#radio albania

[apptworadioapps]

Radio Albania FM & AM Online - (Radio Android Application 🇦🇱📻)

 Sure, here's an article about radio stations in Albania:

Radio Stations in Albania: A Guide to the Country's Best Broadcasters

Albania is home to a vibrant and diverse radio scene, with a range of stations catering to a variety of tastes and interests. From news and current affairs to music, entertainment, and more, there's something for everyone in the world of Albanian radio. Here's a guide to some of the best radio stations in the country.

Radio Tirana

As the national broadcaster of Albania, Radio Tirana has been on the airwaves since 1938, and remains an important source of news and information for many Albanians today. With programs in Albanian and other languages, Radio Tirana covers everything from politics and current affairs to music, culture, and more.

Top Albania Radio

Launched in 1998, Top Albania Radio quickly became one of the most popular music stations in the country, playing a mix of local and international hits across a range of genres. With a focus on pop, hip hop, and dance music, Top Albania Radio is a must-listen for anyone who loves to dance.

Radio Shqip

Founded in 1995, Radio Shqip is a well-respected broadcaster that focuses on news and current affairs. With programs in Albanian and other languages, Radio Shqip covers everything from politics and economics to culture, society, and more. It's a great source of information for anyone who wants to stay up-to-date with what's happening in Albania and beyond.

Radio Dukagjini

Based in the city of Peja, Radio Dukagjini is a popular broadcaster that focuses on music and entertainment. With a mix of local and international hits, as well as talk shows, news, and more, Radio Dukagjini is a great choice for anyone who wants to kick back and enjoy some great tunes.

Radio K4

Operating out of the capital city of Pristina, Radio K4 is a well-known broadcaster that focuses on news, current affairs, and culture. With programs in Albanian and other languages, Radio K4 covers everything from politics and economics to music, art, and more.

Radio Vizioni

Founded in 1991, Radio Vizioni is a popular broadcaster that focuses on music and entertainment. With a mix of local and international hits, as well as talk shows, news, and more, Radio Vizioni is a great choice for anyone who wants to stay up-to-date with the latest trends in music and pop culture.

Conclusion

From Radio Tirana to Radio Shqip, Top Albania Radio, and beyond, Albania's radio scene is as vibrant and diverse as the country itself. Whether you're looking for news and current affairs, great music, or simply some entertaining talk shows, there's sure to be a station that's perfect for you. So why not tune in and discover all that Albanian radio has to offer?

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[suetravelblog]

Madama Butterfly Slovene National Opera Ljubljana

[allthingsgerman]

I feel like ever since American people have been allowed to watch Eurovision it has gone down the drain.. where is the drama? Where is the glitter? Where are the men in hamster wheels? Where are the naked women churning butter? Where is the fire?

Can't we just get to keep this for ourselves? Americans literally ruin anything they touch!

This has nothing to do with Americans, this has to do with a certain cultural hegemony within the music industry and the way the contest is set up.

From what I remember the juries were originally introduced to moderate the block voting of certain regions (the balkans always exchanging maximum points, greece and cyprus etc.), but not only does that still happen, it now also seems to be a tool for the music industry (the jury is comprised of so-called 'experts' and professionals) to preserve what they apparently perceive as the 'dignity' of eurovision, by selecting boring mainstream songs and neglecting, let's say, interesting songs because it might be embarrassing.

This year the German jury was comprised of:

Katja Ebstein, a 78 year old singer who represented Germany in Eurovision three times between 1970 and 1980.

Alina Süggeler, whose band Frida Gold is mainly known for making forgettable EDM inspired pop stuff and commercials that are thinly disguised as music videos.

Anica Russo, a pop artist who I actually don't know much about but she finished 6th (out of 8) in the national selection for this year's German entry so make of that what you will.

Arne Gosh, a music manager.

Kai Tölke, Head of Music of a German radio station.

I'm assuming it will be similar in other countries. Managers and nonthreatening mainstream pop artists who are the darlings (and clients) of said managers and the labels, but who don't even match the most successful artists in the country.

And the vote of the German jury was:

12 points: Sweden, 10 points: Estonia, 8 points: Australia, 7 points: Spain, 6 points: Norway, 5 points: Czechia, 4 points: Italy, 3 points: Serbia, 2 points: Austria, 1 point: Lithuania.

The vote of the German public was:

12 points: Finland, 10 points: Italy, 8 points: Albania, 7 points: Ukraine, 6 points: Croatia, 5 points: Norway, 4 points: Poland, 3 points: Switzerland, 2 points: Belgium, 1 point: Sweden.

As you might notice, only two countries appear in both lists, and Sweden is last in the German public vote.

[theladysilvermoon]

Eurovision 2024 Second Semi-final:

Malta: Dollar Store SloMo

Albania: Meh

Greece: TikTok user

Switzerland: Bohemian Rhapsody - ESC style

Czechia: Olivia Rodrigo song

Austria: Cascada doing a 90's eurodance

Denmark: Radio friendly vanilla

Armenia: Best native vibes

Latvia: Does make me feel empty

San Marino: Punk Rock Alice in Wonderland

Georgia: Toilet break

Belgium: Most dramatic

Estonia: Noise

Israel: The 3B's - Basic, Bland and Boring

Norway: A force of Nature

The Netherlands: My last two brain cells

France: Unapologetically French

Spain: Foxy Lady

Italy: Queen of Thorns

[sycamoreesc]

It's finally time: My first ever upload! Today I'm listing my top 36 of 2024's Eurovision Song Contest. I encourage you to go over there and leave a like and comment if you can

Before I start, I want to point out that I have not included Israel in a protest of their inclusion in this year's contest despite the ongoing conflict, for sending an extremely political act, and for the way their delegation behaved during the week of ESC. In case it means anything to anyone, I would have ranked the song pretty close to last anyway, because it is a pretty boring, middle of the road ballad. Eden has a lovely voice but the song was just not for me anyway. It would have placed near the bottom even if there were no issues with their participation.

Also remember!! These are all just my opinions! Please don't take me too seriously, and I'd love to hear anyone else's opinions as well ❤️

On with the show! I will go from my least favourite to my favourite.

36. Before the Party's over by Mustii for Belgium

Starting off with a controversial one, because I know how many people loved this song and hyped it up before the contest, but it absolutely did not live up to the hype. I'd say it's a fine song in studio, but Mustii just could not sing it live. I do like the ending when everything comes together, but at the same time, he is just shouting the same words over and over again. I'm also judging the whole song, and the build up to that moment, i.e. 3/4 of the song, just isn't worth it for me. So, with apologies to all the Mustii stans, I had to put this last.

35. Özünlə apar by Fahree ft. Ilkin Dovlatov for Azerbaijan

I always love when acts feature their culture in their songs, which Ilkin brings to this song through his vocalisations (not sure what they're called, please forgive me). Unfortunately, that's all it really has going for it. It's pretty boring to me, and I feel like I'm constantly waiting for it to explode into a power ballad, but it just never gets there. And other than that, there really isn't that much to say about this song. I do commend Fahree for sending the first song with Azerbaijani lyrics, though; I love when countries send songs in their own languages.

34. Dizzy by Olly Alexander for the UK

Like many other brits, I have had high hopes for us since Sam Ryder in 2022. But this is just so.... meh. That's the only way I can describe it. It's a very radio-friendly soft pop song, which is fine, but that's it. I also did not like how sexual the staging was either. The anti-gravity box thing was pretty innovative though, and I enjoyed how the dancers made it really feel like gravity was changing around Olly. But that's not really about the song. I remember being really excited when Olly was announced as our artist because I liked a lot of Years & Years stuff, and then being really disappointed when I heard the song for the first time after seeing people on social media hyping it up.

33. Sand by Saba for Denmark

This is another song that is just fine. There's nothing in it that stirs any kind of emotion within me. It's a fine song and that's about it. I genuinely don't know what else to say about it. I liked that Saba had some glittery sand at the beginning of the song to emphasise some of her movements, and I kinda wish they'd figuered out a way to keep sand in the staging for the whole song.

32. The Tower by Luna for Poland

This is interesting for me, because I remember liking it back in May, but I haven't really listened to it since, and listening to it again for this ranking, it just wasn't doing anything for me. I think Luna struggled a little bit with her breath control, but the song itself is fine. I like the chess theme they had going on, but I don't think I really understand why they chose that. Maybe someone can help me understand the significance.

31. Titan by Besa for Albania

I've heard a lot of eurofans say that this song was a lot better in the original Albanian, and of course I always love to see more languages included in Eurovision, but I actually haven't listened to the original, so that has no pull on me. I liked this song, but it's not something I could listen to a lot. The first half is a bit iffy for me, I think because I'm not a big fan of ballads, but I do love a good power ballad, so when we got to the second half, it got more interesting for me. Also, I liked the verse being more of an r&b style. Overall, it's an alright song that gets better as it goes along.

