#rachel boston edit

[originalwitchedits]

INGRID BEAUCHAMP (WITCHES OF EAST END)

[imfinereallyy]

The Long Con

I saw this tik tok edit of Rachel McAdams in the movie Hot Chick where she gets a milkshake on house (and she's just totally playing the guy) and for some odd reason this spiraled me into thinking about Conman!Steve and Mob Boss!Eddie. So here is my brainrot I guess. Maybe I'll do more parts or make something longer on ao3 if people like it.

Steve wasn't one to not think things through. Yes, he was aware that it was a double negative. He played up the dumb part quite often, but Steve wasn't actually stupid. So it was all part of the game, really.

Steve loved the game. The rush, the push, and the pull of tricking someone, getting them for all their worth. Steve loved the game because it was fun. Steve loved the game because he got to use horrible people for his very lavish lifestyle. There was nothing like living rich by feeding off the rich. Well, he was trying to do that, at least. See, Steve, although good at what he did, he burned through money faster than you could say savings. It wasn't his fault, really. He used to be better at keeping track. Always made sure to have enough, just in case. Hadn't needed to worry about anyone but himself. Because the only thing Steve truly loved for a long time was the game itself.

But then he met people along the way, misfits and criminals like himself that he couldn't help spoiling. The only person who seemed to catch his problem was Robin, but even she couldn't resist a new hard drive for her computer. It's how she made her own money, after all.

Despite his problem with spoiling everyone, Steve always thought things through. He followed the rules of the game without rules and continued to fill his pockets, scamming the deserving and cruel. But sometimes, sometimes for Steve... his abilities and bad habits sometimes, well, overlapped. Sometimes, Steve could have been better at choosing the right people to care about. He was getting better at it, he swears. He let go of the wrong ones a long, long time ago.

But sometimes they came back begging.

Tommy had been someone from his life before. Before being on his own, back when purple and blue were his father's favorite colors to paint him with. It was a time before the game, a time that, although he tries to forget, had a grip on him.

So when Tommy called, seeking forgiveness, seeking help, Steve caved quickly. He would always be that same little boy, looking for love from a past that wasn't there. Tommy wasn't his parents, sure, but it was as close as he would get.

So, yes, steve normally thought things through, but there was the rare occasion, there was the exception to the rule, where Steve majorly fucked up.

He was in Boston when it happened. Even though years ago, Steve swears he would never be going back. He's in a small diner two blocks away from main street. And he had just finished getting Tommy's money back. Steve always celebrated with one of three things: drinks, sex, or milkshakes.

And Steve wanted out of Boston as fast as possible, so he went for his quickest and sometimes tastiest tradition.

"How much do I owe you?" Steve smiled innocently at the waiter, giving his best babygirl face.

The waiter bit his lips as he tried not to stare at Steve's mouth, "It's okay, it's on the house."

Steve licked part of his free milkshake off his finger, "Really?" Steve's voice was an octave higher just for the waiter. He could tell he was someone who had a preference for men, and most likely had a problem with letting go of his masculinity. So Steve knew the more feminine, the better. Steve couldn't help the sly grin that stretched across his face when the waiter got flustered. He was an attention whore; sue him.

His waiter—huh, Andy, according to his name tag—looked like he was about to say something when a throat cleared behind him.

"Andy, doll, you might be wanting to get back to the kitchen for a minute." A deep voice said behind Andy. It sent chills down Steve's spine. The Boston accent with a slight tilt of Irish was enough to captivate him. Andy moved faster than the speed of light at the command.

When Andy disappeared, with his tail between his legs no less, the most beautiful man Steve's ever seen revealed himself. A tall, pale, curly brunette stood before him in a suit with a ripped-up band tee underneath. It shouldn't look good, and it shouldn't look professional, but it did. Steve saw tattoos peeking out from exposed skin, piercings all over his ears, and enough jewelry to start a store. Steve was bewitched.

The mystery man smiled, hands in his pockets, and leaned down slightly into Steve's space. "Oh, sweetheart, I have been looking for you everywhere."

Steve stayed silent, drinking him in; he smelt of mint, smoke, and morning rain.

The man slid into the booth, put his arms on the table, and made a little beat with his knuckles on the plastic. Then, Steve noticed the words "Hell Fire" across his knuckles. Steve's heart sunk to his stomach. He had heard of those hands before. Those hands were famous.

The man leaned his face against his right fist. "Hell" pushed into his cheekbone. "The name is Eddie Munson, love." Eddie looked Steve up and down. "But I think you've already figured that out by now, haven't ya?"

Steve steeled himself. He should be okay. He hadn't wronged this man before, but something, something was telling Steve that he most definitely had. The look in his sweet abyss of eyes told him as much.

A smirk stretched across Eddie's face, and suddenly he kicked the leather bag next to Steve's feet under the table. Steve's cheek twitched slightly for a millisecond, but it was enough to give him away. "It seems here... like you and Hagan have stolen quite a bit of money from me." Eddie tsk-tsked while Steve's heart dropped from his stomach to his feet. Tommy screwed him.

"And that love, well, that just won't do."Steve had never seen such a sweet smile feel so deadly. "So, Sunshine, I am going to make you a deal, and you would be smart to take it."

Steve wasn't actually dumb, but yes, he most definitely did not think this through.

________

Sooo thoughts? I was going to write more but if this was a flop, I didn't want to put my heart in soul into it. But I did spiral a bit with it. Whoops!

edit: I made some grammatical changes but that's it. I realized I kept switching tense changes when I was writing in present, so I changed it to past. I'm much more comfortable with it. Let me know if there are any more errors.

part 2: here

[waitmyturtles]

THE MORNING AFTER: ONLY FRIENDS, EPISODE 6 ("DECIDING IN YOUR YOUTH / ON THE POLICY OF TRUTH") EDITION

In segment 2/4 of this latest episode of Only Friends, Boston let us know what year the show's mind is on.

Some stuff was percolating around this time, some of it majorly important, and other stuff important maybe only to someone like myself, a baby born in the 1980s and raised in the 1990s who happens to have a thing for 20th-century British electronic rock.

In February 1997, the infamous "The One With The Morning After" episode of Friends came out -- when Rachel discovers that Ross had slept with someone else when, "WE WERE ON A BREAK!"

In September 1997, Linda Tripp begins recording her conversations with a White House intern, Monica Lewinsky, about Lewinsky's affair with the U.S. president of the time, Bill Clinton.

In January 1998, the first public news of the Clinton-Lewinsky scandal comes out.

And in 1998, one of my favorite songs ever, "Policy of Truth," is released by one of the greatest bands of all time, Depeche Mode (ya feel me, Sand?). I thought a lot about this song, about the meaning of truth in the hands of young folks, and I thought a LOT about politics, during this episode.

It's just time to pay the price / For not listening to advice / And deciding in your youth / On the policy of truth

Truth, Bill, Monica, cheating, Friends. It's a lot. To me, this episode dealt with politics, with the nature of what "truth" means, what truth means when it is created and/or revealed at a particular point in time, and how young people begin to learn about the correlation between truth and consequences in safe, unsafe, and enduring ways.

We meet Boston's dad, shown above. We see he's got a flavor about him. He's quite casual with his son ("Ton, you dipshit!"). He's borrowing help from his son's friend for campaign materials (ooookay, lol, where is your campaign manager), while smoochin' on a Scotch.

What are campaign materials? Campaign materials -- posters, mailers, policies, commercials, etc. -- are the selling of an image. A political campaign is not quite about truth. A political campaign is a selling of a story that candidates want voters to buy with their votes. It's reality....-ish. It's a kind of truth that is ultimately selective and marketed to a particular voting audience that will hopefully allow that candidate to win and gain power.

There was someone else playing a political game, until his game crumbled. Top was playing a political game.

Before Mew blew Top's shit UP (Mew would have made Linda Tripp proud, goddamn), Top thought his political game was selling. He thought his IMAGE was selling. He thought his secret about his sex with Boston, while him and Top had reset and were not officially boyfriends again ("we were on a break"), was safe.

We saw Top's true nature come out time and time again, to Boston, to Nick, to Sand. We saw his aggressiveness and his confidence, his assuredness about his success as a top-tier man, directed to everyone EXCEPT Mew, with whom Top had to play a different game -- a game of touch-and-go, a game of restraint, a game of change, and certainly a game of withholding and/or manipulating certain truths about himself (Top) in order to continue to win Mew's heart. Before the in-bed blow-up at the end of the episode, Top even planted a guilt trip on Mew -- digging into Mew's continued distrust of Top by asking Mew to PLEASE consider everything that Top had changed for Mew.

Someone else was called out for playing a dishonest political game. Boston calls out Ray for not being honest about his feelings for Mew. Boston says to Ray, as Ray looks on in shock, below:

In this scene, I realized something. The only person NOT playing a game of deception at this point is Boston. Boston -- while an absolute jerk and asshole -- KNOWS he is these things. He doesn't fight off allegations that he is "nasty." He knows what he likes. He is honest about how he acts. He is truthful to his feelings. He is a jerk -- but he doesn't lie. (Or at least, he hasn't lied, yet.) He happens to keep secrets and withhold truths, but he hasn't distorted his image to try to fool anyone -- the way that Top has, the way that Ray has. He is utterly direct about his intentions with Nick, and he leaves it up to Nick to deal with his (Boston's) brutal honesty.

(Before I unwind on Boston to bring together these thoughts on sex, politics, and truth, I want to note that we had two instances of advice from GROWN-UPS -- from the quartet's business professor, and from Sand's mom -- that playing with friendship, work, love, and business, can result in awkward consequences. Finally, we begin to see a creep of the grown-up Greek chorus offering its thoughts on the antics of this group of aloof students who are almost Seinfeld-ian in their disdain of how they may hurt each other, others, and even themselves with their behaviors. This group has decided right now, in its youth, on its policies of truth. And Seinfeld, along with Friends, was the aloof epitome of the 1990s.)

The reason why I interjected that thought on grown-ups and consequences here is that both Boston and Ray had different takes on "truth" in this episode than Top. Like I said: Top has an image that he had been selling to Mew until the very end of the episode.

Boston and Ray, on the other hand, have relationships with truth in which they are unaware of the consequences of their almost thoughtless honesty (and in Ray's case, his simultaneous dishonesty). What do I mean by that?

As I mentioned before: Boston isn't deceitful. He's just brutal. Boston is brutally honest about his feelings and intentions -- and he doesn't realize that people like Nick, or Gap (DRAKE) may interpret sex, and feelings that might come from or after sex, differently than him. And those different feelings, from different people, will almost always have consequences of a kind that Boston is clearly not prepared to deal with. The biological urge that many have to be close or clingy after sex? The implication that if you have sex with someone, that you might automatically be “dating”? The theory that maaaaannny people have that sex is a way INTO a relationship (and not the other way around)? All of these notions need communication. I posit that Boston’s been VERY clear in his communication that he is NOT into ANYTHING related to a relationship—but he’s not aware that others do not think like him, and that WILL have consequences for him.

Ray, in that drunk and high performance of a lifetime at YOLO (cc @liyazaki LOLLLLL), thinks that he's saving his friends with a round of truth-telling. By being so blind to the feelings of others -- and, really, to ignore the rights and privacy of others to deal with their own truths on their own time -- Ray BLASTS past any of consequences that he might face, and that his friends may face, as he reveals their secrets, one by one.

@lurkingshan noted in one of her meta posts yesterday that Mew punched Ray at the bar in part to control the release of the truth of Top cheating on Mew, to leave that little bit out, so that Mew could have his own "gotcha" moment later at home with Top.

You know what that was? That was politics, baby. That was a HELL of a power move, for Mew to literally PUNCH someone out of his way, so that Mew could clinch a win for himself -- vis à vis a brutal truth that very clearly hurt and impacted him, either through his love for Top, and/or through embarrassment for his own reputation, as Shan notes.

I'm gonna tie this ALL together in just a moment -- but I want to make one very last note about the truth and a character. Sand runs to Ray in the parking lot after Ray's blow-up. Sand admits his feelings to Ray. Ray pushes him away and gets behind the wheel. And Sand hops on his bike and follows Ray.

At this point in the series, I posit that Sand knows exactly what he is getting into. (I'm SMDH about it, but he knows what he's getting into, god fucking damn it, SAND, baka.)

