloria Goof (great niece)

Relationships: George G “Goofy” Goof (first and longtime unrequited love->friend), Clarabelle Heifer (acquaintance), Sylvia Marpole (one-sided rival->acquaintance), Peg Pete (acquaintance), Big Time (boyfriend)

Likes: Goofy, singing, dancing, her job as talent manager, guys with black hair and “cute laughter”

Dislikes: Being bossed around, Bliss’ nagging, fear of being hated by Goofy or Maxine

Jolly Wings was a sub-vocalist of Wings' Wink consisted with her and her two older sisters; Bliss and Glory B. Sister-in-law of Goofy, aunt of Debbie, George Jr, and Maxine. She is currently a talent manager where Maxine later joins to work. Not many have known but only FEW knows Jolly's longtime unrequited crush on Goofy (especially Clarabelle). 

With her two older sisters, they formed a girl band “Wings’ Wink” and received a status as sub-vocalist of the group. Being the youngest of the group, she was forced to maintain the image of “cute and innocent” one by the recording company. At some point, she encountered Goofy who was working as talent and also a student of college. Goofy has become her first friend and companion she could talk to when feeling stressed. Through this, Jolly developed romantic feelings for him. However, when hearing Glory B becoming pregnant with Goofy’s child, she felt betrayed and upset she refused to contact with her older sister. While Bliss became a songwriter, Jolly debuted as solo singer under the stage name “Jolly Roger” in a concept of rebellious girl, receiving more popularity. When Glory B passed away, Jolly did not attend her funeral as it could mean she would see her and Goofy’s children. When the tabloids made a false article about Goofy and Clarabelle’s scandal, Jolly was immediately hostile towards Clarabelle but relieved to learn the scandal was not true.

At some point, Jolly Wings retired as a singer and worked as talent manager. There were few occasions she have noticed Maxine’s talent; one is where she and her father danced with Powerline on stage at Los Angeles, California during the girl’s summer vacation. The second was College X-Game where Maxine won the competition against Bradley Uppercrust III. When the Disney Studio wish to have Maxine debuted, they hired Jolly as her manager. When meeting Maxine in person for the time as she was introduced as her aunt, Maxine happily hugged her, much to her surprise. Though, when seeing Maxine performing or displaying her talents, Jolly felt the bitterness as she views Maxine as perfect combination of Goofy and Glory B. Later, it is revealed that Jolly has been giving Maxine’s informations to the Beagle Boys, the hip-hop-rap-pop group who was envious of Maxine’s growing popularity. As Jolly interact with Maxine more, the less she felt bitter and grew to genuinely care for her niece. But, the conflict rise when Maxine received her first award in music as Beagle Boys sold Maxine’s informations of current house she stays, her private accounts, and her love life before telling Maxine that Jolly has been working for them by gaining her informations and secrets. However, Maxine surprised the Beagle Boys and Jolly by saying she already knew everything (including Jolly’s feelings for Goofy), because she asked Bradley to spy on them as she, in fact, has not entirely trusted Jolly who has not been in her family life until now. Maxine also added that nothing would ever distract her from what she enjoys as she won’t tell the entire thing to her father Goofy.

Since then, Maxine has not calling Jolly “aunt” as she referred her by a name as the only time she would talk to her aunt is during work outside college. Interpreting this as renouncing her, Jolly has grown immense remorse of her actions and starts to put efforts to reconcile with Maxine. Finally turning to Goofy for help and told him everything that happened, Goofy was not angry but still upset. However, he advised her to talk to Maxine and see whether his daughter could forgive or not. Jolly tearfully apologized, confessing her actions were because of her obsession with him, finally able to tell him what she have felt. Goofy apologized for unable to see through her clearly and is glad that she is willing to be close to Maxine as a family. Eventually, she and Maxine finally able to talk as Maxine told her that while the betrayal still hurts, she never hate her aunt as the reason why she avoided her was because knowing her feelings for Goofy and her resentment of Glory, Maxine thought that keeping the distance or renouncing her would make Jolly feel better. Though, Maxine added that Jolly might have to avoid Pete or Peg for a while because he snitched on his wife about Jolly’s betrayal to Maxine and Peg was absolutely UPSET.