30. Hollow by Dons for Latvia

Ok please don't hate me, Dons has an incredible voice and he deserved to be in the final, but this song is just not for me at all. Like I said before, ballads aren't really for me, so this suffers a similar fate to Titan. I found it pretty boring until the final third of the song when it becomes more powerful. I also thought the staging was a bit lackluster. I know ballads are normally sung with minimal staging, but just having the big circle made me feel like it was missing something. Or maybe that was the point, it is called 'hollow' after all. Also I couldn't take it seriously because of his blue body armour, I'm sorry 😭

29. Scared of Heights by Hera Björk for Iceland

This is a bop and I like listening to it. It's also incredibly generic. Hera is a Eurovision icon and I love her glittery golden jumpsuit, but I feel like the staging was a bit empty for such an upbeat song; some dancers really would have suited this performance in my opinion. I wish I could come up with something more to say but that's literally it, and that's why I can't put it any higher.

28. Fighter by Tali for Luxembourg

Luxembourg has come back fighting (haha) with this song. I think it's a good song and I liked the staging, too. Unfortunately, it just simply doesn't evoke any strong feelings for me, so I would feel like I'd be lying to myself if I put it higher on this list. That doesn't mean it's a bad song though, and I did enjoy the little fast bits after the main chorus (I'm so sorry I don't know the terminology for that, but I hope you know what I'm on about).

27. Mon Amour by Slimane for France

Before you get mad at me, just know I recognise that Slimane has an inredible and powerful voice, and this song is a lovely love ballad. However, as I've mentioned a couple of times, ballads aren't my thing. I think I'm picky with them, because I do have a couple higher up, but Mon Amour is not one I particularly enjoy. Also, as someone who is autistic and struggles with eye contact, his consistent eye contact with the camera was extremely uncomfortable for me, and I have to look in any other direction to avoid his gaze. I do recognise that that's a me problem, though. Overall, beautiful ballad, just not for me.

26. Loop by Sarah Bonnici for Malta

Only just making it into my personal grand final is a great girlbop for the ages. I wasn't super impressed with this song back in May, but rewatching and relistening to it for this list, I couldn't help but dance along. It's really catchy in a good way, and I understand why people were annoyed or shocked that it didn't get to the final. The reason it's down here is because it's just not something I would regularly listen to. It's good, but not great, for me anyway. Sarah's voice is impressive, and so is her dancing, but in general, I'm not much of a fan of interrupting the song for a dance break that takes up a big chunk of it's run time.

25. Liar by Silia Kapsis for Cyprus

From one girlbop to another. I think that Liar got a lot of flack back in May because it got through to the final while Loop didn't. However, in my opinion, Liar is a better song. I like the beat and the cadence of the song, and Silia has proven she's an excellent performer despite only being 17. Having that kind of breath control while doing all that jumping about is pretty impressive. It also suffers the dreaded dance break interruption, but I find it less intrusive than Loop's because it's much shorter.

24. In The Middle by Natalia Barbu for Moldova

I really like this song. It's got a nice aura to it, I like the violins mixed with modern pop beats, and Natalia has a very strong voice. The chorus, while obviously lacking in lyrics, is very catchy and I genuinely enjoy singing and clapping along. The almost operatic chorus at the end caught me a bit off guard, but I wouldn't say it was unwelcome. I also liked the violin break. The only bad thing is that it's just not really that interesting of a song.

23. Zorra by Nebulossa for Spain

Another pure bop from this year, and I completely understand why everyone chants along with the chorus. It's a really well produced pop song and I love the story it tells about reclaiming this word. While I understand that some poeple in Spain thought it was a bit controversial, and also tell me if I'm missing to point here, but to me it's like english-speaking people reclaiming the word slut which I've seen many people doing online in the past couple of years, which I don't take issue with. Anyway, back to the song. I think it's fun and a great song to dance along to. Also, am I the only one who wanted to give those dancers a coat? Their butts must be so cold! 😭

22. Always on the Run by Isaak for Germany

I enjoy this song a lot, though it does seem a little derivitive of artists from the late 2010s like Rag'n'Bone Man. That doesn't make this a bad song, though, just a bit dated. I think Isaak has a great voice; he has the ability to make his voice sound very smooth and soft, to gravelly and rough, which really suits this kind of song. The staging is also simple but effective, with Isaak being in a box for the first two thirds of the song, but coming out of this box for the breakdown and final chorus, which I really enjoy the symbolism of. It's a great song overall, and I still listen to it occasionally.

21. We Will Rave by Kaleen for Austria

When I first heard this song I thought 'wow this is so 2014' but in a good way. Rave songs like this were pretty popular in the late 00s-early 10s, so this song gives me such nostalgia. I know I was just talking about how Isaak's song felt a bit dated, but We Will Rave is a great example of how to take a genre that isn't heard very often anymore and turn it into something that still hits just as hard in the modern music scene. It's a great track, fun to dance and sing along to, and gives me some of that sweet, sweet nostalgia. It does have an Interrupting Dance Break though, but it feels more forgivable here because the song is literally about dancing and raving.

20. Ramonda by Teya Dora for Serbia

Ramonda is a gorgeous ballad that Teya herself said represents having hope despite feeling at your lowest. I love the use of this flower as it blooms in unlikely places as a metaphor for this feeling. Teya also has a beautiful voice that goes from being very soft and almost dainty at the start, to being incredibly powerful at the peak of the performance. I mentioned in the paragraph I wrote about Hollow, that while ballads tend not to have much staging, there's still a way to stage a ballad well, and I think this song shows that. The rocks in the middle feel like they are surrounding Teya at the beginning and making her feel small, but by the end she is triumphantly standing taller than them as the ramonda flower blooms from them, which is excellent storytelling in itself, and also using the smoke machine and the lights to look like clouds and lightning was a brilliant effect. The reason Ramonda is only 20th in my list is because, as I've said, ballads aren't for me, so I didn't really connect with this, although I do appreciate the story being told. It's a beautiful ballad, but I would most likely skip it if it came up in my playlist.

19. Pedestal by Aiko for Czechia

I was really disappointed back in May when this song didn't get through to the final. I really enjoy pop rock like this and I enjoy the message in the song, to learn to put yourself first. Singing along to the chorus of this song is a lot of fun. I understand why they did it due to the story of the song, but the interruption to the argument did take me out of it a bit. It's a fun pop rock song that is pleasing to my ears, but it is also a little generic, and I struggle to connect with songs about relationship issues due to being aro myself. Obviously I do still enjoy the song a lot though.

18. One Milkali (One Blood) by Electric Fields for Australia

This is song is just so much fun and I resent anyone who thinks otherwise! /lh I remember being sad that this song didn't get to the finals, but rewatching the performance, I can see that Zaachariaha did have a bit of difficulty reaching the big notes. I also love their use of the digeridoo, as it's not something you see (or hear) everyday in pop music, although I'm not sure if it was implemented in a very seamless way. It just seemed a bit out of place, but maybe that's just because I'm not used to hearing it. In any case, the song is a lot of fun, I love the music, I love the message, and I just really like it to be perfectly honest. It's right up my street.

17. Firefighter by Nutsa Buzaladze for Georgia

Nutsa's vocals are so amazing. Very strong and powerful! Firefighter is a great song and she really sells it with how she nails her whole performance. The song itself is catchy and energetic, and you're really sucked into it when you listen to it. The live performance does have a dance interruption, but it feels more natural due to it happening right after the intro before the song proper starts. I also really love the sound of violins that can be heard before the final chorus when Nutza isn't singing; it really adds a kind of ethnic vibe to the song which I feel elevates it a lot.

16. Grito by iolanda for Portugal

This is the highest ranking ballad in my ranking. I love the story and the message of Grito, and iolanda has that kind of voice that kind of voice draws you in and entrances you. Or maybe that's just for me. I love that the song starts a capella, with the music building and building until it reaches that break before her big note that clears her mind, and the music is extremely soft after that, almost inaudible. It's an amazing way to show the chaos that can occur in your mind when you are overwhelmed, and then the peace that comes afterwards. Another example of excellent ballad staging. It's a meaningful ballad that just missed out on my top 15.

15. 11:11 by Megara from San Marino

Going from the highest scoring ballad to the highest scoring non-qualifier. I can't help but love this song. It reminds me of a lot of rock songs I used to listen to as a teenager, but it really sticks out as unique in this year's contest. I love the pink and black aesthetic, I love the cartoons they use, and I love the way Kenzy emphasizes her words with her facial expressions. I love the breakdown with more traditional spanish guitar mixed in with this cool rock sound (according to wikipedia, it's called fucksia rock so... do with that information what you will, I guess). In the performance however, Kenzy seemed to either forget the words or just completely run out of breath at one point, and by the end she was struggling with her breath control, so as much as I do really enjoy this song, I can't put it any higher.

