#quincy jones influence

[alwaysbewoke]

damn...

[viraltrendsspot]

Music Legend Quincy Jones Has Passed Away At Age 91

Quincy Jones, the legendary music producer and composer, passed away at the age of 91 on November 3, 2024.

[sivavakkiyar]

tbh I think he has like a curious enough position where it’s actually kind of hard to get across how significant Quincy Jones was, and how people take it for granted. Like without giving a lecture

But he was major major. It’s almost guaranteed that some of the music you love—-and I mean this globally—-was heavily influenced by his work. Like yes on par with The Beatles

[bosses-stay-flawless]

You can hear The Quincy Jones influence in the music ❤️

[leonardcohenofficial]

(hope it isnt weird to drop in like this) there are also very few people in my life that I can talk to about jazz even though i am always down to...are there any musicians/eras in particular that you're interested/invested in?

literally always down to talk about jazz please drop in any time! obviously there is a lot of crossover between subgenres and many musicians moved between different ones throughout their careers but i think at heart i'm a soul jazz girl (which of course has crossover with hard bop on one end of the era and jazz funk on the other end); however i grew up on hard bop and early modal jazz so those artists are also big for me; i didn't like free jazz as a kid but over the years have really come to get into it; this also isn't even beginning to cover genres that are jazz influenced/adjacent like afrobeat (which is its own genre but also has so much crossover), acid jazz, no wave (to an extent), bossa nova.................

all this being said the artists that i listen to the most are: les mccann, eddie harris, quincy jones, nina simone (who didn't like being called a jazz musician anyways but. for the sake of this exercise. she's in here lol), sun ra, pharoah sanders, max roach, alice coltrane, ramsey lewis, doug carn, ahmad jamal, dorothy ashby, cécile mclorin salvant, jimmy smith, wayne shorter, gil scott-heron, george benson, young-holt unlimited, hilton ruiz, don cherry, lambert hendricks and ross.................

[singlesablog]

The New Wave

“Rock with You” (1979) Michael Jackson Epic Records (Written by Rod Temperton) Highest U.S. Billboard Chart Position – No.1

Before I begin this entry a few disclaimers (in the style of the wonderful Andrew Hickey, creator of the absurdly great podcast The History of Rock and Roll in 500 Songs, which I wholeheartedly recommend), there has been so much press, and bad press, about Michael Jackson since his death that it should be acknowledged.  Much of the bad news is the accusation that he was a constant, and serial, sexual abuser of young boys.  The jury will forever be out on these accusations based solely on his influence and power, which have grown steadily since his death in in 2009.  His estate is vastly wealthy, and continues to grow.  It does not surprise me that he was disturbed considering the amount of child abuse he suffered, or that the truth was heavily twisted by him (just watching him in old footage deny his physical alterations, plain for the eyes to see, is evidence enough that he was severely distorted in his relationship to truthfulness).  However, I cannot deny how powerful and productive his artistry was and is, and his influence is undeniable.  His role as a conduit for other artists alone is wildly impressive.  He was one of the greatest innovators in many ways.  I believe he was in a lot of pain, and perhaps he caused a lot of pain by displacing that.  But his musical influence, which is the reason for this entry, is my absolute focus.

I understand that this set of posts have been under the title of The New Wave, which would lead one to associate all entries to New wave music, and in way, they do.  And yet stylistically, what exactly is New wave?  It is technically a catch-all phrase, a term for the many, many styles emerging post Punk.  A big factor for my purposes is the era; here, 1979/1980.  All of these records represent a shift forward in musical styles and tastes, and if not (or if you disagree), they did that for me. Perhaps they were just the cleverest and most sophisticated pop songs happening.   Although this track is certainly disco, that dirtiest of words, “Rock with You” was one of those musical shifts forward.