Later, Jolly also reconnected with her older sister Bliss and encountered her daughter Debbie. In some occasions, Jolly is seen stopping her sister from trying to break Debbie and Duke apart. Finally able to move on from her first love, Jolly awkwardly but genuinely bonds with Sylvia who eventually married Goofy. At some point, Jolly properly meets two boys who have feelings for Maxine; Rox and Bradley. When asking the latter how did he find out about her, Bradley explained of his sharp profiling and analysis of her, the Beagle Boys, deducting her lifestyle and her feelings for Goofy, which greatly scared her as she replied she “doesn’t want to be his enemy”. Fortunately, she is currently in a healthy relationship with the leader of Beagle boys, Big Time, who has let go of his obsession in success.

[dweemeister]

November 14, 2023

By Adam Elder

(BBC Sport) — On a Saturday evening in February 1990, many of the United States' finest footballers stepped on to A&M Studios' historic soundstage in Los Angeles.

A month before John Barnes would implore his England team-mates to "hold and give, but do it at the right time" in a studio in Berkshire, the United States team recorded their own rap - one they hoped would make the sport famous at home.

In a moment, some of Hollywood's biggest celebrities would walk through the door to join them.

The plan was to record a novelty music video for a star-studded jock jam called Victory. The track celebrated the United States' first trip to the World Cup in 40 years, long before any of these players were born.

Never mind fame, though. In 1990, making football a little less hated in the United States would have counted as a runaway success.

Americans mostly considered football a fringe concern - if they even considered it at all. Baseball, American football and basketball were the "real" American sports.

For most of the 20th century, football in the States was for "the others", to put it politely: expats, cab drivers, dishwashers, exchange students, leftists, intellectuals, Euro snobs and the like.

Still the US Soccer Federation was constantly thinking about how to grow the game.

Werner Fricker, the federation's stern but visionary president, had cannily realised Fifa's desire to wring American dollars out of the world's most popular sport. By 1988, he had guided the United States to victory over Brazil and Morocco to win the right to stage the 1994 World Cup.

But Fricker knew a World Cup in the States faced scepticism. He wanted to prove the hosts had a team good enough to qualify on merit.

He put up his own money to fund a push to qualify for the 1990 event. If the United States succeeded it would be the first time they had made the World Cup since Brazil 1950, where they earned their place via a second-place finish in a three-team pool.

"Werner refused to accept that qualification wasn't doable," said Kevin Payne, former director of marketing and national administrator for the Federation. "He knew what needed to be done, and that past attempts were amateurish."

Fricker made Bob Gansler the team's first full-time coach. A tough yet erudite German-Hungarian immigrant, Gansler's knowledge of American youth football ran deep.

The team picked by Gansler, many fresh out of college, had been raised during the North American Soccer League's Pele-led glory days and were a clean slate from past failures to reach the World Cup.

They had chips on their shoulders for all sorts of other reasons though.

Many of them were second-generation immigrants, their parents and family lives different from an 'apple pie' American ideal. They loved a sport that many around them reviled and yet there was no nationwide outdoor league for them to play in.

[lena-ibarra]

ana de armas + she/her + cis-woman  –  have you seen magdelena "lena" ibarra around los angeles? the thirty three year old is usually jamming to daddy lessons by beyonce ft. the chicks. word around the city is that they’re determined yet, they can also be snarky, but you didn’t hear that from me. they’re currently an executive assistant  and are typically seen walking the streets of los angeles with their favorite daily planner. when i think of them, i think of color coded schedules, beer bottles with peeled off labels and riding a motorcycle in heels. let’s hope the city treats them good! 

penned by nika ✨

basics →

name: magadelena "lena" ibarra age: thirty-three gender & pronouns: cis-woman, she/her birthday: october 17, 1989 hometown: miami, fl current residence: los angles, ca current occupation: executive assistant romantic orientation: hetero-romantic sexual orientation: straight relationship status: single as a pringle

fun facts →

likes: dogs, thai food, rock music, country music, reading, color coded planners & organization, anything that makes her heart race, proving people wrong dislikes: cats, rap music, cuban sandwhiches, know it alls, chocolate cake, peppermint prized possessions: her motorcycle, daisy & her first edition copy of the scarlet letter wouldn't be caught dead without: her planner, a pen, and a bag of mike and ikes