14. Zari by Marina Satti for Greece

I absolutely adore how Marina mixes traditional Greek music with modern pop. It's so up my street it's practically on my doorstep. Zari is a very fun song that I can't help but dance along with, and if I knew any Greek I'm sure I'd be singing along, too. I love that the dances are incorporated into the song, rather than having one long dance break, and incorporating traditional Greek dances too makes me very happy. I love the celebration of Greek culture in this song while maintaining a very modern vibe.

13. La Noia by Angelina Mango for Italy

I'm going to start this one by saying I love the instrument in the back that occurs occasionally throughout the song but I have absolutely no idea what it's called and it's driving me crazy! It's the one that lowkey sounds a bit like a kazoo, if anyone knows what on earth I'm talking about. ANYWAY, the song is great. We seem to be blessed most years with Italy sending very unique songs to the contest. While this is a pop song, I would be hard-pressed to call it generic at all. The chorus just makes you want to move your body, and the break in the song makes you really appreciate Angelina's powerful voice. I think the staging leaves a bit it be desired, but I have to admit, there's something about the way Angelina and her dancers walk exactly on the beat that really tickles my brain. Also I love her huge stomping boots, which seem a bit out of place, but I love them anyway.

12. Unforgettable by Marcus & Martinus for Sweden

This song would not have gotten this far up if the live performance wasn't so much fun. It is a pretty generic pop song about a pretty girl, which seems to be standard for Sweden, but I can't deny that it is a whole bop and a half. I actually tend to skip over the studio version, but like I said, the live performance really sells it. Marcus and Martinus both have great stage presence, and the staging being very digital really fits well with the electronic sound. It's also one of those songs I can sing along to while not being serious at all, and being very dramatic. My favourite part is the breakdown at the end (not sure if breakdown is the right word to use here, but it's the part where the're singing "her love, is dangerous and I know it," etc.); it's a whole lot of fun to sing and dance to. Just great vibes all around.

11. Jako by Ladaniva for Armenia

I was actually surprised that this landed outside of my top 10, but unfortunately I just listen to and connect more with the others more often. That doesn't change the fact that I absolutely love this song to bits! Pure traditional music with a modern twist that is just so enjoyable to listen to. Jaklin is also incredibly charismatic and is clearly very comfortable on stage. She exudes a kind of energy that I can only hope to achieve a fraction of. The whole song is just great fun and a wonderful celebration of Armenian culture. While the chorus is only made of la's, I have to say it works very well with this song, and the whole crowd being able to sing along really helps it to shine. Overall a very unique and fun experience.

10. Ulveham by Gåte for Norway

If you're like me, you will also be questioning... WHAT IS WRONG WITH YOU, EUROPE? For this to only make it to the final by a hair, and finishing dead last in the final with only 14 points is an absolute travesty of the highest proportions. Gunnhild's vocals are absolutely on point, the folk elements mixed with metal works perfectly, the staging was great, with the band rocking around Gunnhild in the middle, who seems to be able to control water with her voice??? How did this score so low? Also juries, you're supposed to be judging objectively, and this performance was objectively brilliant, from the vocals to the staging to the music itself. I have to say, I don't often listen to metal, but the way the folk elements weave so effortlessly in with this song is pretty incredible. If you can't tell, I'm a bit incensed by this whole thing, but at the end of the day I do understand that most voters were pooling all their votes into only like 5 songs, and Baby Lasagna would have hoovered up a lot of votes that would have gone to Ulveham in any other year. Or that's how I'm justifying it anyway.😅 So overall, I really do enjoy this song a lot, I think everything just comes together so well, and the only reason it isn't higher is because metal just does not always agree with my ears.

9. Doomsday Blue by Bambie Thug for Ireland

Doomsday Blue is a masterclass in how to create an incredible Eurovision performance. The way they used the cameras to get the absolute perfoct shots at every angle, the way they used their props perfectly (like with the candles), the tasteful costume change, and the acting performace of both Bambie and the demon all comes together to create a cohesive story and an impressive presentation of it. The song itself is very unique, using very distinct individual styles for the verses and chorus that somehow just works really well. Bambie's vocals are also incredible, being able to perform technical screams to being able to be soft and airy in the chorus, to the power in the last verse. Just like with Ulveham, this would likely place higher in this list if it wasn't for the fact that metal just isn't very accessible for me.

8. (nendest) narkootikumidest ei tea me (küll) midagi by 5miinust & Puuluup for Estonia

This song is so much fun. Folk and traditional instruments mixed with rap? Yes please and thank you very much! Nendest, as I will call it here, is such a bop and anyone who doesn't find themselves bopping along with it is either lying or doesn't know what fun means. /lh I love songs that aren't too serious and yet they have a hidden meaning that is often pretty deep. The meaning in this song is the persecution and false imprisonment of poor people by the police because the police think the poor people are all drug addicts. So I just really enjoy how silly this song is while having that kind of meaning. It's a great compsition and it's performed really well, and I think it deserved to be placed higher than 20th (clearly).

7. Luktelk by Silvester Belt for Lithuania

This is a very unique and catchy song that I can't help but dance along to. I know it's about a relationship, and Silvester is asking them to stay a little longer with him, and I mentioned earlier that songs like that don't tend to resonate with me. However, this song is in Lithuanian so I don't understand what's going on there, and I can focus solely on the music and how Silvester's vocals sound, which I like a lot. The music flows so nicely, it has a fast tempo but it doesn't feel like it's rushing, I like that each line in the verses are punctuated with the double beat, and while there is a dance break, it's incredibly short, and it feels natural to have a break in lyrics in any song that has a similar breakdown before it. I also really love the red and blue colour pallette; the contrasting colours work really well with the concept of being unable to make up your mind, like the phrase 'being in two minds' about something. Overall, the song is great and I listen to it often.

6. No Rules! by Windows95man for Finland

One of my favourite types of songs are those songs that are fun and unserious, that I can be just so overdramatic while singing along to it. And that is exactly what No Rules! is. It's so much fun, and singing Henri's parts really damatically and acting out the dramatic moves is an absolute must when listening to this song. I also love that the music hearkens back to the euro-electropop and eurodance of the late 90s and early 00s (think Blue, Better Off Alone, Around the World or even Barbie Girl), while also not feeling outdated or bland. I also really enjoyed how they staged it; from the overuse of denim (and the jegg), to the creative ways they came up with to conveniently cover up Teemu's privates, it just all comes together in one big silly and overdramatic time.

5. Veronika by Raiven for Slovenia

Completely changing tunes from a silly fun-time song, to a dark and mysterious song about the first persecution of a witch in Slovenia. I was genuinely shocked that this song placed 23rd in the final, on account that it is incredibly unique, well staged, and innovative. Raiven's vocals are perfect (I believe she's a trained opera singer), and she has great stage presence. She really sells the story and I love the use of the dancers to bring an animalistic or possibly even inhuman vibe to the performance. I also really love the choice to bring out the screams at the end of the performance, as in the studio version it's more in the background, and I think bringing them to the forefront really elevates the song in a unique and interesting way. Overall, I really love this song for all it's dramaticism and telling of a Slovenian folk tale.

4. Teresa & Maria by alyona alyona & Jerry Heil for Ukraine.

This is an absolutely gorgeous song about empowerment and taking responibility for who you are and who you become. Jerry's vocals are almost ethereal, and alyona's rap verse complements the song in a very unique way. The whole sound of this song feels like I'm almost having a religious experience; it gives me chills, makes me think, and enraptures me all at the same time. The staging, while simple, is very effective. I particularly love the transition from Jerry plunging her mic into the rock as if it were a sword, to alyona's entrance with her taking a knife out of her hair. I also liked how the camera shook during alyona's verse, as if accentuating the point of the song, and making alyona seem large and powerful. Overall, a brilliant song and composition that I think falls into a lot of people's top 10s, and for good reason.

3. Rim Tim Tagi Dim by Baby Lasagna for Croatia

Before the Baby Lasagna fans come for me for not putting him first (honestly I'm scared of you guys), I want to say I think he would have been an absolutely worthy winner (in fact I think any of my top 5 would have been worthy winners), and I am sad for Croatia that they didn't get that first win, but I would be lying to myself if I said I didn't enjoy the other two more. With that being said, I absolutely adore this song and it makes complete sense to me that it won the televote by a mile. It's a very catchy rock song with sentimental lyrics about leaving your home village in search of a better life. Genuinely, I can't find fault in this song or the performance; Marko's vocals are perfect, his stage presence is great, the traditional costuming is excellent (also I love the doilies on all of the instruments, especially on the drum cymbals), and overall the performance comes together perfectly. The song's ability to connect with the audince is awe-inspiring, and you can see how literally everyone in that arena was dancing along in the break. Overall, I only have one word: incredible.

