#quincy jones influence

[alwaysbewoke]

damn...

[viraltrendsspot]

Music Legend Quincy Jones Has Passed Away At Age 91

Quincy Jones, the legendary music producer and composer, passed away at the age of 91 on November 3, 2024.

[sivavakkiyar]

tbh I think he has like a curious enough position where it’s actually kind of hard to get across how significant Quincy Jones was, and how people take it for granted. Like without giving a lecture

But he was major major. It’s almost guaranteed that some of the music you love—-and I mean this globally—-was heavily influenced by his work. Like yes on par with The Beatles

[jazzdailyblog]

Remembering Quincy Jones: A Legacy That Redefined Music

Introduction: Quincy Jones, who passed away on November 3, 2024, was a towering figure in the music world whose influence extended far beyond his own remarkable achievements as a producer, composer, and musician. Over a career that spanned more than six decades, Jones revolutionized jazz, pop, film scoring, and music production, leaving a legacy that forever changed the landscape of modern…

[wanderrealms]

All Roads Lead Back to Quincy Jones

"In American music, countless lines trace back to the late Quincy Jones. And as the decades unfolded, his ability to adapt to and harness new styles remains unmatched."

Remembering Quincy Jones, 1933-2024

"Remembering legendary producer, composer, and arranger Quincy Jones, whose career spanned decades and influenced countless genres."

[bookstoreadbtr]

Blending Flavors and Creativity: An Interview with a Culinary Innovator

Although cooking, music, and comedy may seem like separate worlds, for our guest today, they blend seamlessly into a creative and flavorful masterpiece. From Jacqine’s early days of experimenting in the kitchen as a teenager to writing an innovative cookbook filled with recipes, melodies, and laughter, this culinary artist has crafted a unique experience for food lovers and creative minds alike. Join us as we explore her journey, inspirations, and advice for aspiring cooks and writers.

1. When did you discover the joy of cooking? At 15 years old, I started to cook various dishes in the kitchen.

2. What was one of your favorite dishes to make when you first started cooking?

Italian food and Greek food. I made meatballs, lasagna, pasta, moussaka, Greek salad, pastitsio.

3. What inspired you to produce and publish a cookbook? My mom used to cook various foods in the kitchen from when I was a toddler. They were delicious foods, Mediterranean and Eastern European, but she encouraged me to experiment with foods on my own. So, I did. I independently created recipes and expanded my repertoire of foods over time. I watched my mother sometimes. My mother made meat and noodle dishes, pepper steak, and a variety of foods.

4. Your cookbook has music and songs in it. When did you first discover your passion for music? Yes, I started playing organ around the age of 9 years old and I moved on to piano, recorder, and a little bit of flute later on. My father also discovered I could sing and that my singing abilities developed over time as well and I began to sing in other languages too. I took some piano and vocal lessons, bought a piano, and started to write and produce my own music. My music skills evolved and I enjoyed being in jazz improvisation classes and classical courses including music conservatory courses in theory, ear training, and piano. I soon realized I had a great appreciation for compositions and I enjoyed writing music. I later began to perfect my music production skills.

5. Who was/were your musical influences growing up? Lalah Hathaway, Chaka Khan, Earth Wind and Fire, Annie Lenox, Chicago, Sting, Jeffrey Osbourne, Joe Jackson, Bruce Hornsby, Luther Vandross, Genesis, Chic, Patti Labelle, Michael Jackson, Elton John, Stanley Jordan, Joe Sample, Peter White, Brian Culbertson, Tavares, The Bee Gees, Nelson Rangell, Shalamar, Quincy Jones, Tina Turner, Mini Riperton, Pat Metheny, Phyllis Hyman, Teena Marie, Olivia Newton-John, and my dad’s influences: Debbie Boone, Connie Francis, Mama Cass.

6. Your book also has some comedic stories in it. When did you first discover your comedic writing skills? I was in college and had an acting course in improvisation and there I learned to express my creativity. I began to tell stories to friends and they thought the stories I told them were funny.