background →

magdelena ibarra--lena, as she would be known-- was born to Selena & Raul Ibarra as their only daughter. Only child, which was in stark contrast to the dreams that had held for their family. They had been envisioning a dynasty, one that could stand the test of times--and trends--to remain on top. selena was a former singer turned entrepenuer who created the nation's first fair-paying streaming service, melodia. it had taken the industry like wildfire and while it had not surpassed spotify, it absolutely held a name for itself. raul had been her manager in her younger days--a rare case of when a working relationship could transition flawlessly into true love. lena, despite the parentage she had, was hardly musical. she couldn't hold a beat, had no idea how to read music and couldn't understand rhythm for the life of her. her parents weren't sure where they went wrong, but always tried to love her regardless. er, well they always loved her--but sometimes, well, it was hard to celebrate a daughter that couldn't carry the family talent. most especially for selena, who always envisioned doing a comeback tour with her daughter at her side. the last chance for lena to make her family proud was becoming the next ceo for melodia--and boy did her parents know it, at every turn, she was enrolled in business classes. young entreupener programs. internships for middle schoolers. even a business camp to support the up and coming. and boy did lena hate it. for how type a and organized she was, she couldn't stand how her parents aimed to control her. she was a free spirit, an adreneline junkie--she needed to chart her own path. she flat out rejected their offers, and begrudgingly went to the things she couldn't escape. but at 18, she determined that her life was hers and hers alone--and she would not let her parents make her a puppet. dramatic? sure, but that was lena ibarra--if she could have carried a tune, broadway would be shaking in their kinky boots. so off she went, far from miami and the comfort of her family, to los angeles, where celebrities were a dime a dozen and no one would give a shit what the last name ibarra was. she applied for any posiiton she could find at a record studio--only because she did know the industry but not because she felt it would be her calling, finally working her way up to executive assistant to the president. no one would even bat an eye at her, for how unimportnat her position was. just how she liked it.

plots →

friends from either la or miami

enemies/folks she has anamosity with

locals she's close with (bartenders, coffee shops, mechanics etc)

clients from the record shop she has built connections with

gimme angst!!!

gimme fluff!!

gimme romance!!!!

gimme lust!!!

basically i am happy to get creative plz

[zoomglobal]

Zoom Recording Studio- recording studios in hollywood

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[urbanthreads]

Rhythmic Echoes: The Evolution of Rap Music

Photo by Antoine J. on Unsplash

Introduction

Rap music has captivated audiences worldwide with its vivid wordplay, powerful rhythms, and messages. From the gritty streets of the Bronx to the star-studded Los Angeles studios, rap has evolved into a diverse and influential genre. Let’s take a walk down the memory lane and explore how rap music has evolved over the years.

The Roots: 1970s - Early 1980s

Rap music originated in the African-American communities of New York City in the 1970s. At block parties, DJs would play funk and soul records and isolate the percussion breaks to create a continuous beat. This technique, called “breaking”, inspired MCs (Master of Ceremonies) to speak over the beats, narrating stories or rhyming words. Pioneers like DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash are often credited with laying the foundation for rap music.

Golden Age: Mid 1980s - Early 1990s

The mid-1980s ushered in what many consider the “Golden Age” of rap. Rap music became more complex and sophisticated as artists like Run DMC, Public Enemy, and N.W.A addressed social and political issues, shedding light on racial tensions and police brutality. The storytelling aspect became prominent with the likes of Slick Rick and Big Daddy Kane. The East Coast – West Coast rivalry also emerged, setting a competitive atmosphere that fueled creativity.

Diversification: Mid 1990s - Early 2000s

The 1990s saw rap music splintering into various sub-genres. The East Coast, led by artists like Nas, Jay-Z, and The Notorious B.I.G., focused on lyrical sophistication and jazz-infused beats. Meanwhile, the West Coast, with artists like Tupac Shakur, Snoop Dogg, and Dr. Dre, favored funk samples and catchy hooks. The Southern rap scene also rose to prominence with Outkast and Goodie Mob pioneering the ‘Dirty South’ sound.

Commercial Boom: Mid 2000s - Early 2010s

Rap became a commercial juggernaut in the 2000s. Mainstream artists like 50 Cent, Eminem, and Kanye West achieved massive commercial success. Production value skyrocketed and collaborations with pop artists became commonplace. The genre diversified further, with the rise of alternative hip-hop acts like Kid Cudi and Lupe Fiasco.