2. Europapa by Joost Klein for the Netherlands

I'm not going to rehash everything that happened a la Joost's disqualification because frankly everything's already been said, and I don't want this post to get any longer than it needs to be. Anyway, This song is such a love letter to Europe (and of course to his parents), and it's such a fun 3-minute journey. I love all the references Joost makes to different countries and their traditions, and how despite how happy the song is, Joost is singing about how he feels uncomfortable away from home, while celebrating all of these places at the same time. I also love how this song, and all of Joost's music really, is clearly inspired by a lot of the electronic and jumpstyle music that was popular in the 00s; I'm particularly reminded of artists like Scooter and Basshunter, although I know there's a lot more hardcore jumpstyle out there that I was never exposed to. All that to say, this music style is another that feels very nostalgic to me while also not feeling dated. Overall, this is such a great song, a real crowd-pleaser in the best way possible, and just a real fun time all around.

1. The Code by Nemo for Switzerland

You guys have no idea how hyped I was that my favourite song won the contest. I've been watching for as long as I can remember and this has never happened to me before! Where do I even begin with this? I guess first off, I love how Nemo incorporates pop, rap, and opera into one song and somehow it's still coherent as one song. It flows together so easily, you wonder why no one has tried it before (not to my knowledge, anyway). I think Nemo has an incredibly creative brain to be able to pull something like that off. I also love the staging; using the rotating disk symbolises the struggles that we as non-binary people go through while learning to accept ourselves and balancing what is deemed 'appropriate' by society. Eventually, Nemo is able to ride this spinning disk triumphantly as they finally feel like they've figured it out. As they say, they broke the code. Nemo's gnc costume is also amazing, and I love the story that they actually picked out their outfit from random stores in Malmo literally the week of the contest. That kind of chaotic energy really feels like it suits the song and performance. The absolute grip this song had on me in May, and to some extent still now (although rn I'm really obsessed with their new song Eurostar. It's amazing and so different to The Code. If you haven't heard it go do it NOW), was palpable. I couldn't get enough. I felt like it spoke to me on some deep level, and maybe that's because it's a song all about accepting yourself, and as someone who is also nonbinary, and has also found out that they are autistic just this year at the age of 26, accepting myself is a huge part of my journey right now. So maybe it wasn't the European public's favourite, but it will forever leave a big imprint on my soul.

If you've made it this far, you are incredible and I love you as much as a person can love a person over a screen that they don't even know.

If you agreed with anything I said, let me know! If you didn't, also let me know!

Thank you so much for reading my ramblings and watching my video, it means so much 💖

[brookstonalmanac]

Holidays 12.8

Holidays

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Weekly Holidays beginning December 8 (2nd Full Week of December)

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Principles: Enso

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Premieres

Anne of a Thousand Days, by Maxwell Anderson (Play; 1948)

Babe, by Styx (Song; 1979)

Blade: Trinity (Film; 2004)

Blood Diamond (Film; 2006)

California Dreaming’, by the Mamas & the Papas (Song; 1965)

Cat Napping (Tom & Jerry Cartoon; 1951)

Children’s Hospital (TV Series; 2008)

Cigars of the Pharaoh, by Hergé (Graphic Novel; 1934) [Tintin #4]

Crouching Tiger, Hidden dragon (Film; 2000)

The Deer Hunter (Film; 1978)

The Disaster Artist (Film; 2017)

Dungeons & Dragons (Film; 2000)

Gandy’s Dream Girl (Terrytoons Cartoon; 1944)

The Holiday (Film; 2006)

The Honey Mousers (WB LT Cartoon; 1956)

Hotel California, by The Eagles (Album; 1976)

In Flanders Field (Poem; 1915)

I, Tonya (Film; 2017)

Little Televillain (Chilly Willy Cartoon; 1958)

Lolly Bomb, by Little Big (Song; 2017)

Luisa Miller, by Giuseppe Verdi (Opera; 1849)

Merry Little Batman (WB Animated Film; 2023)

Moon River, recorded by Henry Mancini (Song; 1960)

Mr. Fantasy, by Traffic (Album; 1967)

My Heart Will Go On, by Celine Dion (Song; 1997)

On the Town (Film; 1949)

Permanent Damage, by The GTO’s [Girls Together Outrageously] (Album; 1969)

Poor Things (Film; 2023)

Pop Gos Your Heart (WB MM Cartoon; 1934)

She-Sick Sailors (Fleischer/Famous Popeye Cartoon; 1944)

Shishkabugs (WB LT Cartoon; 1962)

Silver Streak (Film; 1976)

Sophie’s Choice (Film; 1982)

A Star is Born (Film; 1976)

The Sundowners (Film; 1960)

Symphony No. 7 in A Major, by Ludwig van Beethoven (Symphony; 1813)

Their Satanic Majesties Request, by The Rolling Stones (Album; 1967)

Surfin’, by The Beach Boys (Song; 1961)

Termites from Mars (Woody Woodpecker Cartoon; 1952)

The Unshrinkable Jerry Mouse (Tom & Jerry Cartoon; 1964)

Wise Owl (Color Rhapsody Cartoon; 1940)

Today’s Name Days

Edith, Elfriede (Austria)

Edita, Euharije, Ljiljana, Marija, Nevenka, Sabina (Croatia)

Květoslava (Czech Republic)

Maria (Denmark)

Külli, Küllike, Külliki, Külve, Külvi (Estonia)

Kylli, Kyllikki (Finland)

Edith. Mariä Empfängnis (Germany)

Patapios (Greece)

Mária (Hungary)

Immacolata (Italy)

Guna, Gunārs, Marieta, Vladimirs (Latvia)

Gedmintė, Guntilda, Vaidginas, Zenonas (Lithuania)

Marion, Marlene, Morgan (Norway)

Boguwola, Klement, Maria, Światozar, Wirginiusz (Poland)

Patapie (Romania)

Marína (Slovakia)

Concepción, Inmaculada (Spain)

Virginia (Sweden)

Potap (Ukraine)

Rohan, Spence, Spencer, Spenser (USA)

Today is Also…

Day of Year: Day 343 of 2024; 23 days remaining in the year

ISO: Day 7 of Week 49 of 2024

Celtic Tree Calendar: Ngetal (Reed) [Day 15 of 28]

Chinese: Month 11 (Bing-Zi), Day 8 (Bing-Wu)

Chinese Year of the: Dragon 4722 (until January 29, 2025) [Wu-Chen]

Hebrew: 7 Kislev 5785

Islamic: 6 Jumada II 1446

J Cal: 13 Black; Sixthday [13 of 30]

Julian: 25 November 2024

Moon: 50%: 1st Quarter

Positivist: 7 Bichat (13th Month) [Galileo]

Runic Half Month: Jara (Year) [Day 2 of 15]

Season: Autumn or Fall (Day 77 of 90)

Week: 2nd Full Week of December

Zodiac: Sagittarius (Day 17 of 30)

[iheartfurrympreg]

might have been posted already but for those who use spotify and like the please hold song in the permit office hermitcraft it’s sampled from this song, which is a banger and has similar vibes

wasn’t gonna share until i found out i was the only one that listened to top albania radio on airbuds

[yharnamsnewslug]

I truly hate that folk/traditional songs are downright being PUNISHED in Eurovision lately. Like at this point you've to sing in English for your song to be even considered good by the jury.

Thank FUCK for Cha Cha Cha, because this Eurovision was frankly underwhelming. Germany understood the assignment and was punished. Spain understood the assignment and was punished. ALBANIA. Oh god, and MOLDOVA.

It feels like the only songs that can win are pop, English and fucking boring. The ones that people will hear on the radio for 2 months and move on. Instead of the truly iconic shit that Eurovision is known for.

I still can't believe Serbia was that low. FUCK ME.

[nyaheum]

My Annual Eurovision List - 2023

Completely based on music videos until we actually see some staging. Don’t come at me.

37. POLAND

Solo – Blanka

LMAO fuck TVP. Jann would have been my winner.

36. LITHUANIA

Stay (ČIŪTO TŪTO) – Monika Linkytė

Bleh. I know some people really like this song, but...bleh. There’s nothing here that sticks with me. The song was over and I forgot what it sounded like. I don’t know, I’m used to more from Lithuania.

35. IRELAND

We Are One – Wild Youth

This is the point where I feel like too many bands are hurting this year. They would have been fine any other year, but comparing them to the other bands this year, they’re quite weak. I also expect them so sing “We are Young” every single time...what is fun. up to anyway? (hiatus, apparently.)

