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skzdarlings · 6 months ago

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the rescue ; skz; aotm!hyunjin x reader

original ask: requested by @tattywood: ❛ i'm simply enjoying the view. it's not every day i get to fuck someone so pretty. ❜ would 100000% fit Hyunjin 🩶 + requested by anonymous: ❛ you're mine, and i take care of what belongs to me. ❜ with hyunjin? thank you

pairing: hwang hyunjin/reader content info: artist of the month!hyunjin was inspo here. gangster stuff, reader has been kidnapped and is in a see through nightdress, most violence off page though, bad guy hyunjin who is actually a good guy, arranged marriage, multiple smut scenes, not great communication but gets better lol. smut includes fingering, blow jobs, pussy eating, piv, spanking, light choking, husband/wife kink. word count: 6300 words.

masterlist. part of the valentine’s day stories series. credit to prompts. requests are closed.

enjoy! <3

“I’ve already explained,” you say, equal parts frustrated and exhausted. “My husband isn’t coming for me.”

The gangster cronies still don’t seem to understand. You are tied to a chair in their basement (because they are preposterously corny goons, tying you up like a comically silly damsel in a ridiculous film) while they berate you for your husband’s tardiness.

You have tried explaining, over and over, that Hyunjin is not coming, but they won’t accept that answer. The fools try in vain to reach him again, but his line leads straight to a dial tone.

He went radio silent after the initial video contact, when your captors demanded a price for your healthy return.

Hyunjin was quiet on the call. Your husband is a quiet man in general, though he knows how to use his charms and work a room, and he has certainly perfected the art of severe intimidation. When your marriage was arranged, one mob family to the other, you mistakenly assumed you were marrying a monster.

Hyunjin is very reserved when not conducting business. He doesn’t engage in any of the more debauched sides of the business, unlike the men in your family. Evenings at home are silent and still, the penthouse view of the glittering cityscape the only real bustle.

Maybe that shouldn’t have surprised you. When he took over his family’s business, Hyunjin altered a lot of their practices, cutting the crueler sectors, opting for illicit crimes of more practical varieties.

The country is in a political chokehold, government affairs conducted none too differently from the criminal underworld. The cops are all dirty, the politicians corrupt, the wealthy depraved. Hyunjin has taken it upon himself to alleviate the pressure suffered by the regular people, the civilians who truly pay the price of a broken system.

In a world with no good guys, sometimes only villains can be heroes.

You think of his face now, how he certainly looked the part of a villain on the video call. Hyunjin has a very austere demeanour, exacerbated by his severe appearance: sharp marble features and dark, vicious eyes often further darkened with heavy lining, sleek black hair, scattered scars and tattoos, and the sort of regard that judges at a glance. He is young, but he has the air of a man who has already traversed the universe and found it wanting.

You think of his face now, the silent perusal he gave your bound body on that video call. You are dressed in your favourite nightgown, your underthings partially visible through the light material, but it was not willingly donned. At the time of your kidnapping, you were attired appropriately for the wealthy wife of a famous gangster. You were returning from a family visit when your captors intercepted you in transit from the airport.

Either to intimidate or threaten or just because they could, they made you remove all your jewelry and fine clothes. They rifled through your luggage and demanded you change into the nightgown.

Hyunjin recognized the nightdress, realized you must have been stripped, and likely inferred the very worst.

“Address,” was the only word Hyunjin said. He ended the call seconds later.

“Oh, he’ll come,” your captor says. He points at you with a hand that feels more threatening than a knife. It makes your terrified heart leap into your throat. “Or else.”

“He won’t, though!” you exclaim. “You’re wasting your time!”

They are not listening. They leave the basement, slamming the door behind them.

You huff and settle back in your bonds.

It is only a matter of time before they realize you are telling the truth. Hyunjin will not waste the money or resources to rescue you. He has always been respectful of the marriage arrangement, but your husband is not sentimental. There is a professional distance between you. His decision will be based in the logic of all his strategies: nothing personal, just a matter of business.

You sometimes see a different side of him, something buried under that quiet intensity. He collects fine art and spends hours poring over his favourite pieces, listening to music, losing himself to artistic fantasies. He always comes back, but you know there are other worlds in his mind.

Every attempt to bridge the gap has been gently rebuffed, but there have been moments when your husband seems curious about you. You often catch him staring. He gets a wistful look that softens his face, even with that shield of make-up. His eyes are gentle when you talk about your passions. You never let his quietude deter your friendly penchant for chatter. He seems more than content to listen. He remembers everything too.

You know he finds you attractive, if nothing else. He has caved on that front several times over, though not right away. He didn’t touch you on the wedding night, nor the honeymoon. He left your beach holiday early to return to business, leaving you in a villa with security and his credit card. It was the first time you realized the material world was no replacement for true companionship. You missed his dark eyes.

Your family also had expectations. There would be consequences if the marriage fell through. You would be blamed, not him. Worried he would renege on the nuptials, you did everything to try and seduce him.

He politely rejected you at every turn.

Just when you were resigned, he arrived home after a job. It was almost three in the morning when he entered the penthouse. You have separate bedrooms but they share a connecting bathroom. You could hear him cursing above the running water.

You only meant to peek. The sliding door on your side was partially ajar so you tip-toed over.

Hyunjin was standing in front of the mirror, shirtless, pressing a rag to his wounded shoulder. There was a mess of blood streaked down his back, making you gasp at the terrible mosaic of pain, his body littered with violent scars.

That gasp contained multitudes, for the horror, for his beauty. His dark eyes were as severely lined as ever, expression intense as he breathed hard through the pain. Smooth black hair fell across his face when he tipped his head.

He froze at the sound of your gasp. His turn was very slow, eyes peeking through the curtain of his short hair. They captured yours.

You held your breath.

Eventually, he straightened, flicking his hair out of his face. He looked in the mirror and sighed.

“You can come in,” he said. “This is your home too.”

You slid the door open, just enough to squeeze through. Your attention was utterly transfixed on his bleeding shoulder. You could see the wound was a thin stripe. It was not deep so stitches were not necessary, but it was slightly out of his reach as it sloped towards his back.

“Oh, Hyunjin,” you said, thoughtlessly taking the rag right out of his hands.

In spite of the violence that raised you, or maybe because of it, you can’t stand to see suffering. You and Hyunjin have had that in common from the start. You were quick to help him clean the wound, wordlessly wiping all the blood then applying cream across the clotted cut.

He flinched when the stinging cream made contact. You went to apologize but your words evaporated when your eyes met through the mirror. You were surprised to find him already looking at you, that expressive gaze as thoughtful as ever.

“How did this happen?” you couldn’t help but ask, eyes rivetted to his reflection. “You – you have people to protect you.” You managed to rip your gaze away, looking at your task, feeling hot in the face.

“I do,” he said. “But I’d never ask someone to do something I’m not willing to do myself.”

This did not surprise you to hear. It is obvious that Hyunjin cares very deeply about the wellbeing of other people. It is a fact known to few. It aggravates you at times, but his reputation does not seem to bother him. He would rather people think him a monster while he secretly does good rather than be praised in public while cruel in private.

You have never known another man like him. Looking at that scar that night, the realization truly struck you.

Your fingers began to tremble where they brushed his bare skin, your eyes widening as you looked at the scar and many others. If something happened to him, what would become of you? Certainly, as his widow, you would be financially sound, but what did that matter? This world would lose something irreplaceable if it lost Hwang Hyunjin. This penthouse could be brimming with silver and gold and it would be empty, worthless.

Tears in your eyes, you succumbed to desire, kissing him very gently on his hurt shoulder.

“Hyunjin,” you said, your eyes closed, lips grazing his skin as you spoke. “Please make sure you always come home, okay?”

He did not answer at first. When you lifted your eyes and looked in the mirror, those dark eyes were so enflamed that you were surprised nothing caught fire.

“Hyunjin?” you said softly.

“You mean that,” he said, not quite a question, more like a realization.

“Of course,” you replied. You looked at his scarred back again, let your fingertips brush down the length of his spine. It made him stand a little straighter. “Have you ever known me to lie?” you asked.

He finally turned around, looking at you with an long-engrained wariness, but also a hunger. He was a starving man presented with a banquet, but one who did not easily trust when sitting at someone else’s table.

“You’re a smart woman,” he said. “I know that. And I know that you’re – good.”

Good was an exhale, like the word was too heavy for his tongue. You realized that his wariness was less suspicion for you than hesitation regarding himself. He was only starving because he though himself undeserving of the meal he wanted.

“You’ve seen – and done – many bad things tonight, haven’t you?” you asked.

Having the full force of his gaze was overwhelmingly heady. You remember how it made your heart race like you were being chased, your breath catching over and over until you were almost panting.

Arousal struck quickly, a sensation like you never experienced before. You thought you understood attraction, but not until that moment when he released a breath, so close to your face, and you became truly aware of his proximity. Of him, of all that he was, all that he did. His character, his hidden depths.

Your husband.

It made your racing heart thunder something fierce, your blood pumping hotly, throbbing places you did not know were so sensitive.

You desperately wondered what was on his mind. The gears in his head were spinning and whirring, delaying his response. Was he feeling the same tension? Were his thoughts the same realization?

My wife.

“Yes,” he finally said.

“Is there something I can do to help?” you asked.

His tattooed hand cupped your head, tilting it just so. It made your lips part with a gasp, eyelids heavy with anticipation for a kiss.

He took his time looking at you, like he was scrubbing all those bad memories away, replacing them with the flustered look on his aroused wife’s face.

“Yes,” he said again, and kissed you for the first time.

You were so glad he rebuffed your previous half-hearted advances, clumsy seductions made out of obligation rather than desire. It was so different to that kiss. You would not have known how to even ask for a kiss like that. You never knew what you were missing.

Your quiet husband and his multitudes. All that simmering intensity, hot just below the surface of his icy demeanour, burned right through his skin. His kiss was ravishing, entirely possessive, like he wished to take your whole essence into him and hold it forever.

He walked you backwards. With a snap of his wrist, he slid the door open the rest of the way, so sharp that it tried to bounce back. He continued onward, kissing you until you were dizzy with it.

He picked you up just to put you on the bed himself. Your kiss separated only then as you landed with a bounce and a breath.

He loomed over the edge of the bed, this man who was both stranger and husband, hero and villain. He looked at you like he already loved you. He looked at you and saw the reciprocation. You had fallen for him without realizing you had ever even stumbled.

He ran his hands through his hair, the sleek black locks fluttering back into place. His eyes were still rivetted to your face, to your body. You were wearing the nightdress you are wearing now. It is why it became your favourite.

He looked down at you, the material translucent enough to see the details of your body. It broke through that last layer of ice. He surrendered with a choked breath.

He unclasped a holster on his thigh, dropped a knife that was hidden in a pocket. Once unarmed, his hands went to his belt. You watched those nimble, efficient fingers, swallowing hard. You were aching to an embarrassing degree, undoubtedly obvious in your desires. No one ever warned you it would feel like this, just being looked at, never mind touched.

Then his belt was on the floor and he touchedyou for real. His calloused hands moved up your thighs, pushing the nightdress up and out of his way. He climbed on top of you, swift as a feline, mouth descending onto yours with that same desperate hunger as before.

Recollection makes you crave another kiss. You think you will always be starving for more.

“Hyunjin,” you whispered, hands on his face, his shoulders, down to his chest.

He took your hands and laced your fingers with his, pinning those hands to the bed. He kissed you again, long and slow. It was all more sensual than desperate.

His voice, however, was desperate when he begged, “Let me make you feel good, please.” He kissed down your face, your jaw, your throat. “Please, my wife.” He kissed further down still, through your nightdress, tracing the curve of your breast with his tongue, wetting the material and awakening every nerve beneath it. “My wife,” he repeated.

“My husband.” The words left your lips in a dizzy, delirious whisper.

It was all the confirmation he needed. Those deft and skilled hands, so quick to assemble weapons and pull triggers, applied themselves with a startling gentleness. He took you apart and put you together with the same efficient ease.

He hooked his fingers in the only material between him and his desire, tugged it out of his way. His fingers went to you, slipping through all that wetness. Those intense eyes rolled back even though it was just his fingers inside you, then he closed his eyes like it was too much, and it seemed he had to temper himself, murmuring nonsense as he let his fingers sink into you.

He kissed you again, drinking down every sigh and gasp and moan while he fucked you with his long fingers. It was like he could taste your pleasure, like he was trying to get drunk on it, every noise you made filling his mouth. He gave them back and brought you over a peak, first with his hands, then with his mouth. He laid between your legs and put your thighs around his head, losing himself entirely in you.

He did not remove a single article of your clothing nor his pants, not that first time. He simply held the material to the side as he unzipped and finally got inside you. It made your whole body keen, coming to life like it never had before. You forgot all your sensibilities and let every wanton sound and action loose.

He responded in kind. His kiss tasted like your pleasure, his heart pounding as fast as yours where your chests pressed together. You were careful near his injured shoulder, fingertips dodging scars. Your soft touch made him whimper, this powerful man entirely undone by a few caresses.

His skin was hot and he worked up a sweat, but his stamina seemed endless. He always wanted more.

You fell asleep tucked in his arms, content to believe the walls had crumbled. However, they revealed themselves in the morning light, as concrete as ever. He slipped away and left a note to excuse his absence as he was called away to business. You thought about phoning or messaging him, but those lines were not always secure, not for such intimate conversations.

When he returned a few days later, he hid behind those concrete walls, but too much had changed. There was now an awareness of your proximity and your distance. The lack of intimacy was not called into question before, the absence of something being a nothing. But now that nothing was something, or had been something for a moment, and it made you both very aware of how it was now missing – and anticipating always when it might again appear.

He tried very hard to keep away, to stay cordial at best, his habitual quietude even heavier than before. But while his silence was significant, so was his glance. Every time you turned around, he was already looking at you, a longing in his eyes and a thought on his lips that he never dared to speak aloud.

You granted him some distance for a time. When it became abundantly obvious he was holding himself in check, you realized that your own vulnerability was required to bridge the gap.

One night you crossed through the bathroom, slid open the door on his side. You found him at his desk, dressed down in a white dress shirt and pants. His blazer was discarded on the floor, his face still made up.