Internet Era: Mid 2010s - Present

The Internet revolutionized the music industry, and rap was no exception. Platforms like SoundCloud and social media allowed independent artists to release music without a record label. This led to the rise of artists like Chance the Rapper and Tyler, The Creator, who built their careers online. Trap music, characterized by its use of 808 drums and hi-hats, also became a dominant sub-genre, with artists like Migos and Travis Scott at the forefront.

Contemporary Evolution: 2020s

As we move into the 2020s, rap music continues to evolve. The genre is becoming increasingly international with grime in the UK, drill in Australia, and various other styles around the globe. Additionally, the lines between genres are blurring, with artists like Lil Nas X and Post Malone blending rap with country and rock.

Conclusion

Rap music’s journey from the streets of New York to a global phenomenon is a testament to its adaptability and the raw power of rhythm and wordplay. As rap continues to evolve, it remains a voice for marginalized communities, a playground for experimentation, and an ever-changing reflection of society. Whether through poetic storytelling or pulsating trap beats, rap music is, and will continue

[digihindnews]

Biggie Small Net Worth 2023: How Much Money Did The Notorious B.I.G. Have?

Born in the heart of Brooklyn, Christopher Wallace, better known as Biggie Smalls, rose to fame as one of the most iconic rappers of the 90s. With a voice that commanded attention and lyrics that told tales of the struggles and triumphs of life, Biggie's impact on the music industry was undeniable. Even after his untimely death, his legacy lives on, and his music continues to inspire a new generation of fans.

How Much Money Did The Notorious B.I.G. Have?

At the time of his death, the Notorious B.I.G., an iconic American rapper, was worth $10 million. As of this writing, the circumstances surrounding his death from a drive-by shooting on March 9, 1997, at the age of 24 remain unknown.

Early Life Of Biggie Small

He was born Christopher George Latore Wallace on May 21, 1972, in Brooklyn, New York, and became known as The Notorious B.I.G. He was born to Voletta Wallace and Selwyn George Latore, two Jamaicans, and he was their only child. When he was just two years old, his father abandoned his family. As a child, Wallace lived in Clinton Hill, a neighborhood of Brooklyn not far from Bedford-Stuyvesant. In middle school, he excelled academically, earning a number of English-related awards.

Rap Career Biggie Small

After his release from prison, "Biggie Smalls" released "Microphone Murderer," a demo. The Source's Unsigned Hype editor featured Biggie after hearing the recording. The demo tape was also given to Uptown Records A&R and producer Sean "Puffy" Combs. After Combs signed Biggie, Heavy D & the Boyz featured him. Uptown fired Combs in 1993. He started Bad Boy Records soon. Wallace joined Combs' record label on launch day. Biggie's big break was appearing on Mary J. Blige's "Real Love" (remix). He garnered music industry notice as a guest performer. He remixed Craig Mack's "Flava in Ya Ear" with LL Cool J and Busta Rhymes in July 1994.