34. AZERBAIJAN

Tell Me More – TuralTuranX

Uh...it’s a song. Their name reminds me of Duran Duran. Remembering the name of Duran Duran was the main thing I did while listening to this song. I abolutely HATE spoken word, oh my god. And apart from that, this sounds like one of those songs from an average to slightly bad romcom. Not even the ending song, but the one from the middle, the part where the producers knew that they wanted to convey the passage of time so they simply chose to do a montage.

33. ALBANIA

DUJE – Albina dhe Familja Kelmendi

The guy singing in between is absolutely taking me out. Definitely would’ve liked this more if the chorus hit harder, like this it’s just...kind of sad? But not the good kind, the melodramatic kind (which I can appreciate, to a certain extent, but not to THIS extent.)

32. CYPRUS

Break A Broken Heart – Andrew Lambrou

Did you know that Andrew actually wanted to participate for Australia in 2022? Yeah. I googled this while listening to the song because it has nothing that pulls me in. It’s fine, don’t get me wrong, he has a great voice, but...eh.

31. GREECE

What They Say – Victor Vernicos

Why is he a child. I like the chorus, kind of, but that’s pretty much it. Very meh.

30. LATVIA

Aijā – Sudden Lights

Another song that really takes its time to build up to nothing noteworthy, which is a shame, because in its basics, I quite enjoy it. It’s just a little...frustrating when the chorus comes and goes and nothing in me has changed? Idk lmao.

29. SWITZERLAND

Watergun – Remo Forrer

This is my grandma’s favourite song this year, yay? For some reason I keep reading his name as Ferrero Rocher. The letters barely match, I think it’s just because this is Switzerland. (yes, ferrero is italian, idk.) Oh, the song? It’s fine. It’s not his fault he’s not Gjon.

28. ICELAND

Power – Diljá

It’s fine. Feels very generic, but doesn’t hit hard enough to justify it. Specifically considering it’s Iceland sending it.

27. ARMENIA

Future Lover – Brunette

Surprisingly good in theory, but in the end I only actually like the middle part. The beginning is well sung but a little too slow for me, and I don’t really enjoy the end in general? I’m very unsure with this.

26. NETHERLANDS

Burning Daylight – Mia Nicolai & Dion Cooper

I don’t find any joy anymore either, dude. We’re so in synch, damn. Why does the first chorus do that thing where it teases a nice build up for half a second just to drop immediately? And then the second one doesn’t even properly redeem it. Ruined the whole song for me, genuinely. Not that I liked it a lot before, ehem.

25. DENMARK

Breaking My Heart – Reiley

I listened to this and kept thinking that it sounds like a song I already know, but...turns out it was just this song the whole time. Apparently someone at my local radio station really likes it. I don’t, really, I feel like I might be too old for this type of music. Talking about this...you’re telling me Reiley is OLDER than me? What the hell.

24. ITALY

Due Vite – Marco Mengoni

Second year in a row where Italy doesn’t really do it for me, damn. At least it’s a lot better than whatever was going on last year with Brividi. I still liked Supereroi a lot more and think it should have won. Meh.

23. SAN MARINO

Like an animal – Piqued Jacks

Certainly a song. All I could think about while watching this is one Youtube comment simply saying “He is a little hot” because...they’re not wrong? The song itself just doesn’t hit – but I have the fleeting suspicion that this might be fixed by having the sound mixing done by literally anyone that ISN’T San Marino. I don’t even dislike it or anything.

22. ESTONIA

Bridges – ALIKA

I know that everybody loves this, okay? It’s good enough. Perfectly good ballad. It’s not her fault I dislike most ballads. I do like the last minute though, it picks up a lot, I enjoy that.

21. AUSTRALIA

Promise – Voyager

I love how Australia is really going through the classic Eurovision evolution. My right ear also likes the song. I watched the music video, and I think the left one just didn’t get invited or something. It’s actually REALLY off-putting.

20. SLOVENIA

Carpe Diem – Joker Out

Please don’t come for me, but why does everyone love this SO much? Like, I like it a bit too, but not as much as everyone else seems to? I genuinely feel like I’m missing something here.

19. BELGIUM

Because Of You – Gustaph

This is so groovy, I don’t know why everybody hates it. (I mean, I DO know, but apart from that...it’s not that bad.) It’s not the best thing I’ve ever heard, and the aspect ratio of the official music video freaks me out, but it’s very camp – which is a good thing, obviously this is Eurovision after all!

18. UNITED KINGDOM

I Wrote A Song – Mae Muller

I had no expectations for the UK, mainly because I missed all of the teasing they did, so I’m completely fine with this...it just feels like a lot of songs this year sound similar to this? Maybe I’m going insane. But it’s nice to listen to. I wouldn’t turn the radio off if it came on.

17. GEORGIA

Echo – Iru

Imagine how much more this could have slapped if it was in Georgian. Just imagine. It’s fine like this too, and I’m sure it will be elevated by the staging, but...just imagine, honestly.

16. ROMANIA

D.G.T – Theodor Andrei

Okay, let’s ignore the performance for a bit, and just judge the song. I quite like it, actually. His voice is nice, it’s absolutely something different, and I always give a native language bonus.

15. MALTA

Dance (Our Own Party) – The Busker

The revamp did good things for this song. I like a good saxophone, and I feel like this is quite underrated in the community. It’s fun(ky), I think they will be great live, and the music video is definitely worth a watch while you’re at it.

14. SPAIN

Eaea – Blanca Paloma

I feel like I shouldn’t talk about this song without my lawyer. It’s growing on me, very slowly, but there’s still only select parts of the song that I really like, while the rest is just something I have to go through to reach them. Like the salad you get when you order a steak with fries. (I also just liked Agoney a lot more.)

13. PORTUGAL

Ai Coração – Mimicat

After a song I absolutely couldn’t stand last year, Portugal absolutely delivers again. Feels very authentic to Portugal, I really like her voice, it’s quite fast-paced, I really enjoy it.

12. SWEDEN

Tattoo – Loreen

It’s a song. I don’t know, I don’t care about it, it’s good, sure, but it’s absolutely not a winner for me. Also, the pre-chorus sounds so much like another song I know, but I cannot figure out which one and it’s driving me insane. (I have to admit though, rhyming pain and rain IS true lyrical genius, and whoever wrote that part should win an award.) I like the studio version more than the live version by the way. Yes, even with the performance. Don’t ask me why.

11. MOLDOVA

Soarele si Luna – Pasha Parfeni

I love that as long as we have Moldova, Eurovision will never be boring. This is genuinely nice, too, and fills the void Fulenn left in my heart last year perfectly.

10. FRANCE

Evidemment – La Zarra

C’est très...French. Obviously. Good French, but French nonetheless. Groovy, though. I can appreciate that it’s not really a chanson chanson.

9. UKRAINE

Heart Of Steel – TVORCHI

It’s completely fine. Quite good, even, but I just don’t think that it lives up to the songs Ukraine sent the past decade or so...which is understandable, not only because of their situation, but because the song sent by the winning country never really is. I still really appreciate it for it’s modern tone and the bass. (still preffered fiinka though sorry)

8. CROATIA

Mama ŠČ! - LET 3

This is my absolute guilty pleasure this year. I even rather like it musically, I quite enjoy it away from all the chaos. Of course, the chaos is the main reason I like it. What would Eurovision be without these songs, seriously? BRRRR, TRAKTOR.

7. ISRAEL

Unicorn – Noa Kirel

I know people don’t like this because it sounds like three songs mashed together, but I quite like it. Why? Probably because I listen to K-Pop, I’m used to the mashed-together-sound, and I quite like it. Apart from that I enjoy the song, of course, although I’m purposefully ignoring the lyrics.

6. SERBIA

Samo mi se spava – Luke Black

I listen to music like this quite a lot, so I obviously enjoy it...I’m just very afraid that it won’t really land at Eurovision, not with the juries and not with the televote. But I’ll be optimistic and delude myself into thinking that there’s no way it won’t at least make it out of the SF. (And I would absolutely believe it if it was in Semi 2 instead of Semi 1.)

5. NORWAY

Queen of Kings – Alessandra

She, Queen of the Hype! For good reason though, this is GREAT. Very Eurovision, very European in general, I love good party music.

4. CZECH REPUBLIC

My sister’s crown – Vesna

PLEASE PLEASE LET THEM BE GOOD LIVE. I can’t take another Austria 2022. This is SO good. I love it musically, I love the mix of languages, I might have a small crush on their rapper, please let them be good live. Please. I beg you. (I have a bad feeling, though. Especially the chorus just seems very hard to replicate life. I’ve seen the NF, I know.)

