#eurovision list

[sycamoreesc]

It's finally time: My first ever upload! Today I'm listing my top 36 of 2024's Eurovision Song Contest. I encourage you to go over there and leave a like and comment if you can

Before I start, I want to point out that I have not included Israel in a protest of their inclusion in this year's contest despite the ongoing conflict, for sending an extremely political act, and for the way their delegation behaved during the week of ESC. In case it means anything to anyone, I would have ranked the song pretty close to last anyway, because it is a pretty boring, middle of the road ballad. Eden has a lovely voice but the song was just not for me anyway. It would have placed near the bottom even if there were no issues with their participation.

Also remember!! These are all just my opinions! Please don't take me too seriously, and I'd love to hear anyone else's opinions as well ❤️

On with the show! I will go from my least favourite to my favourite.

36. Before the Party's over by Mustii for Belgium

Starting off with a controversial one, because I know how many people loved this song and hyped it up before the contest, but it absolutely did not live up to the hype. I'd say it's a fine song in studio, but Mustii just could not sing it live. I do like the ending when everything comes together, but at the same time, he is just shouting the same words over and over again. I'm also judging the whole song, and the build up to that moment, i.e. 3/4 of the song, just isn't worth it for me. So, with apologies to all the Mustii stans, I had to put this last.

35. Özünlə apar by Fahree ft. Ilkin Dovlatov for Azerbaijan

I always love when acts feature their culture in their songs, which Ilkin brings to this song through his vocalisations (not sure what they're called, please forgive me). Unfortunately, that's all it really has going for it. It's pretty boring to me, and I feel like I'm constantly waiting for it to explode into a power ballad, but it just never gets there. And other than that, there really isn't that much to say about this song. I do commend Fahree for sending the first song with Azerbaijani lyrics, though; I love when countries send songs in their own languages.

34. Dizzy by Olly Alexander for the UK

Like many other brits, I have had high hopes for us since Sam Ryder in 2022. But this is just so.... meh. That's the only way I can describe it. It's a very radio-friendly soft pop song, which is fine, but that's it. I also did not like how sexual the staging was either. The anti-gravity box thing was pretty innovative though, and I enjoyed how the dancers made it really feel like gravity was changing around Olly. But that's not really about the song. I remember being really excited when Olly was announced as our artist because I liked a lot of Years & Years stuff, and then being really disappointed when I heard the song for the first time after seeing people on social media hyping it up.

33. Sand by Saba for Denmark

This is another song that is just fine. There's nothing in it that stirs any kind of emotion within me. It's a fine song and that's about it. I genuinely don't know what else to say about it. I liked that Saba had some glittery sand at the beginning of the song to emphasise some of her movements, and I kinda wish they'd figuered out a way to keep sand in the staging for the whole song.

32. The Tower by Luna for Poland

This is interesting for me, because I remember liking it back in May, but I haven't really listened to it since, and listening to it again for this ranking, it just wasn't doing anything for me. I think Luna struggled a little bit with her breath control, but the song itself is fine. I like the chess theme they had going on, but I don't think I really understand why they chose that. Maybe someone can help me understand the significance.

31. Titan by Besa for Albania

I've heard a lot of eurofans say that this song was a lot better in the original Albanian, and of course I always love to see more languages included in Eurovision, but I actually haven't listened to the original, so that has no pull on me. I liked this song, but it's not something I could listen to a lot. The first half is a bit iffy for me, I think because I'm not a big fan of ballads, but I do love a good power ballad, so when we got to the second half, it got more interesting for me. Also, I liked the verse being more of an r&b style. Overall, it's an alright song that gets better as it goes along.

30. Hollow by Dons for Latvia

Ok please don't hate me, Dons has an incredible voice and he deserved to be in the final, but this song is just not for me at all. Like I said before, ballads aren't really for me, so this suffers a similar fate to Titan. I found it pretty boring until the final third of the song when it becomes more powerful. I also thought the staging was a bit lackluster. I know ballads are normally sung with minimal staging, but just having the big circle made me feel like it was missing something. Or maybe that was the point, it is called 'hollow' after all. Also I couldn't take it seriously because of his blue body armour, I'm sorry 😭

29. Scared of Heights by Hera Björk for Iceland

This is a bop and I like listening to it. It's also incredibly generic. Hera is a Eurovision icon and I love her glittery golden jumpsuit, but I feel like the staging was a bit empty for such an upbeat song; some dancers really would have suited this performance in my opinion. I wish I could come up with something more to say but that's literally it, and that's why I can't put it any higher.