He's NOT deceiving himself. He's being honest with his feelings, like Boston is -- but, unlike Boston, I believe Sand is very fully aware of the consequences that his feelings may lead him to face. Remember that Sand is not a part of the original aloof quartet. He's not one with the liars, like Cheum and Ray. He's not one with Boston, who doesn't think ahead. He's not one with Mew, who is insecure, conniving, and now potentially vengeful. Sand, the goddamn romantic, is caught beneath a landslide on a champagne supernova with his feelings, and will clearly ride them out, with intention. (I want to SHAKE HIS DAMN SHOULDERS, but anyway.) (GMMTV, why do you have to play First like this. I just finished Not Me. You took the anarchy outta my boy. Now he’s blubbering for another problematic dude. Can we just. Let. First. I dunno. Anyway.)

So.... whew. What of all of this?

I take this episode as one that says:

Truth is what you make of truth. Truth -- whether it's the presentable truth, the not-totally-complete truth, the whole and unedited truth, or in the words of Californians, your own truth -- will have consequences when it is revealed. And a huge part of maturity is in one's handling of those revelations when they are made.

When you are young, you don't have the benefit of years and years of time and life to recognize that your actions may have consequences, some that are fleeting, some that will last a lifetime. A huge point of one's young adulthood is how you are shaped by the consequences of your actions and your decisions -- and by seeing how your actions affect other people, either intentionally or unintentionally.

Sex and politics rarely, if ever, mix well. For Boston's dad.... what will be revealed about Boston is not gonna be good for his campaign. And Boston's own life may well be impacted for a good chunk of his lifetime.

But, more than anything else, this theme of politics that I saw in this episode reflected for me -- of course, as always -- a kind of ephemerality in this series. You know why?

Politics, unless it is INCREDIBLY corrupt, always has term limits. Unless you're Putin or Mugabe: power unto a leader, or a group of leaders, will almost always come to an end.

The image will fade. The rhetoric will wither out.

The politics will always change -- because people always change, ideas always change.

HOWEVER. The consequences of one's actions in politics may last a lifetime, or lifetimes. If you REALLY fuck up? You’ll be known for that for your life.

The OF quartet is heading into a dalliance between impermanence and permanence, as well as with consequences that their aloofness has not prepared them for, and it's bound to be devastating. Many of them tried to play games in this episode. Almost all of them are unaware that these games will have long-lasting effects. Some of them (like Nick and Sand) are still playing games. And these games, these risks, are bound to end in many of them ending up as losers.

The following rule is NOT ephemeral — it is a permanent truth: in politics, there will ALWAYS be losers. That is always the case, and will always be the case. There are going to be a lot of losers by the time this show ends.

(EPHEMERALITY SQUAD, HAPPY SUNDAY! Thanks for tagging me in your meta yesterday! @ranchthoughts @chickenstrangers @slayerkitty @twig-tea @clara-maybe-ontheroad @distant-screaming @lurkingshan @neuroticbookworm)

[joannaliceevans-fanficblog]

Evermore: Part. 3

I just wanted to thank everyone for lovely comments! It truly makes me happy!

I also wanted to thank @hollybee8917 for making this beautiful mood board!

and to @princessofdarkwinter for editing this! love you!

The viewing room was quiet, and you sat alone with a small box in your hands. Andy, Sam, and Rachel along with the rest of the army stood in the back.  You watched on as the funeral director prepared Ari’s casket. The casket opened, and you finally saw your husband. He was dressed in his uniform, rank stripes, and gloves. You then stood up and strolled over to the casket. The director moved to the side, and you stood over him.

You opened the box as your eyes began to tear up. Slowly it fell onto the items in the box as you remembered each item that you held dear to your heart. 

**

You sat uncomfortably in the living room, resting your feet on the coffee table. The TV was on, and you sighed. You are now into the 9th month of your pregnancy and had the phone resting on top of your stomach while you were on a video chat. It’s 2 in the morning, and you were supposed to be asleep, but you couldn’t. Baby girl is on the move, and you couldn’t get comfortable. And not to mention, it's summer in Boston, and you are sweating. 

You: I’m surprised that you aren’t sweating balls, Ari. 

Your husband laughed, and he laid back into his bed. 

Ari: Yeah, well, we do have an AC.

You: We too do have an AC, babe, BUT you're not carrying a baby, Ari. 

You noticed the reflection on his face change, and you felt terrible.  

You: Oh, Ari Bear, I’m sorry. I didn’t mean that. 

Ari: It’s okay; I just wished I could be there. If I only knew-

You: Honey, no. Don’t do that. I know it’s hard on you wanting to be here for our girl. But you are doing what you love, and I support you in that. Do I want you here? Absolutely, I do. I know it hurts for both of us. But it’s going to be okay. 

Ari: I know, honey, but this is our first. I wanted to be there for the both of you. I know family and friends are there to help you, but I’m your husband. And it’s my job to help and care for you. 

You: I know but don’t forget you will be home soon. 

Ari: God, I miss you. The food here isn't the same as what you make.

You laughed. 

You: I miss you too, Mr. Levinson. You know, when you come home, what do you want me to make you? 

Ari: I've had the sweet and sour chicken here. It's not the same when you make it. You make your extra sour. 

You laughed again; seeing that smile from your husband made you giggly inside. 

You: You know, there's something else that I do miss…Ari Levinson.

You watched your husband turn a specific shade of red, knowing only you can turn him into that.

Ari: Mrs. Levinson! 

You: What! I'm pregnant, and I can't help myself if my hormones are out of whack…

You watched your husband burst into laughter. Just that smile brings you joy. Then you felt your daughter move again and brought you into an uncomfortable position.

You hissed in pain, and Ari stopped laughing. 

Ari: Babe, what's wrong? Is it your back again? 

You knew what he was talking about—an accident from playing soccer in college. The ball was behind you and you turned too late, as your opponent kicked you on your lower back. You dropped to the ground and screamed in pain. You couldn't get up and everyone rushed to your aid. 

Ari was in combat training in the summer in South Carolina and wasn't able to leave to come see you during the game. Andy was in town on official business so he attended with your parents and was by your side when you were taken to the hospital. 

You: I'm okay; the baby girl is moving again, and it's in an uncomfortable position. I'll be fine. 

Ari: Are you sure?

You: I'm sure, Ari. It's happened before.

You both continue talking till you finally close your eyes. 

**

The following day, you woke up around 10 am and sat up from bed. The door downstairs opened, and you knew it was your parents and your college best friend, Holly. 

“Honey, we're downstairs. We have lunch.” You heard your mom say. You slowly got up and let out a sigh.

“Thanks, ma! I'll be down in a moment.” You yelled and went to the bathroom. Once you were done with your business, you headed down the stairs and headed to the kitchen. 

Once you entered, your mom had your favorite, eggplant parmesan and salad. 

“How are you feeling?” Your mom asked as you took a seat at the kitchen island. 

“Uncomfortable, and the baby girl wouldn't stop moving last night.” You said, rubbing your belly. 

“Trust me, sweetheart, it will be worth it in the end.” Your mother said, giving you a side hug and kissing your cheek.

You sat down at the dining table and let out a breath. 

“Why do I feel like I'm always out of breath?” You said, breathing in and out like you got the air sucked out of you. 

“That's because you're carrying a baby, love,” Holley said, giggling, and you smiled for the first time that morning. 

 **

Later that afternoon, you experienced pain in your lower back. The same ones you felt last night, except they were getting worse.  You walked with Holly to ease the pain, which worked for a little bit. But when evening rolled in, the pain was growing, and it forced you to lean forward, and you laid your head down. Holley came into the kitchen to see you moaning in pain. 

“Y/N, are you okay?” Holley asked as she stood next to you and rubbed your back. 

“The pain isn’t going away and it's getting worse. I need to call Dr. Widow and meet her at the hospital” You said as you stood back up looking for your phone the pain eased a bit but you felt water trickling down your leg. 

“Holly, I think my water just broke” 

“Your parents will be home soon. Do you want me to call them and tell them to meet us at the hospital?” Holly asked as you nodded your head yes.

You called your doctor and told her about the pain you were experiencing and that your water broke as she told you to meet her at Mass Gen Labor and Delivery. You made your way to the car as you got into the passenger side while Holly was on the phone with your parents telling them she was driving you to the hospital and to meet up there.

The ride into Boston was smooth, but the fact that pain was much closer together compared to before. Your doctor explained that you were experiencing contractions and may be in labor. The baby isn't due until another week but the stress of not having Ari around may have caused you to go to labor early. By the time the nurses had you dressed and lying down, another contraction came. Your best friend came to your side and rubbed back as you breathed slowly, in and out. You wanted to scream, but couldn't. 

And that's when you burst into tears. 

“Y/N-”

“I miss Ari. I wished he was here.” You said wiping your eyes. Holly sighed and hugged you.

“I know it's hard, but you will get to see him in 4 months. I know it's long, but it will get here fast.” Holly told you. 

Dr. Widow came in to check on you to see how much you dilated but as of right now you barely dilated 3 cm it will be a long way to go. 

2 am

Early morning came, and you still haven't pushed yet since you barely dilated 5 cm. Holly stayed by your side since your parents called to tell you they won't be able to make it till morning since your father cannot drive in the dark and they got caught up with old friends that took longer than expected.

You slept for a few hours as the pain calmed down. Andy came to relieve Holly so she could go home and get some rest as she stayed with you since the afternoon. When you saw Andy, you let out a sigh of relief knowing to have your good friends around. 

“Andy, it's late; how did you get in here at this hour?” You asked slowly, scooting up and leaning back against your bed as Andy helped you fix your pillow. 

“Well, I told them that my goddaughter decided to come early and her father is deployed overseas and is unable to be here so they let me in,” Andy said as you smile 

“Did you get any sleep?” he asked as you nodded your head

“A bit they gave me some epidural so they helped a bit” 

“Just get some more rest cause when you are ready it will be a lot of work getting that goddaughter of mine out” 

“Are you going to be okay sitting there?”

“Don’t worry I have some files I can work on,” Andy said and patted your hand. 

As you slowly close your eyes, the most significant painful contraction of your life comes out of nowhere as you scream in pain. Andy got off the chair as you grabbed his hand squeezing it tightly as he coached you through your breathing rubbing your back.

“Ari bear!” You screamed wanting your husband with you. Andy sighed and took his phone out and to his luck, it was a text message from his friend, and that he was outside with her parents. 

“Alright, Mrs. Levinson, let's see if we will have a baby today!” Your doctor said as she placed a glove on her hand and went to check. You watched your doctor as she made a concerned look. She pulled her hand out and threw the glove into the trash bin. You watched as your doctor turned to the nurse and ordered her to get the ultrasound.

“I know you have back pain, and your daughter isn’t coming down as fast as we would like it to be. It is a high risk of waiting for the baby to move in its position so, the other option would be a C-section. I ordered an ultrasound because I needed to see where the baby was positioned and the baby has yet to rotate.” Dr. Widow said. 

You always wanted to have the baby the natural way but because of the risks you had no choice but to agree to do the c-section.

A sigh of relief came from you. But your thoughts of Ari came to you, and you quickly felt the emptiness. You heard Andy’s phone beep, and he went to pick it up. He looked at it and smiled. 

“I need to step out for a bit, Y/N. I need to take this call.” You nodded, and Andy left the room. Before you could say anything, the door opened to your room and Andy walked back in. You gave him a look, and then your eyes widened. There he was, in his Army combat uniform, with roses in his hands. That familiar smile, and you burst into tears. Your hands covered your face, as you were unable to hold your tears. Andy patted Ari on his back, and he went out the door. 

“What are you doing here? I thought you were coming in a few months?” You asked as you reached for him. Ari placed your flowers down. He bent down, and you wrapped your arms around him. 

He still smelt the same as he always does. 

“I got an early leave,” Ari told you as he pulled away slightly and kissed your lips. 

You felt your cheeks burn with red and gave him another peck.  

“Um, sorry to break it, but we must get this baby out.” Your doctor said, You laughed and wiped your tears, and Ari stood beside you, holding your hand. 

The doctor explained to Ari your situation and his daughter and he agreed as they helped him put on a gown as you were wheeled out of your room, with Ari holding your hand. Andy said he will stay behind and keep updating your parents and Holly with news as Ari gave his best friend a hug before following you into the operating room.

Once at the double doors, Ari paused and you turned to face him. Ari bent down and you went to kiss him. 

