#radical symbol but with nothing in it

[teaboot]

Do you think that cis men feel the same way as trans men do? Like with how men get treated by society as being inherently evil and as predators?

I think maybe both cis and trans men experience these issues but it's easier for a trans guy to point it out because he gets to see people so quickly turn on him for being a man while transitioning

oh yeah definitely

I find "meninists" fucking obnoxious, especially as any of their VALID concerns fall under the bracket of feminism, but there does exist a presence of radfems and terfs that are scarily eager to lash out at anything resembling masculine that. Definitely needs to be addressed somehow

Like. There's a mile of middle ground between "Um yeah women have problems, whatever, but what about ME and MY FEELINGS 😢" and "I am genuinely trying my best to be thoughtful and considerate of others, and everything I do is being met with bad-faith interpretations and dismissal"

And I think the best advice I have for anyone else getting bogged down by this is that. like.

If someone is determined to see the worst in you, nothing you can do to prove otherwise will be enough. You will never change that person's mind. They don't want you to change their mind. So like... just focus on you, and keep doing your best, and learn, and know that people determined to find something nasty don't really have an issue with YOU- they have their own experiences and traumas coloring their worldview.

Someone who is determined to see you as a monster will only ever see a monster. So it's better to ask yourself, "would a monster do what I'm doing?". If the answer is yes, take steps to change that. If the answer is no, then it's not about you, and you can give yourself permission to move on.

So... yeah, I imagine cis men probably do feel the way I feel about this sorta thing sometimes.

Except, like. After a lifetime being a girl, living as a girl, fighting for equality as the only girl in a lot of men's spaces, being a feminist girl and an Eldest Daughter girl and calling out the bullshit only to later realize I'm not a girl... and that Im actually mostly a dude, still a feminist... at least when people call me a mysoginist, I know they're talking out their ass

I can kinda see where young men encounter their very first radfems calling themselves feminists and immediately become radicalized right-wing conservatives cause like. If I as a teen thought feminism meant Radfems and Terfs, I'd probably start running too

It's all just so exhausting

Any one group being wholesale grouped as "100% helpless gentle victim" or "100% selfish malevolent monster" is doomed, imo

(Now watch the notes blow up with "this is just 'not all men' rhetoric, lol)

But anyways I hate nuance I hate interpretation I hate implication and symbolism and context and I wish everything in the world was simpler so we could all blow a collective joint together and invent some new soups

[womendeservehumanity]

There has been so much push, especially in supposed leftist spaces, to liken radical feminism/feminists to incels/inceldom. And it actually makes me want to bash my head into a wall. I don’t know if you guys are aware but there was a mass shooting at a high school yesterday. And the perpetrator was a girl. And conservatives were instantly trying to leech onto her being apart of whatever group. Trans, lesbian, communist etc. she is a biological heterosexual female. A biological heterosexual female that was entrenched in alt right fascism who formed an entire identity around it. And her digital footprint shows that. Yet there’s “leftists” that are parading around a fake excerpt from her manifesto (shared by an anti feminist incel mind you) claiming she was a radfem man hater who wanted to exterminate men and have women rule the world. And also wanted to exterminate women who worshipped men. Meanwhile this is her

Because nothing says man hating radfem like reposting memes about an incel who targeted women in a mass shooting. And stanning male mass shooters. Everything about this girl indicates the real life consequences of these alt right cesspools that are being formed all across the internet infecting children with these ideologies. She literally posted a picture of herself holding a white power symbol in the bathroom right before committing the shooting. There’s so much conversation to be had about white supremacy and fascism. And how it’s dominating online spaces and indoctrinating young people who are living their lives in these echo chambers and becoming violent, apathetic individuals. But do leftists wanna talk about this?? Noooo they’d rather disparage radical feminism and grasp at straws to make this some male equivalent to incel related shootings.

I’m linking a report that was done on incel forums to really show you how ridiculous it is when these people try so desperately to associate radical feminism with inceldom. Or try to claim that redfems are “femcels” because what’s anti feminist rhetoric if not insinuating feminists are so angry at men because they need some dick 🤩

This was a very informative look into the incel community and their activities online. The things they say, promote, and enable. And yet so many people have the gall to in any way shape or form liken radfems or women who hate men to them. It actually makes me want to pull my hair out

Like you really think this, and the community that it’s amassed, is in any way comparable to women hating men as a response to men hating and oppressing women including from these very same men… That actually it’s because these women are ugly and can’t get a men and now they’re vindictive toward men (anti feminism rhetoric as old as time). Or even that it’s not really that they’re not like incels in the sense that they can’t get relationships/sex, but exhibit behavior anywhere near this depravity. Very unserious.

[marsprincess889]

The differences between women of the three Venus nakshatras:

If you're one of them, I suggest you read them all, not just yours. Most will read Bharani first, then P. Phalguni and lastly P. Ashadha, but a more interesting order would be P. Phalguni-P. Ashadha-Bharani.

Bharani:

The birth of Venus_ the intense and transformative place that determines the journey.

The most passive energetically, perhaps the most visibly defensive. Focused on self-preservation, on deeper causes of their desires, wants, needs, attachments and love, and protective of their energy while relentlessly using it to get "what they want". More compassionate then Purva Phalguni, for example.

The themes of Bharani are physical creation, preservation and decay, along with the overarching rules or "mysteries" behind beauty, desire, attachments and love. Since it's Venus channeled personally, and connected to the sign of Aries/the active manifestation of Mars and the first house, it IS Venus, and so it lays the foundation for the other two. What that means is that one of its main concerns is secrecy and gatekeeping necessary for cultivation of everything that Venus represents, more so than other Venusian nakshatras.

It's also the only one that is Outcaste(Mleccha), which gives it enormous power and energy free of conventions. There is also en extreme sensitivity here that is not present in the other two. There's an awareness of energy and the core essence of everything that leads to the understanding or embodyment of "the ultimate", whatever that is.

Bharani women are embodyments of mother nature. They seek someone who can give them exactly what they want and need and nothing else. There is definitely a broad worldview that is naturally deep in them_ Bharani is an elephant yoni nakshatra, it has deep and profound memory, and some consider it the last nakshatra (most consider its yoni consort_ Revati as the last nakshatra, so that's some great insight into Elephant yonis). Despite this broad and deep view, Bharani women have a determination and a drive that can translate into an intensity with a "one track mind". Intensity and depth is in them almost always.

Definitely have the potential to be spiritual, because of a love for depth and an understanding of purity. Their yoni consort_ Revati is perhaps the most spiritual nakshatra, connected with the theme of "Godhood". Bharani's spirituality can be fused with romantic or sexual love and manifest as fierce devotion. They have an inability to tolerate "impurity"_ the error or fault between worlds and energies between them, for example, between the inner substance and the outward manifestation, or between the masculine and the feminine, between this world and the other. This can translate to a radical love of and demand for honesty and justice.

Balance and harmony are necessary for Venus but its sign rulership of Mars is the energy that drives them and in a sense, grants identity. The fusion of foundational energy of Venus with the active Mars is the theme of sex and death so prominent in this nakshatra. Life is the result of the sexual act but the culmination of that act is called "a little death". Love and desire drive sex so they also drive life and death. So, if Venus is the equilibrium and the balance then Mars is the other side_ the need for release. Together, they grant life and rule over the two components necessary for existence_ identity and the loss of it through love. Bharani is about defining existence itself, their own or of the world, through love.