Biggie Small Net Worth 2023 Biggie released Ready to Die, his first solo album, on September 13, 1994. The Billboard Hot 100 ranked the song thirteenth. "Big Poppa" and "One More Chance" from the album reached #1. Over 1.1 million units were sold in 1995. It went six times platinum. Busta Rhymes said Wallace gave away free copies of Ready to Die from his residence for self-promotion and grassroots marketing. You may also like: - Actress Annie Wersching Cause Of Death: Annie Wersching Played a Variety of Characters in Movies And Television Shows - Is Mayim Bialik Married? Height, Age, Net Worth And More Information About Mayin Bialik Biggie became pals with Tupac Shakur and Shaquille O'Neal on his debut album. Biggie and O'Neal created "You Can't Stop the Reign." A second album from Notorious B.I.G., recorded over 18 months starting in September 1995. He visited New York, Trinidad, and Los Angeles. He also worked on Michael Jackson's ninth album, HIStory. Biggie was jailed in March 1996 for chasing and threatening to murder two autograph seekers in a Manhattan nightclub. Community service was 100 hours. Biggie was arrested for drug and firearm possession later that year. Biggie's meteoric rise elevated East Coast rap despite West Coast rap's peak popularity. As expected, coasts clashed. After a falling out and diss recordings, Tupac and the Notorious B.I.G. sparked the East Coast vs. West Coast hip-hop battle. On September 7, 1996, six bullets killed Tupac in a drive-by shooting. He died six days later. Biggie's family dismissed the murder rumors. Death To promote his second studio album and film the music video for its lead single Hypnotize, Death Wallace jetted off to the Golden State in February 1997. Since he was concerned for his safety, he hired security guards. Biggie was shot and killed in a drive-by outside a Los Angeles museum on March 9, 1997, six months after Tupac had been killed in the same way. Earlier in the night, he had presented Toni Braxton with an award at the Soul Train Music Awards. At 12:45 a.m., as Biggie was leaving an afterparty, a black Chevy Impala pulled up next to his truck. When an unknown assailant opened fire on Wallace's vehicle, four bullets struck his vehicle. Biggie was rushed to Cedars-Sinai by his crew, but he was pronounced dead at 1:15 a.m., at the age of 24. The funeral was held on March 18 in Manhattan, and 350 people attended to pay their respects, including Queen Latifah, Busta Rhymes, Salt-N-Pepa, and many more. Both rappers were brutally murdered, and no one has ever been brought to justice. There are many differing theories and perspectives on what really happened to the two men. On March 25, 1997, just 16 days after Wallace's death, his second solo studio album was released. It was certified Diamond in 2000, making it one of the rare hip-hop albums to reach the top spot on the Billboard album charts. In the end, this album would earn 11 platinum certifications. The Notorious B.I.G.'s rapping style was known for its relaxed flow, the apparent autobiographical nature of its dark lyrics, and its ability to tell stories. Several albums and compilations have been released in his honor since his passing. Biggie's estate would make tens of millions of dollars in the decades after his death. Posthumous album releases, re-releases, licensing deals, and other factors have helped increase Biggie's estate to an estimated $160 million today. His mom, Voletta Wallace, is in charge of the estate. Along with Biggie's former manager Wayne Barrow, a merchandising manager, and several lawyers, Biggie's widow Faith Evans helps manage the estate. Read Next:> Raquel Leviss Net Worth: When Did Raquel Leviss Join ‘Vanderpump Rules’?

Personal Life Of Biggie Small

The couple had broken up by the time Wallace and his high school sweetheart Jan had their first child, T'yanna, on August 8, 1993. On August 4, 1994, Biggie married R&B singer Faith Evans. Reports say the couple got married just days after meeting at a Bad Boy photo shoot. On October 29, 1996, Evans gave birth to Biggie's son, Christopher C.J. Wallace Jr.  After rumors spread that Evans had an affair with Tupac Shakur, she became embroiled in the East Coast vs. West Coast rivalry. As of Wallace's passing, he and Evans had been living apart but were not divorced.

Quick Facts

Net Worth in 2023 $160 million Full Name Christopher George Latore Wallace Nick Name Biggie Smalls, The Notorious B.I.G Birth Place  Brooklyn, New York, United States Birthday 21 May 1972 Death Date 9 March 1997 Age 24 years old ( 21 May 1972 – 9 March 1997) Occupation Rapper, Songwriter Sun Sign Gemini Spouse Faith Evans (m. 1994–1997) Height 6 feet 2 inches

Biggie Smalls’ Youtube Channel

https://www.youtube.com/watch?v=_JZom_gVfuw&t=12s He created his channel on YouTube on March 12, 2006, and as of February 1, 2023, it had over 1,876,433,514 views and 3.3 million subscribers. Follow us on Twitter to check out our latest updates on our social media pages. Read the full article

[mwplanet]

Win or His Loss?

Inside the controversies surrounding Drake and 21 Savage’s latest album, “Her Loss”

By Karissa Cruz

Cover of “Her Loss”

Photo via Spotify

Amidst the release of Drake and 21 Savage’s new album, several controversies have arisen between Drake, Vogue Magazine and other artists. Several artists are said to have been disrespected and thrown shade at throughout the chart-topping album, “Her Loss”. Artists like Megan Thee Stallion have fallen victim to the controversies surrounding the Torontonian artist's brand-new release. In addition to Drake receiving backlash for his shots at other artists, Vogue Magazine also filed a lawsuit against him and 21 Savage for their fake Vogue promotion poster. Despite the growing arguments with regards to the integrity of the album occurring on social media platforms, the album’s rapid success has evidently continued to overpower. 

