#ralf tech

[chronographes]

Fleux FLX001 : si la Skindiver avait été inventée en 2023

[digitalesleben]

The Big One - offizieller Trailer zum Buch

The Big One - das nächste Buch von Ralf T. Gruenendahl ist raus. Ein Tech-Thriller, der unser Digitales Leben erschüttert. Das Buch ist seit 24.5.2024 in jedem Buchhandel verfügbar.

Lange erwartet – bald ist es da. Das Buch meines Freundes Ralf T. Gruenendahl. Ich durfte bereits eine Vorabversion lesen und freue mich darauf, endlich die finale Version in Händen zu halten. Ab 24.5.2024 wird das Buch im Buchhandel verfügbar sein. The Big One ist der Titel und die Geschichte spielt im Silicon Valley. Da werden doch gleich Assoziationen mit dem großen Erdbeben wach, das…

Auf WordPress ansehen

[afrohouseking]

DJ Deborah De Luca was born in the challenging neighborhood of Scampia, located on the outskirts of Naples, in 1980. She began her journey in the music industry by working hard, initially as a waitress in various clubs and later as a dancer for several years. As a teenager, she relocated to Northern Italy for high school and pursued a career in fashion, studying to become a fashion designer. However, she soon realized her true passion lay elsewhere. The vibrant nightlife in her new surroundings inspired her to embark on a different path, leading to a growing number of fans who appreciate her talent. Upon returning to Naples, she met Giuseppe Cennamo, a DJ and producer from the area, associated with labels such as Desolat, Sci + Tech, and 8bit. Cennamo helped Deborah expand her knowledge of new music genres and trends, allowing her unique charisma to flourish. In March 2013, she founded her own label, Sola_mente Records, which now collaborates with artists like DJ Simi and Giorgio Rusconi. Her tracks have gained recognition from notable DJs such as Magda, DJ Ralf, Someone Else, and Layo & Bushwacka. Within a few years, her music has become synonymous with high quality, blending hard techno and minimal sounds while maintaining a distinct identity. This reflects her passion and strong personality. Today, Deborah De Luca performs in clubs around the globe, including locations in France, Spain, Portugal, Italy, Greece, Turkey, Switzerland, Germany, Morocco, Slovenia, Malaysia, Indonesia, Armenia, Russia, and America. She continues to create fresh and innovative music, skillfully blending diverse musical tastes without adhering to any specific trend.

[melishade]

Z-King: Hey in the human kids Trio AU do you think Eren would be jealous around Jack after hearing some the things Jack did including being trusted with the Key to Vector Sigma and heard from Miko and Ralf that Ratchet said Jack was a lot like Optimus?

TFP Kids Part 1

TFP Kids Part 2

Hm...I think it would be a mixed reaction. Because Eren was already aware of Jack, Miko, and Raf before they arrived to the AOP world in this timeline. Optimus told Eren about Earth and them in one of the Oneshot chapters on Ao3. Megatron alludes to them during the coup when he and Eren are having that fight. Megatron calls them a threat, and he believes it. Hell, Jack had the chance to kill him in the mine but chose not to.

But I think that Eren would be jealous of all three kids for different reasons. Not because Jack got entrusted the key to Vector Sigma, Miko killing an Insecticon by herself, or Raf giving Decepticon tech experts the run around.

No, he'd be jealous of them, because they are living the freest lives possible! Jack, Miko, and Raf are from a world where titans don't exist. There's no Marley or Eldia. They live in a place where food is not only in abundance, but even in excess. Miko wasn't even born in the US. She's from another continent. On top of that, they get to know someone as amazing as Optimus and even help end a war. But he gets to know them and he thinks they're amazing. It's just hard to be jealous of someone like them, but compared to the island, he thinks that they live in a paradise.

As the 104th and the kids are bonding, Eren kind of does bring it up as a pass in thought, saying that they must be living a life so grand and amazing. And then, to Eren's surprise, they all start busting out laughing.

"Look, buddy, we love our home!" Miko cackled, "But it's not all it's cracked up to be!"

"But there are no titans, no one threatening to destroy you because of who you are-,"

"Even when there is no massive threats to our home like titans, or even Megatron, humanity is it's own worst enemy," Jack explained, "Racism, sexism, climate change, nuclear warfare."

"Defunding of the arts, censorship in media, right-wing ass hats-!"