Bharani women can act in a very enthusiastic and driven way, but also have a side to them that is extremely serious, to an extent that neither Purva Phalguni or even Purva Ashadha really reach.

Archetypically they represent the "damsel in distress" or "the princess in the tower". Bharani is something or someone nearly impossible to get or even find, which could be also associated with its symbolism of the yoni. It's also connected to the Holy Grail, or "The Philosopher's Stone" (that one was said by Claire Nakti recently and I have always gotten that vibe energetically from Bharani but could not articulate why. It makes so much sense though. This can also be another confirmation of why I associate Bharani with Rapunzel's tale so much).

Another archetype that they remind me of is the princess with high standards in fairytales that is so common. A similar one would be a young women who is fearlessly defiant, especially about choosing her own love.

Out of all Venus nakshatras Bharani women need gentleness the most, since's it's the most high tension/triggering placement among them. Bharani women can feel defenseless and abused, especially from harsh or crude(mostly masculine) energies. This ironically increases their defensive nature and a need for protection, despite being naturally gentle and passive. There's a clear difference between when a Bharani women is given her justice and when she is not. Their fierceness and gentleness are, in truth, the same in spirit.

Bharani moons Claire Holt, Gaia Weiss, Isabel Lucas

Purva Phalguni:

Out of the Venus nakshatras, Purva Phalguni is the one that is the least expressive emotionally. At least, not obviously. They too feel a lot, but their Sun rashi rulership grants them an "unbothered" nature.

So Purva Phalguni is the Venus nakshatra of pure unashamed enjoyment. They have clear preferences and after establishing the foundation in Bharani, Purva Phalguni is free to be prideful about their love. It's connected to ease, contrasting Bharani, which is more full of melancholic beauty and the meaning of struggle.

Purva Phalguni women are connected to material things and love it. Their personality is more "Sunny" than other Venus nakshatras. It's the most "neutral" Venus nakshatra. Definitely very sexual along with Bharani. The difference is that Bharani is represented by the yoni and the passive feminine principle, but Purva Phalguni is represented by the phallus and the active, masculine assertion of self through Venusian themes. In this way, they have a connection that is reaffirmed by the "special relationship"(traditional texts say so) between their yoni animals_ the rat and the elephant.

Women of this nakshatra, being the feminine representatives of the nakshatra of masculine assertion, have a friendly and easygoing nature, due to being relaxed. They have an energy of being "provided for", but they're still ruled by the planet of mutual exchange(Venus), so they're very giving in their own way. They like to pamper their beloved with gifts and/or attention, they love to feel special and make them feel "special"(Leo/Sun rulership) in return. Their tendency towards fun (5th house association) makes them a memorable presence. They do love spotlight more than Bharani and Purva Ashadha.

One interesting association of Purva Phalguni is discernment, which leads to their tendency of favoritism. Bharani and Purva Phalguni both love being passive in a sense of having someone take the reigns that helps them relax into a receptive, feminine role but they both also love to give back. Bharani is more receptive though, hungrier and harsher than Purva Phalguni, which is more relaxed and willing to give. Because of this, in a way, Bharani and Purva Phalguni women might become great friends with each other.

Charisma is a big thing here, due to Leo/Sun/5th house associations. Venus here is expressed through soul identity(Sun) and shown in the most adorned light among all three Venus nakshatras.

An important association of Purva Phalguni is procreation. Bharani as also explicitly associated with the sexual act and bringing a life, but Purva Phalguni focuses on the pleasure aspect of it, on the leisure and continuing the bloodline. Its yoni consort_ Magha is associated with family trees and bloodlines and is also fully in Leo(5th house/children association). Bharani on the other hand, focuses on immortality of love, attachments and transition between worlds, and sex for them is the ultimate point of change.

Even though they're the most outwardly stoic and act the most unaffected out of the three, they're also most prone to dramatics. There's a side to them that loves to show off and display, even if they don't show everything to everyone.

The dramaticism is for self-confidence and enjoyment(mainly, their own). It's not a placement that is concerned with gossip or everyone else's lives. Quite the contrary. If they don't like you, they will just pay you no attention. In this way, they're the least personal of Venus nakshatras. They have an aversion to anything unnecessary(kind of similar to how Bharani can't tolerate impurity) and outward harmony and empowerment is essential.

The archetype that Purva Phalguni women represent is the loving wife/girlfriend or "the spoiled lady". Purva Phalguni is Brahmin(highest) caste and is associated privilege and the ease that comes with it. Partnerships are important to them(the second stage of civilization/others. Bharani is the first stage of the individual, and Purva Ashadha is the third stage of universal). They can also be seen as "the nice rich girl", but that one is not necessarily true. They value politeness and manners but they themselves are not nice as much as they're unbothered. They're just not mean. The combination of Venus and Sun ensures that they're too focused on themselves and their wants to care about most others. In short, they live by "I am what I love".

Purva Phalguni moons Taylor Hill, Jane Birkin, Mia Wasikowska

Purva Ashadha:

Venus nakshatras all embody classical traits that are associated with the planet's archetype, but none are directly associated to the Goddesses Venus and Aphrodite like Purva Ashadha. This is the nakshatra of Venus' universalization. Being in the sign of Sagittarius (ruled by Jupiter), it has an inner desire to share its Venusian ideals(Sagittarius/9th house) with others.

Bharani is intense fire, Purva Phalguni is the fertile earth, Purva Ashadha is the relentless waves of water.

One obvious difference between Purva Ashadha and the other two Venus nakshatras is the lack of sexual associations.

When Venus is filtered through active Jupiter(sagittarius/9th house), then the action is sharing or spreading it. After the birth(Bharani) and the hedonistic pleasures(Purva Phalguni), Venus is ready and has an inner desire/neediness to make itself be heard.

The drive to spread its influence on this level is not present in other Venus nakshatras. Purva Adhadha women too know the importance of privacy, secrecy and gatekeeping, but they've come to a place where they've realized that beauty, love and all that is most precious cannot exist in a vacuum, but also cannot be ruined by what is below it in value. So the natural manifestation of that curcumstance is a constant tug of war between secrecy and sharing, between shutting off and spreading outwardly. Eventually, or sometimes immediately, they realize that they need allies to maintain their "Venus"(beauty, love, aesthetic preferences, all of them tied to morals and idealism), and then maybe, after strengthening, they can conquer all that is unworthy(in their eyes) together.

They can be extremely careful with who they choose to associate with, since to these women, people are either allies or enemies. In the end, whether they like to pretend otherwise or not, that's what it comes down to. They try to not show that they're trying to silently influence you, trying to get you to see that what they value is better or superior, that they'd like people to back them up in that way. It's still a Venus nakshatra, so they move in silence, but out of all Venus nakshatras, they're the most likely ones to break that "I'm just minding myself" Venusian attitude. They can become really triggered in general when something touches their ideals.

In friendships and with acquaintances they observe to see if they're worth trying to influence. Overall, these views may be why they like the idea of cliques or elitism that much.

Purva Ashadha women can be melancholic and intense like Bharani, but Bharani has a nature of fiery anger(active Martian/1st house/Aries), while Purva Ashadha is softer and watery. Another commonality they have with Bharani that Purva Phalguni does not is a creative drive to bring something out into the world. While in Bharani that manifests as literal birth/death and karmic changes, Purva Ashadha has a need to birth ideas, ideals, creative projects.