14. Where can we find you (website, social media)?

Contact Info:

● Website: https://Jacqine.com

● Instagram: https://www.instagram.com/jacqine.cb/

● Facebook: https://www.facebook.com/jacque.cohen Brand page: https://www.facebook.com/Jacqinemusic

● YouTube: https://www.youtube.com/@jacqine

● Other: https://open.spotify.com/artist/5FvjwX4IOGqhVT4nIP16em?si=1F_by2JwTdqPe3ndbtE_Dg

To read full interview go to

[bosses-stay-flawless]

You can hear The Quincy Jones influence in the music ❤️

[singlesablog]

The New Wave

“Rock with You” (1979) Michael Jackson Epic Records (Written by Rod Temperton) Highest U.S. Billboard Chart Position – No.1

Before I begin this entry a few disclaimers (in the style of the wonderful Andrew Hickey, creator of the absurdly great podcast The History of Rock and Roll in 500 Songs, which I wholeheartedly recommend), there has been so much press, and bad press, about Michael Jackson since his death that it should be acknowledged.  Much of the bad news is the accusation that he was a constant, and serial, sexual abuser of young boys.  The jury will forever be out on these accusations based solely on his influence and power, which have grown steadily since his death in in 2009.  His estate is vastly wealthy, and continues to grow.  It does not surprise me that he was disturbed considering the amount of child abuse he suffered, or that the truth was heavily twisted by him (just watching him in old footage deny his physical alterations, plain for the eyes to see, is evidence enough that he was severely distorted in his relationship to truthfulness).  However, I cannot deny how powerful and productive his artistry was and is, and his influence is undeniable.  His role as a conduit for other artists alone is wildly impressive.  He was one of the greatest innovators in many ways.  I believe he was in a lot of pain, and perhaps he caused a lot of pain by displacing that.  But his musical influence, which is the reason for this entry, is my absolute focus.

I understand that this set of posts have been under the title of The New Wave, which would lead one to associate all entries to New wave music, and in way, they do.  And yet stylistically, what exactly is New wave?  It is technically a catch-all phrase, a term for the many, many styles emerging post Punk.  A big factor for my purposes is the era; here, 1979/1980.  All of these records represent a shift forward in musical styles and tastes, and if not (or if you disagree), they did that for me. Perhaps they were just the cleverest and most sophisticated pop songs happening.   Although this track is certainly disco, that dirtiest of words, “Rock with You” was one of those musical shifts forward.

It opens with a drum fill— a solid rat-a-tat-a-tat that is an absolute hook to the song, and more wonderful in that it doesn’t appear again.  Drum fill to flute sounds, what could be better? Then strings, a chorus of heavenly voices, and a beautiful, perfect vocal.  Danceable but midtempo, it is maybe one of the most approachable, perfect radio hits ever.  When I first heard it, I felt my teenage life change; it must have been what the Beatles were like in the 60s, just like that drug of newness.  It was a song that felt like it belonged entirely to its year and era, but was singular.  I rocked and rocked and rocked (the dance move that accompanied the hit).  I bought my first album ever in Off the Wall, and played the grooves off of it.  But perhaps the real secret to the song was its composer: Rod Temperton.

By all accounts the British-born Rod Temperton was the most modest of supreme talents as a songwriter (he is described as quiet and unassuming); not only did he write “Rock with You”, he arranged it in minute detail (including vocal and rhythm arrangements) just as he had as a bandmember for all of the big hits in the disco funk 70s band Heatwave (“Boogie Nights”, the ballad “Always and Forever”, and the exultant “The Groove Line”).  He was an expert songwriter and arranger, and his ability to mainstream soul records was not missed by Quincy Jones, who snapped him up to write new songs for Michael’s record (he also wrote the title track “Off the Wall”, and later the title track for “Thriller”).  