It opens with a drum fill— a solid rat-a-tat-a-tat that is an absolute hook to the song, and more wonderful in that it doesn’t appear again.  Drum fill to flute sounds, what could be better? Then strings, a chorus of heavenly voices, and a beautiful, perfect vocal.  Danceable but midtempo, it is maybe one of the most approachable, perfect radio hits ever.  When I first heard it, I felt my teenage life change; it must have been what the Beatles were like in the 60s, just like that drug of newness.  It was a song that felt like it belonged entirely to its year and era, but was singular.  I rocked and rocked and rocked (the dance move that accompanied the hit).  I bought my first album ever in Off the Wall, and played the grooves off of it.  But perhaps the real secret to the song was its composer: Rod Temperton.

By all accounts the British-born Rod Temperton was the most modest of supreme talents as a songwriter (he is described as quiet and unassuming); not only did he write “Rock with You”, he arranged it in minute detail (including vocal and rhythm arrangements) just as he had as a bandmember for all of the big hits in the disco funk 70s band Heatwave (“Boogie Nights”, the ballad “Always and Forever”, and the exultant “The Groove Line”).  He was an expert songwriter and arranger, and his ability to mainstream soul records was not missed by Quincy Jones, who snapped him up to write new songs for Michael’s record (he also wrote the title track “Off the Wall”, and later the title track for “Thriller”).  

Of all of the songs in Jackson’s catalogue, none float over the airwaves as effortlessly.  Like the drum fill open, Michael’s first line (“Girl, close your eyes, let the rhythm get in to you”) is masterful: sexy and inviting, a soul record.  The song itself is forged in disco, 4/4 time.  It invites you to the dance. The bridge of the record is a flute solo, with mellow velvet voices as a cushion, an Adult Contemporary record (think Carpenters).  So, in this one song, a sweet romance about coming to the dance, you have a perfect fusion of what in many previous eras the parts of which would have segregated to its own chart, own region, own audience.  The magic of the single was that it existed at all, because Michael was the perfect performer to truly bridge these gaps.  It was overt, it was executed to perfection, and it was designed to top the charts, and it did, for 4 weeks.  And it made my teenage heart burst with joy every time it came on the radio.

The list of musicians on any Jackson record is surely going to be a who’s who: among them Quincy Jones as producer, whose long career was uncanny (or well, extremely canny for winnowing talents), Greg Phillinganes on synths (a prolific career), and John Robinson on drums, to name a few.  Robinson, the architect of that famous drum open for “Rock with You”, was so revered as a session musician that his Wikipedia page is dizzying.  He appears to have been on every pop single ever post-Michael (Steve Winwood’s “Higher Love” notably has his drums on it).  He was famous for perfect technique, and a sure steady hand.  I had never really ever considered just how much I love the drum opening for “Rock with You” until now, and that without the drums that begin the song, well, I am not sure my heart would have beat quite as fast.  

Coming to the end of this post it is apparent how hilariously un New wave “Rock with You” is.  It is not post anything, but obversely it was the full flower of 1979, the apotheosis of 70s pop and disco, and possibly a harbinger of the excesses in studio production that the 80s would bring to recordings, not least in Jackson himself trying to top Off the Wall.  If that record sold an astounding 20 million copies, Pink Floyd’s The Wall would sell 33 million in the same year.  Michael Jackson would have to do something about that.

Rod Temperton passed away in 2016; John Robinson, Greg Phillinganes, and Quincy Jones are still with us.

[delightful-dorks]

On a rainy day a while back I made some very self-indulgent playlists for what music I think Abby and Hoagie would listen to (and thought way too hard about it). I could probably never do this for every member of Sector V because I don't think my music knowledge is that bespoke, but I think my taste and what I personally see the two of them liking overlap considerably, so I had fun with it. Hoagie Abby Some rambling under the cut