Their tendecy to look for allies and gather strength is further explained by its title as "the former victorious" one. It can be associated with revolutions, how the power of masses(Jupiter) empowered by fierce idealism(Venus-Jupiter) can grant said people victory. Their yoni consort_ Shravana, is associated with extreme receptivity and hearing everyone/everything. In this way, it is clear why they are consorts of Purva Ashadhas, who desire allies, support and victory.

A commonly manifested attitude among them is "others just will not get me"(that rarely is true irl). Jupiter, they rashi ruler, is connected to Godhood and their yoni_ Vanar, is a being from other dimentions. This might inspire a sense of superiority but also generate a feeling of alienation.

The most fitting archetype for them would be "warrior princess" or the "alluring siren". The siren's association with this nakshatra is quite famous. Purva Ashadha is another Brahmin caste nakshatra. Bharani has associations with fighting and aggression too but they do it on a more personal level. Purva Ashadha wants to fight with and for masses, backing what they fight for together.

Purva Ashadha moons Hailee Steinfeld, Astrid Berges-Frisbey and Liv Tyler

[superectojazzmage]

Among my mounting bad/unsure feelings about Arcane season two is a feeling of... I don't know, weirded outness over how Jinx is being handled. Just the way they seem to almost be trying to pretend like she wasn't depicted in season one as basically a sadistic, bloodthirsty, would-be school shooter who did shit like shooting animals for fun or blowing up buildings to try and impress her dad.

Like, the narrative of this season seems to be going out of it's way to handle her with kids gloves in a way that season one didn't, treating her as if she's just a "lol so quirky" kind of character or even a genuine revolutionary hero to be idolized as Zaun's leader compared to season one's "oh this lady is genuinely dangerously unstable and a threat to everyone around her". She's not treated as a villain - albeit a tragic one - she's treated like she's a flawed hero at worst.

Hell, I mean, you see it with the whole plot of Zaun following Jinx as a symbol of revolt. Because all throughout season one, Jinx's relationship with Zaun in even the most charitable light amounted to everyone except Silco being fucking TERRIFIED of her or outright hating her guts, and with good reason as she did nothing but make everyone's situations worse by being a mood-swinging killer who attacks anyone and anything around her at the slightest provocation and constantly goes into violent, hallucinatory fugue states at even the most mild of stresses. But than she blows up the council and suddenly everyone is literally equating her with a god worshiped in Zaun? Imagine if you saw people claiming the Unabomber was the Second Coming and you get an idea of how bizarre that is.

Everyone regarded Jinx as a walking bomb in season one. Even a lot of Silco's allies - from Sevika to Marcus - spent said first season saying Jinx was out-of-control and that killing her would be doing Silco a favor, and that was objectively true, especially considering Jinx ends up directly murdering Silco in yet another fit of blind rage and panic. Now we get season two and anyone who seriously opposes Jinx seems to be treated like either a jerk or a burgeoning extremist for not liking a terrorist who kills people because the voices in her head say to do it, and some people who despised Jinx in season like Sevika now act like they're just mildly annoyed by her childishness and weird behavior (something else that was played in a very creepy light in s1, but now seems treated like it's harmless).

Her crimes from season one and even this season are kinda brushed over; there's tepid acknowledgment that she killed Caitlyn's mom and two other councilors, but that's it and nobody really dwells on the fact that she basically did fantasy 9/11. And likewise, Caitlyn is treated as if she's becoming a violent zealot for shooting at Jinx while Isha is near, but nobody so much as comments on Jinx outright murdering numerous children through Grey-bombing Piltover or literally shooting a teenage Firelight in the back in season one just because she looked like Vi.

Speaking of Isha, I hate to say it, but she really does feel like she has no reason for existing beyond making Jinx look better. No themes of Jinx perpetuating the kind of abuse Silco inflicted on her by raising to be the monster she is, no acknowledgment of how dangerous somebody like Jinx would be as a mother, no questioning of the ethics of Jinx's actions, and Isha watching Jinx murder people is framed in a silly, comedic light compared to season one's blunt depiction of how Powder being exposed to violence from a young age warps her. Isha throws straight KILLS HERSELF via suicide bombing and it's framed as a heroic, beautiful act and not a horrific sight of a child being so radicalized by the terrorist that raised her that she thinks killing others and eve herself "for the cause" is good. The series dangles her and Jinx being friendly with each other in front of you like a parent jangling car keys at an infant. "Oooh look at Jinx and Isha dancing and dying their hair haha it's so cute don't think about bad things, Jinx is nice now!".

I just honestly am not a fan of this "Harley Quinnification" of Jinx after season one went out of it's way to tear down that kind of character. Such a big part of Jinx's portrayal there was ripping apart the idea of this manic pixie terrorist who is Totes Awesomes and only hurts bad guys as part of it's larger themes of the ugliness of violence and the dangers of valorizing it. And I really feel like we're losing that. Not even just with Jinx, but with Zaun as a whole, this season feels like it's going full "everything is Piltover's fault, Zaun didn't do nothing wrong, those Piltover babies should just shut up and let themselves be attacked for being big stupid oppressor doodoo heads!!!!" which feels very counterproductive to the series' messages and like frankly shit writing.

[pamillie]

I feel like the more I surf the Dandandan tag, the more I come across people grossly misusing the term “fan-service”.

Here’s my take no one asked for.

(A read-more for descriptions of SA, etc)

The depiction of nudity, the SA, and the bodily violation shown in Dandadan are meant to make viewers uncomfortable at times, but are also meant to convey humor or terror or to be relatable.

I think the story exists in this balance between being whacky and goofy and not taking itself seriously while also having these very mature moments with depth.

The murdered girls in the bound spirit that Turbo Granny was guarding. The exploitation and violence that Acro Silky experienced as a woman- just as the two most prominent examples in the anime so far (there are so many more in the manga).

But time and time again, the teenage characters themselves are not being overtly sexual. Sure, there’s ball jokes and awkwardness and the like. But it’s never escalated to the point of making the characters seem horny or perverted.

I think Dandadan is a lot of things. It’s wrong to say that it’s totally and intentionally a gritty and symbolic metaphor for sexual violence just as it’s wrong to say it’s nothing more than a stylish battle shonen or a raunchy romantic comedy.

What I think it does strive to be though is universally relatable. Women and girls can (unfortunately) relate to the depictions of SA we see through Momo. Young men and teenage boys can relate to feeling worthless or useless based on a perceived lack of masculine traits like Okuran does. Or the feeling that they have to craft a likeable or palatable persona just for others to value them- despite the grief or loneliness they’re experiencing privately- as Aira and Jiji experience.

And not for nothing- I think the point I keep coming back to when I try to explain the appeal of Dandadan to other people is how it captures how SIMULTANEOUSLY traumatizing and precious being a teenager is.

Puberty is inherently traumatic. Going about life as a child only to suddenly be ogled like an adult, when all the while you haven’t even come to terms with the changes going on with your body? It’s terrifying. It’s vulnerable!

Is Momo still ‘valuable’ after being called a slut or being pursued by older men? Is Okuran still a ‘man’ even if he lost his junk?

People keep saying that ‘the story could be exactly the same with aged-up characters and then it wouldn’t be gross’ but I disagree. The story would NOT be the same.

Because something else you gain with puberty and growing up is a radical and empowering acceptance of yourself. It’s this scary uncharted territory of deciding who you are and how you want to be perceived by the world. It can be a rejection of who you were before or boldly asserting who you’ve always been. There are other times in your life where you will change or develop but there’s a reason coming of age stories set from around 12 to 17 are so timeless and universal.