“Love you Ari Bear.” You said, kissing him.

“Love you too my queen.” He said, also kissing you.

You looked up, to see your husband take a seat above you. You smiled and he bent down and kissed your forehead. You felt some pressure from the anesthesia and you made a hissing sound. Ari rubbed your shoulders and within a minute the anesthesia kicked in. 

“We're going to have a baby Ari.” You said looking up at him. The love showed in his eyes and he bent down and kissed your forehead, “I know, a long time making.” 

You and Ari have been married for almost 10 years, but trying for a baby was nearly impossible. You had a few miscarriages and had many false alarms. But one day, you had a doctor's appointment for your yearly checkup. You had some questions for your doctor and one of them was you had symptoms of morning sickness and you took a pregnancy test. Since you had many false alarms, you wanted to discuss it with your doctor to ensure it was true.

And low and behold from the ultrasound, was your baby showing on the monitor.

Never had you thought you would ever be a mother and a miracle happened.

**

30 minutes later, you and Ari heard the beautiful sounds of your baby girl crying and echoing in the room. Your tears came down your face and one of the nurses signaled for Ari to come and to cut the umbilicord. Tears were coming and you were also getting giddy with excitement. Your husband came a few minutes later, and he had tears in his eyes. 

“Is she perfect?” You asked. Ari wiped his tears and smiled, “Yes, she is more than perfect.” 

One of the nurses came, with a little bundle of joy. A thick set of hair, ten little fingers, and ten little stubby toes. She gently placed her next to your cheek and you were able to place a kiss on her little chubby cheek. 

The nurses then picked her up to get cleaned up and told you she will be back in your arms once everything is checked out. You were then wheeled back to your room after Dr. Widow had stitched you back up. A few hours later as you were resting, the nurse came in with your baby girl. You were still feeling tired from the anesthesia but you held your hand out, and she placed the baby into your arms. You cradled her into your arms and you were in tears again. Ari took a seat next to you on the bed and placed his arm around your shoulder.

“And before I leave, I’m going to need a name for your baby for her birth certificate” The nurse said. 

You and Ari looked at each other and towards the nurse.

“Chloe Rose Levinson.” You said as Ari placed a kiss on your temple.

“A beautiful name for a beautiful little girl” the nurse said with a smile leaving the room.

**

A hand was placed on your shoulder and you turned to see Andy standing next to you. You smiled and placed your hand on top of his. You both were quiet and then you let out a sigh. 

“I know it’s time.” You said and sat up. You fixed your skirt and turned to Andy. The doors opened to the room and all of Ari’s friends and his troops were all ready to say their final goodbyes.

[dcbbw]

The Odd Couples

Hi, tumblrs! I’m back with yet another AU of one of my favorite AUs: it’s the DC gang, paired differently.  

(I know I haven’t written anything DC AU-related in a long ass five minutes, and I swear Chapter 6 of the original series is practically ready to post, just needs a deep-dive edit)  

So, this story is the product of two separate ideas: First, what if I hadn’t followed canon/fanon/personal head canons when pairing the couples up/off?  And the second idea comes from the What If episode of Friends where that gang ends up with someone different (Phoebe x Ross, Monica x Joey, Rachel x Chandler).  

Side note: Using throwback DC crew (Liam, Riley, Max, Leo, Liv, Drake, Madeleine, and Penelope). Also, check out the link to Leo’s shirt (if you make it that far). It’s the Leo-est shirt ever IMHO) 

Side Note 2: Mixing the pairings up means I have/will be writing pairings that others write/have written and are generally associated with said writer(s). While I am fully aware that no one owns ships, I realize this is a fandom and strive to be mindful of those who write rareships and respect their pairings.  

This is simply my take on my version of these characters when coupled differently in my world. 

To those who read over this story in parcels, pieces, and in whole ...THANK YOU!  

For those who do read this fic, THANK YOU! Your likes, comments, and/or reblogs are appreciated more than you realize. 

 Please excuse any and all typos, missing/extraneous words, and/or grammatical errors. Microsoft Editor rates this piece as 99% error free.  

I’ll be back sooner rather than later with a submission for Hana Lee Appreciation Week, an angsty Driam/Riley love triangle, and some Stormholt.  

Song Inspo: Moments We Live For (Acoustic Version), In Paradise 

Word Count:  4,099

Pairings: SGL x Olivia; Drake x Madeleine; Leo x Riley B; Max x Penelope 

Rating: M for Mature themes 

SGL x Liv 

Liam Rys tipsily followed Olivia Nervakis into the hotel room, hip-checking the door to shut it while Olivia occasionally paused her steps to turn on table lamps. Her black stiletto heels made no noise against the carpet; however, the swish of her highly starched black and white polka-dotted dress sounded scratchy in the silent room.  

“Do you have to turn on every light?” Liam complained as he fastened the deadbolt. 

“It’s not every light, and not our electric bill,” his girlfriend responded tartly as she flipped yet another switch.  

The couple was in Baltimore for the weekend, attending a costume party thrown by Liv’s employer. There had been a buffet; an open bar; and a prize for the best costume, which Liam and Olivia did not win. Carlos Santiago, a member of the Environmental Services team, and his wife and three children came costumed as The Birds and The Bees and won the prize.  

Liam and Liv were The Ricardos: Olivia’s red hair was done up in Lucy’s signature poodle hairstyle, and her dress was a dead ringer for the world’s most famous housewife’s iconic frock. He had wanted to wear a tuxedo and carry a conga drum but settled for Ricky��s purple, polka dot silk smoking jacket with shawl collar, black pants, and black velvet slippers.  

“I can’t believe we didn’t win!” Liam muttered beneath his breath as he came behind Olivia, arms encircling her waist; his palms splayed against her flat, toned stomach. She responded by leaning against him, her back pressed against his chest.  

“Don’t hate!” she admonished. “With those Korean features and Boston accent, no way were you a convincing Cuban band leader. Besides, you have to admit Carlos had a pretty creative idea.” 

“Not more creative than my SOCK GAME! I mean, Liv … you gotta admit, it’s damn good tonight!” 

He was wearing black, knee-length socks with red hearts inscribed with “I Love Lucy” scattered all over. Olivia rolled her eyes in exasperation at the mention of his sock game. 

This man and his socks! Liam thought his sock game could cure cancer and bring about world peace. 

 “You’re sock game is great as it always is, darling. But it was a costume contest,” Olivia placated in a soothing tone as his fingers began removing bobby pins from her hair.  

She spun around, facing her boyfriend as her hair fell in soft curls that framed her face. Her green eyes twinkled as she pressed a quick kiss against his lips.  

“You big, spoiled baby,” she teased. “Wanna smoke, take the edge off? I brought a couple of blunts along.” 

He quickly shook his head. “No way am I going to be in BALTIMORE off some loud.” 

Olivia grabbed the lapels of Liam’s smoking jacket, pulling him closer to her. The tip of her tongue swiped his lower lip. “Makes sense,” she agreed. 

Liam pressed his palms against her ass cheeks; he sang softly in her ear as he swayed his hips against hers.  

And life is heaven, you see  'Cause I love Lucy, yes  I love Lucy  And Lucy  Loves me! 

“My name’s Liv”, Olivia corrected with a giggle as she gently wriggled out of Liam’s embrace. “C’mon, let’s get ready for bed,” she urged as she headed for the bathroom.  

Liam stuck out his tongue at her retreating back before glancing around the room. It was a typical hotel room, nothing really standing out or making it different from any other room. 

The door that led to the balcony was all glass with a brass doorknob; the hotel promised a 360◦ view of the city’s famed Harbor from the patio. The couple planned to have breakfast there in the morning. 

There was a workstation; a large, wall-mounted television; coffee maker and microwave; and the bed: queen-sized, four-poster, and centered against the back wall.  

His eyes widened when he saw the wall to the side of the bed. It was covered floor to ceiling, and side to side with a … mirror.  

Well, that was different.  

Liam approached the bed, kicking off his slippers as he went; he stared curiously at his reflection before climbing atop the bed and resting on his haunches. He then lay on his back, turning his head to continue staring at his reflection.  

He impatiently pushed his hair off his forehead before rolling over onto his stomach; pressing his palms against the bedcovers, Liam pushed himself up with his arms, still watching himself. He imagined Liv beneath him, her pale legs scissored across his back as they watched themselves. 

This could be fun.  

“LIVVY!” he yelled excitedly over the sound of water running in the sink. “There’s a MIRROR! On the WALL! By the BED!” 

The water turned off; Olivia sauntered into the room; her face was scrubbed clean of makeup, damp ends of her hair curling, and wearing a red lace bra with matching panties. A sultry smirk curved her lips.  

 Liam caught sight of her in the mirror’s reflection, and visibly gulped. Liv only wore matching underwear when they were going to have sex.  

“Ai yi yi yi”, he muttered as he bounded off the bed and hastily divested himself of the smoking jacket.  

Olivia was now standing directly in front of Liam; after guiding him to the other side of the bed, directly against the wall so he could see them both in the mirror, her red-tipped fingernails trailed a path from his throat to his belt buckle before unfastening the belt. She slid to her knees, pulling the pants zipper down with her teeth. Her eyes looked up at Liam.  

“Care to hear me do some ‘splaining?” she purred as her hand reached inside the opening and pulled his cock out.  

Liam never answered; he was too busy staring at Liv’s reflection as her mouth swallowed his manhood. 

Drake x Madeleine 

“Open your mouth, and stick out your tongue,” Madeleine demanded.  

Drake’s chocolate brown eyes stared up at her before raking over her body, his gaze settling on her chest. “Take off your shirt,” he countered.  

Madeleine exhaled a frustrated sigh that fluttered her bangs as she crossed her arms over her chest. “Damnit, Drake! You’re sick, and I need to take your temperature to make sure the meds are working.” 

Quickly covering his mouth, Drake Walker let out a series of deep, wet coughs that rattled the congestion in his chest.  

“They aren't”, he rasped as he wiped his nose with the back of his hand. “Tits would help. For sure.” 

With a horrified look, Madeleine hastily grabbed and thrusted a bottle of hand sanitizer in his face. “WIPE!” 

Rolling his eyes, Drake took the bottle; he then complied with his girlfriend’s first request. He slathered the disinfectant over his hands while Madeleine inserted a thermometer under his tongue.  

His temperature was 102◦; two degrees lower than it had been three hours ago. Uneasy relief washed over Madeleine’s features.  

“You should take the meds on a full stomach. You hungry?” 

Drake turned onto his side, adjusting the pillows beneath his head as he did so. “Not really, but we both know you’re gonna harp on it until I give in. I think I have some canned soup in one of the kitchen cabinets.” 

Madeleine nodded absently as she stepped into the bathroom to run the instrument under hot water in an attempt to kill the cooties her boyfriend more than likely transferred onto it. She heard Drake’s question when she turned the water off. 

“When are you giving up that broom closet you’re living in to move in with me?” 

“Don’t start,” Madeleine warned with a shake of her head as she re-entered the bedroom.  

“Start what? You’re paying $1300 a month to RENT A ROOM! You could move in here with me and pay HALF that and it would be a whole ass apartment! You could start saving, pay down that credit card debt of yours …” 

“I prefer to have my own, Drake!” 

Madeleine’s boyfriend rolled his eyes. “You HAVE your own RIGHT HERE, RIGHT NOW!  Clothes! Shoes! Makeup! Oat milk! And if we’re talking preferences, I prefer to wake up with you in my bed every morning. I prefer to glare and glower at you from across the room when we argue instead of sitting on the phone in awkward silence. I prefer to not have to wait for make-up sex!” 

Madeleine shifted uncomfortably, scuffing the toe of her sneaker against the carpet. Her green eyes peeked up to sneak a glance at Drake, whose bleary eyes stared at her with a mixture of frustration and hopefulness. His fingers idly played in his chest hair. 

“Why won’t you just accept this greatness?” he huffed accusingly.  

Madeleine rolled her eyes in a here we go again way. 

She and Drake were in love with each other. They were the odd couple of the group: The WASP and the Blue-Collar Worker, but they fit each other like a glove. Most of the time.  

Cohabitation should have been the next logical step in their relationship. 

Madeleine found it nice to come to his U Street apartment after work and find him cooking them dinner while she mixed killer cocktails to help them unwind from their day.  

