#radio rock revolution
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Revolution Radio Tour | Rock in Rio | Rio de Janeiro, Brasil | 1 November 2017
#green day#green day live#billie joe armstrong#tre cool#mike dirnt#2017#flags#rio de janeiro#1 november#revrad era#revrad tour#revolution radio era#revolution radio tour#rio#rock in rio
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I want a new conspiracy and the silence of a thousand cries So hurry up, I want a better way to die
Forever Now, Green Day
#green day#billie joe armstrong#mike dirnt#tre cool#forever now#revolution radio#music#lyrics#rock#alternative
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On this day 7 years ago (12th November 2016)
Green day released Still Breathing which was their 2nd single from Revolution Radio
this song means so so much to me <3
#green day#revolution radio#rev rad#still breathing#billie joe armstrong#mike dirnt#tre cool#punk rock#pop punk#rock music#emo music#rock#2016
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i'm excited for new green day music so i made this brief vocal cover of the ending part of "Forever Now" from revolution radio. singing this and putting it all together was so much fun
#music#green day#revolution radio#rock#me singing#vocal cover#forever now#billie joe armstrong#mike dirnt#tre cool
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Land Back November 25, 2023
March 16, 1970: “Indians picket the Army — Indian and part-Indian youngsters picket the Army’s Fort Lawton here Sunday as MP’s in the background guard the fort after 78 Indians were arrested in a dawn demonstration in which they invaded Army land. Seventeen Indians go to court Monday on charges connected with the invasion. Other demonstrations were planned.” (The Associated Press)
songs about land and songs about giving/taking things back (and going back to places) listen on Mixcloud
Bay City Rollers - Saturday Night The Dickies - Give It Back
The Halluci Nation - Land Back (feat. Boogey The Beat & Northern Voice) The Undisputed Truth - Law Of The Land Chumbawamba - An Interlude: Beginning to Take It Back The Wrecks - This Land Is Your Land Fat Tulips - Take Me Back to Heaven
Protestera - Gränslösa land Gil Scott-Heron & Brian Jackson - Back Home Austin Roberts - There's a Shadow The Spaceshits - Gotta Get It Back Hazel Dickens & Alice Gerard - A Distant Land to Roam Cornelius Cardew - Give Ireland Back to the Irish SKIZOPHRENIA - Freedom Land Sado-Nation - Fight Back!
The Fall - Lay of the Land Richiro Manabe - Give Back the Sun! 1 The Alarm - Lie of the Land (live) Ewan MacColl & Peggy Seeger - Will Ye No Come Back Again?
The Coup - Land of 7 Billion Dances Machine Gun Kelly's Rejects - I'm Going Back Jimmy Cliff - Sufferin' in the Land Zowiso - Welcome Back Love Sculpture - In The Land Of The Few Gray Matter - Take It Back
DJ Company - Holiday In The Land Of Love Majjestees - Take Back All Those Things Sister Rosetta Tharpe - Joy In This Land Hellsister - Fight Back!! Skeletal Family - Promised Land Oi Polloi - Take Back the Land
Kurt I Kuvös - Vårt Fria Land The Hollies - Pay You Back with Interest Nouveaux - Landscapes Bill Coday - I'm Back to Collect
Bobby Sanchez - Quechua 101 Land Back Please
#radio#community radio#punk#music#playlist#land back#folk music#antifascist#gospel#revolution summer#psychedelic rock#eurodance#new wave#wprb#post punk#hardcore punk#garage rock#reggae#hip hop#decolonization
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when album covers are animated on apple music >>>>>
#lookin at you black parade and revolution radio#mcr#green day#music#rock#punk rock#alternativerock#even michael
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SHIVERS - All around you, rain falls on the great city of Revachol. Rain drips from the eaves and floods the gutters, washing the filth away.
SHIVERS - Winter's grip on the city is loosening. The spring thaw is here.
YOU - Finally. What now?