He stood quickly when you entered, though he didn’t say anything.

It was strange to imagine this man would need any reassurance, but you felt that was the case. His fingers fidgeted at his sides, his roving eyes studious.

You said nothing. You approached him, laid your hands on his chest, and gently guided him back into his chair. He sat slowly, his eyes on your face the entire time, even when he had to tip his head back to peer up at you.

You ran your fingers through his hair. When you entered the room, his face was tightly screwed in an expression of aggravation, but all those harsh lines softened as you traced a thumb down the sharp slope of his cheek.

There were some wipes on his desk. You took one and began to carefully remove that shield of dark make-up. His hand lifted but not to stop you, simply to rest his palm on your waist. He began to really touch you, feeling the shape of your body through your robe as you helped him come back to himself.

“Hello,” you finally said, looking at his bare face. Still impossibly beautiful.

“Hello,” he replied.

His fingertips dipped towards the hem of the robe. Before he could distract you with your own pleasure, you sunk to your knees in front of him. This startled him, his hand frozen in the air as you fit yourself between his open knees.

He caught your hand, his reflexes fast, before it could reach his fly. You could see he was already affected, a heavy bulge in the black material making your mouth water and core tighten.

He squeezed your hand and you looked up at his face. He tipped his head, blinked rapidly, an expression of mild confusion.

You took your hand back and unknotted your robe. The silk fell from your shoulders and down, sliding like water right off your body. You were completedly naked underneath.

It clarified everything, his confusion gone, replaced with surprise.

“You—” he began. It was interrupted when you put your head in his lap, resting on his thigh. You led his hand to the back of your neck and kissed him through his pants. It made his fingers clasp tighter around you.

“Please,” you said.

He would never deny you anything. Not the smallest gift nor grandest gesture. When you started a new charity to further your combined philanthropic efforts, he spared no expense in aiding the endeavour. You shared passions, and now you shared this.

He was stiff at the start, but gradually let himself go lax in his seat. His hand kept a steady grip on the back of your neck, not guiding but holding, like he thought you might disappear otherwise. He murmured your name, letting his head fall back as you worked him in your mouth.

You intended to make him finish like that, seeking nothing for yourself at that precise moment. He had other ideas, needing more of your shared pleasure to take him over that brink.

He lifted your face, adjusted his pants, and was on his feet in a matter of seconds. That hand on your neck dragged you up, up, up until your naked body was pressed against his clothed one. He clung to you needily, claiming your mouth in a wanting kiss.

His hands moved over you, every new inch of skin making him moan as he walked you towards the bed. The kiss only broke when you both sat down, his lips against yours as he breathed, almost smiling, “My pretty wife.”

“Hyunjin,” you said, shaking your head, feeling suddenly shy just because of a simple compliment.

He did not allow you to curl into yourself with any shame. When you tried, he seized you, pulling you onto his lap so you straddled it. His eyes moved up and down your body, hands following, from your thighs to hips to waist and up.

“What are you doing?” you said, laughing helplessly when he kissed somewhere ticklish on your throat. The sound made him smile, even softer than before, though it turned a little wicked as his mouth went lower.

“I’m simply enjoying the view,” he said, then wrapped his lips around the stiff peak of your breast, ran his tongue up and over. He licked and kissed back up to your mouth. “It’s not everyday I get to fuck someone so pretty.”

As he said this, he opened his pants again, eyes on yours as he grabbed your thighs and moved you so he could thrust up into you. His hips moved with a slow roll, letting you adjust to him. It had been a little while, and this angle was different.

And Hyunjin is not small. Your husband is built in perfect proportion, his body a long, hard, slender build – everything inside you at that moment was no exception. This angle made you whimper, clinging to him like he was a life preserver in a storm. The roll of his hips kept coming like waves and you were sure you would drown otherwise.

Your arms were around his neck, his graceful but strong hands digging into the meat of your thighs as he fucked you. He felt impossibly deep, every upward stroke feeling like it was bursting past something, pushing everything inside your body up to your throat.

You swallowed again and again, the taste of him still on your lips, the feel of him inside every inch of you. You clenched and tightened involuntarily, just pure animal reaction, and it made him moan and find all those sweet spots to make it happen again.

“Help,” was your somewhat nonsensical request, blurted in the midst of some moaning babbling.

Fortunately, he was and is a smart man. He understood. He clasped you tight to his body and fell back on the bed, thrusting up into you with sharper, more focussed determination, faster until you were weeping on his chest, delirious with pleasure. His shirt was unbuttoned and you accidentally ripped a few buttons right off, trying to press your face to bare skin.

“Yes, yes, yes,” you said as you tumbled over a height you never reached before. You never knew you could come just from that, stimulated somewhere so deep inside you, but it made you come undone in his arms.

He watched you unravel and it made him follow, clinging to you as he just barely pulled out before coming between your dripping thighs. It was all so messy and wet, your legs trembling, but it felt so good that it hardly mattered.

He caught his breath, then looked at your face just lose that breath again. He moaned and dragged you in for another kiss.

Then you were on your back, the night far from over.

That second night is the one that truly opened the door to more. Though your husband can be reticent in other regards, he is not quiet when he is inside you. You have come together again and again, a conversation with your bodies as you look for pleasure in a dangerous world. You always find it, tucked in the protective circle of his arms, wrapped around every inch of him.

You have been out of his arms for too long. Your visit to your family grew tedious before long. Your home is with Hyunjin now and you were eager to return.

Now it seems you may never see it again. You may never see him again.

No.

Just like the night when you took control for yourself, you must take control now. You realize if anything is to happen, then you must take the reins of your own rescue. You would not want Hyunjin to compromise himself or his important business. You know if something bad happened to you, it would weigh on his conscious, even if it was the better business decision. You must eliminate the need for choice.

It turns out, comical rope bindings are truly best suited for silly movies. When the men come to check on you again, you have slipped free of your bindings. There was an array of weapons in the room, so carelessly disposed because the assailants never assumed you would get free – or, if you did get free, that you would not know how to use them.

It is true, you do not like violence.

That does not mean you do not understand it.

You leave the two men unconscious in their basement. Unfortunately, you cannot find your suitcase and you do not want to hang around, so you venture outside in your nightgown. You are debating your next move when a car pulls into the driveway.

You back away quickly, raising the gun you stole as more men get out of the vehicle. You only stay your hand because you recognize one of them, though it takes a second to place him as one of Hyunjin’s lieutenants.

Then Hyunjin emerges. You have seen your husband before and after a confrontation, but never during it. If you thought he was an intimidating figure in the aftermath, he is all danger and darkness as he storms up the driveway now. There is such an energy radiating from him, it makes you stumble and forget yourself entirely.

Then he stumbles, recognizing you. You are both startled, staring at each other with the gun raised between you.

He looks nowhere but your eyes.

“Hyunjin?” you finally say.

“I—” He looks at you, the gun, the nightdress. He shakes his head. Some of that bravado returns when he says, “I’m here to save you.”

“Ah,” you say. You slowly lower the gun, at a loss how to reply. You were so resigned to the idea this was all still business. The reality of your husband risking himself to rescue you from unknown hostiles is making your heart pound.

In the end, all you can think to say is, “Sorry. You’re late.”

That wicked smile crosses his face, his tongue pushing at the corner of his mouth. He is suddenly nothing but amused, looking at you, then at the house.

“I can see that,” he says.

He whistles sharply and gestures to the house with a gloved hand. His lieutenants run past you and charge the door, no doubt heading inside to finish the job you started.

You turn to watch them go. In your distraction, Hyunjin grabs your arm. He is fast, effectively disarming you. He catches the gun with a twirl before tossing it aside.

It is not the gun he wants; it’s you.

Still holding your wrist, he tugs you into him. You throw your arms around him. The hug is surprisingly chaste, his face in your neck as he squeezes you like it is the only thing keeping him alive and standing.

“Are you hurt?” he asks.

When in his arms, it seems impossible to consider you could ever feel any pain.

You shake your head, daring to kiss his cheek. He turns his face to yours, your lips close enough to brush in a swipe.

“I’m all right now,” you say. “Sorry I beat you to the punch. I – I wasn’t sure if—”

His brow crinkles. That gloved hand goes from your wrist to your chin, seizing it between thumb and forefinger. He tips your head so he can look at your face. He always regards you like he does one of his masterpieces, like he can never get his fill, like there is always something new to find. He is enchanted every time.

“You’re mine,” he says. “And I take care of what belongs to me.”

You gasp when those fingers go from your chin to your throat, just enough to pull you in that last breath of a space. He kisses you there in the sunlight, utterly shameless.

“Do not ever doubt that,” he says. His eyes are soft with his affection, but his voice is hard, skirting the edge of a threat he would issue an adversary. It makes you tingle from head to toe. “Do I need to remind you?”

You never actually answer. You are not sure if your answer would have made a difference, as Hyunjin is determined to show you the very second you are home.

You reach the penthouse. There is no time to shower or decompress once you cross the threshhold. He sweeps you off your feet, your arms around his shoulders and your legs around his waist. You are wearing his blazer over your nightdress to preserve your modesty – not that it will last long.

He carries you to the bedroom where so many slow and subtle exchanges took place. Now, he is not slow or subtle. He is a force of nature. He tells you that he held no greater fear than losing you and he tried to keep his distance, but he regretted it the moment he saw you on that video call.

“You’re my wife,” he says, peeling his blazer off your body. “I’m your husband. There is nothing I should be holding back.”

“Yes,” you say, running your fingers through that smooth black hair. You shiver as he bunches the fabric of your nightdress, the material spilling over his fingers. “Don’t hold back,” you say, mouth open against his, stealing his every breath. “Do whatever you want.”

He tells you exactly what he wants, using his words for a change, finally letting those walls come down. He whispers every filthy thought into your ear, between kisses, between bites. You shiver at every suggestion.

And so, moments later, he is sitting on your bed. He arranges you to lay across his lap, facedown in the pillows while he runs his hands down your spine and over the curve of your ass.

“You’re my wife,” he says. The first tap of his open palm is through the thin material of your nightdress. It is truly just a warning tap, just enough to make you bounce. “Don’t ever doubt me again,” he says, swinging that strong hand a little harder.

This time a yelp escapes your lips. You wriggle until he pins you down, a hand on the back of your neck and the other lifting your dress. He already stripped your underthings, his open palm smoothing down all that bare skin.

You tingle with anticipation, braced yet still unprepared for the sharp smack he next delivers. You feel it tingle all the way up to your head, as well as the next one, and the next. You squirm under his firm grip, groaning his name as your thighs get tense and press together.

“Don’t say my name,” he says, and smacks you again. “Who am I?”

“M-my husband,” you say, practically mewling like a kitten when he next brings his hand down. “My husband,” you say again.

“And you are—”

“Your wife,” you say, though it comes out almost like a sob, a desperate gasp as he slips his fingers between your thighs and finds a new way to torture you. With your backside hot and stinging, the pleasure of his hand in that sensitive place feels amplified by a tenfold.

“Husband,” you say, hips bucking. His free hand goes from the back of your neck to your lower spine, holding you in his lap as he slowly finger-fucks you.

“Yes?” he says.

You do not even remember what you were going to say, or beg, or plead. You are overcome with sensation, tingling all over, intensifying the press of his fingers as he curls his fingers into that soft, soft place. Then you are really squirming, helplessly, instinctively, whining into the pillows.

“I make you feel good,” he says. “I take care of you. You, who are so good, and so smart, but so—”

You cry out when he angles his hand just a little differently. Your vision swims with stars as he speeds up.

“So soft,” he says, his own voice going soft, just a whisper as he makes you come all over his hand in a throbbing, aching, desperate wet mess. “Just for me,” he says in that whisper. “Just for your husband.”

“Mmmf,” is all the response you have left in you.

Your thighs are trembling and your pussy throbbing with aftershocks when he picks you up. He stands and turns, laying you on your side in the bed. You are grateful, as your backside still stings, though you suspect he is not done yet.

He strips out of his clothes, tearing through his shirt, leaving the pants in a heap. He forgets to remove his necklace. All that silver is cold against your hot skin as he lays down behind you. You do not have time to linger on it, as he gathers up the hem of your dress and adjusts himself behind you.

He has taken you many times, in many ways, many positions. When you are on your hands and knees, he is overtaken by a primal urge, your hips as leverage in his hands as he pounds into you like it is a chase. When you are on your back, he sinks into you slowly and deeply, rocking his hips into yours like he intends to fuck you forever. When you are in his lap, he rolls his hips in steady, needy waves, captivated by the sight of you in his arms.

He lays behind you now and wraps his arms around you, coaxes your thighs apart. Your nightdress is bunched every which way, leaving nothing to the imagination, and you feel especially exposed and vulnerable in this position somehow. Perhaps it is the fact he is the one holding you open, keeping you in position so he can take you.

You let yourself fall into it, fall into him. You let him tell you, with words and actions, exactly how he feels.

Before it ends, you change position. He lays back and you straddle his hips while stripping off your dress entirely. He keeps rolling up into you, only stopping when you plant your hands on his chest to slow him down. Then he practically sinks in the mattress, murmuring your name. His make-up is smudged, his calloused hands rough on your body. Whatever pains you experienced have been overtaken by his hands, by the smarting on your backside, still tender as you bring your body down onto his again and again. He has completely claimed you for himself and you take the same in turn.

“Hyunjin,” you say. “My husband, oh—”

He kisses your hand, long and hard, like he needs his mouth on some part of you desperately. Your fingers are curled into his pretty mouth when he comes, his hands on your hips and his cock buried inside you.

“Oh,” is your final sound before you slump on top of him, skin to skin.

He rolls you onto your side, though he keeps you wrapped around him, his arms around you in turn. His hair is already a sweaty mess and you rub your thumb through some of his shadowy make-up, but those familiar dark eyes are gazing at you with so much warmth. There is no more ice, no more cold concrete.

“I should let you rescue me more often,” you say with a laugh.

He doesn’t laugh back, but he does smile softly. It should be incongruous with his severe appearance, but it somehow comes together, layers of him exposed all at once as he strokes your cheek.

He looks at you like his favourite work of art.