The fact that Tatsu is telling this genre-bending subversion of a story in a generic high school setting is actually the most genius part about it in my opinion.

It takes itself just seriously enough to be emotionally gripping and realistic while also reminding you that the most embarrassing thing that ever happened to you probably wasn’t even that bad- you were just fifteen.

So anyway- stop calling it fan service. And just accept that stories about puberty deserve to exist. Especially if they can accurately portray both how hilarious and traumatic it actually is.

[kittenquasar]

The media has learned nothing from the decades of mass killings. Making Luigi Mangione out to be the scummiest, most dangerous, most immature, sexiest, coolest, most popular man is only going to motivate the next Luigi.

Harsh prison sentences? Irrelevant to a man who knows he's going to jail forever. Demonizing him on old media? Assassinating his character? Just makes him look cooler. Look at what they do when someone stands up, and it isn't working.

People have wrote songs about Luigi. People hail him as a folk hero. Making people hate him is only going to work on the people who already hold a position of privilege in our society.

If they wanted this to not make waves they should let the public love him. Let us get over what happened and forget, as we so often do nowadays. Instead he becomes a martyr, a symbol that inspires more than deters radicalized young men to get famous by killing evil people.

Don't let the hate die. Don't forget Briana Boston. Don't be surprised when someone tries this again.

[radinclus-not-radqueer]

Radqueers are a cult.

I am a cult survivor, I have been one far before I was in the radqueer community. As a cult survivor, the radqueer community IS a cult. If you've never been in the community, and have only been an outside observer, it's understandable that you wouldn't realize this, but claiming radqueers are "just assholes" is a slap in the face to people like me who have been permanently traumatized by them.

Here is a commonly used model of how cults work:

If you go through every single point in this, the radqueer community checks almost every one of them. People have already pointed this out many times before, however I will explain it again for people who haven't seen those posts.

(Skipping over ones that don't fully apply or that I haven't personally experienced. Most of these are pretty brief because I don't think anyone will read an entire essay for every point)

Rigid rules - radqueers force you to include everyone and everything, and never question what you're accepting lest you get labeled as "not a real radqueer" and harassed. You must accept any and all predatory relationships, or you'll receive the same treatment as "antis". If that isn't "rigid rules", I don't know what is.

Rewards and punishments - you coin a term people like, or make an "I love pro-cs" post? Everyone likes you, praises you, sends you asks telling you how amazing you are! You dare to question anything about the community? You get cast out, banned from servers, harassed, sent death threats, and doxxed.

Dependence and obedience - radqueers make their victims believe that this is the only community that will accept them. They say that every other community will hate them for their identity, and this is the only "real radinclus" community. This causes people to feel trapped there, or in other words become entirely dependent on the community for validation and support. They convince people that if they leave, or do anything wrong that causes them to be forced out, they'll have nowhere to go. This forces them into obedience for fear of being left all alone and being completely abandoned.

Deception - this one is very, very obvious. There's a reason why radqueers label themselves as "radically inclusive", "pro-consent", "pro-bodily autonomy" - they are not just saying these things because they don't understand what they mean. They're intentionally using uplifting, inclusive language that sounds really great and supportive to deceive people into joining them. This is also why they use emoji codes, so other radqueers will recognize them but people who don't know what radqueers are will be lured into their trap.

Propaganda - pretty similar to the above. They label everything as "radical inclusion" and tell people that they have to support all these things to be "truly inclusive". They make cute flags and emoji codes to make grooming, abuse, racism, ableism, and transphobia seem cool and fun, to further lead people into their trap. By definition, propaganda is "information, especially of a biased or misleading nature, used to promote or publicize a particular political cause or point of view". All these cutesy emojis, symbols, flags, and terms are propaganda.

Discourages access to outside sources of information - radqueers constantly say that all science, psychology, and medical information is "biased" and "bigoted". If you provide them with any information on how what they're doing is wrong, they pull out any number of excuses and then tell their "friends" how bigoted and exclusionist the source is. This makes it seem like radqueers are the only reliable source of information, and anything else is untrustworthy.

Insider/outsider doctrine - this is painfully clear with how they refer to everyone who disagrees with them as "antis". Even if you're just an outside observer, you pick up on this quickly.

All/nothing, good/evil, us/them dogma - once again, they refer to anyone who differs even slightly in opinion as an "anti" or "anti in training", and the second anyone decides to question why they're literally supporting nazis and blackface, they get labeled as an "anti" and "horrible person". They play the victim any time they get told that what they're doing is wrong, while crying and complaining about how much they're harassed and about how "mean" and "rude" anti-radqueers are.

Feeling chosen or special - radqueers very obviously convince themselves that they're so unique and special, which is why terms like transship or transhasapetcat exist. They want to seem really cool and special, and make completely normal things into obscure, "special" identities, like calling yourself translivesintheuk instead of just saying you wanna move to the UK. As someone who's been in their servers, they hoard identities like this because it makes them feel temporarily special and unique, which makes them convinced that what they're doing is right.

Guilt/manipulation - radqueers do this all the time. When someone says they aren't sure if they support something or not, radqueers immediately get all teary-eyed and upset, claiming that the person would be "basically an anti" if they decided not to support it. I've even seem someone cry and complain over being rejected by an anti-transnazi radqueer and claim that it was "ableist" that the person rejected them. Everyone defended and comforted the person who was rejected, immediately siding with them for fear of being "ableist", saying that it was wrong to be against literal nazis. This is very clear manipulation and guilt-tripping.

Phobia indoctrination - phobia indoctrination is where people in the cult make others terrified of leaving for fear of being hurt, killed, etc. As I've explained earlier, radqueers try to scare people into staying by saying that if they leave the community, no one will ever support or love them, and they'll never be accepted outside of it. People who went into the radqueer community after being anti-radqueer know firsthand how awful the harassment, doxxing, and death threats from radqueers are. People in the community who have doubts are very clearly too scared to leave, and people who don't have doubts have been convinced that no one will ever love them except for radqueers.

Anyways, I hope that this clears up how the radqueer community is a cult! Feel free to add on with your own experiences or additions, and please stop invalidating and shaming survivors.

[f1ghtsoftly]

the whole Khelif thing is such a nightmare, like the IBA has been found to have severe ethical issues that prompted their ban by the IOC and are unrelated to the sex testing issue so perhaps this is not a credible source and a bitter IBA is using this as a pretext to damage the IOC’s reputation like please do some research 😭.

Worst case, the IBA is being responsible about raising safety concerns in the sport (doubtful) and the two boxers in question have XY DSDs, ie: they are technically biological males but are observed and have lived their lives as women and are no doubt not intentionally cheating in the sport. Caster Semeya, another prominent intersex athlete assigned female at birth, has been banned from competition due to her high testosterone levels. It remains to be seem whether or not that decision by world athletics will stand.

But why do I call these people women when they are biologically men? Because these are intersex people who were raised from birth as women. By calling them women I’m not making a statement about biology or indeed the factual definition of “woman” or female. I’m recognizing that for all and intents and purposes, these people are socially women who have a DSD. They not ethically culpable for “violating” women’s spaces and deserve to preserve their dignity. Even if their DSD means they might not be eligible to compete in elite athletics. Or maybe they will, other athletes have bodily advantages that also make them faster. It remains to be seen what will happen.