Or for her to be the first one awake and cook them breakfast, making sure to prepare the thick-cut bacon he liked, and brew the dark-roast coffee that was his favorite before sharing morning-breath kisses. 

Drake making sure Madeleine had the apricot and cream body wash that cost a small fortune, and high thread count Egyptian cotton towels she insisted upon for her showers. 

While their relationship was highly sexual, it was not sexually based. There were debates and discussions covering a gambit from international events and politics to cooking meats with mustard. The only thing they could never agree on was music: Madeleine was a Swiftie, and Drake was 70s rock and country. They shared a love of exercise and the outdoors; weekends usually found them taking day trips to Shenandoah to hike the trails, snacking on the beef jerky Drake loved and Madeleine tolerated. 

But people broke up all the time … over the most minute and ridiculous things. And Madeleine knew she could be an anal-retentive pill most of the time. She wasn’t going to be heartbroken and house hunting if things went south with Drake.  

Madeleine had been instilled from an early age that God blessed the child that had their own. 

“I’m not going to be that chick if we don’t work out," she stated in a small but firm voice as she sat at the foot of the bed; close enough to show support and comfort, far enough away to maybe being in a germ-free zone.  

“You’re saying that after I just asked you to move in with me for the 100th time?” Drake huffed before another coughing fit overtook him.  

While Drake hacked up a lung, Madeleine looked around the bedroom, wondering if he had any masks around. The couple locked eyes briefly, chocolate fastened on emerald. 

 “You could dump me at Target or something!” she countered as she alternated between awkwardly patting his back and scooting further away from him. 

When the coughing subsided, Drake pointed to the nightstand on Madeleine’s side of the bed.  

“Masks. Bottom drawer.” 

Drake knew her. 

“As for dumping you, you don’t shop at Target; it’d have to be Macy’s.” 

So well.  

Leo x Riley B. 

Leo Rys hefted an oversized, too-full sriracha red snapper taco in both hands before greedily biting into it. He let out a low grunt of satisfaction as flavors and spices exploded over his tongue and crumbles of taco shell fell onto his plate.  

Saturday afternoons couldn’t get much better than this: wearing his most comfortable shirt; hanging with his girlfriend Riley Brooks, who was his favorite person in the world; and lunch at his new favorite eatery, Tia Maria Tacos. Bonus: they had scored an upstairs window booth that overlooked the Potomac River. 

Normally for the pair, Saturdays were for sleeping in and being lazy; 24 hours of partial nudity and horizontal positions suited them just fine after clocking out of work on a Friday afternoon. Especially if they had worked a full week.  

But Riley had been in a funk lately; she had been to five job interviews over the past month; good interviews, where she had been a top-two contender. However, that hadn’t been good enough. Riley had been passed over every time, for each job.  

Requests for feedback had not been helpful; hiring managers told her they couldn’t go wrong regardless of who they chose for the position. Riley’s ego was bruised, her esteem low. Despite her having a job that she had worked for the past 10 years ... a job she did damn well ... she was now comparing herself to Penelope, for Chrissakes.  

Leo knew he had to do something, so he planned Date Day.  

They began at Lincoln’s Waffle House for breakfast followed by a couples’ massage in Cleveland Park. Riley wanted to visit a tarot shop; Leo was agreeable. They both got readings, and she purchased a deck of tarot cards along with a strand of chakra beads.  

From there they went to Georgetown, navigating the crowds and perusing shops. A French bakery was offering a European tea meal; Riley looked at Leo with hopeful eyes that quickly filled with dismay at his emphatic refusal. An hour later, laden with bags from a vintage clothing shop, a sex store, and a spice-filled storefront, they decided they were hungry; Leo suggested tacos.  

He took a long swallow from his bottle of beer, his gaze fixed on Riley who had a plate filled key lime shrimp, Korean BBQ, and spicy chicken tacos, along with a serving of nacho fries. She felt his gaze and looked up to smile at him before taking a healthy bite of the shrimp taco. 

Her eyes widened with surprise before closing in bliss. 

“Hmmmmmm, this is soooooo good, Leo! I mean, it ain’t Chinese food but still like, hella good! Thank you for suggesting this place!” she said around a mouthful of food.  

“Anytime, boo,” he replied with a wink as he reached into her plate for fries covered in nacho cheese and seasoned ground beef.  

“And thank you for cheering me up today. It’s the reminder I needed that the Universe is just doing what it does, and all those hiring managers are just bitches and heifers.” 

Leo dragged his fork through seasoned beans and rice. “They weren’t the jobs for you,” he assured her.  “YOU are smart, funny, kind, and the greatest asset any person or job can have, and the right organization will recognize that. Not to mention you’re fucking gorgeous, and do you have any idea how hot you are?” 

Riley bit into the spicy chicken taco, and quickly took a sip of her Sierra Mist with lemon. She nodded at Leo. “How hot I am? Yeah, I know ...  and the answer is not very.” 

Leo chuckled as he shook his head. This woman.  

He and Riley were the couple that were never supposed to be. Both had had extremely bad luck with love, resulting in deeply rooted trust issues; the issues were more prevalent on Riley’s end than Leo’s.  

They were both ambiverts, which loosely translated meant that there was no guarantee that plans made at 10am would still be in effect at 5pm. And you couldn’t be angry about it. 

Physically, neither was the other’s type. Leo was a touch too lanky and fit for the buxom Riley; for Leo, Riley had a few too many inches in height, and was a tad curvier than he was used to. They met via Tinder, and it was supposed to be a one-night stand. 

But their chemistry was off the charts.  

But the sex was too good.  

But their pillow talk left them curious to know more about each other while fully clothed.  

Long story short … she kept him wild, and he kept her safe.  

Before Leo could reassure his girlfriend that she was indeed VERY hot, her eyes trained on someone at a table near the back wall; they narrowed in anger as she tossed her food onto her plate while muttering, “What the actual FUCK?” 

Leo looked around puzzled, wondering WHO happened. Because with Riley, it was never a what.  If he could change two things about his woman, it would be her incredible grudge-holding talents and her penchant for public confrontation.  

Only one table in the far corner was occupied.  A Latina, facing them, was excitedly showing off one of her purchases to her male companion; Leo squinted, determining that the girl was proudly displaying a pair of earrings.  

He swung back around, a look of confusion on his face. “Who are we hating on here?” 

Riley dramatically pointed her index finger at the Latina. “HER! She told me I was a SHOO-IN for that freaking job!! AND THEN WENT WITH SOMEONE ELSE!” 

Leo looked even more confused. “Which job? There were five of them!” 

Riley didn’t answer. She was too busy scowling at the woman across the room while alternating between shaking her fist and making symbols with her fingers.  

“Babe, what are you doing?”  

“Throwing gang signs!” 

“DC DOESN’T HAVE GANGS!” Leo argued. 

“IT DOES NOW!!” 

So much for a peaceful outing and letting the Universe do its thing. 

Maxwell x Penelope 

 “I cannot believe you right now, Pen!” Maxwell Beaumont seethed as he rubbed the heels of his hands against his closed eyes.  

The Communications and Marketing Director inhaled and exhaled deeply, slowly. It was rare that anyone or anything upset Maxwell, much less angered him; but if anyone could knock him off his equilibrium, for certain it was his girlfriend, Penelope.  

His girlfriend stared at him with her wide, pansy-blue eyes before quickly licking her pink-glossed lips. She ran slender, pale fingers through her black hair, then tightened the belt of her pink silk robe. Penelope outstretched her arm, her fingertips grazing the fabric of her boyfriend’s shirt; at his look of frustrated rage, she quickly pulled her hand back.   

“Max,” she began in her breathy voice, “I know you’re upset with me, but I HAD to leave that godawful job! The commute sucked and who knew data entry was so … exacting? It’s a miracle I lasted as long as I did!” 

By the time she finished her explanation, her hands were gesticulating wildly about, and her tone of voice had become a shriek.  

Maxwell turned his back on Penelope to go into their kitchen; still hot Italian food sat on the stove, wrapped in plastic bags. He hollered at her while he began unpacking what was supposed to be a celebratory dinner for Penelope’s new job.  

“IT WAS A TELEWORK POSITION! That you were LATE for BOTH DAYS you worked! And it was MAIL MERGE, NOT DATA ENTRY!” He turned to glare daggers at her. “I don’t know what’s worse, the fact you put forth entirely ZERO effort into at least TRYING to become a member of the working class, or that you lied to me the entire week about still having the damn job!” 

An angry retort sprang to her lips; Penelope debated continuing the argument but thought better of it.  She had known the lie would catch up with her, but she had been hoping it would have been after the dinner. Carmine’s had the most amazing food, and Penelope was in love with their broiled Lobster Oreganata, Porterhouse Pizzaiola, and pasta with meatballs and sausage.  

With Maxwell’s back facing her, Penelope quietly tiptoed into the kitchen, trying to neither be seen nor heard. She peered over her potentially ex-boyfriend's shoulder, salivating at the sight and smells of containers filled with pastas, meats, and sauces.  

Maxwell felt his girlfriend’s eyes on him and exhaled a silent breath. He should have known from their first meeting that Penelope was not relationship material.  

They met at 9:30am on the elevator at the office building Max worked in; it was Penelope’s first day at a company occupying the entire third floor. At 11am, Max was back on the elevator hellbent on a Starbucks run; the elevator stopped at the third floor and Penelope entered, her blue eyes filled with tears.  

She had been let go from her new job in less than 90 minutes. 

Max was a sucker for a damsel in distress. He dried Penelope’s tears, treated her to a coffee, and offered to take her out on a date. That had been over two years ago, and if the woman had worked a cumulative 40-hour work week since, he knew nothing about it.  

He had asked the gang if their companies were hiring; Liam laughed so hard, his drink came out of his nose. Riley, who worked with Max, rolled her eyes as she muttered, “You already know.” Everyone else shook their heads vigorously. 

For a brief period, he had even let her be a stay-at-home girlfriend, but that definitely didn’t work out; Penelope couldn’t cook and had no concept of housekeeping. He had to pull from his savings to replace his wardrobe when she tossed his lights, darks and half a bottle of bleach into the washing machine. She was asleep when he left for work, and asleep when he returned home.  

Irresponsible was too inadequate of a word to describe his girlfriend. She was a money pit in addition to being careless, thoughtless, and an emotional vampire. 

But Maxwell Beaumont loved Penelope Ebrim. She could be sweet, buying him small gifts that brought a smile to his face. She mixed mean cocktails, had a killer sense of humor, and was a terrific dancer. She just needed to find her way.  

Apparently, God had chosen Max to help her do so.  

“Pen, you have GOT to find and keep a job!” Max stated in a firm tone that brooked no argument as he prepared her a plate of lobster, pasta with garlic and oil, and shrimp parmigiana.  

When Penelope saw Maxwell piling a plate with Italian yumminess, she had moved to the cabinets to grab a bottle of wine and two glasses. She was setting them on the dinette table as she debated coming clean in her reply. 

“I may have found something; I’m supposed to have an interview Monday.” 

Max set the serving spoon down as be swung his head to look at his girlfriend in surprise. “Why didn’t you tell me this?” 

“I was waiting until afterwards so I could surprise you!” Penelope crowed happily.  

“Well, where? With who?” Max’s smile covered his entire face as he resumed plating food. 

Maybe things were looking up.  

Penelope expertly removed the wine bottle’s cork and began pouring sparkling merlot into the glasses.  

“The interview is at The Greene Turtle, and it’s with a temp agency called Daddy’s Little Girl. Basically, I would be having lunches and meetings at hotels with older men for an hourly rate.” 

Maxwell had plates in both hands, which he slowly lowered onto the kitchen counter; his every movement displayed his disbelief. There was no way his girlfriend had applied for a job as an escort.  

No.Way.  

“You’re going to be a prostitute?” he choked out.  

Penelope had just taken her seat. She looked up at Maxwell in horror at his words.  

“NO!! Why would you say THAT?  How could you even THINK THAT of me??’ It’s like lunch meetings or something!” 

“NAKED LUNCH! Pen, NO ONE is paying a woman … a PRETTY WOMAN … to just “have lunch”!! And meetings in HOTEL ROOMS? What the ACTUAL fuck?” 

“It’s working lunches, sometimes dinners, with out-of-town business entrepreneurs who need someone to take dictation!” 

Max’s face dropped into his open palm.  

“The going rate is $150 an hour! I was told with my looks and appearance, I could be in huge demand,” Penelope argued.  