“You were the one who rescued you,” he says. “Just like you rescued me.”

You cannot find the words to reply, so you kiss him. It speaks volumes, and he replies, kissing back.

You lose yourself to the sweetness, to the heat, to the passion, to all those things more, knowing there are many more to come with this man as your husband.

#hwang hyunjin x reader #hyunjin x reader #hwang hyunjin smut #hyunjin smut #stray kids x reader #stray kids smut #skz x reader #skz smut #stray kids x you #hyunjin x you #skz x you #valentinesdaystories

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no-144444 · 7 months ago

Text

red flag- o.piastri

===========

summary: you get in an accident on track.

pairing: oscar piastri (no.81) x fem! driver! reader

===========

“Red flag, red flag, safety car coming on track to retire all cars, too dangerous out in sector 3, drive with extreme caution,” his race engineer called over the radio.

“Is everyone alright?” Oscar questioned, slowing the car, the other drivers behind him doing the same.

“We’re not sure, Y/l/n crashed in sector 3 and hasn’t gotten out of the car just yet. We’ll keep you posted.”

What? You’d crashed and you weren’t out of the car yet? What the fuck? He knew you, he remembered what happened back in f2, back when you’d had the worst crash of your career and you jumped out of the car with a broken leg. Then, you’d at least gotten out of the car. Now? You were in the fucking car. Still. Minutes after your crash.

“Race is off, conditions are too dangerous.”

Fuck.

As he pulled into the pitlane, he jumped out of his car, following the other drivers to the briefing room as they all pulled off their soaking suits and damp helmets.

They sat, waiting for news as none came through. All they knew was that you had to be pulled out of your burning car and airlifted to the nearest hospital. Which meant that you weren’t conscious when you got out of the car. Which meant fucking terrible things.

Time passed and nothing really happened, so they were all sent back to their hotel rooms.

“Hey Osc, you want us to come with you? We don’t want you to be on your own right now,” Logan smiled softly, standing at the exit to the McLaren motorhome. Beside Logan was George, Lando, and Alex.

“Thanks guys,” he mustered up some half-smile and they shared a car, then hung out in his room for a few hours.

Oscar’s phone rang after about an hour, an unknown number. Usually, calls like these would go ignored, especially at a time like this, but something told him to pick it up.

“Piastri speaking,” he asked quietly.

“This is Oscar Piastri? Y/n Y/l/n’s emergency contact?” a female voice asked.

“Yes, yes it is,” he blurted out, grabbing the attention of Logan, Alex, George, and Lando beside him. They held their breath.

“Well, Y/n was in an accident on the track and she suffered extreme internal bleeding from a broken rib, one that broke during the early laps of the race. She passed out from a lack of oxygen, and crashed into the barrier at a very high speed, meaning that she has a few more broken bones and issues. We'd ask you to come to visit her, she’s been asking about you non-stop since she woke up.”

“S-she’s awake?”

“Yes, Mr. Piastri, and she’s refusing to take any medication unless you come down here.”

“I’m on my way,” he hung up the phone without questioning and grabbed his coat and shoes, as the boys followed. Oscar didn’t even bother putting on his shoes as he ran through the hotel and out into the pouring rain. Logan hailed a cab as the other boys tried to get him to calm down.

“You need to slow down,” George soothed, getting a grip on Oscar’s shoulder. It was strange for them, seeing this much emotion from Oscar. He’d always been so level-headed, so calm. Well, it wasn’t strange for Logan to see it. He was there in f2 when Oscar started crushing on you, and when you two got together. Every summer break you three (and a few other ex-f2- current f2 drivers) go on a week-long trip, just to stay in contact, Logan got a front-row seat to Oscar’s devotion to you. It was sweet, and it brought Oscar out of his shell.

“She’s refusing medication, if I don’t get there fucking quicker, George, so no, I don’t plan on calming down-” he cursed, brushing his hand off his shoulder.

“Hey! That was shitty, apologise Oscar. Everyone’s fuckin’ stressed right now,” Logan called back as the taxi pulled up.

“Sorry George,” Oscar added and George nodded, unaffected by his comment.

The car ride was tense, all of them wanted to get to you, needed to get to you. The hospital came into view, and the boys ran out, George paying the driver and following the rest of them into the foyer.

“Oscar Piastri, I’m here for Y/n Y/l/n?”

“Oh yes! Are you family?” the nurse behind the desk asked.

“I’m her emergency contact,” he replied.

“Yes, but are you family?”

“I’m her fiancé?” he answered.

“What?” Lando gasped. “You two got engaged?”

“During the summer break,” Logan answered. “He was planning on telling you after today.”

“All her family is in another country,” Oscar explained. “I’m the closest thing- we’re the closest thing.”

The nurse nodded and handed them visitor badges, and led them up to your room.

“You go in first,” George nodded to Oscar. “You’ve got this.”

Oscar tried to look positive, but it was difficult when the love of his life was in a hospital bed behind the door in front of him. He pushed open the door and when he saw you, he wanted to scream. Hooked up to machines, but you were awake and bothering the nurse about him. Who gave a shit about him? You were important, you were the most important thing on the planet.

“Baby, take the meds please,” he barely whispered, but you heard it and almost cried at the relief. She administered the drugs and left you to be. Your engineer left the room to give you privacy, he’d gone in the helicopter with you and had been the first to notice something wrong with you during the race.

Oscar listened as the nurse explained your condition before she left. They suspected that you’d broken a rib during the first few laps, but it had punctured your lung, and you’d passed out in the car. Then you went straight into a barrier at almost 250 km/h. You broke 3 more ribs, 5 vertebrae in your back, your right hip, your right leg, your left arm, and you fractured your collarbone, as well as all the bruising and cuts you’d gotten. He felt sick to his stomach. The nurse left to inform the others.

Oscar stood at the end of your bed. “What were you thinking? Why would you refuse medicine?” He asked, his voice tense but calm.

“I wanted to see you,” you shrugged. “I needed to talk to you.”

He looked up to see you. The bruising, the cuts, the bandages, all of it, it was almost too much.

“I lost the ring,” you admitted, choking up. “When I woke up it was gone. I’m so sorry Osc-”

“I dont give a fuck about the ring baby, I care about you. I care that you’re alive, alright?” He sighed, moving closer to your face. “I’ll get you another.”

You started crying as you held him close. It was all too much, the pain, the stress, thinking about what would happen after you got out, wondering if you’d ever be in an F1 car again, it was too much. Oscar always seemed to calm you down, to settle you, not this time. You’d never seen him this stressed, no one had. It was unsettling, unnatural, and it made you more worried, it made you think more, and it made everything too real. Every sob that left your body caused another surge of pain through your back and chest, god, broken ribs were no joke. You kept crying and he kept holding you, pleading with you to stop because he knew how painful it was, and he knew you’d pass out, and he’d be alone again.

You passed out in his arms and the nurses ushered him away and back to the boys.

“How is she?” Alex asked, standing from his seat.

“She passed out,” Oscar answered. “She’s in so much pain.”

Logan clapped a hand on his shoulder. “She’ll pull through. She’s the strongest person we know.”

Oscar nodded as tears filled his eyes. “This is so fucking unfair,” he cursed.

“We know mate,” Lando agreed. “We’re fucking livid.”

“Did she at least take the meds?” George asked.

Oscar scoffed. “Yeah,” he rolled his eyes. “She wanted to talk to me because she lost the fucking ring I gave her. Like I’d ever fucking give a shit about a ring over her.”

Logan chuckled softly. “Well, that’s your Y/n for you. Loyal.”

They all cracked a smile, even Oscar (kind of).

“She’s going to be ok, alright?” George reminded him. “She’ll be back in that car in no time. She’s a fighter.”

“I don’t know if I’ll be able to keep going if she doesn’t,” Oscar answered. The weight of his confession sobered the other three to the somberness of the moment.

“Well, it’s a good thing she’ll pull through,” Alex said.

===========

navigation for my blog :) (masterlist)

#f1 imagine #f1 x reader #formula 1 x you #formula one imagine #oscar piastri x reader #oscar piastri #oscar piastri x you #formula one x reader #formula 1 #formula one #mclaren #oscar piastri x fem!reader #f1 fluff

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mostlysignssomeportents · 4 months ago

Text

Penguin Random House, AI, and writers’ rights

NEXT WEDNESDAY (October 23) at 7PM, I'll be in DECATUR, GEORGIA, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.

My friend Teresa Nielsen Hayden is a wellspring of wise sayings, like "you're not responsible for what you do in other people's dreams," and my all time favorite, from the Napster era: "Just because you're on their side, it doesn't mean they're on your side."

The record labels hated Napster, and so did many musicians, and when those musicians sided with their labels in the legal and public relations campaigns against file-sharing, they lent both legal and public legitimacy to the labels' cause, which ultimately prevailed.

But the labels weren't on musicians' side. The demise of Napster and with it, the idea of a blanket-license system for internet music distribution (similar to the systems for radio, live performance, and canned music at venues and shops) firmly established that new services must obtain permission from the labels in order to operate.

That era is very good for the labels. The three-label cartel – Universal, Warner and Sony – was in a position to dictate terms like Spotify, who handed over billions of dollars worth of stock, and let the Big Three co-design the royalty scheme that Spotify would operate under.

If you know anything about Spotify payments, it's probably this: they are extremely unfavorable to artists. This is true – but that doesn't mean it's unfavorable to the Big Three labels. The Big Three get guaranteed monthly payments (much of which is booked as "unattributable royalties" that the labels can disperse or keep as they see fit), along with free inclusion on key playlists and other valuable services. What's more, the ultra-low payouts to artists increase the value of the labels' stock in Spotify, since the less Spotify has to pay for music, the better it looks to investors.

The Big Three – who own 70% of all music ever recorded, thanks to an orgy of mergers – make up the shortfall from these low per-stream rates with guaranteed payments and promo.

But the indy labels and musicians that account for the remaining 30% are out in the cold. They are locked into the same fractional-penny-per-stream royalty scheme as the Big Three, but they don't get gigantic monthly cash guarantees, and they have to pay the playlist placement the Big Three get for free.

Just because you're on their side, it doesn't mean they're on your side:

https://pluralistic.net/2022/09/12/streaming-doesnt-pay/#stunt-publishing

In a very important, material sense, creative workers – writers, filmmakers, photographers, illustrators, painters and musicians – are not on the same side as the labels, agencies, studios and publishers that bring our work to market. Those companies are not charities; they are driven to maximize profits and an important way to do that is to reduce costs, including and especially the cost of paying us for our work.

It's easy to miss this fact because the workers at these giant entertainment companies are our class allies. The same impulse to constrain payments to writers is in play when entertainment companies think about how much they pay editors, assistants, publicists, and the mail-room staff. These are the people that creative workers deal with on a day to day basis, and they are on our side, by and large, and it's easy to conflate these people with their employers.

This class war need not be the central fact of creative workers' relationship with our publishers, labels, studios, etc. When there are lots of these entertainment companies, they compete with one another for our work (and for the labor of the workers who bring that work to market), which increases our share of the profit our work produces.

But we live in an era of extreme market concentration in every sector, including entertainment, where we deal with five publishers, four studios, three labels, two ad-tech companies and a single company that controls all the ebooks and audiobooks. That concentration makes it much harder for artists to bargain effectively with entertainments companies, and that means that it's possible -likely, even – for entertainment companies to gain market advantages that aren't shared with creative workers. In other words, when your field is dominated by a cartel, you may be on on their side, but they're almost certainly not on your side.

This week, Penguin Random House, the largest publisher in the history of the human race, made headlines when it changed the copyright notice in its books to ban AI training:

https://www.thebookseller.com/news/penguin-random-house-underscores-copyright-protection-in-ai-rebuff

The copyright page now includes this phrase:

No part of this book may be used or reproduced in any manner for the purpose of training artificial intelligence technologies or systems.

Many writers are celebrating this move as a victory for creative workers' rights over AI companies, who have raised hundreds of billions of dollars in part by promising our bosses that they can fire us and replace us with algorithms.

But these writers are assuming that just because they're on Penguin Random House's side, PRH is on their side. They're assuming that if PRH fights against AI companies training bots on their work for free, that this means PRH won't allow bots to be trained on their work at all.

This is a pretty naive take. What's far more likely is that PRH will use whatever legal rights it has to insist that AI companies pay it for the right to train chatbots on the books we write. It is vanishingly unlikely that PRH will share that license money with the writers whose books are then shoveled into the bot's training-hopper. It's also extremely likely that PRH will try to use the output of chatbots to erode our wages, or fire us altogether and replace our work with AI slop.

This is speculation on my part, but it's informed speculation. Note that PRH did not announce that it would allow authors to assert the contractual right to block their work from being used to train a chatbot, or that it was offering authors a share of any training license fees, or a share of the income from anything produced by bots that are trained on our work.

Indeed, as publishing boiled itself down from the thirty-some mid-sized publishers that flourished when I was a baby writer into the Big Five that dominate the field today, their contracts have gotten notably, materially worse for writers:

https://pluralistic.net/2022/06/19/reasonable-agreement/

This is completely unsurprising. In any auction, the more serious bidders there are, the higher the final price will be. When there were thirty potential bidders for our work, we got a better deal on average than we do now, when there are at most five bidders.

Though this is self-evident, Penguin Random House insists that it's not true. Back when PRH was trying to buy Simon & Schuster (thereby reducing the Big Five publishers to the Big Four), they insisted that they would continue to bid against themselves, with editors at Simon & Schuster (a division of PRH) bidding against editors at Penguin (a division of PRH) and Random House (a division of PRH).

This is obvious nonsense, as Stephen King said when he testified against the merger (which was subsequently blocked by the court): "You might as well say you’re going to have a husband and wife bidding against each other for the same house. It would be sort of very gentlemanly and sort of, 'After you' and 'After you'":

https://apnews.com/article/stephen-king-government-and-politics-b3ab31d8d8369e7feed7ce454153a03c

Penguin Random House didn't become the largest publisher in history by publishing better books or doing better marketing. They attained their scale by buying out their rivals. The company is actually a kind of colony organism made up of dozens of once-independent publishers. Every one of those acquisitions reduced the bargaining power of writers, even writers who don't write for PRH, because the disappearance of a credible bidder for our work into the PRH corporate portfolio reduces the potential bidders for our work no matter who we're selling it to.