"Miko, take a breath," Jack interrupted her, earning a scowl from the human Wrecker.

"The displacement of thousand upon thousands of people due to the overall greed of capitalism," Rafael continued, "People are either forced out of their homes or have no choice but to flee, and a select few people have billions of dollars that they don't need."

"After my dad left us, me and my mom were living paycheck to paycheck for a time," Jack explained, "I had to learn to grow up and be responsible so she didn't have to worry about me. I even got a job because I didn't want to ask her for stuff and bother her with things when she already has enough to deal with."

"It's shit like this that kinda makes you think to just let the Decepticons destroy us," Miko proclaimed as she took a sip of her wine, "It's not like humans were making Earth better anyway!"

"We...we had no idea," Armin spoke.

"It's fine," Jack said, "We all just have our own set of problems. Just because one place has more, doesn't mean that they have it all together. Hell, we thought the Autobots were amazing when we first met them, but we met them when they were at war. An advanced civilization like them was at war. No one place is perfect. We're always fighting about something."

Eren has to privately re-examine his own assumptions about them and about Earth after that.

[randomvarious]

1990s Trance Playlist

I've been sort of pecking around the edges over the last bunch of weeks at the Harthouse Records catalog, but this week, to close out 2023, I'm finally diving right into its gooey muck and providing a bunch of tunes that really helped to make the label what it was: a pioneering trance music juggernaut 😤. Trance music really started to find its underground global audience in the late 90s, but the bridge to get it to that point—with its Tiëstos and Armin van Buurens and such—partially originates from the German city of Frankfurt, where Harthouse was originally headquartered, and first opened its doors in 1991.

Co-founded by the legendary Sven Väth, the label would issue its debut release in February of 1992, with a 12-inch called "My Name Is Barbarella," by Barbarella, which was a duo that consisted of Väth himself and his constant recording partner, Ralf Hildenbeutel. A good way to think of the relationship and dynamic between these two as producers is that of Steve Jobs and Steve Wozniak. Sven was basically the ideas man and Ralf then found ways to make those ideas into sonic reality. And with "My Name Is Barbarella," which sampled one of Jane Fonda's lines from the film that it was itself named after, we get a super chill tune that was clearly inspired by Sven's own summer holidays spent on the island of Ibiza, which throughout the 80s had developed itself into the undisputed party capital of the world 😌. This full version of the song is an early trance classic and it's currently sitting at over 115,000 plays on Spotify.

Another Väth tune that I added, though, is Metal Master's "Spectrum," which can be found on Harthouse's second-ever release, Vol. 1. Väth made this song with another one of the label's co-founders, Matthias Hoffmann, and true to the duo's name, it seems to incorporate slow, distorted, and majestic metal guitar into its production in order to form its own excellent lead melody 🤘. And this track, which is sitting at over 63,000 plays on Spotify, is another trance classic, but it is much less chill than "My Name Is Barbarella."

In addition to those couple tracks, I also added a few tunes from one of Harthouse's earliest signings, Hardfloor, a duo from Cologne who would soon become known as the master manipulators of the Roland TB-303 bass synthesizer, the machine that yields electronic dance music's famous acid squelch sound, which originated with mid-80s Chicago's own acid house scene. Hardfloor would go on to become far more known for their techno and tech-house exploits, but they also made trance tunes too, and in March of 1993, they released "Trancescript," soon followed by their debut album, TB Resuscitation, which had both "Trancescript" and another banger on it called "Into the Nature." And then in October of that same year, their popular remix of Robert Armani's "Circus Bells" would appear on a 12-inch that was put out on Dutch label Djax-Up-Beats. "Trancescript" has over 172,000 plays, "Into the Nature" has over 68,000, and that "Circus Bells" remix has over 407,000.

And to close out things on the Spotify side, I added a solo tune from Ralf Hildenbeutel as well, "Hypnoticharmony (Part II)," which he released in 1993 under the name of Progressive Attack. This deep, underappreciated stunner is the one add this week that truly feels most like a blueprint for what would become trance's future. Like, it kind of feels unbelievable that it's actually from 1993, when its vibe could fit on plenty of late 90s trance mixes. And it's the most obscure Spotify add of the week too, as it's currently only sitting at a little over 1,000 plays 😲. Soak it in!