So how!! HOW!! Did the conversation become about how these women are really trans women? Was it because Trump lied about them? Was it because JKR supported an assertion from an extremely dubious organization and called a woman with a potential DSD competing “male violence”. Or was it because thousands of women have been living in an echo chamber around trans issues that encourages invasive “transvestigations” and a destructive sense of personal persecution. Controversy around female sex at the Olympics is actually not a product of the trans issue and is in fact much older. The truth is, it’s a gray area around whether or not it’s ethical to allow women or biological men who outwardly appear as women with totally naturally occurring DSDs to compete. Biological difference among elite athletes is common and natural sex variation is a difference where the science is not always settled. Michael Phelps, for example, has several biological abnormalities that make him a better swimmer. No popular movement has been launched to bar him from competition.

Please take a breath and get out of the GC echo chamber, if you seriously consider yourself a radical feminist and an ally to intersex people, women and LGBT people, this is the wrong path to go down and the wrong issue to stake your reputations on. Most importantly, Carini, Yu-Ting and Khelif do not deserve to become symbolic faces of a debate they have nothing to do with. Khelif in particular is very vulnerable in a country, which is hostile to gender nonconformity/sexual difference, the public outcry could have negative repercussions for her at home.

[milfstalin]

[...] I have been thinking about this for a long time. It is not my idea -- Domenico Losurdo and others have written about how the fetish for defeat is one of the fundamental characteristics of Western Marxism and how this is a misunderstood derivative of Christian culture.

Many Marxists act the same way. Their biggest worry is the purity of the doctrine. Every time that historical facts challenge the doctrine or show the complexity of the practical operationality of elements of the theory, they deny that these elements are part of the story of Marxist theory and doctrine. This is, for example, what doctrines of betrayal are built on. Every movement that appears to stray a bit from these “pure” models that were created a priori is explained through the concept of betrayal, or is explained as “state capitalism.” Therefore, nothing is socialism and everything is state capitalism. Nothing is socialist transition and everything is state capitalism. The revolution is only a revolution during that glorious moment of taking political power. Starting from the moment of building a new social order, its over. [...]

[...] The subject takes pride in not having any relationship with the entire historic concrete movement of the working class socialist and liberation revolutions. They take pride in not having any theoretical or political connection to the revolutions in China, Russia, Viet Nam, Algeria, Mozambique and Angola. They are, instead, proud of the supposed purity that their theory is not contaminated by the hardship of exercising power, by the contradictions of historical processes. [...] This kind of Marxism has no critical power. It can produce and does produce a lot of good analysis of reality but it is incapable of producing a movement that is strategic and revolutionary that aims to take political power. Therefore, the process of rebuilding a revolutionary Marxism in the West has to recognize these symbolic elements, which have become ingrained in Western Marxism, that were smuggled in as contraband from Christianity. These elements have to be submitted to radical criticism and surpassed.

[intervex]

Three models of intersex

I made flags to illustrate different models of intersex, in the vein of models of disability.

At top: intersex human rights. The human rights model: intersex people are a minority group whose human rights are being violated. The dove symbol used in the middle of the intersex flag is a common symbol of human rights. Advocacy for intersex rights include creating legal protections for intersex people to ensure bodily integrity, medical autonomy, and anti-discrimination.

Bottom left: intersex liberation (interliberationism). The identity/radical model: there's nothing wrong with being intersex. Like other queer identities, intersex has been unfarily medicalized. Similar to how gayness has been de-medicalized and trans people are working towards de-medicalization, intersex needs to be de-pathologized.

The clenched fist is a common symbol of liberation movements. I posted this flag earlier - I took the fist from a transfeminist symbol, in recognition of the shared struggles between intersex & trans liberation.

Bottom right: intermedicalism. The medical model: intersex is a medical problem in need of treatment (and potentially: cure). The plus symbol is a reference to the transmedicalism flag. I wanna note that every intermedicalist I've met is against IGM and other violations of bodily autonomy. Intermedicalists advocate for better, *patient-responsive* care for intersex people.

The medical model and the liberationist model aren't really seen as compatible.

But the human rights model is compatible with *both* models: whether you understand intersex as disorder or not, intersex people deserve human rights. 💜

(Tagging for archival: @intersexflags @varsex-pride @radiomogai )

[higuchisora]

As briefly explored in this post, Vi's "enforcer arc" could've gone plenty of different ways- including not at all. This actually gave me another idea, though it kind of takes some fiddling and setup.

Basing a bit of this idea once more off of @srslylini proposing the possibility of Vi becoming some kind of important figure in Zaun, I think it'd be interesting to see Vi becoming something Piltover sees as an "enforcer", but for Zaun instead. This is somewhat related to this post, though it doesn't necessarily have to be to work.

Basically, if Zaun is trying to become independent, just demanding it isn't going to work, as seen in the entirety of the show. They'd need some serious stuff up their sleeves.

Obviously they have Jinx, and even Ekko, but as established in my previous post delving into the revolution-arc-that-wasn't, Jinx really isn't the activist type. And also, strong and smart as she is, there's only one of her. She'd need assistance, even if she DID have a change of heart. (This could lead into Vi and Jinx's slow reconciliation as sisters, as well as tie into season 1's themes about cycles and their fathers and how they can't achieve anything if they don't work together, etc. But I've already discussed this in the previous post.)

In a version of Arcane in which Zaun is politically fractured instead of the relative monolith it gets presented as, Vi, as probably Vander's most recognizable child, might receive some level of (unasked for) political support from people who essentially want a new Vander. Jinx and Ekko (and possibly Sevika) might also have factions of varying sizes as well.

The thing is, they're all being supported for different reasons. Jinx's main followers are seen as "blue haired radicals" (lol) who want war, Sevika's as people who want familiarity/think she can control the Chem-Barons or Jinx, Ekko's as people who're probably tired of fighting and just want peace/are hoping he has better solutions than shimmer and gangs, etc., and Vi, as I said, has people who want another Vander, who want the relative security and quiet of that era back. In other words, they each mean something different to people. And in order to make their reluctant alliance work, they'll each have to embody this "persona"/symbolism to some extent, at least to the public.

So maybe, in line with the perception of her being the "new Vander", the next "Hound of the Underground", Vi (possibly with new gauntlets, courtesy of Jinx - shoutout @blog-i-hate-friday) takes on a "protector" type image for Zaun? Jinx is the rage/spirit of rebellion, Ekko (and his cool ass tree) is the hope, Sevika's the brains that runs their messy operation, and Vi is the defender. To Piltover, they're seen as Zaun's "council". Overdramatized stories of them repaints their stations in ways the Piltovans deem more "palatable" and "civilized", with Vi as their "chief enforcer", as she and her crew are in charge of keeping actual Piltovan enforcers off of Zaun's soil and generally protecting their fellow Zaunites. Jinx spends more time making gadgets than she does blowing stuff up, but the mark she left on Piltover makes the image of the "loose canon" impossible to shake. Ekko is more worried about implementing water filtration systems or running the Firelights- who often patrol with Vi's people- to be "terrorizing" Piltover, but they still think the Firelights were responsible for Progress Day. Perhaps he becomes, in their eyes, something of a cult leader (after all, they call him the Boy Savior, he who inspires so much hope- this must be for a reason, right?). Sevika is nothing like Silco- but it makes it easier for the Piltovans to pretend she is, than to accept that a wine aunt and her team of traumatized barely-adults are running circles around them.