28. Fighter by Tali for Luxembourg

Luxembourg has come back fighting (haha) with this song. I think it's a good song and I liked the staging, too. Unfortunately, it just simply doesn't evoke any strong feelings for me, so I would feel like I'd be lying to myself if I put it higher on this list. That doesn't mean it's a bad song though, and I did enjoy the little fast bits after the main chorus (I'm so sorry I don't know the terminology for that, but I hope you know what I'm on about).

27. Mon Amour by Slimane for France

Before you get mad at me, just know I recognise that Slimane has an inredible and powerful voice, and this song is a lovely love ballad. However, as I've mentioned a couple of times, ballads aren't my thing. I think I'm picky with them, because I do have a couple higher up, but Mon Amour is not one I particularly enjoy. Also, as someone who is autistic and struggles with eye contact, his consistent eye contact with the camera was extremely uncomfortable for me, and I have to look in any other direction to avoid his gaze. I do recognise that that's a me problem, though. Overall, beautiful ballad, just not for me.

26. Loop by Sarah Bonnici for Malta

Only just making it into my personal grand final is a great girlbop for the ages. I wasn't super impressed with this song back in May, but rewatching and relistening to it for this list, I couldn't help but dance along. It's really catchy in a good way, and I understand why people were annoyed or shocked that it didn't get to the final. The reason it's down here is because it's just not something I would regularly listen to. It's good, but not great, for me anyway. Sarah's voice is impressive, and so is her dancing, but in general, I'm not much of a fan of interrupting the song for a dance break that takes up a big chunk of it's run time.

25. Liar by Silia Kapsis for Cyprus

From one girlbop to another. I think that Liar got a lot of flack back in May because it got through to the final while Loop didn't. However, in my opinion, Liar is a better song. I like the beat and the cadence of the song, and Silia has proven she's an excellent performer despite only being 17. Having that kind of breath control while doing all that jumping about is pretty impressive. It also suffers the dreaded dance break interruption, but I find it less intrusive than Loop's because it's much shorter.

24. In The Middle by Natalia Barbu for Moldova

I really like this song. It's got a nice aura to it, I like the violins mixed with modern pop beats, and Natalia has a very strong voice. The chorus, while obviously lacking in lyrics, is very catchy and I genuinely enjoy singing and clapping along. The almost operatic chorus at the end caught me a bit off guard, but I wouldn't say it was unwelcome. I also liked the violin break. The only bad thing is that it's just not really that interesting of a song.

23. Zorra by Nebulossa for Spain

Another pure bop from this year, and I completely understand why everyone chants along with the chorus. It's a really well produced pop song and I love the story it tells about reclaiming this word. While I understand that some poeple in Spain thought it was a bit controversial, and also tell me if I'm missing to point here, but to me it's like english-speaking people reclaiming the word slut which I've seen many people doing online in the past couple of years, which I don't take issue with. Anyway, back to the song. I think it's fun and a great song to dance along to. Also, am I the only one who wanted to give those dancers a coat? Their butts must be so cold! 😭

22. Always on the Run by Isaak for Germany

I enjoy this song a lot, though it does seem a little derivitive of artists from the late 2010s like Rag'n'Bone Man. That doesn't make this a bad song, though, just a bit dated. I think Isaak has a great voice; he has the ability to make his voice sound very smooth and soft, to gravelly and rough, which really suits this kind of song. The staging is also simple but effective, with Isaak being in a box for the first two thirds of the song, but coming out of this box for the breakdown and final chorus, which I really enjoy the symbolism of. It's a great song overall, and I still listen to it occasionally.

21. We Will Rave by Kaleen for Austria

When I first heard this song I thought 'wow this is so 2014' but in a good way. Rave songs like this were pretty popular in the late 00s-early 10s, so this song gives me such nostalgia. I know I was just talking about how Isaak's song felt a bit dated, but We Will Rave is a great example of how to take a genre that isn't heard very often anymore and turn it into something that still hits just as hard in the modern music scene. It's a great track, fun to dance and sing along to, and gives me some of that sweet, sweet nostalgia. It does have an Interrupting Dance Break though, but it feels more forgivable here because the song is literally about dancing and raving.