Of all of the songs in Jackson’s catalogue, none float over the airwaves as effortlessly.  Like the drum fill open, Michael’s first line (“Girl, close your eyes, let the rhythm get in to you”) is masterful: sexy and inviting, a soul record.  The song itself is forged in disco, 4/4 time.  It invites you to the dance. The bridge of the record is a flute solo, with mellow velvet voices as a cushion, an Adult Contemporary record (think Carpenters).  So, in this one song, a sweet romance about coming to the dance, you have a perfect fusion of what in many previous eras the parts of which would have segregated to its own chart, own region, own audience.  The magic of the single was that it existed at all, because Michael was the perfect performer to truly bridge these gaps.  It was overt, it was executed to perfection, and it was designed to top the charts, and it did, for 4 weeks.  And it made my teenage heart burst with joy every time it came on the radio.

The list of musicians on any Jackson record is surely going to be a who’s who: among them Quincy Jones as producer, whose long career was uncanny (or well, extremely canny for winnowing talents), Greg Phillinganes on synths (a prolific career), and John Robinson on drums, to name a few.  Robinson, the architect of that famous drum open for “Rock with You”, was so revered as a session musician that his Wikipedia page is dizzying.  He appears to have been on every pop single ever post-Michael (Steve Winwood’s “Higher Love” notably has his drums on it).  He was famous for perfect technique, and a sure steady hand.  I had never really ever considered just how much I love the drum opening for “Rock with You” until now, and that without the drums that begin the song, well, I am not sure my heart would have beat quite as fast.  

Coming to the end of this post it is apparent how hilariously un New wave “Rock with You” is.  It is not post anything, but obversely it was the full flower of 1979, the apotheosis of 70s pop and disco, and possibly a harbinger of the excesses in studio production that the 80s would bring to recordings, not least in Jackson himself trying to top Off the Wall.  If that record sold an astounding 20 million copies, Pink Floyd’s The Wall would sell 33 million in the same year.  Michael Jackson would have to do something about that.

Rod Temperton passed away in 2016; John Robinson, Greg Phillinganes, and Quincy Jones are still with us.

[delightful-dorks]

On a rainy day a while back I made some very self-indulgent playlists for what music I think Abby and Hoagie would listen to (and thought way too hard about it). I could probably never do this for every member of Sector V because I don't think my music knowledge is that bespoke, but I think my taste and what I personally see the two of them liking overlap considerably, so I had fun with it. Hoagie Abby Some rambling under the cut

Hoagie loves a wide range of music, from good stuff to corny shit-- he is cringe but free. I think of his tastes as being categorically: -Early 2000s and late 90's R&B- Troop, D'Angelo, Boyz 2 Men, to a lesser extent Luther Vandross. Probably would also overlap a bit with Rap artists like Biggie Smalls. -Solo Crooners- Your Tom Jones, your Lionel Richies, your Barry Whites. I don't really think of him as a crooner, but I'll also toss Christopher Cross in there for fun. I think Hoagie would try playing Barry White in the COOLBUS on the way back from missions and Abby would yell at him for it. She can clock the longass intro to Never Ever Gonna Give You Up instantly from repeated experience. -Classic Funk and Soul - Rick James, Average White Band, Bootsy Collins, Earth Wind and Fire, Chaka Khan. Play that Funky Music White Boy is a certified Hoagie Anthem. -Detective-Core- This isn't a scientific category, this is vibes-only. But you KNOW Hoagie has The Classics in his collection. Deacon Blues, Copacabana, Shaft, Street Life, Ride Like The Wind, I Shot The Sheriff. Actually yeah I'm putting Christopher Cross here too. Hoagie would absolutely imagine a vivid music video of himself to Ride Like the Wind. As opposed to Hoagie, I think Abby's playlist is more defined by meticulous craft and impeccable vibes rather than what's most popular. She's generally more discerning about what she considers her favorites, but there's still a lot of overlap between her and Hoagie. They've introduced each other to a lot of music. -Jazz and Jazz Fusion - Herbie Hancock. Abby and Hoagie (and probably the rest of Sector V) could sit and listen to Fat Albert Rotunda all day. It's just a good album. Bob James, (though Abby finds him hit and miss), a little bit of Pat Metheny, and a little bit of Miles Davis. -Funk and Soul...2 - Stevie Wonder, Commodores, Abby introduced Hoagie to some great jazz-influenced artists like Quincy Jones, and Hoagie introduced her to Average White Band. She also made him realize Lionel Richie had a career before going solo, lol. Both of them are all over EWF and Chaka Khan -Hip-Hop/R&B Salt N Peppa and Mary J Bilge are mainstays for Cree, which she introduced Abby to when they were younger; now the two of them are at war stealing the same 5 beat-up, scratched-to-hell CDs back and forth from each other. Cree busts down the treehouse door fully kitted out demanding to know where What's the 411 is every Saturday.