3. GERMANY

Blood & Glitter – Lord Of The Lost

I’m still so...in awe that we’re actually sending something good this year? Like, how did this happen? Who did we sacrifice for this? (Answer: Electric Callboy.) This kind of music just feels very German, even if they’re singing in English. My only critique is that I want him to growl more, but if their Eurovision stage is anything like their winners performance at the NF, I’m not worried.

2. AUSTRIA

Who The Hell Is Edgar? - Teya & Salena

No, seriously, who is Edgar? I only know Teya & Salena. This is such a bop – WITH a message, damn. Easily moved into my Top 5 immediately after it came out. Probably my most listened to song this last week. It’s REALLY addicting. What the hell, Österreich? Not both of us going through change right now, aww.

1. FINLAND

Cha Cha Cha – Käärijä

This song came out, I heard it once, and decided it’s my winner this year. Only Gladiator could have possibly challenged it, but we know how that went, so this is my undisputed first place. Please, juries and televote, do not rob our small king.

[eurotastic]

Eurovision predictions, semi final 2, 2024

Definitely qualifying:

Switzerland - I'm pretty sure this is winning the jury vote on Saturday, and potentially the whole competition too. I'm getting Gjon's tears flashbacks in the best way.

The Netherlands - Another potential winner on Saturday.

Greece - A really confident performance in a genre that always does well with televoters.

Norway - This folklore vibe basically always does well.

Borderline qualifiers:

Estonia - Fun and quirky, really different from everything else.

Armenia - Same as Estonia, basically.

Austria - This is basically a cheap Cascada song from 2005, but the dancing should put her through.

Georgia - High energy girl bops usually qualify pretty easily.

Malta - The dancing is incredible but the song is just SloMo from Wish. With that said, high energy girl bops usually do pretty well.

Israel - I have no idea what's happening with this one, it's anything from top 10 on Saturday (please god no) to dead last in the semi final. If this song came from any other country I think it would qualify just based on vocal talent and high production value, so I think it has a chance of making it through the semis. Let's hope it doesn't.

Borderline NQS:

Belgium - I feel like this is the big shock NQ of the year.

Denmark - This is like a nice radio song that won't grab too much attention in a competitive setting.

Czechia - The song is pretty good but I don't think it stands out.

San Marino - I want this in the final but San Marino always struggles to qualify.

Definitely NQs:

Latvia - Talented singer, decent enough song, but the Latvian losing streak just keeps going.

Albania - I feel like we've gotten this exact song from Albania a million times before.

[apptworadioapps]

Radio Albania FM & AM + Radio Online - (Radio Android Application 🇦🇱📻)

 Albania is a country with a vibrant and diverse radio landscape, with a variety of broadcasters catering to different interests and preferences. From national broadcasters to local community stations, there is no shortage of radio options in Albania.

One of the most well-known radio stations in Albania is Radio Televizioni Shqiptar (RTSH). RTSH operates a number of national and local stations, providing news, current affairs, music, and entertainment programs. RTSH Radio Tirana is a popular choice for those seeking in-depth news coverage and current affairs analysis, while Radio Tirana 2 is the go-to station for classical music and traditional Albanian music.

Another major player in the Albanian radio landscape is Top Albania Radio. Top Albania Radio is a commercial radio station that plays a mix of Albanian and international music, as well as news and entertainment programs.

In addition to the major broadcasters, Albania is also home to a thriving community radio sector. Community radio stations are run by volunteers and provide a platform for local voices and perspectives. These stations often specialize in niche music genres or cultural programming and are a great way to discover new artists and perspectives.

Some popular community radio stations in Albania include Radio 7 in Tirana, which focuses on social justice and community issues, and Radio Dardania in Prizren, which plays traditional Albanian music and features local cultural programming.

No matter what your interests or preferences, there is sure to be a radio station in Albania that suits your needs. With a diverse range of broadcasters and programming, Albanian radio is a vibrant and dynamic part of the country's media landscape. So why not tune in today and discover what the Albanian airwaves have to offer?

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[mariacallous]

Balkan states Albania, Bosnia and Herzegovina, Kosovo and Serbia have tumbled down the latest press freedom rankings compiled by media watchdog Reporters Without Borders, which highlighted on Friday the threat around the world from political authorities.

In its 2024 World Press Freedom Index, Reporters Without Borders said certain “political groups” were fuelling “hatred and distrust of journalists” by insulting them, discrediting them and threatening them. 

“Others are orchestrating a takeover of the media ecosystem, whether through state-owned media under their control, or privately owned media via acquisitions by allied businessmen,” it warned.

Greece, Turkey and Moldova rose in the ranking, despite continued shortcomings, but several Balkan states registered significant declines.

Kosovo and Bosnia register significant decline

Of 180 countries covered by the index, Kosovo dropped 19 places on last year to 75th amid direct attacks on journalists from political groups and physical attacks in the field.

Reporters Without Borders warned that public broadcaster Radio Television of Kosovo, RTK, risked being politicised with the election of Rilind Gervalla, who previously gave money to the ruling Vetevendosje party, as director in January 2023; it said the biggest private Albanian-language broadcaster, Klan Kosova, had been subjected to “administrative harassment from the government”; and the Serbian language media had come under pressure from Serbian politicians while also complaining of discrimination in terms of access to public information.

Bosnia and Herzegovina tumbled 17 places to 81st, mainly thanks to restrictions and political pressure in the predominantly Serb-populated Republika Srpska entity.

The watchdog noted the Republika Srpska’s criminalisation of defamation and political control of the public broadcaster, RTRS.

Albania slipped three places to 99th, amid intimidation of journalists by politicians and organised crime interests.

Reporters Without Borders warned that the right to access to public information is often violated in Albania, with the government centralising communication; it said that the ruling Socialist Party has politicised the public media by appointing political affiliates in charge of the public broadcaster Radio Television of Albania, RTSH, in 2023. 

The seizure of material obtained by investigative journalist Elton Qyno last year demonstrated that although Albania’s legal framework is very progressive in guaranteeing the freedom of press, in reality the confidentiality of sources is not respected, the watchdog said. 

Serbia dropped seven places to 98th, with Reporters Without Borders citing a polarised political climate in which journalists are targeted by politicians of the ruling Progressive Party in attacks amplified by national broadcasters.

The media noted some positive results on the part of the judiciary in response to attacks against journalists but said that proceedings are often ineffective and lack independence.

Significant shortcomings remain

Turkey rose seven places to 158th, but the watchdog said that media pluralism is still threatened given that 90 per cent of national media are controlled by the government. Last year, dozens of Kurdish journalists were arrested when reporting on elections won by President Recep Tayyip Erdogan. The media continue to face online censorship and arbitrary lawsuits, it said.

Hungary also improved its ranking, rising five places to 67th despite Reporters Without Borders designating Prime Minister Viktor Orban “a predator of press freedom”.

Public broadcasting is a propaganda machine, the watchdog warned, and 80 per cent of the media is controlled by the ruling Fidesz party with some private media either taken over or silenced, often by oligarchs with close ties to Fidesz.  

Greece climbed 19 places to 88th despite a number of SLAPP lawsuits targeting journalists, arbitrary convictions for fake news and the continued failure to shed further light on the surveillance of journalists by the National Intelligence Service.

[eretzyisrael]

How the Farhud inspires the Palestinian ’cause’ today

Today is the 82nd anniversary of the Farhud massacre in Iraq, in which at least 180 Jews were murdered. The Palestinian role in it is almost unknown, but the Farhud’s spirit hovers over the Palestinian ’cause’ today, argues Lyn Julius in JNS News:

Painting inspired by the horrors of the Farhud by Nissim Zalayet

Have you heard of the Farhud? Chances are you haven’t. This anti-Jewish massacre—Farhud means “forced dispossession” in Arabic—took place 82 years ago this week in Iraq. Yet a recent poll found that only 7% of Israelis have heard about it.

On June 1-2, 1941, at least 180 Jews were murdered in Baghdad and Basra—the figure could have been as many as 600—2,000 were wounded and 900 homes and 586 Jewish-owned businesses were destroyed. There was looting, rape and mutilation. Stories abound of babies murdered and Jewish hospital patients being refused treatment or poisoned. The dead were hurriedly buried in a mass grave.

The Farhud sounded the death knell for the ancient Jewish community of Iraq. More “Farhuds” decimated other Jewish communities in Arab countries, leading to a mass exodus. Most of these Jews fled to Israel, where theyand their descendants comprise over half the Jewish population.

Besides the general ignorance of the Farhud, the Palestinian role in it is almost unknown. In fact, the infamous Grand Mufti of Jerusalem, Haj Amin al-Husseini, helped lay the groundwork for the massacre.