Barbarella - "My Name Is Barbarella" Metal Master - "Spectrum" Hardfloor - "Trancescript" Hardfloor - "Into the Nature" Robert Armani - "Circus Bells (Remixed by Hardfloor)" Progressive Attack - "Hypnoticharmony (Part II)"

But folks, we're not done yet, because there are a couple tunes that I added to the YouTube version of this playlist too, which can't be found on Spotify at all. One of them comes courtesy of Stuttgart, Germany's Marco Zaffarano, who released a song called "For My Love" in 1993 on a Harthouse 12-inch called Minimalism Vol. IV. This song magnificently contrasts and pairs heavenly strings and other synth work with much deeper, ravey, pulsating, acid-addled stabs, and across its bunch of YouTube uploads, it currently has over 38,000 plays.

And the other YouTube add comes from Rotterdam's incredible Speedy J, who isn't really known for being a trance musician, but in '95, came through on Harthouse with an 11-minute track called "Fusion Live." And despite Speedy being a pretty well-known electronic musician, this tremendously constructed song of his only has a little over 900 YouTube plays.

Marco Zaffarano - "For My Love" Speedy J - "Fusion Live"

And this playlist is also on YouTube Music as well.

So with this latest update, the Spotify version of this playlist is now at 19 songs with a total runtime of 2 hours and 36 minutes, but over on YouTube and YouTube Music, we have 25 songs that clock in at nearly 3 hours. So if you want the playlist that has a handful of more and rare goodies on it, check out the YouTube one!

Glad to get an important dose of history onto this thing. Next week we'll dip back into more Harthouse tunes, but we'll be turning our attention to a specific subgenre of trance that the label also happened to pioneer: hard trance.

Enjoy!

More to come, eventually. Stay tuned!

Like what you hear? Follow me on Spotify and YouTube for more cool playlists and uploads!

[metalsongoftheday]

Monday, September 18: Mekong Delta, "Without Honour"

Mekong Delta’s first album was as foundational in the development of prog/tech thrash as any of Voivod’s early records, and “Without Honour”, even with Ralf Hubert’s fat blower bass seemingly coming straight out of the Blacky playbook, was a crucial building block in the elevation of thrash as a subgenre.  Wolfgang Borgmann’s vocals were more pliable than usual for thrash and there was a certain thoughtfulness to the arrangement and performance that was certainly very unusual for thrash at the time.  At the same time the tune was still incredibly frantic and forceful, especially Jörg Michael’s (going under the pseudonym Gordon Perkins) drums.  Indeed, what really stood out was the dexterity and precision of the rhythm section’s attack, which turned what could’ve been another aimless thrash rant into something altogether more compelling.

[twenty20visionn]

HOW TO BUILD A LOW-TECH WEBSITE de Ralf Wissing et Marie Otsuka est un projet pour lowtechmagazine.com qui entretien, ainsi qu’un site web standard, une version de leur site web “low-tech” entièrement alimenté par de l’énergie solaire.

Le projet consiste d’un panneau solaire relié à une batterie et un petit ordinateur Linux sur le balcon du bureau du magazine à Barcelone.

En utilisant des images basse résolution, la police par défaut du navigateur, et d’autres techniques pour reduire les données requisent pour consulter les articles, la consommation d’énergie du système est de 1-2.5W ce qui permet au site d’être en ligne 90-95% du temps. Durant les longues périodes sans soleil, par contre, le site se retrouve parfois hors-ligne.

Le but du site est de montrer une manière simple de se décentraliser. En évitant le cloud et les data centers, le site web pollue beaucoup moins et permet de concrétiser le site web qui, selon la météo n’est pas toujours forcement en ligne. Cela nous fait réaliser l’impact environnemental d’internet.

[agnisystechnology]

DVCon Japan 2024

Agnisys is the Pioneer and Industry Leader in Golden Executable Specification Solutions™

Meet us at Booth #E1, at DVCon Japan and schedule a meeting by completing the form on the right!

KP Garden City Premium – Shinagawa Takanawa

Agnisys is excited to be exhibiting at DVCon Japan 2024! Join us at our booth #E1 to explore the future of verification technology with our latest innovations. Our team will be on hand for live demonstrations, product showcases, and expert consultations, ready to address your technical queries and offer insights into optimizing your verification workflows.