I predict that PRH will not allow its writers to add a clause to their contracts forbidding PRH from using their work to train an AI. That prediction is based on my direct experience with two of the other Big Five publishers, where I know for a fact that they point-blank refused to do this, and told the writer that any insistence on including this contract would lead to the offer being rescinded.

The Big Five have remarkably similar contracting terms. Or rather, unremarkably similar contracts, since concentrated industries tend to converge in their operational behavior. The Big Five are similar enough that it's generally understood that a writer who sues one of the Big Five publishers will likely find themselves blackballed at the rest.

My own agent gave me this advice when one of the Big Five stole more than $10,000 from me – canceled a project that I was part of because another person involved with it pulled out, and then took five figures out of the killfee specified in my contract, just because they could. My agent told me that even though I would certainly win that lawsuit, it would come at the cost of my career, since it would put me in bad odor with all of the Big Five.

The writers who are cheering on Penguin Random House's new copyright notice are operating under the mistaken belief that this will make it less likely that our bosses will buy an AI in hopes of replacing us with it:

https://pluralistic.net/2023/02/09/ai-monkeys-paw/#bullied-schoolkids

That's not true. Giving Penguin Random House the right to demand license fees for AI training will do nothing to reduce the likelihood that Penguin Random House will choose to buy an AI in hopes of eroding our wages or firing us.

But something else will! The US Copyright Office has issued a series of rulings, upheld by the courts, asserting that nothing made by an AI can be copyrighted. By statute and international treaty, copyright is a right reserved for works of human creativity (that's why the "monkey selfie" can't be copyrighted):

https://pluralistic.net/2023/08/20/everything-made-by-an-ai-is-in-the-public-domain/

All other things being equal, entertainment companies would prefer to pay creative workers as little as possible (or nothing at all) for our work. But as strong as their preference for reducing payments to artists is, they are far more committed to being able to control who can copy, sell and distribute the works they release.

In other words, when confronted with a choice of "We don't have to pay artists anymore" and "Anyone can sell or give away our products and we won't get a dime from it," entertainment companies will pay artists all day long.

Remember that dope everyone laughed at because he scammed his way into winning an art contest with some AI slop then got angry because people were copying "his" picture? That guy's insistence that his slop should be entitled to copyright is far more dangerous than the original scam of pretending that he painted the slop in the first place:

https://arstechnica.com/tech-policy/2024/10/artist-appeals-copyright-denial-for-prize-winning-ai-generated-work/

If PRH was intervening in these Copyright Office AI copyrightability cases to say AI works can't be copyrighted, that would be an instance where we were on their side and they were on our side. The day they submit an amicus brief or rulemaking comment supporting no-copyright-for-AI, I'll sing their praises to the heavens.

But this change to PRH's copyright notice won't improve writers' bank-balances. Giving writers the ability to control AI training isn't going to stop PRH and other giant entertainment companies from training AIs with our work. They'll just say, "If you don't sign away the right to train an AI with your work, we won't publish you."

The biggest predictor of how much money an artist sees from the exploitation of their work isn't how many exclusive rights we have, it's how much bargaining power we have. When you bargain against five publishers, four studios or three labels, any new rights you get from Congress or the courts is simply transferred to them the next time you negotiate a contract.

As Rebecca Giblin and I write in our 2022 book Chokepoint Capitalism:

Giving a creative worker more copyright is like giving your bullied schoolkid more lunch money. No matter how much you give them, the bullies will take it all. Give your kid enough lunch money and the bullies will be able to bribe the principle to look the other way. Keep giving that kid lunch money and the bullies will be able to launch a global appeal demanding more lunch money for hungry kids!

https://chokepointcapitalism.com/

As creative workers' fortunes have declined through the neoliberal era of mergers and consolidation, we've allowed ourselves to be distracted with campaigns to get us more copyright, rather than more bargaining power.

There are copyright policies that get us more bargaining power. Banning AI works from getting copyright gives us more bargaining power. After all, just because AI can't do our job, it doesn't follow that AI salesmen can't convince our bosses to fire us and replace us with incompetent AI:

https://pluralistic.net/2024/01/11/robots-stole-my-jerb/#computer-says-no

Then there's "copyright termination." Under the 1976 Copyright Act, creative workers can take back the copyright to their works after 35 years, even if they sign a contract giving up the copyright for its full term:

https://pluralistic.net/2021/09/26/take-it-back/

Creative workers from George Clinton to Stephen King to Stan Lee have converted this right to money – unlike, say, longer terms of copyright, which are simply transferred to entertainment companies through non-negotiable contractual clauses. Rather than joining our publishers in fighting for longer terms of copyright, we could be demanding shorter terms for copyright termination, say, the right to take back a popular book or song or movie or illustration after 14 years (as was the case in the original US copyright system), and resell it for more money as a risk-free, proven success.

Until then, remember, just because you're on their side, it doesn't mean they're on your side. They don't want to prevent AI slop from reducing your wages, they just want to make sure it's their AI slop puts you on the breadline.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/19/gander-sauce/#just-because-youre-on-their-side-it-doesnt-mean-theyre-on-your-side

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

#pluralistic #publishing #penguin random house #prh #monopolies #chokepoint capitalism #fair use #AI #training #labor #artificial intelligence #scraping #book scanning #internet archive #reasonable agreements

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wnderkoo · 2 months ago

Text

🏎️ back to you | JKK

summary: in which a rainy day on track makes jungkook realise that there was someone else out there that cared about him

pairing: f1 driver!jungkook x reader

genre: fluff, mayhaps some angst??

author's note: hope you guys enjoy!! first post of 2025 ;) another a/n I COMPLETELY MESSED UP POSTING THIS???!! wrong title and forgot to add tags i might just retire atp

It only takes a split second for everything to change.

One moment you can be speeding down a straight at two hundred miles an hour, on track to set the fastest time of the grid, and the next you can be spinning out and crashing into the barriers.

Rainy days are always the worst for F1 drivers, when the roads are slick after a downpour and the tyres lose traction. Completely not ideal conditions for qualifying.

Jungkook had been struggling with his tyres all weekend, with issues arising during all the practice sessions. He had still managed to place in the top three each time, but not with many complaints to his race engineer over the radio.

The rain had given no warning before it started pouring down on the track, raindrops sliding across Jungkook's visor as he tried to manoeuvre through the new conditions.

It was bad enough that he was starting to slide on track, but nothing could have prepared him for the car impeding him up ahead.

It was necessary that cars on an out-lap, or cars that weren't trying to set a fast lap time, not be in the way of the cars that were.

Perhaps the car in front of him had slowed down because of the rain, abandoning their flying lap, or they were simply in the wrong place at the wrong time, but Jungkook had barely enough time to see him as he came speeding around the corner.

To avoid a collision, Jungkook swerves, but the lack of grip on the wet roads has him spinning out and crashing into the barriers. The impact isn't as harsh as it could've been, but Jungkook still feels the air getting knocked out of him. His race engineer is immediately in his earpiece asking if he's okay, and Jungkook only sighs before replying that he's fine.

The session is stopped for both the rain and removing Jungkook's mangled car from the track, and he's transported back to the garages by a safety car.

As he walks down the pit, he hears the commentators on one of the wall mounted TVs mentioning the lap times that had to be abandoned for the red flag. At the mention of a familiar last name, his heart wrenches.

Your brother had also been on a flying lap, and he had gone fastest in the first two sectors and was on track to setting the fastest time of the session when Jungkook had crashed. Jungkook hadn't been particularly affected, but realising he had ruined your brother's lap time made him feel worse.

After all, your brother was the reason you and Jungkook had met.

You had come to a few of the races this season to support your brother and had met his teammate. Your first impression of Jeon Jungkook, apart from being undeniably attractive, was that he was arrogant.

He had won two World Championships and was on podiums every weekend, he held himself to a high standard and drove like he had nothing to lose.

After your brother had moved to his team, their relationship had started off rocky. The two of them both wanted to win, and sometimes they fought each other too harshly on track and risked losing everything for the team.

The persona that Jungkook played into made you not like him much at first. He constantly pushed your brother to the limits and put both of them in dangerous positions. He was cocky and the articles about him that circulated every weekend didn't do much to help his image.

As the season went on, and they started putting the team before their pride, Jungkook and your brother became good friends, and now they had an incomparable synergy that led to massive points for the team every race.

It was only after the mid-year break that you started to see him in a new light. Your brother had invited him on your vacation for some team bonding, and the forced proximity had shown you that there was more to Jungkook than he let show.

He had taught you how to ski, being so patient and supportive, that you wondered why he would let others perceive him as the complete opposite.

That holiday had bloomed something unexpected, and although you liked to pretend like Jungkook didn't affect you, you both knew there was an undeniable chemistry between you.

Though, for all his douchebag moments, Jungkook knew to stay away from you. You were his teammate's sister after all. So the teasing and flirting never turned into anything more- no matter how much both of you secretly wished it would.

As Jungkook approaches the team garage, he hopes he doesn't see you. He can't bear to see your face after knowing he messed up the perfect chance for your brother to start at the front of the grid for tomorrow's race.

Since he had crashed towards the end of the session, your brother couldn't improve on his previous time, and was only 8th fastest at the conclusion of qualifying. While he would still have a good chance for the winning spot, it made it harder, and Jungkook could only blame himself, which meant you would too.

He sees you standing in one of the corners of the garage, looking up at the TV as a replay of the crash plays. He can just make out your furrowed eyebrows and your hands covering your mouth in shock as you watch Jungkook spin out and hit the barrier.

The next scene cuts to a replay of the radio message where your brother is forced to abandon his flying lap, your brother's disappointment and frustration ringing loud in Jungkook's ears.

As if sensing him, you turn around, meeting Jungkook's eyes straight away. He doesn't even have the chance to blink before you're rushing toward him, almost tripping over nothing as you speed across the garage.

Jungkook braces himself, expecting you to push or shove him while yelling at him, but instead you're crushing yourself against him and leaving him utterly confused.

His arms come up hesitantly and wrap around you and Jungkook soon realises the small tremors he frels are coming from you.

"__? What happened?"

When your head lifts off his racing suit, Jungkook takes in your teary eyes and his heart splinters.

"What happened?!" you mock, before sniffing loudly.

"One second you're on the track and the next your car is halfway into the barriers!"

Your fists grip the material of his suit tightly, as if you were trying to assure yourself that Jungkook was still in one piece, and Jungkook can't help but smile.

You cared about him.

You always acted indifferent towards him in public, rolling your eyes at every flirty comment and acting annoyed by his teasing. But underneath it all, you cared about Jungkook. Always wishing for his safety when he's out on track and celebrating every overtake. Though he may not know some of those things, he now knew you payed more attention to him than you let on.

And that was enough for him.

He brings your head against his chest once more, and hearing the thump of his heartbeat through the material of his clothes calms you down more than he could ever know.

"Those cars are built for a bomb, sweetheart,"

he whispers against your hair, holding you close.

"I'll always come back to you."

absolutely obsessed with f1 driver jungkook.

@lovingyou-lovee

#bts #jungkook #jungkook fluff #jeon jungkook #jungkook oneshot #jungkook crack #bts drabble #bts fanfiction #bts ff #bts fics #bts fic #btsimagine #bts fanfic #bts jungkook

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soy-soi-si · 6 months ago

Text

Imagine y/n having to join the team as a stand in for another person that was supposed to be there. And everything goes wrong.

Tw. angst, brief torture, injuries, death, past abuse, helplessness, reader almost dying. Foul language! Really crappy writing and not proof read prolly missing a few Tw's as well.

Y/n doesn't like the group at first. They seem patronizing, constantly talking about the person who was going to join. Constantly asking if you could actually do what he was supposed to. Hell even when she was completing the mission they kept checking on her more than each other even if two of them were under fire. She got so annoyed with Price after the genuine thirtieth time he told her the step by step of what she already did.

“If you keep fucking patronizing me I'll bust your balls Mr. Price is right. Now fuck off I'm already done.” She sighs at the deactivated bomb having completely gutted it and made sure it's not going to explode. Not to mention rescuing the hostages and securing the building and her section.

The laughter over comes echo's in her ear as she turns to the man it was strapped to as he cries out his thanks. She already checked him for weapons along with the other hostages; she untied them all and now has them in a corner taking cover just in case. Mostly women and a couple kids like three men including the one she saved.

She also deactivated the other bombs in her building and surrounding. “Christ sake your feisty lass!” she scoffs in response to soap, no longer looking at the civilians “You cunts have done nothing but baby and patronize me the entire time I've been around you. Sit and spin you big bitch.” The others chuckle at the end of the sentence.

“What am I sitting on again lassie?” she smirks “My fuckin 31cm dildo I'm gonna fuck you with later.” The cackles echo from gaz and roach. She hums before turning back to the civilians. “She's right about you patronizing her.” Ghost's voice echoes from the coms as a gunshot does as well. “my sector is clear.” She blinks as she hears movement outside.

“I think some strays came to my sector. I'm hearing stuff outside.” She raises her gun slowly moving to a window. She catches a peak of a huge group of the enemy surrounding her building. “I'm surrounded, there's easily a hundred if not over. Shit!” she notices one of them aiming up at the windows and she drops down. “these guy were not fucking anywhere near here until now…” she pauses as she hears one of the radios from the enemy in the hall and she crawls over to the door and she spots it sitting out front by the dead body and she grabs it closing the door again.

She listens to them moving to defend the hostages. “shit, they're telling everyone to come to my building!” She puts the other Radio against her mic. “Find the hostages, and the woman…” that's all she can make out before the window shatters along with an explosion. “take her alive and kill everyone else.” her ears are ringing as she sees someone coming out of the smoker and she shoots at them.

Searing agony sweeps through her after a second. She couldn't even tell she screamed as someone tackled her. “Get the fuck off of me!” Shooting them straight in the face then she shoots once at any movement she can make out the gun quickly clicking in response so she drops it pulling her handgun.