SHIVERS - Your shirt sticks to your chest. The shoulders of your disco blazer grow heavy. The cold finds its way in under your skin. You shiver, and the city shivers with you.
YOU - What is in the west?
SHIVERS - Sheets of rain over the water. A flight of stairs leading into the ocean. Wave after wave washing the coast of Martinaise, with its motorboats and gently swaying reeds.
SHIVERS - The ruins of a half-sunken seafort crumble on an inlet. Beyond the Bay of Revachol, ghosts rise into the sky.
YOU - Who are you, ghosts?
SHIVERS - The skyscrapers of La Delta, the financial district. Faint golden light seeps from the office windows.
YOU - What is down the shore?
SHIVERS - Urban coastline, rain dripping off eternite-covered roofs. Cinder blocks left over from half-finished construction. A defunct research and development building once seized by revolutionaries. An old wooden church stands on stilts above the water.
YOU - And beyond that?
SHIVERS - Coal City, end of all lines.
YOU - Run your fingers through your dampened hair.
SHIVERS - Your hair is an oily mess flecked with ash from neighbouring coal plants. Smoke stacks rise somewhere in the distance.
YOU - What's in the east?
SHIVERS - The great gates of the industrial harbour are locked. A chill runs down your back. You shudder like an animal trying to shake water from its hide.
YOU - Clench your teeth to stop shuddering.
SHIVERS - Behind the gates -- heaps of supply crates. Red and blue metal shipping containers slick with rain. The Greater Revachol Industrial Harbour is an artificial mountain range. Immense wealth resides within, and immeasurable poverty in its shadow.
YOU - And beyond that?
SHIVERS - La Drisienne, King Dris's Passenger Harbour. Cruise ships flanked by dock arms. Cranes watching over the mouth of the river distributary.
YOU - What is across the distributary?
SHIVERS - Couron, the lower middle class. Distributary after distributary cuts the city blocks in half. Seven-story buildings trail off into the rain.
YOU - What is beyond the Couron?
SHIVERS - A silvery curtain of rain over the houses. The class divide.
YOU - What's in the north?
SHIVERS - Capeside apartments -- tower blocks crowd one another, 4.46 mm bullets still lodged in their war-torn stone walls.
SHIVERS - Hallways collapsed from the mortar hits of a war that was lost long ago. Clotheslines go to waste in the rain. Radios play.
YOU - And closer to here?
SHIVERS - A yard. Rain falls onto the roof of a woodshed. Filthy water pools around a body. Droplets of rain slip from the dead man's cold cheeks.
YOU - What's in the south?
SHIVERS - A traffic jam. Rain thrumming on the roofs of motor vehicles. Inside, drivers watch water streaming down their windshields. The statue of a king shudders, he too is cold. The canal bridge has been raised.
YOU - What's on the other side?
SHIVERS - The road ascends; a raised motorway loops above the ghetto. Beneath its concrete columns -- a sea of rooftops, woodwork, and tar stretches northward. Four-story buildings as far as the rain can fall. The snows melt in Jamrock.
YOU - Why am I not there?
SHIVERS - To be in Martinaise, where no one goes. At the run-off point of a long-forgotten canal, in the whitest part of town. In the shadow of the day the Revolution failed.
YOU - What am I doing here?
SHIVERS - Standing in the rain, looking north, where Jamrock Rock City stretches inland.
YOU - Where do I live?
SHIVERS - On a street there that flows like a muddy river in the snow, with fire traps rising on either side. A film rental opens its doors to the rain, an armoured motor carriage rushes past the corner where you used to walk together... Suddenly, the hair on your back rises.
SHIVERS - YOU CANNOT RETURN.
YOU - Shudder, look further...
SHIVERS - In the rain-swept distance above the rooftops of Jamrock, a re-purposed silk mill stands perched above the motorway exit. Precinct 41 hunches in the rain.
SHIVERS - Your vision blurs. You wipe your face with your hand. The rain stings your eyes, making you look up and blink.
YOU - What's above?