Hoagie loves a wide range of music, from good stuff to corny shit-- he is cringe but free. I think of his tastes as being categorically: -Early 2000s and late 90's R&B- Troop, D'Angelo, Boyz 2 Men, to a lesser extent Luther Vandross. Probably would also overlap a bit with Rap artists like Biggie Smalls. -Solo Crooners- Your Tom Jones, your Lionel Richies, your Barry Whites. I don't really think of him as a crooner, but I'll also toss Christopher Cross in there for fun. I think Hoagie would try playing Barry White in the COOLBUS on the way back from missions and Abby would yell at him for it. She can clock the longass intro to Never Ever Gonna Give You Up instantly from repeated experience. -Classic Funk and Soul - Rick James, Average White Band, Bootsy Collins, Earth Wind and Fire, Chaka Khan. Play that Funky Music White Boy is a certified Hoagie Anthem. -Detective-Core- This isn't a scientific category, this is vibes-only. But you KNOW Hoagie has The Classics in his collection. Deacon Blues, Copacabana, Shaft, Street Life, Ride Like The Wind, I Shot The Sheriff. Actually yeah I'm putting Christopher Cross here too. Hoagie would absolutely imagine a vivid music video of himself to Ride Like the Wind. As opposed to Hoagie, I think Abby's playlist is more defined by meticulous craft and impeccable vibes rather than what's most popular. She's generally more discerning about what she considers her favorites, but there's still a lot of overlap between her and Hoagie. They've introduced each other to a lot of music. -Jazz and Jazz Fusion - Herbie Hancock. Abby and Hoagie (and probably the rest of Sector V) could sit and listen to Fat Albert Rotunda all day. It's just a good album. Bob James, (though Abby finds him hit and miss), a little bit of Pat Metheny, and a little bit of Miles Davis. -Funk and Soul...2 - Stevie Wonder, Commodores, Abby introduced Hoagie to some great jazz-influenced artists like Quincy Jones, and Hoagie introduced her to Average White Band. She also made him realize Lionel Richie had a career before going solo, lol. Both of them are all over EWF and Chaka Khan -Hip-Hop/R&B Salt N Peppa and Mary J Bilge are mainstays for Cree, which she introduced Abby to when they were younger; now the two of them are at war stealing the same 5 beat-up, scratched-to-hell CDs back and forth from each other. Cree busts down the treehouse door fully kitted out demanding to know where What's the 411 is every Saturday.

[trendnfun]

Hong Kong Singer Coco Lee: A Rising Star in the Music Industry

Hong Kong singer Coco Lee has become a prominent figure in the music industry, captivating audiences worldwide with her powerful vocals, versatile performances, and charismatic stage presence. Born on January 17, 1975, in Hong Kong, Coco Lee, whose full name is Ferren Lee-Kelly, has enjoyed a successful career spanning over two decades. This article delves into the life and achievements of Coco Lee, highlighting her rise to fame, musical style, and lasting impact on the global music scene.

1. Early Life and Background

Coco Lee was born and raised in Hong Kong, where she developed a deep passion for music from a young age. Growing up in a musically inclined family, she was influenced by her father, who played the violin, and her mother, who was a piano teacher. These early experiences nurtured Coco Lee's love for music and set the stage for her remarkable journey as a singer.

2. Breakthrough in the Music Industry

Coco Lee's breakthrough in the music industry came in the early 1990s when she participated in the New Talent Singing Awards, a prestigious singing competition in Hong Kong. Her exceptional talent and commanding stage presence caught the attention of record producers, leading to the release of her debut album, "Love from Now On," in 1994. The album's success propelled Coco Lee into the limelight, establishing her as a rising star in the Hong Kong music scene.

3. Musical Style and Versatility

One of the defining aspects of Coco Lee's career is her remarkable versatility as a singer. She effortlessly traverses various genres, including pop, R&B, dance, and jazz, showcasing her exceptional vocal range and adaptability. Coco Lee's ability to seamlessly switch between musical styles has earned her international acclaim and a diverse fan base.