20. Ramonda by Teya Dora for Serbia

Ramonda is a gorgeous ballad that Teya herself said represents having hope despite feeling at your lowest. I love the use of this flower as it blooms in unlikely places as a metaphor for this feeling. Teya also has a beautiful voice that goes from being very soft and almost dainty at the start, to being incredibly powerful at the peak of the performance. I mentioned in the paragraph I wrote about Hollow, that while ballads tend not to have much staging, there's still a way to stage a ballad well, and I think this song shows that. The rocks in the middle feel like they are surrounding Teya at the beginning and making her feel small, but by the end she is triumphantly standing taller than them as the ramonda flower blooms from them, which is excellent storytelling in itself, and also using the smoke machine and the lights to look like clouds and lightning was a brilliant effect. The reason Ramonda is only 20th in my list is because, as I've said, ballads aren't for me, so I didn't really connect with this, although I do appreciate the story being told. It's a beautiful ballad, but I would most likely skip it if it came up in my playlist.

19. Pedestal by Aiko for Czechia

I was really disappointed back in May when this song didn't get through to the final. I really enjoy pop rock like this and I enjoy the message in the song, to learn to put yourself first. Singing along to the chorus of this song is a lot of fun. I understand why they did it due to the story of the song, but the interruption to the argument did take me out of it a bit. It's a fun pop rock song that is pleasing to my ears, but it is also a little generic, and I struggle to connect with songs about relationship issues due to being aro myself. Obviously I do still enjoy the song a lot though.

18. One Milkali (One Blood) by Electric Fields for Australia

This is song is just so much fun and I resent anyone who thinks otherwise! /lh I remember being sad that this song didn't get to the finals, but rewatching the performance, I can see that Zaachariaha did have a bit of difficulty reaching the big notes. I also love their use of the digeridoo, as it's not something you see (or hear) everyday in pop music, although I'm not sure if it was implemented in a very seamless way. It just seemed a bit out of place, but maybe that's just because I'm not used to hearing it. In any case, the song is a lot of fun, I love the music, I love the message, and I just really like it to be perfectly honest. It's right up my street.

17. Firefighter by Nutsa Buzaladze for Georgia

Nutsa's vocals are so amazing. Very strong and powerful! Firefighter is a great song and she really sells it with how she nails her whole performance. The song itself is catchy and energetic, and you're really sucked into it when you listen to it. The live performance does have a dance interruption, but it feels more natural due to it happening right after the intro before the song proper starts. I also really love the sound of violins that can be heard before the final chorus when Nutza isn't singing; it really adds a kind of ethnic vibe to the song which I feel elevates it a lot.

16. Grito by iolanda for Portugal

This is the highest ranking ballad in my ranking. I love the story and the message of Grito, and iolanda has that kind of voice that kind of voice draws you in and entrances you. Or maybe that's just for me. I love that the song starts a capella, with the music building and building until it reaches that break before her big note that clears her mind, and the music is extremely soft after that, almost inaudible. It's an amazing way to show the chaos that can occur in your mind when you are overwhelmed, and then the peace that comes afterwards. Another example of excellent ballad staging. It's a meaningful ballad that just missed out on my top 15.

15. 11:11 by Megara from San Marino

Going from the highest scoring ballad to the highest scoring non-qualifier. I can't help but love this song. It reminds me of a lot of rock songs I used to listen to as a teenager, but it really sticks out as unique in this year's contest. I love the pink and black aesthetic, I love the cartoons they use, and I love the way Kenzy emphasizes her words with her facial expressions. I love the breakdown with more traditional spanish guitar mixed in with this cool rock sound (according to wikipedia, it's called fucksia rock so... do with that information what you will, I guess). In the performance however, Kenzy seemed to either forget the words or just completely run out of breath at one point, and by the end she was struggling with her breath control, so as much as I do really enjoy this song, I can't put it any higher.

14. Zari by Marina Satti for Greece

I absolutely adore how Marina mixes traditional Greek music with modern pop. It's so up my street it's practically on my doorstep. Zari is a very fun song that I can't help but dance along with, and if I knew any Greek I'm sure I'd be singing along, too. I love that the dances are incorporated into the song, rather than having one long dance break, and incorporating traditional Greek dances too makes me very happy. I love the celebration of Greek culture in this song while maintaining a very modern vibe.

13. La Noia by Angelina Mango for Italy

I'm going to start this one by saying I love the instrument in the back that occurs occasionally throughout the song but I have absolutely no idea what it's called and it's driving me crazy! It's the one that lowkey sounds a bit like a kazoo, if anyone knows what on earth I'm talking about. ANYWAY, the song is great. We seem to be blessed most years with Italy sending very unique songs to the contest. While this is a pop song, I would be hard-pressed to call it generic at all. The chorus just makes you want to move your body, and the break in the song makes you really appreciate Angelina's powerful voice. I think the staging leaves a bit it be desired, but I have to admit, there's something about the way Angelina and her dancers walk exactly on the beat that really tickles my brain. Also I love her huge stomping boots, which seem a bit out of place, but I love them anyway.