[trendnfun]

Hong Kong Singer Coco Lee: A Rising Star in the Music Industry

Hong Kong singer Coco Lee has become a prominent figure in the music industry, captivating audiences worldwide with her powerful vocals, versatile performances, and charismatic stage presence. Born on January 17, 1975, in Hong Kong, Coco Lee, whose full name is Ferren Lee-Kelly, has enjoyed a successful career spanning over two decades. This article delves into the life and achievements of Coco Lee, highlighting her rise to fame, musical style, and lasting impact on the global music scene.

1. Early Life and Background

Coco Lee was born and raised in Hong Kong, where she developed a deep passion for music from a young age. Growing up in a musically inclined family, she was influenced by her father, who played the violin, and her mother, who was a piano teacher. These early experiences nurtured Coco Lee's love for music and set the stage for her remarkable journey as a singer.

2. Breakthrough in the Music Industry

Coco Lee's breakthrough in the music industry came in the early 1990s when she participated in the New Talent Singing Awards, a prestigious singing competition in Hong Kong. Her exceptional talent and commanding stage presence caught the attention of record producers, leading to the release of her debut album, "Love from Now On," in 1994. The album's success propelled Coco Lee into the limelight, establishing her as a rising star in the Hong Kong music scene.

3. Musical Style and Versatility

One of the defining aspects of Coco Lee's career is her remarkable versatility as a singer. She effortlessly traverses various genres, including pop, R&B, dance, and jazz, showcasing her exceptional vocal range and adaptability. Coco Lee's ability to seamlessly switch between musical styles has earned her international acclaim and a diverse fan base.

4. International Recognition

Coco Lee's talent transcends borders, and she has gained significant recognition on the international stage. Her collaboration with renowned artists such as Julio Iglesias, Quincy Jones, and Black Eyed Peas brought her music to a global audience. In 2003, she gained further acclaim with her English-language album, "Just No Other Way," which featured the hit single "Do You Want My Love." This album solidified her position as an internationally recog...read more

[learnhowtocreatemusic]

Am I Too Old To Become A Music Producer?

In a world where youth often seems to be the defining factor of success, it's easy to question whether age might be a barrier to starting a new career, especially one as dynamic and fast-paced as music production. If you're asking yourself, "Am I too old to become a music producer?"—let's explore this question and dispel some common myths.

The Myth of Age in Music Production

Firstly, let’s tackle the misconception that age is a barrier in music production. The idea that there's a "right age" to break into the industry is more fiction than fact. Music has no age limit; it’s a realm where creativity and skill are what truly matter. Take Rick Rubin, for example. Rubin started producing music in his early twenties, but his influence and career have spanned decades. Or consider Quincy Jones, who has been making music and influencing the industry for over six decades.

Experience as an Asset

Rather than viewing age as a hindrance, think of it as an asset. With age often comes a wealth of experience and a deeper understanding of life’s complexities. This perspective can translate into more nuanced and emotionally resonant music. If you’ve spent years developing other skills or professions, you might find that these experiences enrich your music production process.