“WHEN DID THEY SEE YOU?” Max yelled as he threateningly shook a plastic spatula in Penelope’s direction. 

“I saw the ad on Craigslist and called the number in the listing, then did a Zoom with the manager.” 

Maxwell Beaumont stared at his girlfriend for a long, silent moment before exiting the kitchen and heading for their bedroom.  

“MAX! Where are you going??” 

“To have a talk with God.” 

Penelope stared at his retreating back with a furrowed brow before shrugging and rising to fetch her dinner.  

“Tell Him I said heyyyy.” 

Max’s response was to slam the bedroom door. 

Tagging: @ao719 @jared2612 @marietrinmimi @indiacater @kingliam2019 @bebepac @mom2000aggie @liamxs-world @liamrhysstalker2020 @twinkleallnight @umccall71 @superharriet @busywoman @beezm @gabesmommie1130 @tessa-liam @gardeningourmet @mainstreetreader @angelasscribbles @emkay512 @princessleac1 @charlotteg234 @alj4890 @lovingchoices14 @lady-calypso @walkerdrakewalker @queenjilian @kristinamae093 @choicesficwriterscreations

[driftwork]

names, most surnames (2)

Allow me to apologize again for this partial list of names in the library,  titles available on request…

amis, acker kathy, ackroyd peter, abbey edward, aldiss brian, alcott louisa, m. anonymous, aldiss brian editor, ackroyd peter, allende isabel, acker kathy, adair gilbert, adams richard, asimov isaac, alcott louisa m., austen jane, azhayev vasili, asimov isaac, austen jane, ableman paul, amis martin, atwood marga,ret adams richard, abish walter, burroughs edgar rice, benn melissa, butler samuel, blyton enid, beckett samuel, beckett samuel, blyton enid, billington rachel, burnford. sheila, burroughs edgar r,ice bentley phyllis, burney francis, burroughs edgar rice, burroughs edgar rice, compton-burnett ivy, bryant arthur, burchard johann, bryant arthur, brame charlotte, bryant arthur, boll heinrich, buckeridge ant,hony boston l.m., buchan john, brightwen mrs illustrated by f carruthers gold, bronte charlotte, bradbury ray, banks lynne reid, barr pat, betto fre,i baxter stephen, banks iain, bronte charlotte, bryant arthur, banks iain m illustrated by nick day, bradbury malcolm, bell adrian, ballantyne r,.m. balzac honore de, benson e.f, barth richard, barrie j.m, bainbridge beryl, bronte emily, ballard j.g, bronte charl,otte borden mary, black lionel , bellow saul, introduced b,y j. michael walton wilde oscar, salgado gamini, ready stuart, besier rudolf, salgado gamini, euripides, euripides, williams t,ennessee sophocles, ionesco. eugene, ibsen henrick, marillier chri,stabel jonson ben, bennett alan, ionesco eugene, brenton. howard, stoppard tom, pinter harold, aristophanes, arnold mathew, daisenberger j.a., stoppard tom, eliot t.s., creeley rob,ert chaucer geoffrey - edited by walter w. skeat, cronin a. j., carr j. l., cooper edmu,nd colette, chevalier tracy, cosse laurence, christopher joh,n chatwin bruce, collingwood h, cather willa, cattieuchlan, crane stephen, calvino italo, collier eric, cela camilo c,ela crichton micheal, carpino f. brancaccio di, comrie margaret s., chabon michael, crofts freeman wills, carre john le, crace jim, michael co,x and r. a. gilbert cheever john, cardetti raphael, coolidge clark, chevallier gabr,ial coxe harmon george, cronin a. j., cheyney peter, conway hugh, cullum ridgwell, christian catherine, crace jim, crace jim, dickens charles, dickens charles, dunn nell, defoe dani,el bernheim emmanuele, doctorow e.l., chesterton g. k., donleavy j.p., bronte charlotte, duggan alfred, delany samuel r. - petaja emil, durrell gerald, dallek robert, dickens charles, dickens charles, dalby richard ed,. dickens charles, chang jung, delacorta, dickens ch,arles dickens charles, conan-doyle arthur, du maurier daphne, dostoyevsky f.m, durrant valentine, durrant valentine, donoso jose, delillo don, delillo don, defoe daniel, defoe daniel, duke neville, colette, camus albert, cheever john, egan frank, eastwood helen, england barry, duke of windsor, eden emily, egan greg, edwardson ake, franken rose, fowles john, frzer douglas, fielding henry, frankau gilbert, featherstone don,ald fyson j.g., fitzgerald f. scott, fyfield francis, fletcher h.l.v., ford madox ford, fuentes carlos, fuentes carlos, fossum karin, fielding henry, fielding henry, fox gardner f., forester c.s., flaubert gustave, forsyth frederick, fitchett w.h., faulkner willi,am gallico paul, garfeld leon, galsworthy john, gaskin catherine, goldring douglas, greene graham, fletcher j. s., goldsmith olive,r grey zane, faulkner william, grisham john, greene graham, green f.l., delany samuel r, fenn george manville, gide andre, grimwood jon courtenay , gordimer nadine, grisham john, greene graham, greene graham, grass gunter, galsworthy john, gray malcolm, gou xiaolu, goldsmith oliver, greene graham, harsch rick, hill weldon, hall radclyffe, hibbert christopher, hanley james, hemingway ernest, hardy thomas, horvath odon von, conan-doyle arthu,r scott-giles c.w., kollings ken, herbert a.p., houellebecq m,ichel hawes james, holt anne, hopkins r. thurston, huxley aldous, hawkins paula, holwell william, indridason arnaldur, inoue yasushi, ishiguro kazuo, houellebecq michel, hesse hermann, hemingway erne,st hamilton peter f., howard cecil, hyland ann, jewett sara,h orne - with a preface by willa cather joinville & villehardouin, jelinek elfriede, james m. r., jonke gert, moyle j.b.  (translator) - justinian, johns capt. w.e., jerome jerome k, jenkins elizabet,h jenkins elizabeth, james m. r., kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, kerr j. lennox, kipling rudyard, kilvert rev francis, kipling rudyard, kipling rudyard, kent nora, kipling rudyard, king stephen, kipling rudyard, kipling rudyard, kipling rudyard, khadra yasmina, khadra yasmina, kipling rudyard, kipling rudyard, lovell ann, koontz dean, lucas-philli,ps c.e. kafka franz, leyner marx, linklater eric, kipling rudyard, kipling rudyard, kennard mrs. edward, kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, leskov nikolai, leyner mark, lewis norman, carre john le, lee laurie, kilver francis - edited william plover, leyner mark, laver james, lear edward, lever charles, laing e.t., carre john le, longmate norma,n lane jane, lewycka marina, baker margaret, llwelyn davis w,eeks forestier-walker and bor wenstrom o. edmund and harlock walter e., rensschler eric, st. claire byrne muriel, day mabel  (edited by), linklater eric, linklater eric, linklater eric, martel yann, lewis c. s., lee laurie, longford elizabeth, lewis c. s., mason a.e.w, maupassant guy de, maclean alistair, masters john, reich-ranicki marcel, melwood mary, mathews basil, mackenzie fait,h compton maxwell  w. b., macleod m kathleen, mcwilliam candia, mee arthur, marquez gabriel garcia mendoza plinio apuleyo, maurois andre, maclean alistair, mankowitz wolf, masefield john, marryat captain, macnamara brinsley, morris william, murdoch iris, mandelstam. osip, morris william, murdoch iris, mustoe anne, morris william, morris william, bradbury ray, gifford barry, miller henry, maturin charles, millet lydia, mitchison naomi, michener james, mcewan ian, miln lousie, jordan mitford mary russell, menglong feng, munthe. alex, moran lord, nicholl charles, new yorker the editors, oppenheim e.phillips, o'neill jamie, oppenheim e.phillips, nin anais, nairne a, hughes-pa,rry j. powell anthony, ponsonby d.a., price anthony, pangborn edgar, pollard velma, priestley j.b, barry n. malzberg & bill pronzini, powell anthony, nabokov vladimir, porter sheena, peacock thomas love, pratchett terry ian ,stewart and jack cohen powell anthony, percy w. s., needham violet, raymond diana, russo richard, rice margery spring, rabelais, reed thom,as baines russ joanna, remarque erich maria, pearson hesketh, rezzori gregor v,on rolfe fr- frederick baron corvo, sayers dorothy l. sayers  (translator), renault mary, raphael frede,ric phillips adam, robertson e.arnot, pavic milorad, robinson heath, rendell ruth, read miss, robinson heath, rice elmer, rackham arthur, rutley c. bernard, renault mary, steinbeck joh,n smith alexander mccall, spyris 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orson, wood mrs henry, wren p.c, waugh auberon, white. t. h., white t. h., westo kjell, webster jason, wain john, quin b. g., westall rob,ert white t.h, wodehouse p.g, wodehouse p.g, westerfield sc,ott wodehouse p.g, zweig stefan, wodehouse p.g, urquhart r.e., wyndham john, wodehouse p.g, wodehouse p.g, waugh evelyn, wallace edgar, vine barbara, white patrick, virgil, vesaas tarjei, varesi valerio, vine barbara, updike john, young francis brett, vaizey george, wilde oscar, verne jules, wheatley dennis, updike john, markham mrs, vine barbara, vine barbara, kilvert rev francis, kilvert rev francis, new towns act 1946 -, leyser henrietta, perry anderson malcolm bull jan breman rob lucas david simpson rachel malik alexander zevin marco d'eramo, shaw george bernard, shaw george bernard, shakespeare william, shaw george bernard, shakespeare william, shaw george bernard, shaw bernard, shakespeare william, shaw bernard, shakespeare w,illiam shaw george bernard, shaw bernard, shaw george bernard, shaw george bernard, shaw bernard, sturgess keith (edited), euripides, matsumoto ,seicho lewis naomi, lang andrew, goethe, aristop,hanes pevsner nicholas, alvarez a., de la mare walter, larkin phillip, townsend sue, kyd thomas, euripides, lawrence d,. h. anderson w.e.k., marvell andrew, allan c.f., de la mare ,walter illustrated by edward ardizzone mitchell tony, plath sylvia, hobbs jack and hobbs margaret, spender stephen, whittier john greenleaf, millay edna st. vincent, bridges robert, steakley james , arkell reginald, thompson francis, arkell reginald, townsend sue, stamp l. dudley, keats john, farmer john s. , gollancz sir isr,ael and  day mabel and serjeantson mary s hood thomas, milton john, walsh michae,l (editor) barkow al, british sociological association, burgess tyrrell, bentley michael, braudel fernand, de botton alain, ardrey robert, barrow r. h., bennett joan, aylward j. d., albert marvin h., alford violet, ali ayaan hirsi, cookson mrs. nesfield, cecil david, 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tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, eggers dave, yurick sol, emecheta buchi, bryson bill, bryson bill, smollet tobi,as kapitanial thomas, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, stengers isabelle, browning. robert, walbank f. alan (,ed1ted and arranged by) roberts adam, kipling rudyard, ruskin john,