Paper Presentation Topic: Hardware/Software Co-Design and Co-Verification of Embedded Systems Venue: Conference E, Tech Track 1 Time: 13:30 – 14:00

Tutorial Session Topic: Hierarchical CDC and RDC Closure with Standard Abstract Models Venue: Conference E, Tech Track 1 Time: 10:30 – 11:20

Accelerate your Front-end SoC, FPGA, and IP Development with Agnisys

In the dynamic realm of semiconductor design, Agnisys is your catalyst for accelerating Frontend SoC, FPGA, and IP development. Experience a transformative journey with our innovative solutions that automate Design & Verification directly from our Golden Executable Specifications.

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Semiconductor

Specification Automation Solutions:

Explore our suite of solutions tailored for IP/SoC development:

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[b2bcybersecurity]

Ein Jahr ChatGPT

Der aktuelle Boom rund um Künstliche Intelligenz führt zu einer stark steigenden Nachfrage im deutschen Markt. Die Ausgaben für KI-Software, -Dienstleistungen und entsprechende Hardware werden in diesem Jahr voraussichtlich auf 6,3 Milliarden Euro steigen. Das entspricht einem Plus von 32 Prozent verglichen mit 2022, als 4,8 Milliarden Euro für Künstliche Intelligenz ausgegeben wurden. Dies teilt der Digitalverband Bitkom auf Grundlage von Daten des Marktforschungsunternehmens IDC mit. „Der Start von ChatGPT vor einem Jahr war eine Initialzündung für den KI-Einsatz. ChatGPT hat vielen Menschen erstmals vor Augen geführt, was KI heute schon leisten kann“, sagt Bitkom-Präsident Dr. Ralf Wintergerst. „Für Unternehmen war es noch nie so einfach und kostengünstig wie heute, KI einzusetzen und erste Erfahrungen zu sammeln. Diese Chance gilt es, jetzt zu nutzen.“ KI-Software Den größten Anteil an den KI-Ausgaben in diesem Jahr hat KI-Software (4,1 Milliarden Euro), gefolgt von Dienstleistungen rund um KI (1,3 Milliarden Euro) sowie Hardware (0,9 Milliarden Euro). Im kommenden Jahr wird nach aktuellem Stand ein ähnlich starkes Wachstum erwartet. 2024 sollen die Ausgaben erneut um 30 Prozent auf dann 8,2 Milliarden Euro steigen, 2025 könnte sogar die 10-Milliarden-Euro-Marke übersprungen werden. Die Marktentwicklung hängt laut Bitkom sehr stark vom Regulierungsrahmen ab. Wintergerst: „Anbieter und Anwender von KI brauchen einen sicheren Rechtsrahmen, deshalb ist richtig, dass sich die EU um einen AI Act bemüht. Allerdings müssen wir darauf achten, dass der Schuss anders als bei der Datenschutz-Grundverordnung nicht nach hinten losgeht. In das Zentrum des AI Acts gehören kritische KI-Anwendungen und nicht die sogenannten Foundation Models als Basis-Technologie.“ Viele Menschen haben in diesem Jahr erstmals direkten Kontakt mit Künstlicher Intelligenz gehabt, seitdem am 30. November 2022 ChatGPT öffentlich zugänglich war. Laut einer aktuellen Bitkom-Befragung unter 1.004 Personen in Deutschland ab 16 Jahren haben 34 Prozent den KI-Chatbot schon einmal ausprobiert. Zwei Drittel (66 Prozent) glauben, dass ChatGPT und ähnliche Anwendungen unser Leben grundlegend verändern werden.   Über Bitkom 1999 gegründet, vertreten wir heute mehr als 2.200 Mitgliedsunternehmen – darunter rund 1.000 leistungsstarke KMUs, über 500 innovative Tech-Startups, die Hälfte der Dax40-Unternehmen und viele weitere Global Player. Unsere Mitglieder bieten Software und IT-Services, Telekommunikations- oder Internetdienste, stellen Geräte und Bauteile her, sind im Bereich der digitalen Medien oder der Netzwirtschaft tätig oder in anderer Weise Teil der digitalen Ökonomie. Darüber hinaus schließen sich immer mehr Unternehmen, die derzeit ihre gewachsenen Geschäftsmodelle digital weiterentwickeln wollen, quer durch alle Branchen dem Bitkom an. Passende Artikel zum Thema Lesen Sie den ganzen Artikel

[ganhosdoelefante]

Paris, 05 de novembro de Ano 1 - Quinta.  Blogger - 25 anos

07:00 - Acordamos, tomamos banho e nos arrumamos. 