12. Unforgettable by Marcus & Martinus for Sweden

This song would not have gotten this far up if the live performance wasn't so much fun. It is a pretty generic pop song about a pretty girl, which seems to be standard for Sweden, but I can't deny that it is a whole bop and a half. I actually tend to skip over the studio version, but like I said, the live performance really sells it. Marcus and Martinus both have great stage presence, and the staging being very digital really fits well with the electronic sound. It's also one of those songs I can sing along to while not being serious at all, and being very dramatic. My favourite part is the breakdown at the end (not sure if breakdown is the right word to use here, but it's the part where the're singing "her love, is dangerous and I know it," etc.); it's a whole lot of fun to sing and dance to. Just great vibes all around.

11. Jako by Ladaniva for Armenia

I was actually surprised that this landed outside of my top 10, but unfortunately I just listen to and connect more with the others more often. That doesn't change the fact that I absolutely love this song to bits! Pure traditional music with a modern twist that is just so enjoyable to listen to. Jaklin is also incredibly charismatic and is clearly very comfortable on stage. She exudes a kind of energy that I can only hope to achieve a fraction of. The whole song is just great fun and a wonderful celebration of Armenian culture. While the chorus is only made of la's, I have to say it works very well with this song, and the whole crowd being able to sing along really helps it to shine. Overall a very unique and fun experience.

10. Ulveham by Gåte for Norway

If you're like me, you will also be questioning... WHAT IS WRONG WITH YOU, EUROPE? For this to only make it to the final by a hair, and finishing dead last in the final with only 14 points is an absolute travesty of the highest proportions. Gunnhild's vocals are absolutely on point, the folk elements mixed with metal works perfectly, the staging was great, with the band rocking around Gunnhild in the middle, who seems to be able to control water with her voice??? How did this score so low? Also juries, you're supposed to be judging objectively, and this performance was objectively brilliant, from the vocals to the staging to the music itself. I have to say, I don't often listen to metal, but the way the folk elements weave so effortlessly in with this song is pretty incredible. If you can't tell, I'm a bit incensed by this whole thing, but at the end of the day I do understand that most voters were pooling all their votes into only like 5 songs, and Baby Lasagna would have hoovered up a lot of votes that would have gone to Ulveham in any other year. Or that's how I'm justifying it anyway.😅 So overall, I really do enjoy this song a lot, I think everything just comes together so well, and the only reason it isn't higher is because metal just does not always agree with my ears.

9. Doomsday Blue by Bambie Thug for Ireland

Doomsday Blue is a masterclass in how to create an incredible Eurovision performance. The way they used the cameras to get the absolute perfoct shots at every angle, the way they used their props perfectly (like with the candles), the tasteful costume change, and the acting performace of both Bambie and the demon all comes together to create a cohesive story and an impressive presentation of it. The song itself is very unique, using very distinct individual styles for the verses and chorus that somehow just works really well. Bambie's vocals are also incredible, being able to perform technical screams to being able to be soft and airy in the chorus, to the power in the last verse. Just like with Ulveham, this would likely place higher in this list if it wasn't for the fact that metal just isn't very accessible for me.

8. (nendest) narkootikumidest ei tea me (küll) midagi by 5miinust & Puuluup for Estonia

This song is so much fun. Folk and traditional instruments mixed with rap? Yes please and thank you very much! Nendest, as I will call it here, is such a bop and anyone who doesn't find themselves bopping along with it is either lying or doesn't know what fun means. /lh I love songs that aren't too serious and yet they have a hidden meaning that is often pretty deep. The meaning in this song is the persecution and false imprisonment of poor people by the police because the police think the poor people are all drug addicts. So I just really enjoy how silly this song is while having that kind of meaning. It's a great compsition and it's performed really well, and I think it deserved to be placed higher than 20th (clearly).

7. Luktelk by Silvester Belt for Lithuania

This is a very unique and catchy song that I can't help but dance along to. I know it's about a relationship, and Silvester is asking them to stay a little longer with him, and I mentioned earlier that songs like that don't tend to resonate with me. However, this song is in Lithuanian so I don't understand what's going on there, and I can focus solely on the music and how Silvester's vocals sound, which I like a lot. The music flows so nicely, it has a fast tempo but it doesn't feel like it's rushing, I like that each line in the verses are punctuated with the double beat, and while there is a dance break, it's incredibly short, and it feels natural to have a break in lyrics in any song that has a similar breakdown before it. I also really love the red and blue colour pallette; the contrasting colours work really well with the concept of being unable to make up your mind, like the phrase 'being in two minds' about something. Overall, the song is great and I listen to it often.