Eventually, in some possible future in which Zaun's demands are finally accepted- that is how Piltover will address them, aligning with their League Champion titles (though they do not have the guts to refer to Jinx as the Loose Canon to her or her allies' faces).

[diddyrivera]

additional resources to marxist feminism:

living a feminist life by sara ahmed

the rise and decline of patriarchal systems by nancy folbre

this bridge called my back: writings by radical women of color by cherrie moraga and gloria anzaldua

delusions of gender: how our minds, society, and neurosexism create difference by cordelia fine

close to home: a materialist analysis to women's oppression by christine delphy

(pdf) the feminist standpoint: developing the ground for a specifically feminist historical materialism

(medium) on women as a class: materialist feminism and mass struggle by aly e

(sagejournals) capital and class: the unhappy moments of marxism and feminism: towards a more progressive union

(substack) the marxfem pulpit by abigail von maure (earth2abbs on tiktok)

if anything else related to marxist feminism, just let me know :)

additional resources to eco feminism:

gossips, gorgons, and crones: the fates of the earth by jane caputi

parable of the sower by octavia e butler

neither man nor beast: feminism and the defense of animals by carol j. adams

bitch: on the female of species by lucy cooke

fresh banana leaves: healing indigenous landscapes through indigenous science by jessica hernandez

the intersectional environmentalist by leah thomas

right here, right now by natalie isaacs

feminism or death by francoise d'ealibonne

violent inheritance: sexuality, land, and energy in making the north american west by e cram

animal crisis: a new critical theory by alice grary

unsettling: surviving extinction together by elizabeth weinberg

land of women by maria sanchez

sexus animalis: there is nothing unnatural in nature by emmanuelle pouydebat

windswept: walking the paths of trailblazing women by annabel abbs

andrea smith - rape of the land

andy smith - ecofeminism through an anticolonial framework

carolyn marchant - nature as female

charlene spretnak - critical and constructive contributions of ecofeminism

heather eaton - ecological feminist theology

heather Eaton - The Edge of the Seat

janet abromovitz - biodiversity and gender Issues

joni Seager - creating a culture of destruction

karen warren - ecofeminism

karen warren - taking empirical data seriously

karen warren - the power and promise of ecological feminism

l. gruen - dismantling oppression

martha e. gimenez - does ecology need marx?

n. sturgeon - the nature of race

petra kelly - women and power

quinby - ecofeminism and the politics of resistance

rosemary radford ruether - ecofeminism: symbolic and social connections

sherry ortner - is female to male as nature is to culture?

sturgeon - the nature of race

val plumwood - feminism and ecofeminism

winona laduke - a society based on conquest cannot be sustained

if anyone has any other recommendations related to eco feminism, plz let me know :)

additional resources related to trans feminism:

the empire strikes back: a posttransexual manifesto by sandy stone

(chicago journals) trapped in the wrong theory: rethinking trans oppression and resistance by talia mae bettcher

(philpapers.org) trans women and the meaning of woman by talia mae bettcher

the transgender studies reader by susan stryker and stephen whittle

if anyone has other recommendations related to trans feminism, plz let me know :)

additional resources related to anarcha feminism:

the anarchist turn by jacob blumenfeld

we will not cancel us and other dreams of transformative justice by adrienne maree brown

burn it down: feminist manifestos for the revolution by breanne fahs

reinventing anarchy, again by howard ehrlich

anarcho-blackness by marquis bey

a little philosophical lexicon of anarchism from proudhon to deleuze by daniel colson and jesse cohn

joyful militancy by nick montgomery and carla bergman

wayward lives, beautiful experiments by saidiya v. hartman

we won't be here tomorrow and other stories by margaret killjoy

writing revolution by christopher j. castaneda

paradoxes of utopia by juan suriano

twelve fingers by jo soares

for a just and better world by sonia hernandez

if anyone has other recommendations related to anarcha feminism, plz let me know :)

[mariacallous]

Picture this, if you will: hundreds of grey-haired grannies ganging up to face down a group of neo-Nazi skinheads. Some of the skinheads have beer bottles in their hands. The grannies are armed with nothing more than umbrellas and hand-knitted woolly hats. It sounds like a corny sketch for a TV comedy show. But no. It’s election time in Germany’s eastern Länder (federal regions), and the grannies are out on the streets.

There’s no Granny Party. The movement, called in German Omas gegen Rechts (Grannies against the right), has grown into a national and international force since it was founded in 2017 by an Austrian psychotherapist and evangelical priest, Monika Salzer.

It is widely assumed here that apathy and low voter turnout will result in a far-right victory. But election posters showing a cartoon granny with a rainbow flag carry a simple message: “Granny says – go out and vote!” Apart from the rainbow, a symbol of tolerance, sexual liberation and diversity, there is no instruction on how to vote.

In between elections, the Grannies are busy knitting and babysitting. But they also raise funds, for example by baking and selling cakes, to finance the poster campaign and a set of beer mats that make up a pub quiz.

In Leipzig, my new home town, the Grannies have raised enough money to install three new Stumblestones (Stolpersteine). These are little brass plaques inscribed with the names of people whom the Nazis deported and murdered in the 1930s and 40s. The new plaques commemorate the Wesly family – Hermann, a Jewish publisher of music and books, his wife, Berta, and their daughter, Margot. Berta and Hermann were taken to Auschwitz and murdered in the gas chambers. Margot escaped to England – but the British authorities put her in a concentration camp too, as an enemy alien.

A violin and an accordion were played during the installation of the little plaques where the Weslys’ house once stood. The stonemason’s hammer punctuated the music with a slow beat. Then Granny Gisela read out a short account of how the family was persecuted and how we must never forget. Many spectators were in tears. The memorial is on the doorstep of the new building that now stands on the site – a kindergarten. Its head teacher joined the ceremony and promised to find a way of explaining the story to the kids “without scaring them too much”. I remarked that it was a very special moment. Granny Sylvia put me right.

“Sadly, it’s not so special. This brings the number of Stolpersteine in Leipzig to almost 800. There is one on almost every street,” she said, before inviting us all to join her for coffee and cake.

Later she shared a link to the Stolpersteine app in the Google Play store (also on Apple). It’s true – there are hundreds of Stumblestones. Many are not for Jewish victims, but for brave souls like William Zipperer who tried to stop the Nazis and save their neighbours. He was executed in January 1945 for plotting against the state. 

As a mark of respect, the Grannies regularly go out to polish the small memorials set into the pavements, to light candles and lay flowers.

There is another side to the movement. They are part of the Antifa, Germany’s radical ultra-left. Not quite as radical as Lina Engel, the antifascist activist who is serving jail time in Dresden for plotting physical attacks on neo-Nazi pubs and meetings. Nor have any Grannies been caught setting fire to building sites where executive homes are replacing the old affordable blocks of flats – a typical Antifa action. 

They upload videos to TikTok. And they are taking their campaign out of the city and into villages and suburbs where right wing parties recruit people who feel neglected or “left behind” by the Berlin government.

“Solidarity without borders instead of right wing propaganda,” says the Radical Grannies’ poster, urging supporters to join them in a mass demonstration. These are Grannies who don’t knit. 

[ayeforscotland]

Nicola Sturgeon was saying on ITV that given independence isn't really polling particularly lower than before, it should be a sign of the SNP being the main issue. What do you make of this? Given the number of Scottish MPs, to me the SNP seats in Westminster served mainly as a symbol, a statement, as they had very little practical ability/power other than steady advocacy and vocal opposition (personally this makes their loss particularly demoralising). Given the total absence of influence the SNP can even pretend to have now, the burden now surely falls on Holyrood policy to show that they can practically deliver. Is this feasible? Can we hope for some ambitious SNP devolved projects? All the best

All SNP projects have been devolved projects really so not sure what you mean?