Then it's knocked from her hand as soldiers shoot at her from the doorway and it doesn't take long for her to realize she's on the floor surrounded by enemies. Each hostage she just saved gathered in front of her an executive guilt filling her body as each of them are made to look at her. She can't lift her hands or legs anymore in pure agony as the adrenaline is gone and so is each person she just met.

The seemingly leader steps in front of her holding a knife flipping it in his hand smiling as he crouches down to her eye level. She saw his picture and couldn't help but recognize him. “Hello there doll, you mind telling me where the pretty boy who was supposed to be on this mission is?” she glares at him. As he taps it against her neck, lightly cutting her skin each time. “So you've got Intel from our base. Sorry but he's fuckin dead. Died off base via a psycho girlfriend who thought he was cheating on him.” he takes a second before smiling. “Amazing news, pity I didn't get the honor though.” he cuts her wire. “But I'll make up for that with you pretty girl.”

· · ────── ·𖥸· ────── · ·

She never wanted to die, at least not like this, not after lying her ass off about everything they wanted to know as they tortured her. She wanted to gloat in their face after what she said gets them caught and killed. But she could be proud at least at the wide eye angel personality and face she's pulling the cries and blubbering all fake.

“Puhluse I've told you everything!” She sniffles crying in agony, her eyes wide as she's pushed into a freezer, one you would have in a garage for wild game or fish except it's more like a transport cooler in size. The lid slammed shut over her and it's pushed into a hole of sorts crashing into the side then onto the small box beneath her.

“No, no no!” She tries pushing the lid up but it's heavier and heavier as dirt covers it. “FUCKIN BASTARD!” She kicks the lid, not even budging. She lays as she notices how cold it is here, probably freshly turned off.

She takes a few deep breaths as she knows she'll die in here sooner or later. She searches for her phone in her bra quickly finding it. Looking at the battery it's almost dead. “Shit” 10% she quickly shoots a text to her brothers group chat. A simple I love you. Before she calls the number one of the idiots gave her before they actually went on field. She desperately listens to the ringing before it's picked up. “Are you the Sargent!” She can hear the vehicle running. “Yes it's fuckin me! I lied to them about the information. They're headed for West Point and go get them! I want them to die for this!” She tears up knowing damn well she's setting herself up to die sending them away from her she bites her lip sniffling at the bright screen in agony.

“I’m sorry I fucked up big time. Just tell my brothers I'm sorry and that I love them.” “Y/n where are you.” Price's voice now echoes from the phone. “Dunno, but I'll be, I'll be.” she chokes back a sob at the words memories coming back as she looks at the lid above her. “I’ll be fine, just go get 'em for me. West point I sent them towards the dummy container and warehouse they're looking for weaponry.” her hands are shaking as the cold gets to her.

“Y/n breathe for me what are your surroundings like right now.” Gaz practically chokes out his question. “They buried me. You won't find me in time even if you look. Just go get them! Stop worrying about me and go get them! I didn't just go through torture for you to fucking fail on me!” She is starting to get sleepy as she switches her phone to the most battery saving settings she can. Sniffling, she looks at the phone. “Please tell him I love him and that I'm sorry. He's the, he's the one that was supposed to be on the mission he's my little brother,” laughing once she sighs, “Thank you for everything even if it was annoying for you to patronize me.” She smiles at the screen as Ghost goes to speak “we’re not going to-” it dies in the middle of his sentence, leaving her alone in the pitch black. She begins sobbing uncontrollably holding her phone in front of her wishing it was still on.

“N-no, ple-euase, I don-n't wa-auhnnt to digh-ie,” she can't breathe with how much she's choked up. “N, Noaut liku- ke, th-This-ss,” she's just getting more distraught by the second as all the composure she's been keeping until now is gone. She just sits there remembering her life, her recent life, then her childhood remembering how her dad would lock her in their freezer when he got angry.

“Da-Daddy please I don't want to die like this.” she can practically hear him scream from the other side as white spots appear in her vision. “Shut the fuck up you little whore!”

She reaches up barely able to feel her body as she knocks on the freezer like how she used to since it was against her and her siblings room. She can't even speak as she can't move anymore and she turns looking at her phone again in her limp hand.

I'm so sorry, I said I'd be fine on my own.

She didn't even realize she passed out not until her eyes opened again as sudden warmth hit her, let alone how it grabbed her neck. “She's alive!” Roaches' voice screams from above her as she's ripped from the freezing cold and put on the burning hot dirt of the outback. Someone pushed her onto her back doing chest compression then grabbing her nose before blowing into her mouth her head tilted back. Once then twice. Then three times as suddenly she gains control of her breathing, her head no longer as fuzzy as she chokes breathing looking around dazed.

She's rolled onto her side. “She's lost a huge amount of blood, the freezer floors full of it!” She hears roach climbing out as she lays her head on the dirt, unable to move besides shaking, noticing the early signs of hypothermia in her hands as they're almost blue.

“I got her phone to come on!” Roach and the second person here get in the back of the buggy and she notices finally it's a blonde man with a balaclava pulled down showing his scarred face then she sees the familiar mask on the top of his head and the tactical gear and she hears soap cursing in the front. “Patch her up already you fuckin bastards!” she looks at Ghost, feeling her tear stained face clearly along with her snot caked onto her. Seeing some on him from mouth to mouth.

He leans over her trying to wrap her head but she reaches up using what's left of her sleeve to wipe off her snot and tears off of him. He looks at her surprised but more so worried. “Aren’t you handsome, sorry about the snot.” her voice is barely there as her arm falls as she passes out again.

She didn't know scared older military men were her type.

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grantgoddard · 25 days ago

Text

The great brains robber fearful his collar will be touched : 1991 : Gordon McNamee, KISS 100 FM

“If this gets out, we’re screwed,” my boss told me. Actually, I have paraphrased because at least one expletive was guaranteed in this man’s every sentence.

He looked very worried. I was baffled. I had absolutely no idea what he was talking about.

“I don’t just mean ME,” he added in response to my bafflement that maybe he mistook for insouciance. “I mean YOU too, everyone in this building, this entire business. We are all f……” I will stop there. You can probably guess his favourite expletive.

He thrust the inside pages from a Sunday tabloid newspaper across his desk and indicated I should read. It was a large news story about an apparently notorious drug dealer involved in sundry nefarious activities who had just been nabbed by ‘the law’. I had never heard of him. I was still completely baffled.

“Without these people, we wouldn’t be here,” my boss explained with deliberate ambiguity. I ran a lightning-fast Poirot-style drawing room denouement through my mind:

Surmise the newspaper suspect is genuinely criminal

I had never met him

I had done nothing criminal

My boss is evidently freaking out

Maybe HE is mixed up with this criminal

Maybe HE has done something illegal

Something SO illegal that it would close down our business which, Hercule indicates, is licensed by the British government.

Oh dear. Will I still have a job tomorrow?

This was not how I had anticipated my regular Monday morning eight o’clock drop-in to my boss’ penthouse office. He looked more than worried. He looked scared stiff. As if the Metropolitan Police might come knocking on his office door within the next hour. I had recently watched horrified as certain of his sacked employees had been frogmarched out of the building by a security guard upon this man’s cruel orders. Perhaps the boot was about to pass to the other foot, this time with the addition of handcuffs and a blue flashing light outside on Holloway Road.

He took the newspaper back from me, turned it back around and sat there in silence, staring at the article. He chose to elucidate nothing further for a full minute, so I bade him farewell, got up, closed his door behind me and returned to my own office downstairs. It was the strangest start to my week. I was left just as baffled. My boss never said another word to me about this incident. He did not need to. Its significance was betrayed by his changed demeanour from that day onwards. Gone was the happy-go-lucky faux bonhomie he had always oozed. From now on, he would behave as if a gunman might burst into the room and shoot him at point-blank range.

In previous years, it had been evident to those of us working for London pirate radio station ‘KISS 94 FM’ that there were dodgy things going on under our noses in its open-plan Finsbury Park first-floor office. Unlike its competitors who mostly attempted 24/7 radio services, our station had only broadcast from Friday to Sunday. How come rivals had been regularly raided and shut down by the government, or sometimes by their enemies, whereas KISS had been so rarely, if ever, forced off-air? Press articles had regularly alleged that violence, industrial sabotage and criminal activity were rife within London’s pirate radio business. Some involved criticised this as the perfect fabricated excuse for the authorities to raid illegal stations, close them and prosecute their operators. But was there some fire behind this convenient smokescreen?

Every week, KISS had held numerous rammed club nights in venues across London, collecting the door money in cash. Hundreds of pounds, thousands on busy holiday weekends, would be counted out and bundled up on an office desk, to be dispatched out the office front door in the hands of station co-founder Gordon McNamee’s personal assistant, Rosee Laurence. Those substantial cash revenues did not appear to be reflected in the subsequent published accounts of McNamee’s company, Goodfoot Promotions Limited. Where that cash went I never knew. I had realised that, despite my training in economics and accountancy, it was best not to ask or get involved in the financial labyrinth of this illegal radio station.

McNamee regularly described his business style as “ducking and diving”, defined by the Cambridge dictionary as “the action of cleverly doing everything you can in order to succeed, or to avoid a situation, even when this may not be completely acceptable or honest.” For those familiar with the popular 1980’s British television sitcom ‘Only Fools and Horses’, McNamee would have fitted right in with its cast. His gift was his East End gab. He could persuade almost anybody to do almost anything … that would ultimately benefit himself. Running one of the dozens of London pirate stations had at least corralled a useful boundary to his ruthlessness. However, that limitation evaporated once he hit the radio jackpot.

What happened next was all my fault. After KISS FM’s first attempt to win a legal London radio licence had failed, McNamee slumped into lethargic depression and paralysed inaction. I stepped up to the challenge of initial defeat by instigating a lobbying campaign with co-worker Heddi Greenwood to persuade the government to advertise further radio licences (which succeeded) and, then, by managing and writing a second licence application (which succeeded against all odds). To achieve this, I had to make the difficult decision to sacrifice my job editing a new monthly black music magazine ‘Free!’ that I had just founded. My motivation was my long involvement in London pirate radio during two decades, since when I had dreamt of Britain’s first legal black music radio station. Eventually, I made that happen.

However, once the licence had been won, McNamee’s demeanour changed significantly. Newly attired in a sharp Paul Smith suit and shirt, he set out to hobnob amongst bigwigs with money whom he convinced that the station’s application had succeeded due to HIS entrepreneurial skills. Although he had only five GCSE certificates to his name (amongst them woodwork and technical drawing) and was barely literate, having “bummed out of school most of the time”, his ego started to believe the ‘rags to riches’ story that press profiles were painting around him. Prime Minister Margaret Thatcher’s 1980’s propaganda promised that any East End barrow boy could ‘get rich quick’ through hard work in London’s financial and corporate sectors. It was the era of ‘loadsamoney’ when huge advertising billboards posted around London promoted local talk radio station ‘LBC’ with the slogan ‘GREED IS GOOD’ in massive letters.

Whereas pirate era meetings had previously been held within our open-plan office, McNamee now held them privately elsewhere with who knew whom and with outcomes unknown. He had always convinced the press that the pirate KISS FM was a ‘collective’ of its DJ’s even though it now seemed to operate more than ever as his fiefdom (KISS FM DJ Jazzie B’s “be an asset to the collective” lyric proved similarly shallow). Secrecy became endemic. McNamee’s domestic arrangements had always been sketchy, which I had presumed was the product of his ‘wife plus mistress’ private life. But he had progressed from being cagey to obsessively clandestine.

Weeks before the now legal KISS 100 FM launched, McNamee insisted I visit his new home for a Sunday business meeting and lunch. However, its address was apparently so confidential that I could only be told it by phone as I stepped into a taxi at the start of my long journey from one end of London to the other. I had to swear on my life that I would never share its location with anyone. Upon my late arrival (after the taxi ran out of petrol), I entered an expansive Edwardian house in Dulwich filled with expensive stuff, including huge blown-up photos of McNamee on walls throughout. The place was a shrine to both the man’s ego and the decadence favoured by the nouveau riche. I had to hide my disgust, as I had yet to be rewarded for my work winning KISS FM its licence. I was living in a damp suburban top floor flat without central heating.

It was galling to see McNamee showing off such opulence even before our new radio station had launched. Where had he got the money to buy this home? Where had he got the money to buy £90,000 of share capital in the newly created ‘KISS FM Radio Limited’ company that would be operating the licence? No explanations were offered to any of us who had been involved in our supposedly ‘collective’ enterprise – now HIS business – before it had won the licence. I was promised rewards (shares, a bonus, an immediate salary) for my efforts winning the station, none of which McNamee honoured. He was proven to be a cold-hearted liar in his treatment of me. There must have been others whose talents he exploited and later discarded.

I never knew if the Monday morning ‘criminal’ incident in his office was connected somehow to these apparent financial shenanigans that had suddenly made him ‘rich’. What I do know is that McNamee was never the same again. After Easter, he started to work a bare minimum of hours at the station. My office overlooked the private car park to the rear of the building so that, every morning, I would hear him arrive at precisely nine o’clock in the morning and then leave at precisely five o’clock in the afternoon. During the day, McNamee was no longer seen around the building. Apart from his presence at meetings, I rarely saw him to talk to any more. There was a lot of whispering around the building that things were going very badly for him.

Whenever I had to visit the top floor to see McNamee in his office, he would usually be sat behind his desk, doing nothing in particular. Often not, he would be staring at the latest share prices on the Teletext pages of his huge colour television. He seemed obsessed with the notion that he was some kind of entrepreneurial whiz-kid. He even started comparing himself in conversation to Richard Branson, the boss of the Virgin empire. Often, I would find him listening to old soul or jazz-funk records in his office, rather than to KISS FM. It seemed as if he was barricading himself into his corner office on the top floor, trying to ignore the realities of the radio station that were going on around him.

He clearly lacked the management skills to make the station a successful business, having appointed as departmental managers ‘outsiders’ who failed to understand our unique radio product and who all failed to meet their targets. I was the only ‘insider’ to head a department and became the only manager to meet my target (one million listeners per week by end of Year One) some six months early. Consumed by his own failings, I could see McNamee grow to despise me for my success. At one stage, he even told me: “Do you know what I hate about you, Grant? You’ve got the answers to every bloody question. And they are always bloody right.”