ellis john, hinton michael, chamoiseau patrick, martinez guillermo, willis connie, nemirovsky irene, rhys jean, joyce james, delillo don, mantel hilary, parker k. j., parker k. j., parker k. j., wilhelm richard, topol jachym, perez-reverte arturo, mcevoy j.p. and zarat,e oscar atwood margaret, sloterdijk peter, unit for research on the urban environment, perry steve, anderson kevin j, zahn timothy, hambly barbara, massey d, tucker paul hayes, anderson kevin j., smith p. robert, semprun jorge, crace jim, reynolds ingrid and nicholson charles, reynolds ingrid and nicholson charles bell ann, carre john le, grossman lev, tallis frank, hornby nick, tallis frank, newberry linda, coelho paulo, bryson bill, harris joann,e bond terance james, hopkins gerard manley, haviaras stratis, hoban russell, benson peter, pears iain, gray robert, wiggins todd, price richard, perez-reverte arturo, hoeg peter, flaubert gu,stave ivan illich irving k zola john mcknight, runyon damon, frei max, chaponnie,re 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stu,art hornby nick, hornby nick, roberts adam, roberts adam,de teran lisa st aubin, ocampo silvina, lewis oscar, delillo don, perri francesco, gass william, hennessy peter, cumming charles, maconie  stuart, twain mark, cleeves ann, corbett thig,pen & hervey cleckley milner gamaliel, sobel dava, hornby nick, hornby nick, leon donna, gardner helen , williams reese, nesser hakan, simon nicholson and sikina jinnah , sterling bruce, o'brien martin, sciascia leonardo, housing monitoring team, melville herman, thompson hunter s., roberts adam, helgason hallgrimur, malouf david, delillo don, chabon micha,el solomons natasha, marriott edward, holt tom, holt anne, whitehouse david, taylor mildred d., sillitoe sir percy, miller john, dostoevsky fyodaor, denny norman (compiled by), roberts adam and verne jules, coe jonathan, barker nicola, junger sebastian, conan-doyle arthur, khoo thwe pascal, heller joseph, cortvriend. v.v., bryson bill, took barry, gifford barry, murphy c. e., charlesworth 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'doc', smith e. e. 'doc', silitoe alan, bonnot  xavie,r-marie pratchett terry, lessing doris, bowen elizabeth, allen woody, hamilton peter f., hamilton peter f., millar martin, barker howard, barker howard, steinbeck john, hardy thomas, smith zadie, johnson air vice marshall j.e., lewis sinclair, gentle mary, izzo jean-cl,aude forster e.m, webb beatrice, kiefer anselm, harkaway nick, cheever john, cordell aleander, plener pytan, council for c,hildren's welfare lovecraft h. p., harrison harry, mah adeline yen, heinlein robert, smith e. e. 'doc', knausgaard karl ove, bartlett jamie, feist raymond, osbourne lawrence, renoir jean, paasilinna arto, thirlwell adam, trollope anthony, twain mark, bataille georges, bataille georges, bataille georges, bataille georges, emily morris kevin pask marco déramo  kristen surak wolfgang streeck frederic jameson hung ho-fung, gaston sean, shannon samantha, nash ogden, st john madelaine, hill susan, de botton alain, reynolds alaistair, reynolds alaistair, fine. anne, rushdie salman, allingham margery, grimwood jon courtenay, welsh itvine, melville-ross antony, swift graham, hiaasen carl, beeton mrs, mcguane thomas, cheever john, crisp quentin, klossowski pie,rre barker george, rankin ian, mayne andrew and shuttleworth john, wainwright gordon, ivor noel-hume and audrey noel- hume, heller joseph, wilson barbara, reynolds peter, newman ernest, pickering kenneth, rankin ian, van horn er,ica tchaikovsky adrian, leon donna, lerner ben, brantenberg, gerd martinez guillermo, musil robert, baxter stephen, markaris petros, gaiman neil, deren maya, virilio paul, ballard j. g., heller joseph, sahgal nayantara, marshall bruce, chadbourn mark, nesser hakan, glade merton, shepard lucius, theilkuhl wolfg,ang sawyer robert j., moore christopher, glendinning victoria, vesey-fitzgerald bria,n bennett vanora, smith alexander mccall, allingham margery, allingham margery, e.c.bentley and h. warner allen, allingham margery, simenon georges, gide andre, walker martin, iyer lars, ings simon, allingham m,argery friedmann john , marcus ben, marcus ben, southam b. ,c. enright anne, drinkwater olive, asher neal, asher neal, sullivan caitlin and bornstein kate, bradley a c, lahiri jhumpa, hiaasen carl, westerfield scott, johnson diane, cheek mavis, faulks sebas,tion asimov isaac, edwards ruth dudley, lackey mercedes, blunden edmund, mckinley robin, duffy stella, steinbeck john, davies andrew, donoghue emma, asher neal, grimwood jon courtenay, villalobos juan pablo, asher neal, asimov isaac, berlins marcel and wansall geoffrey, leonard elmore, proulx e. anne, tennyson alfred, dyer geoff, reynolds al,aistair reynolds alaistair, reynolds alaistair, roig jose miguel, yevtushenko yevge,ny livio mario, hardy thomas, head bessie, mill j.s, tanizaki junichiro, pinborough sarah, pinborough sarah, williams nigel, jonathan ross and tommy lee edwards, tor krevor andre singer thomas piketty goran therborn teri reynolds perry anderson josh berson  william davies marcus verhagen, robin blackburn perry anderson wang lixiong jacques ranciere micheal hardt  geoffrey ingham  terry eagleton peter lagerquist timothy bewes gunter grass pierre boudieu, n. e. thing enterprises , donoghue emma, coupland douglas, mankell henning, fred halliday er,nest mandel  heather  maroney riccardo parboni satyajit ray

pablo iglesias mike davis francis mulhern joann wypijewwski joshua rahtz emma  fajgenbaum  r taggart murphy, evgeny morozov gopal balakrishnan wang chaohua  mauricio velasquez franco moretti jeffrey r. webber anders stephanson barry schwabsky, joshua wong frederic jameson joetrapido emilie bickerton sebastian veg  adam tooze achin vanaik franco moretti, gopal balakrishnan bhaskar sunkara  daniel finn francesco fiorentino  enrica villari  micheae denning blair ogd,en  vivek chibber susan watkins ching kwan lee neil davidson nancy ettlinger alex niven timothy brennan joshua rahtz emilie bickerton,mike davis giovanni arright, g tamas peter nolan koza yamamura asef bayat  benedict anderson tariq ali ian birchill kheya bag  regis debray, dark horse comics, dark horse comics, warren ellis lee bermejo david baron, warren ellis lee bermejo david baron, warren ellis lee bermejo david baron, damon hurd with pedro camello, brian wood /  becky cloonan, chris claremont jim lee scott williams, dark 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jim valentino chance wolf dan davis, jim valentino chance wolf dan davis, mckillip patricia a., du maurier daphne, elgin suzanne haden, de teran lisa st aub,in collingwood r. g., winterson jeanette, carmody isobelle, perry steve, egan doris, moorcock michael, gaiman neil, gilden mel, larry niven jerry pounelle micheal flynn, eddings david, cooper louise, weaver micheal, claremont chris, hamilton laurell k., kepler lars, nothomb amel,ie staig laurence, wood anthony, murrary linda, kaveney roz di,tor plato, cumming elizabeth and kaplan wendy, reiss johanna, glover jonatha,n goodman nelson, plato, carmody isobelle, wilson robert cha,rles wilson robert charles, wilson robert charles, johnson george, kepler lars, brookmyre christopher, jordan robert, kinsella sophie, jewell lisa, parent gail, gibson williams, kinsella sophie, carofiglio gianr,ico hesse hermann, nesbo jo, duane diane, higginson wi,lliam j. ferguson margaret.  salter mary jo. stallworthy jon, evanovich janet, evanovich janet, bennett alan, blaylock james p., aylett steve, roffey monique, chambers clare, sedaris david, warner alan, cross amanda, lee harper, brookmyre christopher, lawrence louise, levi primo, coupland do,uglas homesa. m., wesley mary, nicholson geoff, chambers clare, chambers clare, lee chang-rae, ahmed rollo, gowdy barbar,a suri manil, brickell christopher (editor), adelson warren et al, ishiguro kazuo, curley marianne, miller alexander, macleod ken, diamond jare,d persson leif g.w., littell robert, anderson poul, hamilton laure,ll k. nicoll andrew, miller mark and mcniven steve, wells h.g., xing jan, robinson kim stanley, dahl roald, chandler arthur, breznik melitta, jordan robert, cherryh c.j., sayers dorothy l., dow kristin and do,wning thomas e. mccaffery anne, brent-dyer elinor m., jordan robert, crichton miche,al evanovich janet, williams john, schlosser eric, murphy pat, trollope joanna, mcintyre vonda n., lackey mercedes and dixon larry, lackey mercedes, duane diane and morwood peter, lewis jon e., mccaffery anne, mccaffery anne, jewell lisa, holden wendy, binchy maeve, duane diane, mccaffery anne, mccaffery anne, lovelock james, eddings david, besher alexander, mccaffery anne, barnes john, briggs ian, leon donna, mcdonagh martine, stackpole micheal a, blake william, nassib selim, rankin robert, child lincoln, goudge elizabe,th de teran lisa st aubin, beukes lauren, ridge antonia, greenland coli,n palmer stephen, crais robert, kirstein rosemary, duane diane, lawrence sara, bronte charlotte, plater alan, jones j. v., norriss andrew, girling brough, jordan robert, jones j. v., jones j. v., konwicki  tadeusz, bateman colin, erpenbeck jenn,y scarpa tiziano, lisick beth, warner alan, evanovich ja,net dalby liza, warner alan, adler-olsen  jussi, alcott louisa m., dickinson peter, hicyilmaz gaye, lindgren astrid, lucas george, davies russell t., bendis brian micheal and  maleev alex, bawden nina, gross philip, foster alan dean, anderson kevin j, lucas george, glut 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stieg, anthony piers, mcdevitt jack, lostetter marina j., richardson dorothy m., scott m. k. c., gaskall mrs, talbot-booth e. c., whitman walt, le carre john, shelley percy bysshe (introduction phyllis hartnoll ), holt tom, tett gillian, shepard luciu,s grimwood jon courtenay, proust marcel illustrated by phillipe julian, fenn jaine, caldecott a,ndrew caldecott andrew, harvey colin, mcauley paul j., mcdonald ian, mcdonald ian, linklater eric, pliny, nesbo ,jo mcauley paul j., brown eric, backman fedrik, de la motte and,ers galbraith robert, dahl arne, watkins susan, anderson perry, watkins susan, watkins susan, watkins susan, bull mccormack, badiou hart blackburn therborn sarfattio watkins susan, watkins susan, watkins susan, watkins susan, susan watkins benedict anderson franco moretti, hallward collini 'retort' bickerton, jean baudrillard giovanni arrighi richard gott rgis debray, watkins susan, anderson perry, anderson perry, watkins susan, watkins susan, tom mertes peter gowan 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eastland sam, kadare ismail, hertzberg max, grancsay stephen v., mcintyre vonda, kafka franz, piketty thomas, greene harris, butcher jim, ordnance survey, brodie bernard and fawn, kornbluth c. m., bull emma, seigel martin, imlah mick, thomas edward, maclean alista,ir de giovanni maurizio, banks iain m, banks iain m, banks iain, corey james a., corey james a., carver raymond, mason paul, reynolds alaistair, lagercrantz david, lagercrantz david, shakespeare willia,m brooks rosetta , brooks rosetta , grant richard, scudder bernar,d (translator) bull emma, eliot george, kadrey richard, lowry malcolm, de la motte anders, aaronovitch ben (cartmel williamson renne), dick lesley, herbert fran,k setterfield diane, lyall gavin, carr caleb, mcintyre vo,nda groening matt, groening matt, dark horse comics, groening matt, greene graham, gunn kirsty, klein rachel, bussi michel, wiltshire professor patricia, collins bridget, ford ford madox, bishop micheal, brandao ignazio de loyola, kube-mcdowell 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josephine, reig rafael, lawrence d. ,h. vinge vernor, brown eric, grimwood jon courtenay, stross charles, maddox tom, ellis bret easton, de teran lisa st aubin, aldiss brian, fleming jim and wilson peter lamborn, kepler lars, roslund and hellstrom, kepler lars, cartmel andrew, ripley mike, lyotard jean-francois, stross chalres, kristjansson snorri, king laurie r, powell gareth l., costantino maria, various, mosley walter, brown eric, brown eric, nespolo matias, king laurie r, le carre john, cheever john, campbell john w. , ferman edward l. , oatmeal matthew inman, le carre john, niven larry, zetford tully, ripley mike, le carre joh,n boardman tom, candlish louise, gombrich e.h., shaw george be,rnard jones diana wynne, kennedy emma, jones ruth, gardiner be,cky  wainwright martin , bates stephen , meer malik, sylvain dom,inique paolini christopher, bourdain anthony, horowitz anthony, hugo victor, hesse hermann, tolstoy leo, hawtree christopher graham greene, hilbig wolfgang, barnes 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algernon, arnold n. scott, leckie ann, cobley michael, levy david, bywater mic,hael brennan marie, fuller steve, fuller steve, fuller steve, tom taylor , jeremy rapack , mik s miller, tom taylor , bruno redondo , ball philip, morden simon, conan-doyle a,rthur pratchett terry, lovegrove james, sartre jean-paul, simenon georges, allan nina, plato, brown eric, cumming cha,rles moore christopher, mieville china, genna  giuseppe, aldiss brian, davidson lionel, adams douglas, russell eric frank, vance jack, cobley michael, cobley michael, furst alan, judd alan, king laurie r, gaiman neil, saint-exupery antoine de, aldiss brian, acker kathy, woolf virgina, mordern s. j., meaney john, anthony piers, christie agatha, smith cordwainer, smith cordwainer, dickson gordon, brin david, davidson lionel, cottrell leonard, rushdie salman, le carre john, brown eric, sayers doro,thy l. brown eric, szerb antal, szerb antal, von schrirac,h ferdinand barthelme donald, shakespeare william, jerome jerome k, kipling rudyard, duras marguerite, pavese cesare, ackroyd peter, tilly charles, thorton tim, reynolds alaistair, von arnim elizabeth, land nick, mackay robin, gould stephen jay, gould stephen jay, mackay robin, veal damion, wolfendale peter, ball philip, castoriadis ,cornelius chomsky. noam, dyson freeman, waldrop n. mitchell, wyatt sir thomas, watson james d., macrae  donald g, larsson stieg, noon jeff, rowbotham sheila & segal lynne & wainwright hilary, carrion jorge, hilbig wolfgang, fermor patrick l,eigh parveeb adams beverly brown elizabeth cowie, parikka jussi, pelevin victor, kurkov andrey, introduced by j. michael walton, jones steve, russ joanna, bennett jane, morgan dan, hannah dolan elizabeth dowsett emma grange, judge dredd!, sayers doroth,y l. sayers  cox edward, vickers sally, nykanen harri, matheson richa,rd jenkins martin and swift jonathan, fleming ian, o'brien flann myles na gopaleen, gieysztor aleksander et al..., de beauvoir simone, sayers dorothy l., sayers dorothy l., de la mare walter, marnham patrick, cumming charles, enger thomas, sayers doroth,y l. lebor adam, dick philip k, naylor doug, amis martin, priest christopher, makine andrei, pratchett terry, carofiglio gianr,ico s. c. kaines smith, grenier jean, lessing doris, pratchett terr,y vickers sally, pratchett terry, pratchett terry, pratchett terry, pratchett terry, pratchett terry, pratchett terry, pratchett terry, akerman chantal, kevin eastman peter laird dave sim, tremain rose, hustvedt siri, evanovich janet, nesser hakan, cage john, van vogt a,.e karlsson jonas, lethem jonathan, singer peter, tuck rchard, leach edmund, floridi luciano, floridi luciano, rose mark (edito,r) skolimowski henryk, kunzru hari, sexton ed, arden kath,erine milanovic branko, helen pluckrose and james lindsey, pinker steven, brooks rosetta,  zizek slavoj, keene jogn, fox jeremy, collins jef,f myerson george, fox dominic, pallant kathryn, haggard william, haggard william, haggard william, henshaw lee, golumbia dav,id dawkins richard, dawkins richard, dawkins richard, kaplan robert, balestrini nanni and moroni primo, watkins susan, watkins susan, barry max, weir andy, kadrey richard, mcauley paul j., mcauley paul j., mcauley paul j., mcauley paul j., mcauley paul j., mcauley paul j., mcdonald ian, mcdonald ian, mcdonald ian, cavanaugh wil,liam t. corina john, lee yoon ha, unt mati, simcox ad,am ripellino angelo maria, morgan richard, setterfield diane, morgan richard, stross chalres, garner alan, bassini giorgio, jennings luke, jennings luke, jennings luke, mordern s. j., novick naomi, novick naomi, macleod ken, reynolds alaistair, reynolds alaistair, afary janet and anderson kevin b, quignard pascal, queneau raymond, arrighi giovanni, niffenegger audrey, quignard pascal, conklin groff, gibson william, quignard pascal, quignard pascal, atkinson  anthon,y b zelazny roger, karl frederick and hamalian leo (edits), modiano patrick, foer jonathan sa,fran chekov anton, garnier pascal, thiongó ngugi wa, crussi f. gonzale,z forrest richard, delany samuel r., cadigan pat, damasio anto,nio damasio antonio, ackroyd peter, evans i. o. (editor), mcdevitt jack, van vogt a.e, stross charles, hamilton edward, pratchett terry, herbert frank, appia adolphe, king laurie r, brown eric, clifton mark and riley frank, mordern s. j., russell eric frank, kuttner henry, robson justina, tchaikovsky adrian, robson justina, mattelart armand and michelle delcourt xavier, dick philip k, cherryh c.j., pohl frederick and kornbluth c. m., graeber david, graeber david, robin blackburn, stiegler bernard, stiegler bernard and derrida jacques, llansol maria gabriela, benkler yochai, robinson kim stanley, anderson poul, jeter k. w., king lily, moorcock michael , leon donna, silverberg ,robert pratt tim, mcarthur maxine, moorcock michael , stephenson neil, carver jeffrey a., van vogt a.e, wollheim donald a. (editor), simenon georges, clarke arthur, mossman keith, okuda michea, and denise, gibson william, daly mary, sterling bruce , rankin ian, evans peter, j. coleman gabriella, edmund spencer, edmund spencer, patrick hamilit,on alexander moszkowski, jane austen, alexander moszkowski, christine brooke rose, helmuth plessner, zubrowsky