4. International Recognition

Coco Lee's talent transcends borders, and she has gained significant recognition on the international stage. Her collaboration with renowned artists such as Julio Iglesias, Quincy Jones, and Black Eyed Peas brought her music to a global audience. In 2003, she gained further acclaim with her English-language album, "Just No Other Way," which featured the hit single "Do You Want My Love." This album solidified her position as an internationally recog...read more

[newsper]

The entertainment world is mourning the loss of a true legend, Quincy Jones, who passed away at the age of 91. His death marks the end of an era for a man whose influence on music spanned over seven decades. Jones was not only a prolific music producer but also a composer and arranger who […]

[markee2013]

Episode 356: New Album Will Be Available Soon

Hello! I hope you're having a fantastic afternoon. I'm excited to share that the highly anticipated album by The Ultimate Vibe Audio Music Orchestra, titled "Circumstances Beyond One's Control," will be available very soon! If you want to get ahead of the game and place an advanced order for the album download, just shoot me an email at marcusdavis40@yahoo.ca. I’ve even featured one of the tracks from the album on this podcast, and I can’t wait for you to hear it—let me know your thoughts! On a more somber note, I recently learned that Quincy Jones has passed away at the age of 91. It's truly a loss, but we must celebrate the remarkable legacy he leaves behind. His influence was immense, and I remember aspiring to follow in his footsteps when I was younger. The unforgettable theme songs he wrote for classic TV shows like "Ironside" and "Sanford and Son" showcase his talent, not to mention his time as Frank Sinatra's music director—what a powerhouse! If you haven’t seen it yet, I recommend watching the documentary "Listen Up: The Life & Times of Quincy Jones." It’s a must-watch and might even be available on DVD. Additionally, I stumbled upon an incredible video clip on YouTube featuring the talented bass player TM Stevens. Though he sadly passed away earlier this year, his performance will leave you speechless! You’ve got to check it out; his mastery of effects, slapping, and even scat singing over the bass is absolutely mesmerizing. Don't miss the chance to experience this musical brilliance! Check out this clip https://youtu.be/YVWIDDwFAY8?si=KBt3BW4xcM-v9JGF Anyways if you happen to like the music that you hear on this Podcast then check the links below .And don't forget to subscribe. Maintain The Groove Stay Funky !! https://seriousnubian.bandcamp.com/ https://payhip.com/UltimateVibeAudioMusicproductions https://ultimatevibeaudiomusicproductions.buzzsprout.com https://www.podbean.com/eas/pb-zdyxv-16bcf86 https://www.jango.com/music/Serious+Nubian https://www.patreon.com/basszombie2021 https://marcusdavis2.bandzoogle.com/home https://marcusdavis40.podbean.com/ https://www.iheart.com/podcast/269-ultimate-vibe-audio-music-186126462/ https://www.podomatic.com/podcasts/marcusdavis402872 You can also order the Music by sending me an e-mail @ marcusdavis40@yahoo.ca Send me your order and I will e-mail you back the MP3 Music File to download All my Music is in Digital Download Format at the mo

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[johnnybeane]

In tribute to the legendary Quincy Jones, who has left us at 91, we honor a legacy that transformed music across genres. From producing Michael Jackson’s Thriller—one of the best-selling albums ever—to unforgettable collaborations with icons like Frank Sinatra, Quincy’s influence spanned generations.

His work on Thriller famously included Eddie Van Halen’s solo on “Beat It.” Eddie recalled how shocked he was when Quincy called him: “I thought it was a prank!” But after realizing it was really Quincy, Eddie gladly contributed that iconic solo, even doing it as a favor.

Celebrate Quincy’s life and lasting impact with us.

https://www.youtube.com/live/mk784ec-n5M?si=lYlx9m_zsFmHQmJK

#johnnybeaneTV #QuincyJones #FrankSinatra #EddieVanHalen #MichaelJackson

[rwnnews]

Quincy Jones Dies at 91: The Man Who Transformed Music.