What he failed to grasp was that my expertise was derived from education, training and experience. I had not been born on a council estate with it. Unlike him, I had been involved in the radio business for two decades. Unlike him, I had implemented a (then) radical music policy that had turned around the fortunes of a large British commercial radio station (Metro Radio, Newcastle) a decade earlier. Unlike him, I had managed people since the 1970’s. Unlike him, I may not have possessed the gab, but I had a range of skills that were necessary to launch a successful radio station from scratch … and that is exactly what I did. Inevitably, having managed the station to ratings success, I was deemed no longer necessary to McNamee’s increasingly paranoid behaviour and was ejected without an ounce of gratitude. Then he slandered me in a national newspaper, bizarrely accusing ME of ruining HIS radio station!

Jump forward to June 2024. The same Gordon McNamee was honoured with the Most Excellent Order of the British Empire for “services to music”. It seems totally appropriate that it was bestowed upon him by the most corrupt, dishonest self-serving British government observed in my lifetime, run by a Prime Minister and staff convicted on 126 occasions of breaking COVID lockdown laws they themselves had legislated. Many current Tory politicians still idolise Margaret Thatcher and the ‘policies’ that helped her dominate 1980’s British politics. In 2022, Prime Minister and former Goldman Sachs banker Rishi Sunak had even asked on camera a homeless man if finance was a business he would “like to get into”, a scary echo of that Thatcher propaganda.

During my media career, I have had to work for a clutch of bosses whose activities appeared somewhat non-legal, several of whom were eventually prosecuted, two of whom were sent to jail. That is a sad reflection on the calibre of people who rise to the heights of British business where ‘meritocracy’ seems to have been labelled a dirty word … by those who are already installed on top.

[See also ‘KISS FM: From Radical Radio To Big Business: The Inside Story Of A London Pirate Radio Station’s Path To Success’ by Grant Goddard, Radio Books, 2011, 528 pages]

[Originally published at https://peoplelikeyoudontworkinradio.blogspot.com/2025/01/the-great-brains-robber-fearful-his.html ]

#career #commercial radio #Gordon McNamee #Grant Goddard #KISS FM #local radio #London #pirate radio #radio #radio broadcasting #radio industry #radio licensing #radio sector #radio station

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thelovehypothesis · 4 months ago

Text

Part 2.1 : Between the Pit Walls and the Heartbreak - 1 | 43

part 1

ex!Franco Colapinto x fem-engineer!reader x Max Verstappen

+3k words

a/n’s: again full credit to @afterglowsainz go read their fic “don't smile” its amazing, and this is the long awaited part 2 on my take of their fic! BUT here is and alternate ending... Part 2.2

warnings: angst-fluff (debatable happy ending)

Summary: Two three hearts, one racetrack, and a love that no team can control. When love collides with ambition, can they find a way back to each or to another?

Racing Ahead (qatar grand prix 2025)

It had been nearly a year since you walked away from Franco, since you’d chosen your career and dreams over the love you once thought would last forever. Life had changed in ways you could never have imagined. The moment you accepted the position at Red Bull, everything shifted. The high-intensity world of being Max Verstappen’s race engineer consumed you, leaving little room for reflection, which was how you preferred it.

You were good at your job—great, even. From the very first race weekend with Max, you felt the rush of adrenaline, the electric tension of every decision you made behind the mic, and the weight of contributing to a world championship. It was thrilling, everything you’d ever worked for, and yet, there were quiet moments when your mind drifted back to what you had left behind.

But you didn’t have time for what-ifs. You stood in the garage, headphones around your neck, watching the pit crew scramble as they prepared the car for qualifying. Max was a machine—focused, relentless—and the two of you had developed an easy rapport. He trusted you with critical decisions, and you trusted him to deliver on the track. It was a partnership built on mutual respect and shared ambition.

As you stood there, watching the screens, you felt a familiar tug of emotion—memories of race weekends with Franco, late-night strategy talks, and the way he used to smile when he nailed a lap. But you pushed those thoughts away. That chapter of your life was over.

“Y/N, we’re ready,” Max’s voice crackled through your headset, pulling you back to the present.

“Copy that,” you replied, all business again. “Let’s nail this one, Max.”

The next few minutes were a blur of data, radio calls, and fast decisions. Max was flying, setting the fastest times in each sector. By the time the session ended, he had secured pole position, and the garage erupted in cheers. You smiled, proud of the work you’d done and of what the team had achieved together. This was where you belonged now—at the heart of the action, right on the edge of greatness.

But as the celebration in the garage began to die down, you caught sight of a familiar figure across the paddock—Franco. He was there, leaning against the railing, watching you. His eyes met yours, and for a brief moment, everything around you seemed to blur, the noise of the team fading into the background.

He looked different—older, somehow, more serious. But that same magnetic energy was still there, the pull between you undeniable, even from a distance.

Franco was back in the paddock as a reset driver for Williams and Mercedes in the 2025 season. It was bittersweet seeing him there, a constant reminder of the past and what you had left behind. His presence felt heavy, especially to him when he noticed the subtle moments between you and Max. The way Max’s eyes would linger on you during quick debriefs or the soft smirk on his lips after a race made it clear he was interested. Franco noticed everything, and it was as if the air between you and him thickened each time you were near.

You quickly looked away, your heart pounding in your chest. It had been so long since you’d seen him. You didn’t know what to feel—anger, sadness, or relief. You had moved on—or at least, you convinced yourself you had. But seeing him here, now, was like reopening a wound that hadn’t fully healed.

Later, after the garage had emptied out and the team had retreated to prepare for the race, you found yourself wandering the paddock, lost in thought. You didn’t expect to bump into Franco, but as fate would have it, there he was, standing by the entrance to the hospitality suite, waiting for you.

“Y/N,” he called out, his voice soft but urgent.

You froze, torn between walking away and confronting the emotions you had buried. Slowly, you turned to face him.

“Franco,” you said, your voice steady though your heart was racing.

He stepped closer, his expression unreadable. “I wasn’t expecting to see you here.”

You raised an eyebrow, trying to maintain your composure. “I work here now. This is my job.”

“I know,” he said quietly. “I’ve been following you this season. You’re doing incredible things.”

There was a brief silence, filled with all the words you both wanted to say but couldn’t. Finally, Franco spoke again, his voice laced with regret. “I’ve thought about you a lot. About us.”

You swallowed hard, keeping your emotions in check. “Franco, that part of my life is over. I made my choice.”

“I know you did,” he said, his voice strained. “But it doesn’t change how I feel about you. It never has.”

You shook your head, the familiar ache returning to your chest. “Franco, you can’t just say things like that. You can’t—”

“I still love you,” he interrupted, his eyes burning with intensity. “I never stopped.”

His words hit you like a punch to the gut, and for a moment, you were speechless. You spent months trying to move on, trying to forget him, but hearing him say those words stirred up feelings you thought you’d buried.

“I know I hurt you,” he continued, stepping closer. “And I know it’s too late to fix things. But I had to tell you. I had to try.”

You stared at him, torn between the past and the present. Part of you wanted to run back to him, to fall into his arms and forget everything that had happened. But the stronger part of you knew that things could never go back to the way they were.

“I can’t, Franco,” you whispered, your voice breaking. “I’ve built something here.”

His face fell, and he nodded, as if he had expected that answer. “I understand. I just… I had to see you. To tell you how I feel.”

You nodded, tears stinging your eyes, but you refused to let them fall. “I’m glad you told me. But we’re on different paths now.”

He took a step back, his hands clenched at his sides, and for a moment, you thought he might try to say more. But instead, he just nodded again, resigned. “Take care, Y/N.”

You watched as he turned and walked away, your heart heavy but resolute. You had made your choice, and there was no turning back now.

As you stood there, alone in the paddock, the sounds of the race weekend buzzing around you, you took a deep breath. The pain was still there, but so was the certainty. You had chosen yourself and your future. In this moment, that was enough.

Turning back toward the Red Bull hospitality, you squared your shoulders, ready to face whatever came next. You were here for a reason, and no matter what ghosts from the past lingered, you knew you were exactly where you were meant to be.

The next day after the race, as if pulled by some invisible force, you found yourself near the Williams hospitality and crossed paths with Franco again. His eyes held a certain determination, as if something had been left unsaid. You didn’t plan on stopping, but you did.

“I just need to tell you one last thing,” he said. His voice was soft but strained, like he’d been carrying the weight of these words for too long.

You hesitated, unsure, but standing there, looking at him, you knew you wanted to hear what he wanted to say. You exhaled, already knowing this wasn’t going to be easy.

There was a pause, a moment of silence where the two of you just stood there, the air thick with everything unsaid. Finally, he broke it.

“I see the way Max looks at you,” he began, his gaze flickering to the ground for a moment before meeting yours. There was an edge to his words, the mention of Max hanging between you like a challenge. You met his gaze, unflinching.

“It's..It’s obvious. And I don’t think it’s fair. You won’t give me another chance, but… you’re giving him one?”

The accusation hung in the air between you, but it wasn’t anger or bitterness that hit you—it was sadness, the echo of what you both once had.

You shook your head slowly, the corners of your lips lifting in a bittersweet smile. “Max trusts me, Franco. You didn’t.” There was another big pause between you two.

His expression faltered, the words sinking into the space between you. It wasn’t just a statement—it was the truth of why things had fallen apart.

“You know…I’ve moved on,” you said, though the words felt heavy in your chest. “You should too.”

Franco’s jaw tightened, and for a moment, you saw a flash of something—regret, jealousy, maybe both. He took a breath, stepping closer.

He looked at you as if the wind had been knocked out of him. “So it is because of Max?” he asked, his voice tight. “He’s the reason you’re saying this?”

You shook your head, exasperated. “This isn’t about Max. It’s about me. I’ve found my place here, Franco. I’ve built something on my own. I’m happy.”

Franco stepped forward, close enough that you could see the pain in his eyes. “Do you really mean that?”

You hesitated, and for a moment, you felt the urge to reach out to him, to pull him close and tell him that everything would be okay. But you didn’t. Instead, you took a deep breath and stood your ground.

“Yes, I do.”

He stared at you for a long time, his expression shifting from hurt to acceptance. Finally, he nodded, stepping back. “I guess I always knew I’d lost you the moment I walked away.”

There was a pause, and then, almost in a whisper, he added, “I’m sorry, Y/N. For everything.”

You felt the tightness in your chest ease, the weight of the past lifting, even if just a little. “I know,” you replied softly. “But we can’t go back.”

Franco gave you one last look, a look that said everything he couldn’t put into words. You leaned in and kissed his cheek, a gentle goodbye to the memories you shared, and turned to leave.

As you walked out of the paddock, the sense of closure settled over you. It was done. The past no longer had a hold on you. You had said your goodbyes, finally and fully.

Max was waiting outside, leaning casually against his car. When he saw you, he opened the door and gestured for you to get in without saying a word. The moment you sat down, he reached over and took your hand, his thumb brushing gently over your skin.

“Everything okay?” he asked, his voice calm, yet filled with concern.

You nodded, squeezing his hand in return. “Yeah. Everything’s fine now.” And for the first time in a long time, you truly believed it. The weight of the past no longer held you down. You were moving forward, and whatever the future held—whether it was with Max, racing, or something else entirely—you knew you were ready for it.

The ride back to the hotel was quiet, but Max never let go of your hand. He didn’t need to say anything more—his presence was enough. You leaned back in the seat, feeling a sense of peace wash over you for the first time in what felt like forever.

You knew things were going to change. But for now, you allowed yourself to just be in this moment, feeling safe and understood beside him.

The new, the better (abu dhabi grand prix)

The Grand Prix was electric, charged with tension, adrenaline, and the weight of the championship. Max was on the verge of winning his fifth world title, and every single decision you made felt like it could either make or break his season. The entire paddock was watching. The stakes had never been higher (for you(maybe), cause well the 2021 season happened).

As the race unfolded, your nerves buzzed with anticipation. Max had been flawless, pushing the car to its limits, but on the final lap, a risky opportunity presented itself—one that could either win the championship or lose it. You had seconds to decide. Your heart pounded as you called it.

"Box Box, Max. Trust me on this."

There was a brief pause on the radio, but Max’s voice came through steady and confident. “Copy. I trust you.”

And that was it. He trusted you, completely. He always had.

As Max took the gamble and crossed the finish line first, securing his fifth world championship, the entire Red Bull team erupted into cheers. The pit wall exploded in celebration, and you stood there, momentarily frozen, barely able to believe what had just happened. Max had done it. You had done it. Together.

Before you could even process the victory, Max pulled his car into the pit lane, the roar of the crowd filling the air. As he climbed out, he ripped off his helmet and, without a second thought, sprinted toward you. Your breath caught in your throat as he reached you.

His eyes, wild with excitement and joy, locked onto yours, and before you could say anything, Max was pulling you into his arms, kissing you deeply. The world around you fell away—there was no paddock, no crowd, no cameras—just the warmth of his lips on yours, the passion in his embrace, and the weight of the moment between you.

For a split second, time froze. Everything you’d been holding back, all the tension, the unspoken feelings, rushed to the surface. Max kissed you like he’d been waiting forever for this moment, and the way he held you, like you were the only person in the world, left you breathless.

When he finally pulled back, you were both panting, stunned by the intensity of it all. Max’s hand lingered on your waist, his forehead resting against yours as the crowd roared in the background. He grinned, his face flushed from the race and the kiss, and whispered, “I’ve wanted to do that for a long time.”

You could barely process it, but before you could respond, your eyes drifted to the side where Franco stood, watching the entire scene unfold. His face was a storm of emotions—jealousy, anger, heartbreak all at once. He looked away, and for a moment, the past tugged at you. But it wasn’t enough to hold you back anymore.

Later, after the race, you found yourself alone with Max in the team’s motorhome, away from the cameras, the chaos, and the noise. The atmosphere was thick with the unspoken. You sat across from him, the adrenaline still coursing through your veins, but there was also a newfound calm between you two—a sense of inevitability.

“You really didn’t have to kiss me like that,” you teased, trying to lighten the mood. But your voice trembled slightly, betraying just how much the moment had affected you.