The Learning Curve

Yes, there’s a learning curve in music production, but it's a curve that can be navigated at any age. Modern technology has made it easier than ever to learn and experiment with music production. Online courses, tutorials, and forums provide access to resources and communities that were previously out of reach. Whether you’re in your twenties or sixties, you can find tools and educational content that fit your learning style and pace.

Embracing Modern Tools

One of the great things about contemporary music production is the accessibility of digital tools. Software like Ableton Live, Logic Pro, and FL Studio are designed to be user-friendly and intuitive. They often come with extensive libraries of sounds and presets, which can help you get started without needing a deep technical background. Additionally, there are countless plugins and virtual instruments available to help you explore different genres and sounds.

Networking and Community

Building connections in the music industry is crucial, and age should not be a barrier to networking. In fact, your life experience might help you forge meaningful relationships and collaborate with artists who appreciate your unique perspective. Attend industry events, join online communities, and participate in local music scenes. Many music producers find success by being active and engaged in their communities, regardless of their age.

Personal Fulfillment

Perhaps the most important factor is your own passion and commitment. If music production is something you genuinely enjoy and are excited about, it’s worth pursuing. The joy and satisfaction that come from creating music and sharing it with others can be deeply fulfilling, regardless of your age.

Final Thoughts

So, are you too old to become a music producer? Absolutely not. Age is just a number and doesn’t define your ability to learn, create, or succeed. The music industry is diverse and ever-evolving, with room for voices and perspectives from all walks of life. If music production is your dream, go for it. Dive into learning, embrace your unique experiences, and connect with others who share your passion. The world of music awaits, and there’s no age limit on creativity and success.

[thedigitalcrates]

Ghostface Killah Talks Wu-Tang Influence and Legendary Catalog On "The Juan Ep Is Life Podcast"

Cult Hip Hop podcast Juan EP is Life was one of the first Hip Hop podcasts, created in 2007 by Cipha Sounds and Peter Rosenberg. Named after the character Juan Epstein from the popular 70’s sitcom Welcome Back, Kotter, the podcast delves into topics of Hip Hop music and culture, comedy. Various guests have included Jay Z, Q Tip, Dave Chappelle,  Eminem, Chris Rock, Quincy Jones, DJ Clark Kent,…

[rebeleden]

Remembering Quincy Jones with his own words in the L.A. Times - Los Angeles Times

[freenewsreport]

Quincy Jones: The Producer, Composer, and Visionary Behind Countless Hits

In the world of music, few names command as much respect and reverence as Quincy Jones. Known for his groundbreaking contributions as a producer, composer, arranger, and musician, Quincy Jones has shaped the landscape of modern music. From jazz to pop, soul to R&B, his visionary work has crossed genres, redefined sounds, and propelled countless artists into global stardom. With a career spanning over seven decades, Quincy Jones has produced more than 2,900 songs, 300 albums, and received 80 Grammy nominations — a record that cements his legacy as one of the most influential figures in music history.

Early Life and Beginnings in Jazz

Born on March 14, 1933, in Chicago, Illinois, Quincy Jones grew up in a challenging environment. His early years were marked by hardship, but he discovered his passion for music at a young age. Relocating with his family to Seattle, he began learning the trumpet, which soon became his gateway into the jazz world. During his teenage years, he met Ray Charles, a friendship that would ignite his lifelong journey into music and remain a significant influence throughout his career. Quincy Jones's natural musical talent and relentless drive led him to attend Berklee College of Music in Boston, though he left to pursue professional opportunities when Lionel Hampton invited him on tour.

Jones’s early career was steeped in jazz, where he thrived as an arranger and conductor for major orchestras, including those led by legendary figures like Duke Ellington and Count Basie. His skill in arranging complex compositions and blending instruments to create rich soundscapes soon set him apart as a visionary in jazz and orchestral music.

Transition to Hollywood and Film Scoring

Quincy Jones’s reputation in the jazz world caught the attention of Hollywood, where he broke barriers as one of the first Black composers to work in film scoring. His work on the score for Sidney Lumet's The Pawnbroker in 1964 established him as a skilled and innovative composer, known for blending jazz with cinematic themes. This pivotal role led to further opportunities, including his work on In the Heat of the Night, In Cold Blood, and The Italian Job.