6. No Rules! by Windows95man for Finland

One of my favourite types of songs are those songs that are fun and unserious, that I can be just so overdramatic while singing along to it. And that is exactly what No Rules! is. It's so much fun, and singing Henri's parts really damatically and acting out the dramatic moves is an absolute must when listening to this song. I also love that the music hearkens back to the euro-electropop and eurodance of the late 90s and early 00s (think Blue, Better Off Alone, Around the World or even Barbie Girl), while also not feeling outdated or bland. I also really enjoyed how they staged it; from the overuse of denim (and the jegg), to the creative ways they came up with to conveniently cover up Teemu's privates, it just all comes together in one big silly and overdramatic time.

5. Veronika by Raiven for Slovenia

Completely changing tunes from a silly fun-time song, to a dark and mysterious song about the first persecution of a witch in Slovenia. I was genuinely shocked that this song placed 23rd in the final, on account that it is incredibly unique, well staged, and innovative. Raiven's vocals are perfect (I believe she's a trained opera singer), and she has great stage presence. She really sells the story and I love the use of the dancers to bring an animalistic or possibly even inhuman vibe to the performance. I also really love the choice to bring out the screams at the end of the performance, as in the studio version it's more in the background, and I think bringing them to the forefront really elevates the song in a unique and interesting way. Overall, I really love this song for all it's dramaticism and telling of a Slovenian folk tale.

4. Teresa & Maria by alyona alyona & Jerry Heil for Ukraine.

This is an absolutely gorgeous song about empowerment and taking responibility for who you are and who you become. Jerry's vocals are almost ethereal, and alyona's rap verse complements the song in a very unique way. The whole sound of this song feels like I'm almost having a religious experience; it gives me chills, makes me think, and enraptures me all at the same time. The staging, while simple, is very effective. I particularly love the transition from Jerry plunging her mic into the rock as if it were a sword, to alyona's entrance with her taking a knife out of her hair. I also liked how the camera shook during alyona's verse, as if accentuating the point of the song, and making alyona seem large and powerful. Overall, a brilliant song and composition that I think falls into a lot of people's top 10s, and for good reason.

3. Rim Tim Tagi Dim by Baby Lasagna for Croatia

Before the Baby Lasagna fans come for me for not putting him first (honestly I'm scared of you guys), I want to say I think he would have been an absolutely worthy winner (in fact I think any of my top 5 would have been worthy winners), and I am sad for Croatia that they didn't get that first win, but I would be lying to myself if I said I didn't enjoy the other two more. With that being said, I absolutely adore this song and it makes complete sense to me that it won the televote by a mile. It's a very catchy rock song with sentimental lyrics about leaving your home village in search of a better life. Genuinely, I can't find fault in this song or the performance; Marko's vocals are perfect, his stage presence is great, the traditional costuming is excellent (also I love the doilies on all of the instruments, especially on the drum cymbals), and overall the performance comes together perfectly. The song's ability to connect with the audince is awe-inspiring, and you can see how literally everyone in that arena was dancing along in the break. Overall, I only have one word: incredible.

2. Europapa by Joost Klein for the Netherlands

I'm not going to rehash everything that happened a la Joost's disqualification because frankly everything's already been said, and I don't want this post to get any longer than it needs to be. Anyway, This song is such a love letter to Europe (and of course to his parents), and it's such a fun 3-minute journey. I love all the references Joost makes to different countries and their traditions, and how despite how happy the song is, Joost is singing about how he feels uncomfortable away from home, while celebrating all of these places at the same time. I also love how this song, and all of Joost's music really, is clearly inspired by a lot of the electronic and jumpstyle music that was popular in the 00s; I'm particularly reminded of artists like Scooter and Basshunter, although I know there's a lot more hardcore jumpstyle out there that I was never exposed to. All that to say, this music style is another that feels very nostalgic to me while also not feeling dated. Overall, this is such a great song, a real crowd-pleaser in the best way possible, and just a real fun time all around.