SHIVERS - More coalition aerostatics. Way up there -- where rain forms -- rotors flutter silently. Your sight clears.
YOU - What's below?
SHIVERS - Collapsed storm drains. Old sewage systems flooded with rainwater. Hidden weapon caches from the Revolution. Doors leading down to Le Royaume -- the catacombs to which, for three centuries, they delivered the blue-blooded dead.
YOU - "Motherfucker." [Finish thought.]
SHIVERS - These spring thaw will not last. The winter will return to Revachol.
#disco elysium#physique#shivers#harry du bois#yeah sorry for posting the entire shivers check#its an absolute monster of text and worldbuilding ut i love it a lot :]
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The secret to making money from cars? Greasiness. That's right, the local dealership isn't exactly the paragon of factory-standard automotive excellence that they like to claim they are on radio ads. If you want to make money on used cars, the best way is to not spend too much money. Quick and dirty is the word of the day.
We've all seen cars with fishy rust repair, doors that are the wrong colour, or crappy globs of Bondo falling out on the highway. Often, I've seen these cars in my driveway about three or four days after purchasing them. This is the point where it has become obvious that I am an idiot, and shouldn't buy cars in the dark, daylight, dusk, rain, snow, sleet, or at all.
I am the victim, as you are, of capitalism itself. These cars were usually flipped for a quick profit, because doing things "right" would mean a full restoration of some sixty-year-old piece of shit that someone crashed into a tree in 1975. And then your family would be eating rocks and worn-out sandpaper for dinner. Would things be better in an idealized socialist utopia in which you can fix a car properly, and your children will still get to eat bagelwiches for dinner? Sure, but until the revolution comes, we're all going to get boned on used cars.
Of course, enthusiasm is a whole other deal. Hobbyists really care about the work, even if that passion is not necessarily matched with talent or skill. It's not just "fixing something;" it's communing with the spirit of automotive excellence. When you genuinely want to do a good job, it means taking out all the stops, which usually includes going to a nearby message board and asking the old paint-huffing heads a ton of ridiculous nervous-Nellie questions about paint until they ban you.
I'm proud to say that I'm enthusiastic about my junk. Nobody can ever accuse me of getting projects done quickly. It takes months, if not years, of only the finest procrastination. The quality might still suck, but I can always blame it on the used car lot that I bought it from in the first place. Then it's "oh no, poor Switch," instead of "maybe he should not be huffing this much paint while trying to get the job done before the mall's security guard sees him in the underground parking." Gotcha, suckers – another victory for me.
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Have you played VELVET GENERATION ?
By Rich Ranallo and Scott Leaton
The year is 2073. A century ago, radio transmissions from Earth passed through a strange ripple in space, causing rock music to fall upon the mystified ears of an alien world. For five glorious years, the aliens grew to love the planet they believed to be on the other end of that beautiful signal. When the music cut off as mysteriously as it began, the aliens embarked on a generational pilgrimage to discover the source of the music. Nearly a century later, the aliens have arrived, but Earth is not what they expected. Humanity has taken a dark turn, silencing music, the arts, literature…any kind of expression they believed could inspire “dangerous” thoughts. The Ministry of Music looms large over the entire world, stamping out rebellious culture with steel-sheathed jackboots. With nowhere to go but forward, the Starchildren descended, joining the few Earthlings still carrying a spark of rock and roll. They catalyzed a new rock & roll revolution that will break the Ministry’s chains on the soul of humanity. (Not to be confused with Starchild: Velvet Generation, a different game which was "rebooted" for this release.)
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I love music, and I love classic Formula One. And I always wonder about what music drivers liked listening to.
I don't know an awful lot but below is all the information I do know, and if you know what music your favourite drivers liked then I would love to know!
Niki Lauda:
His favourite song was 'Fast Car' by Tracy Chapman, but he also liked lots of her other songs like 'Talking about a Revolution'. He listened to Bob Marley a lot in the 70s and was a fan (and friend) of George Harrison. He liked the song 'Imagine' by John Lennon. He was also a fan of Bill Withers, Randy Newman, Rod Stewart, Stevie Wonder, and Aretha Franklin, and he was also quite the fan of George Ezra and would hit the dance floor if the song 'Budapest' came on.