Throughout his time in Hollywood, Quincy Jones challenged stereotypes and opened doors for future Black composers and musicians in the film industry. His film scores were not just background music but sophisticated compositions that enhanced the cinematic experience, adding layers of emotion and depth.

Producing Hits Across Genres

While film scoring was a significant part of his career, Quincy Jones truly found his calling as a music producer. He possessed an uncanny ability to discover, nurture, and refine talent, working with a diverse array of artists. His collaborations have included some of the greatest names in music, from Frank Sinatra to Ray Charles, Aretha Franklin to Miles Davis, and of course, Michael Jackson.

Perhaps most notably, Quincy Jones produced Michael Jackson's legendary albums: Off the Wall, Thriller, and Bad. Each album became a cultural phenomenon, with Thriller alone selling over 100 million copies worldwide, making it the best-selling album of all time. Jones’s unique production style — combining sharp arrangements, memorable melodies, and innovative beats — helped Jackson reach heights that few artists have ever achieved. The music video for "Thriller," also conceptualized with Quincy Jones’s input, set a new standard for music videos and remains iconic to this day.

Quincy Jones: The Architect of Pop Music

Quincy Jones success wasn't limited to pop music. He continued to produce jazz, R&B, and soul music with an innovative approach that integrated different musical styles. His 1989 album Back on the Block exemplifies this cross-genre mastery. Featuring collaborations with artists such as Ray Charles, Ella Fitzgerald, and Chaka Khan, the album bridged multiple generations of music and earned seven Grammy Awards, including Album of the Year.

Jones’s influence extended beyond his own productions. As the founder of Qwest Records in 1980, he gave a platform to groundbreaking artists like Tevin Campbell and New Jack Swing icon, Teddy Riley. He also produced We Are the World in 1985, a global charity single featuring some of the world’s top artists, aimed at raising funds for famine relief in Africa. This project underscored Quincy Jones’s dedication not only to music but to humanitarian causes, showcasing his ability to bring together artists for a greater purpose.

Legacy in Television and Cultural Impact

In addition to his work in music and film, Quincy Jones left a significant mark on television. He produced The Fresh Prince of Bel-Air, the beloved sitcom that launched Will Smith’s career. Through his production company, he played a key role in bringing African American voices and stories to mainstream television. This contribution extended the reach of his influence and underscored his role as a cultural pioneer.

Quincy Jones’s career reflects a dedication to excellence, innovation, and inclusivity. He has consistently challenged norms, broken boundaries, and raised the bar for artists across the board. His story is a testament to the power of vision and resilience — qualities that helped him navigate a challenging industry and leave an indelible mark.

A Lifelong Commitment to Social Justice and Education

Jones’s passion for social justice and education has always been a driving force behind his career. He has supported countless educational programs, particularly those that provide access to music education for underprivileged children. His involvement in various causes, from civil rights to health and humanitarian projects, highlights his commitment to giving back to the community and inspiring future generations.

Quincy Jones has also been a fierce advocate for African American artists, calling for fair recognition and representation in the music industry. His influence in this area has helped pave the way for a new generation of Black artists, producers, and executives to find success and acknowledgment in mainstream music and media.

Conclusion: The Lasting Legacy of Quincy Jones

Few individuals have had as profound an impact on music and culture as Quincy Jones. His visionary contributions as a producer, composer, and arranger have defined the sound of generations, while his commitment to social causes and education has amplified his legacy beyond music. From jazz clubs to Hollywood, from hit singles to television, Quincy Jones has proven that true artistry knows no bounds.

In a career that spans more than 70 years, Quincy Jones has not only created countless hits but also set a standard of excellence for future generations. His work embodies passion, resilience, and a relentless drive to innovate, earning him a place among the most influential figures in the history of music.