1. The Code by Nemo for Switzerland

You guys have no idea how hyped I was that my favourite song won the contest. I've been watching for as long as I can remember and this has never happened to me before! Where do I even begin with this? I guess first off, I love how Nemo incorporates pop, rap, and opera into one song and somehow it's still coherent as one song. It flows together so easily, you wonder why no one has tried it before (not to my knowledge, anyway). I think Nemo has an incredibly creative brain to be able to pull something like that off. I also love the staging; using the rotating disk symbolises the struggles that we as non-binary people go through while learning to accept ourselves and balancing what is deemed 'appropriate' by society. Eventually, Nemo is able to ride this spinning disk triumphantly as they finally feel like they've figured it out. As they say, they broke the code. Nemo's gnc costume is also amazing, and I love the story that they actually picked out their outfit from random stores in Malmo literally the week of the contest. That kind of chaotic energy really feels like it suits the song and performance. The absolute grip this song had on me in May, and to some extent still now (although rn I'm really obsessed with their new song Eurostar. It's amazing and so different to The Code. If you haven't heard it go do it NOW), was palpable. I couldn't get enough. I felt like it spoke to me on some deep level, and maybe that's because it's a song all about accepting yourself, and as someone who is also nonbinary, and has also found out that they are autistic just this year at the age of 26, accepting myself is a huge part of my journey right now. So maybe it wasn't the European public's favourite, but it will forever leave a big imprint on my soul.

If you've made it this far, you are incredible and I love you as much as a person can love a person over a screen that they don't even know.

If you agreed with anything I said, let me know! If you didn't, also let me know!

Thank you so much for reading my ramblings and watching my video, it means so much 💖

[leggywormy]

This year's award for the Tumblr Eurovision Blorbo goes to:

[this-is-krikkit]

good morning and fuck the hypocrisy of those games as a whole but thanks again for that eurovision on crack level of an opening ceremony ig

[j00stkl31n]

❤️‍🩹I’m gonna fucking pass out ❤️‍🩹

[chut-je-dors]

Hello! Do you happen to know any good resources for learning Finnish? As basic as possible, I literally started on Duolingo half an hour ago:) I know, I know, I'm a poser for learning Finnish *after* Käärijä, but the language sounds soooo interesting (although I've heard the grammar is quite difficult...). Thank you in advance and also love your blog:)))))

Hi!! So very very ecstatic that you've decided to learn Finnish! No reason to feel ashamed that you'd only start after Käärijä... believe me, in Finland people are just altogether very taken if a foreigner wants to learn Finnish, no matter the reason. (And all reasons for learning a language are good!) (And we're SO SO PROUD of Käärijä, he's done a monumental job of bringing our language to the public eye more than ANYONE ELSE BEFORE so, yup! He's a VERY good reason to start learning Finnish!!)

I'm not sure if I'm the right person to point you towards any resources... But I tried finding some for you! I've checked out the Duolingo course and it's a good place to begin! Here's also a drive folder that has some Finnish language books as PDFs.

Also here's a page for beginner's Finnish from our national news media Yle (it's like our version of BBC).

Here is a "picture book" kind of a page for learning names for objects, good to start with!

Here's an online course for beginners! This has grammar too, and links for further reading and studying.

Finnish is also notorious for having it's written language differ drastically from how people actually speak. We don't have accents per se, but dialects instead, which don't just affect the way we pronounce words (=accents, as in English) but the way we form them. So for example, the written Finnish "I am" is "minä olen", but in spoken Finnish it can become e.g. "mä oon", "mää oon", "mie oon", depending on where you live (and there might be some more variations as well but these are the most common ones.) Many foreigners find themselves in a spot where they can read and understand written Finnish pretty well, then the moment a Finnish person opens their mouth it's a bloodbath. But don't let it deter you! And Finnish people are more than happy to switch to written Finnish if you don't understand them. I found this website for learning the basics for spoken Finnish!

A good place is also good ole Youtube! Just type in "Finnish for beginners" and you're set to go!

Finnish is a difficult language to learn because of the grammar and lack of prepositions if your language has them... but look at it this way, I struggle with them in any language that uses them cos I haven't grown up using them. I still occasionally mess up with in/on or for/to (it's even worse with French and Swedish). Doesn't stop me from writing 100k fics in English apparently!

Welcome to learning Finnish! Remember that the most important thing is to learn the swear words, you'll go far with those. Just drop in a perkele and it's always the right thing to say haha.

Jokes aside, I'm very happy to hear this! Finnish is a very beautiful language and a very inventive one as well, which allows for more word play and creativity with the language than, say, English for example. And while Finnish is difficult, you'll find that once you've learnt the rules, there are no exceptions to them or the kind of hassle with the grammar as there is to English or French. I've known exchange students who've learnt near perfect Finnish in less than a year!

If anyone knows and wants to add more good resources here, go ahead!

[wanukilppari]

[transmasc-tfw]

Listen I get it you want to feel high and mighty in your bedroom telling us to boycott Eurovision. But do you actually boycott anything year round?