Quincy Jones Dies at 91: The Man Who Transformed Music. The music world mourns the loss of Quincy Jones, a legendary producer whose influence spanned over seven decades. Quincy Jones passed away on November 3, 2024, at the age of 91, at his home in Los Angeles, surrounded by his family. His death marks the end of an era for the music industry, leaving behind a legacy that will be remembered for…

[thejoyofviolentmovement]

Throwback: R.I.P. Quincy Jones

Throwback: R.I.P. Quincy Jones @QuincyDJones

We’re having some issues with our plumbing and they’re still doing some facade work, which rattled me awake. I needed to be up anyway: I had fallen asleep while working on an article that was due today. Y’all, it was a very long night. So I quickly looked at my phone and learned that the legendary Quincy Jones died. He was 91. He lived a very long life, and his influence on music and culture has…

[kabatullah]

Quincy Jones: The Musical Maestro Who Transformed Sound and Culture

Few names in music carry the same weight as Quincy Jones. With a career spanning over six decades, Jones has not only shaped the sound of American music but also redefined what it means to be a visionary in the arts. Known for his genre-defying versatility, Jones has worked across jazz, pop, R&B, soul, and hip-hop, collaborating with legends like Michael Jackson, Frank Sinatra, and Ray Charles.

Born in 1933 in Chicago, Jones began his journey as a trumpet player, later becoming a respected arranger and conductor. His early work with Ray Charles helped establish him in the jazz world, but Jones quickly proved his talents extended far beyond. As a producer, he shaped some of the most iconic albums of all time. His production on Michael Jackson's Thriller—still the best-selling album in history—showed his ability to create a sound that was both artistically innovative and wildly popular.

Jones also left his mark on film and television, scoring classics like The Color Purple and In the Heat of the Night, as well as composing the unforgettable Sanford and Son theme. He became one of the first Black composers to gain major recognition in Hollywood, opening doors for future generations of artists.

With 80 Grammy nominations and 28 wins, Quincy Jones is among the most celebrated figures in music history. Beyond his artistic achievements, he has used his influence for humanitarian efforts, creating foundations for education and social change.

From redefining genres to breaking cultural barriers, Quincy Jones has proven that great music has no boundaries—and neither does he.

For more details : https://myblog.digitalmd.online

[nsfwhiphop]

'One of the most talented people to ever walk the planet': Quincy Jones dies at 91   

(Click on this link) Here: https://www.yahoo.com/news/one-most-talented-people-ever-125335551.html

Quincy Jones, a maestro of American music and a titan of the entertainment industry who influenced nearly every popular genre, produced landmark albums and earned 80 Grammy Award nominations, died Sunday, his publicist said. The Morning Joe panel pays tribute.

[johnvpinto]

https://fb.watch/vEKajrJrWV/?mibextid=dQtxZm&fs=e&s=aEkTS0

Celebrating Quincy Jones R.I.P.: A Legacy of Hope and Unity.

In this heartfelt tribute to the legendary Quincy Jones, we honor a musical giant whose contributions have shaped the soundtracks of our lives. From his groundbreaking work as a producer, composer, and arranger, Quincy’s influence stretches across genres, touching hearts and inspiring generations.

As we listen to the uplifting message in the audio clip, “Tomorrow, a better you, a better me,” we are reminded of the potential for transformation that lies within each of us.

His music has always championed themes of unity, hope, and social change—values that resonate deeply in today's world.

Featuring images inspired by Norman Rockwell's iconic painting "The Four Freedoms," this reel embodies the essence of what Quincy stood for: freedom of speech, freedom of worship, freedom from want, and freedom from fear.

These ideals call on us to find the best versions of ourselves and, collectively, to create the best version of the United States of America. As we reflect on Quincy’s legacy, let’s take his message to heart.

It is our responsibility to engage in the democratic process and ensure our voices are heard. Election Day is approaching, and it’s time to get out and vote!

Let’s honor Quincy Jones by working together for a brighter future, where every individual can thrive and where our democracy shines.

#quincyjones #RIP #HarrisWalz2024 #DefeatProject2025 #Michigan #Wisconsin #Iowa #georgia #Pennsylvania #nevada #NorthCarolina #Arizona Quincy Jones