November 4, 2022, marked the release of Drake and 21 Savage’s brand new collaboration, “Her Loss”. Streaming on all listening platforms, the love rap album features several themes - women, partying, misogyny, and money. Merely minutes following the release, multiple songs from the album blew up on TikTok, Twitter and Instagram. Over 70k creators from all around the world have recorded themselves lip-synching to songs like “Rich Flex”, comedically mimicking how they think Drake and 21 Savage must’ve looked whilst recording in the studio. However, the success of the album is not solely due to the catchiness of certain songs, in fact, its success is primarily the result of the gossip associated with its lyrics and covert references.

Within minutes of the release of “Her Loss”, Drake and 21 Savage set gossip sites and pop culture news aflame due to references ranging from Serena William’s husband, ​​Alexis Ohanian, to old quarrels within the rap industry, to an insult towards Megan Thee Stallion’s foot injury caused by Tory Lanez. 

Back in 2015 before Ohanian and Williams were together, Drake and Williams were exclusively dating. They broke up in 2015, and she later started seeing Ohanian in May of that same year. When she married Ohanian in 2017, Drake began to throw bitter shots at the couple. In “Her Loss”, specifically “Middle of the Ocean” at 3:35, Drake calls out the Reddit founder in the lyrics; "Sidebar, Serena, your husband a groupie; He claim we don't got a problem but; No, boo, it is like you comin' for sushi". Ohanian responds to the subtle diss in his tweet, saying, "The reason I stay winning is because I'm relentless about being the absolute best at whatever I do - including being the best groupie for my wife & daughter." This is not the first time that Drake has made subtly bitter comments towards Williams in his songs. He previously insulted the Olympian’s tennis career, claiming that he could beat her in a match in his 2013 track, “Worst Behavior”. 

Despite the disrespectful nature of the rapper’s lyrics, the jab at Ohanian and Williams’ relationship was not the main issue that occupies pop culture websites and gossip columns nowadays. Rather, Drake’s controversial covert remark towards Megan Thee Stallion, whose foot was allegedly shot by Tory Lanez back in 2020, has taken the spotlight. The rapper, Tory Lanez, is currently facing “one count of assault with a semiautomatic firearm and one count of carrying a loaded, concealed firearm in a vehicle”, according to a statement made by the Los Angeles County District Attorney’s Office. According to police reports, Tory was having an argument with a woman - identified as “Megan P” in a criminal complaint - in a SUV on July 12. As the woman exited the car, she was shot multiple times in the foot. Megan Thee Stallion, formally known as Megan Jovon Ruth Pete talked about the car incident during an Instagram Live on her verified account. She later posted a photo of her wound, which was deleted slightly after. In October 2020, legal authorities charged the rapper with felony assault, but he pleaded not guilty the following month. He is currently placed under house arrest as he waits for his trial after allegedly shooting Megan and assaulting the singer August Alsina in August 2022. If convicted, Lanez faces a maximum sentence of roughly 23 years. Amidst the allegations made against Tory Lanez and Megan’s public complaints, Drake threw his own shot at Megan through his lyrics in his new album, specifically in his song “Circo Loco”; “This b---h lie 'bout getting shots, but she still a stallion.” The singer responded to the underhanded insult on Twitter. She called Drake “lame”, and claimed that such conspiracy theories were weak and that they lacked proper facts or receipts. Artists like Sweetest Pie and other listeners shared their distaste for Drake’s biased lyrics against Megan. 

Like previous tracks, Drake’s songs have a history of calling out people who he feels have wronged him through his lyrics. Evidently, the success of his collaborative album with 21 Savage is not solely due to its acquired traction and fame on social media platforms like TikTok, but a large part of it is the controversies surrounding the lyrical references themselves. His album is no doubt a fan favourite, but the issues that it set aflame have definitely caused a divide amongst his supporters and supporters of those he covertly mentioned in his music. 

[the-gig-attender]

ZAYN, Los Angeles Power Disco

Date and Loc: Dec 8, O2 Edinburgh

Who: Zayn is Zayn from One Direction. He's appeared generally to not like being in One Direction. He is now four albums into a solo career - which he seems, at times, to have generally not liked that much either. There are signs that he's enjoying it slightly more now, which is why he's touring.