Do you boycott everything on all of these lists or are you still booking holidays and order McDonald’s and using Google to search on your Dell or HP computer to search for things on Amazon you’re buying. Are you still watching the latest Disney or Marvel film? Yes? Then telling us to boycott 6 hours of tv is going to do nothing because you’re performative wanting nothing more than to have an excuse to shit on other people and feel high and mighty.

[musicalislife]

September (when and why Käärijä trended)

4th of September. He posted 6 minutes worth of videos of him thanking the fans in different languages (top trending place I saw was the 2nd)

9th of September. Mikke posted a promo picture of It’s Crazy It’s Party to his instagram story (top trending place 1st)

11th of September Käärijä posted teaser of It’s Crazy It’s Party music video (top trending place I saw was the 6th)

12th of September Käärijä posted behind the scenes photos of It’s Crazy It’s Party (top trending place I saw was the 3rd)

14th of September Käärijä did a live on instagram (top trending place I saw was the 8th)

15th of September The music video of It’s Crazy It’s Party was released (top trending place I saw was the 3rd which. I honestly thought we could make him be the 1st)

21st of September: Joker Out and Käärijä are travelling through Finland. Last few days Joker Out was trending. But it seems like we used #Käärijä so much that he started to trend instead of Joker Out. (top trending place I saw was the 7th.)

24th of September: There was a bit of a problem on his instagram. Him (unintentionally) did not crediting a few photographers under one of his instagram posts. He apologised and corrected his mistake.

Than Käärijä posted on his instagram story lots of pictures of Häärijä (few normal pics of what someone would to at the weekend house and a couple bit more questionable/horny). (top trending place I saw was the 8th.)

28th of September: He made a video where he called out Bojan for leaving his laundry (a few boxers and his lacy shirt). (Top trending place was the 1st).

[bunny-banana]

Tavastia gig, you will ALWAYS be famous

[dianalandia]

Mimicat on her way to slay in the Grand Final 

[phoenyx-rising]

I'm not surprised that people are incapable of boycotting Eurovision - many can't let go of other things for oppressed people, like Harry Potter and Chick-fil-A. Every strike has scabs who cross the picket lines. It doesn't matter that they're always remembered poorly in history, it still happens.

It's easy to give up something that didn't affect you or you didn't like, but something you found joy in? That's a real sacrifice that some people aren't capable of making.

Which, fine, we have the freedom to cross a picket line. But I don't understand the ones who weedle and whine about how they're not doing anything wrong. You're crossing a picket line; don't be embarrassing about it, too. Just own up to it.

[haslemere]

Collider link

[tampon-on-the-sidewalk]

Ways the live audience could truly make an impact:

1. Turning around/ walking out the minute Eden’s postcard comes on

2. No booing when she’s shown in the beginning, just absolute silence. She doesn’t deserve a reaction at all,

3. Everyone blast ‘1944’ on their phones at full blast or singing said lyrics

[arabela25]

the qualifiers of the first semi final

[talkshitgetcrit]

Fuck Drake, fuck Kendrick Lamar, FUCK the Met Gala and above all FUCK THE EUROVISION SONG CONTEST

Time to turn of the goddamn circus and pay attention to what should be on TV.

The West is complicit in genocide, but I AM NOT. We the people are not! I’m sick of it, so fucking sick!

[holyprincenerd]

Hi ! Do you have any finnish music recommandations ? Feel free with the genre I'm quite open. I love discovering music in other languages but I'm always worried the lyrics will be saying something really terrible 😆

Hi! I'm all for spreading Finnish music, so of course! Just a fair warning, this ended up quite lengthy... Sorry about that. 😅 Here's a tl;dr version just in case you don't feel like reading about all the genre gushing and lyrical details, I couldn't help myself haha:

Pop, schlager and rock songs:

Ram Pam Pam by BESS

Tinakenkätyttö, Kaunis rietas onnellinen, and Supernaiset by Kaija Koo

Lähtisitkö by Pave Maijanen

Hei Rakas by BEHM

Soutaa Huopaa and Saatilla by Elokuu

Henkilökohtaisesti by PMMP, as well as their albums Leskiäidin Tyttäret and Kovemmat Kädet (content warning on these, if you end up reading translations of the lyrics, some of the songs on these albums deal with some heavy topics!)