The Farhud, in other words, was proof that anti-Zionist “resistance” to the Jews of Palestine had spilled over into unabashed antisemitism directed against the Jews of the Arab world.

The Mufti himself spent two years in Iraq beginning in 1939. He arrived with 400 Syrians and Palestinians, most of them teachers. In April1941, the Mufti backed a pro-Nazi coup led by Rashid Ali al-Gilani and four military officers. Theirs was the only Arab regime to sign a treaty with Nazi Germany.

Throughout the Middle East, Arab public opinion was mostly pro-German. A poll carried out on behalf of the U.S. consulate in Jerusalem in Feb. 1941 found that 88% of Palestinian Arabs wanted the Nazis to win the war.

Although the pro-Nazi government in Iraq was defeated and the ringleaders put to flight, the Mufti escaped to Berlin, where he became Hitler’s lavishly-funded wartime guest. The Mufti enjoyed an entourage of 60 Arab exiles and pumped out poisonous propaganda from the shortwave Radio Berlin transmitter at Zeesen, fusing anti-Jewish verses from the Quran with contemporary antisemitic conspiracy theories. “Kill the Jews wherever you find them. This pleases God, history and religion,” he exhorted over the airwaves.

At a meeting with Hitler in Nov. 1941, the Mufti pledged to help the Nazis win the war and demanded that he be allowed to manage the extermination of the Jews within his sphere of influence.

The Mufti’s collaboration with the Nazis, despite strenuous Arab efforts to downplay it, is well-documented. During his stay in Berlin, he met all the senior Nazis: Himmler, Goebbels and Eichmann among them.

His overall contribution to the Nazi cause was twofold. In order to stop Jews from fleeing to Palestine, he persuaded the Nazis to abandon their plans to expel the Jews of Europe. Given Nazi ideology, once the expulsion option was abandoned, the only thing to be done with the Jews was to exterminate them. The Mufti also set up SS units of Muslim troops in Bosnia and Albania, who committed terrible atrocities.

The Mufti was, according to the scholar Matthias Kuentzel, the point of convergence between the Nazis’ great war against the Jews and the Arabs’ small war against the Jewish community of Palestine. The Mufti’s top military commanders in the small war against the Jews were Fawzi al-Qawuqji, Abdel Qader al-Husseini and Hassan Salama. They had all been Nazi collaborators. There are reports that Palestinian Arab forces had ex-Nazi advisers in the field.

The Mufti was, for various realpolitik reasons, never tried at Nuremberg. This meant that, unlike in Europe, Nazi-inspired antisemitism was never discredited in the Arab and Muslim world. In fact, Egypt and Syria became havens for Nazi war criminals.

The postwar influence of ex-Nazis in Cairo was a contributing factor in extending the Arabs’ ideological, territorial and race war against Israel into the 1950s and beyond. Adolf Eichmann, for example, saw the Muslim world’s war on Israel as a continuation of the Nazi struggle against the Jews. “I have not managed to complete the task of total annihilation of the Jews, but I hope that the Muslims will complete it for me,” he wrote in his memoirs.

The Arab League, founded in 1945, was filled with ex-Axis collaborators. Abdel Rahman Azzam, its first secretary-general, was one of the Mufti’s agents who had worked with the Nazis. He promised “a war of extermination not seen since the Mongolian massacres” if a Jewish state were established. Indeed, the Mufti-inspired charter of the Arab League would soon form the basis of the League’s declaration of a war of annihilation on the nascent State of Israel in 1948.

A byproduct of the Arabs’ failure to win the small war against the Jews and their new state was the mass ethnic cleansing of almost a million Jews from Arab countries. Early on, Arab League states drafted antisemitic decrees eerily reminiscent of the Nazis’ Nuremberg laws, stripping Jews of their rights and stealing their property.

What, you might ask, has the Mufti got to do with the Palestinians of today? While several Arab states have made peace with Israel, the “moderate” leadership of the Palestinian Authority remains determined to continue the Mufti’s tradition of total war against Israel.

In his recent speech to the U.N. marking the 75th anniversary of the nakba—the derogatory Palestinian term for Israel’s creation—P.A. chief Mahmoud Abbas, whose doctoral thesis denied the Holocaust, did not attempt to disguise his eliminationist aims with talk of a “two-state solution” or withdrawal from post-1967 settlements. Israel must be thrown out of the U.N., he said. It has no place or history in the Middle East.

Abbas’s call for the return of Palestinian Arab refugees would, at best, turn the Jews of Israel into a subjugated minority under Arab rule.

It is clear that the spirit of the Farhud still hovers over the Palestinian “cause.”

Read article in full

More about the Farhud

[mindthelspace]

Eurovision 2024 first impressions

Wasn't sure what to listen to at work, and then I remembered that all the Eurovision songs have now been released! So I thought I'd give 'em a listen.

Until today, I'd heard small clips of the songs in Youtube top 36 lists. That was it.

Caveat 1: I've paid zero attention to any of the national finals, so I'm blissfully ignorant of 90% of whatever drama happened in those.

Caveat 2: Everything below is the personal subjective opinion of me, a knobhead on Tumblr. You will probably disagree with a lot of it and that's fine.

Caveat 3: "Why are you not boycotting when Israel are-" Yes, I know. I do follow the news. I'm not going to go into why I'm not boycotting because that's not what this post is for, but I promise I have thought about it and can explain my reasons.

So, with that out of the way:

Croatia: Strong start! I really like this, and get why it's one of the favourites! I might be on Team Croatia this year- I'd love the winner to be someone who hasn't won before, or hasn't won for decades!

Netherlands: It's... alright, I guess? But I'm not sure it's as funny as it thinks it is, and might get a bit old fairly quickly.

Switzerland: This is interesting, and a nice break from their pattern of the past few years. I'll be happy if this does well :)

Italy: I like this better than I thought I would, based on the little clips I've seen. Still a bit confused about why it seems to be topping literally all the Youtube rankings, though.

Austria: Meh

Sweden: This is the ONE song I couldn't make it all the way through. I, yeah, sorry, I hate it. Sounds AI generated. Sweden, please, you have good music, I know you do, I've heard it, you don't need to send this kind of crap every other year, please!

Ukraine: Ukraine my beloved, always understanding the assignment <3

Greece: Way more interesting than the clip I'd heard previously made it sound!

Germany: This is exactly what I was afraid would happen if LotL didn't do well. I'm getting flashbacks to Michael Rice and his 2019 last place.

Belgium: Meh

Cyprus: Extremely Meh. This is like a composite of every bland, inoffensive, radio 1 song ever.

France: It's a nice ballad. 'For the Mums', I think is the phrase. S'fine.

UK: Apparently 'obnoxious ear worms' is my country's new schtick. Although like Italy, I do like this a bit more than I thought I would. Also starting to notice a lot of the songs sounding a bit 80's-lite?

Georgia: S'fine, I guess. 50/50 as to whether it breaks their NQ streak.

Malta: Wow, there are a lot of trendy girl pop songs that I have absolutely no feelings about this year.

Armenia: This is enjoyable and I respect it.

Azerbaijan: Another Whelming-to-decent one, but I do like that they're singing in their own language for the first time!

Albania: Snore

Australia: I get what they were going for, but I find this a bit cheesy.

Ireland: Look at Ireland taking a risk! I so, so, hope this works out for them and breaks their NQ streak! I am slightly concerned, just because this is the kind of experimental that can be difficult to translate to a three minute stage performance, but if they give it the creativity it needs it could be their best entry in years!

Lithuania: A nice little catchy thing. Quite like it.

Denmark: Oof, Denmark really are in their wilderness years, aren't they? Look, this isn't bad, but there are a lot of songs that sound similar to this, and this has 'lost in the shuffle' written all over it.

Poland: There's nothing about this that makes it stand out from all the other trendy-girl-pop-songs objectively, but I do have a soft spot for this one.

Spain: This is really cute! I think I've found my favourite Big 5 :)

Czechia: Oh look, we have some pop-punk this year. Cool.

Serbia: I'm... not feeling much for this *now*, but I think it might grow on me once I've heard it a few times.

Finland: I am CACKLING

Portugal: I'm a bit undecided about this, tbh. Might have to see how it is live.

Norway: I knew I'd quite like this, and I do! I feel like the live performance is really going to make or break it though.

Luxembourg: So I've heard this song is *also* Israeli propaganda, and if that's true, a) that sucks, because Luxembourg, mate, this is your re-entry, you didn't want this, and b) it's disconcertingly cheerful.

Estonia: Whatever this is, it has no business going this hard.

San Marino: Another pop-punk. I'm a bit more intrigued by this one than the Czech one. I can't see it doing amazingly, but if the performance is good it could get San Marino a rare Q.