[allayedcosplay]

Fall for Costume: 2023 edition

1. Intro: Hi, I’m Allayed Cosplay! I’ve been cosplaying for 10+ years now, and like my creative process, my cosplay interests are all over the place. 🙃

2. The Beginnings: BBC Sherlock. 2013. I tagged along with @sennedjemcosplay and @silhouettecosplay to Anime Boston as Mycroft and the rest is history.

3. Autumnal Sun: Lyanna Stark at King Richard’s Faire last year. 🍂 It was a perfect fall weather day, and this is one of my favorite outfits to wear to KRF!

4. Small Budget, Big Results: I wasn’t sure exactly what to put for this one. ^^; Small budget was basically $0 since it was stuff from my closet [girl math], but the big result was that this was one of the most recent costests I’ve been really happy with!

5. Upcycled, Resurrected, Patched Up: My monster-hunting jacket for Nancy Wheeler used to be a bright pink color that I dyed with Rit dye and added faux sheepskin to.

6. Adventurous Outdoors: An outdoor shoot as Persephone from Lore Olympus! Very fun but I was ducking any cars that drove by or any neighbors that walked by. XD

Mycroft 📸: @sennedjemcosplay

Persephone&Lore Olympus: Rachel Smythe (ig)

[themadisynhuang]

Madisyn always thought that journalism was just like an easy way to get paid. All you did was gossip and type it up for a website or print. And poor people like her were always the subjects, pictures of them blown up and edited to fit the story, lies and slander and rumors out for the world to see. Regardless of the truth in Rachel’s initial article, or the facts stated in the reports released upon the influencer’s world crumbling, shit like that still hurt. And even if the woman before her wasn’t at the helm of the destruction of Madisyn’s life, it was nice to put a face to someone who could be blamed for all these injustices. “A couple of them quoted you. Warning signs, they put it.” She sniffed. “Yeah, guess we’re both here in Blue Harbor now.” Considering the information Rachel gave her, Madisyn wondered why she was here and not back in San Francisco or Boston. “Perfect place to run away to.” It was a complete stab in the dark but hey, anything to make this bitch feel just even the smidge unsettled.

Unfortunately, Rachel learned too late that she very much did not want Madisyn to remember her. She grimaced at the exclamation, feeling eyes on them. Whether that was in her mind or if that was actually happening, she didn't want to risk glancing around. "Uh, I mean I definitely was sent articles about it, yeah. And an offer to comment on it..." She didn't know if telling this to Madisyn would infuriate her more or maybe she'd appreciate the truth. Clearly, Rachel had not chosen to comment or write an article about it. "I would definitely not put lapping up as the description of how I took in the news." She corrected while clearing her throat, not trying to antagonize but also unsure how exactly this conversation could go well. "I hadn't really felt like it had much to do with the article I initially wrote on you. But uh, I mean I definitely didn't realized you'd re-located."

[reuels]

The Engagement Plot (2022) dir. Brandon Clark

[coolkidstable]

days until bruins hockey

[dispatchpodcast]

The sixth episode is here!

In this multi-guest episode, hear from @girldadbuddie (aka Becks) @leothil (aka Frida) & @thatsveryood (aka Steph), hear about their thoughts on Season 5 and hopes for Season 6, and learn who has been in the fandom the longest, who had a very similar 9-1-1 intro to Rachel, and who had the most chaotic journey!

Listen to a preview above, stream the full episode on Anchor.fm, or find it on platforms including Spotify, Apple Podcasts, Google Podcasts, and more.

See the show notes below for timestamps of when specific discussion takes place, for links to Becks, Frida, and Steph's Tumblrs, to references made in the episode, and to recommendations for works by creators @skyhighrollins911 @andavs @hoediaz @onward--upward @hetrez @evandiaz @elvensorceress @hmslusitania @annansmith @buckactuallys @hattalove @extasiswings @letmetellyouaboutmyfeels @nymika-arts @jakejensen @fruitydiaz @catdadeddie @colonoscopys @fallingthorns

Show Notes:

Topics:

Welcome (3:50)

How Frida got into 9-1-1 (5:20)

How Becks got into 9-1-1 (9:10)

The fanfic explosion (18:05)

How Steph got into 9-1-1 (20:16)

Favourite things about the show (34:02)

Favourite character (47:05)

Favourite episode (50:00)

Favourite season (55:10)

Episode name update interrupts our recording (56:23)

We're still not over the will reveal (1:00:40)

Chris is a barrier (1:08:39)

Buck is a closed book in Season 5 (1:10:15)

5A vs 5B (1:16:51)

Lucy's introduction (1:32:09)

How dare no one inform us that Aubela moved back to El Paso (1:49:46)

Once again, why not to be like Rachel (1:51:43)

The dinner scene (1:55:42)

The bar scene (1:59:40)

Taylor and Buck (non)interactions (2:04:13)

The Buck&Eddie vs Hen&Chim contrast (2:11:38)

When will the will be discussed (2:13:03)

Final thoughts on Season 5 (2:15:15)

Thoughts on the blimp (2:19:45)

Hopes and speculation for Season 6 (2:30:44)

Speculation on the future of the show (2:41:03)

Recommendations for creators and fanworks (2:53:40)

Goodbye and outro (3:08:28)

Referred to in episode:

Frida's Tumblr

Becks' Tumblr

Steph's Tumblr

clusterbuck on Tumblr

the dispatcher eddie fic (Close My Eyes and Stumble (Right into Your Love) by HMSLusitania)

911bts Tumblr

lawyer pov fic (this life that we've created by evcndiaz)

stagefoureddiediaz on Tumblr

the not-uncle buck fic (The Definition of Love and All Things Ineffable by ElvenSorceress)

Frida's recommendations:

skyhighrollins911's edits

andavs' art

a bleeding sun on a silver screen fic by hoediaz (rarakiplin)

steppin' into fate fic by onward—upward (r_holland)

a good day to be fic by hetrez (hetrez)

Becks' recommendations:

this life that we've created (or: how silvia rodriguez learned to believe in fairytales again) fic by evandiaz (evcndiaz)

The Definition of Love and All Things Ineffable fic by elvensorceress (ElvenSorceress)

Half Awake in Our Fake Empire fic by hmslusitania (HMSLusitania)

Project: Rocket Kismet - Eddie vs. the Universe fic by annansmith (AnnaNSmith)

maybe we’ll make something by buckactuallys (farfromthestars)

Steph's recommendations:

everything written by hattalove (hattalove)

of men and angels fic by extasiswings (extasiswings) 

Your Fingerprints Smeared on My Heart (Lead Me Back to You) fic by letmetellyouaboutmyfeels (letmetellyouaboutmyfeels)

nymika-arts' works

Rachel's recommendations:

nymika-arts' ate a date text on picture post

judsonryder (now jakejensen)'s bi Buck gifset and wanting definitions gifset (via the dailybuddie source blog)

fruitydiaz's supercut and Boston gifsets 

catdadeddie's i was late for this and begging for footnotes gifsets

i have had to deal with that fic by colonoscopys (colonoscopys)

smile to hide the truth fic by fallingthorns (fallingthorns)

Contact details:

Dispatch Tumblr: dispatchpodcast.tumblr.com Dispatch email: dispatcha911podcast@gmail.com Rachel's Tumblr: burnthatbridge.tumblr.com

Credit:

Intro and outro music by BrightestAvenue from Pixabay

[lyrics-and-music]

Hey Rachel // As It Is

[redgoldblue]

tell me about the suits fic

You've Got An Artistry (The Way That You Are With Me)

ooooh. okay so this is the longest thing i've ever potentially abandoned (13.6k) which is why i'm not actually willing to say it's abandoned, especially given it's more than two-thirds done. the problem is that I started writing it so long ago that the writing at the beginning is just. not up to my current standard meaning that I would either have to do a serious amount of editing or accept that I'm posting my pre-2020 writing in, well, 2023 and i Do Not Like either of those things. i DO still like at least some of the fic though. you see my quandary.