Pauhaava sydän, Hetkeksi en sulle rupia, and Suudellaan by Lauri Tähkä & Elonkerjuu

Marmoritaivas by Johanna Kurkela

Suru on kunniavieras by Jenni Vartiainen (though her entire discography is phenomenal)

Che Guevara by Happoradio

Kaikki mitä mä annoin by Uniklubi

Samantekevää by Tiktak

Ikuinen Virta by Indica

Joutsenlaulu by Yö

Metal (or heavier) songs:

Hengitä by Turmion Kätilöt (content warning again, some of this band's songs have quite spicy lyrics, though I'd say a good portion of those songs are satirical. This song in particular doesn't have any questionable lyrics haha)

Laiva by Merta

Syvyydet by Vorna

Armo by Apulanta

Hope you find something you like among these!

Now for the longer answer lol:

For modern pop songs, there's no better place to start than Ram Pam Pam by BESS. The song has become a bit of a Eurovision darling despite the fact that it lost in the Finnish Eurovision national final, the UMK, and thus didn't compete in 2022. The song bears influence of Finnish pop and schlager (in Finnish this genre is called "iskelmä") artist Kaija Koo's songs, which tend to have empowering messages. If you want to listen to Kaija Koo's music, I'd recommend the songs Tinakenkätyttö, Kaunis rietas onnellinen, and Supernaiset.

A song that I have a personal soft spot for is the 80's summer banger Lähtisitkö by Pave Maijanen. It's a corny love song, but that's exactly why it's so great. 🥰 While we're on the topic love songs, there's also Hei Rakas by BEHM, which has very sweet and genuine lyrics and absolutely gorgeous instrumentals. (As a side note, this song is somewhat connected to Eurovision as well, as BEHM performed the song live during UMK 2020 as an interval act).

If you're interested in pop songs that use traditional Finnish instruments in them, I'd recommend both Soutaa Huopaa and Saatilla by the band Elokuu. These songs mix traditional Finnish instruments and the traditional Finnish dance music genre humppa (similar to waltz and foxtrot music) with Finnish schlager music and rap. In that sense, these songs are somewhat similar to Käärijä's Cha Cha Cha, as they mix schlager with rap, though the vibes are completely different. 😂 There's also Henkilökohtaisesti by PMMP, which uses a mix of traditional Finnish instruments and modern genres. As a matter of fact, I'd recommend the entirety of PMMP's album Leskiäidin Tyttäret, where Henkilökohtaisesti is included, as well as another album called Kovemmat Kädet. Though as a fair warning, many of the songs on these albums touch on very heavy topics. There's also the band Lauri Tähkä & Elonkerjuu, which blended traditional folk elements with schlager and rock. Their lyrics also utilise the Finnish Pohjanmaa dialect, adding onto the folk -feel of their music. Most of their songs are love songs, my personal favourites from their catalogue are Pauhaava sydän, Hetkeksi en sulle rupia, and Suudellaan. There's also the song Marmoritaivas by Johanna Kurkela, another very beautiful love song with some more traditional sounding elements to it. Fun fact about Johanna, she's also an ex UMK contestant who didn't make it to Eurovision! Moreover, Suru on kunniavieras by Jenni Vartiainen doesn't necessarily use any traditional instruments, but resembles old Finnish music in terms of specific vocals and some of the lyrics.

Of course I also have to bring up Finnish metal and rock music. Some of my personal favourite metal songs in Finnish are Hengitä by Turmion Kätilöt (who tend to have quite... interesting lyrics), Laiva by Merta and Syvyydet by Vorna. Hengitä and Laiva are both songs about mental illness. For less heavy music, there are the likes of Happoradio and Uniklubi, for specifically all-female acts there are Tiktak and Indica. As a starting point for these bands, I'd recommend Che Guevara by Happoradio, Kaikki mitä mä annoin by Uniklubi, Samantekevää by Tiktak (fun fact this was my absolute favourite song as a kid) and Ikuinen Virta by Indica. I feel slightly obligated to also recommend the songs Joutsenlaulu by Yö and Armo by Apulanta, as both are arguably culturally significant songs. Joutsenlaulu is a reflection on mortality and a song about loss (playing into the typical Finnish artist's obsession with death as an artistic motif), while Armo could be interpreted as a song about the Winter War (a war between the Soviet Union and Finland that took place during the World War II and has shaped Finnish culture immensely). There's also a very beautiful choir cover of the song Armo, called Konflikti (Armo). This version was featured in a movie about Apulanta. Sadly, Joutsenlaulu is not available on Spotify anymore (or any other streaming services for that matter). Funnily enough, Joutsenlaulu was originally meant to be a candidate for the Eurovision song contest of 1984, but the idea was scrapped after its composer came to the realisation that he couldn't possibly keep the length of the song under three minutes. Anyway, here's a link to the song on YouTube, just in case the links above don't work: https://www.youtube.com/watch?v=URDrfH2Rbbg&ab_channel=FinSongs