The question as to who LAPD are seems to be one you have to untangle. What appears to have happened is that a cult band called Cobra Man, who described their sound as 'L.A. Power Disco' and who were known for soundtracking skateboarding compilations, have broken up.

About a third of the band have pressed on, taking that LAPD tagline as their new moniker. The main guy from Cobra Man does not seem to be involved.

Why Am I here: I am here because Zayn solo is really underrated!

To break them down: Mind of Mine is a fantastically performed pop record, with beautiful production and vocals. I think it houses some of the best pop the 2010s, particularly 'It's You', 'Befour, 'Bordersz'. Icarus Falls was a catastrophic commercial flop but one I've never quite got my head around - it is a long album but a very sturdy, consistent one. Nobody Is Listening (which turned out to be aptly titled as it flopped) opens with a slightly dodgy rap but has otherwise aged very well. His latest is good too - a modest commercial comeback.

Across all these albums, there are only two songs (gates of hell, whatever track 1 on NIL is called) that I don't really rate. There's also been a pattern of quite sniffy reviews on release, only for the albums to get a bit more respect as time goes on.

Solo: Yes. I somewhat stood out. I'd say demographics were probably 85-90% female.

Was it good: Taking them in turn:

LAPD absolutely baffled me and prompted me to spend the bus ride home googling. As a programming fit for Zayn's music, just deeply strange. They're basically a *completely* straight-forward 80s AOR act. Like completely. Lyrics, pleather, hair, everything. Every note and aspect of production is 80s AOR. They sound like FM.

I had to piece it together after the gig: Basically, Cobra Man was an attempt to blend AOR with the lo-fo skater aesthetic. Listening to them on the ride home, they really reminded me of the band Haunt - who make straight-up heavy metal, very slightly on the glam side, but with a homespun, lo-fi kind of vibe.

I think something has been lost in the transition from Cobra Man to LAPD - any sense of edge or novelty. I think the modernisation of a very familiar sound has become more akin to recreation.

They're actually decent at it - it is a precise and detailed reconstruction, and the lead, i think someone called Sarah - has a very strong voice. If you were making a film, set in the 80s, about an AOR band, you'd want to cast these two.

It just feels very strange on the night. AOR was an intensely oversaturated niche, which has proven revival-proof even as every other trend ever has come in out of fashion. Closing my eyes during the performance - it felt like something you'd hear played over a montage of someone driving on a Vinegar Syndrome zero budget reissue of a shot-on-video 80s action film.

Opening for Zayn - who makes very earnest music - just feels strange. That they were at some point a skate-adjacent outfit made some sense of it, but I don't think that's quite what the band is anymore. But at the same time, whatever happened with Cobra Man is probably very fresh and maybe they've just not fully figured it out yet. As is - if nothing else - they'd be a perfect fit warming you up for an evening with John Corabi's dead daisies.

As for Zayn - four albums and 8+ years in the making, the tour is solid. He's a good singer - and frequently live actually pushes his vocal slightly further than the studio take. He has one of the best male voices in contemporary pop.

It's been an interesting ride. His albums have failed worse than you'd have thought possible in some respects - you'd think momentum alone would have compelled Icarus Falls to a higher chart peak than *77* in the UK - but the long and short of it is that he has a better body of work than any of his bandmates.

He has never toured as a solo artist before. You wouldn't have guessed. He is not a massive presence on stage, but he's not really trying to be. He has a bigger band than I was expecting (and all women, which is rare). The show is unfussy, very straight-forward, devoid of any theatricality whatsoever but tastefully presented.

It probably had a different vibe in London actually - the O2 Edinburgh is a kind of fascinating venue in some respects - it's almost exactly the same shape as the Barrowlands, probably the most beloved venue in Scotland, but is negative on vibes, rubbish acoustics. It is maybe the most basic, least romantic venue in central Scotland. And the bar is extortionate. But fundamentally I spent the evening standing about, listening to Zayn, and I moderately enjoyed myself.