Regarding the status of independence, I’m not about to let people who told me that sending a majority of SNP MPs to Westminster meant nothing for independence suddenly tell me that not sending SNP MPs to Westminster means independence is over.

I think the learnings of this election steer the SNP to being more ambitious and radical in their plans.

[yes-these-obsessions-are-healthy]

The devastating thing to contend with regarding Veilguard is that you are left with two choices:

1) You accept that the story we’ve been waiting a decade for to conclude ended with the lore retconned, our memorable characters flanderized and misused, the world itself far less impressive and interesting and unique than it had originally set itself up to be.

or

2) You disregard Veilguard. You pretend it doesn’t exist, and that means the story is forever incomplete. You don’t receive closure. You don’t receive that last wave of clever, intricate, intriguing, wonder-evoking dynamic writing culminating in a world-shattering conclusion that we’ve been building up for 15 years. Solas and Lavellan are never reunited. The question of Solas’s past, the true nature of the Evanuris, and Solas’s relationship with them remains unknown. The enslaved elves of Tevinter remain sitting in chains. The hinted-at fragmentation and divestment of certain pockets of Dalish and city elves to Solas’s cause remain a potential interpersonal culture war stuck in stasis. Your world state is in eternal limbo, sitting on the hazy precipice of a climax that will never trigger. You as a fan will never have the opportunity to thrust yourself into a rich, magical, poignant universe of political intrigue, culture clashes, historical grievances, metaphysical and philosophical arguments, and relatable moral and ethical struggles to rise from the dirt, dusty and panting, and feel that relief and bittersweetness and mourning of an epic finally reaching a long-awaited end.

It is the fact I have to lie to myself in order to keep what I originally enjoyed so much about Dragon Age alive in my heart. I have to actively delude myself and pretend this game doesn’t exist because it actively and aggressively subtracts and undermines from all that came before it and in doing so retroactively ruins all the enjoyment I derived from the series. The furious debates we had, the essays we wrote for each other analyzing symbolism, characters, personal motivations, the parallels to real life politics regarding classism, racism, colonization, imperialism, marginalization, the nature of power, the nature of memory and history, oppression, legacy, vengeance, justice, love, hate, ambition..

I am not saying that because we were ardent fans that we somehow spiritually or informally own the Dragon Age IP. I’m not trying to come off as entitled, but this is absolutely unacceptable. It is a slap in the face. To say it is a departure from the previous games in tone, feel, and writing is like saying bulldozing a ghetto with citizens still in their beds in order to make room for a heat-trapping super highway is a case of radical “urban planning”.

We were so hopeful. We were so optimistic. We needed to be, because the alternative was despair.

And they gave us this generic fantasy Action-“RPG” with Dragon Age as the negligible setting. It is negligible, because all of the uniqueness of Dragon Age has been filed down to appeal to potential newcomers who want nothing more than a vague fantasy setting with puddle-deep lore that they could easily ignore if they wished so they could get back to hacking away at mobs and demons with shiny combat mechanics; the romances are tacked on and shallow, the character writing as insightful and engaging as a 90s arcade Beat ‘em up. The “Dragon Age” in Dragon Age: The Veilguard is a costume, an excuse, a misnomer. With this entry, Bioware/EA have established they care more for action than RPG, that deep, genuine storytelling that can make an IP a household name is not nearly as lucrative or worthwhile as endlessly chasing gaming trends and trying to appeal to new fans by being hip and cool.

But if you sit down and are honest with yourself, could anyone have been able to tie all the threads together in a satisfying way? The people currently left at Bioware certainly couldn’t, but could the entire old crew have helped steer this in the right direction? Was this story simply too epic, the plot threads too numerous, the concepts too far-reaching for adequate exploration to be satisfied with a single new game entry? It stretches belief. But perhaps if that 70% of effort devoted to combat had been instead implemented into the story (rather than the 7% it was allotted. The other 23% was on other bullshit) I’d be thinking differently. The story was what brought Origins to life. Character relationships and the direness of the moral shitshow of the mage oppression were what saved DA2 from being mediocre; the companion romances and the revelations from the Trespasser DLC were what saved Inquisition from being another honestly half-baked entry.

Writing is why Dragon Age fans accumulated. Writing is what made us stay. Writing is what made us hope and pray for a fourth game. And now writing is what has invalidated all of our collective time and efforts in ever daring to give a shit about this world and these fictional characters.

In order for my love of this series to not be snuffed out like a flame in a blizzard, I need to be delusional. I need to pretend this game doesn’t exist. And that means I need to live with a self-imposed false sense of mourning for something that never came to be, because what *did* come to be—what actually exists in reality—is more devastatingly heartbreaking and . It hurts either way. You just have to choose which hairshirt to wear and wear it.

All of our theorizing and hypotheses and headcanons are now retroactively emboldened by a newfound sense of superiority since we were positing them from a place of genuine desire to see a well crafted and thematically sound and intriguing story. But for people like me, no amount of headcanons and fan works can truly compare to a video game or comic or book that crafts a competent, even exemplary, addition to the Dragon Age story.

I am sad and disappointed that I wont be able to play that game and bask in the glory of good storycraft. It’s one thing to read it in a fanfiction, it’s another for it to be in an officially licensed piece of media. It feels more real that way, and because what we got is so lackluster, fanfiction has to serve as the less filling ersatz. It’s somewhat nourishing to me, but it isn’t what I truly crave. I WANTED the story and writing to have been good in Veilguard, but it ISN’T, and no there isn’t any way to just ask them to withdraw the game and come back with something better. This is what we got. This is what they decided to do with something so integral to our lives. It sucks how much it hurts because it is just a video game at the end of the day, but fuck if it doesn’t make the bugs crawl over my brain in lament over this monumental blunder of something I held so near and dear to my heart.

[mask131]

Some times ago, I posted about the vandalizing of the Wall of the Justs at the Parisian Shoah memorial. The post is here if you are interested, and it got many, many notes, so I thank you very much!

But I hope this post will also get as many notes - because we found the guilty party. We know who did it and... gosh, it sounds like a fucking joke but it is not, and it just proves how complex the situation is, and how dangerous the times we are living are.

If you recalled the obvious guilty party, the first suspects, the ones that seemed to have done that were the so-called "pro-Palestinian" activists that in fact are just antisemitic people disguising their hatred under the pretense of "fighting for Palestine". It is well-known that the pro-Palestinan manifestations, events and representatives in France have all versed at one point or another into very antisemitic comments or actions, and the movement is currently being parasited by antisemitism - ranging from actual antisemites who use "Zionist" as a way to designate all Jews, including French-Jews who never saw Israel in their life ; to people who are taking back antisemitic slogans without knowing they are antisemitic in the first place.