07:40 - Tomamos café no hotel, uma degustação de coisas: 

08:10 - Avaliamos:  Obilis Maroquinerie Saint-Honoré

08:30 - Outra:  diptyque

09:00 - Mais uma:  Valérie Danenberg

09:30 - Outra:  Morganne Bello Paris

09:50 - Outro:  LEGION Paris

10:10 - Outra:  Chatelles Paris Pop-up Store

10:30 - Mais uma:  Pain de Sucre

10:50 - Mais uma:  LA BRUNE & LA BLONDE Showroom

11:10 - Mais:  Nº13HONORÉ

11:30 - Mais uma:  Maison Montagut

11:50 - Mais uma:  Avani I Joaillerie familiale spécialiste du Saphir

12:20 - Outra:  RALF TECH Showroom

12:40 - Almoçamos:  Nomad’s

13:50 - Mais avaliação:  Chaumet

14:10 - Temos uma degustação de caviar:  Caviar Ultreïa

14:40 - Outra:  Mikimoto

15:10 - Outra:  Dior

15:40 - Mais uma:  Piaget

16:00 - Mais uma:  Gucci

16:30 - Saímos.  16:37 - Trabalhamos no hotel: 

18:00 - Tomamos banho e nos arrumamos para sair.  19:00 - Saímos.  19:10 - Jantamos com Nathalia e amigos:  inavoué restaurant

21:30 - Vamos a casa do Hugo e bebemos vinho: 

00:30 - Saímos.  00:45 - Chegamos e dormimos; 

[digitalesleben]

The Big One - offizieller Trailer zum Buch

The Big One - das nächste Buch von Ralf-T. Grünendahl. Ein Tech-Thriller, der unser Digitales Leben erschüttert. Ich zeige seinen offiziellen Trailer zur Veröffentlichung seines Buchs am 24.5.2024.

Lange erwartet – bald ist es da. Das Buch meines Freundes Ralf T. Gruenendahl. Ich durfte bereits eine Vorabversion lesen und freue mich darauf, endlich die finale Version in Händen zu halten. Ab 24.5.2024 wird das Buch im Buchhandel verfügbar sein. The Big One ist der Titel und die Geschichte spielt im Silicone Valley. Da werden doch gleich Assoziationen mit dem großen Erdbeben wach, das…

[trustideas]

Keyshot vs cinema 4d

#KEYSHOT VS CINEMA 4D HOW TO#

#KEYSHOT VS CINEMA 4D FULL#

RenderShot is a KeyShot dedicated render farm. All servers run securely onsite, without the use of third-party cloud services such as AWS or Azure. Each server is built from the ground up to render KeyShot scenes as fast as possible while maintaining quality. KeyShotFarms provides KeyShot users with powerful render farm capabilities. keyShot enables real-time 3D rendering, showing you realistic product visuals and satisfying all your visualization needs. KeyShot's superb rendering capabilities are widely used in industrial products, mechanical engineering, CG industry, automotive, jewelry & accessories, and many other fields. KeyShot supports multiple plugins and can be used on Mac or Windows.

#KEYSHOT VS CINEMA 4D FULL#

It supports ray tracing and full area light rendering. KeyShot is a 3D rendering software developed by Luxion.

#KEYSHOT VS CINEMA 4D HOW TO#

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[neueuhren]

RalfTech WRB Ocean: Die Uhr der französischen Marinetaucher

RalfTech WRB Ocean: Die Uhr, die bereits seit 2020 von der französischen Marine eingesetzt wird. Für Profi-Taucher ist die Saison auch im September nicht zu Ende, auch wenn RalfTech, der Ausrüster für Profis auf Ölplattformtauchern und diversen Special Forces, jetzt “Blau” macht: Ralftech erweitert wird die Kollektion professioneller Taucheruhren jetzt mit der WRB Ocean um ein 39-mm Modell, das…

[schibborasso]

"The mother of all transistorized vocoders, prototype of early 70s, custom built for german electronic duo kraftwerk of that period, documented by back cover photo of KW's album "Ralf & Florian" and in some part in the artwork on inside sleeve.