Max leaned back, his blue eyes sparkling with mischief and something deeper. “I didn’t have to, but I wanted to. I figured it was the right time.”

You blushed, your heart fluttering as his words sank in. You’d always known Max was bold, but this… this was different. “So… what now? Red Bull doesn’t exactly encourage relationships between team members.”

He smiled, a slow, confident grin that made your heart skip a beat. “Actually, they don’t mind, as long as we don’t let it affect our work. And we work pretty well together, don’t we?”

You met his gaze, feeling a warmth spread through you that had nothing to do with the victory. It was more than that. It was the trust, the bond that had been quietly building between you two for months. “You really think this can work?”

Max leaned forward, his eyes soft but sure. “I think we should give it a shot. See where it goes. No pressure, just you and me.”

You took a deep breath, the weight of the past year lifting slightly from your shoulders. For the first time in a long time, you felt like you had control over your life, over what you wanted. And maybe, just maybe, this was something you were ready to explore.

“Okay,” you said softly, your heart racing with a mix of excitement and nerves. “Let’s see where it goes.”

Winter break and the next season all became a delicate dance between work and something more. Max was still the fierce, competitive driver you admired, but there was a softness to him now, especially when it came to you. At work, you were still the same duo—focused, driven, unstoppable—but away from the track, things were different. The playful banter that had once been strictly professional became more personal. You found yourself opening up to Max in ways you hadn’t with anyone else in a long time, and the connection between you two deepened with each passing day.

Franco remained a constant presence in the paddock as he got a seat for the 2026 season, a reminder of the past you’d left behind. There were moments when his gaze lingered on you and Max, moments when you could see the regret in his eyes. But that chapter of your life had closed, and it was time for something new.

Max didn’t push you for more, but he made it clear he was all in. He was patient, understanding, and above all, he trusted you. It was that trust, more than anything, that made you realise how different this was. Max believed in you, in the decisions you made, both on and off the track. He never questioned you, never made you doubt yourself. And in return, you found yourself falling for him, slowly but surely.

One evening, after a particularly gruelling race weekend, you and Max were sitting in his hotel room, the city lights of whatever country you were in glowing softly through the windows. Max had his arm wrapped around you, and you were leaning into him, both of you exhausted but content.

“You know,” he murmured, his voice low and warm, “I don’t think I’ve ever been happier.”

You looked up at him, surprised by the quiet vulnerability in his voice. “Really? Even after winning five world championships?”

He smiled down at you, his eyes softening. “Yeah, even after that. This—being with you—it feels right.”

Your heart swelled at his words, and you realised in that moment that you felt the same way. It wasn’t just about the thrill of the races or the adrenaline of being part of something bigger than yourself. It was about Max, about the way he made you feel grounded and safe in a world that was constantly in motion.

For the first time in a long time, you were happy. Truly, deeply happy.

And as the season went on, that happiness grew. You and Max navigated the challenges of working together in such a high-stakes environment, but you also grew closer in ways you never imagined. There were quiet moments, stolen glances, and late-night conversations that made you realise how much Max meant to you.

The rest of the paddock eventually got used to the idea of you and Max as a couple, and while there were still whispers and raised eyebrows, it didn’t matter. What mattered was that you had found something real, something worth holding onto.

By the end of the season, you were no longer just Max’s race engineer—you were his partner, in every sense of the word. And as you looked toward the future, you knew that whatever came next, you and Max would face it together, stronger than ever

---The end---

I'am really happy with the outcome! hope you are too.

Once again my request are open for all your request!

-lots of love, Em.

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toddbarrowcountry · 1 year ago

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vimeo

New music video!

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verstappenf1lecccc · 3 months ago

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Imma need this haah so I was watching the race yesterday and I heard Nando come on the radio to say he would have given in by now but he needs to do it for a few people etc and I’ve seen the video at the end of the race where he’s struggling to get out of the car I can’t send it if you haven’t seen it and was thinking of Nando x reader based around this. You know me throw some angst in there and lots of fluff please 🙏 your my favourite Nando writer I love your work ❤️

I am so sorry this took so long I have an exam today and just wanted to finish it before I went in!! i hope you like it :)

For you

Fernando Alonso had never been one to back down from a challenge or a fight.

It wasn’t in his nature.

He never caved, never gave up, no matter how overwhelming the situation or how drained he felt.

That was what made the Brazilian Grand Prix such a shock—not just to Aston Martin, but to you, especially.

You had been by Fernando’s side for over 10 years, and his wife for 7 of those.

You knew him inside out, perhaps better than anyone else. You knew how stubborn he could be, how relentless, especially when it came to the risks he took behind the wheel.

The race had been brutal.

The heat was suffocating, visibility was near zero in certain sectors, and the pressure to deliver was immense.

You’d been watching from the edge of your seat, every moment fraught with anxiety. You were praying to anyone who could hear, hoping for a safe race. But deep down, you couldn’t shake the fear that his age was beginning to catch up with him.

Fernando wasn’t the young firecracker he once was, yet he never showed any sign of slowing down.

To the media, to the world, he was as fit and strong as ever. But with you—he was different. With you, he didn’t have to wear that mask of invulnerability.

That day in Brazil, the race had pushed him to his limits. The physical exhaustion, the mental strain, the constant, unrelenting pressure to win—it all weighed heavily on him.

You had seen him on those mornings when he woke up groaning in pain, his back stiff from the wear and tear of years of racing, and you knew it wasn’t just the way he slept. You knew the strain his body was under, but he would never admit it. Never to the world, and never to himself.

Yet, despite it all, there was something deeper driving him forward. Something that kept him pushing when every muscle in his body screamed for him to stop.

Just before the race, you two had fought. It had been a long, tense argument, your voices raised in frustration. You had begged him, pleaded with him, “Fernando, you need to slow down. The risks you’re taking, they’re too much. I don’t want to lose you.”

But he had been defensive, angry even. His pride, his need to prove he still had it, had made him dismiss your concerns. “I know what I’m doing,” he had snapped, his voice cutting through the tension. “You don’t need to worry about me.”

He had stormed off, leaving you with nothing but the echo of his words. But you knew, deep down, he wasn’t angry at you—he was angry at himself. Because even though he wouldn’t admit it, there was a fear in him now, a fear of not being able to keep up with the younger drivers. A fear of losing that edge he had worked his whole life to perfect.

But despite all of that, there was something else on his mind, something driving him forward when his body screamed for him to give in.

He'd heard it on the radio, his voice a low rasp as he pushed back against the exhaustion. "I would’ve given up by now, but I can't. I need to do this... for them. For a few people..." For you.

When the race finally ended, Fernando was barely able to stand. His body had been pushed to its absolute limit. The pain was overwhelming, and as he dragged himself out of the car, the world around him spun. His hands were trembling, his legs unsteady, and yet it wasn’t the physical exhaustion that alarmed you. It was the look in his eyes—defeat, vulnerability, a quiet acknowledgment that maybe, just maybe, you had been right.

You were there before he could take another step, rushing to his side. You didn’t need to say anything—your arms around him, the steady pressure of your embrace, spoke volumes. You could feel the weight of his body as he leaned into you, his breaths shallow, strained. His voice was barely audible when he spoke.

"I don’t know how much longer I can do this," he whispered, his words thick with exhaustion, both physical and emotional.

You didn’t hesitate. "You can," you replied softly, but firmly. "You always can. But only if you let yourself breathe sometimes, Nando."

He didn’t answer at first. His fingers clenched around your shirt, his face buried in your hair as though trying to find solace in your presence. For a moment, the roar of the crowd, the flashing lights, everything else faded away. All that mattered was you and him, the two of you in that moment, holding each other together.

You stepped back slightly to look into his eyes, the exhaustion etched deep into his features. You cupped his face gently in your hands. "You don’t have to carry it all. Not alone. Let me help you. Let me in."

He finally met your gaze, his eyes shadowed with the weight of the race, of the argument, of everything he had been bottling up. For a brief moment, you saw a flicker of regret. His voice was small, apologetic, and raw. “I was wrong, about everything. You were right. I pushed too hard today. I… I can’t keep going like this.”

A lump formed in your throat, but you swallowed it down. You could see the cracks in his armor, the vulnerability he had never let anyone see before. The fight in him wasn’t gone—it had simply shifted. Now it wasn’t about winning races or proving himself to the world, it was about finding balance, finding peace.

"You don’t have to prove anything to anyone, Fernando," you whispered, your hand gently brushing his cheek. "Not to me. Not to anyone. Just… come back to me in one piece, okay?"

He nodded, a tear slipping from his eye, and for the first time in a long while, you saw the man who had been running on empty—tired, afraid, and so desperately in need of someone to hold him.

and you would always be there to do that.

#f1 imagine #f1 scenario #f1 x reader #formula one #fernando alonso x reader #fernando alonso x female reader #fernando alonso x you #fernando alonso fanfic #fernando alonso #brazil gp 2024 #aston martin #angst with a happy ending #angst #fernando alonso fluff #fernando alonso angsty

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promptsforyourwhumpfic · 5 months ago

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Whump Prompt #1360

Whumptober #10: Slurred Words

A: “B, do you copy? Where are you?”

B: “‘m here… sort of… kinda cozy in this corner…”

A: “There you are! Are you alright? What’s your status?”

B: “Status… uh… bit fuzzy, but I’m still kickin’… well, kinda… head’s… spinny.”

A: “B, did you hit your head? Are you hurt? Where are you?”

B: “Um… was tryin’ to… get to, uh… sector …can’t remember. Everything’s sorta… blurry, y’know?”

A: “Okay, okay. Just hang on. Keep talking to me. I’m tracking your signal, but you need to stay awake.”

B: “Aw, c’mon… I’m not… not goin’ anywhere… room’s doin’ enough spinnin’ for both of us…”

A: “Yeah, I bet. Just keep that radio on, alright? No shutting down on me.”

B: “Hey… do I sound funny to you? Can’t… can’t get my mouth to… to say things right…”

A: “You’re doing fine. Tell me what you’re seeing.”

B: “Uh… somethin’ like… a hallway… I think… and some kinda… uh, blue light… real pretty…”

A: “I’m almost there. Just stay focused on that light, alright? Talk to me. What’s the first thing you’re gonna do when we get you out of there?”

B: “Gonna… take the longest… nap… maybe grab… somethin’ to eat… got this craving for… uh… pizza…”

A: “Pizza sounds good. Hang tight, B. We’ll get you that pizza, after we get you to a doctor.”

There’s a distinctive groan over the radio, and A can’t help but chuckle.

B: “With sides?”

A: “If you don’t fight the doctors this time.”

B: “...f-fine.”

#whump #whumptober #whumptober2024 #writing #prompts #long prompt #dialogue prompt #search and rescue #head injury #trying to stay awake #clint barton core

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mostlysignssomeportents · 5 months ago

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Prime’s enshittified advertising

Prime's gonna add more ads. They brought in ads in January, and people didn't cancel their Prime subscriptions, so Amazon figures that they can make Prime even worse and make more money:

https://arstechnica.com/gadgets/2024/10/amazon-prime-video-is-getting-more-ads-next-year/

The cruelty isn't the point. Money is the point. Every ad that Amazon shows you shifts value away from you – your time, your attention – to the company's shareholders.

That's the crux of enshittification. Companies don't enshittify – making their once-useful products monotonically worse – because it amuses them to erode the quality of their offerings. They enshittify them because their products are zero-sum: the things that make them valuable to you (watching videos without ads) make things less valuable to them (because they can't monetize your attention).

This isn't new. The internet has always been dominated by intermediaries – platforms – because there are lots more people who want to use the internet than are capable of building the internet. There's more people who want to write blogs than can make a blogging app. There's more people who want to play and listen to music than can host a music streaming service. There's more people who want to write and read ebooks than want to operate an ebook store or sell an ebooks reader.

Despite all the early internet rhetoric about the glories of disintermediation, intermediaries are good, actually:

https://pluralistic.net/2022/06/12/direct-the-problem-of-middlemen/

The problem isn't with intermediaries per se. The problem arises when intermediaries grow so powerful that they usurp the relationship between the parties they connect. The problem with Uber isn't the use of mobile phones to tell taxis that you're standing on a street somewhere and would like a cab, please. The problem is rampant worker misclassification, regulatory arbitrage, starvation wages, and price-gouging:

https://pluralistic.net/2024/02/29/geometry-hates-uber/#toronto-the-gullible

There's no problem with publishers, distributors, retailers, printers, and all the other parts of the bookselling ecosystem. While there are a few, rare authors who are capable of performing all of these functions – basically gnawing their books out of whole logs with their teeth – most writers can't, and even the ones who can, don't want to:

https://pluralistic.net/2024/02/19/crad-kilodney-was-an-outlier/#intermediation

When early internet boosters spoke of disintermediation, what they mostly meant was that it would be harder for intermediaries to capture those relationships – between sellers and buyers, creators and audiences, workers and customers. As Rebecca Giblin and I wrote in our 2022 book Chokepoint Capitalism, intermediaries in every sector rely on chokepoints, narrows where they can erect tollbooths:

https://chokepointcapitalism.com/

When chokepoints exist, they multiply up and down the supply chain. In the golden age of physical, recorded music, you had several chokepoints that reinforced one another. Limited radio airwaves gave radio stations power over record labels, who had to secretly, illegally bid for prime airspace ("payola"). Retail consolidation – the growth of big record chains – drove consolidation in the distributors who sold to the chains, and the more concentrated distributors became, the more they could squeeze retailers, which drove even more consolidation in record stores. The bigger a label was, the more power it had to shove back against the muscle of the stores and the distributors (and the pressing plants, etc). Consolidation in labels also drove consolidation in talent agencies, whose large client rosters gave them power to resist the squeeze from the labels. Consolidation in venues drives consolidation in ticketing and promotion – and vice-versa.

But there's two parties to this supply chain who can't consolidate: musicians and their fans. With limits on "sectoral bargaining" (where unions can represent workers against all the companies in a sector), musicians' unions were limited in their power against key parts of the supply chain, so the creative workers who made the music were easy pickings for labels, talent reps, promoters, ticketers, venues, retailers, etc. Music fans are diffused and dispersed, and organized fan clubs were usually run by the labels, who weren't about to allow those clubs to be used against the labels.