Roger Williamson:
He loved rock and roll music and would listen to it while working on his car. His favourite band was T-Rex, their song 'Get It On', being one he listened to most. His partner at the time said she now always associates the song 'Killing Me Softly with his song' by Roberta Flack with Roger because they sang it on a road trip not long before he passed away.
Wolfgang von Trips:
He liked classical music because of his mum and upbringing, but he was also introduced to Jazz music when he came in contact with the Americans who took over his house for a bit, which he loved.
Mike Hawthorn:
In one of his Sunday Times car reviews, he mentions listening and singing along to the song 'Hey There' by Rosemary Clooney on the radio.
James Hunt:
I don't know what song or artists he liked, but James Hunt loved listening to music and would carry radios and other transportable music devices to listen to music. I believe he liked classical music but also the current popular music. He and Niki went to a disco with Fat Domino playing, so potentially, they were both fans of his.
François Cevert:
I believe I read somewhere that Jackie Stewart said François Cevert's favourite music was 'Beethoven's Piano Sonata no 8 in c minor' and that he could play it well.
#all I could wrack my brain to remember currently#but I am curious if more is known#as I love listening to music and imagining the drivers also listening to it#and wondering why it was their favourite#classic f1#niki lauda#f1#formula one#formula 1#vintage f1#james hunt#mike hawthorn#wolfgang von trips#roger williamson#françois cevert
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On the set of 33 1/3 Revolutions Per Monkee, November 1968.
“As a matter of fact, I think I might fairly say that 33 & 1/3 Revolutions Per Monkee, I sat down and started to play the piano, I started to try to find again some of those old licks. I had played them almost more as joke than anything when they… when I was first playing piano in the late 50s. But later on I got to do them seriously, listening to the Fats Domino style of playing, Jerry Lee Lewis style of playing piano, Little Richard, I mean, those guys.” - Peter Tork, Headquarters Radio, 1989 “When rock and roll came in in the 50's, it was the bluesiest of the songs that got me the most. Early Elvis, Little Richard, these were the performers I was drawn to. As I got into folk music for myself toward the end of the 50's and into the early 60's, I didn't have the confidence it took to even try the blues. It's taken me all these years to believe that a) I understand the blues enough socially and emotionally, and b) that I have the technique to play them. A well played blues NOTE, to this day, makes my heart sing.” - Peter Tork, Ask Peter Tork, 2008 “We [Shoe Suede Blues] play blues, we play some Chicago blues, we play some rockabilly blues, that’s where the name comes from, ‘Blue Suede Shoes,’ ‘Rip It Up,’ Little Richard’s ‘Rip It Up.’” - Peter Tork, GOLD 104.5, 1999 “I love Little Richard; I think he is the greatest rock ’n’ roll singer of all time. He was just a powerhouse and taught us all how to do it. Then along came The Beatles who deeply influenced me. But the blues-pop thing just sends me.” - Peter Tork, Shindig Magazine, 2010
#Peter Tork#Little Richard#Davy Jones#Micky Dolenz#Michael Nesmith#The Monkees#Monkees#Tork quotes#60s Tork#80s Tork#90s Tork#00s Tork#10s Tork#33 ⅓ revolutions per monkee#can you queue it
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have not watched legend of Korra and in deciding whether and when i want to, i have compiled a list of pros and cons of watching it:
pros:
Korra <33
more official Avatar universe content
expansion on lore and worldbuilding mechanics
Varrick and Zhu Li
A cast of new and silly characters to get attached to
The revival of the Air Nomads
The older Gaang and their children
DILF ZUKO
cons:
the concept of the Industrial Revolution and sudden change on a global scale is deeply frightening to me. watching humanity evolve from fighting with clubs and swords to driving cars and listening to the radio within the span of a lifetime gives me chills down the spine, especially when part of the first series’ appeal was the fantasy setting of the past, a time when things were simpler and the ignorance of the world made things appear more magical. but suddenly the old ways of the world being overturned as machines replace magic and machines replace people and individual culture is diluted as borders are broken down and larger societal structures are established and communication improves until