The reason the investigation directly was aimed at them was very simple: the red hands, or red handprints, is a symbol that many pro-Palestine manifestants have been using recently. Which, in itself, sparked a whole new debate - about whether it is an antisemitic symbol or not. Because while for some it is the universal "You have blood on your hands" symbol, for others it refers to the blood of a soldier of Israel on the hands of his murderer, during the second Infifada... And while attacking the Wall of the Justs would have been a new low and a new step for these left-leaning antisemites (because so far they only attacked Jews, now they would attack those that saved Jews and assorted Nazi victims during World War II), it was in line with a new form of radicalization of the movement - see the "Block Out" phenomenon on Internet, a cancel culture aimed at those that did not support enough Palestine... As a personal note I will say: where was all this energy and effort when the it was time to defend the Uyghurs against their wiping out by the Chinese regime? It is still time today, their suffering is still going on... But as a prominent Uyghur activist said (I think it was Rebiya Kadeer, but I do not have my notes with me so I might be mistaken) - people care less about the Uyghurs than Palestinians for one simple reason "Because it isn't Israel that is killing us..." It is China, and as a result nobody really cares...

Anyway, I digress... So while it is known, confirmed and recorded that the so-called "pro-Palestine" activists in France are slowly oscillating and sinking into antisemitism, it isn't actually them who did these red handprints. No, they're not guilty this time.

In fact it is something I talked about when I made my original post: there was another very likely suspect which would have surprised nobody. Neo-Nazis. Because while the pro-Palestinian movement is currently crystallizing in France the entire antisemitism wave that has been on the rise for a decade now among the extreme-left, the extreme-right political groups have also been gaining terran and strength for quite a long time, and now, we have actual neo-Nazi parties very vocal and active today... Due to the ungodly amount of terrorist attacks France had to face, due to the frightening strenghtening of radical and extreme Islam in France, due to the whole endless debates about immigration in France, and due to the hyper-violent civil unrests that are clearly just to cause chaos and nothing else (like the riots following the death of Nahel Merzouk, which clearly were not about the Nahel case and just to cause as much destruction and steal as much things as possible)... Well of course, when these types of problem arise, who gains the upper-hand? The extreme-right.

And so now we have far-right candidates so popular they have a good chance of being elected as the representatives of France, and we have many groups of antisemitic Christian fanatics popping up everywhere, and we have neo-Nazi movements literaly returning like some perverted phoenix from their ashes... As such, it was thought that maybe these red handprints could have been the work of a neo-Nazi movement, who would use the current situation to perform their antisemitic deeds while blaming the extreme-left for it... After all, the two movements have been currently doing the exact same thing. Before the Hamas attack, far-right groups were defacing Jewish cemeteries and soiling Simone Veil's grave with Nazi swastika ; and today far-left activists are "denouncing" Israel by... tagging on Jewish temples drawings mixing the six-point stars with a swastika...

So, you know, the typical horseshoe effect. The two extremes are literaly doing the same things, and as such we have a hard time differentiatng one from another.

But no... Turns out it isn't them either! Turns out... it isn't even French people who did this.

And here's where the dark joke comes... You know who did it? FUCKING RUSSIA OF COURSE!

We forget to so easily that Putin is literaly sending his agents in every friggin' political or social event that goes on in the world right now... And in fact that's the whole point: Putin wants us to be so obsessed with the Israel-Hamas conflict and how Gaza is trapped in it all, so that we forget about how Russia is currently destroying Ukraine.

The investigation found out that the people who painted these red hands were three men that had recently arrived in Paris from Bulgaria... They were staying at an hotel and the very day following their crime, they left France for Belgium (Bruxelles to be precise). Now... You're going to say "So they're just Bulgarians? They're not Russians, nothing proves its Russia". Except for one thing... While yes the involvment of Russia has not been "confirmed", Putin's Russia is not known for its vivid imagination... And they have literaly done the same thing some times ago.

If you recall, I posted about it before... It happened last october. Right after the Hamas attacked the music festival, causing the whole madness we are into today, blue David stars were painted on buildings where Jewish people lived, echoing the dark times of the Nazi Occupation in France... Here is the post I made back in February, and I couldn't guess how far things would go back then... While everybody was getting scared about the return of French antisemitism turned out... It was a group of people from Moldavia that was paid to paint those stars everywhere. Paid by... a pro-Russian, pro-Putin Moldavian businessman, Anatoli Prizenko.

You can read more about this on my old post, but investigation concluded it was indeed an operation where Russian forces used the Moldavians as puppets. All to cause fright and chaos in France. When you consider that Bulgaria, like Moldavia, is unfortunately today one of the "screen-countries" Russia likes to use to shield themselves when doing their dirty chores... Blue stars, red handprints... This is clearly the same thing, done all over again.

And where the "joke" part comes out even more - in the sense of a perverse, venomous, fetid joke part of some putrid dark comedy... Russia has currently been truly harassing France through all sorts of operations, each more outlandish than the next, and yet all working in their own way to cause fear and chaos... More specifically two cases are regularly being brought up.

Case 1: The Doppelgänger operation

In June of 2023, the French authorities warned about what was called the "Doppelgänger operation". A massive campaign of Internet misinformation created by Russia. The purpose was simple: create mirror-websites to the official websites of French information networks, newspapers and TV channels. They were almost identical to the official news outlet of France, to the point many mistook them for the real thing - sometimes the only difference you could spot was in the URL. ".fr" became ".ltd", and ".com" became ".cam".

And all those fake websites shared articles about the Ukrainian-Russian war, articles written purposefully to spread misinformation about Russia. Some claimed that the Ukrainian population were in full distrust of their government and wanted to see it brought down... Others wrote that all the Ukrainian operations were disasters and failures. Some invented fake tragedies and disasters in Russia to try to paint Ukrainians as the villains. And others yet wrote about how the donations of Europe to Ukraine were either wasted by the Ukrainians, or would cause economic crisis in European countries...

Case 2: The bed bugs hysteria

In september of 2023, the discovery of bed bugs on several public places in Paris was shared on social media. Some were discovered in a movie theater, the presence of others was attested in some subway lines... The social media being what they are, it became a hot topic talked about by everybody, shared by everyone - and the facts were exaggerated, and rumors started spreading, and soon an entire mass hysteria started overtaking France. It wasn't just Paris anymore, but all the big cities that were supposedly infested by "bed bugs". People claimed to find them in every public places - every theater, every subway line, every hotel, even in hospitals...

Turns out, there wasn't as much bed bugs as the social media wanted us to believe. It was mostly a sanitary mass panic, echoing the fear caused by the Covid epidemic and fed by the worries about the upcoming Olympic games. And... and also fed by Russia. Investigations revealed that there was a lot of fake accounts, troll accounts and bots created by Russian servers and Russian URLs, and who spent their entire time spreading and sharing bed-bugs articles, writing fake articles twisting the facts, and spamming everybody with news of this mass hysteria..

This is the sore and infuriating conclusion. Remember, everyone, that this isn't just about Israel and Palestine... It isn't just about the Hamas or Netanyahu... And we already knew that, because already in Europe it was clear this wasn't truly about what happened in the Middle-East - it was also about the shadows of antisemitism and the wraith of the Nazi presence, it was about the extreme-left movement spreading from the USA university down to European ones, it became a fight about the Jewish and Muslim populations in Europe rather than in Palestine and Israel - and even more, a political fight between the far-right and the far-left across the continent... But it isn't just about that anymore, because now Putin is in the dance and Russia is gleefully putting oil on the fire in hope it will burn everything... This is a fucked-up chess game with many, many players... That all look the same in the end, somehow, so it becomes hard to identify which one does which move.

But at least we know who painted the blue stars, and who painted the red hands, and who pits the extreme-left against the extreme-right, and is trying to make sure the Jewish people of France are feeling scared in their own country. Putin and what he turned Russia into.