This is a perfect case-study in the problems of powerful intermediaries, who move from facilitator to parasite, paying workers less while degrading their products, and then charge customers more for those enshittified products.

The excitement about "disintermediation" wasn't so much about eliminating intermediaries as it was about disciplining them. If there were lots of ways to market a product or service, sell it, collect payment for it, and deliver it, then the natural inclination of intermediaries to turn predator would be curbed by the difficulty of corralling their prey into chokepoints.

Now that we're a quarter century on from the Napster Wars, we can see how that worked out. Decades of failure to enforce antitrust law allowed a few companies to effectively capture the internet, buying out rivals who were willing to sell, and bankrupting those who wouldn't with illegal tactics like predatory pricing (think of Uber losing $31 billion by subsidizing $0.41 out of every dollar they charged for taxi rides for more than a decade).

The market power that platforms gained through consolidation translated into political power. When a few companies dominate a sector, they're able to come to agreement on common strategies for dealing with their regulators, and they've got plenty of excess profits to spend on those strategies. First and foremost, platforms used their power to get more power, lobbying for even less antitrust enforcement. Additionally, platforms mobilized gigantic sums to secure the right to screw customers (for example, by making binding arbitration clauses in terms of service enforceable) and workers (think of the $225m Uber and Lyft spent on California's Prop 22, which formalized their worker misclassification swindle).

So big platforms were able to insulate themselves from the risk of competition ("five giant websites, filled with screenshots of the other four" – Tom Eastman), and from regulation. They were also able to expand and mobilize IP law to prevent anyone from breaking their chokepoints or undoing the abuses that these enabled. This is a good place to get specific about how Prime Video works.

There's two ways to get Prime videos: over an app, or in your browser. Both of these streams are encrypted, and that's really important here, because of a law – Section 1201 of the 1998 Digital Millennium Copyright Act – which makes it really illegal to break this kind of encryption (commonly called "Digital Rights Management" or "DRM"). Practically speaking, that means that if a company encrypts its videos, no one is allowed to do anything to those videos, even things that are legal, without the company's permission, because doing all those legal things requires breaking the DRM, and breaking the DRM is a felony (five years in prison, $500k fine, for a first offense).

Copyright law actually gives subscribers to services like Prime a lot of rights, and it empowers businesses that offer tools to exercise those rights. Back in 1976, Sony rolled out the Betamax, the first major home video recorder. After an eight-year court battle, the Supreme Court weighed in on VCRs and ruled that it was legal for all of us to record videos at home, both to watch them later, and to build a library of our favorite shows. They also ruled that it was legal for Sony – and by that time, every other electronics company – to make VHS systems, even if those systems could be used in ways that violated copyright because they were "capable of sustaining a substantial non-infringing use" (letting you tape shows off your TV).

Now, this was more than a decade before the DMCA – and its prohibition on breaking DRM – passed, but even after the DMCA came into effect, there was a lot of media that didn't have DRM, so a new generation of tech companies were able to make tools that were "capable of sustaining a substantial non-infringing use" and that didn't have to break any DRM to do it.

Think of the Ipod and Itunes, which, together, were sold as a way to rip CDs (which weren't encrypted), and play them back from both your desktop computer and a wildly successful pocket-sized portable device. Itunes even let you stream from one computer to another. The record industry hated this, but they couldn't do anything about it, thanks to the Supreme Court's Betamax ruling.

Indeed, they eventually swallowed their bile and started selling their products through the Itunes Music Store. These tracks had DRM and were thus permanently locked to Apple's ecosystem, and Apple immediately used that power to squeeze the labels, who decided they didn't like DRM after all, and licensed all those same tracks to Amazon's DRM-free MP3 store, whose slogan was "DRM: Don't Restrict Me":

https://memex.craphound.com/2008/02/01/amazons-anti-drm-tee/

Apple played a funny double role here. In marketing Itunes/Ipods ("Rip, Mix, Burn"), they were the world's biggest cheerleaders for all the things you were allowed to do with copyrighted works, even when the copyright holder objected. But with the Itunes Music Store and its mandatory DRM, the company was also one of the world's biggest cheerleaders for wrapping copyrighted works in a thin skin of IP that would allow copyright holders to shut down products like the Ipod and Itunes.

Microsoft, predictably enough, focused on the "lock everything to our platform" strategy. Then-CEO Steve Ballmer went on record calling every Ipod owner a "thief" and arguing that every record company should wrap music in Microsoft's Zune DRM, which would allow them to restrict anything they didn't like, even if copyright allowed it (and would also give Microsoft the same abusive leverage over labels that they famously exercised over Windows software companies):

https://web.archive.org/web/20050113051129/http://management.silicon.com/itpro/0,39024675,39124642,00.htm

In the end, Amazon's approach won. Apple dropped DRM, and Microsoft retired the Zune and shut down its DRM servers, screwing anyone who'd ever bought a Zune track by rendering that music permanently unplayable.

Around the same time as all this was going on, another company was making history by making uses of copyrighted works that the law allowed, but which the copyright holders hated. That company was Tivo, who products did for personal video recorders (PVRs) what Apple's Ipod did for digital portable music players. With a Tivo, you could record any show over cable (which was too expensive and complicated to encrypt) and terrestrial broadcast (which is illegal to encrypt, since those are the public's airwaves, on loan to the TV stations).

That meant that you could record any show, and keep it forever. What's more, you could very easily skip through ads (and rival players quickly emerged that did automatic ad-skipping). All of this was legal, but of course the cable companies and broadcasters hated it. Like Ballmer, TV execs called Tivo owners "thieves."

But Tivo didn't usher in the ad-supported TV apocalypse that furious, spittle-flecked industry reps insisted it would. Rather, it disciplined the TV and cable operators. Tivo owners actually sought out ads that were funny and well-made enough to go viral. Meanwhile, every time the industry decided to increase the amount of advertising in a show, they also increased the likelihood that their viewers would seek out a Tivo, or worse, one of those auto-ad-skipping PVRs.

Given all the stink that TV execs raised over PVRs, you'd think that these represented a novel threat. But in fact, the TV industry's appetite for ads had been disciplined by viewers' access to new technology since 1956, when the first TV remotes appeared on the market (executives declared that anyone who changed the channel during an ad-break was a thief). Then came the mute button. Then the wireless remote. Meanwhile, a common VCR use-case – raised in the Supreme Court case – was fast-forwarding ads.

At each stage, TV adapted. Ads in TV shows represented a kind of offer: "Will you watch this many of these ads in return for a free TV show?" And the remote, the mute button, the wireless remote, the VCR, the PVR, and the ad-skipping PVR all represented a counter-offer. As economists would put it, the ability of viewers to make these counteroffers "shifted the equilibrium." If viewers had no defensive technology, they might tolerate more ads, but once they were able to enforce their preferences with technology, the industry couldn't enshittify its product to the liminal cusp of "so many ads that the viewer is right on the brink of turning off the TV (but not quite)."

This is the same equilibrium-shifting dynamic that we see on the open web, where more than 50% of users have installed an ad-blocker. The industry says, "Will you allow this many 'sign up to our mailing list' interrupters, pop ups, pop unders, autoplaying videos and other stuff that users hate but shareholders benefit from" and the ad-blocker makes a counteroffer: "How about 'nah?'":

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

TV remotes, PVRs and ad-blockers are all examples of "adversarial interoperability" – a new product that plugs into an existing one, extending or modifying its functions without permission from (or even over the objections of) the original manufacturer:

https://www.eff.org/deeplinks/2019/10/adversarial-interoperability

Adversarial interop creates a powerful disciplining force on platform owners. Once a user grows so frustrated with a product's enshittification that they research, seek out, acquire and learn to use an adversarial interop tool, it's really game over. The printer owner who figures out where to get third-party ink is gone forever. Every time a company like HP raises its prices, they have to account for the number of customers who will finally figure out how to use generic ink and never, ever send another cent to HP.

This is where DMCA 1201 comes into play. Once a product is skinned with DRM, its manufacturers gain the right to prevent you from doing legal things, and can use the public's courts and law-enforcement apparatus to punish you for trying. Take HP: as soon as they started adding DRM to their cartridges, they gained the legal power to shut down companies that cloned, refilled or remanufactured their cartridges, and started raising the price of ink – which today sits at more than $10,000/gallon:

https://pluralistic.net/2024/09/30/life-finds-a-way/#ink-stained-wretches

Using third party ink in your printer isn't illegal (it's your printer, right?). But making third party ink for your printer becomes illegal once you have to break DRM to do so, and so HP gets to transform tinted water into literally the most expensive fluid on Earth. The ink you use to print your kid's homework costs more than vintage Veuve Cliquot or sperm from a Kentucky Derby-winning thoroughbred.

Adversarial interoperability is a powerful tool for shifting the equilibrium between producers, intermediaries and buyers. DRM is an even more powerful way of wrenching that equilibrium back towards the intermediary, reducing the share that buyers and sellers are able to eke out of the transaction.

Prime Video, of course, is delivered via an app, which means it has DRM. That means that subscribers don't get to exercise the rights afforded to them by copyright – only the rights that Amazon permits them to have. There's no Tivo for Prime, because it would have to break the DRM to record the shows you stream from Prime. That allows Prime to pull all kinds of shady shit. For example, every year around this time, Amazon pulls popular Christmas movies from its free-to-watch tier and moves them into pay-per-view, only restoring them in the spring:

https://www.reddit.com/r/vudu/comments/1bpzanx/looks_like_amazon_removed_the_free_titles_from/

And of course, Prime sticks ads in its videos. You can't skip these ads – not because it's technically challenging to make a 30-second advance button for a video stream, and doing so wouldn't violate anyone's copyright – but because Amazon doesn't permit you to do so, and the fact that the video is wrapped in DRM makes it a felony to even try.

This means that Amazon gets to seek a different equilibrium than TV companies have had to accept since 1956 and the invention of the TV remote. Amazon doesn't have to limit the quantity, volume, and invasiveness of its ads to "less the amount that would drive our subscribers to install and use an ad-skipping plugin." Instead, they can shoot for the much more lucrative equilibrium of "so obnoxious that the viewer is almost ready to cancel their subscription (but not quite)."

That's pretty much exactly how Kelly Day, the Amazon exec in charge of Prime Video, put it to the Financial Times: they're increasing the number of ads because "we haven’t really seen a groundswell of people churning out or cancelling":

https://www.ft.com/content/f8112991-820c-4e09-bcf4-23b5e0f190a5

At this point, attentive readers might be asking themselves, "Doesn't Amazon have to worry about Prime viewers who watch in their browsers?" After all browsers are built on open standards, and anyone can make one, so there should be browsers that can auto-skip Prime ads, right?

Wrong, alas. Back in 2017, the W3C – the organization that makes the most important browser standards – caved to pressure from the entertainment industry and the largest browser companies and created "Encrypted Media Extensions" (EME), a "standard" for video DRM that blocks all adversarial interoperability:

https://www.eff.org/deeplinks/2017/09/open-letter-w3c-director-ceo-team-and-membership

This had the almost immediate effect of making it impossible to create an independent browser without licensing proprietary tech from Google – now a convicted monopolist! – who won't give you a license if you implement recording, ad-skipping, or any other legal (but dispreferred) feature:

https://blog.samuelmaddock.com/posts/the-end-of-indie-web-browsers/

This means that for Amazon, there's no way to shift value away from the platform to you. The company has locked you in, and has locked out anyone who might offer you a better deal. Companies that know you are technologically defenseless are endlessly inventive in finding ways to make things worse for you to make things better for them. Take Youtube, another DRM-video-serving platform that has jacked up the number of ads you have to sit through in order to watch a video – even as they slash payments to performers. They've got a new move: they're gonna start showing you ads while your video is paused:

https://www.usatoday.com/story/money/2024/09/20/youtube-pause-ads-rollout/75306204007/

That is the kind of fuckery you only come up with when your victory condition is "a service that's almost so bad our customers quit (but not quite)."

In Amazon's case, the math is even worse. After all, Youtube may have near-total market dominance over a certain segment of the video market, but Prime Video is bundled with Prime Delivery, which the vast majority of US households subscribe to. You have to give up a lot to cancel your Prime subscription – especially since Amazon's predatory pricing devastated the rest of the retail sector:

https://pluralistic.net/2022/11/28/enshittification/#relentless-payola

Amazon's founding principle was "customer obsession." Ex-Amazoners tell me that this was more than an empty platitude: arguments over product design were won or lost based on whether they could satisfy the "customer obsession" litmus test. Now, everyone falls short of their ideals, but sticking to your ideals isn't merely a matter of internal discipline, of willpower. Living up to your ideals is a matter of external discipline, too. When Amazon no longer had to contend with competitors or regulators, when it was able to use DRM to control its customers and use the law to prevent them from using its products in legal ways, it lost those external sources of discipline.

Amazon suppliers have long complained of the company's high-handed treatment of the vendors who supplied it with goods. Its workers have complained bitterly and loudly about the dangerous and oppressive conditions in its warehouses and delivery vans. But Amazon's customers have consistently given Amazon high marks on quality and trustworthiness.

The reason Amazon treated its workers and suppliers badly and its customers well wasn't that it liked customers and hated workers and suppliers. Amazon was engaged in a cold-blooded calculus: it understood that treating customers well would give it control over those customers, and that this would translate market power to retain suppliers even as it ripped them off and screwed them over.

But now, Amazon has clearly concluded that it no longer needs to keep customers happy in order to retain them. Instead, it's shooting for "keeping customers so angry that they're almost ready to take their business elsewhere (but not quite)." You see this in the steady decline of Amazon product search, which preferences the products that pay the biggest bribes for search placement over the best matches:

https://pluralistic.net/2023/11/06/attention-rents/#consumer-welfare-queens

And you see it in the steady enshittification of Prime Video. Amazon's character never changed. The company always had a predatory side. But now that monopoly and IP law have insulated it from consequences for its actions, there's no longer any reason to keep the predator in check.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/03/mother-may-i/#minmax

#pluralistic #amazon #enshittification #ads #prime #ad-tech #discipline

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