It's canon-divergent around the end of s8, Harvey's mother dies half a season earlier than she does in canon and Mike flies back to help him through it and goes to Boston with him and also reveals that he and Rachel are in the middle of divorcing. and this is a long snippet hence readmore but it's my favourite bit of writing from it, from the end of the first chapter, and. well, in case it never actually gets posted-

send me a wip name and i’ll tell you things about it/present a snippet! show and tell!

There is a chill in Penn Station, evening ice creeping underground and weaving dances through the air. The hanging notice board proclaims that there is seven minutes until their train arrives, and that it will continue its inexorable countdown. Mike is standing just a little closer than anyone watching might expect, just enough that they might blink and look again and reassess their opinion of who these men might be, and Harvey can almost use the cold for plausible deniability.

The board says six minutes, and Mike shifts next to him, pushing his hands deeper into his coat.

“When I arrived,” he says, out of the blue. “You said ‘five-hour flight’, straight away. How did you know that?”

“You’re not the only one that can remember things, Spencer,” Harvey retorts, quick as you like, and Mike snorts. He doesn’t need to know that Harvey’s been looking at New York-Seattle flights every week for a year.

The board says five minutes, and a woman sitting on one of the hard benches, wearing a grey wool coat that Harvey knows costs well over $1000, sighs and shrugs it off, revealing a sweatshirt and track pants. Harvey tries not to read too much into the dropping of disguises, tries not to apply a stranger’s vignette to his own life, and fails.

The board says four minutes, and Mike nudges Harvey in the side. “Hey, do you have any change on you?”

Harvey frowns at him. “Why?”

“I want chips. And gummy worms.”

“And you expect me to finance your junk food addiction.”

Mike shrugs. “You can share them?”

“Fine.” He passes the coins to Mike, the brush of their fingers lingering for long seconds after Mike has already walked off towards the vending machine.

The board says three minutes, and a man looks at his phone, shakes his head, and leaves the platform. Half of Harvey wants to follow him, to grab Mike and run back to the apartment and lock the door and turn off the phones. There’s no bad news if there’s no-one to deliver it.

The board says two minutes, and Mike wanders back, dropping two silver coins into his hand and brandishing his bags of vacuous calories. Harvey flips one of the coins into the air, almost without realising, and Mike calls, “Heads!” as it spins in the air, light dancing off it.

“What are we flipping for?” Harvey asks, catching it on the back of his hand and immediately covering it with the other.

“I don’t know. Life? Love? If I win you spend the rest of your life in indentured servitude to me?”

Harvey shakes his head, and smiles, and lifts his hand off. “You win,” he tells Mike, as if it weren’t a foregone conclusion.

The board says one minute, and train lights appear, early, at the end of the tunnel. Harvey doesn’t know if he’d have rather it had been early or late, but it’s not as if he ever had any control over the situation. As they step onto the train, the board seamlessly moves onto the next countdown, for the next set of lives.

[books0977]

Mrs Caliban. Rachel Ingalls. MRS CALIBAN. London, Boston: Faber and Faber, [1982]. First edition. Original dust jacket. 

"Dorothy, a failed mother and neglected, wife, secretly takes in Larry, an anthropoid amphibian who has escaped from the institute for Oceanographic Research and is being sought for the deaths of two of his keepers … A sensitive portrait of alienation and disaffection with darkly fantastic overtones."

[desertdollranch]

Hello, You seem to know a lot about dolls, I just learned of some dolls I've never heard of and wondered if you had any info on them? They are called American Diary Dolls, Porcelain and I believe from the 80s and 90s, I have magic attic ones and it seems some of the makers made the porcelain dolls. I was just inquiring some Info on them.

Hi! I am familiar with the brand name itself, because I remember seeing an ad for one of the dolls in my mom's Doll Reader magazine when I was little. I thought they were cute, but I was too young for porcelain dolls. And I had forgotten until now that they came with little books, just like American Girl dolls. Unfortunately there doesn't seem to be much info about them out there. What I could find is this: they're 16 inch collectible dolls, limited to a very short window of production, about 3 months total. So they would have stopped being made in the mid 90's, a few years before the Internet became widely used, which explains the lack of information about them.

They were sculpted by Linda Mason and sold by Georgetown Collection. Georgetown is actually the same company that first debuted the Magic Attic Club doll collection, and designed by Robert Tonner. The MAC changed ownership several times before going defunct, and towards the end of their life did produce some limited edition porcelain Magic Attic dolls. But that would have been a few years after Georgetown sold off the MAC line.

It doesn't look like American Diary dolls are worth very much now--lots of them are sitting around on eBay and Etsy listed for a lot less than they were originally sold for, so if you're wanting to collect them, that should be pretty easy and inexpensive. The characters I was able to find include: Many Stars from the Great Plains, Tulu from Alaska Territory, Lian Ying from 1878 San Francisco, Sarah Turner from 1878 Nebraska, Rachel Williams from 1893 Chicago, Bridget Quin from 1899 Boston, Jennie Cooper from 1905 Sag Harbor, and Christina Merovina from 1911 Philadelphia.

[laynemorgan]

I'm sure you've already provided it, but I'd be curious to hear your road to becoming a staffed writer. What first got you interested in it? Does it go back to school days?

Man it goes back far. I mean, I guess in some ways it doesn't. Since you asked more about what got me interested in where it goes back to, I'll give you the lest technical and more biographicl explanatin. My first goal was just to become a writer. I've been writing since I was a really little kid. I actually recently found journals from like the elementary and middle school days just filled with them. And it was never small scale, I'd always be planning out the whole fucking setting, how all the characters were connected, full universes. I made a fake fantasy. land in my backyard because my parents live on a lot of land. I called it Teleterania. I remember very little about it besides that that was the name hahah but I did do it!!! Everything I read only made me want to write. Everything I watched made me want to write.

Sometime around late middle school and early high school, I started watching more TV. I found soap operas and was OBSESSSED with their flare for drama. I found BTVS, Charmed, Smallville, Veronica Mars, OTH, etc. And all of those shows really got me actually looking at TV in a way I had never before. I got obsessed with their worlds and into their fandoms. I became the liek TV guy in my high school. There was even a group of girls I never got to really hang out with that would always call me over to their table to ask about what I knew about OTH stuff hahaha and 17 year old me thought that was awesome. Before my sister passed away, she and I took a road trip down to North Carolina to tour the One Tree Hill set. OTH was like the one thing that she and I agreed on. And it was so awesome. For me it was a first look at what the industry actually looked like, to see the sets and what went into it and all of that.

But I don't think my eyes really opened to actually WORKING in tv until college. I went to school for English Lit and Creative Writing in New Hampshire. My school had a great writing program and I was right at home there. i still credit my first writing professor who was only a grad student for really teaching me what I know about writing and editing and reading my own work for error and she passed me on to her favorite professor which was a hugely flattering moment for me. AND THEN -- I fell in love with PLL. And for me, that was really where shit started. I didn't realize it at the time and it wasn't even the show that did it it was what the show showed me. Through my tumblr at the time which had very little to do with fandom, I actually wound up running into Patrick Adams and Troian Bellisario. We all were always sharing each other's posts and at the time I was working for a journalist covering random TV out of a shitty free magazine in Boston doing work for peanuts. But I was going out to LA to meet up with a friend and we all decided to meet for lunch and they let me interview them for my magazine and stayed really rad people. They also helped boost my PLL photo recaps which I was doing at the time and those got the attention of the Director, Normal Buckley who asked me out to coffee and talked to me about my goals and what I was doing. He was the person who first really helped me understand that there's an approachability to the TV world that to me had always been this like magical hollywood bubble I didn't understand.

I went home THRILLED about LA, dropped out of college and set out to go to film school. From there, I hated film school because it was too technical adjacent, dropped out again, spent all the money I had on that move twice, and went home to boston broke and lost. I spent two years after that maybe more saving money, working in fandom, and waitressing while I went back to college online. That era wasn't super writing focused but it's where I found myself. I realized I was queer, I came out, I got into tumblr rpg, I met my fandom friends, I found tumblr fandom in a way I hadn't before. And then a couple years later I found tl100.

From there, the rest is kind of wonky. I had a big fan blog for the show and talked a lot about it on my twitter which lead me to many interactions with the writers who then invited me to dinner at comic con one year. I had a long talk with Shumway abut my goals and what I wanted to do with my life. I knew I wanted to be in TV somehow. I knew I wanted to be in writing somehow but I couldn't figure out how those two things aligned. I was doing a lot of journalism and critic stuff because that felt like the clsoest way to be both a fan and workin in the world I loved but it was really Kim and Shawna that opened my eyes to the ability to just .... be a TV writer. Film school had made me terrified of the wrtiing side but I think it was because film school was so much more about writing for film which I learned isn't my thing. But TV is a writers' medium, unlike film which is more fo a directors medium and suddenly I was like -- MIND BLOWN. It was everything I wanted in a career and married all of the things I loved. It was something that had previously felt like unattainable but they made it seem human and approachable.

They helped me get my first WPA job, I saved up 3 grand working and with the help of some friends and moved to LA to start that. And suddenly I was in a whirlwind of catching up on everything I felt like I had missed. I was reading scripts, learning what the process looked like, doing everything I coudl to figure out what being a TV writer looked like. After that job, I got another WPA job at Millar Gough on Into the Badlands and later Shannara.

THEN I got hired on Daybreak which I can fully credit with being a huge stepping stone for me and changing my life in a lot of ways. Aron was the best showrunner. He was educational and he taught us shit, he let us in the room, he let us write stuff, he let us pitch and try and fall on our faces and never judged us for it. My second season there he moved me up to writers assitant and patiently walked me through all the stuff I didn't know yet because he had faith in me and my voice and my ideas. He let me writ e afreelance episode that year and pitch it in the room and do all the things that real w riters get to do.

So after Daybreak season 2 got cancelled I was pretty ready to spend my next year or two just writing, finding an agent and moving forawrd. And then I got an email to go and work for Moira Walley Beckett. She was looking for an assistant with serious room experience to help develop something in a small room and stay on with her later. I took the job becuase she's MOIRA and I was stoked to learn from her and work for a woman for once. I ernded up very fortunate becuase a month later we were all surprised by the covid mess and I was fully employed that whole year while many people weren't which was a huge help. Moira was a STELLAR boss. I had thought I was ready and what she taught me was that ther's always so much more to learn. She walked me through the process of applying notes and taking notes and changing draft after draft of your story. SHe walked me through breaking a whole season of television. We had a great partnership for the year and I'm so grateful. And then that project didn't end up seeing hte light of day and we our separate ways as well.

Cut to a few months ago, I was still at home in Boston, post-covid, having been sick for most of january. My friend Rachel dared me to write a spec in a weekend for the Warner Bros fellowship deadline. So I did. It was a Legacies Spec. Given that we didn't have access to the WGA library because of the pandemic, Legacies was an easy and obvious choice. I had already seen it inside and out and didn't need as much access to learning a show from scratch. So I wrote what I loved, wrote a season 2 legacies spec that embraced my favorite things about legacies: the high school soap of one tree hill, Lizzie doing wild dialogue, buffy-esque monsters, and themes of grief and humanity.

AND THE REST you know.

Here we are. I'm still lost as fuck. I'm still running full speed through a world I don't always feel like I"m ready for. I'm still a perfectionist and an obsessive overworker. I still take notes I don't need to take and do work at 10pm and come in early and stare at the story boards. There's a whole journey in all of this about representation and coming to find myself and queer media and wanting to make more of it but that's one I don't feel like I can fully get into until I'm decades out of it and the world is truly made better. But I'm here. And it feels like the end of a journey and liek I'm standing at the edge of a brand new clif because I've only just started.