everyone is irrevocably connected for better or worse and suddenly this large and fascinating world is small and understood and plain and we can never go back because we’ve opened a box that cannot be closed because ignorance is bliss but wilful ignorance is shameful? the jarring experience of watching characters move further away from the world they knew into a world that only looks more and more familiar to the viewer. the knowledge of where this leads, and the use of fantasy as escapism being invaded by the cold truth of reality. Korra being a natural fighter in a world that needs a diplomat, only one cycle too late for the world that needed a fighter. born too late for her time. every single moment we make decisions that cannot be undone, that will leave a mark on our world and on time forever and ever. it happens whether i start watching it or not, but it doesn’t happen until i begin watching. I’d say that I might be happier living in such a time myself, but the truth is that modernity and convenience has poisoned me and I wouldn’t last a day. The other truth is that we hold onto the good memories of the past and find it easier to discard the others, and as such everything will be tinted in rose coloured glasses forever and the past will always be painted with the pretty certainty that it all ends well, which is more than what we can say for the future, or even the present. Do we really miss the 2000s, the 1980s, any decade as you would have it, or do we miss being small enough to be carried by our parents into our bedroom when we pretended to be asleep, comforted by their embrace and with the knowledge that they were definitive rocks of strength in our lives, before we grew old enough to realise their own fears, weaknesses, and humanity? Was it the way old classrooms were decorated, was it the trends and music of the time that made the past better or was it that we only heard terrible news from the radio or the television and had the privilege to simply turn it off? Was it the bliss of the time or, again, the bliss of ignorance? What are we losing right now that we aren’t even aware of? What won’t we miss until it’s gone? What happened to Suki? What happened to the world?
All in all, I’m currently undecided, although from the various clips and edits I have seen scrolling TikToks, both Korra and older Zuko are making strong cases.
(Don’t take this too seriously lol)
#legend of korra#avatar korra#korra#atla#avatar the last airbender#zuko#industrial revolution#the extinction#varrick#nostalgia#atla zuko#atla aang#avatar aang
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this song would sound amazing live i don’t get why green day dont play it </3
#emo#2000s emo#green day#billie joe green day#billie joe armstrong#mike dirnt#tre cool#jason white#hella mega tour#2000s scene#scene kid#emo kid#emo music#revolution radio#punk rock#emo girl#2016#rev rad#outlaws#scene#american idiot#dookie#green day live
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diagnosing the last hours characters with modern music tastes
Cordelia: I feel like she'd have two modes. The first would be soft, upbeat, folk and country but also piano-based stuff, anything major key and with big sound. Caroline Jones, Ruth B., Noah Kahan. I also thing she'd really like Shakira. That's her kind of day-to-day music, it's what she puts on in the car, around the house, when going for a jog, etc. But she also has a collection of women rap artists of the Megan and OSHUN variety which is what she puts on when she's doing hard workouts/training.
James: I agree that he'd be emo but I don't think he'd actually listen to a lot of "traditional canon" emo music. I think he'd find it too loud and intense in the wrong way. I think he'd prefer shoegaze, a la Radiohead, and bands like Five Three Eyes that are fast but fuzzed out. Generally anything with softer mastering where it sounds great at a lower volume.
Matthew: He'd love disco and neuvo-disco/retro-rock. Gloria Gaynor, Suzanne Somers, MonaLisa Twins, the Lemon Twigs. It's fun and silly and also empowering, besides which I think he'd like the fashion and the sparkle of it all. On his bad days, though, when the depression and/or ptsd and/or temptation to return to the addiction hits hard, what used to be his heavy drinking days, I think he'd fall back on an artist like P!NK or Florence + the Machine. Someone who can speak to the truth of the lowest lows of where he's been and remind him that he doesn't have to go back there, that there are other choices, things to live for. That, with time and effort, it does get better.