I don't know what I'd have made of it if it'd been me hearing the songs for the first time - but there's something nice about finally hearing lives tunes I've been listening to consistently for the last eight years. And I respect too how just, on his own terms it is as a production. His fans are old enough now - just - to feel nostalgic. He is not interested in catering to it at all - the only nod to OD whatsoever is one circumstances pretty much forced him to take - a closing tribute to Liam, who is dead.

As someone who likes all his albums - my ideal setlist would be less heavy on the new cut and would dig deeper into Icarus in particular - I thought the two best moments of the night were quite deep cuts: 'Sweat', much warmer than the studio version, and 'Scripted'. The latter in particular is a beautiful song, beautifully performed.

'Pillowtalk' I think was the biggest departure, as an arrangement - given a more laid back, even gentle treatment. I think I miss the drama and sweep of the original cut - but it makes perhaps his least representative single feel of a piece with the more americana-adjacent sounds of his latest.

I'm curious as to what comes next - this'll mark either a belated start to a conventional solo career or it could be a farewell. I'm still hoping for the former.

[thelensofyashunews]

G-EAZY RELEASES SEVENTH STUDIO ALBUM "FREAK SHOW" 

Today, multi-platinum selling superstar G-Eazy releases his 7th studio album, Freak Show.  The album marks an explosive return for the artist as his first full-length project in nearly three years and ushers him into a brand-new musical era as a creative.

Freak Show sees G-Eazy return with abundance, following a three-year hiatus to creatively refresh and process the devastating loss of his mother. The album spans the many musical sensibilities of his artistry, leaning into his roots with “Lady Killers III,” a reimagined version of his viral hit “Lady Killers II,” and a softer vulnerability in songs such as “Love You Forever,” in which he opens up regarding his grief of losing a parent. In “Love You Forever,” he shares “some days I try to ignore it/some days I’m not strong enough for it/I knew I’d have to write this/knew it’d be hard to record it/without breaking down in the moment.” The album title track “Freak Show” features hitmaker MC, French Montana and encapsulates the sound so many have grown to love G on. 

Last week, G released his newest single off the project, “Anxiety,” an upbeat track in which he addresses the ups and downs of his mental state. “Some days I’m high/Throw my pain away/Just to get by/It’s easier that way,” he confesses in the song’s chorus, going on to detail some of his most personal demons and the voice he battles in his own head. “Anxiety” serves as a poignant moment of self-reflection and honesty for G, giving fans a glimpse into his inner world.

In May, G-Eazy surprised fans with “Lady Killers III,” a brand-new version of his explosive viral hit, breathing new life into the much-loved track that has been taking the internet by storm in recent months. The original “Lady Killers Remix” experienced a major surge in viral popularity, rising to #2 on the Billboard TikTok chart, #4 on the Shazam U.S. Chart and #7 on the Shazam Global Chart. The song has broken into the Top 100 of Spotify’s Global Daily Streaming Chart and has led to record-setting engagement and total views on Tiktok after it was posted on his account. 

Earlier this Spring, G-Eazy released his brand-new single “Femme Fatale” featuring two-time GRAMMY nominated and multiplatinum artist Coi Leray and rap sensation Kaliii. Released via RCA Records, “Femme Fatale” is the first new music from the artist in over a year. Highlighting G-Eazy’s expansive musical influences, the track features a classic sample from legendary Caribbean reggae funk group 20th Century Steel Band song “Heaven and Hell Is On Earth.”  The single arrived alongside an artistically styled lyric video that introduces fans to a new creative era for G-Eazy. SPIN said the song was  “easily on track to be one of the year’s most-played summer jams, with feminist power lyrics marbled into a signature Bay Area-style, womp-filled, with a hyphy-sounding beat.”

G-Eazy has also announced his “Freak Show” world tour across North America, Europe, Australia, and New Zealand.Kicking off in Berkeley, CA on October 24th, the 41-date tour will stop in major markets across North America including Los Angeles, New York City, Atlanta, Chicago, Dallas and more. The tour’s international leg will begin in Europe in 2025, including stops in Germany, France, Ireland and the UK before continuing on to dates in Australia and New Zealand. 

Presale tickets and VIP Package sales will begin Wednesday, June 12th at 10:00AM local time with tickets for general onsale starting Friday, June 14th at 10:00AM local time. For more information and to sign up for early access to US presale tickets, visit https://g-eazy.com/pages/tour.