Slovenia: It's OK. Seemed like it was going somewhere and then... didn't.

Israel: Was debating whether to ignore this (and sit there wondering about it), or give in and listen to it once so I could stop caring. Went for the latter. You'll be relieved to know it's bland as shit. The inevitable background booing might even be an improvement.

Iceland: I didn't get Hera Bjork in 2010 and I don't get her now.

Latvia: I really want Latvia to break their NQ streak, especially with how they were basically robbed by the semi draw last year, but this just... needs to be more than it is. A really good live performance could save it, maybe? I don't know. I wanted to like this but I'm not hopeful.

Moldova: Slovenia Two. Another one that was sort of going somewhere for a minute, and then stopped.

In conclusion:

So much Eurodance

So much 80's

Loooads of really similar songs. More than usual. Some of them are inevitably going to cancel each other out.

The "everyone follows the runner ups of the previous year" trend seems to be holding, with lots of similar-vein-as-Noa-Kirels, and a few similar-vein-as-Kaarijas.

This is definitely a year that's less my cup of tea. That's OK. I was spoilt last year. And there are still some solid entries.

[hasdrubal-gisco]

eurovision '24 semifinal 2 early review

content and spoiler warning for albania, armenia, austria, czech republic, denmark, greece, malta, switzerland, belgium estonia, georgia, israel, latvia, the netherlands, norway, san marino, france, italy, spain

albania - opening witha good and strong song. would have been better if it was in albanian, but albania always brings the heat. albanian and serb are brothers because they are son of same bitch (many are saying this !)/10

armenia - absolute banger. singer doesn't have the classic hayastani spade face which must have hard for her growing up. genuinely This is what eurovision is about. may you drop thousand bombs on baku/10

austria - (watching music video) i liked display of aryan man masculine power energy, sweat dripping down his chest. how this make you feel ? song ? generic, forgettable, this will score no points without mr schutzschtaffel flipping tires. you will never regain lost glory/10

czech republic - Yes i am deadnaming this country. i do not recognize these silly zoomer pronouns like "czechia." NOT REAL ! song is relatively good on its own but to me it its not a eurovision song. it's giving pale waves without the production by mr the 1975 whatever his name is. i think this will be well received by juries but it's not fun in the way we expect from battle royale evropa edition. props to the czech republic for sending a russian girl in these russophobic times. i will not mind hearing this on the radio in the car in the coming year/10

denmark - she's technically white seeing as she's very obviously ethiopian (amhara, not those COLORED varieties). good singer but the song is nothing. relatively dignified considering the scandinavian's propensity for cringe/10

greece - she gave cunt she served she died or whatever it is you kids say these days. it's giving noa kirel if we're being honest. in my top 3 i'd say. no wonder greeks invented civilization/10

malta - for this one my opinion is colored by the fact that going into it i know she's some commercial real estate magnate's daughter who paid her way into the competition. when will people learn, war criminals' nieces are simply better than investor's daughters. don't even thing about being a talentless hack if your uncle isn't exterminating minorities. only positive is the tooth gap/10

switzerland - european college student is not immune to american they/them disorder. if he sings the hard parts well, this could save some of it musically but culturally it's a L. go back to sending kosovar albanians/10

belgium - european man in his 30s is ALSO not immune to american they/them disorder. this is nothing, but we must always keep in mind only a few years ago a good third of the contestants would send ballads so. belgium has no reason to exist, think about it/10

estonia - MICHAEL VSAUCE ?? estonian pitbull be like mr balt-wide. it's above average in an extremely poor year/10

georgia - rising from the ashes like a phoenix is actually referencing the historical period during which georgia did not exist on the map, like poland, but re-emerged as a sovereign state. and this is what they did with it. also the bizarre sour food. below average in an extremely poor year/10

the illegitimate fascist ethnostate of isnotreal - the best of this variety of song we've heard, largely because the music is more subtle and she can in fact sing. this will either get high or no votes from the general public depending on prevailing sentiment on the holocaust du jour. thee mathematical average in a poor year/10

latvia - na-baron, house harkonnen does not know what's coming for it. bro the lisan al gaib's fedaykin are coming for ur bald ass ! this is nothing/10

the netherlands - i will confess this is not bad. TO ME it is a quirky and lighthearted version of a stupid eurovision song, with some self awareness that the finns (both this year and last) sorely lack. unlike other TREASURED MUTUALS i do not consider this man SEXUALLY ATTRACTIVE. i will let the senatus populusque tumblorus draw its own conclusions based on the notes of this post. MAGNA EVROPA EST PATRIA NOSTRA/10

norway - i can recognize there is an audience for this and that audience is not me. is it good ? i'll have to ask them. i think this may get an unusually high amount of votes from juries for some reason. feels like the kind of song that would play for a super epic and dramatic ( :I ) final scene in vikings (tv show). eeeh/10

san marino - you can tell she thinks she's quirky from the facial expressions. if i wanted sexy skeletons i'd have played undertale. this sucks, you're san marino you have no identity, genuinely this should be a vehicle for importing flo rida or something. this sucks/10

france - incredible voice. getting a lot of dune princess vibes from the outfit (<- guy who just watched dune). this will get panned because it's france, and somehow american warships have secured total anglo victory in the cultural thousand year war (the hundred year war). liberté, égalité, fraternité/10

italy - i had not heard this as i abstained from san remo, but this is pretty good, it's very ethnic, it's sexy, it has hot blood coursing through its veins. top few (final ranking pending)/10

spain - relatively okay beat/instrumental that's wasted on a nothing singer. send basque opera singers next time. i'm ready to go to sleep/10

final conclusion - there were more good entries than in the first semi, i'll come up with a final list and rough ranking of who i'd like and hate to see go to the final for any undercover jurors reading the die karthagische zeitung. feels like the entries that are good are really good, and there's a lot of blah, but at least we're skirting by with very few ballads. pee breaks speckled in for those of us who have bladders like old women who have somehow had babies (not me tho).

[brookstonalmanac]

Events 8.20 (1920-1990)

1920 – The first commercial radio station, 8MK (now WWJ), begins operations in Detroit 1920 – The National Football League is organized as the American Professional Football Conference in Canton, Ohio 1926 – Japan's public broadcasting company, Nippon Hōsō Kyōkai (NHK) is established. 1938 – Lou Gehrig hits his 23rd career grand slam, a record that stood for 75 years until it was broken by Alex Rodriguez. 1940 – In Mexico City, exiled Russian revolutionary Leon Trotsky is fatally wounded with an ice axe by Ramón Mercader. He dies the next day. 1940 – World War II: British Prime Minister Winston Churchill makes the fourth of his famous wartime speeches, containing the line "Never was so much owed by so many to so few". 1940 – World War II: The Eighth Route Army launches the Hundred Regiments Offensive, a successful campaign to disrupt Japanese war infrastructure and logistics in occupied northern China. 1944 – World War II: One hundred sixty-eight captured allied airmen, including Phil Lamason, accused by the Gestapo of being "terror fliers", arrive at Buchenwald concentration camp. 1944 – World War II: The Battle of Romania begins with a major Soviet Union offensive. 1948 – Soviet Consul General in New York, Jacob M. Lomakin is expelled by the United States, due to the Kasenkina Case. 1949 – Hungary adopts the Hungarian Constitution of 1949 and becomes a People's Republic. 1955 – Battle of Philippeville: In Morocco, a force of Berbers from the Atlas Mountains region of Algeria raid two rural settlements and kill 77 French nationals. 1960 – Senegal breaks from the Mali Federation, declaring its independence. 1962 – The NS Savannah, the world's first nuclear-powered civilian ship, embarks on its maiden voyage. 1968 – Cold War: Warsaw Pact troops invade Czechoslovakia, crushing the Prague Spring. East German participation is limited to a few specialists due to memories of the recent war. Only Albania and Romania refuse to participate. 1975 – Viking program: NASA launches the Viking 1 planetary probe toward Mars. 1975 – ČSA Flight 540 crashes on approach to Damascus International Airport in Damascus, Syria, killing 126 people. 1977 – Voyager program: NASA launches the Voyager 2 spacecraft. 1986 – In Edmond, Oklahoma, U.S. Postal employee Patrick Sherrill guns down 14 of his co-workers and then commits suicide. 1988 – "Black Saturday" of the Yellowstone fire in Yellowstone National Park 1988 – Iran–Iraq War: A ceasefire is agreed after almost eight years of war. 1988 – The Troubles: Eight British soldiers are killed and 28 wounded when their bus is hit by an IRA roadside bomb in Ballygawley, County Tyrone. 1989 – The pleasure boat Marchioness sinks on the River Thames following a collision. Fifty-one people are killed.