Thomas: He dug up the local college student indie rock station and he listens to it religiously. It's a habit he picked up in Madrid, he wanted to listen to Spanish music but didn't know where to look/how to search for it so he acquainted himself with radio and just flipped stations until he found something with a sound he liked. When asked to pick songs individually/curate his own music I think he'd end up falling back on his dad's taste in music: Eric Clapton, Bruce Cockburn, the Stones.
Alastair: I feel like Alastair would have unarguably the vastest taste in music of the lot of them, but also that it would generally run to music from well before his time. His mom has vinyls and cassette tapes from Iran before the Revolution and he's dubbed CDs and MP4's of them so he has his own copies and isn't stealing her. He enjoys listener-supported classical music radio, and also newer instrumental of the Haygood Hardy variety. He likes soft jazz and blues, Mahalia Jackson, Mama Thornton. He would ADORE Nina Simone. I think if I had to give a taste in music from after 1970, I'd say he also probably likes artists like Tracy Chapman and Mint Green that speak to a similar lived experience to his own.
Christopher: On one hand, I don't think he really cares that much about music. On the other hand, I think he would be the type to unapologetically listen to high school concert band music. He got hold of Robert W. Smith's storms series (Into the Storm, The Tempest, The Maelstrom), realized there's a crap ton of pieces in this genre that are Inspired By Science, and now every time Matthew comes down to the basement laboratory he ends up lodging a complaint about the sheer amount of French horn.
Grace: Living with Tatiana I don't think she was really allowed much if any access to music but I imagine she found ways around that anyhow. I think she's the other person who would really enjoy Florence + the Machine. I think most of her music would be older, melancholy women folk singers. Joan Baez, Judy Collins, Joni Mitchell, Claudia Schmidt, the McGarrigle Sisters. I think she'd find them soothing. They'd help her calm down when things get difficult, help her to find beauty in a world that's caused her mostly pain. I think her favorite artist would be Lenka. She's got this kind of upbeat, slightly silly vibe that would make Grace smile but I also think she'd find that songs like "Silhouette" and "Ivory Tower" could speak to her truth when she needs someone to, without getting too deep in and triggering her.
Lucie: She listens to Kpop and movie soundtracks. Also if it's appeared in one of those "badass women" edits over on youtube 100% she has it on her playlist or did at some point.
Jesse: Like Grace, he didn't really have access to music living with Tatiana. Also he was dead for like almost a decade so there's that. He probably mostly listens to whatever Lucie listens to, but I like to think he does experiments like picking a new genre/radio station to listen to every day, trying to figure out what he likes and doesn't like independently of his girlfriend.
Anna: idk. She strikes me as someone who'd like Siouxsie and the Banshees. Also Halsey and Hozier. Maybe bands like Linkin Park and Evanescence—she doesn't say it because she doesn't like being dissed for listening to "old cringe emo" but they got her through gender dysphoria when she was twelve so she knows there's some worth in them.
Charles: He really doesn't listen to music. He listens to NPR or Radio Canada or the British equivalent because it makes him feel up-to-date and liberal but he doesn't actually hear the content, it just goes in one ear and out the other.
@alastairstom @chaosandtwo
#the last hours#cordelia carstairs#james herondale#matthew fairchild#thomas lightwood#alastair carstairs#christopher lightwood#grace blackthorn#lucie herondale#jesse blackthorn#anna lightwood#charles fairchild#i didn't include ari because i don't feel like i know her well enough to say
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Unpopular Green Day Opinions I Have
I like 39/Smooth.
I almost like Dookie better than American Idiot. Almost.
20th Century Breakdown is a good rock opera.
Revolution Radio is laughably underrated.
I LIKE FATHER OF ALL…
I don’t listen to the other ones a lot, and as a result I’m probably going to do a full discography listen-through at some point. Cover an album a day.
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